#Ernest raudnitz

[fripperiesandfobs]

Summer dress by Raudnitz ca. 1910

From Tessier-Sarou

[costumeloverz71]

Ballgown, c. 1893, Ernest Raudnitz.

[digitalfashionmuseum]

Brown Silk Day Dress, ca. 1895, French.

By Ernest Raudnitz.

Albany Institute of History & Art.

[chic-a-gigot]

Les Modes : revue mensuelle illustrée des arts décoratifs appliqués à la femme, no. 3, vol. 1, 1 mars 1901, Paris. Robe de ville. Modèle Ernest Raudnitz. Cliché Reutlinger. Bibliothèque nationale de France

Page 15. — ROBE DE VILLE (Modèle Ernest Raudnitz). — Robe de ville en velours noir, très évasée du bas de la jupe et se découpant du haut en lignes croisées de jais, reposant sur un transparent de guipure crème. Le même effet se continue au corsage, dont le devant est formé d’un gilet de satin blanc brodé de fleurs Pompadour.

Page 15. — CITY DRESS (Ernest Raudnitz). — City dress in black velvet, very flared from the bottom of the skirt and cut out from the top in crossed lines of jet, resting on a transparent cream guipure. The same effect continues on the bodice, the front of which is made up of a white satin vest embroidered with Pompadour flowers.

[les-modes]

Afternoon dress by Ernest Raudnitz, Les Modes December 1906. Photo by Félix.

[edwardianchic]

Years of Dresses: 1894

All images courtesy of the Metropolitan Museum of Art. Image descriptions under the cut.

The first dress is an American silk dress.

The second dress is a French dress composed of cotton and silk labelled “Ernest Raudnitz” of Paris. Circa 1894-95.

The next dress is a silk American dinner dress designed by Mrs. Arnold “a little known Brooklyn dressmaker.” Circa 1894-96.

The following dress is a French dinner dress designed by Jeanne Hallée. The MET notes, “Jeanne Hallée was an important dressmaker at the time and extant examples of her designs are fairly rare.” This dress is composed of cotton and silk with metal embellishments. Circa 1894-96.

The next evening dress is a House of Worth silk dress.

The final dress is a House of Worth tea gown. The MET notes that “The sleeves and collar of this teagown reference the early 17th century, which was a common period for Worth to draw from.” They also note that a common Worth practice employed here is to use the salvages as decoration. The dress is boned despite not needing to be boned to retain its shape, as that is what was comfortable for women at the time.

[treasuretrovevintage]

Ensemble: Jacket and Skirt, ca.1901. Ernest Raudnitz, designer. France - wool, silk & metal beads.

[lookingbackatfashionhistory]

Ensemble: Jacket and Skirt Rtaots rtist: Ernest Raudnitz, designer Date: q901 Place: France Medium: Wool, silk, metal bea

[chrislaguna1-blog]

1901, Evening dress "Colibri" by Ernest Raudnitz Les Modes Paris

[ephemeral-elegance]

Brocade and Lace Bustle Dinner Gown, ca. 1894-95

Ernest Raudnitz

via The Met

[chic-a-gigot]

Les Modes : revue mensuelle illustrée des arts décoratifs appliqués à la femme, no. 51, vol. 5, mars 1905, Paris. MANTEAU DE THEATRE, PAR ERNEST RAUDNITZ. Photo Boissonnas & Taponier. Bibliothèque nationale de France

PAGE 15. — MANTEAU DE THEATRE. — ERNEST RAUDNITZ. — Manteau en drap de Suède très clair, forme burnous, broderie de grosse soutache surmontant un entre-deux de plis repincés. Capuchon terminé par un gros gland de soie.

PAGE 15. — THEATER MANTLE. — ERNEST RAUDNITZ. — Coat in very light Swedish cloth, burnous shape, large soutache embroidery surmounting a space of re-pinched pleats. Hood finished with a large silk tassel.

[les-modes]

Evening gown by Ernest Raudnitz, Les Modes December 1901. Photo by Boyer

[chic-a-gigot]

Le Figaro-modes : à la ville, au théâtre, arts décoratifs, no. 8, août 1903, Paris. Concours d'élégances. Interview de Mlle Suzanne Carlix du Théâtre des Nouveautés. Photo Reutlinger. Ville de Paris / Bibliothèque Forney

Ses réponses

Couturier: PAQUIN. Modiste: LENTHÉRIC. Tailleur: ERNEST RAUDNITZ. Lingère: DOUCET. Corset: MYSTÈRE. Dentelles: GRANDE MAISON DE DENTELLES. Fourreur: GRUNWALDT. Chapelier: DELION. Eventails: UN PETIT JAPONAIS. Ombrelles: BRIGG. Parfumeur: GUERLAIN. Dentifrice: EAU DE BOTOT. Ameublement: JANSEN. Bijoutier: EN ESPAGNE. Orfèvre: ROUKHOMOVSKI. Objets de voyage: Louis VUITTON. Carrossier: ROTHSCHILD. Automobiles: CHARRON. Restaurant: JULIEN. Champagne: KATINKA. Confiseur: MES AMOUREUX. Où goûtez-vous? JE N'AI PAS LE TEMPS.

A Suzanne Carlix

ENVOI

Mieux que d'autres elle a vraiment Sa façon de dire les choses… Sans y croire — mais tendrement — Avec de l'étude — et sans poses.

Elle abaisse un peu ses grands yeux Et, du coin de ses lèvres roses, D'un air boudeur et paresseux Doucement elle dit les choses….

C'est polisson — c'est ingénu, Les effets expliquent les causes…. C'est enveloppé — mais tout nu… Et ça dit des choses… des choses!

Devant son charme et son talent Beaucoup de femmes sont moroses… Et les hommes… elle a vraiment Sa façon de dire les choses!…

Maurice de Féraudy.

Better than others she really has Her way of saying things… Without believing it — but tenderly — With study — and without poses.

She lowers her big eyes a little And, from the corner of her pink lips, With a sulky and lazy air Softly she says things….

It's naughty — it's naive, The effects explain the causes…. It's wrapped up — but quite naked… And it says things… things!

In front of her charm and her talent Many women are morose… And men… she really has Her way of saying things!…

[chic-a-gigot]

The New York Herald. European Edition—Paris. Sunday, January 5, 1896—Supplement. Latest Parision Fashions as Children's Dolls. Dinner dress by LaFourcade and Depeyre. Corset and petticoat of blue brocaded satin by Mme. Peeters. Ball dress by Ernest Raudnitz. Cut out the Figures carefully and paste them on stiff cardboard back to back. Bibliothèque nationale de France

[les-modes]

Dinner dress by Ernest Raudnitz, photo by Reutlinger, Les Modes July 1902.