#Eduardo Ferigato

[superheroes-or-whatever]

Radiant Black #25-30 "The Catalyst War" covers by Marcelo Costa and Eduardo Ferigato

[texasthrillbilly]

The old gang.

[graphicpolicy]

NYCC 2024: The Massive-verse's Radiant Black #30 and #30.5 head back to print as a special combo issue

NYCC 2024: The Massive-verse's Radiant Black #30 and #30.5 head back to print as a special combo issue #comics #ocmicbooks #nycc #nycc2024 #nycc24

Radiant Black #30 and #30.5, the latest issues in the bestselling Image Comics series by all-star Massive-Verse creators—Eisner Award-nominated writers Kyle Higgins and Joe Clark, and fan-favorite artists Marcelo Costa and Eduardo Ferigato—are being rushed back to print in a special combo issue to showcase the epic ending of the Catalyst War series arc. The second printing combo, featuring a…

[comicbookclub]

Radiant Black #27 Review: Radiant$ Black

We're reviewing two issues that are tied together: Radiant Black #27 and Radiant Black #27.5 from Image Comics. Both are written by Kyle Higgins and Joe Clark, with the former featuring art by Eduardo Ferigato, and the latter with art by Thobias Daneluz.

We’re reviewing two issues that are tied together: Radiant Black #27 and Radiant Black #27.5 from Image Comics. Both are written by Kyle Higgins and Joe Clark, with the former featuring art by Eduardo Ferigato, and the latter with art by Thobias Daneluz. We reviewed the book on the Stack podcast. But in the interest of highlighting more about the title, here’s a summary of the conversation with…

[comicbookclublive]

Radiant Black #27 Review: Radiant$ Black

We're reviewing two issues that are tied together: Radiant Black #27 and Radiant Black #27.5 from Image Comics. Both are written by Kyle Higgins and Joe Clark, with the former featuring art by Eduardo Ferigato, and the latter with art by Thobias Daneluz.

We’re reviewing two issues that are tied together: Radiant Black #27 and Radiant Black #27.5 from Image Comics. Both are written by Kyle Higgins and Joe Clark, with the former featuring art by Eduardo Ferigato, and the latter with art by Thobias Daneluz. We reviewed the book on the Stack podcast. But in the interest of highlighting more about the title, here’s a summary of the conversation with…

[krinsbez]

Crud I forgot RB this t'other day!

Pulptober 2024 Day 7: The Phantom/Beyond Their Homeland

This one's for characters who were created in one country, but are primarily associated with another.

The Phantom was created in America, a proto-superhero, but hailing from the fictitious country of Bangalla, originally somewhere near India. For reasons, it was subsequently established to be somewhere in Central Africa.

HIs concept has become...uncomfortable...over the decades. A white dude who pretends to be immortal by passing a nearly identical costume on to his children to fool the superstitious natives, who worship him like a god? Ow. This is why most treatments of the character just avoid ever talking about that issue.

I've reviewed a couple of things with him in it, including a collected volume of the early comic strip.

The strip is still running, by the way.

And then there's this Dynamite Comics miniseries where the current heir to the Phantom legacy retired and married a native woman, only to have tragedy strike.

The jungle drums speak! The Ghost Who Walks shall live forever!

[hoardlikegoldenirises]

What inspires your art? Like, how did you come up with your art style, how happy you are with it and if there are any other artists that inspire you?

Asking a few people as a way to understand and grow as an artist at a crossroads. Have a good day.

That's a big question! lol

Inspiration:

I think it's fair to say that I'm inspired by a wide variety of things, and that's what tends to combine to influence art—most of my art comes from a place of wanting to communicate what I'm thinking, just like my writing does. Some things are easier to communicate visually, and some linguistically. I took a variety of classes in college as part of my degree, including some unrelated to it, such as cinematography, lots of art history, etc. and I think having an understanding of those things can help to cultivate an understanding of what goes into... everything, really. Composition, color, form factor, material, history. I find it all interesting and I like to think about those things when I write and draw because I like to have concrete ideas of place and object.

Influences range from manga to books to superhero comics (I mean, obviously), cartoons, music, movies, and whatever else, but also of course other little things from day to day life whether that's personal experiences, specific imagery (of a sunset or something else), foods, outfits I see on the bus, and so on. It's very much a matter of absorbing the world around oneself and translating that into images (or words).

There are definitely a lot of artists that inspire me! Not necessarily style influence but some of my current favorite artists include (but are not limited to) Petra Nordlund, zombieisok, Nick Robles, Esad Ribić, Tradd Moore, Cathy Kwan, Tess Stone, and a whole bunch of other people (too many to list them all!)

Like, Ryōko Kui has great art! Dungeon Meshi is super pretty. It's great to read comics and see great art—I love the way Non-Stop Spider-Man (Chris Bachalo) looks, I really like David Lafuente's work in Radiant Red, Scott Hepburn does some really cool work, I really enjoy the way Eduardo Ferigato draws the characters in Radiant Black (esp Marshall), etc. etc. etc. there are a ton of artists whose work I love!

And! I think this is important—my friends! Spending time talking to my friends has always been a source of inspiration for things to write or draw, since I was in middle school at least. It's fun to bounce ideas off of each other and I enjoy it a lot even when I don't draw or write something related to whatever convo (which, lbr, is most of the time lol)

Art style:

Off the top of my head, there are some specific things I studied on purpose in middle or high school while drawing—Natsuki Takaya's Fruits Basket and CLAMP's works in general but especially Tsubasa: RESERVoir CHRoNiCLE and xxxHolic were very influential on my developing art style. What I did then was not try to make my art look Like CLAMP or Like Takaya at all times, but rather mostly looking at things like how they would draw ears or whatever else, though I also did copies/studies of specific panels (freehand, not traced) where the goal was to make it look like the source to understand shapes etc.

I think that CLAMP's shōnen manga style influence is probably still wildly obvious in my art—I draw people very long-limbed and I know it! (lmao)

I was also definitely influenced/inspired by Nanae Chrono's Vassalord, plus some anime like Tiger & Bunny, which I adored in high school.

Tess Stone's work overall but esp Hanna is Not a Boy's Name has also always inspired me a lot, though I'm not sure to what extent his art has influenced mine—but I think it would be a lie to say it hasn't lol. His work with shape language, color, typography, etc. is next level 👌

As far as more recent influences, it's harder to say. I look at a lot of art, read a lot of comics, and so on, so I pick up small things through osmosis from all of the things around me, inevitably, as well as looking at reference photos. So art style is of course the specific way I process the world and art and so on—the corners of mouths, the shapes of shoes—and re-combine it on paper, and it varies from the very simple 10 minute chibi doodles to the more rare and intensive full illustrations that take 10 hours/multiple days.

As far as my own art quality/satisfaction, I'd say at this point I tend to be mostly neutral on it as a whole, with of course specific pieces I like a lot or some that didn't turn out quite right. I know I have strengths and weaknesses and I only took one or two drawing classes growing up, a couple of painting classes (a few how to draw books)... nothing more than rudimentary basics for the most part.

I have a very hard time grokking some things, esp as it pertains to spatial awareness and dimensionality (my irl coordination and proprioception isn't great, which I'm sure is related). Complicated perspective is hard, sure, but just making objects feel like objects is also difficult so I often have to spend a long time working that kind of thing out when I include stuff like turnarounds or alternate angles. My art has a strong element of harsh-edged two-dimensionality, imo, whether shaded or not, and I know that—that's not necessarily a bad thing, but there are times when it's not what I need lol

But I like the way I draw people, anyway, even if stiffness is a problem, and I enjoy drawing shoes and clothes and faces and so on, and I know my anatomy has improved a lot in the past 5 years or so which is always fun to see. Looking back on something and being like, "man that's rough," is like—a concrete sign of improvement, that's for sure. looking with new eyes.

So I am almost entirely self taught, and I tend to draw—as mentioned earlier—to communicate something specific, so while I drew more constantly as a child, as an adult I don't spend a lot of time just doodling (esp now that I'm not in school anymore lol) or anything like that... I look at references a lot more though lol

I should probably do some studies like figure drawing or take some more advanced classes, and I would like to do so at some point in the future, but for now I'm fine just doing whatever. I have a lot of hobbies (and ADHD) so sometimes it's like... help 😂

anyway!

that was long lol but hopefully helpful.

[sup3rxn0va]

Here's a cool moment from Radiant Black vol. 2! I really love this, wow. This comic was made by - Kyle Higgins, Joe Clark, Meghan Camarena, Eduardo Ferigato and French Carlomagno

[comicweek]

VERSUS | Radiant Black vs. Blaze

Can today’s modern day hero Radiant Black hold his own against, Blaze, one of the greatest heroes of C.O.W.L.? It’s a battle across time in this latest VERSUS match-up.

Directed By: Kyle Higgins

Written By: Kyle Higgins & Alec Siegel

Produced By: Phil Crain & Kyle Higgins

Executive Producer: Seohoon Son

Executive Producer: Marcelo Costa, Alec Siegel & Rod Reis

Edited By: Alec Siegel

Art Directed By: Marcelo Costa & Eduardo Ferigato

Storyboards By: Brandon McKinney & Eduardo Ferigato

Backgrounds By: Ramón Palermo

Additional Art By: Igor Monti

Animation By: Tiger Animation

Music By: Kristopher Carter

Sound Supervisor: Matthew Taylor

Sound Design: Pete Nichols

Titles By: Michael Busuttil

Will Friedel as Radiant Black

Reginald James as Blaze

Rick Cramer as Geoffrey

David Sobolov as The Robot

[superheroes-or-whatever]

Radiant Black #29

[softgrungeprophet]

who wants to buy me this (or send me like $25 over paypal), i'll draw you a picture

(completely serious)

[texasthrillbilly]

Holga protecting my boy, Simon.

[graphicpolicy]

"Catalyst War" splits Radiant Black

"Catalyst War" splits Radiant Black #comics #comicbooks

[dispatchdcu]

Radiant Black #25 Review

Radiant Black #25 Review #radiantblack #IMAGE #imagecomics #comics #comicbooks #news #art #info #NCBD #comicbooknews #previews #reviews #Amazon

Writers: Kyle Higgins & Joe Clark Pencillers: Marcelo Costa & Eduardo Ferigato Inkers: Marcelo Costa & Paulo Daniel Santos Colorist: Rod Fernandes & Raúl Angulo Letterer: Becca Carey Covers: Marcelo Costa Publisher: Image Price: $3.99 Release Date: July 19, 2023 Stopping the giant robots from space came with a price: Nathan and Marshall broke Radiant Black. Recovering their superpowers meant…

[comicbookclub]

Radiant Black #26 Review: Choose Your Own Adventure

Image Comics kicks off a wild experiment in Radiant Black #26: two issues, different artists, the same basic story but with different characters. Does Kyle Higgins and Joe Clark's bold gambit with artists Marcelo Costa and Eduardo Ferigato work?

Image Comics kicks off a wild experiment in Radiant Black #26: two issues, different artists, the same basic story but with different characters. Does Kyle Higgins and Joe Clark’s bold gambit with artists Marcelo Costa and Eduardo Ferigato work? We reviewed the book on the Stack podcast. But in the interest of highlighting more about the title, here’s a summary of the conversation with our…

[comicbookclublive]

Radiant Black #26 Review: Choose Your Own Adventure

Image Comics kicks off a wild experiment in Radiant Black #26: two issues, different artists, the same basic story but with different characters. Does Kyle Higgins and Joe Clark's bold gambit with artists Marcelo Costa and Eduardo Ferigato work?

Image Comics kicks off a wild experiment in Radiant Black #26: two issues, different artists, the same basic story but with different characters. Does Kyle Higgins and Joe Clark’s bold gambit with artists Marcelo Costa and Eduardo Ferigato work? We reviewed the book on the Stack podcast. But in the interest of highlighting more about the title, here’s a summary of the conversation with our…