#Folktales from Japan
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Harsh life of Hare
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#Spy x Family#One Piece#Bleach#Blue Lock#Jujutsu Kaisen#Attack on Titan#Dead Mount Death Play#Kimi ni Todoke Season 3#Ranking of Kings#Vinland Saga#Boushoku no Berserk#Buddy Daddies#Mob Psycho 100#Pluto#Pokémon Concierge#Goblin Slayer II#Seirei Gensouki 2nd Season#Bunny Drop#Folktales from Japan#5G+#Kamonohashi Ron no Kindan Suiri.#Youtube
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Strange Tales From Japan : 99 Chilling Stories of Yokai, Ghosts, Demons and the Supernatural
I like how to book starts with the author storytelling how his hiking and pilgrimage experience in the countryside of Japan lead him into writing this book.
Hearing tales from the locals sparks his interest and curiosity into knowing more about them as he discovers that each prefecture has its own unique tales.
So he began curating and translating various stories he heard and documents he acquired, consolidating them into 99 short stories, complete with illustrations and paintings.
What’s unique and interesting about Japanese folktales is that the ghosts are like humans. Some are good, some are bad. The problem is knowing which is which.
So the stories have a mix of variety. Some are tragic that it breaks your heart, some are funny or wholesome that it makes you smile, some are terrifying that it freaks you out.
Despite of how the stories are categorised based on its genre, I still can’t tell how each story goes and how it will end until i finish each chapter. The outcome is always unexpected.
Sometimes it’s good, with a happy or satisfying ending. Sometimes it’s bad, with a sad ending. Sometimes it even end with a cliffhanger leaving you to your own conclusion.
But nonetheless, it’s an enjoyable read as it also provides insight into the unique culture of each prefecture in Japan, making you understand why some customs are that way.
I feel like a Ronin traveling across Japan reading this, with each chapter taking me to a different town, with different characters, ghosts and stories as I try to figure out what’s going on.
If you feel like reading something thrilling and unexpected, going on misadventures, this is for you. Don’t worry, nothing in this book is more terrifying than toxic people. 🤭
#strange tales from japan#william scott wilson#keisuke nishimoto#tuttle publishing#japanese folklore#japanese folktale#yokai#yurei#japanese culture#japan#bookreview#book recommendations#japanese book
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Eren and the Warlock-Man
Eren and the Warlock-Man
https://www.scribd.com/document/785177586/Eren-and-the-Warlock-Man
This is a deviously scary story about Professor Jaeger's young nephew, Eren who outsmarts an old warlock man before he can have him and his two friends for dinner.
@pied-piper-pluto
@erenjaeger112
@godeyeslove
@nobluesea
@roredwarrior3
@oatmealmika
@zebekah
@thena0315
@zestygraph1te
@attack-on-titan-confessionss
@ferociousroll
@nraevn
@eren-jaeger-on-the-dancefloor
@eren-jaeger-the-avenger
@erentothejeager-blog
@pied-piper-pluto
@lapin-l
@cyberrlivv
@acetier
@animesavior
#attack on titan#shingeki no kyojin#aot#snk#scary story#scary stories#Eren and the Warlock-Man#eren jaeger#eren yeagar#mikasa ackermann#mikasa ackerman#armin arlert#halloween#funimation#anime#japan#japanese folktale#tokyo#warlock#children's books#care characters#picture books#books#children's book#children's book illustration#children's literature#hansel and gretel#Teeny Tiny from Teeny Tiny and the Witch Woman#children's art
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Creatures of Folklore Who Represent Cultures Preventing Wars Throughout History
Anonyomous asked:
Hi! I’m writing a story which is set in a fantasy version of our world. The main difference between our real world and my fictional version is that the spirits and fairies of each culture and folklore exist, and that the majority of them basically stop war from happening because they react very badly (and potentially violently) when invading forces etc try to start battles.��
I’m doing a lot of research into the histories of the various cultures that will be featured in the books set in this world so I can hypothesise how they might have developed without, for example, violent colonialism, and where trade and so on might have flourished in its place. However, it’s possible for colonialism to happen through more insidious ways, such as assimilation. In one of my books, I’m intending to use this as part of the plot, where Japan will try to colonise the Ryukyuan Kingdom through assimilation, but will be stopped by the Ryukyuan Kingdom making allies with other nations (amongst other tactics), but I was wondering if you had any advice for respectfully handling the colonialism that very much did happen in real life in a fantasy setting where it didn’t manage to occur, without erasing the history and ramifications etc of what actually happened?
Do fox spirits have citizenship?
You mean well with this concept, but there are multiple key problems.
One major issue with cordoning off spirits and folklore creatures by “patron” culture and have them fight said patrons’ battles is that there’s a lot of overlap. It’d be hard for there not to be a conflict of interest.
For example, everyone knows about the kitsune fox spirit from Japan. But the story of the fox spirit was introduced to Japan and Korea by China, where they are called húlijīng. These foxes are remarkably similar, with their characteristics and stories almost borrowed wholesale. Are they all the same “species?” If so, when small differences emerge in the countries’ folktales, how do you resolve this? Do these spirits also morph and specialize, or does one interpretation win out? How about when kingdoms are unified, like the Korean Three Kingdoms–do separate versions of the kumiho reverse-evolve into a single variant? What side do they pick when these kingdoms and empires try to battle? If they live apart from humans or aren’t very friendly with them, why would they have a reason to care about invasions when they have no reason to be allegiant to said borders, or whatever name they’re called in whichever country whose land they live on?
Folkloric beings are never static, and are influenced over time by cultural shifts and exchanges, including shifting borders. Human history is stuffed cover-to-cover with events of what we called “conquest” then and “occupation” or “colonization” now. And through these changes, cultures diverged and came together, creating new stories. In other words: not even fairy tales are immune to colonization.
Leigh can explain the rest.
~ Rina
The Problem with Retconning War
A very simple question for you:
How are you going to rectify every single historical war that’s ever existed?
Like, the whole plot of the Trojan War as we know it is that the gods of the same culture were on different sides! And the gods made the war last as long as it did. Alexander the Great was a colonizer. Romans were definitely colonizers. Ottomans and Mongols, also colonizers. It wasn’t to the scale of modern colonialism, but it happened. If you look at census records from the 1800s of Indigenous populations in North America, you’ll find that the men 20+ have way lower numbers because they died in war!
I’m not of the opinion that the basic state of humanity is war and we are barely contained by base instincts. But I’m also not so far in the other direction that I believe humans lack any sort of warring instincts. It shows up in chimps and other primates, so it shows up in humans.
In a way, it sounds like you’ve taken a very Christian-fundamentalist-centric view of things, which is: humans need religion to be “contained”. That humans are amoral without some sort of religion or folklore or spirits telling them to not do a “bad thing.”
This is ignoring how people have been using religion to justify wars since religion was invented. As Rina said, there can be overlap in groups’ beliefs and deities so there’s the side-picking issue, which as I mentioned is the whole plot of the Trojan War. Even when humans write about gods meddling in war, they have the gods not all be on the same side.
Humans have war. Humans try to take over other groups because they want the resources that group has. Alliances shift. Territories shift.
This is also treating humans as a monolith—there are populations within the colonized groups that agree with the colonizers because they get benefits. Claiming that all colonized groups hate all aspects of their colonialism all of the time is deeply ahistorical and flattened. Sometimes the benefits were only for a small group, but sometimes the benefits were far-reaching. It’s in the India tag on WWC, varying views of the Mughals.
Also, how will you handle the Christianization of Europe? How will you handle all of this folklore that only got written down via monks and nuns making notes and modifying beliefs to fit the Bible? Will any area with only Christianity’s records written down not have folklore?
And how will you handle folklore drift? Religions are not static. If you look at Greek myths, there are ten to thirty versions of each story and those are just the ones that survived. Each city-state had its own mythology, using the same gods, modified to fit the local needs.
And what about folklore that deals with war and thrives in war? What about the gods of war and destruction? I know Norse mythology is Christianized beyond recognition, but even in its Christianized form half of it is about war. Would the Valkyries, whose whole purpose is to find valiant soldiers slain in battle, not want war? Their whole purpose is war.
Also, on top of it—how will you handle revolution?
You say yourself, colonialism could still happen subtly. Colonialism and injustice can still happen. Will these subjugated spirits force an already disadvantaged group to exclusively use a rigged system to try and politely ask for their rights back? Or would these spirits want to be free and support the means necessary to take it back?
War has happened to upend the divine right of kings. War has happened to free slaves (Haiti). War has happened for basic workers’ rights (some union strikes have resulted in war).
You’re basically removing a whole toolbox in the fight for a better world. Yes, not being able to colonize because of fantasy AU sounds fine, until you realize that pretty much all of human history from the Romans has been created via war to some degree.
You’re basically just saying “violence is bad and humans need fantasy babysitters to not dive into it”, which really doesn’t sound that great once you sit with it. It removes human agency, removes human nature, and ignores the entire history of the planet.
-Leigh (Lesya)
Marika interjecting here:
We had an ask (Linked here) envisioning a story set in a de-colonized Hawai’i and the socio-political issues with that. Same problem.
#folklore#fairy tales#war#Religion#worldbuilding#world history#colonization#colonialism#history#mythology#asks
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Non stereotypical Yuri recs:
Her Tale of Shim Chong - probably my favorite modern GL, a fairly dark take on a Korean folktale
Sadistic Beauty Side Story A - shockingly good spin off of a het femdom series. Romantic comedy between two college students with strong personalities. Great balance between smut and romance. Includes BDSM but nothing particularly intense
Renai Idenshi XX - set in a magic academy in an omega-verse like world where men are extinct. All the main characters wear suits iirc and it's arguably butchxbutch which is nice to see.
Your Scent is a Little Sweet - actual lesbian omegaverse, only 20-ish chapters translated so far but it looks promising
Run Away With Me Girl - a woman reconnects with her highschool girlfriend 10 years later and finds out she's engaged to a man, angsty but with a touching payoff at the end
My Princess Charming - very cliche fake dating to real romance story but with lesbians, pretty cute
Best Served Cold - a lonely housewife develops a crush on her hot new neighbor, but is unaware that every move the neighbor makes is part of a careful plan to ruin her and her husband's lives. Toxic, dramatic and soapy.
On a Leash - toxic relationship between two military officers that transform into animals.
Kill Me Now - a girl becomes attracted to the assassin that killed her parents that is also her foster mother
Yuki and the Authoress - cute romance in 1920s Japan, really pretty art
What Does the Fox Say - dramatic love triangle between three women, modern setting, smut with great art
Love Thy Neighbor - modern psychological drama. One of the leads is in her 20s and the other is a much older butch.
Goodbye My Rose garden - bittersweet historical romance between a lady and her maid, set in Victorian England
Black and White (Sal Jiang) - office comedy, enemies to enemies that have sex
I may add more to this list later, this is just whatever stood out to me based on what I've read in the last few years. I tried to pick stories with very different vibes and tropes from each other, and all of these are about adult women except for Renai Idenshi. Thanks to @magnetictapedatastorage for inspiring me to type this up!
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The Sazae-Oni [Japanese folklore; yokai]
Kazusano Kuni, in the Shiba prefecture of Japan, used to be a popular shelling spot in the Edo period. There is a folktale from this region about a strange sea-snail-like creature that lives in the deep seas, called the Sazae-Oni.
On nights with a full moon, this enigmatic being floats up to the surface and dances in the moonlight. After completing its dance, it transforms into a human woman and comes to shore to look for a place to spend the night. When she comes knocking on your door at night, you should never let her in, because she kills her host in the morning, before transforming back into a snail creature and returning to the open sea.
The Wakayama prefecture has a completely different story about this creature: according to the legend, the Sazae-Oni transformed into a beautiful woman when a ship passed through the coastal waters. She convinces the ship’s crew to get her aboard the ship, but the sailors are cruel and lustful and the demon finds herself sexually assaulted. In retaliation, she transforms back into a monster and devours the crewmembers.
Generally speaking, the 18th century yokai bestiaries by Toriyama Sekien are some of the best sources out there if you want to know more about creatures from Japanese folklore.
With this fourth instalment in Sekien’s yokai encyclopaedias, however, he took a lot of liberties. Instead of illustrating monsters from well-known folktales and legends, he wrote a narrative in which he fell asleep and saw hordes of strange monsters in his dreams, many of which he invented himself. Among the creatures he supposedly dreamt up was the Sazae-Oni, a sea demon with a horned turban shell for a head (these snails are called ‘sazae’ in Japan, hence the name). He referenced an old wives’ tale that sparrows supposedly dive into the sea and transform into clams to hibernate during the winter, and a saying ‘moles emerging as quails’ which refers to the emergence of hibernating animals in spring. If these animals can transform into other animals (not intended literally), why couldn’t the power of nature turn a snail into a demon?
In this book, the fiend is depicted as a vaguely humanoid monster with a long, snail-like body coming out of a snail’s shell. Its head is a shell with eyes and strands of seaweed. Though Sekien did not invent the Sazae-Oni – the aforementioned folktales apparently predate him – his shell-tailed depiction of the monster became a mainstay in Japanese culture, with numerous appearances in tv shows, manga and other media. In particular, I think the Pokémon Slowbro and the Digimon Shellmon are based on this yokai.
Sources:
Yoda, H. and Alt, M., 2016, Japandemonium Illustrated: the Yokai Encyclopedias of Toriyama sekien, 319 pp., p. 256. This work is a translation of the Gazu Hyakki Yagyo tetralogy by Toriyama Sekien in the 18th century.
Papp, Z., 2010, Anime and Its Roots in Early Japanese Monster Art, Global Oriental, 194 pp., p. 95.
(image source 1: Shigeru Mizuki, illustration based on Toriyama Sekien)
(image source 2: BillSpooks on Deviantart)
#Yokai#Japanese mythology#Aquatic creatures#Shapeshifters#Mythical creatures#mythology#folklore#I find it really interesting that the demon is a clear antagonist in the first story#But in the second tale she punishes the evildoers
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Reading the World
In 2023, I challenged myself to watch a movie from every country in the world during the year, which I more or less succeeded. At the start of 2024 I decided to read a book from every country in the world (without the time restraint) and got a map to track my progress along with a challenge on Story Graph.
List of countries and books below the cut
Current count: 59
Afghanistan:
Albania:
Algeria:
American Samoa: Where We Once Belonged by Sia Figiel
Andorra: Andorra: a play in twelve scenes by Max Frisch
Angola: The Whistler by Ondjaki
Anguilla:
Antigua and Barbuda:
Argentina: Our Share of the Night by Mariana Enríquez
Armenia:
Aruba:
Australia: Growing Up Aboriginal in Australia edited by Alexis West
Austria:
Azerbaijan:
Bahamas:
Bahrain:
Bangladesh:
Barbados:
Belarus:
Belgium:
Belize:
Benin:
Bermuda:
Bhutan: Folktales of Bhutan by Kunzang Choden
Bolivia:
Bosnia and Herzegovina:
Botswana:
Brazil: The Words That Remain by Stênio Gardel
British Virgin Islands:
Brunei:
Bulgaria:
Burkina Faso:
Burundi: Baho! by Roland Rugero
Cambodia: Ma and Me by Putsata Reang
Cameroon: The Impatient by Djaïli Amadou Amal
Canada: The Gift is in the making: Anishinaabeg Stories retold by Amanda Strong and Leanne Betasamosake Simpson
Canary Islands: Dogs of Summer by Andrea Abreu
Cape Verde:
Cayman Islands:
Central African Republic: Co-wives, Co-widows by Adrienne Yabouza
Chad:
Chile: The Twilight Zone by Nona Fernández
China: The Secret Talker by Geling Yan
Christmas Islands:
Cocos Islands:
Colombia:
Comoros:
Cook Islands:
Costa Rica:
Croatia:
Cuba: I Was Never the First Lady by Wendy Guerra
Curacao:
Cyprus:
Czech Republic:
Dem. Rep. of Congo:
Denmark: The Little Book of Hygge: Danish Secrets to Happy Living by Meik Wiking
Djibouti:
Dominica:
Dominican Republic:
Ecuador:
Egypt:
El Salvador:
Equatorial Guinea:
Eritrea:
Estonia:
Eswatini:
Ethiopia:
Falkland Islands:
Faroe Islands:
Fiji:
Finland:
France: The Count of Monte Cristo by Alexandre Dumas
French Guiana:
French Polynesia:
Gabon:
Gambia:
Georgia:
Germany: At the Edge of the Night by Friedo Lampe
Ghana: Wife of the Gods by Kwei Quartey
Gibraltar:
Greece:
Greenland:
Grenada:
Guam:
Guatemala:
Guernsey:
Guinea:
Guinea-Bissau:
Guyana:
Haiti:
Honduras:
Hong Kong:
Hungary:
Iceland: The Night Guest by Hildur Knútsdóttir
India: Coming Out as Dalit: A Memoir Of Surviving India's Caste System by Yashica Dutt
Indonesia: Of Bees and Mist by Erick Setiawan
Iran: Darius the Great is Not Okay by Abid Khorram
Iraq: Frankenstein in Baghdad by Ahmed Saadawi
Ireland:
Isle of Man:
Israel:
Italy:
Ivory Coast:
Jamaica: When Life Gives You Mangos by Kereen Getten
Japan: The Lantern of Lost Memories by Sanaka Hiiragi
Jordan:
Kazakhstan:
Kenya:
Kiribati:
Kosovo:
Kuwait:
Kyrgyzstan:
Laos:
Latvia:
Lebanon: Beirut Hellfire Society by Rawi Hage
Lesotho:
Liberia:
Libya: Zodiac of Echoes by Khaled Mattawa
Liechtenstein:
Lithuania:
Luxembourg:
Macedonia:
Madagascar:
Malawi:
Malaysia:
Maldives:
Mali:
Malta:
Marshall Islands:
Mauritania:
Mauritius: The Last Brother by Nathacha Appanah
Mexico: Silver Nitrate by Silvia Morena-Garcia
Micronesia:
Moldova:
Monaco:
Mongolia:
Montenegro:
Montserrat:
Morocco:
Mozambique:
Myanmar: Smile as They Bow by Nu Nu Yi
Namibia:
Nauru:
Nepal:
Netherlands: We Had to Remove this Post by Hanna Bervoets
New Caledonia:
New Zealand: Tahuri by Ngahuia Te Awekotuku
Nicaragua:
Niger:
Nigeria: Buried Beneath the Baobab Tree by Adaobi Tricia Nwaubani
Niue:
Norfolk Island:
North Korea: A Thousand Miles to Freedom: My Escape from North Korea by Eunsun Kim
Northern Mariana Islands:
Norway: Blind Goddess by Anne Holt
Oman:
Pakistan: Hijab Butch Blues by Lamya H
Palau:
Palestine: The Skin and Its Girl by Sarah Cypher
Panama:
Papua New Guinea:
Paraguay:
Peru:
Philippines:
Pitcairn Islands:
Poland: Return from the Stars by Stanisław Lem
Portugal: Pardalita by Joana Estrela
Puerto Rico: Velorio by Xavier Navarro Aquino
Qatar:
Rep. of the Congo:
Romania:
Russia:
Rwanda: Baking Cakes in Kigali by Gaile Parkin
Saint Barthelemy:
Saint Helena, Ascension and Tristan da Cunha:
Saint Kitts and Nevis:
Saint Lucia:
Saint Martin:
Saint Pierre and Miquelon:
Saint Vincent and the Grenadines:
Samoa: Where We Once Belonged by Sia Figiel
San Marino:
Sao Tome and Principe:
Saudi Arabia: Girls of Riyadh by Rajaa Alsanea
Senegal:
Serbia:
Seychelles:
Sierra Leone:
Singapore:
Sint Maarten:
Slovakia:
Slovenia:
Solomon Islands:
Somalia: Under the Shade of a Tree: Somali Women Speak edited by Rissa Mohabir
South Africa:
South Korea: The Old Woman with the Knife by Gu Byeong -Mo
South Sudan:
Spain: Mammoth by Eva Baltasar
Sri Lanka: The Seven Moons of Maali Almeida by Shehan Karunatilaka
Sudan: The Translator: A Memoir by Daoud Hari
Suriname:
Sweden: Fire from the Sky by Moa Backe Åstot
Switzerland:
Syria: The Book Collectors: A Band of Syrian Rebels and the Stories That Carried Them Through a War by Delphine Minoui
Taiwan:
Tajikistan: The Sandalwood Box: Folk Tales from Tadzhikistan by Hans Baltzer
Tanzania:
Thailand:
Togo:
Tokelau:
Tonga:
Trinidad and Tobago:
Tunisia:
Turkey:
Turkmenistan:
Turks and Caicos Islands:
Tuvalu:
Uganda:
Ukraine:
United Arab Emirates:
United Kingdom: Poyums by Len Pennie
United States of America: Reclaiming Two-Spirits: Sexuality, Spiritual Renewal & Sovereignty in Native America by Gregory D. Smithers
United States Virgin Islands: No Gods, No Monsters by Cadwell Turnbull
Uruguay:
Uzbekistan:
Vanuatu: Sista, Stanap Strong : A Vanuatu Women's Anthology edited by Mikaela Nyman and Rebecca Tobo Olul-Hossen
Venezuela: Doña Barbara by Rómulo Gallegos
Vietnam:
Wallis and Futuna:
Western Sahara:
Yemen:
Zambia:
Zimbabwe: We Need New Names by NoViolet Bulawayo
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You don't have to post this if you don't wanna but thinking of how Sara would've suffered in Inazuma's very unequal society is doing things to my psyche.
Warning: this is LONG. Still hope you enjoy, your Kujou Sara takes keep me alive lol.
She's a Tengu. Immediately, she's going to be deumanised to some extent by swathes of people; yes, while it was mostly mentioned that Oni are historically discriminated against, the Youkai and humans are incredibly divided in modern Inazuma as is. A street orphan like Sara, someone not confirmed (yet?) to originate from a major wealthy Tengu clan/tribe like the Yougou Tengu would also lack any privilege by birth that would quell any outward discrimination, also considering how she was literally a homeless child living in the woods alone, parentless, and was chased off a cliff my monsters. Theoretically, if they discriminate against other species of Youkai like tanuki, then I don't doubt they'd stop at some random "unruly" Tengu kid. Also add in the way Yae Miko treats her canonically and in lore and yeah...
Sexism; people like to avoid this topic a lot but Inazuman society, especially the Tenryou Comission, is especially divided by sex. Yes, Sara was mistaken as a boy by the military as a kid, but growing up would have undoubtedly been isolating, especially as a non-human girl/woman. Plus, unlike Fontaine, Mondstadt, Sumeru, and Natlan, we see 0 female warriors outside of her; all the soldier NPCs are male. Even though Japan historically had female warriors, a vast majority in samurai families were heavily restricted to marriage and women were still seen as lesser than men. Accounting for the nuance of Sara not being human, it's also that she was possibly dehumanised to the point of not being seen as a girl at all, hence why she was raised as a weapon and exploited in this way. There is also a male NPC in tenshukaku who mockingly calls her "useless". Yes, Ei is the Shogun, but even Takayuki himself confirms he doesn't see her as a woman but only as a god - I'm probably reaching here, but even if a nation's leader was female, they often reinforced sexist values through the system; add in the whole concept of eternity and it's slightly ominous. Add in the whole gender-based clan inheritance thing and yeah...
Being raised as a weapon who wasn't allowed friends. This is pretty self-explanatory but comparing her to everyone else in Inazuma this hurts my heart, and the only person who ever acknowledges this is Ayato of all people; Miko had a hand to play in Sara's upbringing, and Sara's "daddy Tengu" (as Miko calls him) is fuck knows where and she's probably never had anybody to protect her out of love.
Probable disconnect from heritage. Unlike Itto who at least knew his parents enough to be aware of Oni culture and folktales, and Miko who lived lovingly among them, Sara only has her fan, Tengu Archery (debatable if this is even fully historical Tengu archery as in the art form) and her natural abilities and mask. Tanuki have their own language, and it's not importable that Tengu also have their own. Sara is also shown, in a description in one of her talents, to have "departed from her people, the Tengu, long ago". How does Yoimiya have the "Thundering Pulse", a bow originally forged by the Shogun for the Great Tengu Reizenbou and passed down to her human servant Takamine, while Sara gets... nothing? She wasn't even in the Youkai event. She's mentioned, sure, but what are her opinions on her heritage? Who taught her how to take care of her wings? Does she know any Tengu magic? Etc. etc.
Apologies for how long that was. Feel free to ignore this if you wanna, but I just needed to get my thoughts out.
-🐗 (if I ever come back, this is me. Just lmk if you don't want me to).
sorry for taking a while to reply but since i think you’ve landed in my inbox again (to which i welcome you and any and all kjsr asks) i’ll answer this one first. YES omg this is such a good analysis especially your second point; i had my own suspicions about inazuma’s sexism but i’ve seen net zero information about it in any discussions of inazuma so i thought i was just seeing shit akxbdjjshf but i’m glad to know someone else has also picked up on that little oddity! anyway, circling back to the last line of your first point…
i wanna preface this by saying i love yae miko. i have her c0r1, friendship 10, her talents are almost maxed. i ADORE her—but at the same time i definitely believe she was to some extent complacent in sara’s abuse as a child. realistically there’s no way she wouldn’t know about it; she’s essentially the shogun’s left hand woman. i doubt there’s anything that goes on in inazuma city she doesn’t know about, and i doubt her hands are tied this badly when it comes to doing something about it, since takayuki is the shogun’s no. 1 glazer and miko is practically the shogun’s voice. this does raise an interesting character point about miko’s own morality, which i personally think is very ei-centric. it’s very gay and a little fucked up of her and i love it as a character trait (non-human morality in a non-human character/dilemma of is humanity learned or ingrained?) HOWEVER it does make her (in my hc and interpretation) a bystander to sara’s abuse for which i do have some conflicted feelings about lmao
i agree with your last two points as well, wholeheartedly. although for ‘signature’ weapons i do try not to take them as character canon unless the character themself is mentioned in the weapon’s lore, like how the shogun is mentioned in the lore of engulfing. it would be cool if sara was the owner of thundering pulse though, i will admit. i’ve talked about some of the things you mentioned in some previous asks so i won’t rehash it here for the sake of not soundlike a broken record skchdjdh but rest assured i do the long ask, 🐗 anon! i enjoyed reading it :)
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Yoshida Shoyo's Origin and his Path to Salvation
I will be covering a lot of topics pertaining to the character and events that took place in Yoshida Shoyo's life, from birth till death. This will be a very long post and I hope you enjoy it. I've tried to NOT make it as sad as possible and pertained to a practical approach.
Note: I know there will be people who raise doubts before completing this(personal experience) so let me say this, if you have any questions, there is a 99 percent chance I've already covered it in this essay itself, so please do try to read the whole study if you would like to build on this subject. If you would only like answers to a specific topic, you can lmk and i will try to highlight that certain segment for your convenience. And if you do read this and still have questions, do feel free to lmk
Yoshida Shoyo's Birth:
I would like to clarify that in my previous posts, I had discussed that Shoyo may have been born a human and then infused with Altana somehow by naturally being exposed to it. But afterwards, I had some more discussions and revisited the manga several times to get a better picture of his origin. Based on the facts from the manga itself, here is my research.
You can refer to the last Silver Soul arc and the Rakuyo arcs in case you would like to see them for yourself. I think they explain his origin very clearly. I draw many parallels from old folktales, myths, and history—whatever you choose to believe—but beings that have been born from the Earth herself are, in fact, a lot of recurring stories, which I’d like to point out (I’ve included just one example; otherwise, it would take too long to explain every single one).
So here it is: Yoshida Shoyo's creation began in the dragon veins running throughout the Earth. It’s established in Gintama how there are various dragon holes/outlets throughout Japan. Shoyo was born directly from Mother Earth and had been pushed out from one of these dragon holes.
I had previously tried to theorize how Shoyo's genesis began, and I came to the conclusion that this is the way he was born. These panels from the manga in the Silver Soul arc state that he had been reborn from one of the dragon holes governed by a temple. In this panel, it shows that at first, he had sprouted as a mass of meat out of the ocean and then had generated to become a human.
Nonetheless, this may have been how his life originally started as well. OR, he could have sprouted as a fully formed infant, like how a human is born from their mother's womb. I’m including this idea as well, as "Takasugi's Rebirth" had also been like that. Matako had found him as an infant floating in one of the water bodies in a dragon hole at the end of Silver Soul.
I still consider Shoyo as a human, though he may not have been born the normal way. More than human, I think the most accurate term to describe him would be superhuman. In the Silver Soul arc, when Nobume reveals the truth to Yorozuya and Katsura, she explains how the Altana, which is the life source of the planet and is vital for survival and advancement, is what led to the creation of their teacher, whose blood is Altana itself, and he is the literal embodiment of Altana, the Earth's life source.
So how did these dragon veins, the Altana running through the East, suddenly have the capability to produce a whole human baby with superhuman qualities? One theory is that every planet in the universe with life on it produces at least one such being. This can’t be backed up with confirmation for now, as the only other being like Shoyo is Kouka from the planet of Yatos.
So I can’t say this for sure since we only have little data. Maybe they are special cases since the Yatos are considered a very strong species in the universe, and the case for Earth can be a different reason altogether. Or simply for the plot. Either way, this is how his birth came about.
Another example of the same case is a hindu folktale/myth/history is Sita from the Ramayana(a mythology, whether it is historical or mythological is up to everyone's opinion). To summarise it quickly, Sita's adoptive father, who was a king, was struggling to solve the problem of his land suffering from having no rain and the crops of his kingdom were suffering.
After some advice from scholars, he attempted to plow the land in hopes of it being the start of his solution. He had struggled to move the plow for some reason or not been able to move his plow at all, and then dug up the ground to see what was holding up. It was a child in a burrow.
That child was Sita, and her mother was the earth herself. So, Sita was born directly from the earth, which resembles the origins of Yoshida Shoyo, who was born from the earth, but via the dragon veins and with the altana as his base.
And rather than being found in the soul, he had sprouted from the dragon holes, in a body of water. There are many interpretations to how she ended up in a furrow in the first place, but this is the most widely accepted interpretation.
Alike to Yoshida Shoyo, Sita had immense strength right from infancy, an event where she had displayed superhuman strength was when he kingdom held onto an ancient bow that was once utilised by a mighty god. It had been laid to rest in her kingdom.
When a accomplished saint had come across Sita, playfully lifting the bow effortlessly as a child, he was surprised by this brute strength of hers, as even the gods in heaven were not able to wield that bow other than the highest level of god who had originally been its owner.
Of course one of the reasons behind her skill is due to being a blessing from the gods, specifically from the the goddess of the earth, however, even though she was considered and looked human. She had still possessed qualities that surpass the average humans, and even mighty warriors and deities.
Now i want to clarify that I'm simply drawing parallels, and that such cases of interpretation of beings born directly from the earth has happened before, I'm sure this isn't the only example akin to Shoyo's origin. So take it with a grain of salt.
I believe Yoshida Shoyo also possesses the same magnitude due to the nature of his birth. His parent is Mother Earth and the blood running through his veins, his DNA all stems from the altana and dragon veins, which contrasts the brith of humans who carry the DNA, genetics and bloodline of their ancestors.
Shoyo's ancestor/parent/origin comes from the Earth herself. TO reiterate, he is the child of Mother Earth, yes all of us are made of the earth, but we descend from humans, while he had directly descended from the source herself.
My theory can further when he has been said to be, its not a direct relation to him but it does attribute to how his strength is akin and massive like that of the very earth herself. His superstrength can be attributed to the fact that he wasn't born normally and is the literal embodiment of the life source of the planet, So his power should be no surprise. (refer to manga panels below)
This was supposedly said by one of the strongest characters in the verse. Many others have said something along those lines as well. As for these strongest characters, they may accumulate an immense amount of strength, travelled and gain many things to build on themselves. But in the end, they were still descending from people of their own kind, their strength, their body has limits, depending on their ancestors.
As such, a being born from the earth herself, the planet that can swallow up these strong people without hesitation, as people, humans depend on the planet itself for sustenance, for protection, for resources, for life.
So imagine if the very thing you had relied on at least unconsciously turned against you so suddenly, even the strongest person alive wouldn't stand a chance against the very ground they stand upon. That's my take upon Shoyo's strength, as far-fetched as it may seem. But I think there are many many parts in gintama which elude to his undeniable brawn.
To summarize, Shoyo is a child of Mother Earth, and I would mainly label him as a superhuman. As to what makes a human, I'll be exploring it a bit more later on as well. (Immortal beings being produced from the planet herself is also mentioned in the manga)
Traits similar to the earth
Going by the connotation of him being a direct representative/offspring of earth, we can observe all the undeserved torture, abuse, ostracization, KILLINGS, he had faced just because he was discovered to immortality, to which he was subjected to by none other than his fellow humans.
I would see the theory of humans treating anything they do not understand or anything stronger them as something to be feared/demonic and finding ways to kill/ make them weaker somehow, mostly I'm adhering to the fact that humans would carelessly hurt or destroy anything they can't handle or understand. Which is what has been going on for the last few centuries, such as pollution, global warming, ecosystems being destroyed.
Basically torturing earth is someway right? which is kind of the same treatment Shoyo has been receiving, as he had been docile and had not retaliated when being subject to such abuse by humans, he had tolerated it, held the weight of it, like earth actually. Which is why I would say he has traits that are familiar with the earth herself.
Now this is just me drawing parallels and it doesn't mean that Sorachi did this with this idea in mind, is what id like to clarify. This is just an observation of mine, and it can be purely coincidental. And is purely speculation
Docile nature during torture phase
Since I'm on the subject of his docile nature during his torture phase(approximately 500+ years), I've always had the question, why did he not fight back?, For 500 years he had remained passive, let himself be subjected to cruelties beyond what any person would ever be able to handle. Why? He has super strength, super speed, he's superhuman, so why did he stay quiet? What was the reason behind his actions of not resisting? As far as I have seen, he was discovered by humans when he was a young child, a few years old, able to walk and act independently.
Or, another theory is that people have been seeing him ever since he was an infant, but had discovered his immortality when he was a few years older. For example, he could've died and then people witnessed him come back to life, thus coming to the conclusion that he's immortal. During the silver soul arc, the priests monitoring one of the dragon holes had discovered Shoyo reborn as an infant and took him in.
Until Gintoki had come to collect Shoyo, so possibly, when he was originally born and came out one of the dragon holes, a few priests might have taken him in, and raised him for a while, and when he was around, well I'm guessing definitely above 6 years old, his odd origin and traits would have been noticed by the people around him, thus leading to the fear and ostracisation, ultimately leading to centuries of torture.
Now begs the question, he has enhanced capabilities, inhuman strength, and speed. Yet, why did a man of such strength get tortured for so long, or to be more accurate why did he remain docile throughout his centuries' worth of agony, there are many points that I can backup this segment with.
One, humans are not violent by nature, mostly at least, Shoyo being subjected to extreme mutilations and tortures had been happening to him since he was a very young age, so one fact is that he had become indoctrinated to accept it, the way people treat him so cruelly had become the normal for him, in the final in that one flashback of Shoyos past, it can be shown how as a child and while growing older, he had stood with fear or was seen trembling in fear.
The depressing truth is due to the fact that as a child you would not be able to comprehend or understand how to save yourself from such problems, especially when in his case, the whole world apparently was out to get rid of him or villainise him as a demon.
After those two phases, we see him sprout as an adult, but this time he starts running away as much as he can, signifying that as a child he was unaware of how to handle his situation, but after reaching adulthood he had started thinking of ways to get out of his situation.
So he started to run, hide, anything to get away from humans, but as you can see he was cut down, burned and scorned once again, or to be accurate, the torturous cycle continues regardless. Now going back to my question, why did he not fight back? Granted he was more than capable of getting rid of or stopping anyone from even getting close to him, let alone viciously killing him repeatedly, so why?
As mentioned before, humans are not born violent, it is nurtured, even if there are times where we may act in times of dire needs or for survival, self-defense, etc, that is due to our evolution of over a billion years, from the stone age all the way to the current era. So that would explain our need to protect ourselves or rid of what we may label as danger in dire times.
However, if we go by that logic, Shoyo should have been fighting for his life everyday, killing or at least immobilising people left and right everyday to save him selves. Yet he didn't, yes he was unable to know how to do so as a child while growing up when he was first born, but after adulthood, why did he choose to run, when it would rather have been much easier to rid of his problem once he found himself capable?
He is afraid, he's tired, he's not violent by nature, even when I am able to say that humans, that have gone through survival and evolution for millions of years, when we have such ancestry and are not violent by nature, it's important to note that Shoyo is human, but was not born and did not come into origin the way a human being does, he came directly from the earth, from the planet's life energies itself.
The planet's energy, its life source, the altana, is something that every being in authority, every organization, was out to get from their own planets after discovering its existence.
The planet's substance that could possibly grant immortality, cure diseases, wounds, any physical problems, enhance your physical prowess and many other healing properties. As shown in Gintama itself. Some of its properties include, rejuvenation, regeneration and of course as we know, unlimited energy.
That very life force of the planet itself, had created a man from its very essence, coming directly from the altana itself, the very essence of the earth, the energy of the planet, comes Yoshida shoyo himself, every pore exudes altana, every single atom in his body is from altana, it is not alien, it is depicted to be as the very substance that allows planet earth to persevere and flourish till today.
As aforementioned, the life force of the planet. That every energy, has taken on a small form of a man known as Yoshida Shoyo, or to be more accurate.
The life force that has given life to every being on the planet, including humans, has produced Yoshida Shoyo as a special phenomena. He is generated from the very altana itself, the bloodstream of the earth I could even say.
He comes from the altana, the water bodies, and thus is pushed out via one of the dragon holes, that can be found all over the world, especially many in Japan, which is how he was born in (probably) Heian era Japan(which era he came into existence is a convo that should be discussed but as far as I can salvage I can gather than he has lived up until 1700+, [give or take] years old till the Gintama finale, as per the calculations I've made).
After the centuries worth of damnation, he then gets imprisoned far away, on some mountain perhaps, away from civilisation far away from humans, for the humans safety I'm presuming.
The humans of that time would have finally come to the conclusion that Shoyo just cannot be killed, after centuries of torture, wow a very bright and intelligent group of people aren't they. So they lock him up, he stays at the same one cell for 500 years, he never bothers to walk out, to break free, to escape.
As I have discussed, why would he do so? he will be persecuted just for the sole reason of breathing, so of course it explains why he chose to stay within his cell for centuries, away from humans, away from society, away from cruelty, away from agony.
I don't want to hear anyone saying oh did they give him food or something everyday as a prisoner... bro he was incarcerated for just breathing, they labelled him as a devil, do you think they're gonna bother whether a devil gets his daily bread or not? Especially one they've continuously KILLED every day? I don't think so, and it definitely isn't so. He was seen and treated as a literal demon that should be feared and chased away, or even not let him walk on this earth, because he was seen AS A DEMON.
People did not want him to be alive, as letting him even live or given the minimal amount of space, or even being in the same area as him, would pose a risk to their lives.
Hence they actively tried to get rid of him, but they couldn't, they didn't understand what his real nature was and what he had actually been born from. They were trying to destroy the embodiment of energy that comes form the very core of the planet that they walk upon and depend on to survive.
I don't know how many times I want to emphasize this, they did not want him to even be alive, much less even try to go anywhere near him unless they were attempting to end his life, as repeated many times in Gintama, his mere existence caused fear and anxiety to take over all of their senses, you can even see this as an example when Okita started to tremble by the mere presence of Utsuro, who was still much farther away.
Him being in the same vicinity had already struck a chord of terror in everyone. They either wanted to run or get rid of the problem all together.
So yes, he lives in isolation for over 500 years in his little cell, tucked away in a cave, that's in some mountain range, no humans, no words, nobody, just the man born from Altana. Like they have shown in Gintama, he doesn't choose to leave, he is forced to leave his abode of centuries after the jail cell fucking ROTS AWAY...
So it goes to show that his home I guess, has collapsed, he has no proper shelter, hence he is forced to leave, and walk out into society yet again. Now before we move onto him moving out, let's discuss what went down during those 500 years when he was all alone, secluded, isolated, yea everything that concerns loneliness.
I want to start off this whole theory by quoting that "an idle mind is the devil's playground" now I want to make this clear, I am NOT saying Yoshida Shoyo being diagnosed with multiple personality disorder, going on killing spree, does NOT mean he was possessed by a demon or the devil. NO. That's not what the quote means in my eyes.
That is very much his own actions and choices, as much as he was mentally unwell. He was secluded, he was stuck in a little cell, for CENTURIES. Human ourselves, if we were locked in a room or cell with nothing to do, no entertainment, nothing to keep us occupied. We will without a doubt go crazy within a few days.
Now this man was locked away for centuries, just imagine the magnitude of what he was subjected to, what he had to experience. If we can go crazy, then for a man that was locked for centuries, he's bound to lose his mind.
When the mind is not kept busy, all sorts of thoughts will come in and inconvenience or upset us, and given the agonizing life Shoyo has lived, I'm positive of the fact that literally, not even a single thought of his was able to make him happy or peaceful, it will only serve to make him spiral into madness further along with his traumatizing past.
Now going onto why he had become the victim of multiple personality disorder, I mean of course its given he will be subject to mental illness after what he's going through in his life without a doubt, but why specifically MPD? Multiple personality disorder stems from the branch of dissociative identity disorder.
Due to his repetitive abuse from childhood, is one of the reasons that led to it. Moreover, despite his physical strength, he did not defend himself, or at the very least, could not defend himself, as he was unaware of how to do so. I mean come on he was persecuted from the very age he gained conciseness and was never taught anything, all he had was himself to learn and grow, and his ever-persevering altana body of his.
His stress, his fear and rage and not being able to change his situation for himself, to be finally allowed to live I peace, also caused this man to spiral into disassociating to a certain extent. "the disorders form in children who've lived in environments where they went through frightening times or they never knew what to expect. The stress of war or natural disasters also can bring on dissociative disorders.
When you go through an event that's too much to handle emotionally, you may feel like you're stepping outside of yourself and seeing the event as if it's happening to another person. Mentally escaping in this way may help you get through a shocking, distressing, or painful time." Well, this perfectly explains's shoyo's past doesn't it.
He was subjected to killings and torture ever since he was young, and he was only able to escape this treatment when he was locked away from civilisation, alone and rotting away, mentality wise. So he truly was unable to reach any environment or situation where was at the very least comfortable or content with the way he was living, it was pure anguish everyday.
As they have mentioned in Gintama itself, he had developed multiple personalities as a way to coper with his extreme trauma. And it was not just 2 or 3 personalities, it was hundreds of them. Which is fitting that if a person, that has an average lifespan can develop 20 or more personalties, as such cases actually exist. It makes sense that an immortal man who's ONLY ever experienced pain throughout his life from birth till incarceration, had resulted him in developing hundreds of personalities.
To quote my paragraph from another post of mine to provide a little more relatable and just a basic understanding of MPD and how it starts and develops:
"To help provide an easier understanding, The average human has many voices running in their minds, and are always contradicting one another like there are different personas living in our heads, however it is to a controlled level and we are able to distinguish these to a certain extent when making decisions and taking actions.
Multiple personality disorder stems from that same phenomena of the brain but multiplied by many many more folds due to psychological trauma, PTSD, and repression of emotions as a method to cope with said trauma."
Another theory is that he has been subjected to various methods of mutilations, like he himself says, at one point he had his eyes gouged out every day for decades, which is what forced him to adapt his senses to perceive his surroundings, even without his eyes. which is what causes him to accurately move around and be precise in his actions like swinging his blade or walking/running/ defending/attacking etc.
So due to this various torture treatments from humans, I'm sure he had thought of various ways that he wanted to escape or stop it as in the act or humans themselves.
Like stopping them forcibly, cutting them down, talking to them, crying for help, simply running away, scolding them, killing them, and various other ways he would have wished he could have done to stop his unfair treatment. But he wasn't able to do so, he had to bottle up his emotions and thoughts, and it ate away inside of him.
Eventually, when he was incarcerated all those emotions, all that trauma, all the pain, agony, rage, desperation, that was bottled up, had bubbled up to the surface, or to be more accurate, erupted completely, due to how he was always constantly killed and tortured for CENTURIES, ON END.
But now suddenly. Nobody is around, not a single soul, it's just him, his cell, the cave, the wind, and the little insects crawling around.
That drastic change itself is also just a fucking slap to the face, which serves the purpose of his bottled up emotions of rage and agony exploding much more faster and in a destructive way for his state of mind. So the various ways that he wished he would help himself, the ways to escape, to stop, to find peace. This can also explain why he had developed HUNDREDS of personalities which is such an extreme amount, to of course with his said extreme trauma.
So when his cell finally rots away, he walks back into the outside world, to civilisation, with all of these personalities warring within his mind, but even with all of these personalities, what his brain knows, what every single personalities of his knows, is pain, murder, torment and violence.
This was all of what he was only subject to for as far as he can remember since he was born, he was not allowed even a moment of peace, his sudden seclusion in a cell after being subject to such horror did no good in helping him become peaceful, as by then all his trauma would never let him stay at peace, would never let him get a wink of a good rest, a glimmer of happiness, a spark of hope, he was deprived of all of them, to be more accurate, he was not even given the chance in the first place.
His history is truly unfathomable with the way it was crafted. So when all those personalities within him, are struggling to find an outlet to quell his rage with, he comes across society once again, and this time, he puts his natural capabilities to use destructive use. Like how this also was discussed in Gintama, he simply displayed the nature of what he was exposed to throughout his whole life, death and violence, terror and misery.
Which is why this explains why before his incarceration, he was a very docile creature, letting his larger-than-life body with astounding physical capabilities, be subject to abuse, as I have explained before, due to his exposure and cruelty being the only thing he was faced with, and the label that he himself is a demon.
Which was the label for him the humans had used to justify their behaviour. Hence, this explains why such a docile and mild man, had suddenly turned into the beast of killing with amazing physical prowess that he finally chose to use.
I mean given how he had 500 years to grow into this type of man, maybe it isn't a very sudden change, but for the others it will be a very drastic change and unexpected one, as Shoyo has now truly turned into a monster. Or we can also say, the beast finally shows its fangs. And then when he goes on a killing spree, truly wishing to kill every human in sight, he then heats captured by the soldiers and is dragged to the emperor.
Now he could have easily broken free as we all know, but maybe after being alive for so long and becoming numb to literally everything, he wanted to see what they were going to do or let him see since he was continuously killing people, maybe he just wanted to see what else they were gonna do now, just for his curiosity, since it would be a contrast from the cruelty and horror he had faced up until that point. Not saying he was finally given peace, no, the problems were just starting when he was brought to court actually.
But for him it was just a change of events, and he was just going to let them act to see what going to happen. I strongly suggest this as he is very much immortal, and he is already beyond what the average human does or goes through in life.
So being brought to court was just another Tuesday for him or something, and he was just playing along because why not, if he wanted to he could easily break free and make a run for it. But the problem lied in the fact that if eh did run again, they would again repeatedly try to kill him and persecute him.
Only this time he's different, he won't take it like the docile man he was anymore, he would fight back, kill, and slaughter, anyone that came to harm him.
Working for the Naraku
It is said that the Naraku was founded by Utsuro (Shoyo) himself, I want to make it clear that yes by name, the naraku did come into existence after Shoyo was brought to the monarchy, however they were the ones that had assigned Shoyo to become a "grim reaper" or an assassin. They had seen the crimes Shoyo had committed and had realized a means to an end had become available to them, to destroy or slaughter their enemies in a way that won't tarnish their name.
The Naraku is literally a secret crime organization that's working for the government all along. Which is canonically stated. So yes, by name, "Utsuro" founded the Naraku(hell), since he was known as a devil himself. However, the idea and the execution of Naraku being implicated was done by the government of that time, by the monarch of that time. If Shoyo was the leader, it guaranteed that Naraku would stand for a very long time due to his immortality as well as his physical capabilities that further proved to enhance his skills in murder and assassinations.
Thus, in name Shoyo is the one in charge, however, he simply had become a pawn in the government's hand. Now I know people will say why did he let himself be restricted to such authorities.
In spite of that, I need you to understand that he had no concept or care for higher authorities or morality, he simply wanted to give back all the pain he was given, he wanted to eliminate humans if he was given the chance. If he had refused the government, he could kill people but he would still be chased and hurt again and again, maybe even more so than he was in his past, for defying the government. So if he could continue to take out his wrath on humanity, which he was expected do to, as by the government, for a long time, don't you think he would just take the easier option.
He can continue to hate humans and yet spew his hate onto them when the occasion arises. SO at the time he would have let himself become the government's grim reaper due to the convenience at the time.
It is canonically stated about the assassination group Naraku, that "They consist of lawless people or orphans that were thrown out from society and were taken in by the group and trained." Now there are so many things that can be inferred from this statement itself.
Humans that were considered outcasts/ had no one to protect or take care of them/abandoned/ ostracised, were all taken in by the government secretly to train them as assassins instead. in a sense they took in humans that were treated the same way as shoyo, OF COURSE not to the extent to which he had been treated, but treated very badly or had nobody to back them up nonetheless. People that very similar to Yoshida Shoyo fundamentally.
Oboro was an orphan as far as we know, going by how he talked about his past as a kid, he was a working as a child labourer/ servant for a clan/family. Most likely a family in power, as they were powerful and troublesome enough that the government had sent the naraku to get rid of them fully.
At that point is when Shoyo had met Oboro and revived him by giving him his immortal blood. Making him semi-immortal (and his first blood related son lmaooo)
Nobume was also an orphan taken in and trained by the Naraku, as well as Hitsugi who had worked for Oboro and Shoyo, where he was also semi-immortal, making Hitsugi another son of Yoshida Shoyo technically.
The member off the naraku were trained to act like Yoshida Shoyo when he was an assassin, when you watch/read Gintama, the Naraku is seen as people who are emotionless, lifeless, and follow orders robotically, basically being devoid of emotions, being empty, so it would be safe to assume that Yoshida Shoyo was taken as a role model in how they should behave as an assassin(slave to the government).
So to be clear, over this span of 500 years, the people taken in to be work for nark were already traumatised or in extreme struggle as mentioned before, and had nobody to take care of them, which could explain why the government was successful in making sure these kids disappeared from society without a trace, and were then trained to become robot-like. Im not even exaggerating as in Gintama itself, the members of Naraku simply act as mindless and emotionless assassins, and have always been killed left and right, like dolls, pawns, robots, devoid of life, this is due to the tenets they would have set in the beginning which allowed the Naraku organization to be longstanding for over 500 years, up until it was dismantled finally after Shoyo died and Edo was being rebuild under a new government.
Many characters from Gintama can be seen killing or cutting down the members of Naraku without any hesitation, as that's just how much these people of Naraku were detached from their lives and were simply trained an indoctrinated to follow orders and numbly kill as told.
A very sad predicament for the people who have no one in society and were orphaned as a whole if you think about it. Fated to have your basic humanity and qualities sealed away to become a soulless, lifeless, dumb pawn, until you are eventually cut down by someone, or even by your own organization if you defy them, and then to die nameless, the fact that is isn't even an exaggeration an if anything, its an understatement. Gintama itself is a good example of displaying the dark sides of the monarchy as well as capitalism.
The Naraku were indoctrinated to reject their humanity and only have killing as their profession, without any discrimination. Like when Shoyo escaped to start Shoka Sonjuku, he was chased down despite being their leader for centuries, as that is what their tenet was, whoever betrayed must be cut down. And it does make sense as they are the ones who do the most horrifying murders and dirty work of the government (the dirty work is just slaughter and wiping out whole families, clans, maybe even towns, judging by how vital they ere to the government)
SO it makes sense that Shoyo was hunted down, he was their leader, he has seen and witness every single crime of the Naraku, and in connection, the government itself, so he had to be put down, importantly. Even if they were indoctrinated, maybe the Naraku members had some semblance of humanity, but them being constantly sent on missions to murder so many humans, authorities, families, could have ventrally lose that little hope of humanity too.
Which is what essentially leads to them being seen as the soulless machines they have become in Gintama.
This explains why when Shoyo came cross the townspeople about to attack his kids, he had interfered and said he would topple the government itself had anything happened to the children.
This is because he knows the government has been the root of all the problems, bloodshed, slavery that was deep-rooted into the country, and the branches of theirs was widespread and everywhere, even in the small spaces.
Cutting down the branch won't stop the tree from growing another one, so for a man who has seen just what the government, the monarchy, the injustices they have been committing behind the screens, he realises if the country were to flourish and truly become a space where every civilian regardless of their background can live well, the roots will have to be crushed first. And those roots are the government itself as I have alluded to.
Resurrection and buddhism
Now we come to the bane of Shoyo's existence, his ability to resurrect. And BOY, does he hate it, yes it is no secret that Gintama and especially Shoyo drew many references from Buddhism, and his life in a way is a representation of the cycle of life.
Consequently, I'll be talking about a few parts of the cycle and how he was an inescapable victim of this miserable cycle of life, and how he managed to escape it, at least for a certain while (or did he?) This cycle of life is called samsara, and this whole ordeal is known as the wheel of samsara/ the wheel of suffering(Living itself is suffering).
Breaking this wheel of samsara is what is called nirvana/salvation. Let me give a brief rundown of this cycle before I explain. Samsara is something every living creature is held under, everything that breathes will come under the laws of karma. All of those beings, and their worlds, are categorised in this wheel, each with different representations. Those are The Realm of 1. Gods, 2. Titans, 3. Hungry Ghosts, 4. Demons, 5. Humans and 6. Animals.
This whole cycle is controlled by Yama, the God of Death. Suffering is prevalent in our lives, and it is believed that the reason for our sufferings is our attachments, whatever they may be.
So by detaching, in turn our suffering will lessen and in due time allow us to break the cycle of samsara, this is a very, very watered down summary. And in order to go beyond our suffering, or in essence stop our suffering, it is said for us to realize the Four Noble Truths, which is said to be one of the most important teachings in Buddhism. These four truths are
Truth of Suffering
Truth which is the cause of suffering
Truth of the cessation of suffering
Truth of the path that leads to ending our suffering
And now very importantly, The Noble Eightfold Path is automatically connected to these 4 Noble Truths, as it serves as a guide to terminating a human's suffering.
The 4th Noble truth, which is the journey to the cessation of suffering can also be called the middle way. During this middle way, adhering to the Noble Eightfold Path is what will lead us to our ending of suffering. As said in the name, there are mainly 8 aspects to follow to embark on this journey.
Wisdom
Right understanding
Right thought
Ethical Conduct
3.Right speech
4.Right action
5. Right livelihood
Mental discipline
6. Right Effort
7. Right mindfulness
8. Right concentration
Adhering to these rules is believed to lead us to resolutely end our sufferings and achieve enlightenment and/or break the samsara cycle. Now in the first place, what are these attachments that cause suffering this life we call samsara? Yes there are many but in Buddhism it is mainly categorized into 10 shackles that tie us to samsara.
Drishti
Vichikitsa
Silabbata-paramasa
Kama-raga
Vyapada
Rupa-raga
Arupa-raga
Mana
Udhacca
Avidya
These are mainly called the 10 fetters, its important to keep in mind that the first five mentioned are known as the Lower fetters, as they are tied to the realm of senses/sensuous world. While the next five are called the Higher fetters as they are oriented with the immaterial world in mind. I will try to expand on these without taking too much time afterward.
For a better understanding, individuals who have crossed a certain umber of fetters each have a name attached to them, fro example, One that is free from 1-3 is called a Sotapanna, One, who is already beyond 1-3, and has now overcome 4 and 5, is called a Sakadagami.
And, One who is fully freed from 1-5 fetters is known as an Anagami. Lastly, One who is freed from all 10 fetters is called an Arahat. under these circumstances, as I have briefly explained, Shoyo (I mean the whole man himself, I'm not differentiating at all, Shoyo, and Utsuro are all the same man and mind, which I will delve into more specifically later on), fit into the category of Anagami.
Now as much as i would love to explore all of these manacles of samsara. I am mainly going to focus on the chains that strongly binds Yoshida Shoyo specifically to the wheel of samsara. And these fetters are Vyapada, Arupa-raga, Udhacca (most predominant fetters in his life) and some little dabbling into Mana and Avidya(essentially the Higher fetters).
To start off ill explain these terms, Vyapada in summary means ill will, or wishing harm upon others. Vyapada can also go hand in hand with Dvesha, which literally means hatred. Displaying vyapada includes, killing, destruction, ruin, evil design and malice. All of which this immortal man has done for centuries on end. Vyapada typically has 3 categories of varying vyapada, and is also considered as "wrong intention" in essence.
Those 3 are Vyapadasankappa(intention of ill will), kamasankappa (lust) and vihimsasankappa (intention of harm). NOW I CLARIFY, Shoyo had only committed to vyapadasankappa and vihimsasankappa, NOT kamasankappa, im emphasising this as i will explain why this anomaly is done so. Shoyo did have vyapada prevalent in his life but it was only the 2 aspects i had mentioned, excluding the kama one, like i said, i will explain after i briefly flit through the other shackles of samsara in Shoyo's life.
As mentioned before, this comes under the implications that in the 10 fetters found within the wheel of samsara, only the higher fetters were the challenges Yoshida Shoyo had to overcome, this leap in fetter can be contributed to the fact that his life was not allowed to be normal as he did not live like how the average human should, both in lifespan, social acceptance and treatment, as well as inability to live on his own terms.
Now, Arupa-raga, in a nutshell is defined as the craving for immaterial existence... yea i think you can see where im going with this, call it death, samadhi, moksha, nirvana. You name it, in essence, its the end of the cycle, or desire to attain heaven, dissolving the soul, salvation, there's many terms for it.
But to wrap it up in short thats what arupa-raga is. Rupa-raga is a fetter which is one step below arupa-raga, like how their names are similar, both are the cravings for the unknown, or samadhi, heaven, whichever interpretation you may have. Rupa-raga simply defined means the craving for fine-material existence. To summarise, it means the want to have a peaceful mind, with tranquility and serenity to become one's core.
And for the mind to become one-pointed, or more focused to a purpose. In this regard, its possible that we would try to conclude that Yoshida shoyo is suitable to this category, due to the way he lived his life in around those 15 years of time he was Yoshida Shoyo. However, it should be clear that even when he was Yoshida shoyo or all of his previous years before that, and afterward too after his "execution" in the war.
But yet, he had longed to become human, and wanted to embrace his humanity, despite his origin, so that can be considered his quest through rupa-ruga He had explicitly, stated he wanted to become human, embrace his human nature and compassion, but it did prove to not be fruitful as his journey with shoka sonjuku did not last very long. This is before he crosses the threshold to arupa-ruga.
Moving on, throughout his whole life, his Arupa-raga had always remained strong, however, due to his immortality, atleast when he started shoka sonjuku he had to adjust to being one fetter below, rupa-raga.
The difference is, that arupa-raga is not the end goal, it is still a fetter to overcome, so his arupa-raga was one of the strongest fetters in his life.
Nonetheless, staying stuck to it will not lead him to his salvation, which could explain why it was put off for thousands of years. Because at the end of the day, even though it is a non physical craving, it is still a mental image conjured up, thus it leads to an illusion, which is why arupa-raga is also a fetter to overcome, not indulge in.
His path as Utsuro proved to be an obstacle as even though his end goal was salvation, his craving for samadhi, freedom from samsara, desperation to end it all, it is also what caused him to get stuck in arupa-raga for a certain period of time.
Which explains his grandeur plans to end himself, the universe and vice versa. In simple terms arupa-raga is the yearning for bliss and crossing your physical limits, aligned with spirituality and the soul, possibly, it can also point to wishing for enlightenment.
I'm going to digress a bit to explain something important. If, speculation that this is, if yoshida shoyo demonstrates the path through rupa-raga, arupa-raga which is the next stage, is where utsuro, the final boss, extremely nihilistic personality, was born.
Now bear with me, if you rewatch/reread the Silver Soul arc, you will realize that in the instance where Utsuro goes to meet the space elders or whatever u wanna call them, the Harusame geezers, Utsuro had clearly stated that throughout his whole empty life, now has come to this form, this personality, born from him to finally and resolutely put an end to it all.
In essence, Utsuro is mainly his mantle, more than his name, as it was used throughout his time in Naraku. However, as much as all the personalities he took on during were violent and wished death towards, well anything in general. All those personalities didn't wish for the extreme end of the world and the universe, nor were any of them trying to speed run his death and finding options to kill himself.
Utsuro however, the moment he rises after the joui war, had actively worked towards securing the route of ending everything. In the scene of Yoshida Shoyo's beheading, Utsuro shows up among a pile of Shoyo's corpses(executed personalities) and tells Shoyo," There is no need to suffer anymore, I will put an end to everything".
So in short, Utsuro is truly the grim reaper he created, the all-encompassing destroyer that had risen within himself to finally end everything that caused him pain. I need to explain this more elaborately so ill do it in another segment below sorry.
Now back to Arupa-raga, so it goes to say that arupa-raga was the undoing that had more resolutely began Shoyo's path to salvation and nirvana.
Even though it was self-destructing in many ways. i say this as his desire to go beyond his body, to finally wear off his lifespan and end himself, is what had sealed the absolute nature of him finally attaining nirvana. As through this heavy yearning and rush to end things no matter what anyone or anything comes between his path, is what solidified his absolute end, after over a millenium of reincarnations.
After Arupa-raga, comes mana, mana means conceit, pride and arrogance. i realise that the more i elaborate on each of these steps, we can realise it also comes in line with how Shoyo had behaved until his death. If Shoyo is rupa-raga, utsuro is arupa-raga, and after that the next fetter is conceit, and as you may realise, yoshida shoyo, at the very least, did not show himself to be a gloating arrogant man, he was very much down to earth.
Nevertheless, after his birth as Utsuro, Utsuro is often shown as conceited and smug, especially when he was arrogant in the finale that he had deceived the students of Shoka Sonjuku, but his arrogance and impatience are what ultimately lead him to lose miserably to Gintoki and Takasugi (i HATE saying this cuz he is literally my majestic goat).
See how these fetters align with his life? mana along with arupa-raga is what sped up his demise, which is what he was wishing for, but the nihilistic side of Shoyo's did fail, as Earth had survived. Alas, Utsuro did come to terms with himself and finally stopped hiding from embracing humanity, in his last moments.
However, the contrast of mana is that this superiority complex also stems from inferiority complex, it can also mean, how can you think you know more than me? This can be shown when during the silver soul fight, Utsuro said something along the lines of "Can you defeat this dragon tho?"(LMAO) where he was referring to himself.
NOW BY ALL MEANS, he is truly a dragon, and the strongest man in the verse. But his blatant statements and goading during this fight goes to show that he had grown arrogant when his plan was very close to fruition. Thus this concludes his crossing of the 8th fetter, mana.
Then comes the 9th fetter, udhacca, restlessness and worry is the simple definition of it, it also defines guilt and regret. Udhacca is also a hindrance to nirvana, as it diverts the mind from reality, this is a truth for Shoyo, as his whole ordeal of multiple personality disorders, was ultimately his undoing, and is what led him to lose all the things and bonds he had built.
MPD is just ONE of his problems, his regrets, his sins he wished to wash away, his bloodthirst he had abandoned, as Yoshida Shoyo, can also be seen plaguing his mind as Yoshida Shoyo, as Katsura had explicitly stated," looking back, the vacant look he would sometimes have in his eyes, might have been him staring at the giant shadow of his past." another event that took place before this when Oboro had suggested opening a school and Shoyo had stated that he has nothing to teach, and would rather learn along with the students, of how to wash his bloodstained hands.
This shows how he demonstrated immense guilt and regret for all the murders he had committed for centuries along with how he had said that even though his sins are immense, he will try to atone for them as long as he lives(happened when he escaped from Naraku and was talking to Oboro of how he would lead his life as Yoshida Shoyo, his true nature).
Next it showed to be predominant... remember how i talked about Utsuro being very conceited during the silver soul fight especially, yea, and right after that, he had such a big inner turmoil when he realised that gintoki would be able to bring an end to him, as lo and behold, Utsuro, or more to say Shoyo, was the one that enabled Gintoki to become capable enough to end his life of hate and suffering.
Utsuro struggles and loses focus of a fight 10 v 1 that he absolutely had in the bag (still held up like a champ against the strongest characters) while thinking back on how his life as Yoshida Shoyo, such a small time spent compared to his thousands of years of living, is what had resolutely led him to almost be defeated and have his universe destroying plan busted,all because his life as Shoyo, in those 15 years approx., crafted all these students capable enough to stop and end him.
Moreover, in the silver soul fight, his inner conflict, is what led his udhacca, his worry, his anxiety to skyrocket once again, as Shoyo he was calm and collected till the end, as Utsuro he was smug and cunning, he was only ever anxious and restless before he was Yoshida Shoyo, where he was living in guilty and worry over the murders and agonizing life he has lived. An emotion that had remained dormant for over 15 years and more, finally returned during his fight in Silver Soul.
As he realized just the magnitude of his deeds and the small smile that he had unwillingly let slip, created such a wave of changes in so many people, from Shoka Sonjuku all the way to Edo. And by that, his own deeds to change himself, even though he returned to emptiness afterward, is what ultimately halted his plan of destruction.
Blatant examples are when he had hesitated to fend off Gintoki when he reminisced of him when he was a child and was teaching him, and also when Nobume had confronted him and he finally started hesitating. Yes he mostly was taken aback by the tenacity of the human spirit, but Nobume was able to stunt him for a while too, she has due credit that should be given to her.
And by that explanation, his udhacca is what stunted his success, and had let him to falter and eventually give up and jump into the dragon veins to at least get one upper hand and recollect himself. To then return in the finale and attempt to destroy the planet once more. That is how Shoyo had crossed the threshold of udhacca, the 9th fetter to reach the last fetter, the 10th manacle, Avidya.
We have finally reached the last stage, the last obstacle, shoyo's last hindrance to nirvana, and it was longggg overdue. In buddhism, avidya, or called ignorance to make things easier for us, points NOT towards lacking the knowledge to know things, but rather means our misconceptions/misunderstandings of reality. Like assuming that the wrong things are right. In this regard, ignorance is considered one of the biggest fuels for the three poisons demonstrated in buddhism. By this flow, ignorance is considered one of the, if not the hardest obstacle to overcome before attaining nirvana.
This is due to the fact that this ignorance is extremely common among humans, and is indoctrinated into us since young, a person's ego also contributes to this. Ignorance is without a doubt the most difficult manacle to break, as it involves shaking the very fundamentals of our thoughts, our personality, our morals, our ideals and beliefs. Overcoming ignorance or abandoning avidya, can very much shatter one's existence, which is tow is what nirvana also means when it points to breaking the wheel of samsara, and thus freeing ourselves from rebirth/ reincarnations.
Now, where did Shoyo demonstrate avidya? Where did he show himself to be ignorant? One such instance is well, of course, back to the Silver Soul fight. After showing Udhacca, in the end when he jumps back and talks while everyone is distracted, with only Gintoki listening in, even though he admitted that he knew the strength of humanity and that it was even capable of erasing his eternal hate.
Along with how his short life as Yoshida Shoyo is what led him to realise that that aspect of him is what he truly was and that his hatred becomes a mere fragment in front of the life of Yoshida Shoyo, no matter how cut short it was. This goes to sow that he had come to terms with himself, and was very well aware of the truth.
But yet, he still chose to go ahead with his plan, risking everything to accomplish it. When he starts losing the upper hand, mere moments before jumping into the dragon vein, he says that the humans can cry and be anguished over this state, he says that this isn't the end, and eventually, they will also be experiencing agony beyond measure, and all will be for naught. Pointing to how he also wants to make them feel the sadness and emptiness he did.
His ignorances becomes clear her as he had clearly reflected upon himself and realized humanity cannot be defeated, but yet, chooses to stick with his beliefs that humans are horrible and irredeemable, despite his sudden introspection. This goes to show that even though he was aware of the truth, very much so with first-hand experience, still chose to believe that no, humans are not worth living, and they should suffer in sorrow and then perish along with me.
This clearly shows us how he chose to stick to his nihilistic beliefs and was adamant in his hateful judgement of humans, refusing to back down from his planet-destroying plan. THIS is the ignorance that contributed to his ultimate loss. This ignorance is what made him stir up such chaos in line with killing himself along with the world, when in the instance that he didn't fall victim to his ignorance, he may have attained a much more peaceful and honest solution where he could finally attain his goal of ending his life.
Therefore, ignorance, the most troublesome ordeal to come out of, was what was stopping Shoyo from reaching nirvana long ago. I say this as of course, there are ways to overcome this ignorance, a few of them being ethical conduct, where you put the wellbeing of others beyond yours and cease doing harm to others and ourselves.
Second is Meditation, where we balance out the emotions and turmoil within ourselves, one of them is learning to let your anger go, or stop being enslaved to it, and practicing patience. Meditation essentially helps to cultivate our perception and clarity. Overall, it just makes our mind more relaxed and our life easier.
Thirdly, wisdom also plays a role in defeating ignorance. This is training the mind to be mindful of our speech, actions, thoughts and experience. Can you see where im going with this lmao, Yoshida Shoyo is a clear example of how, in his short time of running Shoka Sonjuku, had strived to overcome his ignorance.
All these traits are predominant in the character that is Yoshida Shoyo, he was by far the wisest and most broad-minded individual, and was also extremely self-sacrificial and caring. Hence, this elaborates how he DID attempt to overcome his ignorance, the last fetter, before finally attaining freedom.
Now your question may be, then how tf did he become such an evil character, Utsuro? Simple, despite his efforts to overcome his sorrow, it was just too immense for a person to handle, even though he isn't ordinary, the abuse and torture he faced for SO LONG. Is what deflected him from staying true to this path.
Even though he was very much aware of his nature and his soul, he was still a victim of Multiple personality disorder, and it is very unpredictable and uncontrollable, for the average person. Hence, even though mind-wise he did attempt to change, his pain was just too immense, that his MPD had reacted when he was executed.
Now to put things in perspective, imagine you lead a life of hate, and then you realise, that you don't want to live like this anymore, you want a life of light and happiness, and mostly peace. And you did that so, you tried your best to be kind and considerate, changing lives for the better as you go. But it only lasted a short while, before your past caught up to you, before the ignorance and ego of humans caught up to you. Now for the problems of some damn government and other species, now YOU are the one paying for their crimes. By having your children watch you die, knowing that you will cause irreversible trauma to them.
And whats worse, the child you raised, the child you wanted to do better for the world, for himself and his people that he cares about. Now he is the one who has to behead you, and god knows what damage that will cause to him. How would you feel? Hopeless? Tired? fed up? Angered? Saddened? Mostly negative emotions isn't it.
EVEN THOUGH it clearly shows Shoyo turning to smile and thank Gintoki, it also shows that he knows his mind would not stand for this insolence, this absolute bullshit that even though he tried to be true to himself and turn over a new leaf, the world didn't let him, it still spat at him, still persecuted him, and is now also torturing the people he took under his wing, innocent lives also now suffer.
Even though he was wise enough to know that Gintoki and the rest would eventually be better, From his personal perspective, deep down, wouldn't he feel wronged? that all his efforts were in vain? That he wasn't allowed to live a peaceful life even when he tried his best to?
Thus, comes the birth of Utsuro. He vanquishes all the other personalities conflicted with turmoil and finally puts down Shoyo, stating that even his kindest side, couldn't reform these arrogant humans. He finally comes to the conclusion that no matter what he tried, including overcoming these fetters, it ultimately didn't help him, and his hate for humans sparked again. This hate eats away at him, and finally, Utsuro rises(literally, from the ashes).
In my opinion, i think Utsuro would have gone about destroying the world even if the Naraku didn't accept him as their leader again, He is very much capable of acting alone, but as the cunning and shrewd man he is, he probably thought of the bigger picture, what if the surrounding forces turned on earth and humans, destroying them, wouldn't that satiate his hate for them? and in turn the universe will also perish in the war he will orchestrate. It would be a win-win for him.
So, he then embarks on this journey, enjoying his own nihilistic beliefs and turning away from the noble eight-fold path, abandoning his efforts to overcome ignorance and attain freedom, rather choosing to indulge in his hatred and fuel to destroy whatever exists. Now bringing an end to the universe itself is also pointing to breaking the cycle, he clearly does so nobody will suffer. So it was more of a universal nirvana lmao.
And even though he chose to fall back into hate, apathy, nihilism and ignorance. HE had still yearned for freedom all the same.
Which is why it is important to realise that multiple personality disorder is just one aspect of this man, regardless of the extreme spectrum of his personalities, they all stem from one mind, one brain, and hence, are all just parts, puzzle pieces that build up Yoshida Shoyo's soul. A human is made up of love and hate, apathy and compassion, light and dark. Shoyo is the example of the extremes of a human's psyche, and how his experience can orient how they live their lives through out time.
Thus, With these 5 higher fetters his only obstacles, i hope i provided better understanding of how he struggled with each of these and tried to overcome them. As for the lower fetters, they are known as sensuous fetters. As I've discussed many times before, they were no problem, as Shoyo was always yearning for death, to leave his body and wasn't the least bit concerned about physical indulgence in anything, that just how his character is crafted and made into. Sensuous points were just useless to him and he had no interest in any of them whatsoever.
The only indulgence he did however have was food, now food is the most vital thing for humans, so that is an exception, along with the fact that he has a very advanced and strong body, with the stamina that can rival the earth, it can explain that he also has a big stomach. There are actually many monks, saints, or heightened beings, who have crossed many fetters, but still favour food largely and love to eat.
So, Yoshida shoyo, had no trouble with the lower fetters, scratch that it wasn't even a concern for him, he had knowingly or unknowingly already crossed them during his first few years when he was persecuted and tortured unfortunately. As him dying repeatedly will just make him detached from his physical body.
Which is why I have said statements like Yoshida Shoyo is truly a virgin, and theres an essay for that too I'll link it here as well. Now in vyapada i had mentioned how he did not in any way indulge in kamasankappa, this is because he has already crossed the wants and needs in physical ways, which includes lust, so yea there you have it. Ive already made many posts about this so i will link it below.
Also, he has died way too many times like he died multiple times in one day, especially during his first few centuries. So his libido stays dead too. In short, lust is for those who hold a strong attachment to their bodies, so the average human, however, Yoshida Shoyo strays much much MUCH away from it. So yea there you have it.
For a more clear explanation you can refer to my post here. It isn't extremely elaborate and is much shorter, but i do get my points across. Do refer to it as necessary as you find it.
Monk attributes
Now comes my favourite part lol, Yoshida Shoyo definitely acts like a monk, and i would even say he strived for it, exempting the bloodshed lmao sorry, he did strive to live like a monk, and man do i have so many examples for it. Oboro was also aiming to act like a monk, i have short post about it but delving into the topic anymore regarding the students of Shoka Sonjuku will be done another day. For now lets focus on this monk, Yoshida Shoyo LMAOO. In a literal sense, I'm not saying he was a full fledged official one, mostly I'm adhering to the fact that his characteristics were that of one, is what I'm getting at.
One of those conditions is that he recollects his past lives, for humans it normally means of remembering your past incarnations, as much as it may vary, this itself takes practice, however, Yoshida Shoyo did get reborn multiple times, but not in the same way humans did, it was the same physical state, same body, and same conditions, as his body can regenerate regardless of whatever death or destruction he may face.
Therefore, with this upper hand, along with his immortality through out these phases, recollecting his past lives is no issue for him. As much as monks can also be views as priests, saints, people who prioritise god in their lives. In many cases, monks can also be seen as people who try to cross the boundaries they have in their lives, striving for a higher purpose, or simply set themselves free. In Buddhism, nirvana is considered the highest priority, as experiencing the wheel of samsara, the wheel of suffering, is expected to strive to break that suffering.
Hence the come about of nirvana. In short, the goal of buddhism is to reach salvation/nirvana, or enlightenment. Or both, but usually if enlightenment comes nirvana will also follow. This is a whole conversation for another time. yes of course there's the obvious fact that Shoyo wished for a definite end, which is essentially nirvana. This is one of the qualities expected when becoming a recluse, ascetic, monk, whatever you name it. Since it has already been discussed, I'll try to focus on the characteristics now. Very basic qualities are wisdom, humility, and compassion, all of which I believe Yoshida Shoyo displayed everytime we see his life as Yoshida Shoyo.
Moreover, for a man that resorted to murder for over centuries, had suddenly dropped his weapons and violence when he ran away from Naraku. For example, when he was telling Oboro of how they would deflect the Naraku members chasing them, he strictly said they will not resort to killing. This shows to go his discipline and his conscious decision to step away from violence and brute force.
Even though Naraku members were indoctrinated to be emotionless and not care about themselves, as i had discussed a few segments ago. even for those emotionless, soulless, dead inside beings, Shoyo had decided that they shouldn't be killed, even though they were at the receiving side of violence. This shows that Shoyo, despite his past, had turned over a new leaf and decided, that no matter who they may be, a life is still a life, and that life force should not be harmed.
That is one of the fundamentals of buddhism. And when he does find Gintoki, he suggest he strives to protect his soul, rather than his body or defeat his enemies. This displays the notion that one should always strive to remain true to their soul, without finding the need to put down others. Shoyo's teachings were considered radical during that era, as he advocated for individualism and free will, rather than adhering to social norms, and only finding purpose in serving a master, a clan, or a higher authority.
This would end up in posing a threat to the government, as it will destroy the submission people give to the government, and can incite rebellions, due to the mistreatment and docile nature they are expected to have.Which is why Shoyo was branded a traitor and accused of spreading propaganda, which was the excuse they used to subdue and arrest him for before the war.
Coming to Shoka Sonjuku, its no secret that in Gintama, Shoka Sonjuku was said to be a temple school, Shoyo himself had stated it a few times. This is of course, referenced from history, as a temple school, or also known as Terakoya, was something that came up during the period of Edo, the literal definition of Terakoya is a temple school, which is categorized as a private school too. Which was also said to be what Shoka Sonjuku was, where Shoyo was running it for free.
Temple schools branch out from buddhist temples and were educational facilities which descended from them. While samurai were expected to learn in a public school, other groups of people were more oriented towards going to temple schools, now at the time some samurai ran temple schools, a fictional example is Yoshida Shoyo of course.
And temple schools did last for a while up until they were abolished in the Meiji period, where public schools were then made compulsory. With the historical context, it can point to how Shoyo chose to run such a school given that the rules were strict and that he could only have some leeway to teach what he wanted to teach after establishing a private school, which was also completely free, and welcomed any type of individual regardless of their background, which was considered radical during that period.
However i would also like to believe as i mentioned in the first segment, that when Shoyo was born he was most likely taken in by one of the shrines monitoring the dragon holes, and grew up there till a young age, which could possibly explain his reason for leaning towards Buddhism and its connections when it came down to him wanting to lead a simple life.
His past experience with buddhism and temples is what could have made it much easier for him to choose to establish a private school, a temple school, rather than fighting against the laws and confronting the rigid and strict public schools that were domineering at the time. So his connections to temples, buddhism, to spirituality from the get-go, considering dragon veins were also a big spiritual belief way before its existence was established in the Gintama verse, goes to show his deep-rooted connection to these aspects.
Moreover, as a educator adhering to the branches stemming from buddhist temples. He is also expected to dedicate himself to his work and improving the lives of others, teaching them the ways of life, and prioritising the wellbeing of others, especially the upcoming generation above his. Especially in a. time of war and crisis at the time. With propaganda and indoctrination soaring and dominating the field.
Thus, this makes me see it as that Yoshida shoyo's life did resembles that of a monk in a very similar way Hell, I think that if he came back or somehow lived after the finale he would just go back to being a recluse and running a quiet temple school yet again, this time really becoming a monk to detach himself from all the unnecessary problems he had in his life and with people frl.
Crossing worldly desires
Ive already discussed this before, but the gist of it is that throughout his whole life we can observe that he never really shows a care for anything materialistic or banal, of course due to the life he lived, which contributes to this. His whole character arc shows him striving for something more, or to become something more, which many people in the verse itself couldn't really grasp and it took them a long time to understand how he was the way he was. So since I've already explained it previously this is just a short summary.
Unable to cross over MPD
This was also discussed before, as even though he had so much wisdom and knowledge given his age and more. It still leaves a blank to the audience for a while on why he regressed to such a hateful personality. Like i mentioned, before, it could be due to the fact that deep down he felt wronged yet again, he may have been hateful, vengeful and violent at first, which would explain his consequences, but now, when he finally changes for the better, quells his rage and tries to walk the noble path.
He gets shunned yet again, ending up in ending his life yet again, regardless of what cool demeanour he may show outside, emotionally he would have still been in a whirlwind. Which explains why his hate burst out yet again to consume him and in turn point his rage towards everything in existence.
MPD basically starts off when a person tries to control their emotions and thoughts too much, bottling up these feelings will eventually burst out in some ways, this is a very much watered-down definition of what MPD is, but you get the gist.
However he does not have MPD the same way victims usually do and is incredibly self aware and remembers himself.
Multiple Personality disorder is very much uncontrollable to a human, it also includes not remembering what your personalities do if it takes over. A common sign is that one personality may not remember what the other personality did, so basically memory loss or amnesia. However, in this regard, Yoshida Shoyo differs. As he can clearly remember all the events in his life, as long as it may be. There's proof of this in literally almost all of his appearances in Gintama.
The first one literally being when he fights Gintoki in the Farewell Shinsengumi, and he says the exact same lines he had said as Yoshida Shoyo decades ago, to taunt Gintoki and make him realize it is truly his teacher that stands before him yet again. It was also to catch him off guard to cut him off. So he had known exactly what words to use due to his memory. So the difference im bringing here is that usually, victims don't remember what they do, however, Shoyo remembered it all, regardless of which personality he was.
Next example is when he is on a spaceship observing the Joui 4 students and he tells Oboro how he would have to teach his students(children) a lesson yet again, now this can serve as mockery, but it also goes to show that he is still very much familiar with them, even though they never knew this vengeful side of him. Oboro also realises, as he also bids his farewell as his student(child) from Shoka Sonjuku before heading off to fight off Takasugi and eventually die.
Another blatant example is during the silver soul fight yet again, when he reminisces about Gintoki as a child when Gintoki rushes to cut him down. It's literally how parents view their children when they do something in Infront of them, they can't help but see them as the children they used to be, since well, they are the children he raised. And no matter how many of them change or may drift apart, their bond and history will still remain the same.
Like this there are many more examples, and i hope i can compile them together soon to make a post.
Shoyo is a smile Utsuro let slip
This was in fact a very well-know dialouge from Gintama, said by Nobume, Shoyo's last student from shoka sonjuku. As this suggests, this line encapsulates of how utsuro(shoyo) did not intend to let the wish to be happy deep down, to seep through the cracks and show itself.
He wished to keep it buried and fuel his hate for as long as he could, and give back all the bloodshed the humans had caused him. All the deaths to hit them back. However, he could only hold it back for so long, as this yearning for peace had also bursted through at some point, leading him to abandon his life of Naraku and pursue his own path.
Shoyo was a glimpse of happiness that had slipped through his endless agony called life, and since it was held down for so long, his smile lasted for a few years, and it would have lasted till the end, had the war not happened, and had the government not intervened in his path again. Which is why i constantly want to drive the point home that Shoyo and Utsuro are no different, it is all the one and same man.
This displays the complexities and extremes of what a human can do and feel. And completely disregarding that to treat hm as two different people, completely misses the whole point of what his character stands for.
Why it is lowkey incorrect to call Shoyo as Utsuro(in terms of legitimate name) or Shoyoutsuro and why I always call him Yoshida shoyo even when he is Utsuro
You would have noticed that i called Yoshida shoyo as Shoyo even when he was working under the name of Utsuro. Fundamentally, it should be understood that Utsuro means emptiness, void, hollow and vice versa. However, it isn't a name truly. It can be seen as more of a mantle.
It goes to show how he has abandoned his humanity, or more so of wasn't even able to embrace humanity, due to his nature and life. However, the whole thing of his smile slipping and Yoshida Shoyo suppressing his centuries worth of hate, shows how he had finally had enough of himself, choosing to change himself for the better. So it is a journey of self-discovery, and learning, despite his bloody past.
After which he chooses the name of Yoshida Shoyo. He himself blatantly states this in silver soul when Gintoki raises him for a short while. He says that he has taken on many names, but this is who he was truly who he was. You heard it from the man himself everybody. And in other parts too it suggest how Shoyo was his true self and his fundamental self. Detaching all of his past and actions too in some instances.
So when people call him Utsuro, it really just refers to his mantle, it shows how he wants to make the universe void too, make it empty after destroying it. It mostly adheres to that goal, and himself at the moment when he renounces his entire existence to achieve his deadly goal.
There are people who call him shouyoutsuro, which is to likely drive the point home that its the one and same man, however, i feel like calling him Shoyo would suffice. As even during the end, when he returns to destroy planets and earth, I see it as the man named Yoshida Shoyo taking on the mantle of Utsuro to solidify his role as the grim reaper of the universe. This is mostly because Yoshida Shoyo was specifically a name he chose for himself.
Significance behind Utsuro parting his hair
This is just a small fun detail to think about, from the beginning up until the end of his life being shoka sonjuku's teacher, Shoyo had his fringe covering his forehead. However, when the final boss Utsuro is born, he pushes back his messy fringe, leaving his forehead bare. Now this could pertain to the fact that he wanted to show that he wasn't the same anymore, he was no longer going to be nice to humans, nor was he going to be out for blood and start killing like the assassin he used to be.
He resolved to destroy earth in a more orderly manner, and by having earth destroyed completely, instead of settling for more smaller ways to execute humans. It shows how he was truly done with his previous ways of life and wanted to end everything as soon as possible.
An interesting way we could see this is that the third eye is located on the forehead, so him finally uncovering forehead and pushing back his fringe, could also possibly mean on how he thinks he is no longer blind to the truth anymore and that he is finally clear on the true nature of things and humanity, which explains his unshakeable resolve to end life itself. A bit of a thought-provoking thing to ponder about hmmm.
Fight with Gintoki
As Yoshida shoyo, we never see him fight anyone seriously, and as utsuro, we have the fight with Gintoki (backed up by Nobume and Okita), the fight with Umibozu, and then the silver soul fight, Edo vs Utsuro, and then 10 v 1). In this fight against Gintoki, its his first immediate fight after he reveals himself as the final antagonist and gintoki fights against Utsuro. In this fight Utsuro almost kills Nobume when Gintoki rises from the rubble to fend him off.
This does serve as his purpose to rid himself of loose ends, as Gintoki and anyone else from shoka sonjuku are the ones who can truly find out his weakness and bring him down. This is just speculation of course.
He also showed himself to be a smug and cunning man, taunting Gintoki as much as possible while also sneering down on all of them, ridiculing them of their weak wills and how predictable they were. However, for the strongest man in the world, and has remained unmatched thus far, he seemed invested in the fight against Gintoki, given how he was the one that trained Gintoki and now it has come to a time where his child himself will have to try and cut him down seriously, there is no more sparring anymore.
Fight with Umibozu
The fight with Umibozu did seem a bit shallow to me, mostly because Utsuro wasn't really locking in like it was life and death akin to Umibozu. Yes it did show a lot of introspective from Umibozu, stating his regrets with his wife and how he had still not gotten over her. he still calls her his wife, and he is her husband. So that was one thing that made Umibozu stand out, as he was a very much dedicated husband, who was trying to atone in ways to pay back his wife for all the pain he had caused her.
Even though she willingly left her planet with him. He tries to salvage what gift he had for her to try and bring down the immortal who posed a danger to earth, and in turn his kids, especially Kagura, his daughter. Yea Utsuro was gonna destroy the whole universe too yes thats a reason too of course.
And i digress, about that whole boner thing its kinda obvious that it was for comedic purposes and to show how endangered the Yatos were, from my reading, i mostly read that Umibozu already had a boner when fighting the Orochi, before meeting Kouka, and when he did meet her his ding dong stood up again, but this time with a more conscious reaction lmao.
So his fight with both Orochi and Utsuro was just a survival instinct for the Yatos due to them being an endangered species, Umibozu does view Utsuro as a unfathomable and fearful monster as stated by himself, much like the Orochi, or even more terrifying than the Orochi themselves.
Given how he was very much sure he was going to die and was describing Urusro as this unpredictable phenomena who was much too emotionless and monstrous. While kouka is the anomaly here as aforementioned as Umibozu deeply valued her from the get-go and literally worshipped the ground she walked on.
Since Umibozu fell in love with Kouka immediately. So in this case the Orochi and Utsuro are in the same category, Kouka being the exception and becoming his wife. Now back to the battle of these decomposing corpses, Utsuro is be shown acting nonchalant, aloof, and smiling half-heartedly, once again taunting Umibozu.
I feel like his actions were more of like trying to see if he could actually "kill" him. Given how the last time he "died" was when he was beheaded by Gintoki and then burnt on the pyre, after which he rose out of the ashes. So it would have been more than a decade since he last had his body die. When Umibozu wrongfully assumes that the altana crystal will kill him, he tricks Umibozu and regenerates to cut him down again, in which Umibozu finally becomes immobilized.
Not going all out in one or both of these fights
I will stand by this and will die on this hill, Utsuro was not going all out in his fight with Umibozu, yes umibozu is very strong, considered the strongest, but with the way Utsuro was acting it seemed like he was still unserious about the whole fight, while Umibozu as prepared for the consequences of dying.
He was aloof and smiling through out the whole ordeal, even when he was killed, and regenerated. He finally says that he's grateful that he was able to die again after so long, a mere glimpse into what the end of the cycle would look like for his immortal body. And then speaks in a complacent manner about how he would meet them all in the afterlife, considering Umibozu was very close to being dead.
As it shows right after of how he was ready to join Kouka, his love that he has never gotten over of and dearly misses, but she didn't let him, which is a metaphor for how his duties as a father isn't done yet mostly. ANOTHER fact i have to back up the claim that Utsuro did not go all out on the fight is once again during the silver soul arc fight, when he is fighting off both Umibozu and Kami, and he still fends for himself like a king(yes I'm glazing).
Even the strongest Yatos could only act as a cog in this whole organization of bringing down Utsuro along with many other people like Gintoki and the gang, Shinsengumi and his other two children, who were also extremely powerful, even all of them combined struggled to bring down Utsuro.
SO, this solidifies my statement that Utsuro INDEED was not serious during his fight with Umibozu, just like his fight with Gintoki, The only place where he did lose composure and felt like losing was in the silver soul fight, before that all his fights were simply battles that were a guaranteed win for him or just took it as an opportunity to make them suffer or taunt them, mostly to sneer down on them.
Shocked with Gintoki, not shocked with Umibozu
In the first fight against Gintoki, Utsuro was shocked to see Gintoki come back to fight him. This could be due to the fact that Gintoki will soon become aware of who he is and how their lives have already been connected. He’s literally his dad in a sense and taught Gintoki everything he knows.
Meanwhile, Utsuro is unserious and aloof until the very end, brushing it off like nothing happened, just as he acts in every other situation. The only scenarios where Utsuro was actually caught off guard were those involving his students. This could reflect that even though his personality as Utsuro was present, there was still inner turmoil going on—his different fragments fighting against each other and his past still haunting him despite his resolution to destroy everything. This is just my observation.
Fight with everyone in silver soul arc
This fight was the one where we finally got to learn more of Utsuro's thoughts, as before that, it had been stated that no one could predict or understand his actions or the reasons behind them. But when his plan came close to fruition, his arrogance caused him to fumble, which led Gintoki and the gang to crack down on him and foil his initial plans of exploding the planet, lmao.
This is the only fight, before the one in the finale, where he slips up and hesitates. He was such a formidable and unpredictable opponent before; he was considered someone against whom it was useless to fight, as it felt like kicking down on the Earth itself.
But now, he was weakened and having second thoughts, doubting himself once again and becoming agitated after realizing just how much all these humans and his past bothered him. This led to the crack down and his trying to save face by jumping into the dragon veins to regenerate and come back with a better plan, riddled with cunningness, in the finale.
Gintama Finale fight
Utsuro obviously didn't have the upper hand here, his consciousness was in Takasugi who was actively rebelling and throwing off Utsuro, along with Oboro's little help. Takasugi taking over control is what allowed Gintoki to finally defeat Utsuro. If it was Shoyo's original body, it is without a doubt that he would clear out anybody.
Which is mostly the reason Sorachi made Utsuro get stuck in this situation, so that his ignorance and arrogance cane be shown of how it led to him messing up and finally using that crack to defeat him finally. Gintoki himself states how Takasugi did the most work in defeating Utsuro as he was the one reining in control over his own body and threw Utsuro off his senses.
Only let his guard down with his students
Utsuro was caught off guard by both Gintoki and Nobume, who were students of his, in terms of dialogues they were the ones that strongly challenged Utsuro's beliefs and brought back the same self-confident energy that Utsuro displayed. The others were trying their best to bring him down and was more of a way to rid themselves of the danger that could destroy them, and overcome their fear of the form of death himself, Utsuro.
Yearning for inclusiveness and happiness
This Silver soul fight also drives home the point of how Utsuro, no matter how much he tried to hate humans, he still deeply wanted to connect with people and wanted to be included, he wanted to allowed to be human and wanted to be treated as such, but he had never once gotten the opportunity even as Yoshida Shoyo he was shunned and ridiculed, chased away from towns for his "radical views", only people who were also abandoned and shunned like him, Gintoki, Oboro, Takasugi, Katsura, and Nobume, and his other students, were able to see him as the human he was and gave him the respect he deserved.
They valued him as their guide and teacher like how they normally do in their cultures, and that is what alllowed him to be human, for a short period of time. He was content with leading a quiet life, raising his children, and taking people under his wing who suffered injustices and outcasting as well as poverty like him, But he was only able to attain peace for so long.
Significance behind different birthdays for Shoyo and Utsuro
Shoyo has two different birthdays, one is on August 4th(Shoyo) and another is on October 27th(Utsuro). I think that neither of these are the dates where he was actually born, as in where he was born as a baby through the dragon veins and being popped out of the dragon holes near the shrines.
I think august 4th is the day "his smile he let slip" and he changed his ways, abandoning Naraku and starting Shoka Sonjuku. While October 27th is the day he was beheaded as Yoshida Shoyo by Gintoki, or to be more accurate, removed by Utsuro, his hateful side of him, taking over and Utsuro being born after destroying all his other personalities.
So it was the day his hate was born anew returning back a hundred times stronger to finally put an end to it all, nothing worthy enough to stop him anymore. SO, Utsuro was born on the day his body was beheaded at the end of the war.
Proof is the silver soul arc where he says he is neither Shoyo nor Utsuro now
In the end, Yoshida Shoyo is his true self, but according to other people's views, shoyo was just a teacher, while Utsuro the Shinigami. So in the finale when Takasugi asks him to return as their teacher to Shoka Sonjuku. he states how he is neither Shoyo nor Utsuro now, this could be because even though he had been a teacher before, after his execeution, his mantle as Utsuro and the crimes he did during that time was just too immense, riddled with blood and pain. So it would be very difficult for him to return as their teacher when he was so close to ridding the entire universe, and in turn, killing his students too.
So it shows how that regardless of all these identities, he was just a being that came from the earth. he says this when the Harusame or Tendoushuu capture him and find out his past, he says the same line there too. That he is neither Utsuro nor Shoyo, or both at the same time. Regardless of his name, he had no name given to him and was only called a devil at first.
Him repeating this statement at the finale goes to show how he believed he was truly at the end, and that there was no going back for him, he just felt remorse and regret for causing hell and chaos for his students, his children, that he cared about the most, to also be the ones to suffer the most because of him.
In the end, he was just a human who had the misfortune of immortality, and had tried to make the best out of his suffering for a while and had also committed genocide afterward, which goes to show how he was unforgiving of himself and refused to let any of this problems go any further when he sacrificed himself and apologized to his child.
His consciousness is able to spread just like the dragon veins rooted into the earth
In the movie, Gintama the final, the animation shows Utsuro looking up at Yoshida shoyo when he takes over Takasugi's body, however this differs vastly from the manga, in the manga it shows his shadow being shown behind takasugi, so the more accurate showcase would be Takausgi smiling an evil smile at Shoyo before Attempting to stab him again. As this was the scene that gave many misconceptions to the audience of Utsuro and Shoyo being two separate beings, because at this scene>>>
Utsuro was simply a shadow, his conciousness was acting, Takasugi's body had still remained the same. Even in the final fight against Gintoki, physically Gintoki could only see Takasugi as he was fighting. Showing Utsuro there was just to make it easier for us to understand it was Utsuro acting out in Takasugi's physical self. Only Oboro's depiction was shown accurately, where he was beside Takasugi and helped him push back Utsuro for a while.
So i think this is where the movie screwed up, i made a small post about it too here. Discussing how he has this skill can strike up a whole new debate, so we will just assume it's one of his many supernatural, abilities and move on.
Majority tend to forget that this single man can only have one physical body at a time
As mentioned in the scene above, it was depicted inaccurately in the finale. I'm emphasizing this as Utsuro didn't change Takasugi's appearance and only showed himself to have his consciousness remain active in Takasugi's blood. The only physical body that was actually there at the time was Yoshida Shoyo's—his true self's body. I mean to say that Shoyo can only have one physical body at a time, contrary to the common misconception.
For example, in the Rakuyo fight, after his heart was stopped and he dropped dead, his decapitated arm, which was detached from his body with his heart that stopped functioning, allowed him to regenerate his body again. We can see him standing by his dead body; there was only another body, but it was already dead. This goes to show that only if the current body drops dead can he regenerate again.
Another example is in the Silver Soul fight when he willingly cuts off his arm to throw everyone off and focus on destroying the arm while he regenerates out of sight again to jump-scare his opponents.
Finally, in the finale, Utsuro was not physically Utsuro; it was simply him taking over Takasugi's brain, and Takasugi still looked like himself throughout the whole altercation with his teacher and Gintoki. Now, even though he is the same man, why did Shoyo get caught off guard by Utsuro's consciousness in Takasugi's body, and why did Utsuro trick him and try to kill him?
From Utsuro's perspective, since his consciousness has spread by getting rid of his original body, if he successfully kills Gintoki, he would have blown up the Altana core and, in turn, also destroy Takasugi's body and Edo along with it, accomplishing his goal. Now, how did both of his personalities war with each other?
Simple: at the time Utsuro's consciousness had possessed Takasugi, he was the nihilistic personality, Utsuro, while Yoshida Shoyo had literally regenerated over two times—one being born out of the Dragon Hole again, and then sealed in a chamber in his child form, regenerating very fast yet again in the finale. Since he was reborn, he stepped onto the land as his true and original self, Yoshida Shoyo.
The consciousness of Shoyo that runs in Takasugi's blood predates back to the Silver Soul arc, which is approximately 2-3 years before going by the timeline of the Gintama verse. So Utsuro's personality is the one that retained itself in its unoriginal and salvaging way in the blood of his student, while Yoshida Shoyo was born anew in his own physical body like he always was for the last few times.
Now, the consciousness in Takasugi wasn't exactly strong nor useful, given how Utsuro had remained hidden for all this time—3 years—and yet he could only get the upper hand for a few minutes.
He believed he killed himself, his original body, but it was an illusion orchestrated by Takasugi taking control again. He lost the fight against Gintoki when he wasn't even able to see clearly.
So his consciousness is outdated and weak; this is also due to the fact that his original body has risen, thus explaining the weakening of control. But I think he never had that much control to begin with, since it was just a small blood manipulation to extend Takasugi's life, and Utsuro himself was waning out and dying. So i'm sealing the canon idea and reminding that Yoshida shoyo(Utsuro) is indeed one and the same man and both are only the 2 extremes of the one and the same man. With further proof that he can only have one physical body or regenerate one single body for himself since he only has one brain and one soul
Attaining nirvana despite trying to be saved by students
Oboro died, and soon after Takasugi finds out the truth and attempted to free Shoyo from the hands of the world, as that was the time immortality was rising as a religion, and Shoyo was starting to be heralded as a god, basically a cult was rising fast. Gintoki also finds his own way of learning the truth about Shoyo, as he was the last person who saw him, and he was the only one who saw Utsuro willingly jumping into the dragon veins, while everyone remained oblivious. Takasugi and Gintoki both use their own methods to get to the bottom of this centuries-lasting problem. Soon they both band together to free their teacher from his suffering, Katsura joining in, and Nobume also aiding.
Now this is where interpretations can become more than one. When Gintoki and Takasugi talk about saving their teacher and putting him out of his suffering, did they mean to save him from the cult and bring him back as their teacher(and parent more like) and family, or did they mean that he can finally die.
I think they mostly were ready for both paths, as when Takasugi saw Shoyo, he talked about making Yoshida Shoyo reunite with all of them again and going back to being their teacher, however, he must also have been aware that death was the only way Shoyo could finally be given some freedom and salvation from all these people vindicating him.
But i think all these students of Shoka Sonjuku had small hopes, of a better more happier world, where they can all reunite together as Shoka Sonjuku. However that wasn't possible at the moment, given how Oboro died, Takasugi was going to die regardless, and Shoyo's sins were too heavy fro him to forgive himself and go back to his old life like nothing happened.
A parent's sins will soon torture the children they raise. And Shoyo must have been well aware of this, as his kids had already suffered enough. If he did somehow manage to return, they might have been happy, but the world would not let Yoshida Shoyo live in peace once again. It's either death or persecution and propaganda. And Shoyo knew that sacrificing himself and empowering future generations was the best solution.
Hence why he chose to rip out his heart and save everybody when none of them expected him to sacrifice himself. By putting the wellbeing of humans, of his loved ones, his family, and future generations above his own survival, and his final admission of all his crimes and inner turmoil. He finally returns to the noble eight-fold path, fulfilling all the conducts mentioned in this path sprouting from buddhism.
And thus, being able to finally, FINALLY, die in peace, with the comfort that at least the children of his that still lives, and all the future generations of humans, will be doing fine, and that he has made up for all his world-destroying methods and goals by saving humanity, most importantly the people that came together because of him in the tower, by sacrificing himself and all his ignorance, his restlessness, his ill-will, and his grief and hate. Most importantly, his remorse and regrets.
He was finally able to lay them all down, lay down all of his personalities, his identities that spanned for over a thousand years, he had worn down all of these identities, these false conceptions of reality and nature. And by ridding himself of all these thoughts and ignorance, the storm in him finally calms and he lets go.
Finally and at last, being able to reach nirvana and break his wheel of samsara. Going out with a smile on his face. That despite his agonizing life, there were moments where he shined through, and he finally acted out successfully by saving the planet from which he was born. This is what ultimately let this man riddled with sorrow and bloodshed and pain, finally reach salvation, attain nirvana, and freeing himself from the cycle of birth and death.
Going back to the source, the earth
After Shoyo subdues the exploding altana with his heart, we can see the altana flow back into the earth from the terminal, and since Shoyo was a child of the earth herself, meaning his existence literally sprouted out of the earth and the dragon veins, I'm assuming his body crystallizes and disintegrates, and eventually joins the altana flowing back, while his soul dissolves and frees himself from the wheel of samsara, which is what nirvana essentially means.
Helping Takasugi to be reborn
Sakamoto says saving the students is simply a teacher's duty, and isn't a miracle, which just points to the fact that Takasugi's body must have also fallen into the dragon veins and been destroyed, And with the dragon vein which is capable of regeneration and curing diseases and rehabilitating life.
When it is shown that Takasugi is reborn once again it gain pertain to the fact that he was able to have a rebirth due to falling into the altana veins, as well as with the blessings of his dad/teacher/guide, Yoshida Shoyo, as he himself would have been depressed that both Oboro and Takasugi had died in lieu of trying to save their Mentor/Dad. So if any of the upcoming projects in Gintama features Shoka Sonjuku, I hope Oboro and Takasugi come back. And that they will grow up fast at the same rate Shoyo did when he regenerated in the Silver soul arc. For the reunion.
Can be considered a deity considering he had a whole religion threatening to spread universe wide due to his nature
This is ME just dickriding, but Shoyo was turned into a deity and treated like one in his absence when the cult was rising an a religion getting popular with him as the catalysts directs us to the fat that he was on his way to being truly immortalized as a deity, given his immortality mostly and his superhuman abilities. They did briefly cover this in silver soul, which is why the students of Shoka Sonjuku were pressed for time and had to act fast to quell this rising cult and save their teacher's name and free him from this misery. And they did succeed in the end.
However, there are countless cultures where a human who has showcased outstanding qualities during their time have also been worshipped as deities long after their death. Considering Shoyo's immortality and his superhuman qualities, along with his longstanding mental qualities and tenacity, I wasn't surprised when they were planning to make him a deity or see him as one, he definitely deserved such a title, but he had no need nor wishes for such things, he just wanted freedom. But he is basically, built different (yes im glazing).
Not humane but has human qualities that make him human
I am reiterating my statement here for reference, Shoyo is human, yes he wasn't born like how ordinary humans are, but all humans body is made up of the earth, and he is all the same. The difference is that he was directly born from the dragon vein's the life source of the planet. He is the embodiment of this energy, which explains his extreme superhuman strength, speed and vice versa. Supernatural abilities along these lines too. However, he was still every bit as human as the next in my opinion.
"Humanity is not a physical state but a mindset" given how many non human characters in Gintama have also been portrayed as having humanity and compassion
As much as he was persecuted as a monster, he displayed immense compassion and humanity for a certain period of time. His pain and sorrow, his agony of being unable to cope with the life he was living, were further proof of just how human he was, despite being such a special being with a much different origin.
All the aliens, Yato, or even animals, like Sadaharu shown in Gintama, also display humanity. In summary, being human isn't just a physical condition; showing humanity and compassion isn't something only humans do. If anyone has a heart, they are considered human—not in a literal sense, but more in a metaphorical way, as they can display heart-touching humanity and care.
Essentially, the point is that humanity lies in the heart, and compassion and enriching each other's lives is a choice anyone can make. Even though Shoyo displayed his humanity for only a very short amount of time, that spark caused a domino/butterfly effect, changing the lives of so many people for the better and altering their views on how their once strict and cruel world had been. He became a light of hope for a better future and present when we are willing to change ourselves and enrich the lives of those around us along with our own.
P.S: This essay got longer than expected but i did try my best to cover as many topics as possible, i still think there are many more scenes to breakdown on so i'll see if i can work on a different essay. Writing wise, this only took me a week, but this took months for me to finish as I wanted to do my research and had to find enough time to sit down and grind on this. Which explains the delay.
I hope this helped provide a clear dive into Yoshida Shoyo's character and made things easier to understand as in some parts his actions are difficult to get or just overall not explored on.
I know i linked some posts above already related to Yoshida shoyo so i'll link my other analysis posts below just for perusal. Don't worry they are much much more shorter than this essay lol, Cheers yall.
Gintoki & Lake Toya
Oboro Analysis
Takasugi breaking down in the finale
Nobume the goat
#gintama#yoshidashoyo#utsuro#yoshidashouyou#shoka sonjuku#shoyosonlywifenattorney#character analysis#gintoki#katsura#takasugi#oboro#imai nobume#sakamoto#shouka sonjuku#silversoul#yorozuya#kagura#shinpachi#okita#hijikata toushirou#takasugi shinsuke#katsura kotarou#sakata gintoki#silver soul#ginpachi sensei#manga#anime and manga#anime
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Hi. Not sure if you've answered this before, but do you have a list of books to recommend on fairytale/mythic analysis?
So I finally have a real response to this question, but it's LONG, be warned:
First, it depends what you want to get out of your folklore study, what lens you'd like to use for analysis. And second, it's important to know that the practice of folktale analysis has changed over time, especially in the last ~15 years or so as the scholarly consensus has evolved toward decolonization.
For example, the common historical starting place was Bruno Bettleheim's The Uses of Enchantment. Candidly, I haven't read it yet for a few reasons: 1) It focuses fairly exclusively on Western European fairy tales like those of Grimm, Basile, and Perrault. 2) It assumes the primary audience for such tales are children. 3) It's a white man's perspective, and there are already enough of those to go around. That said, it's considered a foundational text for folklore study, so I'll probably get to it eventually. There are some modern authors who might be considered scholarly successors of Bettleheim, like Maria Tatar. I haven't read her books yet but I know she's also a powerhouse of Western fairy tale analysis.
Some other popular perspectives include the works of Carl Jung and his protégés in psychoanalysis, Marie-Louise von Franz and Erich Neumann. These are wonderful sources for learning about depth psychology and the universal unconscious which causes certain motifs to recur in storytelling across the globe and over centuries. Another popular author in this field is Robert Bly, who dove deeply into the concept of the Shadow as it appears in folk tales.
But for me, my favorite sources have been a collection of feminist authors who were active in the late 80s and early 90s, notably Barbara Fass Leavy and the incomparable Clarissa Pinkola Estes. While their work is pretty firmly grounded in second-wave feminism and therefore not very intersectional as we understand it today, they were the first to begin exploring interpretations of folk tales outside of a patriarchal context. I personally refer to Leavy's In Search of the Swan Maiden and Estes' Women Who Run With the Wolves more than any other books.
A lot of the most current perspectives are only accessible via blogs, like Jeana Jorgensen AKA The Foxy Folklorist, who often explores fairy tales through a Queer lens. Another brilliant voice working today is Helen Nde of Mythological Africans, who is doing the long-overdue work of decolonizing African folklore.
And while all these sources will help you develop a framework for analysis, still one of the best things you can do is read the tales for yourself. One of my favorite series is that of Heidi Anne Heiner of Sur La Lune Fairy Tales, who has amassed impressive collections of folk tales of the same type from around the world, making comparison easy. She also provides excellent footnotes that offer context to the versions and translations she's selected, and every tale has a source.
Outside of that, I like to read regional collections from indigenous scholars and native speakers: some editors will even include a copy in the original language along with the English translation, thus allowing others to "check their work." One of my favorite folkorists like this is Inea Bushnaq, who collects Arab folktales and again provides accessible cultural context. It's important to remember that most oral folktales which are now available in English were first recorded by colonizers, so the versions we have may be edited, mistranslated, or even maliciously altered to suit Western tastes. This is why seeking out versions from actual members of indigenous communities is critical.
Right now, I'm reading The Japanese Psyche: Major Motifs in the Fairy Tales of Japan by Hayao Kawai, and I'm next going to try Oral World and Written Word by Susan Niditch. I tend to just go where the spirit moves me, journal a bit, go down a research rabbit hole about a particular topic... it's fun. But whatever you're looking to get out of your folk tale study, rest assured you will never run out of material!
#folklore#folk tales#fairy tales#mythology#bruno bettleheim#maria tatar#carl jung#marie louise von franz#erich neumann#robert bly#clarissa pinkola estes#barbara fass leavy#jeana jorgensen#foxy folklorist#helen nde#mythological africans#african folklore#inea bushnaq#arab folklore#japanese folklore#depth psychology#comparative mythology#jungian shadow#jungian psychology#sur la lune fairy tales#heidi anne heiner#brothers grimm#charles perrault#giambattista basile#asks
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I saw some discussion floating around on what Momo and Okarun might name their child if they had one, which got me thinking about it as well. This inevitably led me down a deep rabbit hole of Japanese wordplay and research that really needed its own post, so here goes...
Naming hypothetical Dandadan kids!!
Fandadan kids...?
I'll be covering Momo x Okarun, Aira x Jiji and Kinta x Vamola below the cut for those who're interested - it's very long and very silly.
Momo x Okarun
If it were up to me, I'd name their child Tou. Why?
Well. You. See! Okarun's real name is Ken, written as 健 - meaning 'health' or 'strength'. However, 'ken' is also how you pronounce the word for 'sword' - written as 剣. This refers broadly to swords of many varieties. A more specific word would be 'katana', written as 刀, which refers to Japanese-style blades in particular. Another way of pronouncing 刀 is 'tou'.
Momo's name means 'peach' and is written as 桃. An alternate way of pronouncing 桃 is also 'tou'. Furthermore, the word 'momo' is also one way to read 百, the kanji for the number 100... as in the number of kilometers an hour a certain old lady can run.
So Tou feels like a wonderful name to me, as it loops all in and around Momo and Ken's names and even Turbo Granny to boot. It's a masculine name, but I feel like they'd still go with Tou even for a girl. A very tough girl!!
Aira x Jiji
Whether these two end up becoming a proper pairing in-series remains to be seen, but I've become totally hooked on them recently ^^;; and they're both so good with kids, I can imagine them having two or three... but I think the first one should be Buyuu.
Aira's name is written as 愛羅, which is a nod to the phrase 愛羅武勇 - read as 'I love you', or アイラブユー (ai ra bu yuu) - said as if one were speaking in English, rather than the Japanese line 'aishiteru' for example. A very fun line that showcases Aira's passionate side!
'Buyuu' would make for a very nice boy name to match his mother, written of course as 武勇 to follow Aira's 愛羅. Jiji is a fun and sentimental guy, so I think he'd be fully on board with this kind of wordplay!
武勇 can also be read on its own to mean 'bravery', 'military prowess' or 'valour'. Jiji's real name is Jin, written as 仁 and means 'benevolence', 'compassion', 'charity' etc. - while not directly related, 'jin' and 'buyuu' both point towards virtuous qualities that often go hand-in-hand. Buyuu refers to warrior-like traits especially, which also serves as a nod to Jiji's power both with and without the Evil Eye.
I can certainly think up good names for more kids too... but let's move on for now >///<
Kinta x Vamola
This ship might be a bit polarizing, but I honestly think they'd be so sweet together once they have time to grow! Another reading for Vamola is Bamora, written either way as バモラ - neither reading is right or wrong from a technical standpoint, but I prefer Vamola as it sounds more alien to my ears.
It also matches with Vega, which is the name I'd choose for her and Kinta's daughter!
Vega is the brightest star in the Lyra constellation, and is known in Japan as 織姫 or 'Orihime' - as in Orihime from the popular folktale of Tanabata. The story is about two lovers (Orihime and Hikoboshi) who are separated by the Milky Way and can only meet on the 7th day or the 7th month. A lonely maiden from the stars... almost like a certain alien girl!
But the connections don't stop there. Sakata Kinta (坂田金太) also happens to be a folktale reference! 'Kintarou' (金太郎) is the name of a very famous figure in Japanese myth, particularly known for slaying the fearsome oni overlord Shuten-douji. He also may or may not have served Minamoto no Yoshitsune under the name of Sakata Kintoki (坂田 金時). Folktale father, folktale daughter.
Kinta is such a bombastic guy, Vega just might be on the normal side of his naming preferences... but I think Vamola would find it all very sweet and moving. That said, Vega herself might choose to go by Orihime amongst her peers to avoid the questions and weird looks >.>
(And of course, if they had a son it'd be Altair instead!)
So... yeah! Those are my thoughts and ideas on the matter ^^;;;
I love researching Japanese terminology etc. so this was really just an excuse to ramble about all that... Hope some folks enjoy!
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Hey, for the other!tfp trio….let's assume that the team remained on really close contact despite the distance after the war (RID 2015 who knows you? Certainly not me). I wanna see a really touching reunion between the bots and their protegees, but here's the twist:
They return to their kids, only to find out that these three are no longer kids, but young adults (maybe late teens for Raf, because our future little Dragon always will be the youngest of the trio) and are no longer humans (cause they have fully embraced their other heritage)
This time-lapse could be explained by either A) the bots spending a bit longer on Cybertron and losing the human sense of time or B) The kids deciding to make a joint trip to elsewhere/the other side after the end of the war, where time doesn't move the same as in the human plane (they went as kids, but elsewhere spit them as grow ups even though this change doesn't make sense to the bots.... because they are seeing things from a human sense of time); now, when exactly these three got lost and then reborn, that's privy to them alone.... I prefer the B) option if you ask me....
Regardless, I think that these three would remain tightly nit, as tight as possible (they could be on the other extreme of the planet or any other plane, and yet they would return to each other...eventually). Cause after all the went through, separation is not an option for them
Reactions and talks/explanations are meant to happen in response to this..... and what roles June, the Esquivels and the Nakadais families had to play in all this
Ohhh, this is interesting. I hinted or understated in some pieces that time can get weird in Elsewhere as a call to the folktales and myths of humans stepping into an otherworldly space to spend a few hours there, and then stepping back to their world to find out decades had passed.
Perhaps it's their heritage, singing in their bone marrow and igniting from the Matrix's influence, June's own presence (haunting and hungry, no matter how muted or how well she hides her own teeth), or a strange combination. Perhaps it's the experiences they shared, forged in fire and blood as Earth's own chaotic nature. But these three are bonded. Intertwined with each other, even across the world.
Distance means both little and much to them now. They ventured onto foreign, alien planets and spaceships, traveled to lands across the world in the blink of an eye, and went on the run from a manhunt.
Miko keeps the Apex Armor and takes it back to Japan. At the right moments and when the urge gets too much to bear, she steps into the sea and goes farther than any of her relatives could go, even the ones that can hold their breath for 20 minutes.
She hasn't been the most filial of daughters, but she is her parent's child. Her sea-blooded mother stole back a human that survived and thrived from Elsewhere and claimed that man as a spouse. Bloodlust and wet works are no distant strangers to her. She's inexperienced but a willing learner. She already cut her teeth on foreign flesh.
Down in the dark depths where there's no difference between going up to the sun and going towards the abyss, but where her steps tread, she meets someone with pearly, iridescent scales across a long, serpentine body and a face so much like her own (and her mother's and her grandfather's and her-) with large, dark eyes with an amber ring.
After meeting the yokai that birthed her lineage centuries ago, Miko finds her way back to the Americas. A blessing and a warning kept in her heart.
(One day, Miko will understand what her sea-blooded mother meant when she told her that her father was a 'good Man.'
Raf's deep fascination (admiration, obsession) with space exploration and technology is taken in stride among the Esquivels. He doesn't raise any suspicion among them because that's how they all are.
He absorbs whatever he can, consuming the hard-earned lessons under Ratchet's care and oft-handed commentary. The Esquivels hunger and Raf is no different as he swallows how Cybertronian theory and application and attempts to further bridge between human and alien equipment.
Raf had found his teeth and his siblings recognized it as their baby brother doesn't disappear on them nor shrink away from their more vicious arguments.
(They are a family whose flesh descended from fire tempered by earth. Raging passion and violent temptations. Wicked protection and immense wrath. Voracious, cruel, and beastly, yet so very kind and vigilant.)
Mama kissed her youngest boy (because Raf will always be her baby boy) on his head and told him to be careful, praying for his safety as he went with Jack.
That protection will save them on a summer trip when Jack retraces his steps to all the places he once called home.
Ever since his mission to Cybertron, Jack dreams of strange, wistful things. An unquenchable thirst, an itch in his bones... he feels bereft for some reason.
He misses Arcee. He misses all of them. But for some reason, Jack still dreams of the timelessness of Cybertron. There's still something that calls to him in that eerie stillness. Not the desolate ruins of alien cities, although they quietly sing between hope and despair, but it's the outskirts that wait with bated breath.
In the summer after graduation, he takes his new-used car and travels across the mainland United States. The windows are down as the radio blares, wind ruffles his hair as Raf laughs and tries to figure out maps since some locations are so off-beat that the GPS can't confirm the coordinates.
Deep in the bones of a decrepit old house he once called a home in his long-distant childhood because June and Jack moved repeatedly, hopping from place to place without rhyme or reason... there are the echoes of a wailing scream buried within it.
A living corpse for a copse of trees that guard the area.
(A mother will tell her son what exactly brews in their powerful blood and what she has done to ensure he grew up safe to make a choice.)
Elsewhere exists in so many ways, shapes, and forms. At one point, the legends and myths had once walked upon Earth and left their marks. Something happened in the unwritten, unspoken past that corralled those legends away.
The trio will venture through the many portals and gateways and have many more adventures as they realize there are far more Cybertronian relics on Earth...
Mermaid queens and Seelie emperors, dignitaries of unearthly shapes painted in enamel and precious jewels, sharp animals with sharper intelligence that speak in prose, the faint imprints in slumbering environments, and empty, the lingering remains of humanity's role among such great and terrible things.
(Humanity was (is) great and terrible themselves.)
(Miko's father is a 'good Man,' and that means something different to such beings.)
"Long ago, Man made peace with Magic." "Long ago, it was decreed that Man would stay."
Time isn't linear in Elsewhere which incorporates so much that a single or several maps would be useless. Time flows in so many directions that it's a constant battle to recognize and travel to and from their own particular section of a river.
Perhaps it's his heritage or a minor blessing from the Matrix, but Jack is more sensitive to flow and can locate the best spots for them to get back to their Earth. To the same week, month, or year they ventured away.
Miko explores her own bloodthirst and prey drive. The singing, thrumming chant in her blood and how the Apex Armor responds to it.
Raf hones his own instinct on his particular guidance to find portals and lucky happenstances. Between him and Jack's instincts for 'shiny' things, little can escape them.
In some worlds, they grow older. Aging and bulking, exploring how to reshape themselves and all sorts of careers. In others, they seem immortal compared to the rapid change around them in a species whose lifespan is a single human year.
"We could be gods here," says a man with a firestorm trapped in his bones and has become a dragon. Not a Dragon because he searches the stars for a mech he once called brother. "Are we not gods already?" The not-man made of shadows and feathers replies. He still dreams of a far-distant metal planet and realizes that it whispered to him back then. "Does it matter," laughs a woman encased in armor that's more like a second skin, tendrils sweeping upon the floor like the gentle motion of a calm tide upon the beach. Pink for her lost girlhood and passion, a warning and a sign from her many great-grandmother. Green as the metal she once called her kin.
When humans are pulled Elsewhere. Three things usually happen: they break there, they struggle or thrive, or they break at home.
"How many times have we done this?" A boy that's not really a boy, who shall become a dragon in so many lifetimes, asks his companions. (Raf keeps his sister's warning close to his heart as she once died in a foreign, strange desert and was resurrected in her own pyre to devour the city that enslaved her and so many countless others. Pilar has become a Dragon and that legacy between mortal and divine shall be her epitaph in a battlefield far sooner than later.)
Ratchet returns. Some things change, while some remain the same.
Jack tastes the grief and repressed anger upon the medic and leaves him be. Raf remembers Ratchet parked in the garbage and keeps the old medic busy between lessons and searches. Miko digs into the festering tangle of emotions, lapping into those wounds as she uses the Apex Armor on the training mats to absorb those fighting skills and grills for information about Cybertron and the rest of Team Prime.
She cares, she really does, but the boys' avoidance of Ratchet's issues won't help anyone, especially if (or when) the medic leaves the planet with no way to contact again.
Ratchet went Elsewhere twice. The first time was a rough pill to swallow as Team Prime never realized its existence. He wondered where the trio had scavenged a considerable amount of Energon crystals and the resources to guard the new base with all the newly acquired. He stiffly apologized to them because he had thrown hurtful words over their travels, calling them "superstitious" and "better than that" and "this is why you never applied yourselves" was the least of the insults. The second time, he realized just how much and fast humans age as he counted each tick on his chronometer as they ventured across new continents and strange seas. Those years and crippling injuries and strange bodies melt away from the trio as they return back to their native Earth and their baseline human form.
June visits them. Ratchet never thought to ask how she found them in Nevada when Agent Fowler would have never told a civilian about them. No one questioned how she managed to bypass all the security with her car.
He tallies all the strange, eerie signs as she leaves hints to solve their challenges, how she seems to appear when food is low and they're too busy to bring anything more substantial than a simple run to the nearest fast food joint or a quick foraging session, how all the security in the world, both Cybertron's and Earth's, cannot track her.
"I am what I need or want to be." The one called June Darby demurely answers.
The only family member of Raf's that Ratchet will officially meet is Pilar whose bones are filled to the brim with rituals, survival tips with monsters, gods, and hostile environments, and formal protocols in so many kingdoms, both dead and alive. She grieves as well. She had given up the Dragon to return home but her memories are bursting full of laughter and people and color when the crumbling ruins the new Team explores are long empty of an extinct people or a fallen kingdom.
"Sometimes I think I carved out parts of my heart and left it there. All I have left are the memories as I'm the only one that remembers the campfire songs and the lessons of all those who helped me."
Ratchet will never meet the Nakadai family face-to-face, but he gets a hint of what they are with all the messages and packages they send their only child. Izumi sends pointers on how to prepare certain sea creatures and how to differentiate the signs of an underwater portal in treacherous waters. Her husband will leave cryptid messages and strange, gold pieces. Sometimes he sends coordinates for Miko to dig up a weapons cache or an informant to cultivate.
Of course, things change when the not-quite-human trio spirit back a Primal Artifact of Quintus Prime...
#ask#azula nyx#transformers#transformers prime#tfp#jack darby#miko nakadai#raf esquivel#june darby#pilar esquiel#ratchet#magic#fantasy#creature#body modification#maccadam#my writing#humanformers#ratchet has no idea what the fuck happened but he's not leaving them to contain all the Artifacts on their own#look there HAD to be way more Artifacts so-#here's my answer and how I reject canon and rewrite my own lore#Ratchet gets sadness as Jack does remind him of Orion Pax#but sweet Primus does Miko reminds him of Megatronus#Ratchet refuses to think about any similarities between Raf and Soundwave. HE REFUSES
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Manga Yokai Stories: Ghostly Tales from Japan
A collection of tales consolidated by a Greek-Irish writer named Lafcadio Hearn who lived in Japan in 1904 and was fascinated by the stories he read and hear that he put them together into a book called “Kwaidan”. He finds the stories fascinating as it’s not the type of horror stories you would expect but rather presented in a different way focusing on the human nature of the ghosts like regrets, anger, loneliness and sorrow. It is essentially a story of letting go of the past and moving on in life as the ghosts return from the dead because they want vengeance against those who wronged them in life, to be with their loved ones who they still miss. Or even wanting a second chance in life after messing up in their unfulfilling life but can’t. So they are unable to die in peace and move on to the next world because their heart and soul are still clinging on to the world, to the past. A page turner filled with interesting stories with plot twists making you wonder if they are able to search for inner peace or what they are looking for and wonder if the story goes the way you expect it to. The illustrations by Inko Ai Takita is simply beautiful, with a blend of typical manga style and a touch of realism to it which helps in the dramatisation of the stories as you can feel the emotions showed by the characters. A good book to read if you’re interested in Japanese culture and folktales. Or if you love art and appreciate the amazing artwork and is more of a visual reader like me who likes reading books with illustrations.
#manga yokai stories : ghostly tales from japan#manga yokai stories#ghostly tales from japan#yokai#japanese folktale#japanese folklore#japan#japanese culture#japanese illustration#japanese art#japanese book#book review#book recommendations#manga#lafcadio hearn#inko ai takita#sean michael wilson#tuttle publishing
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There’s a book about Japan's fall into an economical, environmental and cultural pitfall written by Alex Kerr that’s been sitting on my shelf unread for years. The title of the book allured me to pick it up today as my interest was piqued with the question whether the title Dogs and Demons: Tales from the Dark Side of Japan is a derivative from a metaphor or local saying. Needless to say, the question was inspired by my obsession of portraying Vegas and Pete as dogs and by my quest of studying the sociocultural attitudes towards dogs especially in Thailand, but also other parts in Asia. As it turned out, the title is indeed taken from a folktale recounting the conversation between a emperor of China and a court painter: “Dogs are difficult (to paint), demons are easy” is said to be the answer the court painter gave to the emperor when he was asked what’s hard and what’s easy to paint. Kerr points out that “quiet, low-key things like dogs in our immediate surroundings are hard to get right, but anybody can draw a demon” (p. 10) as an explanation why he chose the title Dogs and Demons to represent the dilemma of Japan focusing on “lavish monuments” rather than fixing the “long-term underlying problems” visible to the eye (p. 146).
The folktale got me thinking (in literal sense) about the discussion of whether the painting hanging on the wall of Vegas’ study is proposed to be interpreted as a metaphor for how Vegas himself or others see him. If we add to the discussion the notion of demons being easy to paint, the portrait could be interpreted as something between the lines of others pushing the idea of Vegas’ demonization. It's the easy option as that way there's no need to take the effort of trying to understand him as something more than a one-dimensional person.
It's also interesting to point out that although Pete’s portrait is painted in blue, he bathes in red light when Vegas’ portrait is presented for the first time. All I can think about is the association to the scene after the auction where Vegas is very much presented as the devil, giving room for the interpretation that there’s also a demonic side of Pete (which is more difficult to paint because, you know, Pete).
#kinnporsche#vegaspete#vegas kornwit theerapanyakun#i run out of meta juice at the end which is why i don't touch the subject of pete being the difficult dog to paint
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Okay, here we go- Persona 4 Arcana Swap Persona Ideas! This is going to be long.
Fool!Chie - Tokoyo
Tokoyo is a young woman who is known for slaying an undersea beast. When her father was exiled by the emperor, Tokoyo goes to to find and help him, but when her efforts are unrewarded, she decides to pray at a local shrine and get some rest. However, this leads her to find a priest about to push a young girl into the sea. When confronting him, he explains that if the locals do not offer a sacrifice, a sea monster will batter their island home with intense waves and storms. Unfettered by this statement, she hands the priest a letter to give to her father in case she doesn’t make it, sticks a knife between her teeth, and dives into the water. She finds a statue of the emperor and decides to carry it up. When face to face with the sea monster, she successfully kills it and hauls both the statue and sea monster’s body above sea. The statue was magically connected with the emperor and when she hauled the statue out of the water, he was healed of a mysterious ailment. As thanks, he allows her and her father to reunite.
High Priestess!Yosuke - Nezumi-Kozo
Nezumi-Kozo was a famed thief in Japan’s history, with some coining him similar to Goemon and Robin Hood. He was immortalized in his efforts through kabuki theatre, jidaigeki, and pop culture in general. After his death, many pilgrims chipped away his headstone for charms, it had to be replaced multiple times. As you stated, Yosuke is not very well liked by the people in Inaba and yearns for an exciting and fulfilling life, and a thief could refer to such a desire and his legacy being carried out in pop culture and entertainment could also call back to Yosuke’s musical interests.
Emperor!Yukiko - Shuten-Dōuji
As previously stated in the Plan-B paragraph, Shuten-Dōuji is a famed oni, with a penchant for alcohol and saké. He had a multitude of underlings, all with a range of different abilities, such as shapeshifting. He was decapitated by Minamoto-No-Raikō, but still tried to bite him, which he avoided by wearing multiple helmets. Since I didn’t know much about Yukiko in this AU, I decided to go off of Kanji’s personas and go for something feared by many.
Lovers!Teddie - Utsurobune
Literally meaning “empty/hollow boat” Utsurobune was a strange object that floated to the shores of the Hitachi Province in 1803. It contained a young woman who wasn’t able to speak Japanese and was unable to communicate with anyone. Certain ufologists believe that it was an encounter with extraterrestrial life. Teddie feels empty, so his persona’s name is just “empty boat” and the young woman’s inability to speak and communicate with others properly can refer to Teddie being hesitant to properly communicate his true feelings.
Star!Yu - Momotaro
Momotaro is a well known and popular Japanese folktale, about a boy who was born from a peach who teams up with a monkey, dog, and bird to defeat the Oni on Onigashima. If Yu takes up Teddie’s role, that means three characters will fall into the TV, where he will team up with them to defeat the big bad lurking somewhere in the TV World. Pretty simple and self explanatory.
You're so good at this what the heck-
I'm particularly charmed by momotaro. I think that's so fitting.
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miss the blue noise so much. they were a really cool mechanic and a neat sort of reward for exploring. they also have really cool designs but i wanna shoutout the progfox in particular. it’s more than just how it’s the most unique fight, plus one of the hardest in the game (and a really good example as to why the ds using both screens enhances twewy’s gameplay since it’s perfectly chaotic). i’m a sucker for folklore in general and god is progfox a perfect sort of representation for kitsune. so here’s a lil trivia revolving around this bastard.
(putting this under a cut since it’s pretty long)
first i’d like to give a bit of cultural background. yeah the progfox is a kitsune, a kind of yokai that’s definitely one of the most well known. foxes in general have been characterized throughout history as being tricksters, but some of the kitsune background are based on a certain divinity.
white foxes are most closely associated with inari okami, a very popular deity even to this day, likely due to representing agriculture and industry. of course he/she/they (gender is different depending on the context) represent a lot more, but rice is definitely incredibly important to japan’s agriculture. humans and foxes in ancient japan have a history which is likely part of their association. the yokai part also likely emerges from a popular folktale of a white kitsune named kuzunoha, one who was saved from a hunter by a man named abe no yasuna, turned into a beautiful woman and cared for him as thanks, and eventually became his lover.
as such, it’s no surprise that kitsune are highly represented in japanese media including video games, and the kuzunoha folktale is also represented in some ways + is part of the influence for the common white fox rep.
the progfox, also unsurprisingly, has the unique ability to transform into various noise, weird forms, and a neku doppelgänger. strangely, while a tail or other fox features is what gives away a kitsune, the neku form only has a slightly different color palette and has him wear a mask.
there’s also this weird skeleton form which is most likely based on another yokai, gashadokuro—a giant skeleton made of the collective grudges of people who passed on without a proper burial (oddly fitting considering twewy’s story and lore). gashadokuro is also unable to be killed, which is also likely why this form is invincible.
then of course there’s this infamous form. also deriving from folklore, depending on how many tails a kitsune has, the more powerful it is, with the most they can have often being nine. this is why the progfox (and other fox noise) gets progressively harder the more tails it gets, and also why this form is what launches the super move.
last bit here more so applies to fox noise in general like the multiple tails and transformation stuff (though the progfox is definitely closer to folklore than just the regulars). they all use fire attacks aka kitsunebi aka foxfire. kitsunebi is said to represent the magical power of a kitsune and are a lot like will o wisps. they’re also used for important events held by yokai, particularly weddings, so idk you can see all three fox noise as being in a polyamorous relationship if you want.
#the world ends with you#twewy#man imagine if we got progfox in the anime#that would’ve been cool :(
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