#Fantasy BookTok
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lemagdesastuces · 19 days ago
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BookTok, une révolution littéraire sur TikTok Depuis quelques années, BookTok est devenu un phénomène incontournable pour les amateurs de lecture. Cette communauté de passionnés partage ses coups de cœur littéraires sur TikTok, propulsant certains ouvrages au rang de livre TikTok populaire. Mais co
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rythmcale · 11 months ago
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That fuckers back! Captain Rokai Odyssey has returned!
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uslonelyone · 2 years ago
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thewriteadviceforwriters · 9 months ago
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How To Plan A Book Series: Ultimate Guide
Writing a book series can be an incredibly rewarding experience for authors, but it also requires careful planning and execution. A well-crafted book series can captivate readers, build a loyal fan base, and provide a steady stream of income for writers. However, planning a successful book series is no easy feat.
It demands a deep understanding of world-building, character development, and plot progression. In this ultimate guide, I'll help you explore the essential steps to help you plan a compelling and cohesive book series that will keep your readers hooked from start to finish.
Develop a Compelling Premise The foundation of any successful book series is a strong premise. Your premise should be unique, engaging, and have the potential to sustain multiple books. Consider exploring a complex world, a captivating concept, or a character with a rich backstory that can evolve over the course of several books. Ask yourself: What makes your premise stand out? What will keep readers invested in the story for multiple installments?
Create a Detailed Outline Before you dive into writing, it's crucial to create a detailed outline for your entire book series. This outline should include the overarching plot, major story arcs, character development, and key events for each book. Having a solid outline will help you maintain consistency, avoid plot holes, and ensure that each book contributes to the overall narrative. Don't be afraid to make adjustments as you write, but having a roadmap will keep you on track.
World-Building: Crafting a Vivid and Consistent Universe One of the hallmarks of a successful book series is a richly developed and immersive world. Whether you're creating a fantasy realm, a futuristic society, or a contemporary setting, pay close attention to world-building. Establish the rules, customs, histories, and geography of your fictional world. Consistency is key, so ensure that the details align across all books in the series. Consider creating a "bible" or a comprehensive guide that outlines the intricacies of your world, making it easier to maintain continuity.
Develop Compelling Characters Great characters are the heart and soul of any book series. Your protagonists, antagonists, and supporting characters should be well-rounded, multi-dimensional, and undergo significant growth and transformation throughout the series. Craft backstories, motivations, flaws, and strengths for each character, and ensure that their actions and decisions drive the plot forward. Remember, character development is an ongoing process, so be prepared to explore new facets of your characters as the series progresses.
Establish Recurring Themes and Motifs Themes and motifs are powerful tools that can add depth and resonance to your book series. Identify the central themes you want to explore, such as love, redemption, power, or identity. Weave these themes throughout the series, allowing them to evolve and deepen with each installment. Motifs, like recurring symbols or imagery, can also create a sense of cohesion and add layers of meaning to your narrative.
Plan for Cliffhangers and Resolutions One of the key strategies for keeping readers engaged in a book series is the strategic use of cliffhangers and resolutions. Cliffhangers create anticipation and leave readers craving for the next installment. However, be cautious not to overuse this technique, as it can become frustrating for readers. Balance cliffhangers with satisfying resolutions that tie up loose ends and provide a sense of closure, while still leaving room for the story to continue.
Consider Pacing and Narrative Structure Pacing and narrative structure are crucial elements to consider when planning a book series. Each book should have its own narrative arc, with a beginning, middle, and end, while also contributing to the overall story progression. Vary the pacing between books to maintain reader interest, alternating between action-packed and slower, more introspective sections. Experiment with different narrative structures, such as multiple perspectives, non-linear timelines, or frame narratives, to keep the series fresh and engaging.
Manage Continuity and Consistency As your book series grows, maintaining continuity and consistency becomes increasingly important. Keep detailed records of character descriptions, plot points, world-building elements, and timelines. Regularly refer back to these notes to ensure that you're not introducing contradictions or inconsistencies. Consider creating a series bible or a wiki to help you keep track of all the moving parts.
Plan for Character Growth and Evolution In a book series, characters should undergo significant growth and evolution. Plan for character arcs that span multiple books, allowing your protagonists and supporting characters to face challenges, make difficult choices, and emerge as changed individuals. This character development will not only add depth to your narrative but also keep readers invested in the journey of your characters.
Anticipate and Address Potential Plot Holes As your book series expands, the potential for plot holes and inconsistencies increases. Be vigilant in identifying and addressing these issues during the planning stage. Regularly review your outline and notes, looking for any logical gaps or contradictions. Enlist the help of beta readers or critique partners to provide fresh perspectives and catch any potential plot holes you may have missed.
Consider the Overarching Story Arc While each book in your series should have its own narrative arc, it's essential to plan for an overarching story arc that spans the entire series. This overarching arc should tie together the individual books, building towards a climactic conclusion that resolves the central conflict or mystery. Ensure that each book contributes to this larger narrative, advancing the plot and raising the stakes for the characters.
Plan for Marketing and Promotion Finally, as you plan your book series, don't overlook the importance of marketing and promotion. Develop a strategy for building buzz and engaging with your audience throughout the release of each book. Leverage social media, author events, book tours, and other promotional opportunities to keep your readers excited and invested in your series.
Remember, writing a book series is a marathon, not a sprint, so be prepared to invest time, effort, and dedication into crafting a truly remarkable literary journey. Hope this helped!
Happy Writing - Rin T.
Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!
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blackthornarchives · 1 year ago
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‘I have become something wonderful, she thought.
I have become something terrible.
Was she now a goddess or a monster?
Perhaps neither. Perhaps both’
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starrynightsxo · 6 months ago
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cardan: *does the most pathetic loser boy thing ever*
fandom: *nodding in approval*
jude: *does the most downright violent thing when she could've probably talked it out*
fandom: *vigorous nods of appreciation*
taryn: *breathing*
fandom: *compose death threats*
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jennastokesart · 9 months ago
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🔥 Eris Vanserra - The Autumn Court Heir 🔥
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🖤The shadows have spoken true 🖤
Behold, the magnanimous, the munificent. The merciful. Eris Vanserra 🍁
Okay I love him but it hurts to lie like that. I like Eris, to me he is more of what Rhysand tries to be. Truly morally grey. Would I trust him with my life? Hell no.
I really hope SJM develops his character more. When I read “Eris is a dreamer. But there are no stars in his world”. I’ll be honest, I cried a little. I hope SJM gives him his stars in future books. I also am praying overall that the Vanserra brothers do not just become a footnote in the story.
And for those staring at the absolute sex icon in the second image: I was streaming my screen to my friends on a call. What started from a simple “does his eye look right?” led to them art directing the entire thing with the repeated chant “we’re cookin”. This is what happens when non artsy men take over your drawing. I feel like Feyre, trying to draw with Azriel and Cassian peering over my shoulder with "suggestions"
I honestly suggest messing around like this because it fixed my art dysmorphia from staring at Eris too long. (Idk what led them to make him a pirate, though they did tell me to just put an eye patch to fix the whole eye dilemma). When I told them the eyepatch isn’t accurate to Eris, they really said “it should be, that’s why his brother looks cooler”.
Anyways~ I hope you guys enjoy 😉
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morallyshay · 9 months ago
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maherdraws · 23 days ago
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‘he could have sworn a faint, beautiful singing followed him. Could have sworn his shadows sang in answer‘🌟
here I present to you gwynriel in a mate ceremony look, I kinda see them doing a little and cozy ceremony close to the river with the sunset behind them❤️‍🩹🧚🏻‍♀️ What do you think? Would they have a mate ceremony? How do you envision it?
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ficsiwanttoreadyesterday · 2 months ago
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I just can't today. I genuinely cannot understand girls or women who think it's okay to bully male cosplayers. And all because they're cosplaying from books. When I asked one of them why, it's because apparently men aren't allowed to as it's a predominantly female space. I'm sorry but when the fuck did reading become a female only thing. It's like saying girls can't cosplay as their favourite anime character or their favourite video game character because it's from predominantly male spaces. I'm sorry, but please explain to me how that doesn't just make you a bully.
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readbyfaelight · 3 months ago
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Welcome to the world of Elfhame
I feel like so many people talk about The Cruel Prince (and rightfully so) but not enough about the other books in the same world, so I made a breakdown of them and their reading orders ♡
booktok: kaliimorgan
bookstagram: readbyfaelight
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calming-chaos · 2 months ago
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skeletonmob · 7 months ago
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Second attempt at trying to advertise my game! More details under the cut.
Old Haunts
Old Haunts - DEMO
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For the past few years, Hunter Greene has been saving money for his transition. But his dreams are dashed just as he approaches the finish line, when the powers that be block the biotech company that he was going to transition with. All hope is not lost however, as his manager, a robot named Aster, has been brewing something behind the scenes for quite a while now . . .
Old Haunts is a choose your own adventure style visual novel set in an alternate, cyberpunk-esque present. There are a total of six different endings, each route taking about 3-4 hours to play through, depending on how fast you read. I wanted to do multiple things with this project. Including commenting on the current wave of transphobia in our society and also try my hand at making a proper choose your own adventure style game. Something that didn't boil down to 'do you want to be a good person and rescue the puppy? or do you want to be a bad person and murder the puppy?'.
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graceshouldwrite · 4 months ago
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Writing Compelling Side Characters
**NOTE: Some of these tips don't really apply to ensemble casts, where there are multiple Main Characters (plural).
1) Agency - motivations, actions, effects
Technically, they ARE side characters in your MC's story, but don't base your writing on that fact.
Side characters need:
Their own REASONS for joining the story (because they want to, not because the PLOT wanted them to) Example: In Arcane, Caitlyn inadvertently gets involved with Vi due to her compassion and desire to help the undercity, not because the plot needs a love interest
A GOAL, on which they act INDEPENDENT of the plot, and actually affects your MC/the main plot (not the other way around) Example: In Loki, Sylvie's independent goal is to take down the TVA, and her actions reveal the TVA's corruption to Loki, influencing him to join her in fighting against the TVA instead of working for them
A STAKE in how things end (e.g. someone getting paid after agreeing to join a heist); they aren't just in it to be a "comic relief" or a "damsel in distress" Example: In Breaking Bad, Jesse joins Walt in cooking meth because he makes BANK from selling drugs, not because Walt needed a funny and traumatized sidekick
Their own RELATIONSHIPS with other characters, aside from the MC—they have their own friends, enemies, love interests, etc., and these relationships can completely change the plot Example: In the original Percy Jackson series, all of the side characters (e.g. Annabeth, Nico, Thalia, Luke, etc.) have their own relationships with each other that greatly affect the plot. Check it out: Annabeth's attachment to Luke, even after he became evil, completely changed the plot in several ways: kickstarting a journey to save her from Luke in The Titan's Curse, revealing his true evil identity as a vessel for Kronos (big bad!) in The Battle of the Labyrinth, and mainly contributing towards Luke's reversion away from evil in the last book due to him remembering his promise to take care of her a long time ago, etc.
Their own PAST that affects how they act, move forward, and how they treat the MC Example: In Avatar: The Last Airbender, Azula's pressure on herself and desire for perfection is greatly driven by her father's expectations of her as the fire-bending prodigy, resulting in a childhood of earning parental love and care AFTER she proves her worth to him. This created a mentality ceaselessly focused on her goals—which are usually her father's missions—causing her to be deadly, manipulative, and constantly causing problems for the main character.
The side character is not an extension or byproduct of the MC's plot; their own story happens to collide and intertwine with your MC's plot, but is ultimately independently driven.
2) Affecting the ending
The story can't have reached the same ending regardless of the side characters' existence. They must be necessary to the MC in helping them reach their goal faster, more prepared, etc. For example, in Avatar, Aang would not have been able to reach his goal of defeating the fire lord without the help of his friends, who each taught him valuable life lessons as well as combat skills.
Each character must have an independent impact on the MC—don't treat them like a group (e.g. "the side characters," who are one individual collective). Arcane does a great job with this, as each side character has a completely different impact on the MCs (e.g. Silco, Ekko, Caitlyn, and Vi—not a side character but for the purpose of this analysis, bear with me—all have a different impact on Jinx). It isn't just a literal impact. It's what the MC learns, and the theme of the story. They should help the MC realize things about themselves, and contextualize the MC by showing them in different situations with different people.
3) Avoid stereotypes Don't create characters from moulds and conform 100% to the trope: e.g. the "comic relief" can also be "the outlaw/rebel" or the "love interest," the "brooding antihero" can also be the "caregiver" or the "wise one," the "seductive girl" can also be the "science nerd" or the "broken optimist," etc. Mix and match. Everyone has more than 1 personality trait in real life, and probably fulfils more than 1 role to the other people in their lives. Give them intersecting personality traits to flesh them out.
4) Theme and Arc Especially compelling side characters have their own arc and embody their own theme.
Example 1: Mr. Darcy in Pride and Prejudice is more than the brooding love interest—he develops by being less arrogant and learning to see people beyond their social status, and opens up to new ideas, people, and situations.
Example 2: Nico di Angelo from the Percy Jackson series goes on a journey of self-acceptance and embracing his identity, instead of just being the stereotypical emo kid who is constantly in a state of angst.
Example 3: In Arcane, Silco goes from a ruthless crime lord who believes that attachment is weakness, to someone who genuinely cares about his adoptive daughter, so much so that he can't give her up even in exchange for his lifelong dream.
∘₊✧────── ☾☼☽ ──────✧₊∘
instagram: @ grace_should_write
Hope this was helpful, and let me know if you have any questions by commenting, re-blogging, or DMing me on IG. Any and all engagement is appreciated :)
Happy writing, and have a great day!
- grace <3
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starrynightsxo · 8 months ago
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cardan:
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sluttypatrickstar · 2 days ago
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