#Every moment reveals a new aspect of her personality or background- with info that is not necessarily contradictory but instead makes

[un-monstre]

I really love how much effort the show put into building Spanish Jackie as a multi-dimensional character. She's an unapologetic killer and a savvy restaurant owner. She genuinely misses her murdered husband. She brands her husbands with her initials and killed Geraldo without a thought. She's a masterful manipulator who keeps a jar of noses out front to remind people not to fuck with her. Jim killed her favorite husband and yet she seems to admire their pluck.

[mybg3notebook]

Gale Summarised Analysis

Disclaimer Game Version: All these analyses were written up to the game version v4.1.104.3536 (Early access). As long as new content is added, and as long as I have free time for that, I will try to keep updating this information. Written in May 2021.

The majority of sources used for this article are in the game itself (this includes my Gale-solo playthroughs as well as a combination of the videos by munmomuu and selphie1999), and the few dev’s notes provided by pjenn. Gale as origin is not taken into account since it’s not finished and has little to none Gale-related content. There will be little datamining content as well since pjenn said the game contained almost no gale-related notes (only in the Weave and in the Revelation scene).

Additional disclaimers about meta-knowledge and interpretations in (post)

The number between brackets [] represents the topic-block related to (this post), which gathers as much evidence as I could get.

We can infer about Gale by analysing what he approves and disapproves of. Sometimes, we can even lightly infer some information from his neutral reactions, but let’s be honest: this way of analysing a char is pretty poor since it leaves everything to speculation. Neutral reactions can only be analysed, in very rare instances, by contrasting the same situation in other contexts, and seeing what other options Gale approves or disapproves of. With these considerations in mind, we can proceed to describe this character.

Disclaimer: this is a meta with my personal interpretation of the character, sticking as much as possible to the facts and leaving little to “desires” or “projections” of what I want him to be. If I do so, I will state it explicitly in the text for the sake of analysis honesty. I want to be clear about what is canon (facts shown in bg3 EA), from what’s personal interpretation with little proof.

Understanding Gale (integrated text)

We are none of us monsters. We are merely hatcheries for monstrous things. So we fight them

---Gale 

Collecting most of the information provided in-game, we know he has a cat, a Library, and writes poetry sometimes. One of the first things that Gale will reveal is that he is a private person. He easily and clearly sets boundaries from the first moment, showing Tav where they stand. The second aspect he makes us aware of is his pragmatic thinking and his preference for diplomatic approaches. A third aspect that stands out on its own: he is a very verbose person, maybe as a result of his academia background in combination with his poetry hobby. He also has a bad posture when talking, but I’m not sure if this is intentional or a bug.

We can assure that Gale certainly is a man of the city [13], and may have a decent social status. It's impossible to say for sure if it's noble or rich or both, or it is just a natural consequence of being a wizard scholar: he is frustrated by the harshness of the camping life, he misses the civilisation of the city which offers well cooked meals, soft beds, and scented baths. Not by chance he is the only companion in the group who would approve of giving Oskar 200 gold to fight “the discomforts of the road” [13]. However, he adapts. Despite the lack of luxuries, he managed to survive in the wilderness.

Gale and his link with magic is unquestionable. Magic is life for Gale, metaphorically and literally speaking since it's magic what allows him to stay alive despite the "orb" in his chest. If we talk about Magic, we have to talk about Mystra and the Weave. The Weave is not only the embodiment of Mystra, it's an extension of Mystra herself. It extends across many planes of existence and is in almost all parts of Faerûn. By dragging power from it, Magic can be performed. 

Mystra, for lore reasons and conjectures that I will discuss in the post "Mystra and her Chosen ones", turned teenager/young adult Gale into one of her Chosen, making their relationship more intimate and granting Gale a deeper access to the Weave. This put Gale into the category of an archwizard. It's clear that Gale was and still is a devotee of Mystra, which could give us a hint of his alignment since she is a neutral good goddess and she expects for her Chosen to align around it.

Gale likes confidence, in others and in himself. He is confident in his looks (he has described himself as a “handsome devil” and answered during the romance/Revelation scene that he knew he was beautiful under the light as well as Tav). But beyond these two lines, qualifying him as a narcissist seems extreme. He is surely very confident about his knowledge, and we see he is not just mere words: his Mind Flayer knowledge is at the the same level of what githyankis know. If we compare how Astarion/Tav struggled with the book of Thay, and then we see how Gale manages it (sadly the scene is not complete yet in EA, and there is almost no datamining info of Gale), we can conclude once more that his knowledge and power of the mind are real (he is, so far, the main companion who allows us to explore the lore of the game in a deeper way during his conversations). We also know it's a bit more complicated to intrude into his mind using the tadpole because he has knowledge and mental tools to protect himself (check the post about the Tadpole inside Gale). He is certainly a very verbose and confident scholar, who knows his limits, and in occasions he seems to dabble into an ego-teasing play as an attempt of levity, displaying his “insufferable side”, as he has described himself (his self-awareness of these traits is remarkable, and it is the reason why I avoid qualifying him as arrogant. Arrogant chars are hardly self-aware of their own bad manners or insufferable traits). But we can see it's usually done as a joke or, with an evil Tav, as an aggressive reaction. For a deep analysis of this aspect, check the post about "Gale Hypotheses- Part 2", section: "Narcissism". 

Based on his approvals and disapprovals, we can see that Gale has a strong preference in avoiding fights, violence, and bloodshed [1]. He will always prefer diplomatic and persuasive approaches [2]. Reasoning is his best weapon, but if the individual we are dealing with can hardly be persuaded, he would approve of a deception or an intimidation as long blood is not spilt. Here is where we see his pragmatism in action, all the time. His primary goal at every moment is to avoid bloodshed. His philosophy could be summed up in the line “the means [as long as they don’t kill gratuitously] hardly matter if the end is worthy”. And for Gale, nothing is more worthy than life [3]. This doesn't cover only the life of innocents he cares about, it includes the life of the most dubious characters as well, such as Rugan or Crusher. Gratuitous death is meaningless for him. During the scene of Nettie we can have a glimpse of his philosophy towards life: he viscerally hates treating life as if it were nothing: 

Gale: How dare she snuff out life with as much thought as snuffing out a bloody candle? […] It's not right to feel the cold breath of death in your neck, then move on as if it was nothing but a soothing breeze. One respects life by fighting for it, and one respects death by fearing it.

Gale: One should never be afraid to live life to the fullest.

Probably the limited amount of life he has due to the "orb" increased his sense of respect for life and its celebration. I personally understand Gale as a character who embodies the perspectives of a seriously ill person, knowing that their life may be short, but they will try to make the best out of it. 

He doesn't only respect life per se, he also cares about its dignity. This can be seen in his explicit rejection to undead existences such as Connor (he explains that it would be merciful to put an end to his undead nightmare), or in his disapprovals of humiliation and torture [9]

 We could suspect that this emphasis in protecting any life comes from the fact that only people who are alive can (sometimes) be forgiven or/and change. This is not explicit, but since he is a character who talks about being better and wiser than his previous self, about acknowledging mistakes, about forgiveness, this interpretation seems reasonable. 

These concepts of kindness and compassion combined with “the mistakes of the youth” are repetitive in his interactions and approvals [5,12]. Of course, they echo in his soul since they are reflections and desires of his own experience. This pattern covers forgiving children in particular [5], and disapproving hard judgements [16], especially on matters whose story is not fully understood by Tav. This means he doesn't like quick judgements when he doesn't know the whole story first. This scenario can be easily seen during Karlach's quest, he reserves his judgment until knowing Karlach's side: There are always two sides to each story.

Gale: I have to say I don't know if agreeing to this hunt was such a wise idea. Who's to say who's the real villain in this tale of devils and masquerades? [...]When we track Karlach down, let's chat before we chop.

Similar concept appears during his Revelation scene, when he encourages and keeps asking Tav to listen to him first before judging. This is also the reason why in his Loss scene he would disapprove if Tav quickly assumes that his loss of Mystra was due to arrogance. Tav judged him without knowing the whole story. However, once Tav knows the whole story, Gale will accept any judgement from them without approval penalties during the Revelation scene.

He approves all actions that imply helping others in hard times and disapproves of them if they were done out of greed [4]. He is an animal lover [6,7]. Being kind to animals and treating them good will increase his approval, while animal cruelty will earn his disapproval. Same goes for humanoids: any display of gratuitous violence that could have been prevented with a trick or a diplomatic approach, any humiliation forced upon others, any torture or situation of slavery, is disapproved [8, 9, 11]. 

In particular, Gale seems to advocate the philosophy of “give others their own medicine”[18] or in other words: poetic justice. We can see this during the Myconid colony; he approves of helping the Myconid to avenge the young killed by the Duergar, adding the comment: “Wicked killers deserve wicked ends”. He is implying to give them a similar, wicked medicine to the Duergars. Another less deadly situation of this kind is shown during the foot situation with Crusher: Gale is the one suggesting “pungent poetic justice” and telling Tav that they should force Crusher to kiss their feet. 

The most iconic scene, however, is during Nettie's, if Tav lies during her interrogation. As a hot-headed reaction, Gale states that he would have poisoned Nettie if this situation would have happened to him. Although, after calming down, he approves of and confirms Tav's actions [if Tav managed to persuade Nettie to give them the antidote]

Gale: A taste of her own medicine is what she deserves! […] But you handled it, and you handled it well. 

 In this scene we also see a pattern: Gale is shown as a fallible human; his most visceral reaction during the first moment is anger and indignation, giving us a hint that he is not so rational when it comes to emotional states. An extremely obvious, human concept. 

The scene of Nettie trying to kill a potential menace (the victim of a MF) reverberated in his consciousness, projecting immediately a fact in his mind: if he ever dares to reveal his "orb" problem, and anyone knows what a danger he represents—no matter how stable it looks—people will want to remove the menace by killing him. 

This is the reason behind his words “It's just that, had it been me... had it been...” Gale knows that this simplistic and common thinking in removing what's dangerous would end up turning into a more destructive tragedy in his case than in any infected victim of the tadpoles. So this combination makes us see, for the first time, an emotional Gale. After some seconds, he cools down and returns to his more rational, diplomatic, and moderate self. What we can read here is that Gale would be very prone to rush decisions or to make mistakes under emotional circumstances. We will learn later that the other mistake he made under emotional stress ended up with the "orb" stuck in his chest. A third mistake was done during the party, once more under the emotional stress of a potential abandonment by Tav due to the true nature of the orb. 

Everything related to the “orb”—which is his most traumatic experience—naturally makes him more emotional and prone to mistakes. To see how truly traumatic the "orb" is in his life we can notice the following patterns during the meeting scene: he speaks about the tadpole in a relaxed, rational way, despite the traumatising experience. He first asks for an archwizard instead of for a cleric, because his priority is the orb. Gale's main fear is not the tadpole, but the orb. If we remember his words after the consumption of the artefacts, we realise he lives in a permanent state of anxiety and raw fear, and probably pain too, given his facial gesticulation when anything interacts with the "orb" (whether artefacts or Tav's hand). His banter with Shadowheart reinforces the concept that he always has a knot in the stomach. When he accepts the deal with Raphael, it seems to be related to the orb, not to the tadpole. The effect of the "orb" has ceased, but the tadpole is still in Gale's head since we still need to roll against a high DC and not only against a 1DC during this scene, so we can assume he still has the tadpole despite Raphael's deal. See the post about "The Tadpole" in Gale for more details.

Gale is a character that represents human experiences deeply related to growing up: mistakes done in the past, and the acceptance of not being forgiven despite the desire of wanting to. This can be easily seen during the conversation of the second tadpole dream, where Gale's mood is foul and we learn that his deepest desire is for Mystra to forgive him, but he also knows it's impossible for that to happen. He detects the lie in this dream because he has accepted that Mystra will never forgive him. Gale is the story of mistakes done during youth with grave consequences, of acknowledging them and trying to make them right, of surviving those mistakes, and depending on the interpretation, he is also the story of an ill dying man, with a gentle vision and deep care for life. 

The great majority of his approvals are based on actions that show kindness and compassion, both reiterative concepts that are so important in his character that they come from his lips when we see the goblin party: 

Gale: The shadow within is spreading like poison, corrupting kindness and compassion. [Only after a tough DC of 15]

In combination with: Gale: I don't know myself anymore. All this... It's not who I am. Around you, I'm not who I want to be. I should leave. 

These lines show how, in a sudden change to an evil path, Gale would start doubting his own morality, explaining that the cause of it is the "orb" itself, corrupting the most core aspects of his personality. This corruption may or may not be lore-related. It's not completely clear what Gale's "orb" truly is. For more details, check the post of the "Orb".

 His constant critical thinking comes from his advocacy to non-conventionality [15]: a true scholar will always explore all the options and hypotheses before reaching a conclusion. Therefore, Gale would approve of any non-conventional way to fix a problem [15] as long as it doesn't potentially cause harm or bloodshed [1,2,3,8,9]. Due to his own background, Gale will always advise to be very careful of the consequences of one’s actions. This can be easily seen when, after encountering the caged goblin Sazza, Gale would advocate to explore the possibility of reaching Gut Priestess to cure the tadpole. However, when Tav helps Sazza to escape, Gale will comment briefly against this action.

Gale: I know I said it's not inconceivable a goblin priestess could help us. And yet... was it really wise to set another goblin free so she can arrange introductions? […] consider the consequences. What if she leads her entire tribe to the grove? Tav: I don't care, I owe this grove no allegiance. Gale: No allegiance, no. Though we don't need to sign its death warrant

Once more we see that Gale is up to using any (unharming) means to get a goal, but not at any cost. He has a clear line he doesn't like to cross: life [3]. Avoiding putting other people's lives in danger is very important for him. We see this concept over and over in most scenes.

He doesn't likerushed decisions, and in that same train of thoughts, he will disapprove any use of unknown magic or tricks when nobody in the group can truly understand how they work [17], for example the tadpoles or Raphael's deal (he is against accepting it quickly, but he will approve of having a more cautious attitude and carefully thinking about it). 

Since the moment we meet him, we can infer he is obsessed with the artefacts. It's obviously understandable: he doesn't want to die, but also, he doesn't want to kill all those that will be caught in the eruption of the orb. For this reason he will insist on the loot in the Temple Ruins despite knowing that grave robbery is not correct. 

Gale: Bad form, isn't it? Grave robbing? […] Let's have a look at the loot. It isn't for your pockets only. 

He keeps pondering life over death: although he respects the dead, he will always value more the living creatures in the present. This is also what pushes Gale to suggest Tav to open Rugan's chest. Stealing from the evil Zhentarins is not something that will weigh on his consciousness too much. Besides, he knows it belongs to a wizard: meaning that the chance for it to contain a powerful artefact is really high. Similar suggestions will be said about the Idol of Silvanus, but talking with him in the camp will show us that he won't approve of taking it, only as a last resort. He keeps pondering the living over a sacred piece of stone, since he knows the druids won't take the stealing very peacefully. Once more we see Gale's respect and care for life, trying to minimise damage as much as the circumstances allow him.

Gale is also a survivalist. He doesn't want to die, he loves celebrating life in its more mundane and small details. He is an emotional character for a wizard, a bit strange since they are usually portrayed as more rational and cold, losing their lives among dusty books. However, Gale has shown in many scenes that he prefers to survive without killing, but if he has to, he will do it, dealing with the weight of it in his consciousness because killing unprovoked affects him (scene in the camp after killing the druids, or the goblin party scene). 

His moral in preventing gratuitous death sometimes will conflict with his own survival, especially if he is by an evil Tav's side. He couldn't accept bloodshed when other peaceful options were available and possible to reach. This is clearly shown during the goblin party, where Gale's consciousness suffers and feels the corruption of the "orb" killing the kindness and the compassion inside him. He accepts that wanting to live is a powerful drive, but he doesn't support this massacre, questioning if all that blood was necessary. A Tav killing the tieflings seems to lose the possibility of pursuing Gale romantically, at least in EA so far. For Gale, survival is important, but the means to do it (when they can cause death) matter too. Life is worth preserving.

 The usual archetype of survivalist tends to be an individualist one who would survive at any cost without remorse because that's the “law of the jungle”, the strongest must survive. However, Gale seems to embody a different concept of survivalist that it's hard to put in words: a sort of communal survivalist, trying to survive in coexistence with his community: he wants his survival to imprint the least harm possible (even though sometimes it would not be possible), trying to help those around him as long as his condition allows it; for example, despite wanting Gut's potential cure for the tadpole, he would disagree in helping Sazza escape because she will lead the goblins to the Grove, no matter the fact that doing this will grant them their introduction to the priestess. 

His list of approval shows that his sense of survival is always pondered with the consequences that it can cause on others (check the post with the "Extensive list of Gale's approvals"). The whole concept of the "orb" has this motivation as well: he wants to live and survive, but he also can't give up because his body would kill many, so he needs to do as much as his moral allows him to keep it in check. If he cannot do it any longer, he promises to minimise the disaster as much as possible by erupting in the deep Underdark or in a desolated corner of Faerûn (and considering his ridiculous list of approvals and disapprovals, we know he is honest in not wanting to kill gratuitously). Gale acknowledges his own mistakes, trying—to the best of his ability—to deal with them without catching others in them. Although all his speeches keep emphasising that he is a mere human, and plans may fail. 

At some point, if he wants to survive “not at any cost”, he will be forced to ask Tav for help during the scene of the stew (available only for medium approval or higher). As a gesture of honesty, Gale will set a boundary before making this request, acknowledging its unfairness but giving Tav the decision to proceed or not. He is not denying to explain the details later, but at the moment he can't speak the “why” of his condition no matter how curious Tav is. Tav will decide whether they can keep their curiosity on the matter. 

We will understand later that this impediment comes as a precaution as well as consequence of his personal trauma with Mystra and the "orb" (See post about "Gale: Manipulation, Lies, and Trust"). So, he is very clear about setting the conditions in which this conversation will happen from the beginning. The easiest way for Gale to avoid this whole situation would have been by simply lying, but he opted for an honest approach with clear out-loud reservations, knowing he was asking for more trust than he was allowed to, but the intention behind is more than important. There is a clear, huge contextual detail that we can't miss: this scene doesn't happen because of Gale's whims, he is forced to ask for help since his condition “is not a patient one” and will endanger everyone if not kept at bay. 

This detail where Gale explicitly asks for an exchange of trust is not present if Gale's approval is neutral or lower. In this case, Gale would not care about giving a context to his strange request: he doesn't trust Tav and he doesn't expect to be trusted either, he only wants the artefacts to keep his condition in check for his sake and the sake of others. We can understand this change of attitude depending on the approval as he doesn't want to give any extra explanation to someone he is not interested in building a relationship with. For more details, check the post about "Gale: Manipulation, Lies, and Trust".

I personally support the idea that nobody in canon Faerûn is free of racial prejudices since Forgotten Realms lore has been created based strongly on fantasy racism. I've read that WotC wants to move forward and improve this aspect in 5e, but so far what they allowed Larian to do with the Tieflings in BG3 seems to show the contrary. So, since apparently we are going to face fantasy racism anyways, I will try to analyse racial prejudices from all chars. When it comes to Gale, it's a bit far-stretched to point out unjustified racial biases. He has a vague comment about Rashemi that some people may consider a faerunian saying. Personally, I think that line is a bias forced into him to have a particular dynamic with Minsc (the Rashemi “silly” companion -we all can see where Larian seems to go with this). Gale clearly sees tieflings, gnomes, and even goblins as people, and has a cautious attitude towards some githyanki (at least that's what we can infer with Lae'zel when we find her in the cage), but given the githyanki lore it's pretty reasonable to see them as dangerous creature that could kill people on the spot. So far, he seems to have no racial preference either [10]. 

As it was said before, he prefers to avoid killing people, but that doesn't mean he won't do it if his life depends on it. He will prefer persuasive and defusing approaches, but if he needs to kill to defend innocents or his own life, he won't hesitate. So therefore, stories about characters making mistakes or having violent excess in an effort to protect themselves or what they hold dear will be understood by him but hardly approved [19]. He tends more to approve a call out of that excess than approving an excuse for it.

Gale has deep abandonment issues that can be easily seen when he defends Astarion from being handed over to Gandrel. We need to put this in context before going on: for Gale, Astarion represents a danger as a vampire who attacked one of them during their sleep. By the display of meta-knowledge, we know with certainty that their approvals and disapprovals are mostly opposite: What one approves, the other will disapprove and vice versa. Getting rid of Astarion should be something that Gale would approve, however, he doesn't. If we explore his comments we will realise that what Gale disapproves from this situation is Tav's abandonment. After Mystra's abandonment, he knows very well that “Loyalty is such a very rare commodity”, and the few situations in EA in which Tav can display abandonment, resound strongly in Gale. 

Gale is a scholar with a strong balanced rational side. But unlike the trope, he also embraces an emotional side that, so far the info we received in EA, it's the side that makes him prone to mistakes. 

As an amateur poet, Gale loves words. We can obviously notice this in his verbose attitude, but also in the way he carefully uses words. One of his characteristic words is “spectacle”. He has also shown a reiterative—although not always—uneasy use of the word “fun”. Using “fun” as a way to describe the night spent with Gale gives him a slight uneasiness. “That’s a word for it.” He disapproves of using the word “Fun” after the Mayrina/Connor situation, in which scene Gale alludes that “your new company may be a proof of how depraved and twisted you are to see that tragedy as “fun”. Personally I think this is a direct allusion to Astarion, who considers Mayrina's situation as “entertainment”, in the same way he considered as “fun” the show of Arabella's death (two of several instances where he used that word). Gale also doesn’t use the word sex during EA, instead he uses romantic ones such as love-making, intimacy, art of the night/body. In the most technical case: coitus (used only when he is talking about “goblinoid intimacy” in the expression “post-coital snack”). These details are showing not only his poet/romantic side, but also his interpretation of sex from his perspective: sex can only be possible through a connection. We know he doesn’t engage in casual sex with Lae’zel if he is not romanced, and his romance can only potentially start if Tav shares that deep connection with him through the Weave. 

Another detail related to words is that Gale has always used an infection/disease-related vocabulary to explain the “orb” stuck in his chest: infested, taint, shadow spreading 

[…] I failed to control [this chaotic magic]. Instead it infested me. […] This Netherese taint... this orb, for lack of a better word [..] […] the shadow within is spreading like poison, corrupting kindness and compassion. [...]

Gale apparently has a particular way to sense magic. I have no way to check this in-game, but it seems very strange how he immediately identifies magical artifacts without casting Detect Magic. There are some extra scenes as well where he says to taste or smell the magic in some objects. Even his encounter with Shadowheart, besides being considered a flirt, could be also interpreted as him detecting the magic that we saw later in her hand or maybe the dark magic that blocks her memories, since Gale pointed out about a curtain covering her soul: “if the eyes are the mirror to the soul, yours have dark curtains across the mirror” (a very ominous flirting if it’s only a flirt)

This makes me suspect that, if the "orb" is not giving him this skill, it may be a consequence of having been Chosen of Mystra (for more details read the post about "Mystra and her Chosen ones"). If this is the case, he may have hindered remains of theirs powers when it comes to detect magic at will.

Gale has a perception of magic with all the senses: he sniffs and tastes magic. During the mirror scene you have an option related to [Arcana] tag where he “Sniff the mirror, trying to understand the nature of its magic”. A wizard Tav will just “Inspect the mirror”. He also said that he could “taste” the magic in the necromancy book and in the runes of teleportation. 

What we know of his family is little: when he was a kid there was a housekeeper in his life (mentioned only once during the scene of the harpies) and his mother that seemed to have personally raised and cared for him (mentioned twice: in the ruin temple scene, and in his banter with Wyll) 

Tav: Why care about decorum in a long-abandoned tomb? Gale: Because my mother raised a gentleman. Then again, to be alive is to be curious. 

Wyll: Between the orb and the bug you've got more than your fair share of unwelcome passengers. Gale: What can I say. Mother always taught me to be a gracious host.

This post was written in May 2021. → For more Gale: Analysis Series Index

[angelthefirst1]

The ballerina begins to dance again in fifteen minutes...

Last season I was extremely hopeful that perhaps masked Ninja would end up being Beth and that a big reveal would be similar to Morgan at the end of Coda-not far from finding team family, taking his mask off and revealing that he was indeed still alive. Providing us with a repeat Coda. Anyone that has been followed my posts over the years knows that I believe the actors use social media to give hints as to what is coming in the show, and that specifically-Emily's side projects since she's been gone, are planned by AMC and deliberately picked for her to symbolically shadow TWD. Thinking about some of the projects she has worked on, they include... The following-where she is a member of a cult and she is killed like this... 

Same overall theme to Alpha who had "A following"with the whisperers, and is killed in the same way. The flash (self explanatory)

Ten days in the Valley-About a missing girl The concussion-About a lady who gets a blow to the head. The Knick-About a brilliant surgeon who pushes the boundaries of medicine. If Beth is to survive her gunshot, she would at some point need medical attention. Forever-about a medical examiner who is immortal and studies the dead. In TWD universe we have seen examples of studying the dead/immortality, at the CDC in season one, and Milton in season three-who is a researcher and scientist, and we see hints of something similar happening with the helicopter group too. Love on the sidelines, which-as the title suggests would indicate her love story is on the sidelines. Being played quietly PPP Bullet proof Picasso-also self explanatory...

The messiah (Beth has always been portrayed as a sacrificial Christ figure) she sacrificed herself for Noah while wearing the cross bracelet. And we believe she will rise again and as with Jesus there was an empty tomb and Beth we saw no grave.  All of these could well be symbolic of Beth's story in part... And then there's some of Emily's songs which many in the past have speculated are about Bethyl. Songs like Last chance and more recently her song played on the TWD The Turtle and the monkey which played in episode 1005 (10+5=15) So keeping all this in mind...when I saw her post this...

About doing ballet and getting stronger, my mind at the time was focused on Ninja and I hoped she was learning to fight like Ninja and perhaps was just saying she was learning "Ballet" to cover for leaning marshal arts. But after re-watching 510 (5+10=15) the other day I saw Maggie open the music box and my mouth fell open and my brain exploded...

How did I miss this connection???

I suddenly remembered Emily's new album called THE SUPPORTING CHARACTER (PPP)

And her new song called 15 minutes (5+10=15) in which she becomes the BALLET DANCER.

Carl hands Maggie the music box in 510 and says "I found this when we were looking for water" (water = looking for the Lord-I'll explain this further down) Maggie "What is it?" Carl "I think it's used to play music" Carl "It's broken, I thought you might like it" Maggie "Thanks Carl"

Emily's new single/album is produced by SEAHORSE SOUND STUDIOS which is also represented in 510 (5+10=15) by this...

The walker trapped in the car in 510 is release by keys with a yellow seahorse. It’s trapped in the yellow "Seahorse studio" and even looks to have pointed toes like a ballerina and possibly a nod to ballet shoes to match...

Daryl, when he sees this car, deliberately runs away from it and goes on his search for WATER and comes across this dead deer

Time and again in this show (and others) whenever a deer dies (Christ) a person lives. If the deer lives-the person dies. Carl, Rick, and Magna's group prove this-just to name a few. In biblical symbology, deer represent devotion, and safety in God's care. Deer are a symbol of thirst and longing for the Lord. (Beth) Old testament David wrote about God, “As a deer longs for flowing streams (Water), so my soul longs for you. Jesus said "whoever drinks the water I give them will never thirst. Indeed, the water I give them will become in them a spring of water welling up to eternal life.'" Understanding the eternal water that Jesus speaks of will make more sense of 510 and why they were so desperate for water and then get drenched in it.

It's all about Beth (Jesus) return.

So for those who perhaps don't fully understand or haven't heard the gospel of Jesus Christ it's basically this. Mankind broke God's moral law (The ten commandments-Don't lie, steal, dishonor parents, commit adultery etc...) The payment for breaking even one of God's laws-even once is eternal death. God became a man (Jesus) who was free of the fallen nature and so was sinless. He sacrificed himself to pay the fine or penalty that was owed to mankind, having broken God's laws. So he died on the cross, but because he sacrificially paid for the sins of the world that were not his, God raised him to life and he defeated death (He wasn't owed the death penalty) He defeated death not just for himself but for all who ask him to take their place or payment. Water is life for humans so the reason Jesus calls himself the living water that springs to eternal life is because his water (sacrifice) if accepted brings eternal life to the drinker. So if a person lives (eternally) it's because Christ dies in their place, and they receive the eternal water Jesus has offered them. Beth was heavily portrayed as Christ, and Daryl (like old testament David) was longing for Beth when he went looking for water and he found the dead deer. Indicating Beth was indeed alive, he just didn't know it.

Emily's new song, video clip and album has heavily included symbolism of Beth from 510. including Beth being water and also the music box/ballerina. 510 (5+10=15 minutes) The water aspect is shown-or not shown i should say, by her album art cover. Which depicts her in the dessert (showing a lack of water just like the group in 510) but Emily is wearing the same pink that is found inside the music box. With the white shoes a nod to the white skirt. 

And this post Emily made about getting stronger at Ballet...

Was a repeat of this scene with Daryl and Maggie...

Daryl "She was tough, she didn't know it-but she was".  

The music video for 15 minutes is depicting the music box in 510. The video clip is very short and on a repeat loop, just like the ballerina in the music box it spins round and round.

For added emphasis i have hummed part of the music-from the music box that plays at the end of 510, and combined it into the introduction of Emily’s song, (please excuse the bad humming) but oddly the two fit together. whether that’s just pure luck or not, i don’t know but i found it interesting.  

In the video, Emily is dressed as a ballerina in the background but doesn't actually dance, it's a different ballerina dancing. Just like the music box ballerina represents Beth, but isn't actually her.

In photo’s Emily posted of the Video shoot, we see a ballerina dancing in front of oval lights-a hint to the oval mirror from the music box in the background.

Some of the lyrics to the song also made my ears prick up. Such as this...

While filming the small video clip for Fifteen minutes Emily posted some Instagram stories, which also tell Beth's story and I will go into below. Watch it and then read below.

This may seem to be an unplanned impromptu video, but it's not. Everything in this clip is scripted and planned. Every action and word is repeating Beth and Daryl scenes.  I'll point it out to you line by line... "Jacob's playing the piano, in my music Video that's coming soon" a reminder of Beth (music) playing piano and the music box playing again soon.

Jacob throughout this conversation is stuffing his face. Repeating Daryl doing the same in Alone.

Emily "Do you want to add to that?" Is a play on "What changed your mind?"

Jacob "Yeah you're gonna love it" (Daryl was trying to tell Beth he loved her)

Emily "What else? Ya think it's gonna be pretty good" Another play and repeat of the "What changed your mind" line, good people, and Beth playing “Be good” on the piano. Jacob "It's beautiful"

Emily "Thank you" repeating the thank you note. (In the background while Emily says thank you, we hear someone shout ooohhhh repeating the oh moment)

Emily laughs and says "what if you'd said no" which i think is a play on Daryl saying nothing to Beth when she asks "Don't you think that's beautiful?" Emily "Do you have some notes for the song?" A play on the thank you note. Jacob says he doesn't have any notes, repeating Daryl telling Beth she doesn't have to leave the thank you note.

Emily "Okay GOOD, because it's already mixed and mastered. Another mention of good.

Jacob ends the short clip with another reminder of the good theme by saying "The good thing is..." and it ends there abruptly, just like Beth and Daryl's story ending on the good people theme abruptly. This whole clip is a playful version of Beth and Daryl's main plot points from Alone.

Considering Emily posted about her ballet teacher saying she was getting stronger. I really find it odd that Emily doesn't actually dance in this video, she is just in the background.

I mean... she was apparently taking Ballet lessons and then does a ballet themed video clip-that would be a perfect opportunity to show some moves in. But it seems the Ballet theme video actually serves a different purpose-to tells us beforehand that the music box ballerina is about to start dancing again... 

Hopefully you can all see the connections here, and it's provided you with some much needed hope that Beth the music box ballerina is about to dance again soon. 

I do want to give a shout out to Emily Kinney Info on Instagram who is amazing at archiving all Emily's posts and provided me with some Instagram stories, clips and photos, which would have been lost in time.

[my-arlington-academia]

I'm super late and sorry for ruining the good mood after the awesome new sprites reveal! Note: some of this was written before the reveal and some after

(It turned out so long, longer than my school essays and I might've made some wording/formulation mistakes so sorry again.)

Hey so I kind of really have a deep hatred for drama but at the same time I want to talk about what ""happend"" recently because a big part of it seems a bit like BS to me.

(I'm on the SE developers' side btw so if I say something that might offend you I think it's best not to read)

Okay, basically there was some writing for the original chapter 7 "leaked" by a person who was on the team but left months ago and while it didn't seem like that big of a deal at first after hearing both sides of the story I have a bit of a clearer image. So what's written there is what chapter 7 was supposed to be like however it's clear now that the current chapter 7 will have nothing to do with this. Buuut there's a problem there, not going into the whole contract thing (yet) I'd like to say that it doesn't make sense from Cecile's side to call this JUST a fanfiction.

Normally it wouldn't be a problem but what's written there was at some point supposed to be canon, right? This writing is coming from someone who has an insider's perspective unlike us, "outsiders" who were never on the team and have no idea about how the plot is/was supposed to go. A fanfic is, may I quote, "fiction written by a fan of, and featuring characters from, a particular TV series, film, etc." Thus the whole contract thing doesn't matter in that statement since the person/people who wrote this aren't fans, they're people who were on the SE development team.

And so I read the thing (ngl, it was mainly because I was really curious and wanted to see what it was all about) and tbh I can understand Serena's annoyance towards it. I mean, it contains some info on the characters. Info we've never heard of before (and I'm not gonna talk about it just in case some people decided not to read it because I respect that) while most of those were just small glimpses into their personalities/hobbies/background and it didn't seem like there was anything plot heavy, or nothing that I've noticed is supposed to be important for later, it still doesn't change the fact that these informations are canon, right?

I suppose Serena must've read it at some point and approved the writing though that's just speculation on my part.

So long story short, what was posted isn't really a fanfic but more like the plot of an old chapter that got either delayed to a later chapter or like... completed deleted since they left the team and the layout of the chapter is now out to the public so I highly doubt Serena is gonna post something similar to this, or at least if she's still planning on making a Halloween chapter then maybe she'll change how the story was supposed to play out?

Tbh I feel like it would've been smarter to ask first if they can publish the copy of the chapter instead of making a big ruckus out of it. This could've been easily avoided but then again I don't know if they left the team on good terms, not that this part is any of my business though.

Anyway, so then we have the whole "she didn't give us a contract to sign" argument which is... uh, I mean, what did you expect?

SE development started back in 2015 correct? So it's been around 4 years and we're only on chapter 6. Why? Because making the game isn't their full time job and they made that clear multiple times in the past. Besides, correct me if I'm wrong, but 4 years ago wasn't Serena like in her late teens/early twenties or something? I know it might seem cheap to pull out the legendary "she was young" argument but tbh I'm in high school and never have I imagined or taken seriously the thought of making an indie game. If like, next month I decided to do it and found some people who are down for making some assets for the game then a legal contract would literally be the last thing I would think about.

Besides it's not like Serena has ever been secretive about the things she thought were necessary to tell the fandom, or at least I don't get the feeling that she has. Do y'all really imagine her being like "muhahaha! I'm not gonna make a contract with them so I can freely use their work!" ???

The thing with a contract is that it's not only good for the employees but also for the employer if the workers ever do something that they weren't supposed to (like now). And she's not planning on taking "legal" action anyway because like she said, nothing good will come out of it and she technically doesn't have a "right" to do so.

And let's just be realistic here for a second, okay? Like do you guys really think that they're earning a whole lot thanks to sweet elite? There's barely 18k accounts on the site and I'm pretty sure that most of those are doubles or triples in order to go through different routes. Also, we don't know how much of those accounts belong to active players on the game. There's many people out there who play like the first 2 chapters and never touch the game again because they'd rather watch a let's play or they dropped the game. And amongst the people who do play sweet elite regularly (as in, they log in everyday and play the new chapter when it's out) how many people is there who have ever paid for energy? The thing is that the game is still in it's early stages, there's not many chapters yet so it's easy to catch up quickly and tbh their energy system is pretty generous. You receive 5 points per day but you can also use coins to exchange them for energy (which is what most people do in order to catch up).

So point is, I'm pretty sure they don't gain a lot of money out of it and almost all of the work they do, they do it for free in their free time because they like making the game.

So I dunno, it might be pretty shitty of me and naive to think about it in this way but tbh I feel like it was kind of obnoxious of them to just, y'know. Leave because "there's no contract and we're not making any money out of this" then come back months later to post something that we weren't supposed to see and complain about the fact that their writing and sprites are getting used in chapter 6. Like?? I think it's quite clear that the team is planning on replacing all of the sprites and as for the writing what do you expect them to do? Go through every single chapter again and add words to each sentence, replace some words with synonyms and reformulate everything so it can't be considered your writing anymore? That's kinda dumb and a waste of time.

Could've they replaced all the old illustrations first and then posted the episode? Yes but how much time would it have taken? They'd have to make the new artists overwork and they don't have a way to pay them much all at once. Sweet Elite will be around 50 chapters and it's an episodic type of game in which assets get replaced and added as time goes on because if they did everything in one go then there would be almost no time to update the story.

I can't even pretend to understand because quite frankly I'm not an artist, but I CAN at least understand the feeling of wanting to be reconized for the things I do and for the work I put into things. Who wouldn't?

Plus, to be fair I don't think that there's any shame in wanting to be paid for a job but is making Sweet Elite a job? Not completely. Not yet at least. Right now it's more of a part time job/hobby and it's totally okay to quit when you don't feel like working on it anymore. However if the money and the compensation aspect of making it was so important then wouldn't it have been better to say "Sorry, but I refuse to work on this until I sign a contract" right off the bat rather than feeling like you're not appreciated enough and complain about it months later like a really salty potato chip?

Not making a contract, while being a mistake on Serena's part, she never tried to pretend it wasn't. In fact she affirms that she has made many errors and again, like I said earlier a contract is beneficial to both the employees AND the employer so had she been more careful it wouldn't have played out this way. We don't even know the circumstances and her point of view of that whole contract thing, maybe she just thought that it would be better to not make one in order to keep the workers free to leave in any given moment because she knew that she wouldn't be able to pay them enough?

I saw some people in the tags being like "look guys, this is why I don't support sweet elite anymore and why you shouldn't too!" Which is tbh a pretty simple minded way of looking at it. I guess we, as the pitiful hoomans we are, we're more inclined on taking the side of the "weakest" group which means the people who left the team because there was apparently some ""injustice"" but the more I look into it and the more it seems like it was a big misunderstanding.

Dulcet games is so new do you expect to get paid hundreds/thousands for an indie game with a small following in which even the "boss" isn't getting any/much money out of it? Oh, and there's also some being super vocal about leaving because "Cecile's art was the only thing keeping me from leaving" which... lmao. Take it in a humorous tone please but It's like a customer in Walmart saying that they won't come back again because the fancy red t-shirts from the clothing section are gone. Idk man. You can say whatever you want about the team behind SE but I still stand by the belief that it's a great game with good writing and progressive characters. And all the things Serena did so far seem like pretty logical courses of action especially in this situation or am I wrong? Is Serena secretly evil guys? Were we fooled all along.,.,,..,

(Sorry this post started out so serious and ended so stupid, I'm just unable of writing about really seriousssss topics. Serious with 5 Ss because it's so seriousssss. Also did you notice that this whole thing is obvious and dumb if you think about it for longer than 1 minute? The moment someone says they don't get paid for something everyone flips over but the true question is, did they have the means of paying you at that time? Everybody is so quick to jump on Serena's throat without thinking and it's kinda sad. We're so superficial, like if money is mentionned ONCE in a drama suddenly everyone ascends to their most sensitive state of bitterness. As far as we know Serena never forced anyone to stay on the team and it's no secret that she doesn't get much money ESPECIALLY for an indie game company. It doesn't seem like they didn't want to pay them but more like they couldn't afford to at that time and everything wasn't set up in place yet.)

[leakinghate]

The Depths to which We Sink

Disclaimer: This theory and analysis contradicts some points made in my previous metas, but what’s the fun of speculation if we limit ourselves to having it all gel together?

Nothing in animation is wasted: every action and expression seen on screen is something someone had to draw and something someone had to pay for. Everything is deliberate, from changes in expression to major plot events, and things which do not contribute to the overarching vision of the show will rarely, if ever, be included. Voltron Legendary Defender in particular moves so fast that they don’t have the space to include anything extraneous even when they want to. The showrunners have said in interviews that they’ve had to cut several of their comedy ideas for lack of space.

The exception to this that has always stood out to me as not fitting into the meta narrative is s2e2 'The Depths'. It's mostly plot irrelevant on the whole, with it being notable only for introducing the Blue Lion’s sonic canon. Sure it has some nice character moments for Lance, and the animation is beautiful, but it’s basically filler. It’s almost completely forgotten by the story, only brought up again once, when Lance references the mermaids in s3e2, ‘Red Paladin’.

In preparation for the fast approaching season 7 on August 10th I was attempting to re-watch the entire show up to the end of s6. Most re-watches I do I skip less plot relevant episodes like ‘The Depths’, but I wanted to go through the whole show this time.

But as I was watching this particular episode, post season six. I was struck by an uncomfortable feeling of déjà vu. So what do you do when you think you’ve stumbled upon some heretofore unnoticed foreshadowing? Why, bring it to the Lotura Discord of course! We put our heads together and came up with some fascinating observations, as well as some intriguing possibilities for where the plot might be headed in the future.

On re-watching it again, post season six, 'The Depths’ contains an uncanny amount of foreshadowing to the entire colony plot.

Two of our protagonists unexpectedly stumble upon a completely isolated and hidden settlement after traveling through a strange space anomaly. They are initially greeted by a single member of a race they previously believed did not exist (anymore).

The mermaid civilization is beneath a thick layer of ice, and the Altean colony is inside a dome.

Information received from an erstwhile ally reveals an apparently sinister truth about the actions and motivations of someone in power who had previously acted as a friend. To wit: the authority figure has deceived their loyal subjects for the purpose of killing them.

The ally that provides this information readily admits that they do not know all the facts and that their conclusion is only a theory based on the facts that they do have.

Dialogue from The Depths:

Lance: But what’s the point? Why mind-control the mermaids? Blumfump: To kill them! Lance: Really? Blumfump: Well, we don’t know that for sure, but hundreds of mermaids have disappeared and never come back.

Dialogue from The Colony:

Romelle: My brother was dead. I knew the truth, or at least part of it, but I also knew that no one would believe me without proof. When Keith and Krolia arrived they were my last chance at finding it. I told them what had happened to my brother, and as it turned out, so many Alteans that had been taken before him. As they explained their mission to me, we knew there must have been a connection between the missing Alteans and the pure strain of quintessence.

One of our protagonists is compromised by an antagonist’s mind control and is used to attack and subdue his fellows. The shadows on Hunk’s face when he is under mind control even look like Shiro’s scar.

The physical appearances of several characters are also intriguing. The one character we see fall victim to the Baku, Florona, is the only red-headed mermaid in the episode. A shade of red very similar to Bandor’s hair color.

Plaxum, the most prominent of the ‘cave dwellers’ and the one who eventually directly confronts the queen, has two ponytail-like projections on her head very reminiscent of Romelle’s hairstyle. They also share very similar body language. And Plaxum’s eyes while wearing her jellyfish are the same color as Romelle’s.

In fact, both of these pairs of characters share very similar color schemes; Plaxum and Romelle are teal, pink, and yellow, while Florona and Bandor are red, golden-yellow, and green.

These are all things which have already happened; there is no speculation here, only observation.

Hilariously, this means Bandor has been metaphorically represented by a red fish.

In other words, a Red Herring.

From Wikipedia:

"A red herring is something that misleads or distracts from a relevant or important issue. It may be either a logical fallacy or a literary device that leads readers or audiences towards a false conclusion."

This is exactly what we've been saying since season 6 aired. Specifically referring to Bandor’s line after his ship crashed through the dome. The one thing he manages to tell Romelle is: “Lotor... the other colony... It’s all a lie.” Which tells us exactly nothing, but is the evidence that convinces Romelle she is correct to distrust Lotor, and what sets off the chain of events that ultimately led to the s6 finale. It’s also the strongest evidence we as the audience have that Lotor has done something truly monstrous. The scene with Bandor irrefutably connects Lotor to the emaciated Alteans, even if we don’t know precisely what that connection is. It’s easy to assume the worst both in and out of universe.

In cinema characters with red hair are often made to be the red herrings. A red herring may be intentionally used by the writer to plant a false clue that leads readers or audiences towards a false conclusion. Bandor led Romelle to a false conclusion.

Both in and out of the show. Romelle concluded wrong. The paladins concluded wrong. The AUDIENCE concluded wrong.

What’s next? Well, the plot of ‘The Depths’ isn’t a 1-to-1 relation to the Altean Colony storyline, so it’s difficult to say exactly what aspects of the episode’s climactic fight and conclusion will turn out to be relevant. But, we can be fairly certain that the overall narrative is the same.

The apparent villain was actually being manipulated into taking the actions they took by a greater, silent threat. The few rebels our protagonists met were wrong about who was the real enemy. They were right about the issue, but wrong about the ‘why.’ The leader was not at fault because the leader had fallen prey to the creature first and was subsequently rendered powerless to stop it.

Perhaps even, and here we get into more speculation...

The real threat was something that loomed large in the background the whole time, assumed to be providing safety. Fallen from space.

The Baku is referred to as ‘the giver of life’.

That phrase is disconcertingly ominous, considering the only other time we've heard a similar phrase was in reference to Oriande. The Sages, or ‘Life Givers’, specifically.

And what is quintessence, but ‘life itself’.

JDS has previously compared Lotor to Magus from Chrono Trigger, a game I have no personal experience with, but @blackmoonbabe​ provides the relevant info​ here.

What if there's some kind of cosmic horror that Lotor's been fending off with Altean quintessence? Possibly, the only kind strong enough - apart from the rift sourced variety. Extracting it and storing the people in the hopes of eventually restoring them. Only, now that he's gone. There's nothing stopping whatever this thing is. Who knows. It might even be related to the rift creatures.

We still don't know what the Baku was or where it came from, just that it 'fell from space.' The new trailer for season 7 features a similar looking and very toothy one-eyed beastie.

When Lotor is pleading with Allura he says:

"Allura, you must understand I’ve given everything I have to plumb the depth of King Alfor’s knowledge, to unlock the mysteries of Oriande."

It might be that he found something bad while trying to unlock those mysteries.

All of this really makes you wonder why exactly Alfor kept Oriande's existence a secret.

Post season 1, there was an interview where the showrunners said that they had to kill off Alfor's AI because he knew spoilers. Which, okay, that’s fair.

Except... what exactly have we come to know now that only Alfor’s AI could have told us ahead of time?

Everything we eventually learn about Zarkon we find out through Allura and Coran. And everything surrounding Lotor and Haggar  are things that Alfor’s AI wouldn’t have known about because they happened after Alfor’s death. The only outstanding piece of information that Alfor could have know was the location of and the information about Oriande. But, Allura doesn't even think to look for Oriande until mere moments before she and Lotor unlock the map to it. Certainly, the AI could have provided information of the proper way to get past the trials, but that was resolved easily enough in-episode and it was never truly portrayed as a risk that Allura and Lotor wouldn’t return before the castle ran out of oxygen.

If it was true that Alfor knew spoilers... there is something BIG concerning Altean Alchemy that we don't yet know. Not something little. Something potentially game changing.

Even knowing there was a good chance he was going to his death, and Coran and Allura would be on their own, Alfor never told Coran about Oriande. Coran and Alfor have been shown to have a particularly close, lifelong friendship - strong enough that Coran keeps at least two portraits of Alfor in his room above his bed. Alfor trusted Coran to the extent that he entrusted his beloved daughter, the Black Lion, and the future of the universe into Coran’s hands.

And yet.

Alfor didn’t tell Coran about Oriande. The one place Allura might go to strengthen her alchemic abilities and reach her potential. Alfor was faced with the possibility of letting the knowledge of Oriande and Altean Alchemy die, and he chose to risk it.

There had to be a damn good reason he didn't tell Coran about it. He might have known about something bad. It seems like he wanted Oriande forgotten; for Allura to never go there. Or at least, not until she was ready to make some tough decisions. Decisions he would rather spare her.

I’ve been feeling since around season 3 that VLD’s ultimate conclusion will be to show us that there is no true good and evil, that neither violence or pacifism is always the answer, that the world - the universe - is all shades of grey. Allura is our vehicle for that. It’s through her assumed prejudices that the show is shifting our viewpoints. She began the series believing that the Galra were all evil, the Alteans good. As time has gone on she’s improved impressively on her initial bias against the Galra, but has steadfastly refused to acknowledge her own people as capable of similar actions - her response to the alternate reality Alteans was to declare them not true Alteans instead of accepting that they’d become akin to the Galra Empire from her own reality.

It’s clear that Allura will have to face Honerva eventually, and will be forced to confront what the former greatest Altean Alchemist has become. But it’s too easy to dismiss Honerva’s corruption into Haggar as a side effect of the rift - not the willing actions of someone more concerned with knowledge than morality.

For six seasons we’ve seen Alfor as a paragon of good. His one fatal flaw being perhaps too good, too trusting, that he believed his friend’s words over his own judgement. Ultimately damning the universe to ten thousand years of being ground under the heel of a brutal dictator.

Alfor paid for that mistake with his life, with the destruction of his planet and the near extinction of his people. And so, he remains what all good in VLD is measured against, both in our - the audience’s - minds, and in Allura’s.

But just as our ultimate evil, Zarkon, was revealed to be more than just a monster, so too will our ultimate good be made more complex. In season 3 we were introduced to the younger Zarkon. A loyal friend and comrade. Awkward around an attractive woman, afraid of cats, and a dedicated and concerned ruler of his people. He was humanized, for lack of a better word, but we still see in him the man who he’d eventually become.

What better way to finally break through Allura’s idealized view of Alteans than by tainting Alfor’s image in some way? To finally see our Big Good do something morally grey? We’ve already seen it foreshadowed by the corruption of the AI, and the Alteans in the alternate reality.

The first time we’ve heard someone level legitimate criticisms against Alfor was at the end of season 6. Just after Lotor begins his breakdown he says:

"What about your father? He may have been a master engineer, but Alfor was too weak to defend his home world. I’m the one who had to step up and save our entire race. Who are you to question my tactics in bringing peace and prosperity to the universe?"

No one else criticizes Alfor for his choices. Even when they acknowledge he failed, he's always portrayed as having taken the best choice. But, what if Lotor's right? It certainly looks like he is.

If Lotor hadn’t stepped in and saved those few survivors of Altea’s destruction they would eventually have been discovered by the empire and executed. Zarkon had made it his personal mission to drive the Alteans to extinction. Alfor was weak. He surrendered to his fear of what would happen if Voltron fell into Zarkon’s hands and failed to utilize all his resources to defend Altea, his people, and his allies.

This won’t be the only fault we find out he had, mark my words.

There is something dark and unsavory lurking in the truth of Altean Alchemy.

Considering Lotor readily admits that Alteans perished in the process of his quintessence experiments, it may very well be that whatever required such vast amounts of concentrated quintessence is also something Alfor had to contend with in the past. Canonically, as stated in s3e7 ‘The Legend Begins’, quintessence was only first discovered in the course of studying the rift on Daibazaal. Alfor could not have been utilizing quintessence directly, because he didn't know it existed.

So if, whatever Lotor has been having to do with the colony, Alfor may have been having to do something similar...

He was simply sacrificing people.

It’s a lot easier to hide a handful of people going missing when you have an entire planet’s population to work with.

What if this is a thing that had always been happening, and that's why Alfor never told Coran about Oriande?

The thing is, Lotor can't know that now. Or he would have told Allura. To justify his actions, if it was something that Alfor would have dealt with as well.

Lotor didn't have Voltron. If there is some kind of Cosmic Horror beastie out there he might not have been able to fight it, let alone kill it. So he was building Sincline. Hence the urgency to get it completed even after Zarkon was gone. We know he was out of concentrated quintessence as of s4e5 ‘Begin the Blitz’. He was either going to have to access the rift imminently or harvest more people.

The powers that be keep talking about things not being black and white in this show.

Alteans can do bad things. Honerva became Haggar. Allura herself has made some morally questionable choices. Like what she did to Lotor for example.

Allura will need to realize that. The truth will rise from the depths and confront her in a way she can no longer ignore.

Alfor failed. It was up to Lotor to save the Altean people. He did what he felt he had to do, and in many respects, it will turn out he was right.

Lotura Discord™ Meta! The only brand of Voltron Meta you can trust to cover all the bases. No reach is too far! We’ll make it. *

Proudly serving your local fandom, since May 2018.

*satisfaction NOT guaranteed. No refunds or exchanges. Theories only applicable until explicitly disproved by canon. Available everywhere Lotura Discord™ members post.

[bynewtscamander]

The Crimes of Grindelwald Review (Spoiler heavy!!)

Alright I’ll start off with a basic (post writing it: it is not basic whoops) plot synopsis for those of you nosy people who want to know what’s up before seeing the movie, or for those who can’t afford to go the movies, etc. 

So basically Grindelwald escapes from prison by enchanting Abernathy and switching places with him via polyjuice potion (?) that’s my assumption just cause a spell would probably be too much work given the circumstances. He heads off to Paris and kills a family and takes over their house. He’s there with some french woman who is basically his henchman, the bellatrix to his voldemort. Newt is in London as the British Ministry has forbidden him to travel outside the country. He’s there taking care of all his creatures in his house with the help of his assistant Bunty. Queenie and a love enchanted Jacob show up and talk with Newt. Newt lifts the spell on Jacob that Queenie put, and J&Q fight and Queenie heads off to Paris where Tina is stationed as an auror looking for Credence. Cut to Tina at the magic circus (located in the diagon alley of Paris) snooping about where we learn Credence is basically the circus janitor and is in love with human form Nagini. Shows happening, Nagini transforms, and behind the scenes Credence release a bunch of creatures to cause havoc so he and Nagini can escape. They dissaperate I think. The circus packs up and moves on to who knows where. Tina runs off to investigate stuff and runs into this other guy who’s also there looking for Credence. They have a talk at a street cafe. Jacob and Newt use a portkey to go to Paris and head to the Paris diagon. Newt uses a spell to see what happened there and they follow a feather to find the guy Tina was with so they can find Tina. They meet up with said guy outside of the street cafe and have a talk. Queenie is on her own and looking for Jacob. She gets discouraged and sits on a street corner sad and french bellatrix shows up and talks with her. Newt and Jacob find Tina and they all end up getting locked in a cell by the other auror guy. He passes out and Pickett picks the lock and they escape easy peasy. Newt was told by Dumbledore really early in the movie to go to a safe house in Paris so that’s where Newt and Jacob and Tina go and they bring the auror guy to help him. They get some info from his and Tina runs off and Jacob urges Newt to follow. Jacob watches the auror, who made an unbreakable vow, while he recovers from some magical parasite. He falls asleep and wakes up and finds out Nick Flamel lives there, and the auror guy makes a break for it. Nick shows Jacob a crystal ball and he sees Q and runs off to find her. In the meantime Q was talked into following Grindelwald so she and Jacob can get married in his new “utopian” society. Meanwhile Credence and Nagini are looking for his birth mother and Grindelwald is trying to recruit him. They don’t find her. The British Ministry is keeping close eyes on Dumbledore since they know he’s in major kahoots with Newt. Flashbacks to Leta and Newt at school. Small subplot is that some gossip magazine printed that Leta and Newt were now engaged but it’s actually Theseus and Leta. Back to the main plot, Newt and Tina break into the Paris Ministry to find records of the LeStrange family. Newt uses polyjuice to become Theseus. They get in and are looking for the records and have a moment in the record library. No kissing, just a moment. Leta comes in also looking for her records. They aren’t there. Leta, Tina, and Newt fight off some ministry guard cats and head off to where the records were moved. Now we’re at the LeStrange tomb where Grindelwald has summoned his followers. Auror guy is there and ends up running into Leta, Credence, Nagini, and possibly Newt and Tina (I can’t remember exactly). They explain the LeStrange background. Leta and auror guy are brother and sister. Ther mother was enchanted away from their father by another man. She falls “in love” with him and marries him and dies after giving birth to Leta who I can’t remember now if she was half-sister to auror guy or full sister. Guy who enchanted their mother remarries and have another kid. Non blood related to auror guy and possibly Leta if she was from og parents. Credence is their brother, sort of. When going to America, Leta and “C” were on a ship and “C” kept crying so she, as a child, switched him out with another baby to get some rest. Ship goes under and “C” dies being believed to be another womans baby. That womans baby survives and is apparently the Credence we know and love. So not related in anyway. Wack. Now the Grindelwald meeting has started and Jacob finds Q there and Tina is there to spy and everyone else joins in and Theseus and his aurors are there to keep an eye on stuff. Grindelwald makes his speech, calls out aurors he knows are there, they come forward and one (planted I believe) lashes out and kills a follower of Grindelwalds. More talking and then Grindelwald tells his followers to go. Most do but obvs Newt, Tina, Queenie, Jacob, Theseus, Leta, Grindelwald, french bellatrix, Credence, Nagini, and possibly Leta’s brother are still there. Grindelwald uses fire to weed out those not loyal. Queenie and Credence both join Grindelwald. Big fight with the fire and Leta sacrifices herself so everyone else can escape. They run into Nick Flamel and they do some more fighting of the fire to save Paris. They go to Hogwarts and Dumbledore gets cleared of suspicion and it is revealed that he and Grindelwald made a magical blood pact (basically an unbreakable vow) to never right each other. Ministry wants Dumbledore to fight cause he’s the only one who can match Grindelwald. Now cut to remote mountains in Austria where Grindelwald and Queenie are discussing Credence. Grindelwald talks to him and it is revealed that he is apparently the 4th Dumbledore sibling? And this bird he was taking care of is turned into Fawkes. I think that’s everything major. 

I definitely forgot stuff and I’m sure some stuff is wrong, I’m writing this 3ish hours after seeing the movie so it is still pretty fresh but I obviously cannot remember nearly 2.5 hours of content. 

Time for my thoughts and opinions and impressions. 

So Grindelwald’s escape. They mention something while he’s in the cell that they cut out his tongue. Later when we find out that Grindel was actually Abernathy he has like a forked tongue so idk if that’s what they meant by cutting it out?? Also I wasn’t a fan of the total demotation of Abernathy as GW henchman. Like I know he wasn’t very nice in the 1st movie but come on. Btw they were moving him from British prison to French cause he committed crimes both places. The French ambassador dude has like this whole moment where he’s fighting this creature and GW and then gets thrown from the flying carriage and almost dies on impact of the water. Then he’s just floating around and never mentioned again. 

I also wanted to know if the family GW killed to take over their house was muggle or not. minor thing. french bellatrix kills like a 2 year old baby they found in the house after killing his parents and I know they’re the bad guys but like it was kinda messed up. 

Newt’s house was dope and everything I expected it would be. His assistant, Bunty, has a crush on him, but he’s too invested in Tina and the animals to care. This is never addressed again. She is never mentioned again after this scene. So I thought it was dumb that her character was even involved and has the crush sub plot. Like either stick with it or make the assistant even more of a throw away character. 

So when Q shows up with J she’s like we’re getting married yay. A few minutes into their reunion with Newt he can tell something is up. He realizes that J is under a love enchantment and urges Q to lift it but she’s all like no no no. I just didn’t understand why she even enchanted him in the first place? Like yes he was against marrying her based on the fact that he didn’t want her to go to prison but like was it necessary to enchant him? idk it just felt stupid and childish and tbh Q is a more developed character than the ditzy blonde who wants to get married. I guess it more just rubbed me the wrong way. 

So J and Q have a fight  where J is like “I dont want to marry you cause I dont want you going jail” which is a totally legitimate reason and like I cant think that there would be any significant benefits to it, i think the big thing for them would be calling each other husband and wife but tbh they could do that anyway so i just thought it made Q seem like a resilient woman who only wants a man to call her own, which like I said earlier, she’s so not. She’s an accomplished legilimens and I feel like her character got a little side lined this movie. So anyway after this fight she heads off to find Tina in Paris.

So the magic circus was super dope, definitely an aspect of the wizarding world I was excited to see. I think they could’ve spent a little more time showing it off and all that cause it was more just a setting to introduce Nagini and what Credence had been up to since the last movie. 

The Nagini Credence romance didn’t really bother me, it’s kind of whatever and good for Credence for caring about someone and having someone care about him and stick by him.

Nagini herself is a whole nother ball game. I was mad dude. I still am. I think it’s one of the stupidest plot twists ever. Cause she’s basically from bloodline that is destined to turn into snakes forever and change every night and then at some point dont change back. It seemed kinda just thrown in there and for god’s sake we didn’t need some deep backstory for Nagini. I liked that she was just a snake cause it made sense for voldemort cause it’s like his closest companion isnt even human, that’s how crazy he is. So like I also dont know if he knew she was a person or what. it poses too many questions for the canon. She had a cool costume design though so i guess thats good. 

The other creatures at the circus were cool too cause it was neat to see a different side to animal keeping that we didnt in the first movie. All chained up for show and from all over the world. I really liked the big cat/dragon creature (im not looking up names rn so as not to break my stream of conciousness too much). Like im a big cat person and im a big dragon person so it was super cute and when newt used the toy for it i was like awwww. 

Side note, Newt when he’s shown at home taking care of his creatures jumps into the water without taking off his shirt and i was hoping this movie for a more indepth dealing with his scars but alas there was none.

I think I would’ve also liked to see more of paris diagon just cause all we get is the circus glimpse and the glimpse when newt and jacob go there and you dont get to really see any shops or stuff. 

The scene where newt uses the revelio spell thats all gold and uses the niffler was great, really liked that, i thought it was super pretty and showed they werent shoving aside the beasts despite it being a more wizard driven plot this time. 

After they meet up with auror guy and are thrown in jail with tina the auror guy passes out after making some little speech about how they were trapped. I dont even think he took their wands or if he did it wasnt shown or made note of. like a minute after theyve been trapped auror guy passes out. they super easily escape with Pickett picking the lock (my guess now is pick-it was the play for his name, well done, cute). So that plot point was barely a plot point.

When they all go to the safe house we find out that auror guy has some sort of water creature parasite in his eye. its gross and tentacally. newt removes it with literal normal tweezers. all it does is make auror guy need to rest for a few hours. once again, barely a plot point.  

Auror guy is also revealed to have the marks of an unbreakable vow, now, correct me if I’m wrong as I’ve only seen the movie once a couple days ago now, but i literally cannot recall what it was for? like idk why have a character make an unbreakable vow, something that was crazy important in book 6, and then make it seem like it wasn’t a big deal or like whatever it was wasn’t significant enough.

So anyway, he escapes while jacob is supposed to be watching him and falls asleep on the job. Then he meets Nick Flamel who I enjoyed being in the movie as it was a good nod to the 1st book. He was a funny character but also very powerful and important. I appreciated that he did look super old cause I think they could’ve easily tried to “sex him up” by making him this banging hot young immortal guy. They didn’t and honestly I prefer it that way. 

Now the crystal ball thing, was Nick Flamel a seer? Once again, may be wrong but I thought like only seers or people gifted with some form of the sight could use them? and like flamel was seeing and showing some intense visions that were very graphic and well formed so it didnt seem like he was a casual. Thats neither here nor there i just thought it was an interesting thing going on.

So now we’re with queenie who is being persuaded by GW to join him so she and jacob can get married. I mean that’s consistent with her character this movie but it does make her seem a bit weak willed. I feel like she should’ve known something was up by using her legilimency to try and poke around with gw or french bellatrix. Obvs they’ve probably trained with occlumency but i think lack of hearing those thoughts would’ve been a big red flag. maybe queenie was too emotional or distraught or whatever to think of it? Seemed like a bit of an oversight. Gahh i just wish they’d shown her resisting a bit more so she didnt seemed weak willed and we could also get a better look into just how convincing gw was. 

So Nagini and Credence have located where his birth mother lived in Paris but when they go there all they find is this half (elf? i think) woman who was Credence’s nanny basically. She basically reveals his mother is dead and credence is very distraught. The one of gw henchmen (who also works for the british ministry) sneaks into the house and kills the nanny in front of credence. Side note, i did like how they showed avada kedavra in a more casual setting because it shows how merciless gw was with it. I felt like with voldemort even though he was merciless and used it a lot, there was still this big dramatic focus on it. I think the casualness added to the morbid atmosphere being presented. 

So credence obvs goes all obscurial on the dude and blows up the house basically and is bombarding him with debris while he’s using a shield charm. The dude dissapperates in the end and credence goes back to being his normal self. And then I think later on at this house gw goes to him and talks him into joining him fully. 

So cut to hogwarts for dumbledore. He’s teaching defense and “dueling” some kid. This kid turns out to be an ancestor of cormac mclaggen which I thought was a nice little easter egg kind of thing cause the kid gets his ass handed to him by dumbledore. So in the middle of this lesson ministry officials show up and they’re like kiddos get out. then a woman only referred to as mcgonagall (since I know there’s been some discourse about that in reference to her birth date and age and whether it’s minerva or not. tbh i did always think mm was the sameish age as dumbledore but i also do believe in sticking with the harry potter canon as it’s more concrete and developed than the fantastic beasts) she herds them out so the ministry can talk. 

The robes for the 20s hogwarts students were dope btw and im so mad that they i guess went out of fashion cause like the subtle ribbon sleeves and the navy blue and red plaid skirts and the focus on sweaters was sick, really really liked that. 

So the ministry is like “so newts in paris and we know it was u” and dumbledore is like “whaaaat, who knew” and plays innocent and whatever. So then the ministry gives him unlinked cuffs that can track what spells he’s casting which i thought was an interesting concept and im wondering if that’s going to be used more for law enforcement and if it was more of an old fashioned thing and thats not used during hp era? i just thought they were cool and clever. 

So while this is going on Leta is poking around reminiscing about hogwarts and she was obvs a slytherin and was like jinxing kids and was very unpopular and she finds newt in this hidden nook while hiding from bullies. newt is taking care of some grindylows and a baby crow and some other creatures i couldn’t identify. 

They become friends and newt takes out on this island on the black lake and shows her this tree he likes and then we cut back to present day where Leta is looking at graffiti under a desk that says n+l so she had real feelings for him at some point that were probably not returned or newt was too naive to notice. fairly on brand tbh. 

Leta’s outfit for this is like a long sleeved loosish satin dress, maroon, with like a cape on that back and while i wish, for every movie tbh, that wizards always wore robes, I thought it was a nice little nod to them being magical and having different fashions. 

The gossip magazine subplot was actually so stupid and I wish they hadn’t included it because it makes Tina, who believed it, seem stupid and she’s not. She’s a well trusted auror now and there’s no way should would believe a stupid gossip magazine without doing proper research. 

I appreciated the little moment she and newt had upon clearing this up in the records hall. I would still have liked a kiss or something a little more considering everything but I’m not dying for one. 

Blah blah blah ministry fight, the familiars used to guard the ministry were cool and i did like their design, however, i am a big cat person so i can see if some people disagree. 

Gw uses this really sick method of conjuring like these huge, light, pieces of fabric that cover the buildings of paris in order to summon his followers. Im assuming they were invisible to muggles but this isn’t addressed however no one except the wizards bats at eye at them. 

So now we’re at the lestrange tomb which is big and fancy and all that. So now there’s the whole credence origin reveal/lestrange background. Auror guy shows up and is like you’re my sister and credence is our brother and i was just like hmmm because leta and auror guy are both black and credence is white so how does that work. 

The plot behind it is so complicated and weird holy heck. Basically auror guys parents fall in love and have him and are wealthy and all this stuff. Lestrange man falls in love with auror guys mother and imperios her to live with him and love him. Now i cant remember if leta was by both auror guys parents or if she was from lestrange and his mother. either way his mother dies giving birth to leta who is brought up, kinda, by lestrange. He remarries to another white woman and they have a baby who is in some way related to leta and auror guy. The baby’s name is corvus which idk, its weird. So eventually leta and corvus get sent to america with the half elf woman from earlier on this ship. Corvus doesn’t stop crying so leta sneaks out and temporarily (she intended) switches him with another womans baby. The ship begins to sink and thus they never get switched back and corvus officially goes down with the ship. Leta, fake corvus, and elf woman are on a lifeboat that tips and not corvus is see falling into the depths and either leta or the elf woman is seen swimming for him. It was super unclear to me whether or not they actually saved him because they must have if credence is there but like it was super unclear and im not sure. 

I also dont understand then how credence ended up being adopted and leta ends up back in britain and goes to hogwarts and all that jazz. maybe it will be cleared up in the next movie but that part of the plot gets all fuzzy and unexplained. 

I personally haaaaatttteeed this explanation. I may be reading into too deeply but it seems like they were just trying to make an excuse as to how the lestrange family went from a totally different race to another in like 50ish years (assuming bellatrix was born around the 60s). It also just felt like this crazy plot twist to be a crazy plot twist, nothing more. I also want to now go back and look at the black family tree and see how much info on the lestranges i can glean from that. I just think it would be interesting to see how much stuff has differed there. 

So now its the followers of gw meeting. There’s several hundred to a couple thousand wizards there and legit they all look like emos. gothic emos. it’s easy to pick queenie out in her multicolored plaid jacket. I just thought that was funny that the demographic for his followers was emo wizards. 

So blah blah blah speech about how the muggles are others but how gw doesn’t hate them or anything, something apologetic like that. lots of wwII imagery used to say like here’s what the muggles are gonna do if we dont take action. I think they were trying to push the hitler comparison here. Not a fan of that cause that “trope” or whatever needs to die. feels like we glorify hitler too much as the end all be all of evil in the world and history. that’s more of a personal thing for me, like the guy is gonna live forever in infamy and we as a society have pushed that and used it every which way. he needs to die out as a figure, especially with all the horrible stuff happening in the world today. 

So back to way less serious stuff, to show the wwII visions gw literally takes a fat rip off a skull bong that french bellatrix is holding and blows out the smoke which forms into the images. I started laughing out loud in the theater because of this and it majorly lowered the seriousness of the rest of the movie for me. 

So after all this gw knows theseus and the aurors are there and like calls em out to come down and like they cant actually do anything to the followers cause listening to someone speak is apparently not illegal even if the person speaking is like #1 escaped criminal of the wizarding world. 

And then basically out of nowhere one of the aurors kills a woman, a guy who i believe to be a plant, unsure if the woman was, but it def wasnt real. So gw goes over to her body and is like “look at how sad this is, followers, please leave this place and do stuff,” and they all disapparate. so now its gw, french bellatrix, queenie, jacob, newt, credence, nagini, tina, and theseus and his aurors. (now that im thinking about it i cant recall what became of auror guy)

Gw summons some blue flames in a circle around himself that only loyal followers can pass through. all the non-theseus aurors get consumed by the flames either by charging or gw manipulating it to engulf them. So then one by one gw starts trying to convince people to join him, in the end queenie joins him much to the dismay of jacob. unsure how i feel about this, it’s an interesting duality but god i wish it wasnt queenie again. and then much to naginis dismay credence joins. gw tries to get leta to join. she wont. he lashes out at everyone with the fire but leta holds it off and theseus is like “no ill do it, escape” and leta is like “im doing it and you need to go” they (newt and theseus) linger long enough for leta to be consumed but they manage to escape dramatically. 

Once outside the tomb in the graveyard they see flamel who is like “if we dont do something the whole city is gonna burn” so they all stick their wands into the ground and create a ring of fire to encase the evil blue flames and they work super hard at holding it off and they do and thats the big epic ending fight scene. it looked really cool but explaining it it seems kinda lame lol. 

So now that paris is saved they all go to hogwarts and are standing on the bridge and have newt alone go talk to dumbledore and he shows his this heart charm thing which has 2 drops of blood in the center. dumbledore explains that in their youth they made a magical blood pact (basically an unbreakable vow in a different form) to not fight each other. Newt is like well can you un do it cause you’re the only dude who can defeat him and dumbledore is like i’ll see what i can do. he also gets his magic tracking cuffs off. 

We get to see the mirror of erised again which was cool and i really liked seeing dumbledore stand in front of his for the first time as we all know the “sock” line about it from him. he sees gw, so no surprise there. more of a nice little easter egg moment more than anything.

Then we’re in austria in the mountains. Gw and queenie are talking about how credence is and how to get through to him and then gw walks in and starts talking to him. Gw explains that he is aurelius dumbledore. so wtf. I have big problems with this as dumbledores history is pretty clearly eplained and im pretty sure his parents werent around long after arianna so how did they have another kid? how did they lose him? is he older or younger than arianna? and if we go off the lestrange story wouldnt that make the woman who leta switched the babies on mrs. dumbledore? i also really hated this bit and i want to see how they clean it up in the next movie cause yiiiiikes is it bad. super unnecessary and kinda messed up and weird. 

After this gw gives credence his first wand and turns this little bird that credence had been looking after into fawkes (assumed from earlier movie context clues etc). Which is also confusing cause like uhhh can someone actually turn a bird into a phoenix? is that even possible? was the bird secretly a phoenix this whole time? and if so why was gw able to make it grow up so fast? weird shit there.

So anyway that was my long, rambly, opinionated, all over the place, too extra, very informal and grammatically atrocious review of Fantastic Beasts: The Crimes of Grindelwald. Maybe things will come to me later and I’ll add on but this is what I’ve got floating around in my head 2 days post movie. 

It was by no means a bad movie, the cinematography was great, the acting was great, I loved the characters so much. The beasts were new and exciting. My biggest gripes lie with some of the plot points brought up. 

7/10 final score I guess.  

[bluerosesburnblue]

Liz Liveblogs Bravely Second: Chapter 6, Part 2/2 *FINALE*

Well, nothing left for me to do now. I guess it’s time we finally hunker down and beat this game. I started this liveblog series on January 14, 2017 (July 23, 2016 if we include the Demo) and now, almost two years later, we finally see the end (layer) of Bravely Second

Before we get to the actual story I’d just like to say that I currently have five level 99 Apparati hanging out at Fort-Lune. FIVE. Jeez, somebody share something else for a change! This is why I share any Redshirts, Urchins, Goldies, or Turtle Doves I see! It’s also why I hate it when games make you rely on communication features for 100% completion. Stop that. It always goes poorly

Well, regardless. There’s a certain fairy waiting for... well, not us, but someone down at Norende Chasm and I intend to finish what I started. You got me into this series, Anne! You did this to yourself!

Feels weird to be back at the first ever dungeon in the series. I don’t know if it’s new for this game or if it’s always been there, but if you look off the edge of Norende Ravine you can see a river flowing at the bottom, beneath the fog. And “Dungeon of the Nature” is a great scene-setter, as always

This Party Chat is certainly something. Tiz is just reminiscing about being back and how as kids they were told to stay away due to monsters, but of course everyone played there anyway. And then when Norende was swallowed by the Chasm, he raced through here to see it with his own eyes, and there met Agnès, who would change his whole world. And they came back, again and again in each world. Finally, this was the path they took to the end last time. The place they went to reach the Dark Aurora to chase down Ouroboros. Norende Ravine is the most visited spot in the game in terms of plot, and you’d think it would get old but it doesn’t. “How many more times... will we walk down this road?” And Edea replies “As many times as we have to! Until we’ve wiped away those terrible memories once and for all! [...] The next time we walk down this road, it’ll be to visit the new Norende Village - the one you helped rebuild!” I never expected the game to bring up the Norende Village... minigame, I guess you could call it? I’m so glad they did, and I’m so glad that Magnolia and Yew declaring that all four of them would visit it together is what cheered Tiz up

...I didn’t realize I had 99 X-Potions? I guess my healers have just been really good so far

Oh Aaaaaaaaanneeeeeeee~ Guess who’s heeeeeeeere~ I’m gonna straight up kick your ass for what you did last timeline! And, presumably, whatever you were up to last game!

How predictable that we’ve come to stop you? Do you know what we’ve done since I found out you were here? You had every opportunity to disappear and didn’t! What, have you just been sitting here for a week? I think you’re the predictable one

Also, nice demonic cloud cover. I’m really feeling the glowing red mass underneath these near-black stormclouds

“Your master? But the kaiser is... Denys is gone...!” Bold of you to assume Denys was actually in charge of anything. I thought it was pretty obvious he was out of his depth when Anne mentioned her master and even Denys was confused by it

Hm. “Lord Providence, ruler of the Celestial Realm!” I’d heard that name thrown around before I even started playing the game, but “ruler of the Celestial Realm” is new. Given that his name means “God’s protection,” I guess you mean ruler as in “a deity” and not “a high ranking political figure”

Man, at the angle her head’s at, Anne’s hair protrusions really do look like antennae. It just hasn’t been obvious before I got this angle on her

How the hell is Providence supposed to enlighten anyone if they’re dead, Anne? That’s dumb. Your master’s dumb. Death isn’t enlightenment, it’s just death.

And Providence got all upset that the Moon people were killing his Ba’als, so he sent Anne to deal with it by destroying the moon. But screw that plan! There’s a Celestial shortcut right here! But you know, if something can get from the Celestial Realm to Luxendarc, then I don’t see why the opposite can’t be true, too

And, well, shoot. If Providence is the “ruler of the Celestial Realm” then we couldn’t have Ouroboros getting in! So Anne had to deal with Airy. Or rather, have us deal with Airy. And then she had to get someone to summon the Holy Pillar to take out the moon, and found Denys. Both games have all been thanks to her manipulations. Man, fuck Cryst-Fairies

“Hold it right there! That’s my brother you’re talking about!” You tell her, Yew! Rip her a new one! I’ve got your back!

Fuck, she did the same thing to Denys that she did to the player at the start of Bravely Default. Read us like a book and played to the key aspects of our personalities. Denys’s sense of duty and idealism, the player’s sense of duty and determination to see things through... hell, it’s almost like she read into my completionist tendencies and knew I’d do dumb shit like grinding to max level and job levels and getting the best equipment. Ouroboros didn’t stand a chance once that was thrown into the mix

“Why, he was even ready to kill his own precious little brother for his ‘duty.’” Can I take the use of “precious” as confirmation that it was actually a hard choice for him? Because Denys isn’t here to defend himself and never did get around to talking about it when he was here

I don’t think I’ve ever heard the word “dupe” used as an adjective. Most people go with “dope.” You’re weird, Anne! You’re weird and also a huge bitch!

“Denys died to save this world...” Is he actually dead though!? Like, no seriously, is he? Or is he just stuck in a situation that he will probably die in? Because one of those is potentially fixable in a sequel. ...actually, maybe both of them are fixable in a sequel. Situation’s unclear at the moment

“When Lord Providence descends, Luxendarc as you know it will be completely and utterly destroyed.” If he descends. If.

Yeesh, Anne, cool it with the shade! I know Denys’s kind of an idiot, but you don’t need to say it every other line!

Oh wow. Whoah. This... everything on screen is gorgeous right now? The glowing blue and gold bits on Anne’s final form, the translucent pink butterflies in the background against a starry night sky... yooooooooo. And I thought Airy’s final form was pretty

“Wicked Flight” is still a better boss song, though. Heck, the music right now isn’t even as good as Anne’s last battle theme, and it’s just a remix. I think removing the Spanish guitars and replacing them with a wailing rock guitar really does the song a disservice

That T-pose looks real dumb, Anne. Knock it off

It’s really fascinating what she says here. Humans are born without purpose, so they spend their lives lost and weak, constantly searching for something to live for. She, however, was made with a specific goal in mind, and always feels fulfilled because of it. And I don’t think she’s entirely wrong to observe that human beings spend so long looking for acceptance and purpose, and that the struggle to find some is central to most people’s lives. Heck, I don’t feel like I have a purpose most of the time. But I think, until I find one, if I just keep trying to do good then it’ll be enough. And the good thing about being born without a purpose? You get to find one you like, eventually

Cryst-Fairies are created by the gods to serve them. Anne is the older sister, but never really cared much for Airy, since Airy served someone who would destroy the Celestial Realm, where Anne’s master resided and controlled. Which... I suppose leads me to believe that they were created by different entities, and yet all Cryst-Fairies see themselves as siblings, regardless. Maybe it’s because they’re made of the same stuff? Like a half-sibling thing? Where one “parent” is the magical essence that they’re made of, and the other is the god that used it to create them?

Did Airy even know she had a sister? Like, was she even aware Anne existed? I don’t think she ever, once, mentioned her

Man, this game has a weird theme of “older siblings attempting to murder their younger siblings for a cause”

Oh, good. She can set someone’s max HP to 1. And she used it on Edea. Because even at level 99, Edea has to die at least three times per fight

I don’t think she expected Quadruple Meteor Rain Yew, though. That’s what you get for shit-talking a Geneolgia’s family

Oh. She didn’t even revive. Nice

Funny enough, Anne, Yew learned that secret technique after I knew you were here. So, you know, you had plenty of time to avoid that

If Lord Providence is gonna be here any moment now, then he is really taking his time meandering down the Celestial shortcut

Oh, geez! Altair, don’t sneak up on me like that! Holy shit, the sound of his voice startled me

There’s no need to apologize for Providence using Vega to create the Ba’als. You’re both just victims of an uppity god. Though, as a Celestial, I don’t suppose you have any info on your supposed “god,” Providence?

I love how on the same page Yew and I always are. Altair is family now, of course we’re gonna save Vega. Even if none of us know her, she’s special to Altair. And family of our family... is as good as family, too

Ahahahahah! “Yeah! We’re going to crush a god!” Never change, Edea. We’re upgrading from Ba’al Busters to God Crushers!

Altair just called them “my children”! Team Dad! Team Dad! Team Dad!

“Come, Yew! Let us deliver our pièce de radicchio!” ...let us deliver our piece of leaf chicory? Excuse me? Is that supposed to be like “Let’s serve Providence a bitter meal he’ll regret eating?”

Altair, normally I can at least follow your vegetable proverbs, even if they fall flat, but that one was really... uhhhhh?

So the evil fog in the Chasm is a sign that the Dimensions are in flux. “A holy battleground and an angel’s descent. A chasm of darkness and a glimmering ship.” Would that be the Ouroboros fight, or whatever Sylvie was prophesying about?

Clear the mists and reveal the path to the Celestial Realm. Hey, can’t all of us summon Hresvelgr right now? Can we get him to blow it away?

Ah, we’re using Agnès’s pendant, which can connect people between various worlds. It’s already a spacetime anomaly. Neat! I love it when they use lore, especially something like this, which has been established since the start of Default!

And now they pray, with the help of the pendant, to lift the fog. It’s not enough, so they call Agnès to pray, too! It’s still not enough. Yew cries out for help, for anyone to give them strength. In other games, I could see this leading to a pan-out where everyone in the world prays with them...

But here, they just need me. Time to mash “X” like the good old days and clear the clouds away for my favorite team

Aaaaahahahahahahahah. Ahahahaha! Oh. Oh god. So they use the 3DS camera to put your face in the Chasm once the clouds are cleared but oh man. Oh nooooo, that angle. That was not a good look. At all. I started laughing so hard I had to put my 3DS down. Ohhhhhh. Oh man, that’s a heck of a look for the first time the party gets to see my face. Imagine the first time you get to see your spirit guide and it starts cackling and the connection dies for a few minutes. I’m sorry, guys! I’m really - ahahahaha - really sorry!

I do adore how the Bravely series utilizes the fourth wall. The Celestial Realm is (or is at least based on) our world, and every time they depict it (so, this scene and the Ouroboros fight in Default), they use the 3DS camera. The player is every bit a real character in this game’s universe, and they do a hell of a job merging the two using existing elements of the 3DS hardware

God, nope. Still can’t look at it. It’s like a fun house mirror in there! I get that it’s supposed to be at the bottom of the Chasm, so that’s the angle it’s at, but it looks freaking funny!

I’m glad you’re all so focused on Vega and none of you are reacting to my mug plastered at the bottom of the Chasm. It’s still there, even after the cutscene

Oh. I know that place. That’s the background of the Snowcap Ba’al fights. Welcome to the Via Celestio, path to the Celestial Realm, altered based on Vega’s memories

And I guess Altair is going to explain what each Ba’al represents as we go though, which he’s only willing to tell us because we’re all pals now

Ba’al vi: Snowcap - Represents the day that Altair and Vega met, with ski lifts as its background. Altair was vacationing at a ski resort, and sat next to a young woman on the chair lift. They got stuck up there when the weather got particularly bad, and Altair noticed how scared she was, so he picked a flower from one of the trees their lift stopped near (good reach, buddy) to cheer her up. Despite that moment, though, Altair never got her name, and never saw her again before his vacation was over

Oh, don’t be so cheeky, Magnolia. “Though some might say giving a flower to a girl you just met might be a bit forward.” It worked on you, didn’t it?

So, I guess Altair and Tiz are going to be switching back and forth for this dungeon. And Tiz is conscious when Altair’s in control, since he heard that? That’s existentially terrifying

The glowing gold platforms, surrounded by the already very pretty Ba’al fight backgrounds makes for a gorgeous area... but I’m not feeling the music at all. It’s way too dramatic, with blaring sounds, militaristic drums, and weird wind ambience. I get what it’s going for, since this is the final dungeon and should be suitably intense, but it’s really incongruous with the location’s aesthetic, and also doesn’t fit the emotional tone of Altair nostalgically recounting his life together with Vega as we go to free her spirit. Something like this would fit better in a final dungeon like the Dark Aurora, where we were in an unearthly void on our way to the Infernal Realm. I know I mention “Dungeon of the Nature” a lot, but I really wish the Via Celestio music was more similar to that than, say, “Tower,” which is the music they used for locations like Eternian Central Command, like what we got. I’d actually have really loved if the music here was just Altair’s theme, but with the larger, orchestral sounds of “Dungeon of the Nature.” Something melancholy and soft, but no less grand. Altair’s theme played on piano, but with chimes and a string backing track

I actually don’t like “Tower.” At all. I think it’s probably the worst track in the game. It’s just so dissonant, and I turn my sound off every time I go into a dungeon where it’s playing

Alright, kids, it’s been fun, but you’re gonna have to turn off Obliterate for a sec so we can get those last three Catmancy skills

Okay, I don’t get Luxendarc sometimes. You kids have ketchup and baseball, but Altair had to explain what skiing was? You mean to tell me someone figured out how to make a specific type of tomato-based sauce and independently came up with the rules for baseball, but no one thought to tie planks to their feet and slide down a snowy hill with them on? Seriously, guys

Yew asks everyone what their plans for the future are. Edea says she’s gonna help with the Eternia-Orthodoxy peace talks, so she and Yew will probably still be working together. Tiz just wants to retire to Norende at age... 19? I mean, I don’t really blame him. He did die several times and kill multiple gods. I’d want a break, too. And Magnolia feels she has to return to the Moon and finish helping everyone there recover. Yew is disappointed. It’s a hard position to be in, you know? He loves Magnolia and will miss her dearly, but he also knows how much the people of her home mean to her and he would never come between her and them

Ba’al v: Urchin - Represents the day Altair and Vega met again in the spring, when Altair was transferred to work at the place Vega did, with its background being the rainy exterior of an urban office building with a couple that occasionally passes by, sharing an umbrella. There are little flower gardens, and a city skyline can be seen in the distance. As Altair tells the story, we see silhouettes of himself and Vega acting it out. Or at least, I assume it’s them, since “Altair” looks a lot like Yew in an ankle-length trench coat and “Vega” is just Magnolia’s researcher costume. Altair was an extremely successful scientist, but his superiors grew jealous of his skills and transferred him to a remote, less prestigious location. Altair was so distraught to be there that he ran right out into the storm. Right into acid rain, due to severe pollution in his homeland. Unbeknownst to him, however, he had been transferred to the very place Vega worked, and when she saw him run out, she followed him and offered to share her umbrella. Altair muses how this means that at the time, Vega must have remembered their first meeting on that ski lift, since it became a Ba’al, and he chuckles quietly to himself. Fate, indeed

So the last room had little snowy trees peppering the walkways, and here it’s rainy streetlamps and road signs. God, I love the visual design here. And now that I’m not fighting the Ba’al, I can get a better look at the gorgeous backgrounds

Ba’al iv: Goldie - Represents Altair’s first date with Vega that summer, where he confessed his growing love to her, with an absolutely gorgeous background of a Japanese festival. Lanterns and trees surround a single torii as fireworks go off in the sky above. The appearance of Goldie comes from their attempts to play the goldfish-scooping game they have at Japanese festivals

This is all coming across as so incredibly sad. Altair loved Vega with all his heart, but it sounds like he didn’t even really realize how much she cared for him until right now, where he’s seeing exactly what memories she treasured. And is seeing them twisted and used against the both of them

And Edea’s noticed something else. Meeting in the snow, sharing an umbrella, goldfish scooping... Yew and Magnolia have been unintentionally reliving Altair and Vega’s romance. No wonder he’s so adamant that Yew confesses sooner, rather than later. Altair knows how this story ends

Our little set dressings this time around are floating lanterns. I’m actually surprised there aren’t mini fireworks bursting around them

Most of the enemies in the Via Celestio don’t add a heck of a lot to the lore, but one does: the Spartan. It’s the final variation of a specific type of automaton we’ve been seeing throughout the game, that Altair comments on every time they show up. Turns out, Altair invented them to be caretakers for the Celestial Realm! They uh... I don’t think they did that great a job, but it’s the thought that counts!

And the Bestiary entry is basically “Okay but how do rocket punches and optical camouflage... help? With caretaking?” “I dunno! But isn’t the technology awesome?” Altaiiiiiiiiir

Ba’al iii: Apparati - Represents the struggle Altair and Vega faced together as they tried to continue their research despite the improper equipment and poor funds afforded to them, enhanced by the depiction of the interior of a laboratory with static-y, crackling monitors all over in the background. If we’re following the pattern, then the falling leaves and bare trees outside the window indicate autumn. Vega really kept Altair’s project going, by sneaking restricted data out of the archives for him and coming up with creative solutions whenever he hit a mental block. And when their hard work paid off and Altair’s hypothesis was accepted as scientific fact, then he knew he was absolutely in love with Vega, the woman who supported and aided him and who constantly encouraged him to be his best self. He was a different, better person around her, and he knew it

“If attraction is gazing into one another’s eyes, then true love is setting those eyes on the same shared goal... or so my theory goes.” I can’t say I have a lot, or really any, romantic experience, but this is something I believe strongly. A romantic partner is someone whose skills and personality differ from yours, but also complement yours, and yet who strongly value the same things you do. If you can’t agree on what’s most important to you, then you can’t connect on a deeper level. And I’m not saying, like, find someone who thinks exactly as you do! Because that’s not healthy. But find someone who you can agree on the important things with

Also, love that Altair distinguishes between “attraction” and “love” because they’re very different things, and I so often see people conflate the two

Seriously, guys, leave Yew alone! He’s 16 and this is his first foray into romance. That’s scary and overwhelming!

And there’s bookshelves and stacks of books with desk lamps on top littering the pathways

Ba’al ii: Redcoat - Represents the night that Altair proposed to Vega over dinner. Honestly, this is my favorite Ba’al fight background. It’s just a very pretty, snowy, city skyline with a tall tower and a suspension bridge in the center, but there’s something so beautiful about how simple it is and the shade of light blue they used for it. Altair describes it as a holy night, and since Redcap is a demonic Santa hat tangled in lights, I can only assume he means Christmas. Poor Altair, however, couldn’t afford a wedding ring. Their program funding was awful, after all, and what they gave him for personal pay, he spent on more research to make up for what they didn’t give him. Vega told him she didn’t mind, but he still felt incredibly guilty about it. They married with a small ceremony, and Altair eventually bought her that ring... right before the trip to Luxendarc that tore them apart forever

Altair tells everyone not to despair, since he lived a good life and had goals that he truly believed in that he knows he gave his all working towards, and I can’t help but think back to Anne’s speech about purpose. Altair isn’t technically human in the Luxendarc sense, he’s a Celestial, but he managed to find his own greater purpose and it made him stronger

“You must all live your own lives as well. Have courage! Be brave enough to default on the expectations of others!” WE DID IT BOYS, PACK IT UP, WE GOT A TITLE DROP. In all honesty, though, I love what the games say the symbolism of each title is. To “Bravely Default” is “to have the courage to go against the expectations of others” and to “Bravely Second” is “to have the courage to try again,” and by doing each of those can you get the best ending in each game, further enforcing their message (even if I thought it was a little botched in Default. You're supposed to be going against what Sage Yulyana says... by following Airy, who you were going along with from the start, so there’s really no “courage” involved. Gameplay-wise you never actually disobey anyone, because you completely obey Airy, though I suppose you still have to disobey Sage to an extent, who you trust more at that point)

Tiz has a point, too. Maybe Altair is content with the life he had, but it’s still not fair for all of his efforts to be rewarded with his and Vega’s suffering

Our road-markers in this room are banquet tables with a nice Christmas dinner on them. I was hoping for Christmas trees, but that’ll work, too

Seems like this is our final Tent Event. Magnolia’s cooking is fantastic as always, but the stress is getting to Edea. She’s so worried she can barely even eat, and Altair’s story has really shaken her. Of course it would effect her the most. She knows better than anyone what it feels like to be separated from someone you love across time and space. They’ve packed the leftover food for sandwiches. They’ll eat when they’re ready. One more megalixir, as a gift from our fox friend who I notice found his way into a dimensional rift, and we’re on our way

The final room is a straight bridge, adorned with roses, candles, and floral archways. The background is a church on a hill, blossoming trees on either side and doves soaring across the sky in the background. Ba’al i: Turtle Dove. Altair and Vega’s wedding. This one doesn’t need an explanation from Altair. Just one last save point between us and the end. Don’t think I haven’t noticed you’ve somehow gotten in here, too, Adventurer.

“This is it... our final battle!”

“Let’s do it!”

We’re in a chapel, with nothing but soft wind. Unlike the silhouettes of the Ba’al backgrounds, this is undeniably physical. And gorgeous. Very Baroque in its architecture

Vega’s voice is so much softer than I imagined it would be

I thought she sounded familiar. It’s Eden Riegel, who also voices Anne, so her range is commendable. For those curious, she also voices Iris in Final Fantasy XV, Devola and Popola in NieR and NieR Automata (I think what tipped me off was how similar her Vega and Popola voices are), Marie in Persona 4: Golden and its spinoffs, and Estelle in Tales of Vesperia. And those are just the ones I recognize! Her older brother is Sam Riegel, also a voice actor of renown and player on the D&D show Critical Role, which exclusively stars voice actors. Sam’s great, and probably one of the funniest people on that show. Good to see Eden’s doing great work, too

I guess the thing of note, though, is that she is NOT the voice who narrated the ends of Chapters 1-4 as I had suspected. Her voice is decidedly softer and not British. But if that wasn’t Vega, then who?

She’s so lost in her despair. She’s begging Altair to explain why he left, and why he didn’t come back. She won’t even listen to him explain that he tried, that he died and just couldn’t make it back

Someone told her the wrong meeting place to meet Altair that day. The reason she wasn’t on the ship was because someone didn’t want her on the ship

Ohhhhhh I did not like the voice distortion on “Why didn’t you protect me? Why didn’t you keep me safe!?”

Fuck, Altair? Altair! He just collapsed screaming with black and purple mist coming off of him. Black and purple mist that just formed a robed raven-faced humanoid with the worst voice distortion I’ve ever heard

Hey, are you Providence!? Get off of my weird vegetable-proverb spouting friend, jackass!

I can’t tell if that’s Vega’s voice layered under Providence’s or just another feminine voice. Could be Anne’s, too, since they’re both Eden Riegel

Also, Providence’s theme is pretty great? It’s got hints of the Ba’al music boxes, with a one woman wail in the background

“I’ve never tasted anything so exquisite!” Were you eating her despair? Of course that’s all she was to you. A food factory. And the sadder and more hopeless she got, the better for you, right? God, you’re like depression made physical. I’ve always wanted to punch the concept of depression

She’s held on for so long because she desperately hoped to see Altair one more time. And you used it against her!

And you saw Luxendarc, the world that was intended to be her safe haven and the place Altair was, and decided you were going to use her to power its destruction to break her further by making her feel guilty. What did she ever do to you!?

Okay, two things. One, you’re a fucking dick and I’m gonna strangle you with your own ribbons. Two, the T-pose doesn’t look any better on you than it did on Anne

That’s my boy! “We deny you because we are mortal! [...] our emotions, the memories we create with others - good or bad, this is all we have! I deny your right to claim them for your own!”

“I’m done letting you use the hearts of our friends as your personal plaything! We’re gonna send you flying to the edge of time and space!” Crush a god, Edea! This jackass has no place ruling anyone

Oh, Tiz. “He might be goofy on the surface... uh, like a cantaloupe? But inside is a sweet and sensitive soul! He’s suffered long enough, Providence! It ends today!” This is as much for Altair and Vega as it is the safety of Luxendarc. But, like, I am especially going to kill you for what you did to Vega. No one deserves God Depression

“Nothing is ever hopeless! It’s never too late, you’re never too weak to fight for what you truly believe in! I believe in a world ruled by hope, not despair. And thanks to my friends, I have the courage to fight for it!” Bravely Second, Magnolia. Bravely Second

Oh, poor baby. The light hurts your eyes? Shut them and make it easier for me to end you

That fight background is awesome! We stand in a grassy field, surrounded by telephone lines. A city skyline in the distance. A freaking GALAXY in the sky, with red-violet clouds. And this music is perfect. So perfect! Grand orchestral scores, with sections of electric guitar and lo-fi beats, all held together by sweeping chants. Holy shit, Providence may look pretty dumb, but this fight’s oozing style

What... so Providence can force a party member to do do his bidding? Like having Magnolia try to strike Yew down. That’s not great, but your first instance of doing so is using my healer to attack. And I’m supposed to be scared of you!?

Get him down enough and he starts consuming Vega’s energy to heal up 10,000 HP every few seconds. Fucking rude. Altair’s so upset he took over Tiz and is screaming for Vega... who can hear him. And she’s fighting back! All Altair had to do was tell her the compass was completed and their dreams could come true and her hope reignited!

This ass can still cast Doom, though

OR HE CAN JUST SAY “YOUR LIFE ENDS HERE” AND WIPE THE PARTY. God... dammit. Like, actually damn this god. What a dick. This is what I get for trying to have Yew conserve his MP. Chainspell Meteor Rain is prepped for next round, bitch

I could easily skip replaying this scene, but I wanted to watch my kids trash-talk Providence’s ideals again

God, I forgot to take Obliterate off of Tiz AGAIN. I know it won’t ever work and it’s just wasting a slot right now. I’d still die laughing if it worked, though

That can’t be the end. This is a JRPG, there’s at least one, probably two more forms coming. And come on, you only drop 980pg? What, are you a broke god? What an ass

Vega’s pink soul seems to be freed, though. And Altair’s spirit finally leaves Tiz, his color being blue. They’re really cute together, even if they are just floating, colored orbs

Is... is Tiz gonna be okay, though? Altair’s soul was kinda fueling his... everything

We shouldn’t keep them, though. I think it’s time for both of them to move on. Gonna miss ya, Altair. I know I’ve made fun of you in the past, but I’m glad you were part of this journey

“Keep your hearts like chamomile!” Just had to get one more in there, huh?

I’m so glad Vega’s here to make sense of this. “Chamomile is said to grow best and strongest when trodden on, you see.” So learn from our hardships, and continue to grow ever stronger. Stay stalwart in the face of adversity. Can do, you crazy, crazy Celestial man. Can do

Oh, so I have Vega to thank for your absurd produce tirades? She started the proverbs to get him to eat vegetables. Jeez, Altair, you sound like my dad. The man’s in his mid-50s and still refuses to eat any vegetables but corn and peas. Which SUCKS because I LOVE vegetables, and we only get to eat a bunch of ‘em at family dinners if he’s not around. I had a vegetable burger last night and it was GREAT

“And eat your vegetables.” YEAH, THANKS. I will! Somebody get me a carrot right now! (I’d get one but I don’t feel like peeling one at 9:30 at night, which is when I’m typing this)

Awwww. Altair finally ate vegetables once he got to Luxendarc because they reminded him of Vega

Yew should confess to Magnolia, WE GET IT. Let him figure out his own emotions! Stop pressuring my boy!

Bye, you two! May your afterlife together hold only the best!

Ohhhhh that’s what happened. Okay. So when Providence used Mandate of Heaven to have Magnolia attack Yew, she wouldn’t actually do that on her own. I had to make her do it, and because I didn’t in the set timeframe he used Divine Punishment to wipe the party. I totally misunderstood what was happening there, since Magnolia had negative BP and couldn’t move, and the very next turn was when I triggered the mid-boss cutscene with Altair. The second time I simply killed him on the turn after he cast it on Tiz, so it didn’t matter. That’s a very bullshit tactic and I am eternally grateful to Meteor Rain Geneolgia over there for ending the fight in a timely fashion

WAIT. Remove Obliterate from Tiz, genius. And heal. Trust no one

Hahahahaha okay, yeah. Yeah. I was expecting a cutscene before round two, and I’ll admit the harsh cut to the screen-shattering battle intro when I tried to leave the room made me jump a bit

This is what I saw a screenshot of before I played the game. Before the game even came out in English, even. I was looking up Airy’s sister after beating Default, because I saw the art of the Kaiser and Anne, assumed she was Airy’s sister, and wanted to know if she had a name. Saw the line “Anne works for Providence” and a low-res picture of Providence and clicked out immediately, but was left with the knowledge that the final boss was a purple pyramid named Providence. Seeing it now, there’s so much more to it than I remembered

We cut to the sky, a brilliant blue galaxy that the party is floating in. Magenta clouds adorn the top and bottom of the screen, and from them semi-mechanical, semi-organic looking hands of magenta and black descend, fingers wiggling. An inverse pyramid comes out of the cloud, and the gigantic eye in the center opens and glances around manically. An inverse Eye of Providence, that grants only poor fortune

Tiz, you should know better than to think this was the end. Ouroboros had, like, two forms and five phases

Providence’s voice is distinctly feminine now. And now that he’s unchained from Vega... there’s no internal fight to hold him back

“Who is it that controls you?” *Providence’s eye looks directly at the camera* What? What? I’m his aunt/mother figure/big sis/etc.! And I’ve done a hell of a job keeping him alive, thanks. I don’t see you standing against that Meteor Rain for long!

Man, what is up with this naming scheme? The hands are labeled Providence B and Ab, and the pyramid is labeled Providence Aa

O-oh? Providence can use its own Bravely Second while I’m in the menu? It... did barely any damage, but that’s startling

He’s pulling a *redacted character* Undertale and I will not stand for this! (I actually super love Undertale and I’m excited that Bravely’s pulling the same meta nonsense in battles that the final Genocide run fight of Undertale did)

I... You’re talking to me? Me, Liz, the person sitting here. I... look, I know these kids don’t actually know who I am, that all of the affection I have for them is one-sided. I know my poor decisions have gotten them hurt on occasion. Would you rather I have never played the game? What would that have gotten them? Sometimes you have to struggle for a resolution that benefits everyone, for a good resolution. I will never regret getting Tiz out of that Chasm. Or saving Yew from Denys. Because all of those kids standing there deserve a happy ending and I want to see them get it!

“Persist in this battle, and Yew and his friends will only feel more pain.” Said in a tutorial description box. Look, I want Yew Geneolgia to be happy, okay!? I’m gonna get him a good end! If I stop he ends up stuck in the Via Celestio for eternity! I’m getting him and Tiz and Edea and Magnolia home and you. Can’t. Stop me.

“Isn’t it enough? How much more must they suffer to satisfy you?” Ideally, none! I don’t want to see them hurt, but I want to see them fail to save their world and lose everyone they love even less. Tiz is gonna retire, Edea’s gonna be Grand Marshal, Magnolia’s home is gonna be safe, and Yew is gonna make a new family legacy that he can be proud of! That’s all I want out of this!

You think you can make me feel bad by treating me like I’m just here for the gameplay? Because battles are fun? Joke’s on you, I don’t really care about gameplay! I’m here because I love these kids and I want to spend more time with them! I want to see them grow and find their happy endings, and they give me hope that someday I can find one of my own. SO FUCK OFF

You aren’t my god, bitch

It... means you can cause screen and audio static? Hey, idiot, I do that to myself, accidentally

You don’t control me! You control my input device at best!

Stop that. Stop making my kids hurt each other. I’m not the one who wants them to suffer, that’s clearly you. I would never have the game play at normal speed. 4x or bust

Despair? Oh, this isn’t despair. I’m just fucking pissed. Sorry. I don’t really get sad when there’s a target to take my anger out on actively taunting me

Yeah, fine, just boot me to the start screeeeee-NO. Hey. NO. Take that cursor off of delete. I’ve accidentally deleted save files before don’t do that! Mmmmmm every button just makes it go closer to “Delete All” come onnnnnnn. I will replay this game over if I have to, Providence! I’ll be back in another two years you can’t stop me

I don’t want to press the button. I know I have to. I know the game devs couldn’t possibly be so cruel as to actually erase the files. Not to constantly bring this fight back to Undertale, but it didn’t get me when your save file got “deleted” at the end of a neutral run. It’s so much worse in this game when you have to press the button multiple times and inch it ever closer to delete, knowing full well that the only way to avoid it is to give up and turn the game off

...I hope the game, like, records how long it takes me to finally press that button. I’m just making entries here to stall at this point

Changed into pajamas, went to the bathroom, and messed around with the current timed quest in Hogwarts Mystery for a bit and they still want me to press the button, huh?

...fine. Supposedly there’s a shield that you can only get if you play through the whole game on Hard (EDIT: Nope! The wiki was wrong again) so I’d have to go another round, anyway. Do it, Providence. I dare you

JUST LET ME PRESS “NO” YOU WIGGLY FINGERED BITCH

Yew! Yew, buddy, I’m trying!

THANK YOU MY PRECIOUS BOY. I DID NOT EQUIP YOU WITH A SWORD BUT THAT WAS STILL BADASS AND I’M SO PROUD OF YOU

Ahhhhh! Orchestral version of his theme! I’m actually crying I love this boy

“There’s someone who’s been here, supporting me, all this time.” Yes, hi! Hi, kiddo. You’re great! You’re so wonderful. You probably didn’t see me wave at you when my face appeared in the Norende Ravine, but you’re awesome and I’ve never been prouder of someone

“I’m fighting for you, too!” And I want you to be happy! (I’ll be honest, having Yew talk directly to me is really powerful. I just wanna, like, poke the screen where his hand is and high-five him. Best boy)

YEW GENEOLGIA LOVES ME MORE THAN ANYONE ELSE IN THE WORLD DOES

Nope, I’m actually crying. Hahah. My favorite character thinks I’m cool. That’s a hell of a self-esteem boost

“It’s your will, and mine! We’re in this fight together!” Always, buddy. Whenever you need me

He used the letters SP from the title screen to activate the hourglass. That’s so smart I love the nerd kid

Yeah, Agnès, I love you guys! I’ll always come back to defend your world, even if just to see you again!

Janne. Janne, I really do not like you. Please shut up. Your encouragement is just making fun of me for helping Yew? Wow. Okay. I see you’ve learned nothing

At least Nikolai is grateful for me giving even the empire’s people a second chance

You know what, Minette? I’m glad you’re happy. I hope you get therapy! But a new dad is okay for now

Bella is... smiling? AND HELL YEAH, MAN. I’ll keep fighting for you, Cú! Some conceited eyeball ain’t gonna stop me!

Norzen you-you had glasses this whole time? Wow, I could not tell from a distance! Sure, cloud grandpa. Stars. Yes

Aimee did you and Angelo... really do anything? A’ight, sure, I’ll save your romantic future

Yeah, I can make it as if Providence never existed, Geist. “‘Cause this is our world, right? And you were a part of it, too!” Yeah, I was, Rev. Thanks, kid

So the screen shattered and... DENYS! Hey! Hey someone grab his ass right now! Someone save Denys please he’s right THERE!

“Promise me... that you will watch over my brother. Farewell, my friend... and thank you!” You deserved so much better, Denys. Sorry it doesn’t seem like saving you is in the cards right now. The second I can, I will. Then we can look after Yew together!

My emotions hold power... OH I’M PRETTY SURE BOTH MY RIGHTEOUS ANGER AND LOVE OF YEW TRANSCEND TIME AND SPACE. That’s MY BOY!!!

...oh shit he’s out of MP uhhhhhhhhhhhh

Thank god I never use items and had Elixirs

Get. WRECKED. Singlehandedly. By Yew Geneolgia triple-casting Meteor Rain after Tiz and Edea took out the hands

Also, I didn’t mention, but the music for this fight does exactly what I adored in “Serpent Eating the Ground” last game: most of it is clearly the boss’s dramatic song (already really great, as mentioned in Providence Round 1), but then partway through it cuts to remixes of each party member’s Special Attack song, melded together into one flowing number that completely overrides the Boss’s sound, in a musical indicator of our triumph. There’s some of the main theme of the game, in a sense, I guess you could say representing the player. And I think I heard a bit of Denys’s boss theme in that section. Fitting. He did send me back to the party, after all. And this section only starts up once Yew cuts through Providence’s manipulation, furthering the sense of triumph as the party actively overrides Providence

Well, that’s that, huh? Everyone’s back on Luxendarc, the path to the Celestial Realm is closed, and Altair and Vega have finally moved on together. Seems... there’s not much more I can do for you guys, huh?

...where’s Tiz?

Nonononononnooooo I knew he wasn’t gonna be okay without Altair. No, come on. Tiz, you can’t do this to me again! He just wants to retire

I... should we hang up on Agnès? I don’t know if I want her to watch this. Can’t we just shove me into Tiz again? I can keep the game running until my 3DS’s inevitable complete destruction

Y-y- ...I see. Vaguely British female voice? It was you all along, my Adventurer friend. Or should I say, miss Narrator? By what strange trick of fate do our paths cross anew?

No, Magnolia! She clearly knows... something. And I can tell she’s more than what she seems. How else... could she have made it into the Via Celestio on her own?

I can’t watch Tiz go comatose again. If you’ve got a way to save him, do it already

“But what is a soul? But the embodiment of our wishes, dreams, and desires.” Ummm... the metaphysical culmination of a person’s being? I’ve never quantified a soul before

Fill Tiz’s body... with the dreams needed to bind his soul. And uh, Yew? Yew. Is dumping the hourglass sand on him the best idea?

Oh. That’s how you ended up in those dungeons. You can just open warp gates. I see.

And she handed the hourglass to Tiz in the past... on his way to the Norende Chasm, where we first got the ability to use it in Default. And she was wearing green. I can’t for the life of me remember if she ever wore green in Default, but it wouldn’t surprise me given the amount of sequel nods there were in the international release. What, do you just change into green when you go to the past so your past self knows what’s up?

So ideally, we now have an hourglass with two games, or two and a half years’ worth of dreams in it

Did you create a time loop where the hourglass didn’t exist until Tiz had it and won’t exist after, or did we have two hourglasses and never notice?

Where would that even be hidden on Tiz’s body!? He was in a medical jumpsuit! ...oh, ew. I really hope it was in his pants legs and not... elsewhere

Oh, good, Agnès has it. Whew. Crisis averted

And the Adventurer finally introduces herself. A long, silver-haired woman named Deneb. One of Altair and Vega’s old friends. And, most importantly, probably another Celestial. Possibly the last one alive on Luxendarc

*Great Distance starts up for one last go* Run Agnès! Run with all you’ve got!

Credits are rolling. Let’s see those happy endings we all worked so hard to get

Nikolai is back in the priesthood, preaching to the New Crystalguard, of which Janne seems to be a member. I’m happy for Nikolai, still mad Janne never got over himself, but we can’t win ‘em all. Best of luck, gents! Call me in a few years when Janne has finally grown up

Bella and Cú are just walking around in... Eisen? Ah, well. They’ve got each other. Hope they find a home that accepts horsemen. And I owe you a two a special thanks! The Spellcraft and Triple Wield abilities carried this team, and the Yew Meteor Rain strategy couldn’t have happened without it!

Norzen is back to teaching, and Rifa and Pudgius are glad to have him there

Minette’s happily sailing with her new dad and his cat in his little rowboat. Remember what I said! Therapy!

Aimee and Angelo... did not set up shop in Gathelatio. Or they just haven’t moved locations yet. Pancake business is booming either way (You guys should seriously move, though. If more adventurers find out that Obliterating Chompettes is some of the best experience in the game, they’ll just loiter outside your shop all day and scare away customers! Customers that I’m surprised you even have at the deepest spot in a high level dungeon. ...maybe that’s the actual problem with your current location)

Geist and Rev are... standing around posing in the old seaside shack that was sold to Profiteur? He’d better not have gone back on his deal after I defended him like that!

Aw, Lotus is teaching Sakura to fly the Rubadub. I’m glad those two were with us through this journey

And Great Distance fades out as Agnès arrives, no more distance between her and Tiz any longer

“Good morning... Agnès.” Don’t ever scare us like that again, buddy. Happy retirement

*Great Distance back for Round 2* And now we’ve got the party epilogues!

The new Grand Marshal of Eternia contemplates what to do next, her second-in-command Alternis at her side. When faced with a conflict between two factions, Edea decides she has to go herself, because if anyone can make them see eye-to-eye, it would be her. And I believe her. Alternis declares that he would go to the ends of the world for her, in a way that makes you question whether it was Ringabel or not. Given the way Edea looked forlornly down at her feet, I’ll say “not,” making this a bittersweet end for her

With the peace talks over, Agnès has resigned as Pope, leaving everything to the Matriarch and new Vestal, Sylvie. No longer a Vestal, she has no reason to cling to the surname of those wed to the Crystals, Oblige. No, she’d rather be Agnès Arrior. And now she and Tiz are engaged and planning to move to Norende as farmers. I’m happy for you kids! Enjoy retirement with your sheep. You’ve both earned it

Music fades out again as we cut to Magnolia in the Buster Ship, musing about how wonderful Luxendarc was. Yew races to where he first met her... but her ship is already blasting off back to the Moon. And a ballad starts up as Magnolia walks up to him after he laments that he never confessed. That confession is as awkward as I hoped it would be. And then Magnolia winks at the camera (hi!) and muses about how love really can transcend time and space. Turns out, people on the Moon only tell their true names to the person they wish to marry... and she just whispered something into a very red-faced Yew’s ear. Cute! Just remember he’s 16. Give him a few years to get his bearings, Magnolia. I have no idea how old you are, but maybe take it a little slower. Best of luck, you dorks

One final shot. The Geneolgia mansion foyer, but this time Foundar’s portrait is gone. Now it’s a portrait of Yew, Tiz, Edea, Magnolia, and Agnès eating dinner together... with Denys standing behind them. This is the real Geneolgia family. The one that deserves to be celebrated.

And there goes my name in the credits. Thank you, Bravely Second team. It was a hell of a time and a hell of an undertaking. Almost two years since I started this liveblog, and it evolved rapidly from just a few reactionary bullet points to a full on analysis/reaction. And I’m really glad I did it. I’ve gotten to talk to some cool people thanks to this, and I hope they enjoyed the ride as much as I did!

I really wish I could stick around, kids, but I guess that’s just not how games work. Just let me know if you ever need me again, and I’ll be there. And this time maybe it won’t take me two and a half years to get to it. I’ll do my best!

One final scene, post-credits. Ringabel narrates that they found “the third key,” The Sword of the Brave, to a Vice President over a hyperrealistic shot of the moon

And now we have the final, true New Game+. I love the sparkly little border on the cleared file. But, hey, this isn’t the end yet! The Bestiary isn’t complete! We’re still missing items! And it’s all thanks to the three postgame dungeons! ...but I won’t bore you with that unless there’s demand for it

That being said, there’s still going to be one more update! I plan to do one final retrospective on this game as a whole. What it did wrong, what it did right, and my overall thoughts on the experience. I understand if that’s not everyone’s cup of tea, though, so for those who won’t be joining me, I hope you had a good time reading and thank you for spending the time to look at my ramblings on games I like. For those joining me for the retrospective, thanks for reading! Until next time!

[thesinglesjukebox]

TWICE - LIKEY [8.00] Title checks out.

Jessica Doyle: At first listen “Likey” seems underwhelming by Twice standards, as even applying the full force of Sana to “me likey, me likey likey likey” doesn’t result in a skull piercing along the lines of “neomu hae, neomu hae” or “kung, kung” or even “sign-EUL BONAE, sig-NEUL BONAE.” (The closest we get is Momo pouting about BB cream and lipstick, and she’s immediately followed by a more conciliatory Tzuyu.) Lyrically it could even be read as a continuation of “TT,” the members painting themselves as emotional messes at the mercy of the listener. The difference is in the potential for an alternate reading: Twice as emotional messes at the mercy of the audience, Twice given the opportunity to acknowledge the constant mental-health assault that is idol life. Everything feels like a careful signal (…bonae), from Jihyo as leader holding the camera and talking about the small screen, to the tourist-pristine presentation of Vancouver in the background, to Dahyun’s brief trap interlude, to the slouchier outfits of the dance-practice video. “Likey” doesn’t have to be Twice’s catchiest or most distinctive single when it can be Twice’s smartest. [7]

Alfred Soto: A haiku of romantic need, “Likey” recalls prime Stock-Aiken-Waterman in its concentration: boom boom boom it goes, its breathy vocals and hint of woodblock percussion leading the charge, until this time it knows it’s for real. [7]

Iain Mew: “Likey” is another proof for the interpretation that made me love “Cheer Up” – that it was a demonstration of what happens when you play along with a role with such absolute conviction that real emotions and portrayed emotions begin to blur. In “Likey” the same theme is both more heartbreakingly explicit lyrically, and present again in the music. There’s no fixed-grin mega-chorus this time, but bursts of a buoyant, colourful twist on the K-pop-house wave. Each chorus plays out like a perfectly presented social media life, splashing across all the complexities and effort they sing about going on outside of it.  [9]

Katie Gill: I’m a sucker for Twice. They’re a group that knows how to have fun, which shines through in their performances and sound, and I’m always here for their bright bubbly bubblegum pop. Add in those fun synths and an amazingly fun prechorus/rap break, and you’ve got a song that’s tailor-made for me to fall in love with it. I just wish that they didn’t hang the chorus on such an awkward phrase as “me likey.” [7]

Mo Kim: “Like is such a common word, not enough to express my feelings,” Mina laments in the chorus. Nayeon is more conciliatory: “But I like you, even if I can’t sleep, even if I’m late.” And Sana, by now a familiar and comforting presence, chirps back in ironic response: “Me likey, me likey likey likey, me likey likey likey.” It may be the best-executed joke in their entire discography: if there’s one thing that Twice has mastered, it’s the gap between what we know we feel and what we know how to say, and how that gap gets mediated through cinema cosplay, hooks as persistent as a lovestruck teenager, and alien soundscapes. “Likey” draws on all of those strengths, washing the anxiety of a social-media crush through pastel pink filters and emerging as the group’s surprisingly soulful thesis statement. [10]

Alex Clifton: A sugary-sounding song about a love/hate relationship with social media described in addictive terms. The struggle to project an ideal version of oneself on social media, to put effort into the perfect selfie, is nothing new, but I’ve never heard it described in a song in such opposite terms–yes, it’s a struggle; yes, it’s something we enjoy; yes, I need that rush of dopamine any time someone likes my posts to function. I’ve tried to wean myself off social media this year, but I’ve still felt the pressure to word things perfectly to gain the most appropriate attention. How do I make this funny? How do I make this unusual? How do I make this particular post–and, by extension, myself–wholly likeable? To hear it all jumbled so starkly in such a song–especially one that’s rigorously upbeat, one that could play in the background quietly and maybe slip out of notice as a standard pop song–is magnificent. [8]

Leonel Manzanares: I’ve always enjoyed how Twice likes to get busy, production-wise. This time there’s a fuzzy guitar intro joining a line of bubbly synths, a cascade of slow arpeggios in the verses, and even a half-time trap breakdown in the bridge. And I’m glad that the inconsistencies in their previous singles are a thing of the past, but why don’t they just sound as exciting as they used to? “Signal” was absolutely divisive, but was it really their creative peak?  [6]

Ryo Miyauchi: Out of all of the animated parts, Momo’s drive the story home. Her pout about makeup before the chorus goofs around as much as it runs frantic from all of the upkeep the girls have to do for that perfect Instagram picture. The others are more concerned to hit the right vocal spots to reveal just how much they’re breaking a sweat, but that’s Twice for you: the sugary beats and ditzy voices mask a deliriousness from all this need for attention. [7]

Joshua Minsoo Kim: In virtually every aspect of “Likey,” production duo Black Eyed Pilseung capture the inwardly frantic yet outwardly calm nature of using social media as an avenue for affirmation. It’s more structurally complex than “TT” and “Knock Knock,” but more cohesive than “Signal” and “Cheer Up.” This middle ground proves apt, as the song’s constant innovations and driving energy mirror the constant shifting of attention one experiences while scrolling through endless feeds of content. One could argue that the pre-chorus’s winding melody brings the song to a halt, but this only bolsters the song’s conceit. Compared to the rest of “Likey,” the vocalizing there registers as conversational. But it isn’t long before we’re pulled away into the chorus’s onslaught of Twice-as-hell catchphrases, transfixed by the sound of people transfixed by their screens. It’s a statement in and of itself: how could the real world possibly hold up to the notifications that blow up our phones? The entire song is sprinkled with onomatopoeiac representations that drive home this half-serious point: applying BB cream and lipstick, a crowd of people cheering, an angelic choir praising us in the chorus. And the only possible way “Likey” could have started is with its blaring horns and bouncing synthline–fanfare fit for a professional athlete’s entrance music. We’re ultimately left with our prized possession: a “Heart! Heart!” notifying us that someone’s liked our post, our image, our self. Amusingly, it’s preceded by the girls singing the sound of a quickly-beating heart. It turns out both hearts are our lifeblood. [10]

Will Adams: The popular consciousness’s fixation on millennial culture has endured for so long that it’s become easy to identify the quality of each thinkpiece: Does it treat social media users with disdain, or does it take the time to recognize the benefits they attain from it? In a better world, “Likey” would have been the urtext, at once acknowledging the enormous pressure to look a certain way – sucking it in, angling light so hits you just so, swiping through filters – and the rush of seeing the appreciation come through in short, warm buzzes. Each line offers a different reading, mimicking how quickly we sift through the emotions, never quite resolving them. And we get those mixed feelings elsewhere: a “Heart! Heart!” hook that’s both annoying and endearing, a breakbeat instrumental that’s both ecstatic and wistful, and the moment you receive that like, both time-stopping and boundless. [7]

Maxwell Cavaseno: Contrary to popular belief, sincerity is never a pure answer. There is nothing less flattering to the human face than your own tears, gushing down your face, mixing with snot and drool over your whimpering pleas to make you look more like a slug than any person of desire (no offense meant to my invertebrate audience, as someone with far less of a spine). Nowadays, in the harsh kiln of radioactive beams from our webcams, phones, and any possible source of laser-like intense study, we’ve learned to fix rigid plasticine smiles and gussy ourselves up in the desperate hope for approval and kindness from even the most distant stranger. Try making it through the days when even the robocalls don’t hit you back. I don’t imagine anyone in Twice was spending their Hallow’s Eve like myself, hysterically laughing at my own reflection after slathering on gaudy amounts of makeup and facepaint in the hopes of the slightest sliver of approval (should I be wrong, please provide info in a corresponding email). But they are likewise burdened with the task of smuggling themselves into the day-to-day of their intended audiences. This group basically shattered me with Momo’s sobbing babble of a voice and our mutual insistence that hysteria “isn’t myself at all.” Now, in the same way, her voice echoes giggling pleas for attention, acknowledgement, the cheap reminder that yes, somebody up/over/out there might be fooled into thinking they like “me.” The blare of the flange-drenched VST horns and the percussions slip from the freestyle/Atlanta bass skips on the verses to the 4x4 bridge to the hesitant 130-BPM breakstep fills on the pre-chorus are not as triumphant as they are propulsive, hurriedly pushing oneself along further and further. For all the moments that shouldn’t succeed (the Migos flow breakdown and the weird gap before the final chorus threaten to busy up the record too much), it’s a perfect balance of charming leap and trembling flail forward, doing its best to never sound as starved a record as it is. That’s the genius of Twice at their peak form, that something so violently happy never betrays the insane loneliness and desperation at its core. We love you so much. [10]

[Read, comment and vote on The Singles Jukebox ]

[elysiumrp]

Congratulations VEE! You have been accepted as Jasper Pitzen. Please go through the checklist and send in your account within 24 hours. If you need more time, make sure you send a message to the main.

When it comes to a character that has so many possible ways to develop them, it’s always a strange thing when it takes a while for an application to come in for them. But there’s always a reason – the right person has to come along, and here you are. Jasper is a pivotal person to the supernatural movement, both by being somewhat of a spokesperson for them and being the first to do what he is doing. It’s always exciting to allow a person to take on the challenge of a character they aren’t used to, but both of us feel you have the chops to do so. How you described the emotions he has, beyond just being in front of a crowd and behind closed doors, it’ll be a great addition to the character development already happening. It’s the determination you show that won us over, how you grasped how he is despite Jasper not being in your comfort zone and still wanting to play him. We’re here to become better writers, and with your determination, we hope this is the place will do that for you. Welcome to Elysium!!

OOC INFO

Name: Vee Age: 23 Timezone: EST Preferred Pronouns: She / Her  Previous RP Experience: [RFP] Activity Level: About a 4. I work long hours during the week from the afternoons until early the next morning (sometimes weekends) and will have to queue replies in my free time as I won’t have access to a computer. Any asks/IMs that I might receive will be answered a day later, and I may have to plan ahead of time for events in order to participate in them (depending on the duration of them). I know I’ll be working on July 4th, so I will not be around for the beginning of the event taking place that day. Anything Else: N / A

IC INFO

Character Name: Jasper Pitzen  Why did you choose this character:

I’m going to be honest and say it: I chose Jasper out of fear. Yep, I really did. When choosing characters, I usually play it safe and go with a personality type I feel comfortable writing. Time and time again I wind up playing the same character and it’s hard to tell if I’ve actually been growing as a writer. After a while, writing was beginning to lose its enjoyment for me. I felt stuck. I tend to shy away from super-serious political or government-related type characters as I feel I don’t have the knowledge to write them convincingly–research or not. They intimidate me. Now, I’m taking a chance with this app, conquering that fear the best way I can. It’s like that saying: “you won’t know until you try,” right?

To get down to specifics, I found the contrast between the younger “party-animal” Jasper (pun intended?) with the current straight-laced activist to be very interesting. I love symbolism and foreshadowing, so those two aspects of his life give me ample room to play around a little; I get to see how deep into Jasper’s character I can go in order to breathe life into him.

Additionally, Jasper is a character who’s out in the public eye constantly, so being careful with his words is a given. That allows me to put more thought (than usual) in what I’m typing out, to make sure things make sense for the questions that may arise. Jasper’s so different from myself that the extra effort needed to make him appear polished is very crucial to me.

Describe your plan for them:

As soon as I read Jasper’s bio and connections with the other characters, I saw him as this heartless, teasing, snobby rich kid who slides on a nice face for the cameras, but isn’t above threatening another supernatural to change their ways in order to make himself look better. With words that form riddles as well as threats, Jasper has more at stake and tends to lash out because of it. He’s not a villain…though that depends on who you ask. I love that duality about him; the way his character carries so many interpretations and how he’s each and every one of them when the situation calls for it. There’s so much negativity surrounding his character from the other supernaturals that there has to more to it than “he took my job” or “he can’t be trusted.” Jasper’s actually full of self-hatred and heart that he tries to hide for the sake of staying strong for his community. And that’s something what I want to focus on down the road.

Jasper seems to be so put together that I want to see him have a breakdown. Whether it’s from losing a part of the freedom he’s working so hard to gain or getting close enough to another and losing them, I want him to feel that raw emotion he’s been pushing aside since the day his wolf gene was triggered. I want him doing something really uncharacteristic, like seeking help from another in tears.

Furthermore, throughout the course of the story, I plan on having Jasper struggling to make allies of the other characters as he’s trying to understand their dislike of him. He wants them all registered with the database system, believing his work representing them is doing them a service; it’s possible that he’s tangling the web further. I want to have him questioning his identity, his self-confidence, and what it means to be a leader. Are his motives pure or clouded over with ulterior ones? Could that change over time? If possible, I’d really love to explore that.

Describe your character’s feelings and reactions to the initial reveal of the supernatural world:

Jasper was in complete shock. As he was just coming back to everything, just getting used to hiding the supernatural side of himself, he’s suddenly pushed out into the open. Before Jasper has a chance to fully self-identify as being a werewolf and adjust to the new life in a densely-populated area as New York City, he’s alone for the first time against a world he doesn’t recognize. He chose to fade into the background as he’s done for the past few years, but that plan was ruined when he was chosen to be on the Council. Unsure of what to do with the status and reluctant to take the power, Jasper finally decides that standing out with others at his side was more likely to save his life than to go about things alone with a greater risk of being killed. There is strength in numbers; it is that strength that built the Jasper Pitzen the Council needed.

Describe your character’s feelings and reactions to the current state of the world, and how it impacts them as an individual:

When the supernatural community lost the Council again, Jasper felt as though he left with it. He clung to the Council as part of the identity he was still searching for in the time that had elapsed. He spent days moping on the couch in his apartment or the stools in various bars, watching as the same people he fought to protect run past the city limits. He began to hear whispers of an uprising on darkened streets from those who supported the Council and demanded freedom. Wanting to feel that same passion he felt within the Council, Jasper joined what is the beginning of the Resistance in hopes of saving his people. Being thrust into the spotlight because of his disappearance and now because of his previously-hidden identity had left Jasper enjoying it more than he ought to. He’s having a piece of the life he could’ve had if his inner wolf never forced him to leave. It’s as if he’s playing the part of the bachelor again, kissing up to audiences purely for entertainment. He knows he has a job to do in promoting equality, but there’s a fine line between the two that he doesn’t mind crossing from time to time.

Para Sample:

“…and that’s my goal. World peace. An innocent little wish–something said by a child at the end of a holiday movie–but its meaning has grown immensely as of late; this isn’t something to make light of. We need to act on it now. Think about it. With all the violence going on in these times, would you want the children of our future harboring such seeds of hatred? Wouldn’t it be more beneficial to pass on wisdom and love? My question to you is this: How would you like to be remembered?”

The roar of applause from the studio audience brought a grin to Jasper’s face. He snuggled deeper into the cushions of the chair he sat on, posture perfect, the very definition of confidence. The daytime host beside him nodded in approval and for a moment, everything was glorious. It was if answering that question ended the battles between supernaturals and humans. The sky would offer rays of gold, the birds would sing Pit-zen! Pit-zen…the credits would start rolling—

“And now questions from our viewers at home!” The sing-song voice of the host ended the applause, along with Jasper’s illusion. She tossed the cards in her hands over her shoulder, pulling out a new set from underneath her chair’s cushion.

Jasper’s eyes widened and his mouth fell open.

What the hell?!

The supernatural spokesman recovered quickly, however, motioning the host closer so he could whisper in her ear, “We never agreed to this!”

“My show, my rules!” The host sat back in her chair while Jasper tried masking his anger. She flipped through a few cards before landing on one with a satisfied hum. “Okay, so werewolves have lots of fur, correct? How often do you shave? And do you shave everything?”

The audience roared once more.Jasper lowered his head into his hands.

Damn those curious humans!

Ever since the supernatural world had been exposed, questions were thrown as quickly as punches. Humans who were pro-supernatural—or curious in general—wanted to know more about the lives living alongside their own. And since Jasper Pitzen was front-and-center fighting for supernatural equality, he was the target of such nonsense. He had left the show’s studio later that day to find “Pitzen is the pits” smeared on the side of his limousine in dog shit. When he arrived at his apartment complex, a woman walking her dog asked if he could translate her dog’s barking for her. To which Jasper replied “may you and your dog have a fantastic day!” He finally made it to his room’s door, where another bag of dog food was waiting for him.

Shit!

And then there was the press conference. Oh, God. The press conference. Supernatural lovers and haters alike crowded the entrance of the building. It was there that a man asked if Jasper could hear his boyfriend cheating on him from the other side of the city (as if the area around them wasn’t loud enough), some people threw trash at him, a handful of people wanted autographs (Jasper even signed someone’s ass!), and a group of women wanted him to bite them.

“Bite them.” Jasper had told his bodyguard, “They wanted me to bite them. This isn’t some teen werewolf drama on TV. This is real life. The bite is a curse.”

What made matters worse was that Jasper didn’t get flak from the humans, but from his peers and other supernaturals as well. They laughed at him, asking him random werewolf questions they already knew the answers to just to get a reaction. It amazed Jasper how they acted as if their lives weren’t on the line, as if this was one big joke. Fighting for equality was never easy; these added obstacles made things much harder.

Was anyone actually listening to him if they were laughing?

As much as Jasper loved the celebrity treatment, was it hurting his chances of repealing the very laws that bound him to a life of scrutiny? Were the humans slowly seeing him as an equal?

Some days Jasper wanted to go back to his life of partying, doing lines of cocaine and sleeping with as many people his king-sized bed could hold. Instead he was subjected to moments of sitting on the floor in the fetal position, rocking back and forth as the tears kept flowing, wishing everything would just stop.

But the world doesn’t stop for anyone. Not even Jasper Pitzen.

Any questions/concerns/things you’d like to change: (siblings to add, pronouns, sexuality you’d like to specify, personality, face claim, history, etc., etc.)

As much as I read the plot/everything on Jasper, it’ll probably take me some time to catch up on everything that has happened so far and really let it soak in.

[royalnolen23-blog]

Catholic Congregation Leaders In The U.S.A.

Enthusiasm, eagerness, pep talk, interest, passion mean intense feeling convincing activity. As soon as a Sim's enthusiasm for a leisure activity arrives at amount 3 or 4, the Sim could obtain chance memory cards associated with that leisure activity, and may roll prefers and also is afraid related to this. Many outcomes for hobby-related possibility memory cards will definitely either minimize or even boost enthusiasm. Every commanding as well as great action in the record from the planet is actually the victory from enthusiasm. Take care certainly not to bring your enthusiasm on such a higher aircraft throughout your entire speak that your target market comes to be exhausted. Are afraid of as well as anxiousness will certainly be actually blocked out of your mind when you've begun to generate that excitement within yourself. . It absolutely seems like Groundhog Time, meaning the film regarding a TELEVISION personality which does the same thing over and over. Excitement centers your emphasis outside of your very own ego which separates you from your must protect this. When you don't need to safeguard your ego, you may get into any sort of communication situation without worry or fear. He adds that all folks of impressive success have actually found ways and ways of activating on their own in to a condition of high interest. Critics Opinion: Though the 7th time strikes mainly common beats, Larry David continuouslies extract the typical for humor, as well as Suppress Your Enthusiasm is as funny as ever before. When you are equipped to reveal people that The lord's Term has the options to the really concerns that concern them, you experience an enthusiasm to do so, as well as interest comes typically. Seeking out at the brilliance from the celebrities, I am actually helped remind to allow my enthusiasm permanently shine vibrantly. Yet there is actually no informing exactly what Trump will definitely carry out as soon as in workplace and also not known troubles Rodgers one of the most. Enthusiasm: A Chapter in the Background of Religion with Exclusive Reference to the Seventeenth and also Eighteenth Centuries. In an exciting reconstruction of the letter coming from the people from Corinth, in reply to which St. Paul composed his Epistles, our author suggests that the spirit which had got abroad at Corinth was actually certainly not that of the Judaizing educators, as many commentators preserve, however that from the Marcionite heresy that was actually to develop two productions after that, and which revealed a collection of indicators of enthusiasm or even ultrasupernaturalism. We wish that indicates he will eavesdrop respect to their lack of enthusiasm for the entire deal. Like a trigger, guiding your anatomy can generate an intense excitement for anything you carry out. Make use of that excitement and also you may obtain the best from your life! Being actually energetic creates that even more very likely for you to become enthusiastic and also excitement may essentially generate the electricity you need to get going. When tiredness or even yet another from these health conditions has you grabbing through your days, when you locate that you've replaced marvel with whatever, go with excitement. Indicators of this revivalism, which is just what the discovered writer means through enthusiasm, might be the sentence that Christ is happening quickly-- delirium, trances, convulsions, and also noticeable speaking of unidentified tongues. Bandelier National Building and Puye Cliff Dwellings There is actually no deficiency from enthusiasm or details one of the staff at Bandelier (45 miles NW of Santa clam Fe on Hwy. Most actions to the perceived issue of interest emphasized the need for private theological knowledge to be moderated through factor or constricted by authorities from tradition or even Scripture. If you beloved this article therefore you would like to collect more info about please click the following page generously visit the web page. SpanishDict is devoted to improving our internet site based on customer comments as well as launching brand new and cutting-edge features that will remain to aid people know and also adore the Spanish foreign language.. In translating excitement rightly, there is actually one factor that has to be actually seized on above all the remainder: by itself enthusiasm is certainly not an incorrect possibility yet a false importance. Without bypassing a beat, Hanks stated the rap completely along with as a lot interest as he performed in the initial film, which appeared 28 years ago. In Madrid, Barcelona, and other Spanish metropolitan areas, revelers gather together generally squares to eat their grapes with each other and disseminate containers of cava. If you are visiting review a portion of the Scriptures, perform some research on it. Make sure that you know its general definition. The Democratic contender possesses a far more mathematically direct course to victory" through the Electoral University ballot, yet her campaign is actually having to deal with what the analysts knowned as an excitement void." That pertains to the difference in between citizens and very likely citizens, as in who are going to really turn up and ballot. Interest reverses lethargy and monotony, 2 common blocks to an involved religious lifestyle. Any individual can acquire on their own hyped up over a monotonous circumstance for the moment, but received enthusiasm could only happen when you profoundly respect one thing. If everyone is aware of the cumulative dream, which are going to trigger success as well as results from each group motivation, participant as well as interest come to be the indivisible component of all tasks. Young boys trusted on the rudiments from institution life are actually given considerable permit to observe their very own enthusiasms and enthusiasm. The sparsity of grass as well as window signs is actually an indicator from the Autonomous candidate's problem to generate enthusiasm one of left-leaning citizens, a problem that's substantiated in polling information, and also might potentially trouble her if voters fail to appear on vote-casting time. In interpreting interest appropriately, there is actually one aspect that should be actually taken on most of all the rest: in itself interest is actually not a wrong tendency however an untrue focus. Without skipping a beat, Hanks stated the rap in full along with as much enthusiasm as he carried out in the original movie, which emerged 28 years earlier. In Madrid, Barcelona, and also various other Spanish urban areas, revelers gather together generally squares to gobble their grapes all together and disseminate bottles from cava. If you are actually heading to go through a portion from the Holy book, carry out some investigation on this. Make sure that you understand its essential significance.

[east-west-bookshop-seattle]

The Dream Detective Blog: Personality Parts in Dreams

by Mimi Pettibone

“PART OF ME WANTS TO EAT CAKE – A.K.A. Personality Parts and Dreams”

At some point, most of us have said something along the lines of “Part of me wants to eat that cake, but another part of me really wants to lose weight!” Or “Part of me wants to be in a relationship, but part of me wants to be single…” or “Part of me wants to buy that new shiny thing, but part of me wants to save money.” Though most of us have not given much thought to this beyond the verbal expression, our language reflects an innate understanding of the concept that we do have many different conflicting ‘parts’ within our psyche. An iconic depiction of this is the proverbial angel and devil sitting on our shoulder. We all have parts within us that are more on the ‘angelic’ side, and other aspects that are a little more ‘devilish’ (but it is not quite so simplistic). Which part wins in terms of our decisions and behaviors can be influenced by our higher consciousness, our self-awareness, and our conditioning.

The basic idea is that we all have different aspects to our personality, different 'states' that we move in and out of at different times throughout the day in different situation and in response to different people. For example, most of us have a 'work' self, a 'relaxed at home' self, a 'responsible' self and a 'playful' self.  How we act and behave in the work place, at home, or in a social setting can be very different, and each persona is literally a ‘part’ of our personality. Our playful self can come out at work, the responsible self can do the right thing in a relationship. We are constantly shifting between these states even from one moment to the next. Some parts reveal themselves more than others, and we all have certain aspects that are more dominant in our personality than others.

Many people ask me: “Is it true that every aspect of a dream represents a part of yourself?” This definitely can be the case, and is a fascinating exploration. Yet it is not always the case. Sometimes another person in the dream really represents that person, and the dream may be showing you something about your relationship with them. Even in this case, it can be helpful to look at them as a part of yourself to gain a new perspective. In addition to people in our dreams, the different characters, animals, settings, and even objects can be explored as parts of our own psyche. Using imagination to embody an element from the dream, and speaking as that part can be a profoundly deep experience. I have found this method to access our deepest truths in a way that is more direct than any other way of working with people. Things that were not remotely in our conscious awareness come to the surface, allowing us to move closer to who we really are and what is really true for us.

Different parts within us can be as specific as different body parts competing for our attention. For example, imagine someone in school who is working on a timed exam: their intellect wants them to stay in their seat and finish the exam, yet their body is telling them it’s really time to go to the bathroom!  An incredibly funny example similar to this was illustrated in an episode of the TV show ‘Seinfeld’. In this show, Jerry dates a woman whom he finds very physically attractive, but mentally she is totally incompatible with him. In a hilarious metaphorical skit, his brain and his penis duke it out in a chess game!

Because we each have many different aspects to ourselves, our parts will not always agree with each other, which produces internal conflict.  One of my favorite ways of working with people is to facilitate these different aspects of personality so each part gets a chance to be heard. This is known as parts work, which can be of great value in decision making, gaining clarity, and calming inner struggle.  One of the most wonderful benefits is the sense of peace and calm that comes after sorting through the parts and having them express themselves. The sense of inner conflict that we all experience finally has a chance to resolve, and a state of peace and calm can be obtained. We also gain awareness of the parts, which can help prevent them from taking over when we do not want them to. For example, if ‘the part that wants to eat cake’ always takes over and wins, ‘the part that wants to lose weight’ is never going to be fulfilled. Awareness can help us realize when this is happening, and then we can have a choice about our behavior and decisions. Having a dialogue between the parts can bring new insights and integration, helping us reach our goals in a congruent way without feeling deprived.

If you are having trouble making a decision, experiencing internal conflict, or would like to gain a sense of peace and increase self-awareness, a parts work session could be of great benefit. Working with parts via a dream, or through the dilemmas of waking life can both be incredibly beneficial. Contact Mimi via www.thedreamdetective.com if you would like to schedule a session.

PS For your entertainment, here is a link to a YouTube clip of the above mentioned Seinfeld skit: http://www.youtube.com/watch?v=aEC7FK0xVTQ&feature=related

________________

Mimi Pettibone is the creator of the ‘Enchanted Art Oracle Cards’, and offers private consultations at East West Bookshop. Her practice includes dream interpretation, tarot and oracle readings, and personal growth work focused on relationships, communication and authentic life path. Her background includes social psychology, spirituality, dreams, intuition, and consciousness. Mimi is also a monthly dream columnist for the New Spirit Journal

For more info on Mimi, or to book a consultation: www.thedreamdetective.com