#Emily Cataneo

[loudlylovingreview]

Emily Cataneo: A New Chapter in the Quest for a Longer Life

Why We Die: The New Science of Aging and the Quest for Immortality by Venki Ramakrishnan William Morrow, 320 pages In “Why We Die,” biologist and Nobel laureate Venki Ramakrishnan explores the science of aging and life extension. IN 2023, tech mogul Bryan Johnson revealed that he had been receiving blood plasma exchanges from his 17-year-old son, in the hope that siphoning his son’s young…

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"Qualia Nous" by Michael Bailey, Usman T. Malik, Rena Mason, Gary A. Braunbeck, Lucy A. Snyder, Emily B. Cataneo, Patrick Freivald, Elizabeth Massie, Gene O'Neill, William F. Nolan.

Start reading it for free: https://a.co/aJH0O3K

[davestone13-blog]

Book Review: Shattering Myths About Women and Evolution

October 6, 2023 by Emily Cataneo Republished with Permission: The Roosevelt Island Daily News Poet and scientist Cat Bohannon wants you to try this thought experiment: Picture an alternate opening of Stanley Kubrick’s 1968 classic movie “2001: A Space Odyssey.�� The original begins with the iconic (and much parodied) scene in which a band of ape-like early humans beats a rival tribe into…

[protoslacker]

For Mesquita, the OURS model, which invites us to look “outward, rather than inward” when it comes to emotion, is a more appropriate schema than the long-vaunted MINE model. She maintains that we must let go of our belief that emotions happen mainly inside a person, and instead look to emotions as culturally constructed experiences that happen between people, vary between cultures, and look different depending on cultural and social context.

Emily Cataneo at Attention to the Unseen. A psychologist plumbs the cultural roots of emotion

This article was originally published on Undark. Read the original article.

Between Us: How Cultures Create Emotions by  Batja Mesquita

[weirdletter]

Weird Dream Society: An Anthology of the Possible & Unsubstantiated in Support of RAICES, edited by Julie C. Day, Reckoning Press, 2020. Cover art by Gregory Norman Bossert, info: weirddreamsociety.com.

Playful, whimsical, or dark, but always thoughtful and tinged with the inexplicably weird,the Weird Dream Society brings together twenty-three stories from the most innovative creators in speculative fiction. Nathan Ballingrud, Carina Bissett, Gregory Norman Bossert, Karen Bovenmyer, Christopher Brown, Emily Cataneo, Julie C. Day, Michael J Deluca, Gemma Files, A.T. Greenblatt, Nin Harris, Chip Houser, James Patrick Kelly, Marianne Kirby, Kathrin KöhlerMatthew Kressel, Jordan Kurella, Premee Mohamed, Sarah Read, Sofia Samatar, Bonnie Jo Stufflebeam, Steve Toase, A.C. Wise All proceeds from the Weird Dream Society anthology will go to RAICES. RAICES envisions a compassionate society where all people have the right to migrate, and human rights are guaranteed. Some dreams can change the world.

Contents: Introduction – Julie C. Day The Ghost Who Loved Mannequin – Marianne Kirby Skin Like Carapace – Steve Toase Crossing – A.C. Wise Application for the Delegation of First Contact: Questionnaire, Part B – Kathrin Köhler Butter-Daughters – Nin Harris Glasswort, Ice – Emily B. Cataneo Flyover Country – Julie C. Day Thin Places – Gemma Files Jewel of the Vashwa – Jordan Kurella HigherWorks – Gregory Norman Bossert And Sneer of Cold Command – Premee Mohamed Snow as White as Skin as White as Snow – Karen Bovenmyer The Hoof Situation – Bonnie Jo Stufflebeam The Bricks of Gelecek – Matthew Kressel The Landscape of Lacrimation – Carina Bissett They Said the Desert – A.T. Greenblatt Meat for Skritches – Chip Houser Amanda Invades the Museum – Michael J. Deluca A Girl Who Comes Out of a Chamber at Regular Intervals – Sofia Samatar Into the Wood – Sarah Read You Go Where It Takes You – Nathan Ballingrud The Pyramid of Amirah – James Patrick Kelly Festival – Christopher Brown Contributers

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"La Antártida fue una vez una tierra de fuego y no de hielo" by BY EMILY CATANEO via NYT en Español https://ift.tt/3Hoainv

[thana0214]

White women were and continue to be portrayed as the group that needs protection from “savage” black people. This was a common narrative despite white women’s active participation in stereotyping and disenfranchising black people, most commonly black men. The movie even hints at white women’s participation in the Klu Klux Klan as they helped make the attire that the KKK wore. As I watched the scene where white women were excited to assist the KKK, it reminded me how white women founded their own WKKK a little while after. Emily Cataneo wrote the article, “A Brief History of the Women’s KKK” where she discussed how white women used different tactics to maintain white power and privilege. While they did not perform lynchings, they used their jobs as a means of hindering progress for black people in whatever capacity they could.

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Glasswort, Ice by Emily B. Cataneo, Lackington’s Issue 14, Spring 2017

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CHIRAL M4D!

CHIRAL M4D! The fourth volume in the critically-acclaimed and ever-evolving Chiral Mad Series is finally here, and quite different than its predecessors.

The fourth volume in the critically-acclaimed and ever-evolving Chiral Mad Series is finally here, and quite different than its predecessors. The official release date is 10/23/18, but you can now pre-order the trade paperback for a sale price of $14.95 (returns to $19.95 on 11/01/18!), or the eBook for $9.95.

Chiral Mad 4: An Anthology of Collaborationsincludes 4 novella, 4 novelettes, 4 short…

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writing roundup

Poetry:

there is no separate survival by Shabnam Piryaei

Cutting by Brionne Janae

And What Good Will Your Vanity Be When the Rapture Comes by Hanif Willis-Abdurraqib 

On PrEP or on Prayer by sam sax

Apology; Sweet Talk by Derrick Austin

No is a Complete Sentence; Portrait of the Alcoholic Three Weeks Sober; the Straw is Too Long, the Axe is Too Dull by Kaveh Akbar

Without Conferring, We Both Ask For a Smoke & Dagger by Emily O’Neill

When Lucille Bogan Sings “Shave ‘Em Dry” by Aimee Nezhukumatathil

Where the Fired Body is Porous by Tiana Clark

Catalog of Unabashed Gratitude by Ross Gay

Social Death, An Address by Xandria Phillips 

A Bell Still Unrung by Safiya Sinclair 

Recurring Dream Wherein I’m Watching an Episode of Star Trek by Colette Arrand 

Manhattan is a Lenape Word by Natalie Diaz

This City by Eugenia Leigh

Barbershop by Phillip B. Williams

Poet’s Sampler: b: william bearhart

American Sonnet for Wanda C. by Terrance Hayes

When the Therapist Asks You to Recount, You Have to Say It by Aricka Foreman

Apologies from a Muslim Orphan by Tarfia Faizullah

Fiction:

The Enchantment by Emily B. Cataneo 

When an Artist and a Novelist Let Their Creative Powers Loose on a Fabulous Apartment Filled With Art by Hanya Yanagihara

The Mark of Cain by Roxane Gay

Carry Me Home, Sisters of St. Joseph by Marie-Helene Bertino

No Type of Good by Gabrielle Rucker

Churches We’ve Broken Into by Julia Evans

Essays:

When It Is Not Our World Anymore What Will We Hear: On Empathy by Rosebud Ben-Oni

The Effects of White Supremacy are Non-Transferable by Maurice Carlos Ruffin

The Aqiqah by Kima Jones

A Chorus of Hands by Mahogany Browne 

Women in the Fracklands: On Water, Land, Bodies, and Standing Rock by Toni Jensen

What If: On Black Lives and Mental Health by Jodi Savage

A Map of Lost Things: On Family, Grief, and the Meaning of Home by Jamila Osman

Criticism/Interviews/Hybrid:

Hayao Miyazaki and the Art of Being a Woman by Gabrielle Bellot 

Fine Dining by Maurice Carlos Ruffin

Frank Ocean is Finally Free, Mystery Intact by Jon Caramanica

What Makes a Celebrity Take Off His Shirt by Anne Helen Peterson

I Hated Britney Spears Until I Saw Myself in Her by B. Pietras

Robin Coste Lewis: Black Joy is My Primary Aesthetic

Divedapper: Conversation with Jericho Brown by Kaveh Akbar

VIDA’s Report from the Field: Getting Along Shouldn’t Be An Ambition by Jean Ho

A Story about Discovery by Rachel Monroe (about detransitioning)

Disability and Poetry: An Exchange

He Lived by Syreeta McFadden (cw: lynching)

The Problem with “Pussy” by Josephine Livingstone

This Hair of Mine by Cynthia Harvey 

[weirdletter]

The Dark Magazine, Issue 59, edited by Sean Wallace, Silvia Moreno-Garcia, and Michael Kelly, Prime Books, April 2020. Cover art by Tomislav Tikulin, info: thedarkmagazine.com.

Each month The Dark brings you the best in dark fantasy and horror! Selected by award-winning editors Silvia Moreno-Garcia and Sean Wallace and published by Prime Books, this issue includes two all-new stories and two reprints:

“Otto Hahn Speaks to the Dead” by Octavia Cade “Thin Cold Hands” by Gemma Files (reprint) “Some Sketches of County Life” by Peter Gutierrez “The Longest Night” by Emily B. Cataneo (reprint)

[weirdletter]

Black Static #72, edited by Andy Cox, TTA Press, November-December 2019. Cover art by Joachim Luetke, info: ttapress.com.

The November-December issue contains new cutting edge horror fiction by Matt Thompson, Emily B. Cataneo, Sarah Read, Jack Westlake, S. Qiouyi Lu, and Tim Lees. The cover art is by Joachim Luetke, and interior illustrations are by Richard Wagner, Ben Baldwin and others. Regular features: Into the Woods by Ralph Robert Moore; Notes from the Borderland by Lynda E. Rucker; Case Notes book reviews by Laura Mauro, Andy Hedgecock, Daniel Carpenter, Sadie Hartmann, Mike O'Driscoll, Gary Couzens, and David Surface; Blood Spectrum film reviews by Gary Couzens.

Fiction The String People by Matt Thompson, illustrated by Ben Baldwin The Longest Night by Emily B. Cataneo, illustrated by Richard Wagner The Hope Chest by Sarah Read Don't Come Looking by Jack Westlake As Dark as Hunger by S. Qiouyi Lu, illustrated by Richard Wagner Watching by Tim Lees

Columns Notes From the Borderland by Lynda E. Rucker Into the Woods by Ralph Robert Moore

Reviews Case Notes: Book Reviews Blood Spectrum: Film Reviews by Gary Couzens

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WiHM (WOMEN IN HORROR MONTH)

February is home to a few important things worth celebrating: Black History Month, my birthday (I turn 39 this year, in case you were wondering), and Women in Horror Month. WiHM for short. February is a strange month, no doubt. Sometimes it has 29 days, and sometimes 28. The word is even difficult to say: Feb-ru-ary (not like brewery, despite how some pronounce it) and it’s often misspelled with…