#Erik Richter Strand

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Eve Hewson in Behind Her Eyes, 2021

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**Shots of the Episode**

The Crown (2016)

Season 6, Episode 6: “Ruritania” (2023) Director: Erik Richter Strand Cinematographer: Ben Wilson

[tv-moments]

The Crown

Season 6, “Hope Street”

Director: Erik Richter Strand

DoP: Ben Wilson

[thecrownnet]

Emmy Awards 2023: FYC

“Netflix has just updated its FYC campaign site, giving us the full list of titles they’ve submitted and will campaign for in the forthcoming 75th Primetime Emmy Awards.” (whats-on-netflix) Netflix is submitting The Crown season 5 for the following categories.

FOR YOUR CONSIDERATION 

PRIMETIME EMMY AWARDS

OUTSTANDING DRAMA SERIES

OUTSTANDING LEAD ACTRESS IN A DRAMA SERIES - IMELDA STAUNTON AS QUEEN ELIZABETH II

OUTSTANDING LEAD ACTOR IN A DRAMA SERIES - DOMINIC WEST AS PRINCE CHARLES

OUTSTANDING SUPPORTING ACTRESS IN A DRAMA SERIES - ELIZABETH DEBICKI AS PRINCESS DIANA, and LESLEY MANVILLE AS PRINCESS MARGARET

OUTSTANDING SUPPORTING ACTOR IN A DRAMA SERIES - JONATHAN PRYCE AS PRINCE PHILIP, DUKE OF EDINBURGH, SALIM DAW AS MOHAMED AL FAYED, and JONNY LEE MILLER AS JOHN MAJOR

OUTSTANDING GUEST ACTRESS IN A DRAMA SERIES - CLAIRE FOY AS YOUNG QUEEN ELIZABETH II, VANESSA KIRBY AS YOUNG PRINCESS MARGARET, and NATASCHA MCELHONE AS PENNY KNATCHBULL

OUTSTANDING GUEST ACTOR IN A DRAMA SERIES - ALEX JENNINGS AS DUKE OF WINDSOR, TIMOTHY DALTON AS PETER TOWNSEND, PRASANNA PUWANARAJAH AS MARTIN BASHIR, and KHALID ABDALLA  AS DODI FAYED

OUTSTANDING DIRECTING FOR A DRAMA SERIES "IPATIEV HOUSE" CHRISTIAN SCHWOCHOW, "GUNPOWDER" ERIK RICHTER STRAND, "MOU MOU" ALEX GABASSI, and "ANNUS HORRIBILIS" MAY EL-TOUKHY

OUTSTANDING WRITING FOR A DRAMA SERIES  "GUNPOWDER" PETER MORGAN

OUTSTANDING CASTING FOR A DRAMA SERIES ROBERT STERNE

OUTSTANDING CINEMATOGRAPHY FOR A SERIES (ONE HOUR) "NO WOMAN’S LAND" BEN WILSON, and "MOU MOU" ADRIANO GOLDMAN (ASC)

OUTSTANDING MUSIC COMPOSITION FOR A SERIES (ORIGINAL DRAMATIC SCORE) MARTIN PHIPPS

OUTSTANDING MUSIC SUPERVISION SARAH BRIDGE

OUTSTANDING PERIOD COSTUMES AMY ROBERTS, SIDONIE ROBERTS, CHRISTOF ROCHE-GORDON

OUTSTANDING PICTURE EDITING FOR A DRAMA SERIES "COUPLE 31" RICHARD GRAHAM, "MOU MOU" DANIEL GREENWAY, "IPATIEV HOUSE" SIMON BRASSE, and "GUNPOWDER" AMY HOUNSELL

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PERIOD OR FANTASY PROGRAM (ONE HOUR OR MORE) MARTIN CHILDS, MARK RAGGETT, ALISON HARVEY

OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR) "GUNPOWDER" LEE WALPOLE (MPSE), IAIN EYRE, ANDY KENNEDY, SAOIRSE CHRISTOPHERSON, MATTHEW MEWETT, TOM STEWART, ANNA WRIGHT

OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (ONE HOUR) "MOU MOU" LEE WALPOLE (MPSE), MARTIN JENSEN, STUART HILLIKER (CAS), JAMES HARRIS

OUTSTANDING SPECIAL VISUAL EFFECTS IN A SINGLE EPISODE BEN TURNER, REECE EWING

OUTSTANDING STUNT COORDINATION FOR A DRAMA SERIES, LIMITED OR ANTHOLOGY SERIES OR MOVIE ANDY BENNETT

*The Crown has received 63 Emmy Nominations and won 21 times for the past four seasons. Claire Foy won twice for Outstanding Lead Actress In A Drama Series - 2018, and Outstanding Guest Actress In A Drama Series - 2021. The show won Outstanding Drama Series - 2021.

** June 15 - 26 Nominations-round voting

*** July 12 Nominations announced.

[flaviogarden]

2023 24 12.02.23 The Crown 508 Gunpowder  

Direção - Erik Richter Strand

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[playvodma-films]

Des films à succès disponibles en intégralité sur PlayVOD Maroc

Tournez-vous vers PlayVOD Maroc pour suivre en intégralité des films et des séries à succès ! Vous pourrez par exemple visionner le film de Denis Thybaud intitulé « Dans tes rêves » ou celui d’Erik Richter Strand, ayant comme titre « Varg Veum – Tornerose ».

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Varg Veum - Din til døden (Erik Richter Strand, 2008).

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BEHIND HER EYES (2021), dir. Erik Richter Strand » SEASON 1, EPISODE 6

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Série: Por trás de seus olhos

Diretor: Erik Richter Strand

Ano: 2021

Série lançada recentemente pela Netflix, Por Trás dos Seus olhos tem chamado a atenção de muitas pessoas, pela história dramática que possui.

Inspirada no romance homônimo de Sarah Pinborough, provou para todos nós que nada é o que parece.

[algunasnotasqueleer]

BEHIND HER EYES (Reino Unido, 2021)

(64) Reseña escrita por: Aldo M. Tena

Miniserie

Creador: Steve Lightfoot Director: Erik Richter Strand Guion: Steve Lightfoot Basada en la novela “Behind her eyes” de Sarah Pinborough Actúan: Simona Brown, Eve Hewson y Tom Bateman

Después de esta ver esta miniserie volvió un poco mi fe en las producciones de Netflix, que últimamente venían siendo cada vez más regulares de lo común. Aquí vuelven una de esas pequeñas historias originales en donde con pocos personajes se construye una buena trama, además de que es totalmente diferente a lo que acostumbramos en donde se exploran las relaciones, la psicología y los sueños, todo esto envuelto de un suspenso bastante interesante. Esta miniserie está basada en la novela homónima de Sarah Pinborough que sin duda tengo deseos infinitos de leerla.

Todo inicia cuando Louise una madre soltera que trabaja como secretaria en un hospital dedicado a tratar adicciones, se da cuenta de que su nuevo jefe, David, es el sujeto al que noches atrás había besado en un bar en un encuentro espontáneo. Ambos pactan que nadie sepa lo sucedido y aparentan como si nada hubiera pasado. Pero esto no dura mucho, y en cuanto tienen oportunidad, ambos dan rienda suelta a sus más íntimos deseos sexuales. Una mañana mientras regresa de dejar a su hijo en la escuela, Louise se topa accidentalmente con Adele, la esposa de su jefe. Quien se muestra amigable y al saber que ella trabaja con su esposo, le ofrece que sean amigas, formando así un triángulo en donde las cosas comienzan a enturbiar más rápido de lo que se espera, cuando Louise se percata de que la relación entre David y Adele no es del todo normal, mientras él pasa horas lejos de casa, ella vive en una especie de soledad obligada, sin amigos, familiares ni conocidos. Todo esto sumado a una serie de secretos por parte de la pareja y el pasado oscuro que arrastra la bella Adele.

Todo el tiempo es una constante intriga, inmersa en una neblina de suspenso psicológico en especial en los momentos cuando nos adentramos a la vida de Adele protagonizada por una bella y delicada Eve Hewson que a partir de pequeños vistazos a su pasado nos damos cuenta por lo que el personaje ha pasado en su corta y perturbada vida. Hewson la hace de la bella-desquiciada-incomprendida en un papel bastante engañoso cubierto en un velo de esposa perfecta y sumisa, cuando la realidad es otra.

Lo llamativo en esta miniserie es la rapidez en la que todo va surgiendo. En sus apenas seis episodios tenemos una serie que podría dar para bien, varias temporadas. La situación de los personajes, un guión muy bien escrito y el ambiente en el que se manejan es una bocanada de aire fresco. Los tres personajes principales tienen una pizca de maldad en su interior lo que nos hace desconfiar en todo momento de quién tendrá la razón o dirá la verdad.

En la serie tenemos que Adele viaja a través de los sueños en una especie de trance en la que abandona su cuerpo para moverse dentro de su misma realidad, ella dice que puede lograrlo siempre y cuando hayas conocido previamente el lugar a detalle. Con esto ella puede ver en vivo lo que está sucediendo en donde sea que se lo proponga. No sé con certeza qué tan real sea esto, pero al menos en la serie funciona muy bien para darle un camino distinto a los hechos.

Las actuaciones de Simona Brown y Tom Bateman están justo a la medida de lo que requieren sus papeles. Hay una sorpresa casi a la mitad de la serie: Robert Aramayo. Este joven actor que me recuerda mucho a algún personaje perdido y confundido de Skins (2007) o Trainspotting (1996), con una facha drogo a medio morir que busca su libertad a toda costa.

Behind Her Eyes encuentra un lugar dentro del catálogo de Netflix y resalta gracias a su dinamismo, la rareza con la que se desenvuelve la trama, y una perspectiva diferente en cuanto al thriller psicológico que ya hemos visto antes.

12.05.2021

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Behind Her Eyes | TV | Erik Richter Strand | 2021

Eve Hewson

[boardchairman-blog]

**Shots of the Episode**

The Crown (2016)

Season 6, Episode 9: “Hope Street” (2023) Director: Erik Richter Strand Cinematographer: Ben Wilson

[tv-moments]

The Crown

Season 6, “Hope Street”

Director: Erik Richter Strand

DoP: Ben Wilson

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Behind Her Eyes: VFX Breakdown by Goodbye Kansas Studios

Behind Her Eyes: VFX Breakdown by Goodbye Kansas Studios

Based on the book by Sarah Pinborough, Behind Her Eyes tells the dramatic story of a single mother whose world is thrown upside down when she begins an affair with her new boss. The show was directed by Erik Richter-Strand and shot in Scotland and London. Goodbye Kansas Studios contributed a total of 268 VFX shots and 13 assets, working on all six episodes and acting as the primary vendor for the…

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Behind Her Eyes: the Book Detail Too Nasty for the Netflix Show

https://ift.tt/3dwcDA8

Warning: contains spoilers for Behind Her Eyes book and TV series.

There’s a cheekily knowing moment in the finale of Behind Her Eyes, a new Netflix thriller with a monumental twist you won’t want spoiled, so look away now if you’ve not seen it.

Marianne (played by The Last Kingdom’s Eva Birthistle) is narrating a flashback to the events that forced Adele and David (Eve Hewson and Tom Bateman) to leave Brighton and relocate to Islington. The owner of a café close to David’s psychiatry practise, Marianne had platonically befriended David and, recognising his sadness, encouraged him to make a change and leave his wife.  

Unbeknownst to David or Marianne, Adele was spying on their conversations using her power of astral projection. Obsessed with keeping David in the marriage, Adele intimidated Marianne, threatening her to stay away. 

Charlie the Cat

In the show’s sixth and final episode, we see Marianne return to the flat where she lives alone and call out for her cat, Charlie. He’s nowhere to be found. She goes upstairs and sees that her bedroom has been trashed and the word ‘Slut’ has been daubed on the wall in dripping red letters. Still no Charlie. Cat lovers everywhere hold their breath.

Obviously, the first thought is that Charlie’s corpse must be somewhere under all that mess and his blood was used to paint those words. Then, after a well-timed pause, in Charlie walks, right as rain. It’s a little tension-play moment and a neat subversion of our expectations by creators Steve Lightfoot and Angela LaManna, and director Erik Richter-Strand. 

Readers of Sarah Pinborough’s compulsive 2017 novel on which the series is based, would have been particularly convinced that Charlie was a goner, especially when Marianne scoops the cat up in her arms before opening the door to an unhinged Adele holding a kitchen knife. 

In the book, Adele (who’s actually a man named Rob, it’s a big supernatural twist) first poisons Charlie’s food to make him drowsy. Then, in front of Marianne, she kills him by  – and look away now if you’re squeamish – stamping on his head while wearing spiked high heels. Hence, the little Charlie-related rug pull in the TV version of events. It’s a neat bit of manipulation and something of a surprise for those who’ve read the book.

In the book, that’s not the only cat murder committed by Adele/Rob. When they move into their new Islington house, Adele and David have a pet cat of their own. When Adele/Rob is trying to assassinate David’s character as part of a master plan, she tells David’s mistress Louise that he killed it by stamping on its spine, then buried it in the flowerbed. In fact, we later learn, it was Adele/Rob who killed their cat in exactly that way.

In the TV series? No cat murders. Not one. TV viewers can cope with body-swaps, dumped corpses and faked suicides, but hurt a beloved pet on screen and lord help you. 

Adele’s Pregnancy, and the Second Fire

That’s not the only difference between the TV series and the book. Also not in the Netflix show but in the novel is the fact that when Rob swapped bodies with Adele and killed her (while her soul was in his original body), she was pregnant by David. 

When Louise reads Adele’s psychiatric file in the book, she learns that Adele had an abortion when she was much younger. Soon after he kills Adele, Rob realises that the body he stole from her is pregnant, and so, horrified by the thought of giving birth, he terminates the pregnancy. He says that he couldn’t have the baby because he felt it belonged to Adele and wasn’t really his. He planned to become pregnant later on in their marriage to have his own baby with David, but this never happens.

Read more

TV

Netflix’s Behind Her Eyes Ending Explained

By Louisa Mellor

TV

Netflix’s Behind Her Eyes Cast: Where Have You Seen Tom Bateman and Eve Hewson Before?

By Louisa Mellor

Another minor difference is that in the TV show, Adele/Rob says she’s never really had a job, but in the novel there’s mention of her having briefly worked at a florist shop, but it not having ended well. The specific circumstances aren’t revealed, but we learn that Adele/Rob started a fire at the shop in revenge for some perceived wrong – another instance of unhinged behaviour and a hint towards the fire started in the plan to steal Louise’s body.

David Seals His Own Fate

There’s a bitter revelation in the book that isn’t featured in the TV version. We know in the show that Adele and David grew up as neighbours because his family ran a farm owned by her family estate. David is five years older than Adele and knew her as a young girl. That’s the same in the novel, which adds the detail that, when Adele started having trouble with night terrors as a child, the older boy gave her “a hippie book about dreams” to try to help her. 

It was this very book from which Adele first learnt about lucid dreaming, astral projection and the power of the Second Door, which leads to her downfall in so many ways. Adele felt added guilt about her parents dying in a fire because she had been using her astral projection power while they burnt to death. If she’d been present in her body, she tells Rob, she might have smelled the smoke and been able to save them. 

It was also Adele who taught Rob the power of astral projection, learnt from the book David gave her. If she’d never discovered the power, and never taught it to Rob, then he couldn’t have killed her to steal her body, and later done the same to Louise. 

Adam in Danger

The book and the TV series end with exactly the same scene (it’s a very loyal adaptation in general). After Louise has been buried in Adele’s body, and Rob has stolen Louise’s body to marry David, the newlyweds drive away, considering where to honeymoon, when Louise’s son Adam pipes up from the back seat.

Because the book is narrated by Rob/Louise, we’re privy to his inner thoughts in a way that we’re not in the TV show. While we can infer in the show that Rob/Louise has no maternal feelings towards Adam, in the book, we read his thoughts plain as day. Here’s what Rob thinks about Louise’s son and ex-husband Ian: 

“There is still one small obstacle to overcome for our happiness to be complete. David might not have known Louise well, but Ian does and Adam does. Those links need to be severed. […] Adam’s departure from my life will need to be somewhat more dramatic. It shouldn’t be too difficult to arrange. Children are notoriously accident prone.” 

Watch out kid.

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Behind Her Eyes is available to stream now on Netflix

The post Behind Her Eyes: the Book Detail Too Nasty for the Netflix Show appeared first on Den of Geek.

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