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#Escondido Production Studio
agendaculturaldelima · 4 months
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 #ProyeccionDeVida
🌎 Cine Club del Banco de la Nación, presenta:
🎬 “EL PIANISTA” [The Pianist / Le Pianiste] 🎹🎵
🔎 Género: Drama / II Guerra Mundial / Nazismo / Holocausto / Música / Biográfico /  Histórico
⌛️ Duración: 148 minutos
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✍️ Guión: Ronald Harwood
📕 Libro: Wladyslaw Szpilman
📷 Fotografía: Pawel Edelman
🎼 Música: Wojciech Kilar
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💥 Argumento: Wladyslaw Szpilman, un brillante pianista polaco de origen judío, vive con su familia en el ghetto de Varsovia. Cuando, en 1939, los alemanes invaden Polonia, consigue evitar la deportación gracias a la ayuda de algunos amigos. Pero tendrá que vivir escondido y completamente aislado durante mucho tiempo, y para sobrevivir tendrá que afrontar constantes peligros.
👥 Reparto: Adrien Brody (Wladyslaw Szpilman), Thomas Kretschmann (Capitán Wilm Hosenfeld), Emilia Fox (Dorota), Ed Stoppard (Henryk Szpilman), Frank Finlay (Padre), Jessica Kate Meyer (Halina Szpilman), Roddy Skeaping (Músico callejero), Michał Żebrowski (Jurek), Maureen Lipman (Madre), Nomi Sharron (Mujer buscando esposo) y Julia Rayner (Regina Szpilman)
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📢 Dirección: Roman Polanski
© Productoras: R.P. Productions, Heritage Films, Studio Babelsberg & Runteam Ltd
🌎 Países: Alemania – Francia – Polonia – Reino Unido
📅 Año: 2002
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📽 Proyección:
📆 Miércoles 29 de Mayo
🕡 6:30pm. 
🎥 Auditorio Artes de la Nación (av. Javier Prado Este 2499, 5º piso - San Borja)
🚶‍♀️🚶‍♂️ Ingreso libre, previa reserva: https://info.bn.com.pe/CineclubBN_Miercoles
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evolvecolving · 7 months
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Best Coliving Spaces in Mexico 2024
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Mexico is one of the favorite destinations of digital nomads worldwide. That’s why the demand for coliving Mexico is constantly on the rise. Here are the best coliving spaces in Mexico in 2023.
Since the start of COVID, most companies are allowing their employees to work remotely.
That means, not only digital nomads, but also normal employees are now looking for coliving and coworking spaces.
The pandemic has affected the lives of some in a rather negative way, but it also offers huge opportunities for others. Namely the chance to work from everywhere and become a more happy and independent person.
Due to the enormous technological progress, people are now able to work from anywhere, anytime.
Mexico has always been a digital nomad hotspot due to its cheap living costs, fantastic climate, great culture and delicious food.
Here is the list of the top coliving spaces in Mexico in 2024:
The Best Coliving Mexico for Digital Nomads
#1 Sunny Modern House, Cabo San Lucas Downtown
If you are looking for a budget-friendly coliving space in Mexico, then Sunny Modern House in Cabo San Lucas is the place to be. This coliving house has it all. Private furnished bedrooms, nice shared areas such as living, dining, TV area, and a beautiful garden. Restaurants, bars, and everything else you need is within walking distance. The monthly rent is very reasonable and they also offer cheap and delicious food. Definitely one of the best coliving spaces in Mexico.
#2 Luxury Loft Apartment, Calle Monte Albán
Another amazing coliving space in Mexico is Luxury Loft Apartment in Calle Monte Alban. It hosts digital nomads, entrepreneurs and even students! The monthly rent includes everything and gives you also access to their coworking space. One of the things that make Luxury Loft Apartment special is that it’s a kid-friendly co-living space. Further great features include an own gym and rooftop garden to workout, stay fit or just chill.
#3 Selina, Puerto Escondido
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If you love a hostel vibe and to party, while being on a budget then Selina is for you.
Sleeping in a Tepee tent is probably one of the coolest and most unique experiences you can make in any coliving Mexico space.
Selina is a digital nomad brand focusing on remote workers and one of the top coliving spaces in the world.
This place has everything you could ask for including: Yoga classes, cinema, meditation studios, surf camps, language schools and even its own music studio.
Selina coliving has different fees depending on the type of the room. They also have a flexible cancellation policy. This is a definitely one of the coolest coliving spaces in Mexico.
#4 U-Co Juarez, Colonia Juarez
You are looking for a coliving space in Mexico City? Then don’t look any further than U-Co.
U-Co is a very eco-friendly space and has room for 22 people, securing a family vibe.
What makes it stand out from the rest is that they are actively taking steps in protecting the environment by not using any single-use plastic products.
With that being said, they will provide you with organic shampoo, lotion and other necessities.
U-Co coliving is located in Juarez and includes a coworking space, shared kitchen and a chill out area, where you can watch Netflix.
#5 SC Cowork, Playa de Carmen
Playa Del Carmen is the homebase of most digital nomads, who come to or reside in Mexico. The vibrant city has several beautiful beaches and hosts many different colivings and coworking spaces. SC Coworking has a great coliving space with people from all around the world. It is located on 20th Avenue, which is only 100 meters from the famous 5th Avenue, where all the restaurants, bars and shopping centres are. There are different room options to choose from that fit every taste and budget. SC Cowork also has a big pool for you to chill after your work is done. The best thing about this coliving Mexico, is the amazing rooftop Jacuzzi. Last but not least, they are also offering delicious Mexican food.
Conclusion Coliving Mexico
Mexico is without a doubt one of the best destinations for Digital Nomads in all of Central and South America.
Now you also have five fantastic coliving Mexico options, which will make you enjoy your stay event more. Which one you choose is now simply up to your personal taste and preferences,
Have fun and Viva Mexico!
Original Source : https://evolvecoliving.io/blog/best-coliving-spaces-in-mexico/
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architectnews · 3 years
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Arched volumes define Casona Sforza resort in Mexico by Alberto Kalach
A series of vaulted, brick arches overlook a circular swimming pool at a boutique hotel in Puerto Escondido designed by Mexican architect Alberto Kalach.
Casona Sforza, or House Sforza, is located in the coastal town in the Mexican state of Oaxaca.
Casona Sforza is by architect Alberto Kalach
The hotel was conceived by the entrepreneur Ezequiel Ayarza Sforza, who worked with Mexico City architect Alberto Kalach of TAX Architects to design the property.
"The process took years of inspiration, planning, sketches and successive modifications," the team said.
Vaulted brick arches make up the hotel
The hotel – which offers 11 guest suites and a bar and restaurant – is set on a 4,500-square-metre site that looks toward the ocean. The property was designed to integrate with the landscape and to offer comfortable spaces for reflection.
"It places centre-stage the value of being aware – of contemplating and understanding the beauty of an environment in balance," said the architecture studio.
The resort consists of arched volumes of varying heights, which are arranged in an asymmetrical manner. The vaulted shape offers several benefits, including being able to withstand earthquakes and allowing positive energy to flow into the suites, the team said.
The volumes are constructed of local bricks – a material that helps keep interior rooms cool without the use of air conditioning. The bricks have a pale yellow hue that reflects sunlight and further aids in cooling.
Local brick keeps bedrooms cool
The rounded forms overlook a circular swimming pool that is intended to enhance the property's tranquil atmosphere. A linear corridor runs through the centre of the hotel and terminates at the pool.
Guest suites were placed either high or low. Six are located on the upper floors and offer balconies with views of the sea. Five are at ground level and come with a terrace and private pool. All of the units have vaulted ceilings.
A circular swimming pool is at the heart of Casona Sforza
The interior design – overseen by Mexico City's MOB Studio – is meant to feel bohemian, with the use of earthy colours, tropical woods and handcrafted decor. It also draws upon the hotel's seaside context and distinctive architecture.
"Elements highlight the attributes of the site and the surroundings – such as the sunset, the sound of the ocean, and the movement of the breeze – and combine with the textures and colours of the architecture," the team said.
Earthy tones feature in a bathroom
Much of the furniture and decor was made in Mexico. Rugs were woven in the small village of Teotitlán del Valle, and palm-leaf lamps came from the port city of Veracruz. Curtains, chairs and hammocks were fabricated in the Yucatán Peninsula.
The property also has many pieces, such as cushions and glassware, by artisans who are part of Pueblo del Sol, a community in Oaxaca that is focused on sustainability and indigenous culture.
Guest rooms have ocean views
Described as a social project, Pueblo del Sol is financed by Casona Sforza and is about an hour's drive from the hotel.
"Guests can visit the project to learn about where the products consumed in the hotel come from, experience the forest, and learn about building such a community from the ground up," the team said.
Artisanal cushions are made by local craftspeople
Situated along the Pacific Coast, Puerto Escondido is known for its palm tree-lined beaches and challenging surf spots.
Other projects there include a sprawling beach house by Anonimous that is made of concrete, parota wood and dried palm leaves, and a Japanese-Mexican restaurant by TAX Architects that features an open-air dining room and a large thatched roof. The area is also home to Casa Wabi, the famed artist's retreat designed by Tadao Ando.
Photography is by Alex Krotkov.
Project credits:
Project design and development: Ezequiel Ayala Sforza Architecture: Taller de Arquitetura X, Alberto Kalach Interior design: Ezequiel Ayala Sforza and MOB Studio Contractor: Efraín Salinas
The post Arched volumes define Casona Sforza resort in Mexico by Alberto Kalach appeared first on Dezeen.
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bunkershotgolf · 5 years
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V1 Sports Sees Rise in Remote Video Lessons Connecting V1 Pros with Homebound Golfers
Surpasses the four-million mark for online lessons delivered
During this challenging period of social distancing and home isolation brought on by the Coronavirus crisis, millions are feeling disconnected from their daily routines and favorite pastimes. For many, that includes golf and the pursuit of playing better. V1 Sports (V1), producers of the industry-leading golf video swing analysis platform for teaching pros and golfers, is committed to helping avid golfers facilitate interactive lessons with pros even during these unprecedented times.
In fact, V1, who recently saw users surpass the four-million mark in online lessons since the platform first launched, reports a noticeable increase in golfer registrations as well as the number of teaching professionals onboarding to the V1 Pro system which coincides with the recent uptick of Americans now basing all activities from home.
“Golf is so much of a uniting power in the lives of those who love playing the game as well as those who teach for a living. Now, more than ever, we want to encourage golfers to reconnect to their lesson routines and support their favorite teaching pro,” says V1 Sports CEO Bryan Finnerty. “Just as mobile teleconferencing companies like Zoom are filling a need for business professionals, V1 is proud to be that turnkey solution that keeps golfers and their teachers in touch even when remote communication is their only option.”
V1’s system of interactive remote golf lessons are powered by easy-to-use tools for video swing capture and sharing as well as dynamic functions that help pros create detailed video lessons with voice-over instruction and visual feedback through telestration. From home, golfers can film and send their swings to the teaching pro of their choice and receive lessons and drills using the popular V1 Golf mobile app.
“I teach college golfers and young playing professionals from several different states, so the interactivity of the V1 Golf App and my V1 Pro studio has been a great help in keeping my students on schedule and in touch with their improvement,” says V1 Pro user Buck Mayers, Director of Instruction at Escondido Golf & Lake Club in Horseshoe Bay, TX. “I’ve talked to many pros who are looking into offering pre-booked packages for remote video lessons. It’s time for the industry to use its creativity and tools like the V1 system.”
The 30-day free trial of V1 Pro gives instructors a chance to test the new 2020 V1 Pro Studio software system and then decide to sign up for one of three plans: V1 Complete (a combination of V1 Pro Studio and V1 Mobile), V1 Pro or V1 Mobile to complete interactive lessons with video, voice-over and telestration.
Former LPGA player and Director of the Dormie Network Institute, Meaghan Francella routinely used V1 remote lessons with her teachers (like GOLF Magazine Top 100 Teachers Tom Patri) during her playing career and she recently launched the DNI Online Academy to reach more students. “V1 is a great platform to stay connected with students when you can’t see them. I have personally used this with my coaches when I was traveling or schedules didn’t permit,” Francella says.
To further assist in communication between golf instructors and their students, V1 Sports has shared some helpful points on using V1 Sports platform to effectively teach students remotely:
V1 Golf App - The V1 Golf App is a free app for golfers that allows them to connect with pros and to send swing videos directly to the pro’s V1 Pro inbox. Here are two helpful videos that teaching pros can share with students, explaining how they can send their swing videos:
How to Connect To Your Instructor in the V1 Golf App: https://www.youtube.com/watch?v=WG0aODilhFs&t=
How to Send Swings to Your Instructor in the V1 Golf App: https://www.youtube.com/watch?v=Iq2VheNAVXc
V1 Pro Software and Mobile App - When students send pros swing videos through the V1 Golf App, they show up in the pro’s V1 Pro inbox. From there, the pro can create voice-over video lessons and deliver the final lessons directly back to the students. Students receive their completed lesson in their V1 Golf App account. Here are two helpful videos that provide instructions on how to conduct voice-over video lessons in V1 Pro:
V1 Pro App: Creating and Delivering Voice-Over Video Lessons: https://www.youtube.com/watch?v=WG0aODilhFs&t=
V1 Pro software: Creating and Delivering Voice-Over Video Lessons: https://www.youtube.com/watch?v=yPbLCbjVmBE
V1 recently announced the release of V1 Pro Studio, the newest version of their signature software product. Boasting a brand new, sleeker and more efficient user interface as well as unprecedented integration of the V1 Pressure Mat, V1 Pro Studio is the most dynamic software offering in the company’s 25-year history. The powerful combination of live video capture, swing analysis, graphic overlay, lesson creation and delivery tools makes V1 Pro Studio an indispensable golf teaching aid.
Golf Instructors can sign up for a 30-day trial of V1 Pro Complete by going to https://v1sports.com/coaches/v1-pro/ or contacting [email protected].
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kst-studio · 6 years
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De concept art a modelado 3D.
Recopilamos varios props (accesorios) de los escenarios de Sea Bubble para mostrarte su proceso de realización.
We collect several props (accessories) from the Sea Bubble scenarios to show you their process of realization.
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El concept art de los corales y algas marinas está pensado por nuestra artista María, y basado en un concept de Diego de props genéricos para el fondo marino. María posee un don especial para crear vegetación especial que ya demostró en antiguos proyectos del estudio que todavía no han visto la luz.
Desde su dibujo, Aaron lo modela y se encarga de dimensionarlo y hacer que sobresalga del plano.
Las expertas manos de Fran y sus ávidos ojos los llenan de color. Fran es un auténtico experto en la creación de texturas realistas que ya se hace notar incluso en el estilo cartoon de Sea Bubble.
The concept art of corals and marine algae is thought by our artist María. and based on Diego's concept of generic props for the seafloor. María has a special gift to create different vegetation that she already showed in old studio projects that have not yet published.
From his drawing, Aaron models it and takes care of sizing it and making it stand out from the plane.
The expert hands of Fran and her avid eyes fill them with color. Fran is a true expert in the creation of realistic textures that is already noticeable even in the cartoon style of Sea Bubble.
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El concept del cofre está realizado por Diego, que además de ser nuestro artista conceptual principal en el estudio, fue el que se encargó del game design, diseñó la interfaz, y además dirigió toda la producción del juego, y creó la idea inicial de Sea Bubble. El contenido del cofre fue diseñado por María.
En cuanto al modelado 3D, Aaron fue el encargado de su realización, y de nuevo Fran le dió luz y color.
The concept of the chest is made by Diego, who in addition to being our main conceptual artist in the studio, was in charge of the game design, designed the interface, and also directed the entire production of the game, and created the initial idea of ​​Sea Bubble. The contents of the chest were designed by María.
As for 3D modeling, Aaron was responsible for its realization, and again Fran gave him light and color.
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Este maravilloso gramófono escondido entre las profundidades del océano de Sea Bubble es obra de la imaginación de María. Está modelado por Aaron y texturizado por Fran.
This wonderful gramophone hidden in the depths of the ocean of Sea Bubble is the work of Maria's imagination. It is modeled by Aaron and textured by Fran.
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Para el diseño del fusil Mosin Nagant Diego se encargó de su concept, al igual que de las granadas, las balas y la caja de munición.
El modelado en 3D está realizado por Hernán, y el color por Fran.
For the design of the Mosin Nagant rifle, Diego was in charge of his concept, as well as the grenades, the bullets and the ammunition box.
The 3D modeling is done by Hernán, and the color by Fran.
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dannyavilasblog · 3 years
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San Diego Media | Oceanside Videographer | Danny Avila
San Diego Media! We are the newest video and audio production studio serving San Diego, Escondido, San Marcos, Carlsbad and Oceanside Video Production.
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juliandmouton30 · 7 years
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Swiss designers collaborate with Mexican palm weavers to create screens and lights
Swiss designers Julie Richoz and Nicolas Le Moigne have used their residency at Casa Wabi in Mexico to produce a series of woven lighting and furniture pieces with the help of local artisans.
Richoz and Le Moigne spent five weeks at the Tadao Ando-designed coastal artists' retreat in Puerto Escondido, in the southern state of Oaxaca. During their stay, they worked with craftspeople based in a nearby village to adapt their palm-weaving skills for contemporary pieces.
The results are a collection of screens by Richoz and a range of lamps by Le Moigne, all featuring surfaces with decorative patterns formed by weaving the dried leaves around frames.
"We both decided to do quite large pieces, because the technique is quite rough – which is part of the beauty of it," said Richoz. "To have large objects, it goes well with the dimensions of the details of the palm."
The process involves drying the leaves, then removing certain parts before turning the fibres into rope.
Although the artisans are used to working with wood, the Swiss duo opted to use metal frames for a more contemporary look. These were made in a workshop next door to the weavers' workspaces. Le Moigne also designed one floor lamp in wood for variety.
The residency was intended to be educational as well as productive, and Richoz shared what she learnt through taking part.
"One thing that I discovered there is the way that the people are using craft in a different way than I know from Europe," she said. "There's a very direct relationship between the people that want to buy the furniture, and the people who are making it."
The designer also spoke about the challenges of working in a remote part of a foreign country. "The [weaver] that Nicolas worked with doesn't speak Spanish, he speaks a local language: Mixtec," said Richoz. "So it was difficult to communicate, but that was also part of what made it interesting."
The duo's designs were presented at Casa Wabi's space in Mexico City – a characterful restored house in Santa María – during this year's Design Week Mexico. Switzerland was this year's guest country for the design week, so collaborative projects between the two countries were highlighted as part of the programme.
Casa Wabi residencies are usually reserved for fine artists, but through a partnership with the Swiss embassy in Mexico, Richoz and Le Moigne were invited to become the first industrial designers to participate.
The screens and lights were installed at Casa Wabi's space in Mexico City during Design Week Mexico
Design Week Mexico took place from 11 to 15 October 2017, a week later than planned after a deadly earthquake hit the city in September.
Exhibitions and installations put on across the city included a pavilion that cast shadow patterns across itself, a series of wooden houses that punish their occupants, and a display of work by emerging designers and studios.
Related story
Tadao Ando's Casa Wabi is an artist's retreat that stretches along the Mexican coast
The post Swiss designers collaborate with Mexican palm weavers to create screens and lights appeared first on Dezeen.
from ifttt-furniture https://www.dezeen.com/2017/10/26/swiss-designers-julie-richoz-nicolas-le-moigne-collaborate-mexican-weavers-screens-lights-casa-wabi/
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topinforma · 7 years
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New Post has been published on Mortgage News
New Post has been published on http://bit.ly/2wC5GIn
Hot Property: Wait for it
The big real estate news out of Los Angeles is that rapper-magnate Jay-Z and superstar wife Beyoncé are in escrow to buy a mansion for $90 million. Their pick of Westside neighborhoods after years of house-hunting? Bel-Air. We’ll be sure to let you know as soon as they have the keys to the newly built 30,000-square-foot home.
Southern California’s pricey real estate market continues to rack up noteworthy sales — particularly in the sought-after enclave of Malibu. Prices in the beach city are up 17% from last year, according to the latest data from CoreLogic. But not everyone is seeing a profit. Among recent sellers there to take a loss is billionaire David Geffen.
Meanwhile, in the San Fernando Valley, actresses Missi Pyle and Katie Wagner are seeking buyers.
Once you’re done checking out these star-studded transactions, visit and like our Facebook page, where you can find Hot Property stories and updates throughout the week. That’s also a fine place to leave a tip about a celebrity home deal.
– Neal J. Leitereg and Lauren Beale
Beachfront bargain?
Music and movie mogul David Geffen, fresh off the $85-million sale of his Malibu compound, just sold another home in the beach community. The Multiple Listing Service shows that the property, which he bought a decade ago for $9.8 million, went for just $8 million.
Geffen, creator of Geffen Records and co-founder of DreamWorks Studios, has an estimated net worth of $7.7 billion, according to Forbes. So we’re thinking the discrepancy between his buy and sell prices don’t amount to much overall.
The 1956 oceanfront home sits on “Billionaires’ Beach,” a stretch of the Pacific Coast Highway known for its ultra-wealthy homeowners.
Entered through a gated courtyard, the 1,473-square-foot house includes a living room with a fireplace, a kitchen, two bedrooms and two bathrooms. Glass doors in the dining area open to a surf-facing deck that overlooks 45 feet of beach frontage.
The high price of sand
International entrepreneur Ed Fishman, who co-founded the Access Records label with Dick Clark, has listed his home in Malibu’s Escondido Beach area for sale at $19.995 million.
Set on 80 feet of beachfront, the contemporary-style residence has walls of windows, an ocean-view wet bar and a spa. Wrap-around decking is lined with transparent guardrails for views of the surf and coastline.
The 6,100 square feet of living space holds a two-story living room, a separate dining room, an eat-in kitchen, a wine cellar, five bedrooms and 4.5 bathrooms. The media room is equipped with an overhead projector.
Fishman is known for his production of gaming events in Las Vegas, Atlantic City, N.J., and Monte Carlo, among others. As a producer of television and film, his credits include the game shows “Diamond Head” and “Dealer’s Choice.”
Simon Berlyn / Berlyn Photography
The contemporary estate on Escondido Beach takes in unobstructed ocean views from its more than one-third-acre lot.
The contemporary estate on Escondido Beach takes in unobstructed ocean views from its more than one-third-acre lot.
(Simon Berlyn / Berlyn Photography)
He hammered out a deal
Trent Reznor of Nine Inch Nails has officially beat it out of the Beverly Hills Post Office area, selling his home for $5.3 million.
The musician, producer and film composer bought the modern estate a decade ago for $4.2 million.
Set behind large metal gates, the 4,320-square-foot house has five bedrooms, four bathrooms, a vaulted-ceiling living room and a formal dining room.
An infinity-edge pool, lawns and an outdoor fireplace lie within more than half an acre of grounds. Views take in the cityscape and canyon areas.
Reznor, 52, founded the industrial rock band Nine Inch Nails in 1988. Among the group’s hits are “Head Like a Hole, “The Perfect Drug” and “Closer.”
Redfin.com | Inset: Associated Press / Keystone
Nine Inch Nails founder Trent Reznor has sold his home in the Beverly Hills Post Office area for $5.3 million.
Nine Inch Nails founder Trent Reznor has sold his home in the Beverly Hills Post Office area for $5.3 million.
(Redfin.com | Inset: Associated Press / Keystone)
Loads of charm
Actress Missi Pyle has put a white-picket-fence home in Sherman Oaks on the market for $899,000.
Set up from the street, the crisp traditional was built in 1949 and has canyon, city and mountain views.
Hardwood and ceramic tile floors, arched doorways and plantation shutters are among features of the two-bedroom, 1.5-bathroom house, which has fireplaces in the living room and den.
Pyle, 44, has appeared in “As Good as It Gets” (1997), “Big Fish” (2003), “Charlie and the Chocolate Factory” (2005) and “Gone Girl” (2014). This year she will be in the action-adventure flick “Jumanji: Welcome to the Jungle” and the thriller “Traffik.”
Jeffrey Ong / PostRAIN
The 1940s Traditional in Sherman Oaks features a wraparound porch, two fireplaces and an outdoor spa.
The 1940s Traditional in Sherman Oaks features a wraparound porch, two fireplaces and an outdoor spa.
(Jeffrey Ong / PostRAIN)
Scene change for actress
Hollywood royal Katie Wagner has put her Valley Village home of more than a decade on the market for $1.199 million.
Tucked behind hedges and gates, the 1948 ranch house has classic curb appeal with crisp white siding, exposed brickwork and a red front door. Mature trees and palms provide shade for a sitting area in the frontyard.
Inside, the 2,018 square feet of living space has been updated with wide-plank oak floors. A sunroom, which adjoins the updated kitchen, takes in views of the swimming pool and three-quarter-acre yard.
Wagner, the daughter of actors Marion Marshall and Robert Wagner, got her start in show business in 1987 when she appeared alongside her father in the show “Born Famous.” The TV personality and entertainment reporter previously served as host of “Live From the House of Blues” and co-host of “Lifestyles of the Rich and Famous.”
Lucas Cichon
Television host and entertainment reporter Katie Wagner has listed her Valley Village home for sale at $1.199 million.
Television host and entertainment reporter Katie Wagner has listed her Valley Village home for sale at $1.199 million.
(Lucas Cichon)
His favorite room
When Devon Sawa wants a bit of quiet in his Calabasas home, the “Somewhere Between” actor and busy father retreats to his “chill room” — a coffee bar stocked with espresso machines and lounge furniture.
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fashioncrazybaby24 · 7 years
Video
Used some of my favorite drugstore products! 👀💄💸 @elfcosmetics foundation @lauramercier setting powder @anastasiabeverlyhills eye shadows @maybelline studio concealer and big shot mascara @ctilburymakeup original highlighter set @wetnwildbeauty catsuit lipstick @narsissist Laguna bronzer @realtechniques (at Escondido, California)
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What Does Southern California Studio Do?
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With studio productions, the components are a lot simpler to control when contrasted with field productions. A studio is explicitly set up with the end goal of video production, news, TV, or film production.
Southern California Studio will have all the vital lighting and sound equipment and, at times, a control room or after-production offices. The particular conveniences will rely upon the singular studio.
Furthermore, discussing offices, a production studio that was expected for film or music video production will typically have a space for hair and cosmetics and a green room where the ability can invest energy while not shooting. There will frequently be a spot for the cast and team to appreciate make services and a room where the production organization can set up workplaces for the length of the film cycle. These are exceedingly significant for the background work a production organization should do.
While making a film, a production organization can depend on the way that all that will be set up and prepared for a large number of long periods of shooting. A production studio is often set up with customizable light rails and speed rails, which make the specialized perspectives while recording that much smoother.
During the movie-making process, a chief can come in with the DP (Director of Photography), the critical hold, and the gaffer to iron out the subtleties of how the team will continue recording the image and sound. This incorporates all of the connected components, such as obstructing (where and how the entertainers move in a scene), camera position and development, and lighting.
The controlled climate of a production studio helps every part of the film-production process. The sound-sealing of a studio restricts the wellsprings of surrounding commotion.
Reward: What Is Post Production In Film?
Having the Proper Production Environment is Critical for Success
When film productions are based external in a studio, this clamour can cause significant hiccups and occupy additional opportunities to finish the recording properly. Rather than managing city traffic or enormous planes passing above, a group working inside a studio can depend on proficient level hardware and the actual structure to keep out undesirable sound.
Considering how essential lighting is to a movie or video production, it's not difficult to perceive how a studio climate might be the best option for a movie chief, production organization, or whoever might be settling on the decision. In a studio, the lighting is frequently fixed to the roof and can mainly be controlled through a control board. The lights associated with the load-up can be changed, each utilizing sliders and dials on the board.
A production organization can frequently set up a transient rental of a studio. Whether a production organization needs a studio for a couple of days for a short music video or for a significant film that will require a long time to deliver, most studios are manageable to sort out an arrangement. Sometimes a production group or studio staff are accessible to assist with the production, so depending upon the spending plan, this might be something organizations will consider.
A studio production will commonly be the best option for an Escondido Production Studio, except if a film, occasion, or video production expects that it be shot out on the spot. There are such countless implicit conveniences that make a studio engaging.
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architectnews · 3 years
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Arched volumes define Casona Sforza resort in Mexico by Alberto Kalach
A series of vaulted, brick arches overlook a circular swimming pool at a boutique hotel in Puerto Escondido designed by Mexican architect Alberto Kalach.
Casona Sforza, or House Sforza, is located in the coastal town in the Mexican state of Oaxaca.
Casona Sforza is by architect Alberto Kalach
The hotel was conceived by the entrepreneur Ezequiel Ayarza Sforza, who worked with Mexico City architect Alberto Kalach of TAX Architects to design the property.
"The process took years of inspiration, planning, sketches and successive modifications," the team said.
Vaulted brick arches make up the hotel
The hotel – which offers 11 guest suites and a bar and restaurant – is set on a 4,500-square-metre site that looks toward the ocean. The property was designed to integrate with the landscape and to offer comfortable spaces for reflection.
"It places centre-stage the value of being aware – of contemplating and understanding the beauty of an environment in balance," said the architecture studio.
The resort consists of arched volumes of varying heights, which are arranged in an asymmetrical manner. The vaulted shape offers several benefits, including being able to withstand earthquakes and allowing positive energy to flow into the suites, the team said.
The volumes are constructed of local bricks – a material that helps keep interior rooms cool without the use of air conditioning. The bricks have a pale yellow hue that reflects sunlight and further aids in cooling.
Local brick keeps bedrooms cool
The rounded forms overlook a circular swimming pool that is intended to enhance the property's tranquil atmosphere. A linear corridor runs through the centre of the hotel and terminates at the pool.
Guest suites were placed either high or low. Six are located on the upper floors and offer balconies with views of the sea. Five are at ground level and come with a terrace and private pool. All of the units have vaulted ceilings.
A circular swimming pool is at the heart of Casona Sforza
The interior design – overseen by Mexico City's MOB Studio – is meant to feel bohemian, with the use of earthy colours, tropical woods and handcrafted decor. It also draws upon the hotel's seaside context and distinctive architecture.
"Elements highlight the attributes of the site and the surroundings – such as the sunset, the sound of the ocean, and the movement of the breeze – and combine with the textures and colours of the architecture," the team said.
Earthy tones feature in a bathroom
Much of the furniture and decor was made in Mexico. Rugs were woven in the small village of Teotitlán del Valle, and palm-leaf lamps came from the port city of Veracruz. Curtains, chairs and hammocks were fabricated in the Yucatán Peninsula.
The property also has many pieces, such as cushions and glassware, by artisans who are part of Pueblo del Sol, a community in Oaxaca that is focused on sustainability and indigenous culture.
Guest rooms have ocean views
Described as a social project, Pueblo del Sol is financed by Casona Sforza and is about an hour's drive from the hotel.
"Guests can visit the project to learn about where the products consumed in the hotel come from, experience the forest, and learn about building such a community from the ground up," the team said.
Artisanal cushions are made by local craftspeople
Situated along the Pacific Coast, Puerto Escondido is known for its palm tree-lined beaches and challenging surf spots.
Other projects there include a sprawling beach house by Anonimous that is made of concrete, parota wood and dried palm leaves, and a Japanese-Mexican restaurant by TAX Architects that features an open-air dining room and a large thatched roof. The area is also home to Casa Wabi, the famed artist's retreat designed by Tadao Ando.
Photography is by Alex Krotkov.
Project credits:
Project design and development: Ezequiel Ayala Sforza Architecture: Taller de Arquitetura X, Alberto Kalach Interior design: Ezequiel Ayala Sforza and MOB Studio Contractor: Efraín Salinas
The post Arched volumes define Casona Sforza resort in Mexico by Alberto Kalach appeared first on Dezeen.
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rockrevoltmagazine · 7 years
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Metallica Delivers a Metal Show for the Ages at Gillette Stadium in Foxborough, MA
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Metallica – Gillette Stadium – Foxborough, Massachusetts – May 19, 2017
Metallica certainly has achieved far more than either James Hetfield or Lars Ulrich could have ever imagined possible back when the pair first met in Los Angeles nearly four decades ago. Dreams of opening up for a main stream hard rock or metal act at the Rainbow or the Whiskey were likely the loftiest goals the duo ever initially set their aims on.
Okay for the record, Ulrich was probably contemplating world metal domination back when he and Hetfield would hang out in his boyhood bedroom listening to some of their early musical heroes such as Diamond Head, Angel Witch, Tygers of Pan Tang, Blitzkrieg and Venom.
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However, barring getting a hold of Wonder Woman’s truth lasso, tying Ulrich to a chair with it and interrogating him, I seriously doubt that even the boisterous drummer would admit that he thought the band would go on to become the most dominant and driving force in all of hard rock and heavy metal for close to forty years now.
Metallica’s first three records, Kill ‘Em All, Ride The Lighting and Master of Puppets defined the thrash music landscape while creating the blue print countless musicians would use to fuel their own bands’ metal music dreams.
Although the band themselves has decried their fourth studio release, And Justice for All, as being overwrought, Metallica broke new ground with the record in terms of bridging metal music to the mainstream with the video for the transcendent track off the record, “One.”
Whether it was Metallica’s intent or not, the video not only would become the first salvo in terms of launching Metallica as a global music phenomenon, it paved the way for metal music to secure its rightful place in the mainstream universe of MTV and traditional terrestrial radio.
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Many members of band’s hard core fan base may have been taken aback by their full on shift away from the hard core sound that had propelled them to fame with the release of the self titled Metallica, popularly known at the Black Album, back in 1991.
However, not only did the record cement the band as kings of the hard rock and metal universe, it also was genre defining in terms of how much of an impact their moving away from the speed and thrash world would ultimately have on metal music as a whole.
Any band that is more than three decades into their career are bound to have some missteps along the way and Metallica has had more than their fair share of maladies both personally and professionally.
On the professional side of the spectrum no one is ever going to bury copies of Load, Reload, St. Anger, or Death Magnetic in a time capsule so some high school kids in Escondido, California in the year 3017 can open it up to hear what “metal” music sounded like during this age.
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It’s also a safe assumption to make that many Metallica fans, especially the die-hard crowd who jumped on board with the band in the 1980’s, would be perfectly okay with those records, along with the ill-fated Lou Reed collaboration, Lulu, being buried three to four hundred feet under the ground for all of eternity.
Personally the band has also endured more than a few trials and tribulations, many of which likely would have caused most outfits of Metallica’s caliber to simply call it quits long ago.
The movie Some Kind of Monster provides a brilliant window into the degree of Metallica’s dysfunction as a band, and as human beings, by the time they had reached the early 2000’s.
The film also goes a long way towards explaining why Metallica began to produce material not quite on par with their early career work and why even the band’s live performances during this period suffered.
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If anything rock and roll is about emotional ebbs and flows and unlike any other profession, it not only welcomes, it encourages spectacular rises to fame and glory as well as disastrous falls from the mountain top. Rock music and its millions of fans also warmly embrace musical stories of redemption and triumph.
Should anyone question whether or not Metallica has turned the worm on their career yet again, perhaps you should pick up and listen to their new record Hard Wired to Self Destruct.
Taking in one of the Metallica’s surreal and beyond sensory deafening live performances they’re currently putting on these days as part of their ongoing World Wired tour would also be advised.
Whether or not you’re enjoy the band’s music you’d be hard pressed to walk away from one of Metallica’s concerts on this current tour cycle without thinking something along the lines of, “that was pretty damn amazing.”
Hetfield, Ulrich, Kirk Hammett and Robert Trujillo brought the metal music mayhem to Gillette Stadium in Foxborough, Massachusetts this past Friday night to play on the field that Tom Brady and the world champion New England Patriots call home.
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Along with a production that included stadium spanning 100-foot video screens, a stage that served as three stages in one, as well as a pyro technic and laser light display that would have even scared King Kong or at the very least that alien from the end of the movie Prometheus off, Metallica announced to all of their New England fan base, they’re back.
Despite all the bells and whistles that are a part of the World Wired live experience and the fact that the band was playing to over 60,000 screaming metal crazies, the beauty in the performance may have lied in the simple fact that it didn’t come off as bloated, instead the concert felt deeply personal from the first note played to the last note strummed.
Even though Metallica chose to start the night’s musical festivities off with two songs from their new record, “Hardwired” and “Atlas Rise!,” the entirely of the crowd was in lock step with the quartet from the jump.
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Metallica should be given credit for not only playing these new songs live but for challenging themselves as musicians in doing so.   The technical aspects tied to Hard Wired to Self Destruct are beyond reproach, thus the difficulty in terms of playing the Hardwired material in a live setting, let alone to crowds in the tens of thousands, would be daunting enough.
The fact that the band executed these tracks flawlessly while also managing to keep the fans beyond engaged is a testament to not only the quality of the new material, but living proof that the four members that make up Metallica are some of the most gifted musicians on Earth.
There were so many transcendent moments from Metallica’s 18-song set at Gillette Stadium it would take another thousand words to give each and every one of them their proper due.
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“Master of Puppets,” with the classic Metallica graveyard imagery and massive puppeteer strings dangling over Ulrich’s drum kit, Hetfield’s evocative and spine tingling vocals on “The Unforgiven,” Trujillo’s homage to late Metallica bassist Cliff Burton in the form of his take on “(Anesthesia) Pulling Teeth” while images of Burton dotted the gigantic video screens, Hammett’s many jaw dropping guitar solos or the wave of sky high fireworks explosions and dancing flames that preceded the band’s performance of “One,” were all but just a few of the many high points tied to the evening’s performance.
As for any noteworthy nods or dedications tied to Soundgarden and Audioslave’s front man Chris Cornell, during Trujillo’s bass solo the bassist played several bars of “Black Hole Sun,” while at the very end of the “Unforgiven” Hetfield uttered these four simple words, “We forgive you Chris.”
The band closed out their initial set by coming together at the top of the mini-stage, in what Hetfield termed an attempt at, “Trying to recreate the garage they played in as teenagers,” to perform what would turn out to be a stadium wide sing-a-long of one of Metallica’s most revered songs, “Seek and Destroy.”
The moment came off not only as beyond genuine it also served to remind those in the audience exactly why they have been serving at the alter of Metallica for these oh so many years, the band is just flat out fucking good.
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Metallica has always shared a symbiotic connection with their fan base that can be traced back to the days when they would play songs such as “Motorbreath” and “Hit the Lights” to rooms of about two hundred mostly unemployed, in a need of shower, metal heads.
By the time Metallica came back to the stage to perform the final three song encore of “Fight Fire with Fire,” “Nothing Else Matters” and “Battery,” each and every last fan still in attendance likely felt more connected to the band than they’ve ever have.
Hetfield, Ulrich, Hammett and Trujillo seamlessly made these connections that much stronger by simply getting up on that massive stage, having a ton of laughs, sharing personal moments with one another, as well as more than a few with fans directly and by delivering a bone jarring and sublime performance that if had to be described by only a singular word, that word be metal!
Something that was impossible not to take notice of was the sheer number of parents that brought their young or millennial age children to see Metallica perform. Considering the band hasn’t toured the United States extensively in close to a decade, anyone present that was born after 2007 was likely taking in their first ever Metallica show.
Thus the most relevant take away from the night may be the fact that through their mere performance alone it’s entirely possible the band may have just inspired countless youngsters to form this generation’s Motörhead, Slayer or even the next Metallica.
That proclamation may come off across as a tad bit unrealistic to some but if a 13-year old Ulrich were in the audience this past Friday, having never seen or heard Metallica himself, he’d likely turn to one of his friends at the conclusion of the concert and say something along the lines of, “Yeah that was pretty good but our band is going to be way bigger than those guys.”
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Connect with Metallica (click icons):
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All writing and photography:  Robert Forte / 40 Photography
40_Photography – Instagram:
http://www.instagram.com/40_photography/
4zerophotography – Facebook:
http://www.facebook.com/4zerophotography/
Metallica Delivers a Metal Show for the Ages at Gillette Stadium in Foxborough, MA was originally published on RockRevolt Mag
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groomingbyjarred · 8 years
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Brand names mean somethjng...like @jpthabarber.... I stand behind it, I guarantee it. Potential customers, clients and peers know that even though they don't know me no more than they know the chairman of General Mills. It stands for consistency, reliability, clean products (clean haircuts), authenticity, quality service and PROFESSIONALISM. . . Unisex BarberShop 129 South Coast Highway Oceanside, CA 92054 . . . ▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃ #Barber #BarberShop #TrustTheProcess #OceansideBarber #VistaBarber #CarlsbadBarber #SanMarcosBarber#Escondido #CampPendletonBarber #EncinitasBarber #DelMarFairgroundsBarber #AmericasFinestCity #SDBarber #SDBarbershop #vincentpro #vincentblades #baltonusa #SDSU #SuperBowl #SanDiegoPadres #losangeleschargers #GaslampDistrict #NorthParkObservatory (at JP's Barber Studio)
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fabionolitoral-blog · 8 years
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(via https://www.youtube.com/watch?v=HT1I9CoC1u0)
Este episódio polêmico é mais um desenho anti-japonês produzido como propaganda para segunda guerra mundial. Nesse desenho foi punido com tarefas tediosas em um porta-aviões, mas depois entra em ação contra um avião bombardeiro japonês, escondido atrás de uma nuvem falsa que ataca o navio. Este capítulo foi produzido em 1942 pela Famous Studios e parte pela Paramount Studios e focaram no estereótipo racista em relação aos japoneses durante a segunda guerra mundial. Este desenho foi banido em muitos países. Mas por motivos históricos foi relançado em DVD em 2008.
Produção: Famous Studios / Paramount Picture
Fã Page: https://www.facebook.com/popeyetributo/
Para mais desenhos do Popeye LEGENDADOS em Português acesse: https://www.youtube.com/playlist?list=PLMJ8vxO71RGNplNU0loibfDjqHEhkOWlU
Para mais desenhos do Popeye DUBLADOS em Português acesse: https://www.youtube.com/playlist?list=PLMJ8vxO71RGNjJAxX600mecHAdWrDk1q7
Para aprender músicas dos desenhos do popeye acesse: https://www.youtube.com/playlist?list=PLMJ8vxO71RGNQZrSggWWp_CpmdSrPa8qe
--
Popeye: Scrap the Japs (1942) #112
This episode is yet another anti-Japanese cartoon produced as propaganda for World War II. In this cartoon, Popeye was punished with tedious tasks on an aircraft carrier, but then takes action against a Japanese bomber aircraft hidden behind a false cloud that attacks the ship. This chapter was produced in 1942 by Famous Studios and part of Paramount Studios and focus on racism in Japanese during a World War II. This cartoon has been banned in many countries. But for historical reasons it was re-released on DVD in 2008.
Fan Page: https://www.facebook.com/popeyetributo/
For more cartoons from the 1930s see: https://www.youtube.com/playlist?list=PLMJ8vxO71RGNb1rJ4LXFdmUPp1PMWbzwE
For more cartoons from the 1940s see: https://www.youtube.com/playlist?list=PLMJ8vxO71RGPy9tPRezUhUgcfhci09kvJ
For more cartoons from the 1950s see: https://www.youtube.com/playlist?list=PLMJ8vxO71RGN_ysijF-znZm-far7m2b0G
To learn some songs from the popeye cartoons, go to: https://www.youtube.com/playlist?list=PLMJ8vxO71RGNQZrSggWWp_CpmdSrPa8qe
Production: Famous Studios
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Professional marketing videos are a strong gadget for your organization and are vital for staying up with your rivals. And keeping in mind that DIY video production can be a powerful method for collaborating with your crowds on a more personal level, there are a few advantages to employing an expert Escondido Video Production Studio to deliver your marking and marketing videos.
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How Can Escondido Production Studio Benefit A Business?
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Professional marketing videos are a strong gadget for your organization and are vital for staying up with your rivals. And keeping in mind that DIY video production can be a powerful method for collaborating with your crowds on a more personal level, there are a few advantages to employing an expert Escondido Video Production Studio to deliver your marking and marketing videos.
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