#Ernest warsaw

[thatsrightice]

One of Harry Crosby’s close friends within the 100th Bomb Group was fellow navigator Ernest “Ernie” Warsaw.

"If I had my choice, I'd have breakfast before briefing," says Ernie Warsaw. We are friends, in part because he was with us when we pranged in over Evanston, Wyoming. For some reason all the navigators are on this truck, Frank Murphy for Crankshaft, Ernie Warsaw for Knox, John Dennis for Flesh, Davey Solomon for Keissling. From the other barracks are Manny Cassimatis for Woodward and Bubbles Payne for Blakely. All good guys. We are friends.” — Harry Crosby in his memoir, A Wing and a Prayer

Ernie Warsaw’s aircraft went down on August 17, 1943 on the mission to Regensburg, leaving Crosby to question his fate. Crosby wrote the following letter to Ernie’s father on September 26, 1943 to inform him that his son’s aircraft went down.

Ernie had luckily survived, though he would become a German POW. He wrote the following post card on August 22, 1943 to be delivered by the Red Cross to his family, but it likely did not reach his family until many months later.

[billlaotian]

[lilithlikesart]

Henryk Hektor Siemiradzki - Dirce chrześcijańska (Christianskaja Dirceja v cirke Nerona; Christian dirce in the Circus of Nero), 1897, Warsaw National Museum

Signature, date and location: H.SIEMIRADZKI PINX. A.D.MDCCCXCVII / .ROMA.

The painting was most probably inspired with the work of Histoire des origines du christianisme, Volume IV Antichrist by French historian and philosopher Ernest Renan.

[demifiendrsa]

Star Wars: Visions volume 2 will stream on Disney+ on May 4, 2023.

Volume 2 shorts:

Title: “Sith”

Studio: El Guiri

Writer-director: Rodrigo Blaas

Rodrigo Blaas is an Emmy Award®-winning director who has spent more than 20 years in animation. After co-founding Stromboli Animation in 1997, Blaas joined Blue Sky Studios in 2000, working on the feature film Ice Age, before transitioning to Pixar Animation Studios. There, he worked on such projects as Finding Nemo (2003), The Incredibles (2004), Ratatouille (2007), and Wall-E (2008) and on the Oscar®-nominated short film La Luna (2011). More recently, Blaas partnered with Guillermo del Toro to develop the award-winning series Trollhunters, served as creative director for Mikros Animation Paris and, in 2021, created El Guiri Studios in Madrid with his partner, Cecile Hokes. He also wrote and directed 2009’s award-winning short film Alma.

Title: “Screecher’s Reach”

Studio: Cartoon Saloon

Director: Paul Young

Paul Young is a co-founder of Cartoon Saloon, an IFTA winner and Oscar®, Emmy® and BAFTA nominee. He produced the animated features My Father’s Dragon, WolfWalkers, The Secret of Kells, Song of the Sea, and The Breadwinner as well as award-winning TV series including Puffin Rock, Dorg Van Dango, and Viking Skool.

Title: “In the Stars”

Studio: Punkrobot

Writer-director: Gabriel Osorio

Gabriel Osorio majored in Fine Arts at Universidad de Chile, later specializing in 3D animation. After working in commercials, movies and television series, he founded Punkrobot Studio. Since 2008, he has directed projects for children’s television including Flipos, Muelin y Perlita, Soccer Girls, and television spots. In 2016, his short film Bear Story became the first Latin American project to win an Oscar® in the animated short category.

Title: “I Am Your Mother”

Studio: Aardman

Director: Magdalena Osinska

Magdalena Osinska is an award-winning director who has been with Aardman for eight years. She has directed stop-motion, CGI, 2D and live-action commercials including Wallace & Gromit’s “The Great Sofa Caper” and “Share the Orange.” Osinska directed development of the children’s series Joyets and has also directed films including Spirits of the Piano and Zbigniev’s Cupboard. A graduate of the National Film and Television School in Beaconsfield, UK, as well as the Polish Film School in Lodz and Art College in Warsaw, Osinska is currently developing the feature film Jasia, based on her grandmother’s memories of WWII Poland.

Title: “Journey to the Dark Head”

Studio: Studio Mir

Director: Hyeong Geun Park

Rising star Hyeong Geun Park had already made a name for himself when he entered the Korean animation industry in 2017, thanks to his strong drawing and animation sensibilities. He has directed animation for dozens of cinematic game trailers and has since expanded into animated series, working on projects including Dota: Dragon’s Blood: Book 3 (2022) and Lookism (2022). Journey to the Dark Head is the first title he has executive produced from start to finish.

Title: “The Spy Dancer”

Studio: Studio La Cachette

Writer-director: Julien Chheng

Julien Chheng is CEO of Studio La Cachette, an Emmy Award®-winning French animation studio he co-founded in 2014 with fellow Gobelins school’s alumni Oussama Bouacheria and Ulysse Malassagne. Chheng was trained in visual development at Disney and has worked as a character animator on acclaimed 2D animated features The Rabbi’s Cat, Mune, and the Academy Award®-nominated Ernest and Celestine. In 2021, he won an Emmy Award® as animation executive producer of Genndy Tartakovsky’s Primal, for which he also served as animation supervisor. In 2022, Chheng directed with Jean-Christophe Roger the Cesar-nominated feature Ernest and Celestine: A Trip to Gibberitia.

Title: “The Bandits of Golak”

Studio: 88 Pictures

Director: Ishan Shukla

Ishan Shukla started his career as a CG artist in Singapore. For more than a decade, he spearheaded projects ranging from TV commercials to series and music videos. His 2016 animated short, "Schirkoa," was long listed for the Academy Awards® after receiving dozens of awards and playing at 120 international festivals, including SIGGRAPH Asia where it was named Best in Show. He then set up his own animation studio to work on adult-oriented animated feature films including a feature-length version of Schirkoa, set to hit festivals in summer 2023.

Title: “The Pit”

Studios: D’art Shtajio and Lucasfilm Ltd.

Writer-director-executive producer: LeAndre Thomas

Co-director: Justin Ridge

LeAndre Thomas is an award-winning writer and director from Oakland, Calif., whose most recent film won Best Director at the Pasadena International Film Festival. In addition to his independent films, Thomas is a part of the franchise studio team at Lucasfilm Ltd. where he has worked for more than 11 years being credited on recent titles such as Light & Magic, The Mandalorian, Obi-Wan Kenobi, Star Wars: Tales of the Jedi, and many more.

Justin Ridge executive produced the Emmy®-nominated series Star Wars Resistance. His credits also include Star Wars Rebels, Storks, The Cleveland Show, Star Wars: The Clone Wars, and Avatar: The Last Airbender.

Title: “Aau’s Song”

Studio: Triggerfish

Writer-directors: Nadia Darries and Daniel Clarke

Nadia Darries is a director, animator and co-founder of Goon Valley Animation, with an avocation for songwriting. Born in the Cape Flats in South Africa, Darries has worked on high-end animated film and motion design as an animator, project manager, creative director and director since 2015. Her experience includes animating at Triggerfish Animation Studios on the award-winning BBC films Stick Man, Revolting Rhymes, and Highway Rat.

Daniel Clarke is a Cape Town-based director and artist working in animation, film and illustration. He started his career in animation in 2008 at Triggerfish Animation Studios, where he has served as production designer, art director and director on projects such as the feature film Khumba, BBC’s Stick Man, and The Snail and the Whale. In 2018, along with James Clarke and Daniel Snaddon, he completed the graphic novel Kariba.

[praxismatters]

The Evens Arts Prize 2019

The Evens Arts Prize 2019 was awarded to choreographer and artist Eszter Salamon. Composer Éliane Radigue received the Special Mention of the Jury.

The laureates were selected by an independent jury, who chose from a list of 45 internationally acclaimed artists, nominated by representatives of major European cultural institutions.

The Jury of the 2021 edition was composed of Cristina Grande, Head of the Performing Arts Department, Serralves Foundation, Porto; Andrea Lissoni, Senior Curator of International Art (Film), Tate Modern, London; Malgorzata Ludwisiak, Director, Ujazdowski Castle, Center for Contemporary Art, Warsaw; Frank Madlener, Director, IRCAM, Paris | Christophe Slagmuylder, Artistic Director, Wiener Festwochen, Vienna. The Jury Chair was Ernest Van Buynder, former Chairman, M KHA, Antwerp.

Curated by Anne Davidian for Evens Foundation.

The Laureate

The Jury has acknowledged Eszter Salamon’s ambitious and uncompromising work that explores contemporary issues touching upon what has been forgotten, excluded, and repressed in Western consciousness. The Jury has particularly valued the strong European resonance of her work and the way it articulates individual and collective experiences. Building on history to imagine a possible future, Salamon’s œuvre embodies an immaterial inheritance of gestures, movements, and dances to reaffirm art’s insight into the contemporary world.

Born in Budapest, Eszter Salamon lives and works between Berlin, Paris, and Brussels. Her work has been presented at Centre Pompidou, Avignon Festival, PACT Zollverein Essen, Ruhrtriennale, Holland Festival, The Kitchen New York, HAU Hebbel am Ufer Berlin, Berlin Documentary Forum, Kunstenfestivaldesarts Brussels, and Manchester International Festival, as well as in museums including MoMA, Witte de With, Serralves Foundation, Jeu de Paume, Akademie der Künste Berlin, and mumok Vienna.

The award ceremony and a discussion with Eszter Salamon took place on April 12, 2019, at the Akademie der Künste, Berlin, during the opening evening of the conference A Soul for Europe.

The Special Mention of the Jury

The Jury recognised and awarded with a special mention the unique path of French composer Éliane Radigue. One of the most innovative and important contemporary composers, she has been a major influence for generations of composers, musicians and artists alike. Exploring minimal rhythms and changes in different harmonies that unfold into intricate sonic webs, Radigue’s work has been deeply shaped by a constant interest and curiosity towards the world appealing for unique forms of introspection, empathy and attunement with the world.

Pioneer of electronic music, Éliane Radigue began a renewal of her creative process in 2002. Enriching her compositions with new timbres and resonances, she has been collaborating with acoustic instrument performers, for whom she composes without scores, according to the principle of oral and aural transmission.

A special event dedicated to Éliane Radigue was organised at Centre Pompidou in Paris on September 13, 2020, by IRCAM and Musée national d'art moderne, in partnership with the Evens Foundation. Read more

The Nominators of the Evens Arts Prize 2019

Bart de Baere, Director, M KHA, Antwerp | Roman Belor, Director, Prague Spring Festival | Daniel Blanga Gubbay, Artistic Co-Director, Kunstenfestivaldesarts, Brussels | Manuel Borja-Villel, Director, Museo Reina Sofia, Madrid | Silvia Bottiroli, Artistic Director, DAS Theatre, Amsterdam | Yvonne Büdenhölzer, Artistic Director, Theatertreffen Festival, Berlin | Dorota Buchwald, Director, Institut Theatralny, Warsaw | Adam Budak, Chief Curator, National Gallery, Prague | Marie Collin, Artistic Director, Festival d’Automne, Paris | Ingrid De Ketelaere, Head of Performing Arts and Paul Dujardin, Director, BOZAR, Brussels | Ekaterina Degot, Director and Chief Curator, Steirischer Herbst, Graz | Elvira Dyangani Ose, Director, Showroom, London | Silvia Fanti, Artistic Director, Live Arts Week /Xing, Bologna | Hicham Khalidi, Director, Van Eyck Institute, Maastricht | Maria Lind, Director, Tensta Konsthall, Stockholm | Emma Lavigne, Director, Centre Pompidou, Metz | Anne Hilde Neset, Director, Kunsternes Hus, Oslo | Mark Peranson, Head of Programming, Locarno Film Festival | Nataša Petresin-Bachelez, Curator, Contour Biennale 9, Mechelen | Jan Raes, Director, Concertgebouw, Amsterdam | Tiago Rodrigues, Artistic Director, Teatro National Dona Maria II, Lisbon | Eva Sangiorgi, Artistic Director, Viennale, Vienna | Alistair Spalding, Artistic Director and Chief Executive, Sadler’s Wells, London | Christa Spatt, Head of Programming, Tanzquartier, Vienna | Virve Sutinen, Artistic Director, Tanz im August Festival, Berlin | Vangelis Theodoropoulos, Artistic Director, Athens & Epidaurus Festival | Igor Toronyi-Lalic, Artistic Director, London Contemporary Music Festival.

The selection of the panel of experts has been made with the advice of Filipa Ramos, editor in chief of art-agenda.

📷 Eszter Salamon ©Bea Borgers | Eliane Radigue ©Delphine Migueres

[qu-film-history-to-1968]

To Be or Not To Be: That is the question

To Be or Not To Be(1942) was distributed by United Artists, directed by Ernest Lubitsch and starred Carole Lombard and Jack Benny as the leads. The film follows a Warsaw theater company, lead by acting duo couple, Josef and Maria Tura. After the war breaks out and Warsaw becomes occupied, Maris’s lover, pilot Sobinski, returns on a mission to stop a Nazi spy from turning in the names of members of the Poland resistance. Sobinski enlists in the help of Maria and the rest of the theater company to use their acting skills to confuse and trick the Nazis while preventing the spy from handing over the names.  

“The motion picture can help the people of the world to share and understand one another's viewpoints, customs, and ways of living; it can in- terpret the common needs and hopes of all peoples everywhere. It is well within the power of the film to reduce psychological distance between people in various parts of the world, just as the airplane has reduced physical dis- tance.” (Jones). The quote comes from the article The Hollywood War Film: 1942-1944, which discussed the effect different kinds of world war II movies had on the population at the time. To Be Or Not to Be is a perfect example of a world war II film that matches the description of the quote. The film uses comedy in a way that allows the viewer to relax and relate to character, feeling entertained enough to be reeled in to the film so that when the dramatic and important parts of what was actually happening to Poland during the war come up, the audience is giving their full attention and understanding what is going on. 

In one scene during the film, Josef returns to see the Gestapo commander, Col. Ehrhardt, to confirm his flight and tie all loose ends. Josef was posed as the spy the night before as the theater company killed him and they needed someone to take his place and fool the Nazis. After successfully doing so, Josef returns the next to finish the charade and get himself and his crew out of Poland. However, what he doesn’t know is that the Nazis found the spy’s body. Upon discovering the body in a room while he waits, Josef quickly comes up with a scheme to trick the Nazis into believing that the spy was an imposter and he is the real deal. Lubitsch was able to keep and sustain comedy throughout the scene while also reminding the audience of the ever-present danger that Josef is in. This emphasizes the message of ridicule and disgust for the Nazis that is present throughout the film, as Josef tricks the Nazis who are made out to look like fools, not just in that scene, but throughout the film. 

Between the story and messages it presented, To Be Or Not To Be is quite an amazing film. 

By: Callahan Coffey 

[warsofasoiaf]

So, ignoring that crazy tankie, what was the purpose behind NATO?

NATO is a collective defense alliance, meant to establish deterrence against attacking a NATO member by stating that an attack on one means attacking the entire alliance, which can bring far more power than a country can individually. It has a secondary effect as a means to integrate military technology and training among alliance members in a regular fashion as opposed to the more traditional bilateral relationship model typical in foreign policy.

After the Second World War, much of Eastern Europe was occupied by the Soviet Union's Red Army, which took to installing puppet regimes headed by friendly communist governments to create a sphere of influence and a series of buffer states. Western Europe feared that the Soviet army would eventually march through, occupy their countries, and turn them into client-states much the way Eastern Europe was. British Foreign Minister Ernest Bevin (a fascinating figure within the history of the British Labour Party and arguably one of the most important British figures in the Cold War) articulated that the best defense against a Soviet invasion was a joint comprehensive defense strategy of the liberal democratic powers in the face of Soviet aggression. This became more pressing with the rigged election in Poland and the coup in Czechoslovakia in February 1948 (an oft-underappreciated event in European Cold War history). Concerned, Great Britain, France, and the Low Countries signed the Treaty of Brussels in March 1948 pledging mutual support.

Following the Marshall Plan in April and the Berlin Blockade which saw vastly increased American involvement in Europe, Bevin found the idea of a collective European defense very appealing in the United States. Truman, who had similar apprehension that the Soviet Union was an imperial state bent on taking over Europe, saw a military alliance as a means to establish deterrence. Thus, the Treaty of Brussels crowd joined with the USA, Denmark, Iceland, Norway, Canada, Italy, and Portugal to establish the North Atlantic Treaty Organization. While NATO did not have parity in ground forces compared to the Soviet Union, they did have superior naval and air power along more nuclear bombs (the Soviets having detonated their first bomb in 1948 largely enabled via espionage of the USA's Manhattan Project), and that was seen as a cost-effective means to create deterrence and prevent a Soviet incursion into Europe. It also fostered military integration and a coalition approach to member states, attempting to increase readiness and capability.

The same is true of the Warsaw Pact, despite the memes and its effective use being largely to crush the 1968 Prague Spring. The Warsaw Pact was largely meant as a collective defense organization established in response to the Federal Republic of Germany (West Germany) being integrated into NATO, thus establishing a rough form of numerical parity with the Soviet Union and pressing the need for military integration among the communist states of Eastern Europe.

Thanks for the question, Anon.

SomethingLikeALawyer, Hand of the King

[ellamishannnnnn]

research - Ty i Ja magazine

https://eyeondesign.aiga.org/tyija/

“In 1960s Poland, Ty i Ja offered readers a sense of aspiration previously unimaginable in a country impacted by years of Stalinist scarcity”

The magazine illustrates, like many other fashion publications too, the parallels between lifestyle/living styles and fashion talking to new found Western influences in Poland; “Cafe culture was flourishing in Warsaw, as was art and design, and new trends were bubbling amongst what Justyna Jaworska, a professor of Polish Studies at the University of Warsaw, refers to as an emerging ‘socialist middle class.’”

“Inside the cult monthly, collections by Christian Dior and Yves Saint Laurent sat alongside designs by up-and-coming Polish labels like Moda Polska; translations of Doris Lessing, Simone de Beauvoir, and Ernest Hemingway texts similarly appeared next to articles on how to decorate an apartment with style, as well as what to read, cook, and wear.”

For Polish women at this time of ‘scarcity’ under Russian communist regime, taking care of appearance and enjoying following more Americanised trends through the inspiration of magazines like Ty i Ja, became a form of ‘everyday resistance’.

Lacking the budget to afford rights to photography from shoots used in the big magazines like Vogue, Elle and Harper’s Baazar, the editors of Ty i Ja employed some creative problem solving which resulted in the birth of a very distinct, characteristically Ty i Ja aesthetic; cutting and pasting images from these shoots on top of alternative background in a collage-esq manner. “This ‘creative plagiarism’ was completely understood and tolerated by the Western magazines though, given the circumstances.” - Jaworska 

Ty i Ja offered an aesthetic resistance to a harsh socialist realism, while simultaneously supporting Polish industry with its pragmatic, instructional content. It was a feat to create such a beautiful magazine from so little, one that inspired its own women readers to dream big despite constraints—Ty i Ja did this so successfully that it led to its own demise.  

[fibula-rasa]

The Photoplay in Stagnant Waters By Frederick James Smith

from Motion Picture Classic, April 1922

Transcription:

NOW that America has seen and capitulated before his “Passion,” “Deception,” and “Gypsy Blood,” the personality and ideas of Ernest [sic] Lubitsch, the German director, must be of singular interest. During Herr Lubitsch’s recent visit to America, we had an opportunity to talk to this man whose cinema creations came silently out of an enemy land and won an antagonistic world.

Lubitsch is short and stocky, not in the least suggesting the actor. Yet for seven years he was a player on the Berlin stage in the famous organization of Max Reinhardt. Swarthy of complexion and ebony black of hair, he holds your interest with his alert eyes and his well-modulated voice. Yet his eyes are the eyes of a dreamer, rather than a doer, and, as for his voice, it is the voice of a poet.

Lubitsch is thirty—but he looks older. At the age of twenty he obtained employment as a super in the vast mobs utilized by that German master of stagecraft, Reinhardt. Out from the mob he advanced to play youthful comic rôles. And his steps have been steadily upward ever since.

Back in 1913—at the age of twenty-two—he began acting for the movies, altho he still played in Reinhardt productions. He began by appearing in one-reel comedies, creating broadly comic rôles of the Potash and Perlmutter type. It was at this time that he linked forces with Paul Davidson, who has since guided his destinies. The Lubitsch comedies grew in popularity and, in 1915, the director organized his own comedy company under the guidance of Herr Davidson. Lubitsch was now director, as well as star of the one-reel comedies.

Meanwhile the directorial genius of Lubitsch was asserting itself. The director decided to try his hand at serious drama. His first picture, in which he himself played the lead, was a flat failure. “Had I looked in my mirror I could have realized all that in advance,” he explains humorously.

Then it was that Herr Davidson discovered Pola Negri and Lubitsch made his production of “Carmen,” which but recently reached these shores as “Gypsy Blood.” Mr. Lubitsch is at pains to describe the real Pola Negri and to set at rest all the strange stories America has heard of her so-called discovery in various German factories and department stores. Take Lubitsch’s word for it that she is Polish, that she first appeared before the public in Warsaw as a dancer, and that her first picture work was done in Poland. She drifted to Germany but until “Carmen,” had failed to attract attention. “Carmen” literally made her famous overnight—aside from establishing Lubitsch as a directorial force.

We asked Lubitsch to name his favorite film play. “The last is always my favorite,” he said: “I rush into them with such high spirits and live so close to my work that my mind always graps [sic] my last work as its favorite,” Lubitsch paused. “Possibly I like a little fantastic film of mine, ‘The Doll,’ best of all. No, America has not seen ‘The Doll’ yet.”

Next we put the age-old question of the screen’s future to Lubitsch. He shrugged his shoulders in true Teutonic fashion. “That will be dependent upon the people who make them. Our producers must be real leaders, must not be afraid to risk their all for experiments and must possess infinite imagination or the photoplay will slip into stagnant waters. Our biggest menace today lies in the difficulties facing film experiments. Yet we must experiment or the films will never break new paths.”

We asked Lubitsch to name what he considered the strengths and weaknesses of our native films. He diplomatically

(Continued on page 77)

Photo Caption: 

The success of “Passion,” “Deception,” and “Gypsy Blood” has made the personality and ideas of their maker, Ernest [sic] Lubitsch, of singular interest. “The future of motion pictures will be dependent upon the people who make them. Our producers must be real leaders, must not be afraid to risk their all for experiments, and must possess infinite imagination, or the photoplay will slip into stagnant waters”

The Photoplay in Stagnant Waters

(Continued from page 34)

professed to have seen but few of them. One however, he named with genuine enthusiasm. It was Griffith’s “Broken Blossoms.” “That is a true work of art,” he said. And he enthused over the work of Charlie Chaplin. We asked him to name the foremost American film players and he again lapsed into diplomatic silence. But when we asked him to select that foremost film player of Europe, his eyes lighted and he named Pola Negri without a second’s hesitation. And he listed Emil Jannings, Paul Wegener and Weiner [sic] Krauss as among the foremost celluloid actors. Incidentally, Lubitsch confirmed the report that Jannings, the unforgettable Louis XV of “Passion” and Henry VIII of “Deception,” is of American blood. Jannings is of American parentage, altho he was born in Switzerland.

Lubitsch briefly explained his method of work, which differs but little from those of our own directors. Save in one important particular. Before starting a production, he goes away with his scenario editor and together they devote a month to working out the continuity.

Here Lubitsch pointed out that European continuity differs from American in one essential aspect. Motion pictures in Germany, Italy and Sweden are shown after the style of spoken plays—in acts, usually four in number, with intermissions between the parts. This necessitates building to act climaxes, after the fashion of the footlight drama. Lubitsch declares this to be easier than the American continuity, which must steadily build upward until it reaches its climax.

“My actual methods of direction are, I suppose, similar to American ways. I have but one fixed rule: I never use players until I know their personalities and real inner selves. In that way, I never ask more of them than they can give.”

Lubitsch looks but lightly upon the present film depression. “A war reaction,” he explains. “During the struggle the people of every country had more or less excess money to spend. And they had to do something steadily to forget. So even film rubbish attracted, for the war-time audiences sought only amusement.

“Now conditions are different. Money is scarce. People have no horror to forget. They think before entering a theater and they sit with a critical attitude. All over Europe conditions are psychologically the same as in America.”

Lubitsch laughs at the idea of German motion pictures injuring American film making. “We must interchange—for we all need the best products of every country. Never forget that the photoplay is international and that the people of every land are essentially the same in every way. And do not forget that the photoplay is the one art speaking all languages.”

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[korneliarutecka]

CAS Creativity

25.01.2022

Today I started reading ‘The Old Man and the Sea’ by Ernest Hemingway in Spanish. I read this book a few years ago in Polish and I really enjoyed it. Nevertheless, I wanted to give it another try in a different language. I bought the Spanish version of ‘The Old Man and the Sea’ at a book market during the summer, while I was in Spain with my friends but I was busy reading other literary works and did not have a chance to start it.

I have been learning Spanish for around 12 years now and, as I do not have Spanish lessons at school anymore, I decided to do something in order to work on my language skills and improve my vocabulary. I try to have as much contact with Spanish as possible (I watch Spanish movies, recently I have been into Pedro Almodovar’s works, and read Spanish online newspapers such as ‘El Pais’), however without a routine and weekly lessons it is not easy. That is why I am thinking about joining a B2/C1 level group in Instituto Cervantes in Warsaw starting next semester.

[scorpiovenusinthe8th-blog]

Cancer venus in the 1st house: Angelina Jolie, Cameron Diaz, Arnold Schwarzenegger, Judy Garland, Aldous Huxley

Cancer venus in the 2nd house: Juliette Lewis, South Korea, Elliott Smith, Gene Wilder, Peter O’Toole

Cancer venus in the 3rd house: Azealia Banks, Nikola Tesla, Stevie Nicks, Mae West, Indonesia

Cancer venus in the 4th house: Halle Berry, Brian Eno, Lea Massari

Cancer venus in the 5th house: Khloe Kardashian, Barack Obama, Sia Labeouf, Charlotte Gainsbourg

Cancer venus in the 6th house: Carl Jung, Shia Labeouf, Adriana Lima, Dustin Hoffman, Zendaya

Cancer venus in the 7th house: Lenny Kravitz, Hilary Swank, Raquel Welch, Grace Jones, Hermann Hesse

Cancer venus in the 8th house: Natalie Portman, Clint Eastwood, Robert Plant, USA Declaration of Independence, Mata Hari, Houston Texas, Lily-Rose Depp, Eva Marie Saint

Cancer venus in the 9th house: Melanie Brown, Bob Hope, Turin Italy, Warsaw Poland, Baltimore Maryland, Esther Williams, Kelly Lee Curtis

Cancer venus in the 10th house: Rose Byrne, Florence Nightingale, Christopher Lee, Kathy Bates, Barbara Stanwyck

Cancer venus in the 11th house: keanu Reeves, Ernest Hemingway, Mystic Meg, Lucy Hale, Zelda Fitzgerald

Cancer venus in the 12th house: Elizabeth Hurley, Mary-kate & Ashley Olsen, Nick Drake, Nancy Sinatra, Valentino

[cute1dfacts]

Emerging Markets at Mercy of Yuan Swings as Currency War Looms

New Post has been published on https://worldwide-finance.net/news/commodities-futures-news/emerging-markets-at-mercy-of-yuan-swings-as-currency-war-looms

Emerging Markets at Mercy of Yuan Swings as Currency War Looms

© Bloomberg. Genuine bundles of Chinese one-hundred yuan banknotes and U.S. one-hundred dollar banknotes are arranged for a photograph at the Counterfeit Notes Response Center of KEB Hana Bank in Seoul, South Korea, on Friday, July 13, 2017. Yuan is set to slide for fifth week, longest losing streak since July 2016, as escalating U.S.-China trade tensions weigh on sentiment. Photographer: SeongJoon Cho/Bloomberg

(Bloomberg) — China’s yuan is back at the top of emerging-market investor worries as the deepening standoff between the U.S. and China over trade threatens to evolve into a currency battle.

As the dollar strengthens amid the trade tensions, the slide in the yuan is spurring concern that China might be embracing purposeful devaluation as a policy tool. That stoked the ire of U.S. President Donald Trump, who accused the country and the European Union of manipulating their currencies. China’s foreign ministry spokesman said Monday the country has no desire to boost its exports through competitive devaluation while the nation’s sound economic fundamentals are providing support to the currency.

“The yuan’s definitely weighing on risk, although much more so on Asia,” said Edwin Gutierrez, the London-based head of emerging-market sovereign debt at Aberdeen Standard Investments. “But we are confident that the Chinese will not let things get disorderly. Having recently won the battle against capital outflows, they’re not about to stoke those again by letting the currency depreciate significantly.”

The People’s Bank of China last week fixed the currency past 6.7 per dollar for the first time in almost a year and on Friday weakened the reference rate the most in two years. On Monday, the PBOC strengthened the yuan’s fixing by 0.12 percent to 6.7593, though it was still slightly weaker than traders and analysts had expected. The erased its gain to trade lower at 10:30 a.m. in London.

A further drop in the Chinese currency to 7 against the dollar may trigger another round of panic selling in emerging markets, Gutierrez said. The currency regained some ground on Friday after a big Chinese bank sold dollars, traders said.

Chasing a Weaker Yuan is Probably the Wrong Trade, Goldman Says

Asian currencies, including the South Korean won and Indonesian rupiah, have borne the brunt of the sell-off in emerging markets this month, with the yuan the worst performer after Turkey’s lira.

The Argentine and Mexican peso as well as Brazil’s real have been the top-performing developing-nation currencies this month. Aberdeen Standard has been overweight Latin American currencies “for quite a while,” Gutierrez said.

Erdogan Era

With the majority of economists expecting a rate hike of at least one percentage point by Turkey’s central bank on Tuesday, traders will be glued to the results of policy makers’ first meeting since the re-election of President Recep Tayyip Erdogan. Inflation soared to 15.4 percent in June, about three times the central bank’s target

“In the case of a continuation of loose fiscal and quasi-fiscal policies, the CBT is likely to be forced to hike further in the rest of the year,” Morgan Stanley (NYSE:) analysts wrote in an emailed note

Other Rate Decisions

After the Bank of Russia adopted a hawkish tone at its meeting in June, economists see rate setters keeping their benchmark on hold at 7.25 percent on Friday. From a planned increase in value-added tax next year to ruble weakness and steady gains in wages, inflation pressures are building, according to BCS Financial Group

Morgan Stanley economists including Pasquale Diana expect a “somewhat cautious tone” when Hungarian policy makers meet on Tuesday, despite rates having eased since their last decision. Dovish monetary policy makes currencies such as Hungary’s forint and Poland’s zloty vulnerable to capital outflows, according to Warsaw-based mBank analysts led by Ernest Pytlarczyk. The regulator may leave the base rate at a record-low 0.9 percent, according to all economists in a Bloomberg survey

Nigeria announces its rate decision on Tuesday, with markets mostly expecting it to hold at a record-high of 14 percent. While inflation is slowing, a pickup in outflows in the past few months amid the emerging-market sell-off may make the central bank wary of easing monetary policy

Ghana, Chile, Georgia and Colombia will also decide on rates

Former Cricket Hero for Prime Minister?

Pakistan voters go to the polls Wednesday with the incumbent Pakistan Muslim League-Nawaz and former cricket star Imran Khan’s Tehreek-e-Insaf, or Movement for Justice, almost neck-and-neck. The nation’s fast-deteriorating economy means that whoever wins will likely have to go to the International Monetary Fund for another bailout. The benchmark KSE100 Index of stocks this month fell to the lowest level since 2017

READ: No Winners Seen for Investors in Pakistan Neck-and-Neck Election

Brazil’s Presidential Race

Developments in Brazil’s presidential race could influence local markets after the Democratic Workers Party, or PDT, endorsed leftist Ciro Gomes. Traders will also eye confirmation that Brazil’s “centrao” coalition has agreed to back former Sao Paulo Governor Geraldo Alckmin, as reported by local media. Support for Alckmin, a market-friendly candidate who has been lagging behind in recent polls, could give him as much as 40 percent of total television ad time. The real has trailed major peers this year

Brazil economic data for release include the current account, trade and loans. Weaker-than-expected data is another reason for the underperformance of Brazilian assets. The biggest exchange-traded fund, the iShares MSCI Brazil ETF, earlier this month suffered it sharpest daily outflow since 2015

Other Economic Data

South Korea will report its preliminary figure for gross domestic product on Thursday. The government lowered its forecast for Asia’s fourth-largest economy on July 18 to 2.9 percent from an earlier 3 percent, citing rising global trade tensions. That follows the move of Bank of Korea, which revised down its 2018 estimate to 2.9 percent while leaving the inflation outlook unchanged

The Philippines reported on Monday a budget deficit of 54.3 billion pesos ($1 billion) for June. That took the shortfall for the first six months of the year to 193 billion pesos, compared with a deficit of 154.5 billion pesos in the year-earlier period. President Rodrigo Duterte needs 9 trillion pesos to fund a program to build roads and railways through 2022. The government forecasts its budget deficit will swell to 3.2 percent of gross domestic product in 2019, which would be the highest in nine years, from a projected 3 percent this year

Taiwan’s industrial output rose 0.36 percent in June from a year earlier, while the jobless rate was little changed at 3.68 percent; the local dollar strengthened

Mexico-watchers also have their pick of economic figures, with data due on inflation, retail sales, trade and unemployment. The Mexican peso has surprised many analysts with a stronger-than-expected performance after the presidential election, leading Morgan Stanley to revise its forecast for the year

(Updates yuan prices in fourth paragraph, Taiwan data in bullet.)

Disclaimer: Fusion Media would like to remind you that the data contained in this website is not necessarily real-time nor accurate. All CFDs (stocks, indexes, futures) and Forex prices are not provided by exchanges but rather by market makers, and so prices may not be accurate and may differ from the actual market price, meaning prices are indicative and not appropriate for trading purposes. Therefore Fusion Media doesn`t bear any responsibility for any trading losses you might incur as a result of using this data.

Fusion Media or anyone involved with Fusion Media will not accept any liability for loss or damage as a result of reliance on the information including data, quotes, charts and buy/sell signals contained within this website. Please be fully informed regarding the risks and costs associated with trading the financial markets, it is one of the riskiest investment forms possible.

Read More https://worldwide-finance.net/news/commodities-futures-news/emerging-markets-at-mercy-of-yuan-swings-as-currency-war-looms

[benmauerberger]

Emerging Markets at Mercy of Yuan Swings as Currency War Looms

New Post has been published on https://worldwide-finance.net/news/commodities-futures-news/emerging-markets-at-mercy-of-yuan-swings-as-currency-war-looms

Emerging Markets at Mercy of Yuan Swings as Currency War Looms

© Bloomberg. Genuine bundles of Chinese one-hundred yuan banknotes and U.S. one-hundred dollar banknotes are arranged for a photograph at the Counterfeit Notes Response Center of KEB Hana Bank in Seoul, South Korea, on Friday, July 13, 2017. Yuan is set to slide for fifth week, longest losing streak since July 2016, as escalating U.S.-China trade tensions weigh on sentiment. Photographer: SeongJoon Cho/Bloomberg

(Bloomberg) — China’s yuan is back at the top of emerging-market investor worries as the deepening standoff between the U.S. and China over trade threatens to evolve into a currency battle.

As the dollar strengthens amid the trade tensions, the slide in the yuan is spurring concern that China might be embracing purposeful devaluation as a policy tool. That stoked the ire of U.S. President Donald Trump, who accused the country and the European Union of manipulating their currencies. China’s foreign ministry spokesman said Monday the country has no desire to boost its exports through competitive devaluation while the nation’s sound economic fundamentals are providing support to the currency.

“The yuan’s definitely weighing on risk, although much more so on Asia,” said Edwin Gutierrez, the London-based head of emerging-market sovereign debt at Aberdeen Standard Investments. “But we are confident that the Chinese will not let things get disorderly. Having recently won the battle against capital outflows, they’re not about to stoke those again by letting the currency depreciate significantly.”

The People’s Bank of China last week fixed the currency past 6.7 per dollar for the first time in almost a year and on Friday weakened the reference rate the most in two years. On Monday, the PBOC strengthened the yuan’s fixing by 0.12 percent to 6.7593, though it was still slightly weaker than traders and analysts had expected. The erased its gain to trade lower at 10:30 a.m. in London.

A further drop in the Chinese currency to 7 against the dollar may trigger another round of panic selling in emerging markets, Gutierrez said. The currency regained some ground on Friday after a big Chinese bank sold dollars, traders said.

Chasing a Weaker Yuan is Probably the Wrong Trade, Goldman Says

Asian currencies, including the South Korean won and Indonesian rupiah, have borne the brunt of the sell-off in emerging markets this month, with the yuan the worst performer after Turkey’s lira.

The Argentine and Mexican peso as well as Brazil’s real have been the top-performing developing-nation currencies this month. Aberdeen Standard has been overweight Latin American currencies “for quite a while,” Gutierrez said.

Erdogan Era

With the majority of economists expecting a rate hike of at least one percentage point by Turkey’s central bank on Tuesday, traders will be glued to the results of policy makers’ first meeting since the re-election of President Recep Tayyip Erdogan. Inflation soared to 15.4 percent in June, about three times the central bank’s target

“In the case of a continuation of loose fiscal and quasi-fiscal policies, the CBT is likely to be forced to hike further in the rest of the year,” Morgan Stanley (NYSE:) analysts wrote in an emailed note

Other Rate Decisions

After the Bank of Russia adopted a hawkish tone at its meeting in June, economists see rate setters keeping their benchmark on hold at 7.25 percent on Friday. From a planned increase in value-added tax next year to ruble weakness and steady gains in wages, inflation pressures are building, according to BCS Financial Group

Morgan Stanley economists including Pasquale Diana expect a “somewhat cautious tone” when Hungarian policy makers meet on Tuesday, despite rates having eased since their last decision. Dovish monetary policy makes currencies such as Hungary’s forint and Poland’s zloty vulnerable to capital outflows, according to Warsaw-based mBank analysts led by Ernest Pytlarczyk. The regulator may leave the base rate at a record-low 0.9 percent, according to all economists in a Bloomberg survey

Nigeria announces its rate decision on Tuesday, with markets mostly expecting it to hold at a record-high of 14 percent. While inflation is slowing, a pickup in outflows in the past few months amid the emerging-market sell-off may make the central bank wary of easing monetary policy

Ghana, Chile, Georgia and Colombia will also decide on rates

Former Cricket Hero for Prime Minister?

Pakistan voters go to the polls Wednesday with the incumbent Pakistan Muslim League-Nawaz and former cricket star Imran Khan’s Tehreek-e-Insaf, or Movement for Justice, almost neck-and-neck. The nation’s fast-deteriorating economy means that whoever wins will likely have to go to the International Monetary Fund for another bailout. The benchmark KSE100 Index of stocks this month fell to the lowest level since 2017

READ: No Winners Seen for Investors in Pakistan Neck-and-Neck Election

Brazil’s Presidential Race

Developments in Brazil’s presidential race could influence local markets after the Democratic Workers Party, or PDT, endorsed leftist Ciro Gomes. Traders will also eye confirmation that Brazil’s “centrao” coalition has agreed to back former Sao Paulo Governor Geraldo Alckmin, as reported by local media. Support for Alckmin, a market-friendly candidate who has been lagging behind in recent polls, could give him as much as 40 percent of total television ad time. The real has trailed major peers this year

Brazil economic data for release include the current account, trade and loans. Weaker-than-expected data is another reason for the underperformance of Brazilian assets. The biggest exchange-traded fund, the iShares MSCI Brazil ETF, earlier this month suffered it sharpest daily outflow since 2015

Other Economic Data

South Korea will report its preliminary figure for gross domestic product on Thursday. The government lowered its forecast for Asia’s fourth-largest economy on July 18 to 2.9 percent from an earlier 3 percent, citing rising global trade tensions. That follows the move of Bank of Korea, which revised down its 2018 estimate to 2.9 percent while leaving the inflation outlook unchanged

The Philippines reported on Monday a budget deficit of 54.3 billion pesos ($1 billion) for June. That took the shortfall for the first six months of the year to 193 billion pesos, compared with a deficit of 154.5 billion pesos in the year-earlier period. President Rodrigo Duterte needs 9 trillion pesos to fund a program to build roads and railways through 2022. The government forecasts its budget deficit will swell to 3.2 percent of gross domestic product in 2019, which would be the highest in nine years, from a projected 3 percent this year

Taiwan’s industrial output rose 0.36 percent in June from a year earlier, while the jobless rate was little changed at 3.68 percent; the local dollar strengthened

Mexico-watchers also have their pick of economic figures, with data due on inflation, retail sales, trade and unemployment. The Mexican peso has surprised many analysts with a stronger-than-expected performance after the presidential election, leading Morgan Stanley to revise its forecast for the year

(Updates yuan prices in fourth paragraph, Taiwan data in bullet.)

Disclaimer: Fusion Media would like to remind you that the data contained in this website is not necessarily real-time nor accurate. All CFDs (stocks, indexes, futures) and Forex prices are not provided by exchanges but rather by market makers, and so prices may not be accurate and may differ from the actual market price, meaning prices are indicative and not appropriate for trading purposes. Therefore Fusion Media doesn`t bear any responsibility for any trading losses you might incur as a result of using this data.

Fusion Media or anyone involved with Fusion Media will not accept any liability for loss or damage as a result of reliance on the information including data, quotes, charts and buy/sell signals contained within this website. Please be fully informed regarding the risks and costs associated with trading the financial markets, it is one of the riskiest investment forms possible.

Read More https://worldwide-finance.net/news/commodities-futures-news/emerging-markets-at-mercy-of-yuan-swings-as-currency-war-looms

[zietastudio]

Surprisingly, our steel objects look great in the bathroom setting. Here, photographed by Ernest Wińczyk Studio in the Raffles Europejski Warsaw, are a white DRAB mirror, PLOPP stool and inox steel Parova vases. ⁠ ⁠ More photos from this stunning photoshoot: CLICK

[chloe-jayde]

Emerging Markets at Mercy of Yuan Swings as Currency War Looms

New Post has been published on https://worldwide-finance.net/news/commodities-futures-news/emerging-markets-at-mercy-of-yuan-swings-as-currency-war-looms

Emerging Markets at Mercy of Yuan Swings as Currency War Looms

© Bloomberg. Genuine bundles of Chinese one-hundred yuan banknotes and U.S. one-hundred dollar banknotes are arranged for a photograph at the Counterfeit Notes Response Center of KEB Hana Bank in Seoul, South Korea, on Friday, July 13, 2017. Yuan is set to slide for fifth week, longest losing streak since July 2016, as escalating U.S.-China trade tensions weigh on sentiment. Photographer: SeongJoon Cho/Bloomberg

(Bloomberg) — China’s yuan is back at the top of emerging-market investor worries as the deepening standoff between the U.S. and China over trade threatens to evolve into a currency battle.

As the dollar strengthens amid the trade tensions, the slide in the yuan is spurring concern that China might be embracing purposeful devaluation as a policy tool. That stoked the ire of U.S. President Donald Trump, who accused the country and the European Union of manipulating their currencies. China’s foreign ministry spokesman said Monday the country has no desire to boost its exports through competitive devaluation while the nation’s sound economic fundamentals are providing support to the currency.

“The yuan’s definitely weighing on risk, although much more so on Asia,” said Edwin Gutierrez, the London-based head of emerging-market sovereign debt at Aberdeen Standard Investments. “But we are confident that the Chinese will not let things get disorderly. Having recently won the battle against capital outflows, they’re not about to stoke those again by letting the currency depreciate significantly.”

The People’s Bank of China last week fixed the currency past 6.7 per dollar for the first time in almost a year and on Friday weakened the reference rate the most in two years. On Monday, the PBOC strengthened the yuan’s fixing by 0.12 percent to 6.7593, though it was still slightly weaker than traders and analysts had expected. The erased its gain to trade lower at 10:30 a.m. in London.

A further drop in the Chinese currency to 7 against the dollar may trigger another round of panic selling in emerging markets, Gutierrez said. The currency regained some ground on Friday after a big Chinese bank sold dollars, traders said.

Chasing a Weaker Yuan is Probably the Wrong Trade, Goldman Says

Asian currencies, including the South Korean won and Indonesian rupiah, have borne the brunt of the sell-off in emerging markets this month, with the yuan the worst performer after Turkey’s lira.

The Argentine and Mexican peso as well as Brazil’s real have been the top-performing developing-nation currencies this month. Aberdeen Standard has been overweight Latin American currencies “for quite a while,” Gutierrez said.

Erdogan Era

With the majority of economists expecting a rate hike of at least one percentage point by Turkey’s central bank on Tuesday, traders will be glued to the results of policy makers’ first meeting since the re-election of President Recep Tayyip Erdogan. Inflation soared to 15.4 percent in June, about three times the central bank’s target

“In the case of a continuation of loose fiscal and quasi-fiscal policies, the CBT is likely to be forced to hike further in the rest of the year,” Morgan Stanley (NYSE:) analysts wrote in an emailed note

Other Rate Decisions

After the Bank of Russia adopted a hawkish tone at its meeting in June, economists see rate setters keeping their benchmark on hold at 7.25 percent on Friday. From a planned increase in value-added tax next year to ruble weakness and steady gains in wages, inflation pressures are building, according to BCS Financial Group

Morgan Stanley economists including Pasquale Diana expect a “somewhat cautious tone” when Hungarian policy makers meet on Tuesday, despite rates having eased since their last decision. Dovish monetary policy makes currencies such as Hungary’s forint and Poland’s zloty vulnerable to capital outflows, according to Warsaw-based mBank analysts led by Ernest Pytlarczyk. The regulator may leave the base rate at a record-low 0.9 percent, according to all economists in a Bloomberg survey

Nigeria announces its rate decision on Tuesday, with markets mostly expecting it to hold at a record-high of 14 percent. While inflation is slowing, a pickup in outflows in the past few months amid the emerging-market sell-off may make the central bank wary of easing monetary policy

Ghana, Chile, Georgia and Colombia will also decide on rates

Former Cricket Hero for Prime Minister?

Pakistan voters go to the polls Wednesday with the incumbent Pakistan Muslim League-Nawaz and former cricket star Imran Khan’s Tehreek-e-Insaf, or Movement for Justice, almost neck-and-neck. The nation’s fast-deteriorating economy means that whoever wins will likely have to go to the International Monetary Fund for another bailout. The benchmark KSE100 Index of stocks this month fell to the lowest level since 2017

READ: No Winners Seen for Investors in Pakistan Neck-and-Neck Election

Brazil’s Presidential Race

Developments in Brazil’s presidential race could influence local markets after the Democratic Workers Party, or PDT, endorsed leftist Ciro Gomes. Traders will also eye confirmation that Brazil’s “centrao” coalition has agreed to back former Sao Paulo Governor Geraldo Alckmin, as reported by local media. Support for Alckmin, a market-friendly candidate who has been lagging behind in recent polls, could give him as much as 40 percent of total television ad time. The real has trailed major peers this year

Brazil economic data for release include the current account, trade and loans. Weaker-than-expected data is another reason for the underperformance of Brazilian assets. The biggest exchange-traded fund, the iShares MSCI Brazil ETF, earlier this month suffered it sharpest daily outflow since 2015

Other Economic Data

South Korea will report its preliminary figure for gross domestic product on Thursday. The government lowered its forecast for Asia’s fourth-largest economy on July 18 to 2.9 percent from an earlier 3 percent, citing rising global trade tensions. That follows the move of Bank of Korea, which revised down its 2018 estimate to 2.9 percent while leaving the inflation outlook unchanged

The Philippines reported on Monday a budget deficit of 54.3 billion pesos ($1 billion) for June. That took the shortfall for the first six months of the year to 193 billion pesos, compared with a deficit of 154.5 billion pesos in the year-earlier period. President Rodrigo Duterte needs 9 trillion pesos to fund a program to build roads and railways through 2022. The government forecasts its budget deficit will swell to 3.2 percent of gross domestic product in 2019, which would be the highest in nine years, from a projected 3 percent this year

Taiwan’s industrial output rose 0.36 percent in June from a year earlier, while the jobless rate was little changed at 3.68 percent; the local dollar strengthened

Mexico-watchers also have their pick of economic figures, with data due on inflation, retail sales, trade and unemployment. The Mexican peso has surprised many analysts with a stronger-than-expected performance after the presidential election, leading Morgan Stanley to revise its forecast for the year

(Updates yuan prices in fourth paragraph, Taiwan data in bullet.)

Disclaimer: Fusion Media would like to remind you that the data contained in this website is not necessarily real-time nor accurate. All CFDs (stocks, indexes, futures) and Forex prices are not provided by exchanges but rather by market makers, and so prices may not be accurate and may differ from the actual market price, meaning prices are indicative and not appropriate for trading purposes. Therefore Fusion Media doesn`t bear any responsibility for any trading losses you might incur as a result of using this data.

Fusion Media or anyone involved with Fusion Media will not accept any liability for loss or damage as a result of reliance on the information including data, quotes, charts and buy/sell signals contained within this website. Please be fully informed regarding the risks and costs associated with trading the financial markets, it is one of the riskiest investment forms possible.

Read More https://worldwide-finance.net/news/commodities-futures-news/emerging-markets-at-mercy-of-yuan-swings-as-currency-war-looms

[elcinelateleymickyandonie]

Piper Laurie.

Filmografía

- Hesher (2010)

- The Mao Game (1999)

- Palmer's Pick Up (1999)

- The Faculty (1998)

- St. Patrick's Day (1997)

- Cruzando la oscuridad (1995)

- El arpa de hierba (1995)

- Wrestling Ernest Hemingway (1993)

- Trauma (1993)

- Rich in Love (1993)

- Storyville (1992)

- Other People's Money (1991)

- Twin Peaks (1990)

- Mother, Mother (1989)

- Dream a Little Dream (1989)

- Tiger Warsaw (1988)

- Cita con la muerte (1988)

- Distortions (1987)

- Hijos de un dios menor (1986)

- Return to Oz (1985)

- Tim (1979)

- Ruby (1977)

- Carrie (1976)

- El buscavidas (1961)

- Until They Sail (Mujeres culpables) (1957)

- Kelly and Me (1957)

- Ain't Misbehavin' (1955)

- Smoke Signal (Cara a la muerte) (1955)

- Dawn at Socorro (1954)

- Johnny Dark (1954)

- Dangerous Mission (Nieves traidoras) (1954)

- The Golden Blade (La espada de Damasco) (1953)

- The Mississippi Gambler (1953)

- Son of Ali Baba (1952)

- Has Anybody Seen My Gal? (1952)

- No Room for the Groom (1952)

- The Prince Who Was a Thief (Su alteza el ladrón) (1951)

- La mula Francis en las carreras (1951)

- The Milkman (1950)

- Louisa (1950).

Premios Óscar

- 1986 Oscar a la mejor actriz de reparto Hijos de un dios menor Candidata

- 1976 Oscar a la mejor actriz de reparto Carrie Candidata

- 1961 Oscar a la mejor actriz El buscavidas Candidata

Créditos: Tomado de Wikipedia

https://es.wikipedia.org/wiki/Piper_Laurie