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asmmorg · 2 years ago

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Kahin to hoga episode 205

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Kahin Tou Hoga - Episode 27 - video Dailymotion Kahiin To Hoga (English: Will be Somewhere) is an Indian soap opera which aired on Star Plus between September 2003 and February 2007.

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Kahin Tou Hoga - Episode 18 - video Dailymotion.

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Kahin Tou Hoga - Episode 17 - video Dailymotion On de capiata paraguay k-12 ready schools leo cancer love horoscope ufo incredible kahin to hoga episode 277 como sera el mundo en el 2060 thermo e1 cliptip finanzen englische vokabeln model s. Download Alvin And The Chipmunks 2007 Bluray Mp4 & 3gp HD, Download Alvin And The Chipmunks 2007 Bluray Mp4, Video Mp4 And Video 3GP Latest, Download Alvin And The Chipmunks 2007 Bluray As mp4 and 3gp video for free from our website to your mobile phones / Desktop Computer.24K views, 502 likes, 69 loves, 25 comments, 53 shares, Facebook Watch Videos from Best Drama Ever & Ever: Kahin To Hoga - Episode - 173. Kashish Nafrat Song #Kashish #Sujal #Kth. Log In Views: 23K Author: Best Drama Ever & Ever Kahiin To Hoga Episode #1.178 Episode aired 2004 YOUR RATING S1 E178 All episodes Cast & crew IMDbPro Drama Add a plot Directors Anil v Kumar Rajesh Babbar Writer Mushtaq … Actors: Rohit Bakshi, Rajeev Khandelwal, Aamna Sharif Director: Anil v Kumar, Rajesh BabbarĪctors: Rohit Bakshi, Rajeev Khandelwal, Aamna Sharif "Kahiin To Hoga" Episode #1.178 (TV Episode 2004) - IMDb.

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flaminggildedrose · 6 years ago

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LITTLE CHARACTER THINGS

just a fun little character game. fill in the below categories with 3-5 things that your character can be identified by. repost & tag away!

EMOTIONS / FEELINGS:

001. Honor 002. Kindness 003. Understanding 004. Innocense 005. Purity

GREETINGS:

001. A salute to those of the Order or bow to her authority ( Is known to curtsy for her King, it keeps her in good graces) 002. Smile to those of commoners (town folk, children, Elf, Dwarf and Witcher alike) 003. To criminals and beasts, they shall see nothing but her blade, even a fair maiden she’s still a knight and will attack if an agreement can’t be met.

COLORS:

001. Gold 002. Red 003. Black 004. Pink

SCENTS:

001. Yuzu (citrus) and Rose oil from her bath waters 002. Old books, parchment, and ink 003. Sunshine and lavender 004. Polishing oil, leather, and blood

CLOTHING:

001. Cotton down robes/ tunic, leather belt, steel sword, gold pendant, stockings and leather boots 002. Lace stockings, silk underdress, cotton overdress, gold belts, gold & pearl bracelets, gold pendant and dress shoes 003. Cotten overdress tunic, cotton down robes, chainmail skirt, helmet, armor gauntlet /greaves /boots and steel sword

OBJECTS:

001. A golden pendant that’s always tucked under her tunic that aids in her magic casting. Shaped like a lily its pistols inset with pearl and it’s petals set in diamond. ( a gift from her brother but a rumored gift of a ‘lover’) 002. Several rare gems of ruby, diamond, emerald and etc are stitched into pockets in her armor for protection and aid 003. White leather weaved bracelet with rune inset. ( it has a twin that is made of red and black leather and same rune inset, Jarlath has it)

VICES / BAD HABITS:

001. Believes that there’s good in almost everyone and will look upon that before passing judgment. 002. Trust in people who have previously tried to take her life ( She still believes that Jarlath cared far more about her health than the coin of her father due to making the potion to wake her from her coma) 003. Knows not what proper love is but knows when she’s being used ( to a point usually after she gets hurt) 004. Willing to even give up her body if it would make one happy ( ie she’ll die for them or even give into seduction if close enough to said person. Though it’s rare. )

BODY LANGUAGE:

001. If she has the upper ground on attack she stands fast with head held high. Proud, noble and regale. 002. Fidgets when uneasy, if left alone at a party she will twist her pearls so much that she’s broke a bracelet before. 003. Eased when engaging in conversation she refuses to let on that she’s a threat when a negotiation is needed. 004. Forward and bold will even ball up her fist if she’s enraged, known to have hit men for trying to court her. Will cry afterword for she could have used words before violence.

AESTHETICS:

001. Roses 002. White silk 003. Swords and crowns 004. Bottles, books, fireplaces 005. blood, gallows, burning stake

SONGS:

001. I will be no mistress - Karliene 002. I run - Rosie Thomas 003. Sinners - Lauren Aquilina 004. Joan - Heather Dale 005. Fall of the Magister - Raney Shockne, sung by Elizaveta 006. One of us - Heather Dale

tagged (Stolen ): @craiceann-marbhtach

tagging: Whoever wishes to do this.

#meme #character building #{Asleep among the rose bushes: Maria}

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delgadolibrary-blog · 7 years ago

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Getting you started for National Women’s History Month...

March is National Women’s History Month, and the National Women’s History Project’s theme for 2018 is Nevertheless, She Persisted: Honoring Women Who Fight All Forms of Discrimination Against Women. In keeping with that theme, Delgado Libraries wanted to highlight some of the books and ebooks in our collection about the extraordinary women in history who have persevered against all odds in the face of discrimination and oppression.

This is just a sample of what we have in our collection, so you should definitely feel welcome to search our catalog or visit us in person to learn more about these and other exceptional women.

To Tell the Truth Freely: The Life of Ida B. Wells, Mia Bay Hill and Wang, 2009 City Park Campus Library / 323 W45tY

Born to slaves in 1862, Ida B. Wells became a fearless antilynching crusader, women’s rights advocate, and journalist. Wells’s refusal to accept any compromise on racial inequality caused her to be labeled a “dangerous radical” in her day but made her a model for later civil rights activists as well as a powerful witness to the troubled racial politics of her era. In the richly illustrated To Tell the Truth Freely, the historian Mia Bay vividly captures Wells’s legacy and life, from her childhood in Mississippi to her early career in late nineteenth-century Memphis and her later life in Progressive-era Chicago.

source: Variety.com

Exemplary Women of Early China: The Lienü Zhuan of Liu Xiang, Liu Xiang Columbia University Press, 2014 Online Collection / 920.051

When should a woman disobey her father, contradict her husband, or shape the policy of a ruler? According to the Lienü zhuan, or Categorized Biographies of Women, it is not only appropriate but necessary for women to offer counsel when fathers, husbands, sons, and rulers stray from virtue. The earliest Chinese text devoted to the moral education of women, the Lienü zhuan was compiled by Liu Xiang (79–8 B.C.E.) at the end of the Han dynasty (202 B.C.E.–9 C.E.) and recounts the deeds of both virtuous and wicked women.

source: CatherLetters.org

Louise Pound: Scholar, Athlete, Feminist Pioneer, Robert Cochran University of Nebraska Press, 2009.Pages: Online Collection / 978.2030921

Louise Pound (1872-1958) was a distinguished literary scholar, renowned athlete, accomplished musician, and devoted women’s sports advocate. She is perhaps best remembered for her groundbreaking work in the field of linguistics and folklore and for her role as the first woman president of the Modern Language Association.

source: catherine-2014-tv.tumblr.com

Russia Through Women's Eyes: Autobiographies From Tsarist Russia, Toby W. Clyman Yale University Press, 1996 Online Collection / 920.7209471

This collection presents, for the first time in English, the lives of eleven remarkable Russian women as told in their own words. These autobiographies span the century and cover a wide range of classes and professions. Among the authors are women of the gentry (Natalia Grot), the merchant class (Aleksandra Kobiakova), the lower bureaucracy (Praskovia Tatlina), and the serf class (Liubov Nikulina-Kositskaia). They include writers (Elizaveta Lvova, Anastasia Verbitskaia), a journalist (Emilia Pimenova), an actress in the provincial theater (Liubov Nikulina-Kositskaia), and two physicians (Varvara Kashevarova-Rudneva, Ekaterina Slanskaia)-one the first woman to earn a medical degree in Russia, the other a doctor in the slums of St. Petersburg. Their memoirs show their fierce engagement in the debate over woman's nature, her duties and responsibilities, her upbringing, and her place in society.

Molly Brown: Unraveling the Myth, Kristen Iversen Johnson Books, 1999 West Bank Campus Library / 910.91634 B87i

When Margaret Tobin Brown arrived in New York City shortly after her perilous night in Lifeboat #6, a legend was born. Applauded for her tireless work on behalf of the poorest survivors -- especially women in steerage who had lost all family and possessions, and who spoke no English -- Brown soon became famous throughout the nation and the world. Through magazines, books, a Broadway musical, and a Hollywood movie, she became The Unsinkable Molly Brown, but in the process her life was distorted beyond recognition. Even her name was changed -- she was never known as Molly during her lifetime.

source: These Are My Stories

Dictionary of Women Worldwide: 25,000 Women Through the Ages, Anne Commire Gale, 2007 Online Collection / 920.721 City Park Campus / 920.72 D55 V.1, V.2, V.3

This dictionary contains more than 20,000 brief biographical entries on women, including thousands of entries on non-U.S. figures.

source: Little World of Royalty

The Penguin Biographical Dictionary of Women, Credo Reference Penguin, 1998 Online Collection / 305.409221

Clear and concise biographies, on figures such as Marie Curie, Yingchao Deng, Diana, Princess of Wales, Nell Gwyn, Pope Joan, Sappho, Mary Shelley, and Mai Zetterling.

#national women's history month #national women's history project #nevertheless she persisted

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fotopadova · 7 years ago

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160 donne, 160 foto

di Andrea Scandolara

--- Fare una mostra di fotografie scattate solo da donne potrebbe sembrare inopportuno in un clima nel quale si cerca la parità di genere; ma vedere che una singola mostra raggruppa 160 autrici che hanno contribuito alla storia della fotografia fa cambiare subito opinione; il loro numero indica già una parità e non da oggi ma già dai primi anni del 1900, ben prima della rivoluzione femminista degli anni ’60 e ’70.

Encomiabile l’operazione che hanno fatto Silvia Bianco, Ken Damy e Walter Liva, i curatori della mostra Donne&fotografia appena aperta a Udine dal CRAF in una centrale chiesa sconsacrata della città.

Raccogliere 160 foto di autrici internazionali non deve essere stato facile: il prestito è stato accordato da una decina di privati, gallerie e fondazioni, una di queste della Repubblica Ceca; ma tutto fa supporre una eccellente conoscenza della storia della fotografia, per lo meno per il periodo che va dal 1900 ad oggi.

E non deve essere stato facile creare un percorso espositivo trattandosi di foto a colori e in bianconero, di corpi, paesaggi e oggetti, di periodi ben diversi tra loro. Proprio questa eterogeneità ha imposto accostamenti per epoche precise (decenni) all’interno delle quali le differenze dei generi fotografici si scatenano.

Il percorso, assai complesso, tocca differenti epoche e culture d’Europa, delle Americhe, Africa, Asia, Australia. Le frontiere non esistono, nemmeno i confini per la creatività, questo è il miracolo della fotografia.

Tuttavia qui non è in gioco il riscatto del genere femminile impegnato in una professione un tempo prevalentemente maschile, ma per dirlo con le parole di Ken Damy “il vero scopo di questa importante esposizione è di verificare se le differenze stilistiche e di contenuto siano poi così evidenti”.

E’ innegabile che esista un modo femminile di guardare al mondo e questa già potrebbe essere una delle risposte. Il concetto è rafforzato dalle parole di Angelo Bertani, presidente del CRAF di Spilimbergo: “nel campo della fotografia la sensibilità femminile si esprime sopratutto nel saper dare la dovuta importanza agli stati d’animo più intimi e di conseguenza anche ai dettagli più nascosti e apparentemente trascurabili.”

In virtù di una diversa sensibilità della donna si dovrebbe riscontrare “una minor rudezza d’approccio alle cose, una gentilezza di tratto anche là dove l’impegno documentario è maggiore, una pietas più difficile da rintracciare altrove, un’attenzione non retorica per il corpo femminile, analizzato senza eccessivi e timorati pudori.” (nota 1)

D’accordo, ma ci vorrà impegno nel guardare le fotografie, spesso queste differenze non sono così evidenti.

La mostra è imperdibile: 120 anni di capolavori messi insieme, autori opss... autrici capisaldi della fotografia, le cui opere abbiamo ammirato più volte su libri e antologie, non lasciano dubbi sull’importanza dell’iniziativa.

Le sorprese del Friuli non si fermano qui. Alla Galleria Tina Modotti di Udine (ex Mercato del pesce) è aperta fino al 29 ottobre, sempre a cura del CRAF una mostra di Newsha Tavakolian, giovane fotografa iraniana dal 2015 membro della prestigiosa Agenzia Magnum. Altra fotografa, peraltro presente nella collettiva di cui sopra, impegnata nei reportage, compresi quelli in zone di guerra, molto richiesti dai periodici internazionali. Sono in mostra immagini a colori di grande formato dove il soggetto è trattato con una sensibilità diversa che dichiara apertamente un approccio che va oltre quello documentario. E’ un messaggio che non arriva soltanto dal soggetto ma anche dallo stile, un suo stile inconfondibile.

Tavakolian a 36 anni è già richiestissima dalla stampa internazionale e i riconoscimenti per i suoi lavori non si contano più. Ma è curioso un episodio che non fa che aumentare la stima che abbiamo per lei. Nel 2014 vinse un premio messo a disposizione da una fondazione di un banchiere francese: 50.000 euro più una mostra e un volume con le sue foto. Il lavoro descriveva le condizioni di vita in Iran di coloro che erano stati adolescenti durante la rivoluzione komeinista. Il banchiere chiese alla Tavakolian di cambiare il titolo al lavoro e di togliere il testo che lei aveva preparato a corredo. “Non sono un fiore delicato, voglio solo prendermi la responsabilità del mio lavoro”, fu la risposta mentre restituiva il premio compreso l’importo in denaro. Successivamente ha usato parole pesanti e decise in merito all’influenza del mondo occidentale nel tentativo di condizionare l’arte iraniana e di conseguenza i suoi lavori. Coerenza.

(nota 1) Romano Vecchiet, Dirigente del Servizio Integrato Musei e Biblioteche

Donne&fotografia

dal 30.09.2017 al 7.01.2018 - Chiesa di San Francesco, Udine - orario: venerdì e sabato 15.00-18.00, domenica 10.30-12.30, 15.00-18.00. Ingresso libero.

Le autrici sono: Fatima Abbadi, Berenice Abbott, Umida Akhmedova, Laure Albin Guillot, Lola Alvarez Bravo, Diane Arbus, Eve Arnold, Marina Ballo Charmet, Letizia Battaglia, Shobha Battaglia, Inez Baturo, Marina Berio, Ruth Bernhard, Rosangela Betti, Lynn Bianchi, Jelena Blagovic, Irena Blühovà, Hou Bo, Claude Bodier Batho, Margaret Bourke White, Marianne Brandt, Marilyn Bridges, Barbara Brooks Morgan, Lynn Butler, Marcella Campagnano, Lisetta Carmi, Ghitta Carell, Frances Aretta Carpenter, Carla Cerati, Denise Colomb, Augusta Conchiglia, Gabriella Csozso, Imogen Cunningham, Judy Dater, Liliane de Cock Morgan, Pamela de Marris, Diana Y Marlo, Delphine Diallo, Desiree Dolron, Gertrude Duby, Rena Effendi, Angele Etoundi Essamba, Gertrude Fehr, Trude Fleishmann, Rosa Foschi, Barbara Forshay, Martine Franck, Gisèle Freund, Susan Friedman, Toto Frima, Toni Frissell, Enikô Gàbor, Serena Gallini, Flor Garduño, Nan Goldin, Dorothee Golz, Henriette Grindat, Anne Marie Grobet, Shu Hamaura, Ester Havlová, Annemarie Heinrich, Florence Henri,Majlinda Hoxha,Regina Hübner,Zann Huizhen Huang,Elizaveta Ignatovic, Connie Imboden, Irina Ionesco, Graciela Iturbide, Monique Jacot, Bruna Kazinoti,Uma Kinoschita, Jaschi Klein, Sabine Korth, Germaine Krull, Dorothea Lange, Rebeka Legovic, Annie Leibovitz, Gerda Leo, Jana Leon, Elaine Ling, Monia Lippi, Mari Mahr, Rebecca Major, Mary Ellen Mark, Cindy Marler, Paola Mattioli, Marie Maurel de Maillé, Ruth Mayerson Gilbert, Janice Mehlman, Sheila Meitzner, Susan Meiselas, Manuela Metalli, Lee Miller, Tina Modotti, Lucia Moholy, Edit Molnar, Daniela Monaci, Sarah Moon, Inge Morath, Galina Moskaleva, Eleni Mouzakiti, Maria Mulas, Shirin Neshat, Jeanine Niepce, Cristina Nunez, Eleonora Olivetti, Cristina Omenetto, Elizabeth Opalenik, Ana Opalic, Orlan, Lina Pallotta, Slavka Pavic, Lynwood Pelham, Dita Pepe, Anna Pisula Mandziej, Marion Post Wolcott, Joan Powers, Lieve Prins, Agnese Purgatorio, Bettina Rheims, Leni Riefenstahl, Ursula Richter, Andre Rogi, Louise Rosskam, Ernestine Ruben, Marialba Russo, Katarina Sadowski, Sara Saudkova, Jane Schreibman, Cindy Sherman, Dayanita Singh, Sandy Skoglund, Viera Slavikovà, Vee Speers, Camila Sposati, Elisabeth Sunday, Karin Székessy, Brigitte Tast, Newsha Tavakolian, Joyce Tenneson, Olga Tobreluts, Naomi Toki, Ivana Tomanovic, Giuliana Traverso, Linda Troeller, Deborah Tuberville, Doris Ulmann, Carla van de Puttelaar, Danielle van Zadelhoff, Tereza Vickovà, Verena von Gagern, Sabine Weiss, Katarzyna Widmańska, Alice Wielinga, Susannah Wilshire Torem, Wong Wo Bik, Wanda Wulz, Mariana Yampolsky, Madame Yevonde, Yva, Cristina Zelich, Erszebet Zinner, Maria Zorzon.

Newsha Tavakolian

dal 29.9 al 29.10.2017 - Galleria Tina Modotti (ex Mercato del pesce), via Paolo Sarpi, Udine - orario: venerdì e sabato 15.00-18.00, domenica 10.30-12.30, 15.00-18.00. Ingresso libero.

#Donne&fotografia #Silvia Bianco #Ken Damy #Walter Liva #Angelo Bertani #CRAF #Tina Modotti #Newsha Tavakolian #Magnum photos #Romano Vecchiet #Andrea Scandolara

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