#Ena5

[fleronn]

Ena5 if Mafuyu chased after Mizuki instead of Ena!!!!

So sorry if any characters personalities/actions feels off 😔

[weather-froggy]

Mizuena chalk art

[sndplusbeinghot]

Ena certainly doesn't hate the affection,,,,,,,,,,,,,,,

[hovkinnie]

mizuena/ena5 incoherent rant below bc i love them so much im losing my mind

I can't stop thinking about how much of mizuki's conflict in prsk is resolved entirely by ena's actions, not mizuki's own, and that's actually really fucking good. hear me out.

One of the driving emotions for Mizuki's conflict is obviously fear; she's afraid of being left once people know her secret, she's afraid she can only ever have shallow connections with people who wouldn't really accept her as who she is, she's afraid of losing the few friends she has and the one space where she feels like she can express herself through their shared art.

But beyond that, the other driving emotion for her is guilt. She feels guilty that she's been "deceiving" everyone else, she feels guilty that she's left Ena waiting for so long without telling her her secret, she feels guilty that everyone else seems to be moving forward and facing their fears while she seemingly can't. And when her secret is revealed, the strongest emotion she's going through isn't her fear of being left behind, it's the guilt that's been eating her away from the inside.

She tells ena that it can't be the same, that now ena won't be able to treat her the same, that she knows Ena and Kanade and Mafuyu are so kind they'll smile and tell her they're fine with it, but that they'll just be forcing themselves for the sake of kindness. That they'd rather not have to deal with everything that makes Mizuki complicated, but they would anyway because they're kind like that. That she can't bear that. She doesn't deserve that.

And all of this guilt is so real for this young trans girl to feel because it's what we're pushed towards constantly, even when we're supposedly accepted for who we are. The lie that we're deceiving others when we present as our own gender is so deeply written into our collective psyche, and even beyond that, even in "progressive" spaces, the violence we suffer is often treated as our own burden to bear, as something we have to deal with and not burden other people with.

So many basic bitch stories about trans women, with trans women protags written by cis people, have them struggle and "grow" as the story progresses, having to "face their fears", to come out to people they're scared of leaving them, to "trust their loved ones" and take that first step. I think a lot about The Missing, a game that gets a lot of the horror of being a trans girl and yet still has the protagonist, who is so terrified of how her mom would react to her coming out she tries to end her own life, learn the lesson that she should come out anyway, trust this person that's only given her reasons to fear her, because that's the only way for her to move forward.

Mizuki doesn't do that. She doesn't have to. Mizu5 is all about the horror of being outed before you're ready to come out yourself, even to someone you know would show you kindness. And it allows Mizuki to stew in her own guilt, the guilt that she never faced her fears herself, that she's burdening N25 with her suffering. But Ena5 is about Ena, so patient and unwilling to hurt Mizuki, finally being moved to action by kaito and meiko agreeing that it's up to her to be selfish and try to bring Mizuki back, to recognize that Mizuki doesn't want to be alone.

It's up to Ena to do the scary thing, for her to be open and vulnerable about her feelings. For her to go up to Mizuki, despite being ignored for so long, as someone who is so sensitive to being ignored- to being rejected- and to tell Mizuki what she needs- and deserves- to hear. That she's wanted. That Ena doesn't care if Mizuki thinks she deserves it or not, that Mizuki's guilt shouldn't factor in because Ena wants Mizuki beside her.

It's the ultimate transfem fantasy because it's the fantasy of being truly wanted, of being unconditionally loved. It's the fantasy of someone seeing you for who you are, and not just "accepting you" as if it's a favor they're doing you, but going as far as telling you that the way you've been conditioned by a lifetime of violence to feel and act to protect yourself is NOT your fault, it's NOT just your responsibility to deal with, that you deserve someone who will go through the effort of digging you out of that hole and that you're not a burden for needing that.

In a lot of subtle ways, Mizuki's story feels 1000% written by people who understand trans girls so far beyond the scope of the usual explaining-transness-to-cis-people style of narrative, even understanding ways that these narratives fuck up routinely and also understanding exactly what is needed to sneak this into a highly commercial hatsune miku gacha game. There's a lot of compromises made there for the sake of being this kind of story in this kind of game, but what we get in return is so much more meaningful as a transfem narrative than anything of similar popularity that I can think of, it fills me with so much emotion and I truly can't fathom believing it's somehow "bait" or "not real rep" unless you've never had to think about transmisogyny and how it emotionally affects you to this degree.

I'll never stop thinking about them. Congrats on the wedding mizuki and ena. someone like ena is exactly what every trans girl deserves, and never has someone proven herself more deserving of a trans girl's love than ena. i love them both so much my heart feels like it's going to explode whenever i think of them. huge thanks to everyone involved in creating their story

[malusienki]

ena5 mizuki card . i don’t post pjsk content on here but im quite happy with how she turned out.

[morganychan]

Goodbye, Mizuki.

[razzmothazz]

winners love winning

[mrstampede]

Absolutely giddy over the new card set

[ragdull2underscore]

that one image but i made it about mizuena.. we're so enaback its not mizuover anymore

[sekaicards]

stupid thing

[mimkimankie]

my japanese isn’t the greatest but i’m literally sobbing

the final line of bake no hana is “(to put an end to the curse of being born) I’ll stop breathing”

while the final line in yoka ni mitorete is “even so, the two of us will continue breathing”

UGHHHHHHHHH IT MAKES ME WEEP

(also the song titles?? ‘[monstrous] flower of transformation’ becoming ‘admiring the flowers’ ??? 😭😭)

[8bitpostit]

Finals weeks or my final week, find out soon enough

[mimikyuno]

pls the mizuena matching wedding dresses im on the floor on my hands and knees 🎀🎨

[vanrougenui]

THE PARALLELISM I REPEAT THE PARALLELS