#FE 28-70mm

[inkadeals]

Sony - Alpha a7 III Mirrorless [Video] Camera » $1899.99

Capture stunning portraits and beautiful action shots with this Sony a7 III full-frame mirrorless camera with FE 28-70mm standard zoom lens. Optical SteadyShot image stabilization delivers blur-free | crisp images | while the seven-blade circular aperture delivers more natural-looking bokeh effects. With its dust- and moisture-resistant design | this camera is ideal for both indoor and outdoor photo shoots.

MPR: $2199.99 Deal: $1899.99 Discount: 14%

https://bestbuy.7tiv.net/3PD0Wy

FE 28-70mm F3.5-5.6 OSS standard zoom lens This focal range is great for everyday shots | including everything from spectacular landscapes to exceptional close-ups.

24.2MP resolution delivers gorgeous shots with lifelike detail The Exmor R full-frame CMOS sensor produces high-resolution photos with intense clarity.

ISO 100-51 | 200 (expandable to 50-204 | 800) Shoots sharp photos and videos in almost any lighting conditions | so you can capture brilliant sunrises | sunsets and nighttime images.

Dont miss a shot with high-speed continuous shooting Take photos at up to 10 fps to easily create detailed photos of sporting events and other fast-moving action.

Fast hybrid AF with 693 phase detection and 425 contrast detection focus points Ensures accurate tracking | and automatic | single-shot | continuous | direct manual and manual focus modes provide flexibility.

High-resolution 4K HDR videos The camera features a new HLG (Hybrid Log-Gamma) picture profile | supporting instant HDR workflow that offers wide dynamic range for highly precise and lifelike movie images without color grading.

Wirelessly stream still images and movies to a smartphone | PC or TV Built-in Wi-Fi allows simple connectivity.* The NFC (Near-Field Communication) technology supports remote operation via a compatible device.

2.95inch TFT touch-screen monitor The 921 | 600-dot resolution and five-step brightness control offer clear visuals for framing or reviewing shots | and the tilting design makes it easy to find the right angle.

New front-end LSI and BIONZ X image processor These powerful components work together to allow the camera to shoot at faster speeds while also enabling its impressive ISO range and massive 15-stop dynamic range at low sensitivity settings.

Electronic viewfinder makes it easy to frame shots The XGA OLED viewfinder with 2 | 359 | 296-dot resolution | auto and manual brightness control | five-step manual color temperature control and 100% coverage provide a great view.

TTL (Through-the-Lens) preflash control Helps you achieve optimal lighting conditions with a compatible external flash (not included).

Image sensor shift mechanism with five-axis compensation Helps counteract the effects of camera shake and vibration for quality videos.

Face detection and eye AF This camera detects up to eight individual faces | and its fast and accurate eye autofocus ensures stunning portraits.

HDMI output allows easy connection to HDTV Easily connect your camera to an HDTV for immediate movie playback. An HDMI cable is required (sold separately).

Two media card slots for storing and transferring images Accept Memory Stick PRO Duo | Memory Stick PRO-HG Duo | Memory Stick Micro (M2) | SD | SDHC | SDXC | microSD | microSDHC | microSDXC memory cards (not included).

Requires high-speed Internet service.

[tamoshstreetphotographer]

Cologne, February 2024

Photographer: Ralf Ulbrich

[newmosbiusdesigns]

Skyline by Matt Harvey Via Flickr: The cloudy North Texas sky is reflected in the mirrored facade of the Hyatt Regency in Downtown Dallas.

[aimz-d-photography]

Golden Hour. camera: sony a7 iii lens: FE 28-70mm F3.5-5.6 OSS

[irsaitama]

昨日は夕方出かけたついでにα7 IIと先日購入したFE 28-70mm F3.5-5.6 OSSを持ち出していくらか撮影してみた。日が落ちかけでまともに撮れていないのはともかくとして、気温が低かったのでバッテリー残量が50%強からいきな��0%になる事象が発生していて使い物にならない感じだった

低温だとリチウムイオンバッテリーの性能が落ちるので仕方ない面があるとは言え、EOS RP共々持っているミラーレス機は低温環境での稼働が苦しいと言わざるを得ない状態（バッテリーを温めれば復旧はするけど）

先日韓国へ行った時はPENTAX K-1 IIを使ったけど、クソ寒いにも関わらずGPSオン状態で1日数百枚撮っても予備バッテリーすら使う必要がなかったので、ミラーレスとDSLRの違いがあるとは言え低温耐性が段違いに低い印象が残った

[sasakitaka-photo]

銀座の裏道からの風景 • Camera : SONY α7III Lens : SONY FE 28-70mm F3.5-5.6 OSS • • Hibiya, Tokyo ISO : 3200 F/5 1/250s 39mm • • • #sony #sonya7iii • • • #mood #japan #japantravel #japantrip #sunset #streetstyle #jalan_travel #japan_photo #japan #japan_of_insta #japan_photogroup #landscape #photooftheday #picoftheday #photo #photographer #photolove #photolover #photolovers #photography #photoshoot #beach #カメラ好きな人と繋がりたい #写真撮ってる人と繋がりたい #写真で伝えたい私の世界 #写真好きな人と繋がりたい #ファインダー越しの世界 #ファインダー越しの私の世界 #夜景 (銀座) https://www.instagram.com/p/CnoiEvkPr9v/?igshid=NGJjMDIxMWI=

[zam-cero-uno]

Hace unos meses recibí una petición de la coordinación general nacional de Defensa Pública para hacer una campaña a nivel nacional para la institución en donde la temática era, en ese momento y por que era su principal necesidad, la de vincular a la institución con los pueblos originarios y también mostrar sus competencias en lo agrario y pesquero y obviamente Santa Rosa puedes encontrar dos de esos elementos en un solo lugar. Y esto es parte de lo que logré hacer.

Santa Rosa es el único pueblo de Maracaibo que no da la espalda al lago como si lo hace el resto del municipio, y al contrario del resto de nosotros, sus vidas giran en torno a todo lo que puede dar esa enorme masa de agua. Lamentablemente hoy, todos los esfuerzos de restauración del lugar se han visto mermados por la desidia municipal, por que el único mantenimiento que hay de lo rescatado es gracias a sus propias organizaciones. De todo este trabajo destaco la foto del paso en la tabla de madera, en su momento la llamé "acto de fe" por que, caminar sobre tablones que se hunden con tu peso y hacer que no te importe es eso, pura fe. Algo que yo no tengo, al menos no en esas tablas. Allí usé: -Sigma 24-70mm DG f/2.8 -Tamron 28-200mm f/3.8 -Nikkor 18-55mm f/3.5

[capicturestudioes]

What is the best lens for wedding photography?

Wedding pictures are particular in that it encompasses numerous genres of pictures: fashion, portrait, architectural, product, macro, family, and every so often even journey pictures. Few genres call for extra from photographers and their gear. 

Here is a subjective listing of 6 must-have lenses for any given wedding ceremony that the best wedding photographers in Madurai recommend.

1. 70-200mm

This is my preferred lens. It creates lovely bokeh (blur) at f/2.eight, and the compression you get while you’re zoomed in from 150-200mm offers your photo a glance that’s tough to gain with some other lens. It additionally lets you get in near the motion without disrupting the moment.

DSLR Options

Canon 70-200mm f/2.8L IS III USM Lens

Nikon AF-S NIKKOR 70-200mm f/2.8E FL ED VR Lens

Sigma 70-200mm f/2.eight EX DG APO OS HSM Lens for Canon EF

Tamron SP 70-200mm f/2.eight Di VC USD G2 Lens for Canon EF

Mirrorless Options

Sony FE 70-200mm f/2.eight GM OSS Lens

Canon RF 70-200mm f/2.eight L IS USM Lens

Nikon NIKKOR Z 70-200mm f/2.eight VR S Lens

2. 50mm

This is some other one in all my preferred lenses. The 50mm focal duration is terrific for portraits, and it may store the day while the mild begins off evolved to drop; the broader aperture lets you rely much less on for your flash and it creates a softer, extra herbal search for your subjects.

DSLR Options

Canon EF 50mm f/1.2L USM Lens

Nikon AF-S NIKKOR 50mm f/1.8G Lens

Sigma 50mm f/1.four DG HSM Art Lens for Canon EF

Mirrorless Options

Sony Planar T* FE 50mm f/1.four ZA Lens

Canon RF 50mm f/1.2L USM Lens

Nikon NIKKOR Z 50mm f/1.2 S Lens

Sigma 50mm f/1.four DG HSM Art Lens for Sony E

Rokinon AF 50mm f/1.four FE Lens for Sony E

3. 24-70mm

The versatility of the 24-70mm zoom lens is crucial for smaller spaces. For example, a tea rite at a Vietnamese wedding ceremony is typically held in a dwelling room. The 70-200mm might be too compressed for this situation, and the 50mm might now no longer offer sufficient versatility, as you usually don’t have lots of room for movement.

DSLR Options

Canon EF 24-70mm f/2.8L II USM Lens

Nikon AF-S Nikkor 24-70mm f/2.8E ED VR Lens

Sigma 24-70mm f/2.eight DG OS HSM Art Lens for Canon EF

Tamron SP 24.-70mm f/2.eight Di VC USD G2 Lens for Canon EF

Mirrorless Options

Sony FE 24-70mm f/2.eight GM Lens

Canon RF 24-70mm f/2.8L IS USM Lens

Nikon NIKKOR Z 24-70mm f/2.eight S Lens

Sigma 24-70mm f/2.eight DG DN Art Lens for Sony E

Tamron 28-75mm f/2.eight Di III RXD Lens for Sony E

4. 100mm Macro

If your bride and groom are spending hundreds of bucks at the info of a wedding ceremony, they may be positive to comprehend you taking pictures of the occasion in element. With the 100mm Macro, you may seize distinctive pictures with the equal best element as product classified ads in magazines. Add your contact of lighting fixtures and creativity, and also you get ring pictures just like the one below. Contact Capicture for best wedding photography in Madurai 

DSLR Options

Canon EF 100mm f/2.8L Macro IS USM Lens

Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED Lens

Sigma 105mm f/2.eight EX DG OS HSM Macro Lens for Canon EOS

Tamron SP 90mm f/2.eight Di Macro 1:1 VC USD Lens for Canon EF

Mirrorless Options

Sony FE 90mm f/2.eight Macro G OSS Lens

Tokina FiRIN 100mm f/2.eight FE Macro Lens for Sony E

5. 16-35mm

Sometimes the 24-70mm lens simply isn’t extensive sufficient to seize the whole lot you want. The extremely extensive perspective facilitates you to seize the environment. Venue and panorama pictures additionally offer a terrific addition for your wedding ceremony day coverage, as they set the scene for the day and let you take complete benefit of the scenery, in particular at lovely venues.

DSLR Options

Canon EF 16-35mm f/2.8L III USM Lens

Nikon AF-S Nikkor 16-35mm f/4G ED VR Lens

Sigma 18-35mm f/1.eight DC HSM Art Lens for Canon EF

Mirrorless Options

Sony FE 16-35mm f/2.eight GM Lens

Canon RF 15-35mm f/2.8L IS USM Lens

Nikon NIKKOR Z 14-24mm f/2.eight S Lens

6. 85mm

When this newsletter turned into first posted in 2009, the 85mm f/1.2 turned into in our honourable point-out category, however, we’ve fallen in love with this focal duration. The 85mm lens is a real portrait lens that doesn’t distort the photo the manner that a few wider-perspective lenses do (together with the 24mm or 35mm), in particular alongside the rims of the frame. This lens additionally gives terrific compression and historical past bokeh at wider apertures.

DSLR Options

Canon EF 85mm f/1.4L IS USM Lens

Nikon AF-S Nikkor 85mm f/1.8G Lens

Sigma 85mm f/1.four DG HSM Art Lens for Canon EF

Tamron SP 85mm f/1.eight Di VC USD Lens for Canon EF

Mirrorless Options

Sony FE 85mm f/1.eight Lens

Canon RF 85mm f/1.2L USM DS Lens

Nikon NIKKOR Z 85mm f/1.eight S Lens

The authentic article additionally covered the 15mm f/2.eight Fisheye lens which we now no longer use. Funny how speedy developments can change!

What do you think? What are your must-have lenses? If you haven’t executed so already, test out our Lens Wars series, the closing visible manual to actual international variations among an entire host of Canon expert zoom lenses and primes. In total, we examined 25 Canon lenses worth over $40,000 greenbacks beginning from 17mm to 300mm focal duration. For more information visit Capicture and contact us for wedding photography in Madurai

[kvibe-test]

Top Must-Have Gear for Stunning Wedding Films

Essential Gear for Wedding Filmmaking

Wedding filmmaking is a distinct and demanding field that necessitates a specialized array of tools and equipment to capture the true essence of the special day. With the proper gear, wedding filmmakers can deliver seamless, high-quality footage that narrates an engaging story. Equip yourself with the indispensable gear required for a triumphant wedding shoot. Gain insights from seasoned wedding filmmakers on the must-have tools and equipment that will guarantee smooth, high-quality wedding films.

Camera Equipment

The camera choice is crucial for any wedding filmmaker. A favored option among professionals is the Canon EOS R5, which boasts 45 megapixels, 8K video recording, and in-body image stabilization. Its high resolution is particularly beneficial for capturing the intricate details of a wedding day.

Renowned for its exceptional low-light performance and 4K video capabilities, the Sony A7S III is another dependable option for capturing beautiful wedding footage. This camera excels in dimly lit environments, such as indoor receptions and evening ceremonies, where natural light may be lacking.

For those who prefer a compact yet powerful camera, the Blackmagic Pocket Cinema Camera 6K Pro is an excellent choice. With 6K resolution, a Super 35 HDR sensor, and a built-in ND filter, it offers greater creative control and versatility in various shooting conditions.

Lenses

No camera setup is complete without the appropriate lenses. The Canon RF 28-70mm f/2L USM is a versatile lens with a wide aperture, ideal for capturing candid moments and low-light situations. Its versatility makes it a staple for many wedding filmmakers.

The Sony FE 16-35mm f/2.8 GM is perfect for ultra-wide-angle shots, such as sweeping landscapes and group photos. These shots often capture key moments at wedding venues with scenic backdrops or large family gatherings.

For enchanting portrait shots with exceptional sharpness and beautiful bokeh, the Sigma 50mm f/1.4 DG HSM Art is outstanding. It's a high-performance prime lens that can truly highlight the emotions and expressions of the couple on their special day.

Audio Equipment

Clear audio is just as important as high-quality video. The Rode Wireless GO is a compact wireless microphone system that ensures crystal-clear audio for interviews and speeches. Its reliability and user-friendliness have made it a favorite among wedding filmmakers.

The Tascam DR-10L is a compact digital recorder with a built-in lavalier microphone, perfect for discreetly capturing audio. It's particularly useful for hidden miking techniques during ceremonies and vows.

For more complex audio requirements, the Zoom H6 is a versatile portable recorder with multiple inputs for capturing high-quality audio from various sources, ensuring no precious moment goes unheard.

Stabilization and Support

Smooth, stable footage is essential for professional wedding films. The DJI Ronin-SC is a lightweight, three-axis gimbal stabilizer that ensures smooth footage during dynamic shots. It's an excellent choice for capturing fluid motion sequences, such as walking down the aisle.

A sturdy tripod like the Manfrotto 535 with a fluid head is necessary for static shots and achieving smooth pans and tilts. This equipment provides the stability needed for longer, stationary shots during ceremony coverage.

Additionally, the Peak Design Slide Lite camera strap is a versatile accessory, offering quick access and secure support during shooting. It's particularly beneficial for photographers who need to be mobile and ready to adapt quickly to different shot requirements.

Lighting Equipment

Proper lighting can significantly enhance the quality of wedding footage. The Aputure MC RGBWW LED Light Panel is a compact, portable light source that offers adjustable color temperature and brightness, making it suitable for various lighting conditions throughout the wedding day.

For handheld, battery-powered LED light, the Westcott Icelight 2 provides soft, diffused illumination. It's especially useful for quickly lighting up a subject without the need for complicated light stands.

For those on a tighter budget, the Neewer bi-color 480 LED video light kit is a budget-friendly option that offers adjustable color temperature and brightness. It's suitable for studio-like setups during pre-wedding preparations or interviews.

Accessories and Extras

Reliable accessories are often underestimated but crucial. A high-capacity memory card like the Sandisk Extreme PRO 1TB SDXC UHS-I Card is essential for capturing 4K and 8K footage. These high-speed cards ensure that you never miss a moment due to storage limitations.

For transporting and protecting camera gear, the Pelican 1510 Carry-On Case offers durability and watertight protection, making it a dependable choice for traveling filmmakers.

Lastly, the Think Tank Photo Airport Advantage Rolling Camera Bag combines portability with functionality, providing a compact, TSA-friendly solution for carrying essential gear.

Equipping yourself with the necessary gear for a successful wedding shoot is crucial for capturing high-quality footage that tells an engaging story. By investing in reliable camera equipment, lenses, audio gear, stabilization tools, lighting equipment, and accessories, wedding filmmakers can ensure a smooth and successful wedding film production.

#weddingfilmmaking #essentialgear #filmmaker #weddingvideography

Visit https://www.bloggerfy.ai to find more insights and tips for perfecting your wedding films.

[ericlwoods]

Bang For Buck Gear Reminiscing: Sony FE 28-70mm f/3.5-5.6 OSS

Essentially a repost. Had planned to write a new post for this lens for my new bang for buck series. But this lightly edited/updated 2021 post below covers it. No camera this time. Pick any Sony body you wish based on need and/or budget. And here we go… There is the new Sony FE 28-60mm f/4-5.6 Lens. Very small and I liked it. Image from B&H Photo website. This lens has only one key advantage…

[belovedmemoryblvd]

Liverpool's Music Scene: JohnsysShots presents White Lightning x Simorah x Wild Affair at Zanzibar (Pt9)

Wicked gig at Zanzi!

Tune in via -

White Lightning :

https://www.instagram.com/whitelightning.band/

https://linktr.ee/whitelightningband

Simorah -

https://www.instagram.com/wearesimorah/

https://linktr.ee/simorahtheband

Wild Affair -

https://www.instagram.com/wildaffairofficial/

https://linktr.ee/wildaffairofficial

https://wildaffair.co.uk/epk

Event hosted by Johnsysshots at The Zanzibar, Liverpool - https://www.skiddle.com/whats-on/Liverpool/The-Zanzibar/JohnsysShots-Presents/37270037/

Johnsysshots (Liverpool Based Photographer) - https://www.instagram.com/johnsysshots/?hl=en

Photos taken with:

Sony a7 III Mirrorless Camera + FE 28-70mm f/3.5-5.6 OSS Lens

KODAK PIXPRO FZ55 Digital Camera

Panasonic Lumix DMC-ZS100/TZ100

[tamoshstreetphotographer]

Cologne, February 2024

Photographer: Ralf Ulbrich

[lokuhapuarachchi]

Transitioning Gear: From Canon to Sony - A Journey of Adaptation and Savings

Preparing for an upcoming event in Leicester City, I decided to introduce a new addition to my camera gear. Before diving into the shoot, I wanted to familiarize myself with this latest equipment to ensure it seamlessly integrated into my setup.

My journey with photography spans across several iconic camera brands, starting from Minolta, Yashica, Practica, Olympus, and Pentax cameras from 1984 to 1991, transitioning to Nikon cameras from 1991 to 1998. However, the landscape shifted in 1998 when Canon stepped into the scene, bidding adieu to the familiar camera room. Canon swiftly became my preferred brand, solidifying that connection in 1999 with the Canon 400mm f2.8 L IS lens.

This lens became a staple, accompanying me to photograph international cricket matches for the Sri Lankan cricket team during my tenure at Reuters News Service. Its recommendation stemmed from multiple factors—excellent image quality, minimal optical distortion, a rapid aperture, image stabilization, and an agile autofocus system. While this lens thrived in sports reporting, my repertoire expanded to include everyday news, even extending to covering conflicts, utilizing three lenses: the Canon 16-35mm f2.8, 35-70mm f2.8, and 70-200mm f2.8. With a surplus of cameras matched to these lenses, I seamlessly interchanged cameras during shoots, minimizing lens changes.

However, as time progressed, my photographic needs underwent a metamorphosis. Weight reduction in equipment and a streamlined lens collection became paramount. Deliberating on this, Sony cameras emerged as a plausible option due to their lightweight build. Additionally, capturing bustling scenes without frequent lens changes became an appealing prospect.

Yet, I wasn’t prepared to compromise on lens quality or sacrifice the minimum aperture of f2.8. While lenses like Tamron 18-400mm f3.5-6.3, Canon EF 28-300mm f/3.5-5.6 L IS, and Sigma 28-300mm f/5.6-6.3 offered a range, the varying aperture and potential compromise in image quality didn’t align with my standards.

Contemplating a transition to Sony while retaining my Canon equipment, I stumbled upon the 35-150mm 2-2.8 lens—an intriguing find. Among the options like Samyang AF 35-150 f/2-2.8 FE and Tamron 35-150 mm f/2-2.8 Di III VXD, I found subtle performance differences despite a significant price gap and that feverable to Samyang. Opting for the Samyang, priced attractively on Amazon at £854.00 while Tamoron price £1486.00, seemed like the right choice after thorough research.

Thus, with the Samyang 35-150 f2-2.8, a Sony A7 Mark II, and a Godox Xpro at an Amazon special price, I made the purchase using allocated funds for new camera equipment.

Adapting from my Canon gear to Sony, I sought solutions for flash equipment. I found that using the Godox XPro to employ flash strobe lights for Sony, alongside the Godox SX 400 Studio Flash for Canon and Godox V1Hot Shoe, proved more cost-effective than purchasing new flash equipment. The entire conversion from Canon to Sony, inclusive of accessories, totaled £1585.00. This transition meant relinquishing the focal range of 35-16mm and 150-200mm, which I deemed acceptable given the substantial savings.

Considering the Amazon prices, the total expense for the Canon lenses (16-35mm f/2.8 = £1599.00, 24-70mm f/2.8 = £1947.00, and 70-200mm f/2.8 = £1624.00) would have amounted to £5170.00. Thus, by completing a full Canon to Sony conversion, I managed to meet my requirements while saving £3585.00.

With my setup primed, I am now geared up to capture the event in Leicester City next weekend, all with the convenience of a single lens.

by - Anuruddha Lokuhapuarachchi

[aimz-d-photography]

Rainy Day Down The River Stor. camera: sony a7 iii lens: FE 28-70mm F3.5-5.6 OSS

[irsaitama]

最後はMINOLTA AF 35-70mm f4を使ってみた。これも1985年発売のAマウント最初期レンズで定評通りよく写るレンズである。ズーム倍率が低かったり標準ズームレンズなのに最短撮影距離が1mとやたら長いとか、使い勝手の良くない部分もあるけれども、条件さえ良ければ写りだけは2010年代のキットレンズであるFE 28-70mm F3.5-5.6 OSS(SEL2870)と比べてもそれほど引けを取らないような気はする

それはそうと、霞ヶ関駅寄居方踏切北側は拡張した歩道と車道の角度があっていなくて不思議