#Fahrenheit 451

[remusjohnslupin]

LITERATURE SERIES: Dystopia

“Always, at every moment, there will be the thrill of victory, the sensation of trampling on an enemy who is helpless. If you want a picture of the future, imagine a boot stamping on a human face — for ever… And remember that it is for ever. The face will always be there to be stamped upon." ― George Orwell (1984)

[voguefashion]

Julie Christie photographed by Paul Schutzer on the set of Farhenheit 451 for LIFE magazine, 1966.

[laddersofsweetmisery]

I don't see enough people mourning over the slow death of physical media. And I don't just mean TV shows, video games, or movies--which don't even get me started about how we don't really 'own' anything anymore. It includes notes, journals, and letters to one another...so much of our history is lost when we lose a password, a website goes down, a file/hardware is corrupted, or a platform disappears. History that doesn't seem important until you no longer have access to it. Physical media does a lot for memory recall. How many memories will we lose because we don't have something tangible to tie it back to? Something to hold in our hands and stir up those memories we thought were once lost? Sometimes I wonder what the difference between burning a book and losing access to physical media is when someone can pull the plug and remove your access so easily.

[dionysian-mystery]

How do you get so empty? Who takes it out of you?

Visions of Excess by Georges Bataille / An Oresteia by Anne Carson / Art by Scott Donaldson (@/underwaterlad on ig) / Art by Anthony Cudahy / YOUR FATHER MY FATHER by Mal Fawzy / Quote from Ash by Tracy K. Smith / Fight Club by Chuck Palahniuk / Dearth by Deborah Stevenson / Fahrenheit 451 by Ray Bradbury

[justafewberries]

losing my mind. I knew there had to be symbolism of a dandelion beyond just spring in thg. collins slipped yet another Fahrenheit 451 reference past me. i cannot believe i didn't notice.

in Fahrenheit 451, Clarisse explains if you rub a dandelion beneath your chin, you're in love.

When Katniss sees Peeta for the first time after the bread, she sees a dandelion. right under her chin. the first one. her first spark of love for peeta.

[soracities]

Ray Bradbury, Fahrenheit 451 [ID in ALT]

[sidecast]

that burning guilt you feel

[mudwerks]

(via Ray Bradbury Wrote Fahrenheit 451 on a Coin-Operated Typewriter - 

...Ray Bradbury's iconic novel Fahrenheit 451, he composed the original version of the story at some point in the late 1940s (the precise date appears to be uncertain) when he had a newborn baby at home and wanted peace and quiet in which to write. He went to the basement of the Powell Library at UCLA and used one of the rental typewriters for 20 cents an hour. $9.80 later, he had a functional draft.

[found-in-retro-game-mags]

Trillium Interactive Software

"Booted up any good books lately?" (Electronic Games Volume 02 #15, Oct. 1984)

[odinsblog]

[renthony]

Hope in the Hellfire: Revisiting Fahrenheit 451 in 2024

by Ren Basel renbasel.com

When I first read Ray Bradbury’s Fahrenheit 451, I wasn’t much younger than seventeen-year-old Clarisse McClellan, one of the novel’s major characters. In many ways I was like her: disgruntled with classmates who found me off-putting, eager to talk to adults who would entertain my unusual questions, and constantly off exploring the woods. I was a bookish loner who struggled socially. I proudly read banned books, and carried around my mom’s paperback copy of Robert A. Heinlein’s Stranger in a Strange Land—a book formally banned from inclusion in my high school’s library or curriculum—as a passive challenge for adults to try and confiscate it. None ever tried, but I sure was prepared to raise hell.

Revisiting Fahrenheit 451 in 2024 is a strange experience, not just because of the book’s political commentary. In 2024 I am 30 years old—the same age as Guy Montag, the protagonist. It is easy to put myself in his shoes now, the way I once put myself in Clarisse’s.

Montag is a fireman in a world where every house is fireproof. Instead of extinguishing fires, Bradbury’s firemen collect and burn books. Without books, the population is ignorant and complacent, kept busy with mindless screen entertainment.

Like Montag, I live in a world where books are targeted by a hostile government. In 2024 I live in Florida, where Governor Ron DeSantis makes regular headlines for his crusades against public education, libraries, and books. Many an op-ed has been written about the relevance of Fahrenheit 451 in our times, and it almost feels cliché as an anti-censorship advocate to list it as one of my favorites.

Cliché or not, I can’t help it. Fahrenheit 451 is a warning against censorship, yes; it is a pointed exploration of 1950s American social anxieties, yes; it is a well-written piece of fiction containing rich descriptions of exciting events, yes; but more than that? Fahrenheit 451 is one of my favorite novels because it leaves me feeling hopeful in the midst of social upheaval.

After stealing and reading forbidden books, Montag’s life spirals out of control. His wife sells him out to the authorities, he kills a former colleague in self-defense, he is pursued in a televised government manhunt, and before the story ends he watches bombs reduce his former home to rubble. Montag survives, but he doesn’t fix the world. He is not the victorious hero of a glorious rebellion. Many, many books get burned, and people die. Yet still, there is hope, because Montag finds community. He finds a way to help preserve the books’ contents so they can be passed down to later generations.

In 2024, Fahrenheit 451’s message is important not only because it warns against censorship, but because it reminds us that even if the road ahead is difficult, even if things get worse before they can get better, even if some stories are lost, there are still countless unnamed, unnoticed people fighting to preserve and share knowledge.

The best part is that any of us can join them.

_

Written on commission, using the prompt, “500 words about your favorite pre-1960s Sci-Fi.”

Lovingly dedicated to the Queer Liberation Library (on tumblr as @queerliblib!) for their ongoing mission to make queer eBooks accessible. Check them out at queerliberationlibrary.org!

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[fuckyeahsciencefiction]

[laddersofsweetmisery]

This afternoon, DOGE fired every employee at the Institute for Museum and Library Services, deleted their emails, and vanished federal funding for public libraries and museums.

They won't be so bold as to burn the books, but they will greatly limit your access. When the good learn, so do the evil.

When you really think about it, it's financial abuse. Institutions are being held hostage financially to bow to the whims of another or risk no longer existing. I don't even know if I feel angry at the institutions that have decided to bow because, at the very least, they are still available and able to help others with the few resources they have left. It's fucked all the way around.

We should bring back independent/community-supported pamphlets. (See: political pamphlets of the 1800's and Jstor's collection of 19th century British Pamphlets) Most of these efforts now exist on social media but are heavily censored via algorithms. What we need is something offline that can't be limited with the push of a button. Something tangible.

You can literally leave them behind anywhere like a lost glove. There's a lot of power in that. We could even offer QR codes on the physical copies so that viewing it online is still an option. I think the internet is too volatile a place at the moment to remain our sole source of information. It's too easily manipulated, the algorithms keep us in a vacuum, and there are too many bots proven to incite rage and prevent productive discourse. We need something people-oriented. I think zines would be perfect. They want the old ways back, so let's give it to them along with all the revolutionary efforts that come with it.

[palatinewolfsblog]

"You don't have to burn books to destroy a culture. Just get people to stop reading them." Ray Bradbury.

[tilbageidanmark]

2 unusual editions of Bradbury’s ‘Fahrenheit 451’.