#Fictional heavy metal band

[1-moebius-1-universe-1]

[punkdawg-25]

I promised myself I'd draw more interactions,so here's Martin&Keith.These two goofballs have been best friends since they were little kids. Used to get in all kinds of trouble back then.Now they are just..big kids in a band.(though Keith tends to act more serious when he's not with Martin)

[d34dsatan]

MILLIONS AND GAZILLONS OF OCS I HAVE LMAOOO

ill make separate posts on them as theyre all based on my music taste

my art is very inconsistent guys, im so sorry

[hamowoods]

Steven Platinum.

[unggunyulianto]

T-shirt graphic illustration for @pound.band is an experimental music project from Seattle, WA that combines elements of grindcore, mathcore, d-beat and sludge metal.

[dailymusemaniac]

Ai art robot female metal head

[savage-kult-of-gorthaur]

NOT MY FAVORITE MAIDEN ALBUM, BUT EDDIE GONE SCI-FI/BOUNTY HUNTER REMAINS A MASTERSTROKE.

PIC INFO. Spotlight on a record advert and/or concert tour poster for "Somewhere in Time," the sixth studio album by English heavy metal band IRON MAIDEN. Somewhere on Tour ran from September 10, 1986 to May 21, 1987.

ALBUM OVERVIEW: "The weakest album from IRON MAIDEN's classic ‘80s period, "Somewhere in Time" is really the first true disappointment in their catalog, too often collapsing under the weight of their now-trademark ambition. Though it sold well on the heels of the hugely successful "Powerslave" tour, and is often regarded as underrated by Maiden devotees, it clearly finds the band struggling to refresh what was rapidly hardening into formula.

Trying to keep up with the times, Maiden incorporate synthesizers here, much as JUDAS PRIEST attempted to do on the same year's sterilized-sounding creative flop "Turbo;" the main difference here is that MAIDEN pull it off much more effectively. Yes, the production does have more of that typically ‘80s studio sheen, but MAIDEN makes the new instrumentation serve their existing sound, rather than trying to hop on contemporary trends. (And really, why make the sound more commercial when you're already amassing a small fortune from merchandising?)

Their ferocity hasn't gone anywhere either, as this ends up their fastest album (on average) since "The Number of the Beast." The real problem here is that the material is less inspired; too often "Somewhere in Time" feels like epic-Maiden-by-numbers, as fewer of the extended pieces truly catch hold. The first half of the album actually works very well -- "Caught Somewhere in Time" is an effective opener, introducing the newly futuristic flavor in the band's sound while offering a thematic parallel about time travel. 

Adrian Smith really comes into his own as a writer here, penning both of the album's singles ("Wasted Years," the undisputed highlight here, and "Stranger in a Strange Land," surprisingly not based on Robert A. Heinlein's sci-fi classic), plus the nicely metallic "Sea of Madness." Though it perhaps could have been trimmed a bit, "Heaven Can Wait" remained a concert singalong staple for years to come. But then the misfires take over.

"The Loneliness of the Long Distance Runner" is far and away the least suitable subject for an extended epic that the band has ever undertaken, and the music itself offers little catharsis. Despite the wailing chorus, "Déjà Vu" never quite gels, feeling a bit underdeveloped musically. The now-expected prog-metal album closer this time is "Alexander the Great," and this part of the Maiden formula here verges on self-parody. Steve Harris' lyrics largely stick to a recitation of facts, names, and places that add little drama to the music, and Dickinson is stuck belting out a lazy, totally on-the-nose chorus ("Aaaaaaalexander the Greaaaaaat!").

Somewhere in Time will appeal more to the metal diehard who's already suspicious of too much overt melody; there's plenty of progressive complexity here to impress that type of listener. For the rest of us, even though fully half of the album is still excellent, "Somewhere in Time" is the first Maiden record that's less than godlike."

-- ALLMUSIC (review by Steve Huey)

Source: www.flickr.com/photos/thinlizzyguide/3198766135.

[bobmood-blog1]

dark and gritty.

Chapter 1: The Rise of Venomous Dragon

In the heart of the 1980s, a group of misfits came together to form a heavy metal band known as Venomous Dragon. Their music was raw, aggressive, and filled with the rebellious spirit that defined the era. Led by the enigmatic frontman, Damien Blackthorn, the band quickly gained a cult following for their electrifying performances and wild party antics.

Chapter 2: The Wild Parties

As Venomous Dragon's popularity soared, so did their reputation for throwing the wildest parties in town. Their backstage gatherings became legendary, filled with excessive drinking, drugs, and debauchery. The band members reveled in their newfound fame, living life on the edge and embracing the rock 'n' roll lifestyle to the fullest.

Chapter 3: The Demons Within

However, beneath the surface, each member of Venomous Dragon carried their own demons. Damien Blackthorn, haunted by a troubled past, used his music as an outlet for his pain. Guitarist, Razor Blade, battled addiction, finding solace in the chaos of their wild parties. Bassist, Viper, struggled with personal relationships, constantly torn between loyalty to the band and his own desires. And drummer, Thunderstrike, battled with his own inner demons, struggling to find his place in the band and the world.

Chapter 4: The Grunge Invasion

Just as Venomous Dragon seemed poised to conquer the world, a new genre emerged from the depths of Seattle. Grunge, with its raw and introspective sound, swept across the music scene, overshadowing the heavy metal movement. Suddenly, Venomous Dragon found themselves struggling to stay relevant in a world that was rapidly changing.

Chapter 5: The Fall from Grace

As the grunge movement took hold, Venomous Dragon's popularity dwindled. Their wild parties became less frequent, and the band members grew distant from one another. The demons that had haunted them individually now tore them apart as a group. The once tight-knit brotherhood was crumbling, and hope of making it big seemed like a distant dream.

Chapter 6: Redemption or Destruction?

In the face of adversity, Venomous Dragon must confront their inner demons and decide whether to fight for their music or let it all crumble away. As their personal struggles come to a head, they must find a way to rise from the ashes and reclaim their place in the music industry. But will they find redemption or be consumed by the darkness that threatens to destroy them?

Chapter 7: The Final Showdown

In a climactic final showdown, Venomous Dragon takes to the stage for what could be their last performance. The fate of the band hangs in the balance as they pour their hearts and souls into the music, unleashing a raw and powerful performance that reminds the world of their undeniable talent. But will it be enough to overcome the forces that have conspired against them?

Chapter 8: The Legacy Lives On

As the final notes fade away, Venomous Dragon's fate is sealed. Though they may not have achieved the level of success they once dreamed of, their music lives on in the hearts of their devoted fans. The wild parties and rebellious spirit of the 1980s may have faded, but the legacy of Venomous Dragon will forever be etched in the annals of rock 'n' roll history.

In this dark and gritty thriller, the story of Venomous Dragon unfolds against the backdrop of the 1980s music scene. Filled with raw emotions, intense conflicts, and the power of music, it explores the price of fame, the struggle for identity, and the resilience of the human spirit.

[spaceclassifiedsection]

Wanted: infrasound bassist for entropy metal band Toxic Heat Death. Contact Mike at musicman321@holo.gram

[1-moebius-1-universe-1]

[punkdawg-25]

Expressions sheet for Randy. I don't think I have ever drawn him facing right before this lol

[d34dsatan]

i think i might make another fictional band, i was gonna say the name but i dont want it to be taken,, but youll just have to wait and see 🙏😈

[hamowoods]

James Watanabe.

This is a fictional man from my fictional band, Purely Black, which means that this guy doesn't exist and had to be made with AI.

[cod-imagines-fanfiction]

Jealous Alejandro kidnaps Valeria's girlfriend part 7 (3.4k words)

Summary: Now in the custody of the Mexican Army, Y/N is transferred to an incarceration facility and meets her unexpected bunkie

Warnings: LESBIAN SMUT, filth but very loving :) Note at the end Link to A03 Links to part 1, part 2, part 3, part 4, part 5, part 6

The journey to prison seemed never-ending. Y/N watched the world beyond from the small window next to her, watched as they traversed past dry, yellow fields, past abandoned gas stations. Past faded, rusty signs that were littered with bullet holes. She watched the world dim as the sun fell, the soft glow of twilight as the sun dipped below the horizon. The oranges and pinks shone so briefly but beautifully on the sky right before the darkness descended. The man across from her said that Valeria was in the van behind them. If there was such a van, it was way behind them and impossible to see. She only hoped that this misery would soon be over, that the cold metal bands around her wrists would be removed and she could walk free.

Only that she wouldn't. She and Valeria had reached the point of no return, that much she knew. The life they lived before - the secluded glamour, their intoxicating, opulent love - vaporised into nothingness. They cheated the world all these years and pretended that the truth wouldn't - couldn't - reach them. That the world would forget about their queer domesticity, their illegal lifestyle. Illegal because that lifestyle was funded entirely by drug money and violence. But the balancing scales finally tipped and Valeria would get what the world believed she deserved. And seemingly, the drugs were only part of the picture. Missiles. Terrorism. You'd heard those words scattered in conversations relating to Valeria and they made you shudder. There was a darkness that, so far, had lived on the periphery of your life with Valeria. A darkness that could be suppressed, that you could pretend was not really there. You pretended that the diamond jewels Valeria dressed you in were bought with honest money. Pretend that the men brought to the tunnelled rooms beneath your house were there for job interviews, not for interrogations. Pretended that Valeria's cars were made with heavy doors because it was her personal taste, not because she needed bulletproof transportation.

These fictions were no longer tangible, no longer capable of retaining their glamour. You and Valeria would have to pay for all of it, finally. Y/N knew that one of these days her tears would fall and she would not be able to stop them.

It was all mechanical after that. The van approached a looming structure of concrete and barbed wire, of guard towers and dogs. The van was checked and allowed to enter. Y/N shrank away from the gazes of all these men. The Captain across from her, the driver, the guards, the soldiers waiting beyond. The door was opened and you were flung out, shackles and all. The Captain put his arm through yours, a precaution in case you tried to escape. It almost made you laugh. There was nowhere to run to and all these men were impossible to run from. "No papers?" A guard asked the Captain, his eyes raking over your form. You became acutely aware of your attire, the pyjamas, and how they contrasted with the uniforms of these men. Your light, thin pyjamas were built for comfort and aesthetics. And their kit, bulky and covering every inch of them, was built for battle. "No, sir. Special case. Courtesy of General Shepherd." The Captain nodded to him knowingly. It felt illegal that they would jail you without even a passport or some form of ID, but you didn't dare say anything. You weren't sure what rights you had, if you had them. The process beyond that was glaringly odd. You entered what looked like the reception of the facility. Your pockets were checked - there was nothing. You were not identified but were given an ID card and a uniform to change to.

"Am I in prison?" You asked. "No, ma'am. Temporary custody, it's like jail." You stared at the uniform in your hands, then back to the guard. "Why am I wearing this then?" He cleared his throat. "It's more modest, ma'am." "Oh," you said stupidly and changed. Thankfully, you were not searched for anything. It was nothing like the scary stories Valeria would tell you from those who were caught and imprisoned due to her operations. Of people made to kneel and cough in all their nakedness, of guards probing their bodies and leering. When you came out from the changing area, the Captain was gone, presumably because he'd handed you off to the right authorities. That's all you were to them, something to be passed off and transferred from point A to point B. Something to be processed and shelved.

The guard was waiting for you. "This way," he said and buzzed you into the facility. Greyness and coldness prevailed in this place. The labyrinthiness of it made your head spin, every hallway was the same, and every corner was like the one you'd seen before. The doors were the same, even the guards looked like the same person but multiplied. The reality of it all pressed down on you oppressingly, you held in your tears and followed the man. Your heart hammered in your chest when you heard the yells of men, muffled behind the concrete but hysterical in their intensity. The guard must've noticed the panic in your eyes. "You will be held in the private women's wing. Special case gets special privileges." He almost sounded hopeful, but you weren't sure if the final part was meant to make you feel any better about your situation. The panic did subside, however. Another gate stood in front of you and you were processed through that one, too. The women's wing, you presumed.

The women's private wing was completely empty, the cells clearly vacant by the fact that their doors were wide open. There were two floors and a guard post staring at them. No windows. Your footsteps echoed across the chamber, the silence was defeaning. "You're in here," he said and deposited you to one of the rooms. It was a small room scarcely furnished with a toilet and a metal bunk. A pillow, a thin mattress and a blanket summarised your belongings for the time being. "Do I get time in the yard or anything?" You said as you turned around but the door was slammed in your face. You jumped back. "That's not how jail works," he said and walked off. You stared through the door's window for some time, becoming self-conscious with each passing moment. Apart from the lack of freedom and the possibility of spending a lifetime incarcerated, you were troubled with the hygienic aspect of things. Can they see inside when you go to the bathroom? It was something you always wondered about when you watched crime TV and you now had a personal investment in the topic.

"Don't worry, amor. They won't peek through."

You almost fell to your knees. Your hand reached out in time to hold on to the door as you heard her voice. You didn't have time to turn around, her warm hands were already on you as she hugged you from behind. Her body emanated warmth as she pressed herself against you and you felt her frame envelop yours. Her warmth, the scent of her sweat lightly masqued by her perfume. Valeria's hands caressed your sides and travelled up and down your body, eagerly. One of her hands slithered beneath your shirt and past your bra. She cupped one of your breasts and squeezed as her face rested on your shoulder, lightly coating the side of your neck with breathy kisses. You always shivered when she did this and let out a shaky breath, carefully releasing a relieved whimper. You tried to speak but struggled to release the words coherently. Each attempt started with a pitiful vowel which was drowned by a hot kiss, it resulted in a cascade of pitiful, small sounds that were interrupted by the sound of wet lips and light moans.

Actions spoke louder than words with Valeria. There was no point in saying how much she missed you when she could show it. She squeezed your nipple sharply. You yelped as expected and she took the chance to enter your mouth with her tongue. She could feel your flustered embarrassment given your surroundings and chuckled as you tried to kiss her lightly and more quietly. She refused your demands and kissed you harder, sloppier; louder. You finally broke off, breathless. "They'll hear us," you said as she moved on to your neck without skipping a beat, kissing your jaw. "They left the post, baby," she said and moved to your ears. Valeria's tongue flickered on your lobe, knowing how ticklish her warm breath made you, how it made your whole body squirm. "Special privileges," she whispered and started nibbling on your skin.

"Baby," you pouted to her. A frenzied passion arose within Valeria. All that time she spent away from you, all that fear about your safety, the despair she felt when she thought she would never see you again; that you were hurt or tortured, that you were bullied and exploited whilst she could do nothing to protect you. All those feelings made her desperate to touch you, to feel that you really were there. To feel your soft skin and to see for herself that you were not bruised or hurt. With each caress and with each touch, she wanted to feel that you were unharmed, untouched. And with each examining touch, arousal glowed within her body, that special warm feeling intensifying between her legs. She missed you; all of you. One of her hands was blissfully busy with your breasts, moving from one to the other and eliciting many praises from your body; twitching and whimpering with all the stimulation. Unable to help herself, Valeria allowed her other hand to to caress your tummy, which she loved, and then lower to the band of your trousers, teasingly. You wiggled excitedly in her grasp, loving to see her so excited with you. "You're so crazy, baby," you mumbled and delivered kisses to her face. Her hand then went lower to your crotch, fondling that sensitive spot hungrily. You yelped in response. "What if they walk in on us, my love?" You asked her and wiggled your hips to escape her touches, fending off her wicked teasing.

"I already told you, princess," she said and continued caressing your sensitive spot with more intensity, following the rhythm of your hips. "They've all left their post." Hearing quiet noises escape from your careful control excited her even more, Valeria couldn't deny how much she loved moments where this dynamic manifested in your relationship. Her intense, playful teasing when you were not in an entirely private place. Your assertions of propriety and decency. How Valeria would persist with her argument and teasing, your eventual, blissful surrender. You remained unconvinced and so she pressed you forward with her body, making you peek out of the little window on the door. "Look for yourself, they're all gone," she said. You lifted yourself a bit higher and looked on. You surveyed the space and saw how empty it was, with no guard posted, and no cameras. You hummed to yourself as you judged the safety of the situation. You made a noise with your assent. "You're right, there's no on-", with no hesitation Valeria plunged her hand past your trousers and your underwear, her fingers reaching out to your sex. "You're happy, now?" She whispered to your ear as her middle finger found your clit and moved your wetness up and down. She felt your jaw tighten as she continued that movement agonizingly slow but with more pressure, making your hips press against her. "Use your words, princess," she whispered into your ear. "Yes, baby. I'm happy." You said quickly and breathlessly.

Valeria bit her lip and groaned quietly in your ear. "You're already so wet for me," she mumbled as her fingers moved faster. Her movements were sloppy and the contact with your skin emitted those wet noises that embarrassed you so much. She kissed your cheek and froze when she felt how wet your face was. "Baby, are you crying?" It was all too much. Everything that happened came back to you. The sudden kidnapping, the destruction of your home, the interrogation, your imprisonment and chaotic escape. You had not a moment to yourself to process anything before Valeria appeared. You loved her touch and longed for release, longed to touch her. And yet, your tears fell. "Fuck, I'm sorry." She span you around so that you were facing her. Her eyes widened with panic at the sight of tears falling steadily and silently down your face. She cupped your cheeks with her warm hands. "Too much too soon. You know how intense I am, baby." She pulled you in for a hug. You nuzzled your face in her neck and inhaled her scent, you exhaled shakily. "I missed you so much," you mumbled and held on to Valeria tightly. "I didn't understand what was happening."

Valeria cooed as she stroked your back. "I know, baby. I'm sorry." "I didn't tell them anything," you said. "I know my love, thank you." You kissed her cheek. Valeria moved backwards and sat on the bed. She pulled you close so that you were straddling her; the two of you kept hugging. It was one of the things that always made you feel better on a bad day, how Valeria would hold you like this and comfort you. How she would whisper sweet nothings in your ear as you cried or complained about whatever it was that upset you. "Did he hurt you?" You said as you lightly touched the dark circles on Valeria's neck. She tried not to wince, she knew who you were referring to. "I hurt him worse." She said and paused. "Did he hurt you?" She asked slowly, suddenly afraid of your answer. You shook your head. "No, he was just scaring me." Valeria released a relieved exhale. "You're a tough cookie, Y/N." You giggled lightly and Valeria's muscles relaxed lightly. "I knew you'd come for me," you said. "I'll always find you," Valeria said and you kissed deeply. Valeria was careful not to initiate anything given your fragile state, she only gave what you asked for. You pulled back to catch your breath and went back for a second kiss, then a third one.

You pulled back again and gazed into Valeria's dark eyes. She almost seemed drunk with her flushed cheeks and the way her eyelids hung low as if she was sleepy. But you knew better. "Is it true that you left Alejandro for me?" You asked. It wasn't the sexiest thing to say at this time, but the question burned inside you. Valeria never spoke about her romantic life before you. Even on the nights when you had a little too much to drink and felt a sudden spike of jealousy that made you ask, she never responded. You knew that if you didn't ask now, you'd be silent forever and the question would eat at you. You would gnaw on the chops of jealousy, licking your wounds for eternity. "Yes," she said in a husky, low voice. You kissed her again and moaned into her mouth; you were elated. The rumours were true! The satisfaction was so delicious and warm, you felt yourself glow from the inside like a firefly.

Valeria broke the kiss. "The day I met you...I'd never felt that way about anyone. I knew you'd be mine. You were made for me, Y/N." Her face moved close to yours, your lips almost touching. "Only for me," she whispered and your lips crashed. Your hands reached beneath Valeria's shirt and roamed across her back. You found that sensitive spot on her lower back that made her shiver and grazed that spot with your nails; she moaned. One of your hands continued roaming her back and swiftly unclipped Valeria's bra. "Did you feel like that too, Y/N? The day we met?" Valeria asked. You nodded. "It was like magic. You were so pretty..." You trailed off as Valeria removed her top along with her bra. She lowered her back so that it touched the bed and just lay underneath you, half-naked. Her nipples hardened as they were exposed to the chilly air of the cell, they looked beautiful and felt soft and warm when you touched them. "And?" Valeria whispered, enjoying how hypnotised you were by her chest. It was her favourite way of getting you quiet. "And...I was worried you wouldn't like me. You're intimidating, baby." Your voice was low as you continued touching her as you spoke.

Valeria bit her lip. "Am I intimidating now?" You shook your head with a smile. "No, you're so beautiful," you said and lowered your face close to her chest. Valeria held her breath. "I could just eat you," you mumbled and covered one of her nipples with your mouth, circling the soft bud with your tongue and lightly grazing it with your teeth. Valeria released a breathy exhale. You released her nipple and kissed the skin around it, warming up her chest with your breath and occasionally biting down hard enough to make her yelp underneath you. You circled her other nipple with your thumb. "You want to eat me?" Valeria asked so quietly that you almost didn't hear her. She sounded shy; you knew what she wanted. "More than anything," you said and trailed kisses down to her tummy.

You both fumbled with each other's clothes, you scattered everything to the ground and basked in your nakedness together. You lay on the bed and guided Valeria's hips so that she lowered her thighs around your head. It was pure, never-ending bliss. The two of you filled the room with your moans and gaps, making the metal bed squeak from the rhythm of your love. Valeria ground her sex on your mouth, one of her hands reaching down to move your mouth closer to her wetness as she sought her climax whilst the other reached back to pleasure your clit. Valeria's body glistened with her sweat, she was beautiful as she moved her body up and down, the soft parts of her body bounced ecstatically until she came and her body recoiled with pleasure. Valeria always came first, but you followed quickly after, moaning as Valeria's fingers penetrated your deepest core and sweetly hit your sensitive spot. With a muffled cry, you came on her fingers.

The two of you lay in the bed together for a long time after that, whispering in the darkness. "You should've seen the house, Y/N. It was in ruins. I thought you were gone for good...I don't know what I'd do without you." You kissed her shoulder lightly. "I'll always be with you, Valeria." She shook her head and sighed. "Fucking Alejandro. It's all his fault. I'd forgotten about him, you know. I forgot he even existed." Your mind wandered back to the moment he burst into your room. The rage in his eyes, the way he yelled as he grabbed you. "He's very scary. I can't picture the two of you together." Valeria chuckled bitterly. "It was complicated. But don't think about that now, it's time to rest." You looked at her anxiously. "What if they come in whilst we're asleep?" Valeria shook her head and tucked you in, pulling the blanket up to your chin so that you were nice and warm. "They won't, baby. Just go to bed."

You fell asleep almost instantly, the exhaustion finally caught up to you. Valeria's scent, warmth and steady heartbeat lulled you to sleep and you slept deeply knowing that you were safe in your wife's arms. Valeria stayed up and watched you for what felt like hours. She stared at your face, the way the faint glimmer of moonlight illuminated your skin and lashes. She watched your chest rise and fall. You were so trusting, so loyal. So devoted even as you hit rock bottom with Valeria, you could make the coldest jail cell glow with warmth. At that moment, Valeria really felt that she could be happy anywhere as long as you were next to her. She could sleep in the most narrow metal bed if it meant you'd be next to her. She kissed your forehead lightly before getting comfortable next to you, she did not dream of anything.

Note: Thanks for reading, I hope you enjoyed it! It's my first time writing smut but I think it worked out nicely and we finally reunited Valeria with her wife :D Although this could be read as the end, I'll write one more final part to tie up the plot because you best believe Valeria and her trophy wife ain't spending the rest of their life in prison!

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[miquella-everywhere]

Miquella and Griffith: Why the comparisons make no damn sense

So instead of me screaming to the sky, "Waah Miquella is Griffith theories make me so mad grrrr I hate them so much" I've decided that I'm going to do an analysis between the two characters and dissect why the comparisons and Giffiths influence on Miquella makes absolutely no damn sense.

So first and foremost, warning: I will be talking about and spoiling Berserk, so if you wanna read it for yourself then steer clear of this analysis

So to start off let's discuss Griffith and his character/motivations in Berserks story: Griffiths whole goal from childhood was to establish his own country, his own paradise and to achieve that goal he first established his own mercenary group The Band of the Hawk. Griffith was beautiful and charismatic and the people who were apart of his band all looked up to Griffith and admired him, placing all of their hopes and faith into him and his dream.

But as the story goes on Griffith hits an all time low point, and after essentially being tortured for a year, which makes him emaciated, weak and practically crippled for life, all of Griffiths dreams seem like an utter impossibility as he is left as nothing more than a shadow of his former self.

That is until he decides to cast everything aside to become a God.

And by cast everything aside I mean that he betrays his companions, his Band of the Hawk, and sacrifices their lives to untold evils in what is absolutely the most genuinely horrific and unsettling imagery I have ever seen from a work of fiction in my entire life.

(Going off topic but I cannot stress this enough that if you decide to read Berserk understand that the violence shown pulls no punches with its depictions and involves both heavy gore and sexual violence. Especially the sexual violence)

Anyway, what makes the Band of the Hawks sacrifice so jarring is that these people all loved Griffith. They adored him. Backed him every step of the way and were the ones to go and rescue him as he was being tortured, and they all mourned the pitiful state that he was in when they found him. But regardless they STILL tried to be hopeful for Griffiths sake.

The Band of the Hawk loved Griffith and that is why Griffiths betrayal of them hits so hard and is why Griffith is known as one of the most evil characters in fiction.

And all of these reasons are precisely why Griffith is such a good and compelling character.

From the beginning of Griffiths introduction you could tell that something was... off about him. But at the same time his charisma and big ambitions painted him in a sympathetic light and you rooted for Griffith. But as the story went on you could see how Griffith was going deeper and deeper into the darkness and, quite frankly, his subsequent torture is entirely his own fault because he made several stupid and completely avoidable choices.

And it's all because Griffith at his core is selfish.

And it's for exactly these reasons why it's so baffling to me that so many people believe that Miquella is going to be just as evil, or worse, than Griffith.

Because in truth unlike Griffith, Miquella is not selfish.

The main problem that I have with the Miquella is Griffith comparisons is that all of those theories hinge entirely on the Bewitching Branch item description, and so many people have gone out of their way to spin Miquellas ability to compel affection as definitive proof that he is manipulative and evil, meanwhile conveniently ignoring everything else that Miquella has done in the lore.

So for a single moment, let's pretend that the Bewitching Branch does not exist and take a look at all the other lore that surrounds Miquella:

Miquella has dedicated most of his life to curing Malenia, his twin sister, of her crippling disease, and has even crafted prosthetics for her as well as an entirely new type of God Repellent Metal, which can halt the effects of said disease

He was a Golden Order Fundamentalist but ultimately abandoned it because it could not cure Malenias sickness

He created a Haven for those who are outcasts in the eyes of the most dominating and repressive Order in the Lands Between

He watered said Haven/the Haligtree with his own blood so it could grow into something that could rival the Erdtree

He used his identity as St. Trina to sing to and ease those who have been afflicted by the Frenzied Flame

There are several statues that depict Miquella and Malenia embracing eachother, 1 in Altus in an area dubbed Miquellas Hideaway and several all over the Haligtree. The fact that this statue is the dominant imagery found at the Haligtree really hammers in the fact that the twins love eachother, and that the Haligtree isn't just Miquella's, but Malenias home as well

He also has a clear affection/love for his brother Godwyn as the statue at the Haligtree depicts him embracing his siblings and even created a sword to commemorate Godwyns death and prayed for him to Die a True Death.

The soldiers of the Haligtree came across a bitter revelation as they await Miquella(presumably they feel immense guilt for being unable to protect their Lord) and explode with light, which they hope will guide Miquellas return and no Miquella did not put the light in them to make them explode there is absolutely zero proof of that, looking at you vaati

And now to be fair, lets get into the comparisons that are shared between the Griffith and Miquella:

Both are highly charismatic and beautiful individuals to the point where both Griffith and Miquella are mistaken for being girls.

The Eclispe imagery. For Griffith the Eclipse is what allows him to ascend to Godhood(after sacrificing the people who love him) and for Miquella the Eclipse is presumably how they are trying to resurrect Godwyn (Miquellas plans for the Eclipse are mostly unknown/vague at this point)

The Egg. Griffith and Miquella both go through a type of metamorphosis involving being encased in a cocoon/egg.

And honestly that's kinda it. The straight comparisons between the two are highly lacking and purely thematic in my opinion, especially when you consider everything else going on between their respective characters.

So to summarize, the good things that Miquella has done outweighs the bad and that is why Miquella is, in actuality, the exact opposite of Griffith. Unlike Griffith who is selfish, Elden Ring canon points to Miquella being a compassionate and loving individual, and if anything, he is a complete inversion to Griffiths character.

With the points listed above a majority of the in game text highly suggests that Miquella is kind and altruistic, and with the newest text regarding Miquella in the DLC:

Points to Miquella potentially being selfless and self-sacrificial.

And also, I've seen several people argue that Miquella wants to become a God so he can create his own utopia/Falconia like Griffith did. And I'm like.... Uuuum okay well, there is a big problem with that argument along with an elephant in the room that's being completely ignored, and that is the fact that Miquella has already created his utopia/Falconia with the Haligtree and Elphael.

So as of this moment Miquellas exact goals are completely unknown, what he is doing in the World of Shadow cannot be determined until the DLC arrives. But my point remains that so many people seem to think that Miquella will be evil based off of, in my opinion, evidence that is completely lacking in substance, along with the pervasive belief that since Elden Ring has drawn inspiration from Berserk/Griffith it means that Miquella will end up as a similar type of evil character as Griffith, all while ignoring the things that Miquella has done in canon that sets him apart as his own character.

So I've said my piece and what I believe in, so I'm just going to leave this analysis with this last statement:

The good that Miquella has done and committed himself too in the Lands Between completely outweighs the singular implied evil of the Bewitching Branch.

[tyrantisterror]

The Terf Queen said more heinous shit and listen I’m trying to channel my anger into writing so something positive can be made of it but it was just... really upsetting this time, I mean she did it two days before my fucking birthday it feels personal I know it’s not but jesus, so I’m going to make a bitchy post after midnight because fuck.

YOU KNOW WHAT SUCKS HARDCORE ABOUT HERBY PORBER?  HOW FUCKING BORING IT MADE WIZARDS.

Look at this.  Look at these fucking characters.  They look like fucking fashion models.  They look like they’re about to walk the goddamn runway.  There’s not an ounce of whimsy or fantastical shit here.  These fuckers look like they’re about to announce the start of Universal’s Dark Universe movie franchise, right down to the unnecessary appearance of Johnny Depp.

Wizards in Henry Pansly’s Adventures in Centrism are, with rare exception, people in mostly regular outfits who occasionally point a stick at things to zap it with a laser.  Everything about them is so... toned down and grounded, as if they’re afraid to let wizards look silly.

But looking silly is what makes wizards fucking awesome.

Look at that fucker, with his extravagant beard and big elaborate bathrobe, floating in fucking space over a dragon rising out of an exploding volcano.  It’s ridiculous, it’s ludicrous, it’s fucking awesome.

Pew pew sticks?  Fuck that!  An unleashed wizard floats on hexagonal geodes while shooting GODDAMN LIGHTNING from his GODDAMN FINGERTIPS!

Even mundane shit is rendered ridiculous and magnificent.  Look at this gaudily dressed son of a bitch as he ponders his orb.  Just hanging out with his cat looking at a cool sphere, no big deal, but the theatrics!  the drama!  It’s positively splendiferous, fuck!

Oh you thought I wouldn’t include some sick Rankin Bass pics while talking about aesthetics in fantasy fiction?  Shame on you, of course I was gonna pull out good ol’ R&B.

We gotta bring it back!  We can’t let this stand!  We can’t let wizards just be guys in vaguely fancy clothes with pew pew sticks!  They gotta be ludicrous and silly and over-the-top!  They need to shoot lightning from their fingers and cackle madly while holding glowing orbs and rising above a mountain into the heavens themselves while dragons fly underfoot burninating the countryside!  We gotta make them FUCKING CAMP!

I want to BEHOLD THE GODDAMN WIZARD!  I want wizards to feel like they belong on the side of a van of some shitty heavy metal band!  I want wizards who reside on black velvet paintings and in crappy pewter sculptures that cost as much as a used car!

I WANNA SEE SOME REAL, QUALITY WIZ BIZ!