#Ernö Verebes
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My Friend Irma
Dive into the enchanting world of Martin and Lewis in their inaugural movie, "My Friend Irma," directed by George Marshall in 1949. With its timeless appeal and vintage charm, this movie is a must-watch for fans of classic cinema and timeless humor.
Continuing my Martin and Lewis binge, I’m looking at their FIRST movie, the 1949, George Marshall directed film, “My Friend Irma,” a romantic musical comedy. Martin and Lewis aren’t actually the stars of this movie, that honor goes to Diana Lynn and Maire Wilson. The movie is adapted from an old radio show of the same name that first aired in 1947. It must have been very popular for it to be…
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#comedy#Dean Martin#Diana Lynn#Don DeFore#Ernö Verebes#Film#George Marshall#Hans Conried#Jerry Lewis#John Lund#Kathryn Givney#Maire Wilson#Movie Review#Movies#musical#Percy Helton#romance
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The Climax (1944)
"I don't hate you. I only hate the thing that's come between us: your voice."
"Yes, I know. You were out front tonight. I felt your eyes on me. Like you're looking at me now. Go away. Get out of here! I'm afraid of you."
"You needn't be. I love you, my darling, you know that. I'd give my life for you. This thing that shuts me out, I won't let it, I tell you I won't let it. It's here... now, between my fingers. I've only to close them to silence it forever."
#the climax#american cinema#1944#george waggner#curt siodmak#edward locke#lynn starling#boris karloff#susanna foster#turhan bey#gale sondergaard#thomas gomez#june vincent#george dolenz#jane farrar#ludwig stössel#lotte stein#ernö verebes#scotty beckett#william edmunds#this rocked up on one of the universal horror sets Eureka have been putting out‚ but it's an odd fit and seems to have drawn the ire of#more than one reviewer. i sort of get it: it's hardly a horror film at all‚ much more a romantic melodrama with musical numbers and just a#slight swirl of psychological intrigue to get the plot moving. originally conceived as a direct sequel to the previous year's Phantom of#the Opera (mainly to try and get some more use out of the lavish theatre sets built for that film)‚ at some point in production this was#retooled as a loose adaptation of Locke's play. the result may disappoint horror hounds but i was actually very charmed by this#it's undeniably self indulgent‚ frequently tacky‚ and full of the strangest opera stagings that clearly don't belong to the period in which#the film is set‚ but it's just so damn sincere‚ so irresistibly campy and romantic. Karloff is criminally underused as the Phantom insert#obsessed with a dead love (that he deaded) but the supporting cast make up for his absences. lovely Turhan Bey is a lovesick composer so#moved by his fiancée's first public performance that he eats his theatre programme. i mean if that doesn't sell it what will? also a stand#out is the perennially dependable Gomez as the brash theatre manager with a twinkle in his eye and a soft heart. a lot of fun this (ymmv)
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<strong>Ernst Verebes <a href="https://www.flickr.com/photos/truusbobjantoo/">by Truus, Bob & Jan too!</a></strong> <br /><i>Via Flickr:</i> <br />French or Austrian postcard. Jean de Merly, Paris. Lux-Film.
Hungarian actor Ernst (or Ernö) Verebes (1902-1971) was a popular and elegant matinée idol of the German cinema in the silent and early sound period. Sadly his career was broken by the Nazis.
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#Ernst#Verebes#Ernst Verebes#Ernö Verebes#Vintage#Postcard#Cinema#Film#Film Star#Movies#Muet#Muto#Stummfilm#Star#Screen#Silent#Sepia#Schauspieler#Actor#Acteur#Attore#1920s#Hungarian#Hungary#German#Germany#Deutsch#Deutschland#Hut#hat
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Waiter: Here you are, sir. Dr. Jeff Cameron: These things are like water! Waiter: They creep up on you. Dr. Jeff Cameron: Bring me a couple more. Waiter: But, sir, you have four and we are only allowed two to a customer. Dr. Jeff Cameron: Why? Waiter: That drink makes a guy talk back to his mother-in-law. Dr. Jeff Cameron: What about his father-in-law? Waiter: I suppose so. Dr. Jeff Cameron: You’ve given me an idea.
Movie Quote of the Day – Where Danger Lives, 1950 (dir. John Farrow) « the diary of a film history fanatic
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