#Eishi Segawa

[seekers-who-are-lovers]

Yukiya of Taruhi

I think it would have been innovative and interesting if the story had ended with the main character, Yukiya, leaving while cursing Nazukihiko, ending with “The End” (laughs). However, the anime version of Yukiya is relatively kind and has a somewhat gentle demeanor, so that kind of ending might not align with his character. In the original work, Yukiya is a character who, for better or worse, remains unchanged while everyone else grows, experiences hardships, or undergoes some kind of transformation. I aim to depict both his good and bad sides. Even if it seems like he is changing, it's only because the people around him are changing, giving that impression. As depicted in the second episode of the anime, he is the kind of person who lets himself get hit to trap the other person and then sticks his tongue out later. I believe he continues to do the same things. His position and the people around him make him appear like a kid who is trying hard despite being manipulated by Nazukihiko, but if you look at his character alone, he has a pretty bad personality and carries a lot of issues.

Chisato Abe

Straight from the author’s depiction of one of her main characters.

[seekers-who-are-lovers]

Ahhhhh!!! I’ve been waiting for this, posted a question at Eishi Segawa when it would be released. And now we have the answer. Many of the characters have their theme.

TRACK LIST

01. Golden crow

02. Yamauchi

03. Become a monk or nun

04. Mother

05. Cherry blossom palace

06. Imperial Court

07. Taruhi/Yukiya

08. True golden crow (k’inu)

09. Sumio

10. Kinshu (Yukiya’s theme)

11. Ukigomo

12. Rokon

13. Fujinami

14. Invitation to Tanabata

15. Asebi

16. Hope

17. Shiratama

18. Early peach

19. Meikyo Director's Natsuka

20. An intruder

21. Futaba

22. Entering the interior

23. Four houses

24. Wax plum

25. The next night of the first lunar month

26. Hamayuu

27. Assassination

28. Four seasons

29. Choose after

30. The Hill Ravens’ husband and wife

31. Masuho-no-susuki

32. Lady Raven

33. Sumimaru

34. Crows don't choose the Lord

35. TV anime "Crow does not choose the Lord" ED theme "Eternal" Lyrics, songs: Akiko Shikata

I can’t wait to listen to these tracks. I hope all the songs that are being played on the series are included in the CD. It costs around 20€.

The soundtrack of the Yatagarasu anime will be released on the 4th of September. It includes 35 songs among which will be Tokoshie by Shikata Akiko.

Hopefully that will mean that will finally be able to listen to the full ending (finally!). September should come faster.

Source: Yatagarasu anime's official account.

[galagawiki]

X vs. Zero

Marvel vs. Capcom Infinite (2017)

System(s): PS4, XBONE, Windows

Artist(s): Eishi Segawa

[burlveneer-music]

VA - Electronic Kumoko - Cloudchild - 22- track electronica comp with Carlos Niño, Rob Mazurek, Jamael Dean, Takashi Kokubo, etc.

The world of KUMOKO goes electronic. ELECTRONIC KUMOKO cloudchild is Vol. 2 of the KUMOKO compilation series that was first released in 2016 and is a compilation of 22 songs inspired by KUMOKO, an imaginary spirit of the clouds created by SunEye (Akiko & Hashim Bharoocha). Born from the eye of the clouds, KUMOKO is a child and artist of the sky. She spontaneously creates art using clouds, paints the sky in vibrant colors, and uses thunder to express her fury. 21 artists from the US and Japan interpreted the story of KUMOKO into electronic soundscapes that range from ambient, minimal, electro-funk, dance, experimental, and environmental music. The compilation features IMA (4-year-old artist from Brooklyn), Mioko Yamaguchi & Hideki Matsutake (Yamaguchi is known for her techno-pop albums from the 80s and Matsutake is known for his work with YMO), Ray Barbee (pro skater and musician), Sam Prekop (from The Sea and Cake), Jeremiah Chiu(graphic artist and musician), Carlos Niño (Carlos Niño and Friends), TENTENKO (J-pop idol turned experimental electronic artist), techno artist John Tejada, West Coast funk artists BOY DUDE and XL Middleton, YOKUBARI (Hisham Akira Bharoocha from Soft Circle), Rob Mazurek (Exploding Star Orchestra), Brin & Matthewdavid (Leaving Records), Jira >< (aka jazz pianist Jamael Dean), lucky dragons (visual and sound artist duo), r beny(Northern California ambient artist), Yumi Iwaki & Eishi Segawa(film & electronic composers), Money Mark (Beastie Boys, Jack Johnson), Takashi Kokubo (legendary environmental music composer from Japan), Turn on the Sunlight(Jesse Peterson), and SunEye.

[cultivonerd]

🗣O anúncio da série saiu nessa semana e de quebra já anunciaram os atores que farão os protagonistas: • Elaiza Ikeda - Shoko Komi • Takahisa Masuda - Hitohito Tadano. #staff: Yoshihito Okashita e Eiji Ishii estão dirigindo a série. Fumie Mizuhashi está escrevendo o roteiro. Toshikazu Higuchi e Asako Takagi são os produtores executivos. Já Hiroyuki Ōnuma está produzindo o drama. Tо̄ichirо̄ Rutо̄ é o produtor coordenador.  E a trilha sonora está nas mãos de Eishi Segawa. 📌 Além da série a obra também recebeu uma adaptaç��o para anime, que estréia em outubro/2021. #tags #news #anuncios #adaptações #komisan #komicantcommunicate #komiwakomyushoudesu #jdrama #anime #liveaction (em Maceió, Brazil) https://www.instagram.com/p/CRuXS1dLXE2/?utm_medium=tumblr

[landoftherisingmoon]

Hosoda Eishi (細田 栄之, 1756-1829; singed 栄之画 Eishi-ga, drew)

Naniwaya Okita and Takashima Ohisa playing a game of ken

Ca. 1793/94

[Note: the "title" identification, Naniwaya Okita and Takashima Ohisa, requires a refinement since the two main figures are not Okita and Ohisa, but Takigawa of the Ogiya and Segawa of Matsubaya. The two opposing "teams" are identified as 西方関 and 東方関, Western and Eastern Teams.

The title "Naniwaya Okita and Takashima Ohisa playing a game of ken" is provided by the Art Institute of Chicago: < http://www.artinstituteimages.org/searchresults.asp?txtkeys1=ch%F4bunsai >]

Also see the Boston edition: https://ukiyo-e.org/image/mfa/sc217651

[hataken]

– 6TH ANNIVERSARY – Tokyo Festival of Modular 2019 第7回 東京モジュラーフェスティバル 日時 : 11月16,17日(Sat-Sun) 展示会場 Studio Mission 12:00-18:00 コンサート会場 Contact Tokyo 17:00-21:00(Sat) 17:00-22:00(SUN) 会場住所 : 東京都渋谷区道玄坂2-10-12 新大宗ビル4号館 Studio Mission 7F : 03-6427-8851 Contact Tokyo B2F : 03-6427-8107 チケット 前売り2日間通しチケット・2 DAYS THRU TICKET 5000円 当日券 各日 / 3000円 (展示会・コンサート両会場共通) CONTACT,MISSION各会場入り口でお支払いください。 ※CONTACTへのご入場時には１ドリンクご購入いただきます。 詳細:http://tfom.info/ ■ Day1 Studio: Drumcell (US) Surachai (US) Kabuki (Germany) Maarten Vos (The Netherlands) Satoshi Tomiie (Abstract Architecture) -Hardware Live Set Foyer: [Installation] PaperTracker Contact: Renick Bell K2 Hiroshi Hasegawa Eishi Segawa Kawa Plugman Masayoshi Sakaguchi Kaz_x [VJ] allotrope IJK F∞x Laser a.k.a 1∞take ■ Day2 Foyer: Roel Funcken (Cwejman | The Netherlands) WORNG (WORNG | Australia) Colloid (Ginko Synthese | The Netherlands) The Swedish Movements (Synthrotek | US) Betasquare (Xor Electronic | The Netherlands) MD Cook (WYWS | Australia) Michael Johnsen (Pittsburgh Modular | US) Richard Nicol (Pittsburgh Modular | US) Asterisk Untitled (Erica Synths | Latvia) Novcf (Frap Tools | Italy) Contact: Hojoiwa Takahisa Mitsumori (Mergrim) Naoki Nomoto Madzine Lef!!!Crew!!! Massif Central Isei Ben Tinclocks Daliepy (Dummy) Yuujin 『開催7回目を迎える日本最大のモジュラーシンセイベント』 今年で開催7回目を迎える、日本最大のモジュラーシンセサイザーとエレクトロニック・ミュージックによるフェスティバルTokyo Festival of Modular “TFoM” (http://tfom.info/) が11月16日、17日にContact、同ビルStudio Missionで開催される。国内外から招聘した30組以上のモジュラーシンセアーティストが出演。 1日目は、LAミニマルシーンの立役者でもあり、フロアを埋め尽くす激しいダンストラックからアンビエント/先鋭的なプロジェクトまで様々なスタイルと名義で活躍しているカリフォルニアの鬼才、Drumcell。HypoxiaやBelief Defect (Raster) での活動でも知られる彼の日本初となるモジュラーシンセによるライヴを披露。また、電子音楽機器の紹介やクリエイター達へのインタビューをおこなうTRASH AUDIOの中心人物でもあり、キュレーターなども務める電子音楽家/サウンドデザイナーのSur https://www.instagram.com/p/B42ddWKBMos/?igshid=1cglmoqimxv7x

[retro-vgm-revival-hour]

A game that originally began development as a sequel to the original Street Fighter, the first Final Fight game had to switch its genre from the original fighting game idea to a beat ’em up and eventually change its Street Fighter 2 moniker following the success of Double Dragon, more importantly Double Dragon II: The Revenge

With various ports of the first installment in almost every video game platform out there, its sequels and its characters making appearances in other Capcom titles, It’s plain to see why the Final Fight series is a force to be reckoned with when it comes to talking about memorable games in Capcom’s legacy.

Although no new final fight games seem to be in the near future, and the series will be celebrating it’s 30th anniversary next year, what better way to celebrate one of my favorite beat ‘em up by sharing the Latest Retro VGM Revival Hour Episode focusing entirely on the amazing music of the final fight series.

so gather your squad and be ready to take on various baddies that stand in your way, because on this day WE TAKE THE FIGHT TO THEM! ______________________________________________________________________ 1.) Final Fight – Manami Matsumae, Yoshihiro Sakaguchi, Yasuaki Fujita, Hiromitsu Takaoka, Yoko Shimomura, Junko Tamiya & Harumi Fujita – “Boil ’em up (Industrial Area/2nd part)” – December 1989 – Capcom – Arcade

2.) Final Fight – Jolyon Vincent Myers – “Lost In Time (Opening Theme)” – 1991 – Creative Materials / U.S. Gold – Commodore Amiga

3.) Mighty Final Fight – Setsuo Yamamoto & Yuko Takehara – “Slum (Round 1), Riverside (Round 2), Old Town (Round 3), Factory (Round 4) & Mad Belger (Final Boss)“ – June 11, 1993 – Capcom – NES, GBA & Wii/Wii U/3DS virtual console

4.) Final Fight CD – T’s Music (Arranged from original compositions by Manami Matsumae, Yoshihiro Sakaguchi, Yasuaki Fujita, Hiromitsu Takaoka, Yoko Shimomura, Junko Tamiya & Harumi Fujita) – “Boil ’em Up (Industrial Area/2nd part), Burnin’ Cycle (Bay Area/3rd part/UpTown/4th part), Toilet Gang (Bay Area/2nd part), Unused Track 3, Double Andore (West Side/2nd & 3rd parts), Slim Subway Smash (Subway/1st part/Up Town/3rd part), Something Putrid by the Bay (Bay Area /1st part) & Street of Luxury (Industrial Area: 1st part/ Up Town: 2nd part) ” – April 2, 1993 – Capcom – Sega CD

5.) Final Fight: Double Impact – Simon Viklund – “Boil ’em up, Double Andore, Mad Gear Gang, Slim Subway Smash, Something Putrid by the Bay & Street of Luxury” – Apr 14, 2010- XBLA & PSN

6.) Capcom vs. SNK: Millennium Fight 2000 – Satoshi Ise – “Needle (Final Fight Stage)”- August 13, 2000 – Capcom – Sony Playstation, Sega Dreamcast & Arcades

7.) Final Fight 2 – Yasuaki Fujita (Bun Bun), Mari Yamaguchi, Yuki Satomura, Setsuo Yamamoto, Yuko Kadota & Tatsuya Nishimura- “Fret Street Beat (France), Sleep Junk Down (Italy: 1st part) & Carve a Dragon Wood (Hong Kong/1st & 3rd part/Japan/final boss)” – May 22, 1993 – Capcom – SNES, Wii Virtual console & Wii U

8.) Final Fight 3 – Katsunari Kitajima – “Wrath of the Skull Cross (Intro/2nd part) , Smeared Grafitti (Scrap Yard/1st part), Straight to the Top (Skull Cross H.Q./Elevator fight) & For Metro City (Police Station /1st part)” – December 22, 1995 – Capcom – SNES, Wii Virtual console & Wii U

9.) Final Fight Revenge – Jim Wallace – “Andore Stage, Damnd (Thrasher) Stage, Poison/ Edi .E Stage & Rolento Stage“ – March 30, 2000 – Capcom – Arcades & Sega Saturn (Japan Only)

10.) Final Fight: Streetwise – Unkown – “Boil ’em Up Remix, Double Andore Remix, Slum Allyway Remix & Street of Luxury Remix” – February 28, 2006 – Capcom Production Studios 8 & Secret Level/Capcom – PS2 & Microsoft Xbox

11.) Marvel vs. Capcom 3: Fate of Two Worlds – Hideyuki Fukasawa – “Haggar Theme“ – February 15, 2011 – Capcom & Eighting/Capcom – PS3 & Xbox 360

12.) Marvel vs. Capcom: Infinite – Eishi Segawa – “Haggar Theme” – September 19, 2017 – Capcom – Windows PC, Xbox One & PS4

13.) Street Fighter Alpha 3 – Takayuki Iwai, Yuki Iwai, Isao Abe, Hideki Okugawa & Tetsuya Shibata – “Gimmick (Rolento Theme), No More Swingin’ (Guy Theme) & Stripes (Cody Theme)“ – June 29, 1998 – Capcom – Arcade, Sega Dreamcast, GBA, Sony PlayStation, PocketStation, PS2, PSP, Sega Saturn (Japan only), PS4, Steam, Xbox One & Nintendo Switch

14.) Street Fighter X Tekken – Hideyuki Fukasawa – “Mad Gear Hideout/Abigail Dancing (Round 1), Mad Gear Hideout/Sodom Dancing (Round 2) & Mad Gear Hideout (Round 3)“ – March 6, 2012 – Dimps & Capcom/Capcom – PS3, Xbox 360, Windows PC, PS Vita & IOS

15.) Super Street Fighter IV/Ultra Street Fighter IV – Hideyuki Fukasawa – “Theme of Cody, Theme of Hugo & Theme of Rolento“ – July 18, 2008 – Dimps & Capcom/Capcom – Arcade, PS3, Xbox 360, Windows PC & IOS

16.) Street Fighter V/Street Fighter V: Arcade Edition – Masahiro Aoki, Hideyuki Fukasawa, Keiki Kobayashi, Takatsugu Wakabayashi & Zac Zinger – “Metro City Bay Area theme & Theme of Cody“ – February 16, 2016 – Dimps & Capcom/Capcom – Windows PC, PS4 & Arcades _______________________________________________________________________

Outro track Provided by THE MAD GEAR That track and full album available digitally on BANDCAMP Actual Cd or Cassette Available Physically on Wood And Stone Production _______________________________________________________________________ If you like what we offer, please consider contributing to our Patreon, for exclusive rewards and first looks available only for patrons of the Nostalgia Road Trip

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[kuciumkau-blog]

Ushio to Tora Subtitle Indonesia

Alias: Ushio to Tora Subtitle Indonesia Sutradara: Satoshi Nishimura Ditulis: Toshiki Inoue Musik: Eishi Segawa Studio: MAPPA, Studio VOLN Jaringan: Tokyo MX, SUN, KBS, TVA, BS Fuji, Crunchyroll Ditayangkan: July 3, 2015 – Tamat Episode: 39 (Jumlah Episode) (more…)

[seekers-who-are-lovers]

The Yatagarasu OST is here. I am holding it in my hands. Though I’ve listened to it countless times (even created my own Yatagarasu-inspired playlist while waiting for the OST; if you are interested, you can find it here) before I got my physical copy today, it is so fulfilling to listen to the CD in big speakers.

Anyway, this is so amusing, Yukiya’s image(s) smacked between the princesses’ just goes to show he’s also a contender. I love it.

There’s also a message from Chisato Abe:

For the first time it was decided to be animated, “What do you expect from anime?" I was asked, and as a particularly strong request, I said, "I want you to do your best with the music." In the past, I had an experience in the animation of my favourite work, and I couldn't enjoy it at all because the sound didn't match my image even though the picture was beautiful. I was worried that I would be sad if the same thing happened to the original author's anime, but this ended up being unfounded.

This is because I witnessed that sound directors, voice actors, and other sound-related professionals are doing their work perfectly as professionals at the after-play site I visited. And during the tour, it was none other than Eishi Segawa who was sitting next to me. He answered amateur questions very kindly, and the fact that this anime is a full film scoring, that Mr. Segawa himself is present at the afterplay every time, and that he makes music while having a thorough meeting with the people at the scene. I was taught and so on. At that time, I was sure that this would definitely be a good thing.

The results are as you heard.

Mr. Segawa, I would like to thank you from the bottom of my heart for giving me wonderful music. Thank you very much!

The words from the Director Yoshiaki Kyougoku:

I can't forget the time when I received a demo song from Mr. Segawa that evoked the world of Yamauchi.

Music that is heavy and strict, yet colourful. The long history of the mountain and the drama of the eight people living there seemed to appear in front of me, and I was sure that this would be a great play.

In addition, the film scoring that is composed according to the video is a feature of this work.

It is a method that is quite difficult to achieve in a TV series without time, but Mr. Segawa showed up at the production site surprisingly vigourously and made all the songs while communicating. By composing while considering the balance of all elements such as pictures, dialogue, and sound effects, it has become an ideal theatre partner of "directing drama with music".

Especially in the scene of choosing episodes 12 and 13, it feels like a first book. Despite the lack of big movement, I can't take my eyes off the tremendous tension. This would not have been possible without Mr. Segawa's music.

Every time a new song arrived, I thought, "I want to take more videos and listen to this music carefully," so I'm really happy that you released a soundtrack.

Please feel the rich worldview of Yamauchi created by music.

And from the composer himself, Eishi Segawa:

Is animation directing a technique that moves intermittent fragments of still images in the mind of the viewer? Then, the theatre partner should also be more likely to play a role in assisting the production in all scenes. If you actually write music along the scene, you should be able to participate in the strangeness of careful superposition more than ever before, and then you can decipher the contrast with adjacent scenes, and the composer will also explore the moment when the absence of music complements the dialogue. You can do it. In addition, it was certain that if you abandon the music and stick to sound design, you should be able to express the loneliness, which is very important to this story, more boldly.

These thoughts were the intuitiveness I gained when I read the original work, and in the interaction with the directors in charge of each episode, I realised that it was inevitable to choose.

As expected the tracks “The Golden Raven” and “Yukiya of Taruhi” have notes that are similar. It is like an overlapping theme. Both “Sumio’s theme” and “Rokon’s theme” give you an impression of danger, threatening, grandiose. Although Rokon’s theme lasts 7 minutes. The longest track in the OST. BUT my most favourite of all is “Hope.”

This piece is playing when Yukiya told Wakamiya:

“You leave yourself wide open.”

Reminds me of my favourite Arvo Pärt composition, “Summa.” That kind of thought-provoking, emotionally satisfying piece of music that pierces you. Waxing poetry here I know. Apologies. I got carried away. Anyway, I love the soundtrack. So listen to it if you can in any platform that you can, you won’t regret it.

[seekers-who-are-lovers]

It contains 34 songs!!! What a Christmas gift!

Do not let your guard down

Great Ape

Plum Harvest

Jihei

Forbidden Drug

Stimulant

Truth

After the Banquet / The remains of the banquet

Kite

Wisteria Arrow

Good-for-nothing

King Saku

Welcome Back, Yukiya

The Fraying of the Barrier

Underground City Escort

King of the Underground City

Trust

White Clue Fragment

These Guys Are Apes

To the Exit

External Enemies of the Mountain

Sandalwood and Cinnamon

Collapse of the Mountain

Jihei’s Confession

Old Ape

Koume (Little Plum)

Hatsune

Father

The Immortal Lid

Answer Me / Reply

I'll Forgive You

Golden Crow's Rule

Power to Prevent Collapse

Best Choice ~ Close Attendant Reprise

For this project, the decision to compose music for each episode was made during a meeting with the anime production team in November 2022. I had long hoped for an opportunity to follow the model of American TV series, where the composer takes the lead in spotting (deciding where to place the music) and progresses with composition through weekly discussions with directors and producers. At the same time, having only been involved in a handful of anime projects, I had a strong interest in the overall process of anime production.

I began composing based on the script long before the actual voice recording started, that is, before the animation began to move. These were short pieces, less than two minutes each, and I wrote about 40 of them. I had the production team listen to them, received feedback, and gradually thought I was grasping the overall world view. However, after all the production was completed, only two of those pieces were actually used in the main story.

As many viewers may know, in TV anime productions, the director in charge varies for each episode. In this work, there are eight skilled directors, each responsible for 2 or 3 episodes, making up a total of 20 episodes. What I found interesting throughout the entire process was that the nuances of each director's direction were different, and accordingly, my reactions to the music also changed.

This understanding became a new experience and greatly assisted in composing the music. I would like to express my heartfelt gratitude to all the staff once again. (Music: Eishi Segawa)

So surprised that they are releasing the second volume in four months time. When the first soundtrack was announced, Mr. Segawa was not sure if there would be a second volume. And now it is going to be a reality come December 25.

The Raven Does Not Choose Its Master: the Golden Raven OST

The second batch of songs from the anime is going to be released on December 25th.

It includes music from episodes 14 to 20, a total of 34 tracks.

Here's the cover art:

Source: Yatagarasu anime's official account.

[ogaofherotaku]

More Voices Announced for Ushio & Tora Plus Series Info

More Voices Announced for Ushio & Tora Plus Series Info

It looks like Usho & Tora is cranking out the cast like a wave, the site just released details that Ryota Ohsaka and Ayahi Takagaki  have joined the cast. Ryota will be voicing Satoru Moritsuna & Ayahi  will be voicing Jun Moritsuna.

Satoru Moritsuna: A master shikigami user and the most senior of the four Chosen of the Beast Spear. He was possessed by Hiyou to attack Ushio and destroy the Beast…

[seekers-who-are-lovers]

The music in “Yatagarasu”

This particular piece is playing when Yukiya gets to witness Wakamiya’s power as the latter shoots his arrows. What follows is a beautiful movement coming from the olive green branches of sprouting wisteria flowers under the moonlight. Yukiya is mesmerised, who cannot believe what he has seen and is finding out another side of his master that is completely unknown to him. Yukiya thought Wakamiya was spending his time in frivolous matters when he was not at the Sunrise Palace. On that day he realised he might have mistaken. Most of all, his memories started to resurface though not fully. (Though, I admit that I find mangaka Natsumi Matsuzaki’s interpretation of Yukiya’s déjà vu more arresting to the senses as she showed us what happened the first time Yukiya and Wakamiya met.)

It is the strength of the orchestra melding together with the crispness of the arrow’s tip hitting a glasslike surface of the tears into the void as if one hits a mirror and hearing it crystal clear. The violin, woodwind instruments, the soft and subtle choir in the background that could symbolise the wisteria, these fantastical natural beauties, blooming with all their might at nighttime in a lightning speed (which my gifs cannot justify the elegance of the scenes).

A pity that the album only contains music pieces from episodes 1 to 13. On the 16th episode where the excerpt above is playing, Mr. Segawa said, when asked about the music for the second arc:

I’d love to say yes, but it’s a bit more complicated than that. I’m writing new cues for each episode to perfectly match the direction of every scene, and I’m still working on it. Unfortunately, I don’t have control over when the OST gets released, so we decided to include music from episodes 1 to 13 in the OST. ( x )

Apart from the aforementioned track above, another example that has fallen off the radar from many viewers is the clever interplaying of two themes at the tail end of Episode 13 when we were about to enter the second arc.

Scene 1: Yukiya, Sumio and Wakamiya at the Palace’s stable (background music: gentle, peaceful guitar notes signalling Yukiya’s return to his province, to normalcy, who is honest with Wakamiya about the reason he does not want to continue to be his aide anymore. Nazukihiko, on the other hand, even stops Sumio from interrupting bc he wants to know Yukiya’s feelings)

Scene 2: Struggling to escape, a young woman desperately crying her heart out face to face with the horror as the monster poised to devour her whole (background effects: a menacing sound coming from the pits of a cave and the dreadful pair of heavy-set feet stomping that belonged to a dangerous creature, it sounds like a waterphone playing or the risset horror sound effect from a violin)

Soundtracks can be either hit or miss. Last year, Yuma Yamaguchi’s “Undead Girl Murder Farce” soundtrack was my album of the year. So far, Eishi Segawa’s compositions, which add colour and nuance to the scenes tremendously, are solid and very engaging. Time will tell if the album will be a personal fave this year.

Preorders are now open via Amazon Japan. That is if you are interested. I can’t wait to listen to it in its entirety!

[hataken]

– 6TH ANNIVERSARY – Tokyo Festival of Modular 2019 第7回 東京モジュラーフェスティバル 日時 : 11月16,17日(Sat-Sun) 展示会場 Studio Mission 12:00-18:00 コンサート会場 Contact Tokyo 17:00-21:00(Sat) 17:00-22:00(SUN) 会場住所 : 東京都渋谷区道玄坂2-10-12 新大宗ビル4号館 Studio Mission 7F : 03-6427-8851 Contact Tokyo B2F : 03-6427-8107 チケット 前売り2日間通しチケット・2 DAYS THRU TICKET 5000円 当日券 各日 / 3000円 (展示会・コンサート両会場共通) CONTACT,MISSION各会場入り口でお支払いください。 ※CONTACTへのご入場時には１ドリンクご購入いただきます。 詳細:http://tfom.info/ ■ Day1 Studio: Drumcell (US) Surachai (US) Kabuki (Germany) Maarten Vos (The Netherlands) Satoshi Tomiie (Abstract Architecture) -Hardware Live Set Foyer: [Installation] PaperTracker Contact: Renick Bell K2 Hiroshi Hasegawa Eishi Segawa Kawa Plugman Masayoshi Sakaguchi Kaz_x [VJ] allotrope IJK F∞x Laser a.k.a 1∞take ■ Day2 Foyer: Roel Funcken (Cwejman | The Netherlands) WORNG (WORNG | Australia) Colloid (Ginko Synthese | The Netherlands) The Swedish Movements (Synthrotek | US) Betasquare (Xor Electronic | The Netherlands) MD Cook (WYWS | Australia) Michael Johnsen (Pittsburgh Modular | US) Richard Nicol (Pittsburgh Modular | US) Asterisk Untitled (Erica Synths | Latvia) Novcf (Frap Tools | Italy) Contact: Hojoiwa Takahisa Mitsumori (Mergrim) Naoki Nomoto Madzine Lef!!!Crew!!! Massif Central Isei Ben Tinclocks Daliepy (Dummy) Yuujin 『開催7回目を迎える日本最大のモジュラーシンセイベント』 今年で開催7回目を迎える、日本最大のモジュラーシンセサイザーとエレクトロニック・ミュージックによるフェスティバルTokyo Festival of Modular “TFoM” (http://tfom.info/) が11月16日、17日にContact、同ビルStudio Missionで開催される。国内外から招聘した30組以上のモジュラーシンセアーティストが出演。 1日目は、LAミニマルシーンの立役者でもあり、フロアを埋め尽くす激しいダンストラックからアンビエント/先鋭的なプロジェクトまで様々なスタイルと名義で活躍しているカリフォルニアの鬼才、Drumcell。HypoxiaやBelief Defect (Raster) での活動でも知られる彼の日本初となるモジュラーシンセによるライヴを披露。また、電子音楽機器の紹介やクリエイター達へのインタビューをおこなうTRASH AUDIOの中心人物でもあり、キュレーターなども務める電子音楽家/サウンドデザイナーのSur https://www.instagram.com/p/B42dT-3BXxX/?igshid=evg6xuhqpbnj

[seekers-who-are-lovers]

If you have access to either Spotify or Apple Music, you can also stream the songs.

The Yatagarasu anime's soundtrack has been released.

Unfortunately, it only contains the ending version of Tokoshie, so we'll have have to wait a little longer for the full version.

In any case, I suggest you check it out.