#Famouse Urdu Poetry

[tripaveller]

Culture of Hyderabad - The City of Nizams!

Hyderabad, famously known as the "City of Nizams," is a vibrant fusion of historical legacy and modern dynamism. Founded in 1591 by Muhammad Quli Qutb Shah, the city's cultural heritage has been significantly shaped by its illustrious Nizami rulers, creating a unique amalgamation of North and South Indian influences.

Historical Significance The grandeur of Hyderabad’s past is reflected in its iconic landmarks such as Charminar, Golconda Fort, and the Qutb Shahi Tombs. These structures exhibit a stunning blend of Persian, Mughal, and indigenous architectural styles, serving as a testament to the city’s rich and diverse history under the Nizams' patronage.

Language and Literature Hyderabad is a linguistic mosaic where Telugu, Urdu, Hindi, and English coexist harmoniously. Urdu holds a special place due to its literary and poetic significance. The city has been a nurturing ground for eminent poets and writers like Mirza Ghalib and Amjad Hyderabadi. Events like literary festivals and mushairas (poetry recitals) celebrate the city’s vibrant literary tradition.

Music and Dance The musical heritage of Hyderabad is equally illustrious, with both Carnatic and Hindustani classical music thriving here. The city hosts numerous concerts and festivals, celebrating these traditional music forms. Dance forms like Kuchipudi and Kathak are also integral to Hyderabad’s cultural fabric, with several academies dedicated to preserving these arts.

Festivals Hyderabad's cultural diversity is showcased through its numerous festivals:

Diwali: Celebrated with dazzling lights and grand festivities.

Bonalu: A vibrant Telangana festival dedicated to Goddess Mahakali, featuring colorful processions and folk dances.

Makar Sankranti: Known for kite flying and traditional sweets, heralding the harvest season.

Cuisine Hyderabadi cuisine is globally acclaimed, known for its aromatic biryanis, succulent kebabs, and delightful sweets like Qubani ka Meetha and Double Ka Meetha. The iconic Hyderabadi Biryani, a blend of Mughlai and Andhra flavors, stands as a symbol of the city’s rich culinary tradition.

Art and Craft Hyderabad boasts a thriving art scene, with traditional crafts such as Bidriware, Pochampally ikat, and Hyderabadi pearls. Markets like Laad Bazaar and Shilparamam display the city’s artisanal heritage, offering intricate jewelry, textiles, and handicrafts.

Modern Hyderabad While deeply rooted in history, Hyderabad has embraced modernity and innovation. Known as "Cyberabad" due to its booming IT industry, the city features sprawling tech parks and contemporary infrastructure. This technological growth has attracted a global workforce, enhancing the city’s cultural diversity.

Accommodation

For a comfortable and convenient stay, don't forget to book service apartments. These accommodations offer the perfect blend of home-like comfort and hotel-like amenities, making them ideal for both short and long stays

Conclusion Hyderabad's blend of ancient traditions and contemporary influences creates a city that is truly unique. Its rich history, diverse culture, and rapid modernization ensure that the legacy of the Nizams thrives in the heart of modern India. Whether exploring historic landmarks, savoring delicious cuisine, or engaging in the vibrant arts scene, Hyderabad offers an unforgettable cultural experience.

[adeelzaidi]

Urdu Poetry | Best Urdu Poetry | Famous Urdu Poets

URDU POETRY Urdu poetry reached is peak in the 19th century. The most well-developed vessel of poetry has turned out to be the ghazal, which has by far exceeded all other forms of Urdu poetry by its quality and quantity within the cosmos of Urdu.Best Urdu Poetry Poets 13th-century:

Amir Khusro 16th century:

Muhammad Quli Qutub Shah – wrote poetry primarily in Persian, but also in Hindavi 17th century:

Wali Mohammed Wali Deccani Mirza Mazhar Jan-e-Janaan 18th century:

Faaiz Dehlvi Khan Arzu Mubarak Abru Mir Taqi Mir Nazeer Akbarabadi Khwaja Mir Dard 19th century:

Mirza Salaamat Ali Dabeer Mir Babar Ali Anis Bahadur Shah II Mirza Sauda Mirza Ghalib Mohammad Ibrahim Zauq Dagh Dehlvi 20th century:

Altaf Hussain Maulana Hali Akbar Allahabadi Muhammad Iqbal Hasrat Mohani Amjad Hyderabadi Fani Badayuni Yagana Changezi Akhtar Shirani Miraji Seemab Akbarabadi Aarzoo Lakhnawi Jigar Moradabadi Firaq Gorakhpuri Hafeez Jalandhari Josh Malihabadi Ahsan Danish Saghar Nizami Mehr Lal Soni Zia Fatehabadi Noon Meem Rashid Majeed Amjad Faiz Ahmad Faiz Jan Nisar Akhtar Nasir Kazmi Sahir Ludhianvi Jagan Nath Azad Majrooh Sultanpuri Asrarul Haq Majaz Syed Mahmood Khundmiri Ibn-e-Insha Munir Niyazi Ada Jaffery Zafar Iqbal 21st century:

Jaun Elia Ahmad Faraz Raees Warsi Akhlaque Bandvi Rahat Indori Waseem Barelvi Ishrat Afreen Manzar Bhopali Adeel Zaidi

Famouse Urdu Poetry

[ninadubetiwari]

A culture like हिन्दोस्तान is unparalleled and magical where नाट-क़व्वाली is dedicated to कन्हैया (Krishna) and bhajans are sung for Eid .

Let’s cherish this अद्भुत गंगा जमुनी तहज़ीब as there is nobody like us anymore

Like Iqbal famously said

यूनान, मिस्र, रोमां, सब मिट गए जहाँ से

अब तक मगर है बाकी, नाम-ओ-निशां हमारा,

कुछ बात है की हस्ती, मिटती नहीं हमारी

सदियों रहा है दुश्मन, दौर-ए-जहाँ हमारा

In the frame is Ustad Farid Ayaz and Abu Mohammad belting out this loving complaint to the beloved, sung with great panache and yet delicately performed as a bhajan.

I have not come across another qawwaali for Krishna or any other Hindu God ,save this one.

Qawwali as a form is almost always sung for the divine मुर्शिद.

The raag is Tilak Kamod and the mood is Sufi

What’s not to love about this performance ?

वाह उस्ताद वाह!

urdupoetry #urdu #poetry #shayari #love #urdushayari #urduquotes #urduadab #pakistan #urdupoetrylovers #instagram #lovequotes #quotes #hindishayari #urduposts #poetrycommunity #follow #urdulovers #shayri #hindipoetry #hindi #shayar #hindiquotes #sad #shayarilover #lahore #ishq #writersofinstagram #mohabbat #bhfyp

[gretonew]

To be sure, Partition itself was the product of a utopic plan enacting Enlightenment notions about the rational ordering of society. It promised to produce order out of a religiously and linguistically mixed society. It promised a homeland to those out-of-place in nationalist India.

Many who moved did so out of faith in this project, out of conviction, at times against the wishes of their families (most famously, Jinnah’s only daughter did not move). Indeed, the deliberate sacrifice of home and bonds was the price that made the result – participation in the creation of a new nation-state – all the more sacred.

The poet credited with launching the Pakistan movement, Muhammad Iqbal, was shaped by education in Germany and Britain. Among his closest friends in Lahore from 1932 was Muhammad Asad, the Austro-Hungarian Jew who opposed Zionism but supported the creation of a Muslim state in South Asia. He had been an advisor to Abdul Aziz Ibn Saud in the 1920s – one of that world of European “spies in Arabia” I described in my first book.

Like them, he collapsed the tasks of reinventing the Middle East and himself. He would go on to shape Pakistan’s constitution and head the Middle East...

Read more

from Scroll.in https://ift.tt/2WlyaoT

[bigyack-com]

Mirza Ghalib death anniversary: Remembering the great poet - art and culture

Mirza Asadullah Baig Khan, a poet who perfectly captured the decrepit beauty of a declining Mughal empire, slowly being displaced by the edifices of the colonial British Raj, is better known by his pen name Ghalib. He held the honorary titles of Dabir-ul-Mulk and Najm-du-Daula in the Mughal court. Ghalib was born on December 27, 1797 and breathed his last on February 15, 1869, in an area in Old Delhi’s Ballimaran. The place now known as the Ghalibki Haveli and is considered among the must-see places in Old Delhi. Born into a family of Aibak Turks who moved to Samarkand following the downfall of the Selijuk kings and later to India during the reign of Ahmad Shah, Ghalib moved to Delhi following his marriage to Umrao Begum, the daughter of NawabIlahi Baksh. The great Indian poet, who wrote in both Persian and Urdu, is known for his love for Mughal Delhi and had once passionately written, “Ik roz apni rooh se poocha, ki dilli kya hai, to yun jawab main keh gaye, yeh duniya mano jism hai aur dilli uski jaan.” Ghalib was buried in Hazrat Nizamuddin near the tomb of Nizamuddin Auliya. Ghalib is attributed several timeless quotes and couplets that still manage to evoke poignant feelings among readers. •Ham ko maalūm hai jannat kī haqīqat lekin/ Dil ko ḳhush rakhne ko ‘Ghālib’ ye ḳhayāl achchhā hai •Ishq ne ‘Ghālib’ nikammā kardiyā/ Varna ham bhī aadmī the kaamke •Hazāroñ ḳhvāhisheñ aisī ki har ḳhvāhish pe dam nikle/ Bahut nikle mere armān lekin phir bhī kam nikle •Aina kyun na dun ki tamasha kahein jise/ Aisa kahan se laun ki tujhsaa kahein jise •Mohabbat meñ nahīñ hai farq jeene aur marne kā/ Usī ko dekh kar jeete haiñ jis kāfir pe dam nikle Ghalib was appointed as a poet tutor to the royal family and the royal historian of Mughal court by Emperor Bahadur Shah Zafar II. He was given the honorific title Mirza Nosha and thus he came to be known as Mirza Ghalib. A gifted letter writer, his letters led to the foundation of easy and popular poetry. The witness to a turbulent period in Indian history, the vanishing of the beautiful architecture of Delhi saw him famously pen, “An ocean of blood churns around me/ Alas! Were this all!/ The future will show/ What more remains for me to see.” Follow more stories on Facebook and Twitter Read the full article

[bollywoodirect]

Remembering Mehdi Hassan on his 5th death anniversary. Mehdi Hassan Khan (8 July 1927 – 13 June 2012) was a Pakistani ghazal singer and playback singer for Lollywood. One of the greatest and most influential figures in the history of ghazal singing, he is famously known as the "King of Ghazal" or the "Shahanshah-e-Ghazal". Known for his "haunting" baritone voice, Mehdi Hassan is credited with bringing ghazal singing to a worldwide audience. Born to a musical family, he influenced generations of singers from diverse genres, from Jagjit Singh to Sonu Nigam. He earned numerous awards and accolades in his career and remained a leading singer of film industry along with the other contemporary playback singer Ahmed Rushdi. n 1957, Mehdi Hassan was given the opportunity to sing on Radio Pakistan, primarily as a thumri singer, which earned him recognition within the musical fraternity. He had a passion for Urdu poetry, and therefore, he began to experiment by singing ghazals on a part-time basis. He cites radio officers Z.A. Bukhari and Rafiq Anwar as additional influences in his progression as a ghazal singer. His first song was "Jis ne mere dil ko dard diya" film Susral in 1962. In 1964, his ghazal for a film Farangi, "Gulon mein rang bharay,baad-e-naubahar chale" written by renowned Pakistani poet Faiz Ahmed Faiz and composed by Rasheed Attre, gave him a major break and he never looked back after that. Following a severe illness in the late 1980s, Mehdi Hassan stepped down from playback singing. Later due to severity of his illness he completely departed from music. In 1977, Lata Mangeshkar was so moved by his dulcet vocals during a New Delhi concert that she’s reported to have said, “Aisa lagta hai ke unke gale mein bhagwan boltein hain,” (God sings through his voice). In October 2010, HMV Label released "Sarhadein" in which probably the first and last duet song Tera Milana featuring Mehdi Hassan and Lata Mangeshkar was released. This song was composed by Mehdi Hassan himself, written by Farhat Shahzad.Mehdi Hassan recorded it in Pakistan in 2009, and Lata Mangeshkar later heard the track and recorded her part in India in 2010, and the song was later mixed together for a duet. The same duet, "Tera Milna," was also sung by Mehdi Hassan and Noor Jehan. Like बॉलीवुड डायरेक्ट Bollywoodirect

[emergingkarachi]

Mehdi Hassan

Mehdi Hassan Khan (Urdu: مہدی حسن خان ‎‎; July 18, 1927 – June 13, 2012) was a Pakistani ghazal singer and a former playback singer for Lollywood. He is famously known as the "King of Ghazal". In 1979, he was awarded K. L. Saigal Sangeet Shehenshah Award by the Government of India. Indian singer Lata Mangeshkar, who has been awarded Bharat Ratna, once compared his songs to the "voice of god".[1] He was honored with Tamgha-e-Imtiaz, Pride of Performance and Hilal-e-Imtiaz by the Government of Pakistan. In 1983, in the court of King Birendra he was awarded Gorkha Dakshina Bahu by the Government of Nepal.[citation needed] He remained a leading singer of film industry along with Ahmed Rushdi. Mehdi Hassan died on 13 June 2012 after a protracted illness, in a private hospital in Karachi

Early life

Mehdi Hassan was born on 18 July 1927 in a village called Luna, Rajasthan in jhunjhunu district in India into a family of traditional musicians. He claims to be the 16th generation of hereditary musicians hailing from the Kalawant clan of musicians. Mehdi Hassan had his musical grooming from his father Ustad Azeem Khan and uncle Ustad Ismail Khan who were both traditional Dhrupad singers. Hassan started to perform at a young age and the first concert of dhrupad and kheyal with his elder brother is reported to have been held in Fazilka Bungla,[5] near present DC House (1935) of Undivided Punjab. After the Partition of India, 20-year-old Hassan and his family migrated to Pakistan and suffered severe financial hardships.

Mehdi initially started working in Chichawatni, in a bicycle shop. He later became a car and diesel tractor mechanic. Despite the financial hardships, he kept up the routine of practice on a daily basis.[citation needed]

Singing career

In 1957, Mehdi Hassan was given the opportunity to sing on Radio Pakistan, primarily as a thumri singer, which earned him recognition within the musical fraternity. He had a passion for Urdu poetry, and therefore, he began to experiment by singing ghazals on a part-time basis. He cites radio officers Z.A. Bukhari and Rafiq Anwar as additional influences in his progression as a ghazal singer. His first song was "Jis ne mere dil ko dard diya" film Susral in 1962. Later Lata Mangeshkar said compliments for him that "Bhagwan talks in his throat".[this quote needs a citation]

Following a severe illness in the late 1980s, Mehdi Hassan stepped down from playback singing. Later due to severity of his illness he completely departed from music.

In October 2010, HMV released "Sarhadein" in which probably the first and last duet song Tera Milana featuring Mehdi Hassan and Lata Mangeshkar was released. This song was composed by Hassan himself written by Farhat Shahzad. Hassan recorded it in Pakistan in 2009, and Lata Mangeshkar later heard the track and recorded her part in India in 2010, and later mixed together for a duet. The duet song "Tera Milna" also sang by Madam Noor Jahan with Khan Sahib.

Death

He had been suffering from a serious lungs condition for the few years before his death in 2012. There were rumors of his death on January 13, 2012. However, his son Asif Mehdi confirmed that the death rumors were incorrect, and that he was responding to treatments and recovering.[6]

Mehdi Hasan died at around noon on 13 June 2012 at Aga Khan University Hospital, Karachi after suffering a 12-year long tenure of lung, chest and urinary tract diseases.[7][8]

Populus Global in association with Musicolor organised the first tribute to shahensha-e-ghazal Mehdi Hassan on 14 July 2012. Ustad Mohan Khan, ganda bandh shishya of the ghazal king paid tribute to his guru.[citation needed]

Musicians, students and personal life

Some of the musicians who are associated with him

Ustad Pir Baksh Tabla Player

Ustad Mohammed Hussain

Some of his students are:

Pervaiz Mehdi

Talat Aziz

Ghulam Abbas

Salamat Ali

Afzal, Munni Subhani

Rayan Ahmed Khan

He had 14 children.[9] Some of his notable sons in the music are:

Tariq Mehdi Hassan (Versatile Playback Singer)

Arif Mehdi Hassan (Classical Tabla Player & Promoter)

Asif Mehdi Hassan (Playback & Ghazal Singer)

Kamran Mehdi Hassan (Playback & Ghazal Singer)

Imran Mehdi Hassan (Classical Tabla Player & Versatile Singer)

Faizan Mehdi Hassan (Versatile & Ghazal Singer)

Nigar Awards[edit source | editbeta]

1964-Nigar Award for Best Male Playback Singer for Firangi[citation needed]

1968-Nigar Award for Best Male Playback Singer for Saiqa[citation needed]

1969-Nigar Award for Best Male Playback Singer for Zerqa[citation needed]

1972-Nigar Award for Best Male Playback Singer for Meri zindagi hai nagma[citation needed]

1973-Nigar Award for Best Male Playback Singer for Naya rasta[citation needed]

1974-Nigar Award for Best Male Playback Singer for Sharafat[citation needed]

1975-Nigar Award for Best Male Playback Singer for Zeenat[citation needed]

1976-Nigar Award for Best Male Playback Singer for Shabana[citation needed]

1977-Nigar Award for Best Male Playback Singer for Aaina[citation needed]

1999-Nigar Award Special Millennium Award[citation needed]

He had been the recipient of numerous awards and recognitions: the Tamgha-i-Imtiaz granted to him by Gen Ayub Khan; the Pride of Performance bestowed on him by Gen Ziaul Haq; and the Hilal-i-Imtiaz conferred by Gen Pervez Musharraf. Besides the Nigar Film and Graduate Awards from Pakistan, he was presented the Saigal Award in Jalandhar, India, in 1979, whereas the Gorkha Dakshina Bahu Award was given to him in Nepal in 1983.[13] Recently, he travelled to Dubai to receive yet another award.[citation needed]

Albums

Some of his albums are:

Kehna Usey

Nazarana

Live at Royal Albert Hall

Andaz-e-Mastana

Classical Ghazals vol. 1, 2, 3

Dil Jo Rota Hai

Ghalib Ghazals

Ghazals For Ever Vol 1

Golden Collection Of Mehdi Hasan Vol 1, 2

Golden Greats

In Concert

Khuli Jo Aankh

Life Story

Live at Khambays

Live Concert in India

Mehdi Hassan

Mehdi Hassan Ghazals Vol 1

Sada E Ishq

Sarhadein

Sur Ki Koi Seema Nahin

The Finest Ghazals

The Legend

Yaadgar Ghazalen Vol 1

Tarz(with Shobha Gurtu)

Naqsh-e-Faryadi

Ghazals

Aage Barhe Na Qissa -E -Ishq -E- Butaan Se Hum

Aaj Tak Yaad Hai Woh Pyar Ka Manzar

Aankhon Se Mili Aankhen

Aap Ki Aankhon Ne

Aaye kuchh abr kuchh sharaab aaye (Poet: Faiz Ahmed Faiz)

Ab Ke Hum Bichde To Shaayad Kabhi Khwaabon Mein Mile (Poet: Ahmed Faraz)

Ae Raushnion Ke Shahr

Apnon Ne Gham Diye To Yaad Aa Gaya

Baat karni mujhe mushkil

Bhuuli bisri chand umeedein

Chalte ho to chaman ko chaliye

Charaag-e-toor Jalao Bada Andhera Hai

Dekh to dil keh jaan se uthta hai

Dil-E-Nadan Tujhe Hua Kya Hai (Poet: Mirza Ghalib)

Dil-E-Veeran Hai Teri Yaad Hai Tanhai Hai

Dil Ki Baat Labon Par Laakar.

Dil Men Toofan Chupae Betha Hon

Duniya Kisi Ke Pyaar Mein Jaanat Se Kam Nahin

Dayam Pada Hua Tere Dar Pe Nahi Hoon Main (poet: Mirza Ghalib)

Ek Bar Chale Aao

Ek Bus Tu Hi Nahin Mujhse Khafa ho Baitha (poet: Farhat Shezhad)

Ek Sitam Aur Meri Jaan, Abhi Jaan Baqi Hai (poet: Masroor Anwar)

Fikr hii thaharii to dil ko fikr-e-Khubaan kyon Na Ho (poet: Josh Malihabadi)

Ga Mere Dewane Dil

Garmii-E-Hasarat-E-Naakaam Se Jal Jaate Hai

Gulon Main Rang Bhare, Baad-e-Naubahaar Chale (Lyrics: Faiz Ahmed Faiz)

Gulshan gulshan shola e gul ki

Guncha-e-Shauq Laga hei Khilne

Hamari Sanson Men Aaj Tak

Har Dard Ko

Hum mei koi ghum nahi tha ghum-e-aashiqi sai pahlay

Ik Husn Ki Dewi Se Mujhe Pyaar Hua Thaa

Ik khalish ko haasil-e-umr-e-ravaan rehne diya (poet: Adeeb Saharanpuri)

Jab Bhi Aati Hei Teri Yaad Kabhi Shaam ke Baad

Jab Bhi Chahen Ek Nai Sorat

Jab Bhi Pee Kar

Jab Koi Piar Se Bulaae Ga

Jab Us zulf Ki Baat Chali

Jahan Jake Chain

Kahan Gai Woh Wafa

Khuli Jo Aankh Woh Tha (poet: Farhat Shezhad)

Kiya Hei Pyaar Jisse Humne Zindagi ki Tarah

Kya Bhala Mujhko Parakhne Ka Nateeja Nikla

Kyoon Humse Khafa Ho Gaye Ae Jaan-E-Tamanna

Main Hosh Mein Tha

Main khayal houn kisi aur ka (poet: Saleem Kausar)

Main nazar se pee rha hoon

Mohabat Karne Wale

Mohabat Zindagi Hai Aur Tum Meri Mohabat Ho

Mujhe Tum Nazar Se Gira To Rahe Ho

Naavak andaz jidhar diida-e-jaana honge

Nishan Bhi Koi Na Chhora keh

Patta Patta Boota Boota

Phuul hi phuul khil utthe

Pyaar Bhare Do Sharmile Nain

Qissa-E-Gham Mein Tera Naam

Rafta Rafta Wo Meri Hasti Ka Saamaan Ho Gaye

Ranjish Hi Sahi Dil Hi Dukhaane Ke Liye Aa

Rim Jhim Ki Barsaat Hai Aur Jaage Huye Jazbaat Hain

Roshan Jamal-e-yaar Se Hain

Saamne Aa Ke Tujhko Pukara Nahin

Sahar Ho Rahi Hai

Shikwa Na Kar Gila Na Kar Ye Duniya Hai Pyaare

Shola Tha Jal Bujha Hoon (penned by: Ahmed Faraz)

Tanha Thi Aur Hamesha Se Tanha Hai Zindagi

Tark-e-Ulfat Ka Sila

Tere Bheege Badan Ki Khooshboo Se

Tere Mere Piar Ka Aisa Nata Hai

Toote Hue Khwabon Ke Liye

Thah ar Thorri Der To

Tu Meri Zindagi Hei (Copied by Nadeem Sharavan in "Ashiqi" Hindi Movie India)

Usne Jab Meri Taraf

Uzr Aane Mein Bhi Hei Aur Bulaate bhi nahin

Wo Dil Nawaaj Hei Lekin Nazar Shinaas Nahin

Yaaro Kisii Qaatil Se Kabhii Pyaar Na Maa.Ngo

Yun na mil mujhse khafa ho jaise

Ye Dhooan Kahan Se Uthta Hei

Ye Kaghzi Phool Jaise Chahre

Ye Mojazaa Bhii Muhabbat Kabhii Dikhaaye Mujhe

Ye Tera Naazuk Badan Hai Ya Koi Mehka Gulaab

Yoon Zindagi Ki Raah Mein Takra Gaya Koi

Zindagi Mein To Sabhi Pyaar Kiya Karte Hain

Zulf Ko Teri Ghataon Ka Payam Aaya Hai

Mehadi Hassan also sung Persian/dari Ghazals In Kabul Afghanistan in 1970s..[10].[2][3] 

[urduclassic]

Abu Al-Asar Hafeez Jullundhri

Abu Al-Asar Hafeez Jullundhri   (born 14 January 1900 - died 21 December 1982) was a Pakistani Urdu-language poet who famously wrote the lyrics for the National Anthem of Pakistan

Early life

Jullundhri was born in Jalandhar, Punjab, British India on 14 January 1900 in a Rajput family. His father, Shams-ud-Din, was a Hafiz-e-Qur'an. Jullundhri initially studied in a mosque school and later joined a local school. He received formal education until the seventh grade.

After the independence of Pakistan in 1947, Jullundhri migrated to Lahore in the new state of Pakistan.

Literary career

From 1922 to 1929, Jullundhri remained the editor of a few monthly magazines namely, Nonehal, Hazar Dastaan, Teehzeeb-e-Niswan, and Makhzin. His first collection of poems Nagma-e-Zar[2] was published in 1935. After the World War II, he worked as the director of the Song Publicity Department. During this same time he wrote songs that were much liked by the public.

Jullundhri actively participated in Pakistan Movement and used his writings to propagate for the cause of Pakistan. In early 1948, he joined the forces for the freedom of Kashmir and got wounded. Jullundhri wrote the Kashmiri Anthem, "Watan Hamara Azad Kashmir". He wrote many patriotic songs during Pakistan, India war in 1965.

Jullundhri served as Director General of morals in Pakistan Armed Forces, and very prominent position as adviser to the President, Field Marshal Mohammad Ayub Khan and also Director of Writer's Guild.

Jullundhri's work of poetry, Shahnam-e-Islam,[3] gave him incredible fame which, in the manner of Firdowsi's Shahnameh, is a record of the glorious history of Islam in verse. Jullundhri wrote the national anthem of Pakistan composed by Ahmed Ghulamali Chagla also known as Ahmed G Chagla. He is unique in Urdu poetry for the enchanting melody of his voice and lilting rhythms of his songs and lyrics. His poetry generally deals with romantic, religious, patriotic and natural themes. He chooses his themes, images and tunes from the subcontinent and his language is a fine blend of Hindi and Urdu diction, reflecting the composite culture of South Asia.

Marriage

Jullundhri married his cousin, Zeenat Begum, in 1917 at the age of 17. They had seven children, all girls. In 1939, he took a young English woman as his second wife, which soon ended in divorce. His first wife, Zeenat Begum, died in 1954. In 1955, Jullundhri married Khurshid Begum, with whom he had a daughter.[citation needed]

Death

Jullundhri died in Lahore, Pakistan, on 21 December 1982 at the age of 82 years. Buried in Model Town, Lahore, his remains were later shifted to a tomb built by the Government of Pakistan near the Minar-e-Pakistan in Lahore, the site of the Pakistan Resolution.

Awards

For his literary and patriotic services to Pakistan, Jullundhri was awarded the Hilal-e-Imtiaz and Pride of Performance by the Government of Pakistan.

Literary works

Jullundhri primarily wrote Urdu poetry, generally dealing with romantic, religious, patriotic and natural themes.

Qaumi Tarana: The National Anthem of Pakistan

Main article: Qaumi Tarana

Jullundhri is most famous for writing the lyrics for the Qaumi Tarana, the national anthem of Pakistan, which he wrote in 1952.

Shahnam-e-Islam

Jullundhri's monumental work of poetry, Shahnama-e-Islam, gave him fame which, in the manner of Firdowsi’s Shahnama, is a narration of Islamic history in verse.

Hymn of Kashmir

Inspired by the 1965 India-Pakistan War over Kashmir, Jullundhri wrote a patriotic hymn titled Watan hamara Kashmir, also known as the "Hymn of Kashmir", which is considered to be the official State anthem or State song of Azad Jammu and Kashmir..[1]

[pakibookspk]

Khawateen Digest August 2018 Free Download

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Alaf by Umera Ahmed

Haalim by Nimra Ahmed

Dasht-e-Junoon by Amina Riaz

Nuskha Haey Wafa by Naeema Naaz 

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Aik Qadam by Sawera Falak

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[wionews]

Google Doodle celebrates 220th birth anniversary of Mirza Ghalib

Google's doodle today celebrates Urdu and Persian language poet, Mirza Ghalib on his 220th birth anniversary. 

The doodle sees Ghalib, with his pen and paper, knitting his imaginations, with a backdrop of buildings of Mughal architecture.

Ghalib, born in Agra on December 1797, during the Mughal Emperor Bahadur Shah, was educated in Persian, Urdu and Turkish got and acquainted with language at an early age. 

Ghalib started composing poetry at 11 and was also a prominent letter writer. 

One of the things Mirza Ghalib continued to write in his poems was the idea that life is an ongoing painful struggle which ends only with life itself.

He is famously known for his Urdu Ghazals and was considered the most popular and influential poets of the Urdu language. His honorific was Dabir-ul-Mulk, Najm-ud-Daula. 

Most notably, he wrote several ghazals during his life, which have since been interpreted and sung in many different ways by different people.

Ghazal singers like Jagjit Singh, Mehdi Hassan, Abida Parveen, Farida Khanum, Tina Sani, Mohammed Rafi, Asha Bhosle, Lata Mangeshkar, Rahat Fateh Ali Khan have sung his ghazals, as well as singers from all over South Asia, have sung many of his ghazals.

He got married at the age of 13 to Umrao Begum, daughter of Nawab Ilahi Bakhsh and moved to Delhi thereafter. 

He died on 15 February 1869 in Delhi and his house in Old Delhi has been converted into "Ghalib Memorial" also called "Ghalib ki Haveli", which houses Ghalib's exhibitions.

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[ninadubetiwari]

Most people in India , particularly if they are from music & art rich states like Awadh and Brij ( myself included ) have traditionally dismissed Punjabi music as शोर शराबा . How unfair and wrong we are !

Having spent the last few months researching this genre with rich Inputs from my क़ाबिल दोस्त @delhifornia , I finally must admit that Punjabi माौसीकी़ is at par (if not above ) with Urdu poetry that we gush & swoon over.

As I evolve and learn, I came upon this brilliant poet and composer Shiv Kumar Batalvi शिव कुमार बटालवी who passed away very young but his contribution to Punjabi verse and pride stays unparalleled and unique.

He is the same stature as Bulle Shah, Amrita Preetam , Sampooran Singh Kalra (हमारे गुलज़ार साहब ) for the same depth and feel ,that not many could scale. Amrita ji famously nicknamed him ‘बिरह का सुल्तान’ for his unique capability to write eloquently on the pain of separation

Almost no recordings to his name save for this one from England , with the BBC. It’s grainy and old but worth its weight in gold . Sharing with you all..

What a loss to Indian music and Art that such a बेहतरीन शायर was gone so young!It’s a pity that Punjab and Punjabi music fails to showcase such brilliance in day to day life and focuses on rap and empty verse instead

Here’s his most famous verse thanks to a sensitive Bollywood blockbuster hit

इक कुड़ी जिहदा नाम मुहब्बत ग़ुम है’

ओ साद मुरादी, सोहनी फब्बत

गुम है, गुम है, गुम है

ओ सूरत ओस दी, परियां वर्गी

सीरत दी ओ मरियम लगदी

हस्ती है तां फूल झडदे ने

तुरदी है तां ग़ज़ल है लगदी

#punjabisongs #punjab #punjabipoetry #punjabiculture #punjabimusic #punjabisingers #instapoetry #ghulamfarid #amritapritam #bulleshah #love #instagood

#punjabipoetry #punjabi #punjabiquotes #punjabishayari #shivkumarbatalvi #punjabipoetrylovers #poetry #shayari #punjabiwritings #punjabikavita #poetsofinstagram #love #poetrycommunity #quotes #urdupoetry #punjabiquote #punjabisadstatus #punjabilyrics

[ninadubetiwari]

बल्ली-मारां के मोहल्ले की वो पेचीदा दलीलों की सी गलियाँ

सामने टाल की नुक्कड़ पे बटेरों के क़सीदे

गुड़गुड़ाती हुई पान की पीकों में वो दाद वो वाह वा

चंद दरवाज़ों पे लटके हुए बोसीदा से कुछ टाट के पर्दे

एक बकरी के मिम्याने की आवाज़

और धुँदलाई हुई शाम के बे-नूर अँधेरे साए

ऐसे दीवारों से मुँह जोड़ के चलते हैं यहाँ

चूड़ी-वालान कै कटरे की बड़ी-बी जैसे

अपनी बुझती हुई आँखों से दरवाज़�� टटोल

इसी बेनूर अँधेरी सी गली-क़ासिम से

एक तरतीब चराग़ों की शुरू होती है

एक क़ुरआन-ए-सुख़न का सफ़हा खुलता है

असदुल्लाह-ख़ाँ-'ग़ालिब' का पता मिलता है

Mirza Asadullah Ghalib or Miyan Ghalib as we know him was a minor Mughal born in Agra , who later migrated to Delhi to seek greener pastures in the Mughal courts .

For the next 50 years he lived in Ballimaran , Gali Kasim in old Delhi which has been immortalised thanks to a TV series with heavyweight actors like Naseeruddin Shah, brilliant music by Sardar Jagjit Singh and Gulzar’s stunning penmanship

It is said that Ghalib had invitations from many courts but stayed in Delhi due to his love for the Old Tom gin which was available at the Meerut Cantt . He would drink this gin flavoured with गुलाब जल out of an earthenware pot, chilled to his liking.

So his favourite tipple continued to inspire Ghalib to remain in Delhi , at his now famous haveli in the shadow of an old mosque , to which he famously quipped

मस्जिद के ज़ेर-ए-साया इक घर बना लिया है

ये बंदा-ए-कमीना हम-साया-ए-ख़ुदा है

#ghalib #shayari #urdupoetry #urdu #poetry #ghazal #shayar #jagjeetsingh #shayaris #gulzar #diwaneghalib #urdushayari #shayarilovers #urdu #poetry #shayari #urdushayari #urduquotes #urduadab #urdupoetrylovers #instagram #quotes #hindishayari #urduposts #poetrycommunity #urdulovers #shayri #agra #shayarilover #delhi #writersofinstagram

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