#FalseHood

[palatinewolfsblog]

"To laugh often and much; To win the respect of intelligent people and the affection of children; To earn the appreciation of honest critics and endure the betrayal of false friends; To appreciate beauty; To find the best in others; To leave the world a bit better, whether by a healthy child, a garden patch or a redeemed social condition; To know even one life has breathed easier because you have lived. This is to have succeeded." Ralph Waldo Emerson.

[philosophybits]

Truth is the soul of art, as of all things else. No man can have [a] permanent hold upon his fellows by means of falsehood.

Frederick Douglass, "Pictures and Progress (1864-65)"

[impostortale]

Untitled Soul - Chapter 2, pg 122

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chapters:

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Howdy hi, look who chose new fonts for the caaaast...

If we return to Undertale's setting, you will see the same ol' fonts because.... Undertale... wee...

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Credits:

Undertale (world and cast) - Toby Fox

@aoartmthebitxh - motivation, sanity check, ideas

Cloude - Roberto Mocci

Color-Basic - Typodermic Fonts

[shadowmonsterrealms]

Recently saw someone post a “Bruce Wayne abused his kids.” and I wanna argue the fuck out of that comment.

Mainly discovered it on Pinterest, and I’m about to go ape shit on the comment. Before I could (and there was already a long list of arguments defending Bruce), however, but research into it.

They were mainly given very vague instances of this occurring. It’s been stated that i was under effect of mind control, an Alternate Universe where Bruce was genuinely a bad person (which was considered non-canon according to some commenters).

As an additional, a lot of comics that the “Bruce Wayne abused his kids” had stated was under the 20s - 80s if i remembered correctly. Which were OLD ass comics, which has been corrected by artists. I would also assume that around this time period it was considered a struggle time of character for The Batman, in trying to figure out his character. And it was only in the early 70s (I believe, I could be wrong don’t quote me on it), that they implemented the Don’t Kill rule.

Another Thing! I put more research, and it was all bunch of vague and hit or miss shit. Like, a lot of the “examples” of the abuse was weird. Like one was “Bruce failed to Protect them,” and “hit them,” which is such a stupid statement. And I’m all honestly has begun to lose all credibility of him being a child abuser.

I don’t usually get fired up about such false comments. I easily skip it, seeing it as a troll or an inconsiderate person. However, I’ve begun to really get into Bruce Wayne. And I wanna defend my poor boy.

Cause you,

in all honesty,

think that this man

Is an

Abuser?!

Call be obvious, ignorant, or whatever you want. But I don’t give a fuck. This man is the sweetest, softest, most loving old man alive. Now

[realpokemon]

please post more

for you, anon, i am deleting my blog

[thepersonalwords]

False has many wings. Do not judge anything by its popularity.

Amit Ray, Meditation: Insights and Inspirations

[wiirocku]

Ephesians 4:25 (NIV) - Therefore, each of you must put off falsehood and speak truthfully to your neighbor, for we are all members of one body.

[justjanusthings]

[hale-nathan]

Trump Weird News - "Fake News"

[art-allegory]

Time Saving Truth from Falsehood and Envy

Artist: François Lemoyne (French, 1688–1737)

Title: Français: Le Temps sauvant la Vérité du Mensonge et de l'Envie.

Date: 1737

Medium: Oil on Canvas

Collection: The Wallace Collection, London, United Kingdom

Description

The painting is the last masterwork of François Lemoyne, the greatest French history painter of his generation. In 1733-1736, he painted the ceiling of the Salon d'Hercule in Versailles, one of the most ambitious ceiling paintings ever painted in France and the most important Royal commission of the early years of Louis XV. As a consequence, Lemoyne had become First Painter to the King in 1736.

The naked figure of Truth is held aloft by her father, Time, who with his scythe subdues Falsehood, in her fine apparel and dissembling mask, while the baleful figure of Envy recedes, protesting. Lemoyne has imbued the figures in the dramatic scene with a solid sculptural quality. Originally, this effect was even stronger before the canvas was extended on all four sides. Lemoyne's figures forcefully filled the original space of the painting. Lemoyne was obviously aiming to continue the grand tradition of seventeenth-century history painting in this work, as he had done in his ceiling painting for Versailles. The allegory refers back to paintings by Guido Reni and, possibly also to a garden sculpture by Thomas Regnaudin in Versailles, both masterworks from the seventeenth century. This attempt to continue the tradition of what was perceived as the Grand Siècle became one of the main ambitions of eighteenth-century history painting in France.

Lemoyne was suffering from severe depression when he was painting the work. The subject may have held a personal significance for the artist: tragically the day after he completed it, he committed suicide. His possible self-perception as a genius suffering from envy and falsehood is not supported by the facts. It is not clear, however, who devised the subject of the allegory. The painting was commissioned by the financier and great collector François Berger who is known to have picked up the work in Lemoyne's studio after the painter's suicide. Berger had been Lemoyne's patron from 1722 and also owned "Perseus and Andromeda", Lemoyne's other work in the Wallace Collection. He commissioned "Time Saving Truth from Falsehood and Envy" as a pendant to the much earlier "Bather", (private collection) painted by Lemoyne for Berger in 1723-1724 and would ultimate have determined the subject. Both works were probably enlarged for the next owner, Etienne Bouret, in c. 1757 to match their size with other works by Lemoyne in the same collection, such as "Perseus and Andromeda". Both Berger and Bouret owned impressive groups of paintings by Lemoyne, an homage to the leading history painter of the early eighteenth century and an early statement in support of contemporary French art among Parisian collectors.

[philosophybits]

The world of the fairy tale is the absolutely opposite world to the world of truth (history) — and just for this reason it is so absolutely similar to it — as chaos is to accomplished creation.

Novalis, General Draft

[impostortale]

Untitled Soul - Chapter 2, pg 126

《 ✧ Previous | Next ✦ 》

chapters:

[ ◇ Prequel ↦ ◇ Ch. 1 ↦ ◈ Ch.2 ]

◇────────────────────────◇

SLIGHT DELAY SORRY I just got my laptop back,,,

◇────── Navigation / Masterlist ──────◇

Credits:

Undertale (world and cast) - Toby Fox

@aoartmthebitxh - motivation, sanity check, ideas

Cloude - Roberto Mocci

[misterparadigm]

In my experience, nothing makes an otherwise sane person crazier than not be able to identify what is true and what is not. And I don't mean "crazy" as a passive irritation, I mean literal, extreme emotional and cognitive dysfunction that can manifest genuine madness.

When someone thinks they know the truth and is then denied this by the non-negotiable wall of reality, their response in a healthy society is to reevaluate their position, but in an emotionally incompetent society in which loyalties are rewarded in spite of the truth--and perhaps the truth is even punished--people rationalize in every manner, along every avenue, that they must be missing some key information which would validate their preconceived understanding. And you will find that the dissonance breeds madness, because we punish the truth.

Damned if you do, damned if you don't. That trap is the death knell of a rational society, and the harbinger of civil collapse.

[blackswaneuroparedux]

Ideology wants to convince you that its truth is absolute. A novel shows you that everything is relative. The more ideological our century becomes, the more anachronistic is the novel. But the more anachronistic it gets, the more we need it.

Milan Kundera

Milan Kundera 1929-2023 RIP

[ultimate-word-tournament]

Ultimate Word Tournament!

falsehood (English) [ˈfɒlsˌhʊd] A lie; the state of being untrue.

effervescent (English) [ˌɛfɚˈvɛsənt] 1. vivacious and enthusiastic. 2. giving off bubbles; fizzy.

Falsehood Propaganda