#Eduard Taaffe

[kronprinz-rudolf]

the funniest taaffe skdhh

[sarcasticdolphin]

FJ: Rudolf has been through how many sausages? *Eyebrow raised* Taaffe: *Hands over the records* FJ: *Eyebrow raises higher* That is more than a few sausages. Rudolf: What can I say? Taaffe attempting to keep a straight face as he interrogated me about my above average sausage consumption was hilarious. Rudolf: *Tosses a sausage to one of Tod's ravens*

[ulkaralakbarova]

A former basketball all-star, who has lost his wife and family foundation in a struggle with addiction, attempts to regain his soul and salvation by becoming the coach of a disparate ethnically mixed high school basketball team at his alma mater. Credits: TheMovieDb. Film Cast: Jack Cunningham: Ben Affleck Dan: Al Madrigal Beth: Michaela Watkins Angela: Janina Gavankar Doc: Glynn Turman Marcus Parrish: Melvin Gregg Brandon Durrett: Brandon Wilson Kenny Dawes: Will Ropp Sam Garcia: Fernando Luis Vega Chubbs Hendricks: Charles Lott, Jr. Bobby Freeze: Ben Irving Devon Childress: da’Vinchi Father Edward Devine: John Aylward Russ: T.K. Carter Diane: Rachael Carpani Kurt: Todd Stashwick Anne: Nancy Linehan Charles Gerry Norris: Dan Lauria Sal: Chris Bruno Coach Lombardo: Matthew Glave Matty (Bartender): Jeremy Ratchford Susan Norris: Jayne Taini Father Mark Whelan: Jeremy Radin Ryan: Nico David Sarah: Emelia Golfieri Sarah: Layla Golfieri Miguel: Sal Velez Jr. Sofia: Yeniffer Behrens Sully – Ref #2: Eric Tate Doctor: Christine Horn Construction Worker #1: Josh Latzer Construction Worker #2: Manny Streetz David: Justice Alan Liquor Store Owner: Jay Abdo Lead Referee: Joshua Hubbard Burly Man: James P. Harkins Employee: Mike G. Betty: April Adams Haley: Chieko Hidaka Student: Bronwen O’Connor Student: Charlotte Evelyn Williams Student: Kayla Diaz Trinity Coach: Doc Jacobs Gale: Marlene Forte Ken: Shay Roundtree Pat: Chad Mountain Summit Coach: Sandy Fletcher Opposing Coach: Noah Ballou Female Friend – Nancy: Cynthia Rose Hall Referee: Calvin Barber Fish Scale Operator: Dino Lauro Bishop Bench Player: Roman Mathis Bishop Bench Player: Herbert Morales Bishop Bench Player: Mateo Ortiz Bishop Bench Player: Tyler O’Malley Ethan (uncredited): Tom Archdeacon Basketball Player 7 (uncredited): Brian Nuesi Denise (uncredited): Edelyn Okano Cheerleader (uncredited): Carly Schneider Mike Ball Boy (uncredited): Caleb Thomas Eric (uncredited): Hayes MacArthur Basketball Player: Alexander Tassopoulos Birthday Party Guest (uncredited): Mason Blomberg Film Crew: Producer: Gavin O’Connor Producer: Jennifer Todd Producer: Gordon Gray Sound Mixer: Steven A. Morrow Producer: Ravi D. Mehta Set Decoration Buyer: Ellen Dorros Boom Operator: Craig Dollinger Utility Sound: Bryan Mendoza Art Direction: Bradley Rubin Costume Design: Cindy Evans Director of Photography: Eduard Grau Editor: David Rosenbloom Executive Producer: Brad Ingelsby Executive Producer: Mark Ciardi Unit Production Manager: Bob Dohrmann Executive Producer: Kevin McCormick Executive Producer: Aaron L. Gilbert Executive Producer: Jason Cloth Executive Producer: Kaitlyn Taaffe Cronholm Executive Producer: Madison Ainley Production Design: Keith P. Cunningham Casting: Wendy O’Brien Co-Producer: Brittany Hapner Original Music Composer: Rob Simonsen Music Supervisor: Gabe Hilfer Unit Production Manager: Victor Ho Second Assistant Director: Kevin Lum First Assistant Director: Jamie Marshall Visual Effects Supervisor: Bruce Jones Set Decoration: Douglas A. Mowat Set Designer: Paul Sonski Assistant Art Director: Linia Marie Hardy Assistant Art Director: Brittany Bradford Graphic Designer: Stephanie Charbonneau Graphic Designer: Andrew Campbell Art Department Coordinator: Michael LaCorte Leadman: Fred Haft Set Decoration Buyer: Jane Madden Stunt Coordinator: Tom McComas Stunts: Oliver Keller Stunts: Courtney Farnsworth Stunts: Allan Graf Stunts: Craigory Glen Hunter Stunts: Lauren Shaw Stunts: B R Lamar Stunts: David Rowden II Property Master: J.P. Jones Assistant Property Master: Rick Chavez Script Supervisor: Steve Gehrke “A” Camera Operator: Peter Rosenfeld Still Photographer: Richard Foreman Jr. “B” Camera Operator: Michael Merriman First Assistant “A” Camera: Stephen MacDougall Second Assistant “A” Camera: Jordan Pellegrini First Assistant “B” Camera: Jesse Cain Second Assistant “B” Camera: Seth A. Peschansky Digital Imaging Technician: Jesse Tyler Music Editor: Curt Sobel Assistant Editor: Anna Rottke First Assistant Editor: Joe Rosenbloom Soun...

[yallemagne]

[starlene]

the one and only Count Eduard von Taaffe!

uuuuhh ummmmm uuuhhhhhh

[firestorm717]

Perfume Suggestions

Okay, my friends. I’m planning to purchase a bottle of perfume as a gift for a certain handsome German musical theater actor. Budget is around $100. Looking for a scent that is warm, sensual, and unique... bonus if it’s evocative of one of these characters: Zaza (La Cage aux Folles), Der Tod/Death (Elisabeth), Count Eduard Taaffe (Rudolf: Affaire Mayerling), Napoleon (Napoleon).

Does anyone have suggestions? Leave a message or PM me. I need to get this in less than a week.

[italianaradio]

Tornare a vincere: il trailer del film con Ben Affleck

Nuovo post su italianaradio https://www.italianaradio.it/index.php/tornare-a-vincere-il-trailer-del-film-con-ben-affleck-2/

Tornare a vincere: il trailer del film con Ben Affleck

Tornare a vincere: il trailer del film con Ben Affleck

Tornare a vincere: il trailer del film con Ben Affleck

Ecco il trailer ufficiale di Tornare a vincere, il film di Gavin O’Connor con protagonista il premio Oscar® Ben Affleck.

Una volta Jack Cunningham (Ben Affleck) aveva una vita piena di promesse. Al liceo era un fenomeno della pallacanestro con in mano una borsa di studio universitaria, quando improvvisamente, per motivi sconosciuti, decise di allontanarsi dal mondo del basket, riunciando al proprio brillante futuro. Anni più tardi, Jack si trova ad un passo dalla rovina, scatenata da una perdita inenarrabile, annegando nell’alcolismo che gli era già costato un matrimonio e qualunque altra speranza di vita migliore.

Quando gli viene offerta la possibilità di allenare la squadra di pallacanestro del suo vecchio liceo, lontana dagli anni gloriosi di un tempo, accetta con riluttanza, sorprendendo soltanto lui stesso. Quando i ragazzi iniziano a comportarsi da squadra e conseguentemente a vincere, Jack crede di aver finalmente trovato una ragione per cui combattere i demoni che lo hanno portato vicino alla rovina. Ma basterà questo a riempire i suoi vuoti, a curare le profonde ferite del suo passato e a condurlo sulla strada della redenzione?

Il premio Oscar® Ben Affleck (“Argo”, “The Accountant”) è il protagonista di “Tornare a vincere” diretto da Gavin O’Connor (“The Accountant”, “Warrior”).

Gordon Gray, Jennifer Todd, Gavin O’Connor e Ravi Mehta sono i produttori del film, scritto da Brad Ingelsby. Robert J. Dohrmann, Brad Ingelsby, Kevin McCormick, Mark Ciardi, Aaron L. Gilbert, Jason Cloth, Kaitlyn Taaffe Cronholm e Madison Ainley sono i produttori esecutivi.

Nel film compaiono anche Al Madrigal (“Night School”), Michaela Watkins (“Casual” per la TV), Janina Gavankar (“True Blood” per laTV) e Glynn Turman (“Bumblebee”).

Il team creativo dietro alla cinepresa di O’Connor include il direttore della fotografia Eduard Grau, lo scenografo Keith P. Cunningham, il montatore David Rosenbloom e la costumista Cindy Evans. Le musiche sono del compositore Rob Simonsen.

Warner Bros. Pictures presenta, in associazione con BRON Creative, una produzione Jennifer Todd Pictures/Mayhem Pictures/Film Tribe, un film di Gavin O’Connor, “Tornare a vincere”. Il film arriverà nelle sale italiane nel 2020 e sarà distribuito in tutto il mondo da Warner Bros. Pictures.

Cinefilos.it – Da chi il cinema lo ama.

Tornare a vincere: il trailer del film con Ben Affleck

Ecco il trailer ufficiale di Tornare a vincere, il film di Gavin O’Connor con protagonista il premio Oscar® Ben Affleck. Una volta Jack Cunningham (Ben Affleck) aveva una vita piena di promesse. Al liceo era un fenomeno della pallacanestro con in mano una borsa di studio universitaria, quando improvvisamente, per motivi sconosciuti, decise di allontanarsi […]

Cinefilos.it – Da chi il cinema lo ama.

Chiara Guida

[kronprinz-rudolf]

Eduard Taaffe portrayals in movies Mayerling (1936) Mayerling (1957) Mayerling (1968) Requiem for a Crown Prince (1974) The Crown Prince (2006)

[sarcasticdolphin]

Smrtolf (though this is Meissner giving a report to Taaffe so neither of them appear) "Masculine." This one is kind of cracky. I will be following up with another drabble or two that cover Taaffe's trip to Mayerling to see Rudolf.

For the amazing @adridoesstuff as all the Smrtolf drabbles are

“Herr Meissner has returned.”

“Mmm.” Eduard didn’t look up from his papers, but he could hear Wiligut refilling his tea cup.

“He’s ready to give his report, sir.” Wiligut sounds mildly exasperated.

“I’d imagine he is.” Eduard found the offending line in the budget - the Crown Prince’s expenditures on sausages had gone up by a factor of 4. Imported pigs? Some fancy strain of British pigs recommended by the empress? The prince certainly hadn’t started eating four times as many sausages. He was as thin as ever. “Send him in.”

The click of Wiligut’s heels comes, and he paces off to the door. Meissner’s heels are clicking before Eduard’s desk a moment later. “Herr Minister-President.”

“Report.” Eduard finds another line and makes a little mark by it. Why could the Crown Prince want twenty different kinds of ribbons? It was almost like the prince knew he would be going through the expenditures and was doing it for the sole reason of drawing Eduard’s ire.

In said ire he misses the first part of Meissner’s report, only picking up when the spy had arrived at Mayerling, late in the afternoon. The account of the hunting lodge is expected - a small staff, and very loyal to the Crown Prince.

“How loyal? Did anyone stand out?” Normally Eduard would wait until Meissner’s report was done, but had been trying to get a read on the Mayerling servants - and if any of them would be able informants - for some time.

“Fanatically loyal, Herr Minister-President. They eyed me very suspiciously and wouldn’t answer any of my questions about his Imperial Highness.” How the immature brat that was the Crown Prince managed to inspire such loyalty, Eduard had no idea. Perhaps more coin would loosen their tongues. Or perhaps he should send Wiligut to Mayerling to extract answers with a firmer hand. Meissner’s talent lay more in subtle coaxing than any sort of threats.

“Continue.” Eduard pinched the bridge of his nose as Meissner carried on, listing all that he had found in the hunting lodge. The Crown Prince’s painting hobby was well known enough - the Emperor certainly knew, so the list of paintings wasn’t of much interest to Eduard. Meissner seemed more impressed with the Crown Prince’s skill than Eduard would have expected, but he waves the spy on. There are far more important things at the hunting lodge than a few paintings.

The birds too aren’t a surprise - Meissner had brought Eduard accounts of the Crown Prince’s affiliation for all things avian before, and it seemed that the boy had taken up a friendship with an entire forest’s worth of crows and ravens.

“How was the lodge?” Eduard interrupts Meissner again. Birds can be ever so destructive, and extensive repairs to the Mayerling lodge would be an unwelcome addition to the Imperial Household budget at this point. The Empress’s expenses are positively obscene and the Emperor denies her nothing. 

Meissner himself seems somewhat surprised by the answer he gives - despite the dozens of birds, the lodge is in very good condition. No damage, nothing. No extensive renovations or restorations for at least another few years, then. 

“Continue.” Eduard tells himself not to interrupt as Meissner continues, listing out the other things he had seen - a few more horses in the stable than one might call strictly needed. But Meissner trails off at the end, and Eduard finally looks at the spy.

“Out with it, Herr Meissner.”

“The Crown Prince did have one companion that I saw, Sir.”

“You just said no riders arrived and there was no one there but the servants.”

“Indeed sir. No one arrived, but I saw the man in the Crown Prince’s bedroom. Late. And alone with the Crown Prince.” It’s rare for Meissner to be so oblique, but the hint of the accusation  is so extreme that Eduard is surprised his spy is even willing to imply as much as he has.

“What did you see?” A careful question.

“The Crown Prince conversing with his companion.” 

“Just conversing?”

“Yes.”

“Did you see the companion leave?”

“No, sir. He was gone in the morning, but he left no trace that he was there.”

“You will speak of this to no one.” Eduard isn’t terribly worried that Meissner will talk, but it bears repeating. The Crown Prince is enough of a problem, what with conversing with Hungarians. The last thing that Eduard needs with the recent business with the Germans is for there to be a scandal involving the Crown Prince and his apparent male lover.

“Find the Crown Prince’s companion.” The order comes easily. “Wait. No, ignore that. You’ll be on a different assignment.” Eduard wants the servants to not be on alert, and if they are as fanatical as they seem then it would be better not to send Meissner again.

“Dismissed.” Meissner’s heels click and the spy departs, leaving Eduard alone with WIligut.

“Which day did the Kaiser cancel the council meeting? Was it next Thursday?” Eduard pinches his brow once more. Normally he knows these things easily.

“Yes, sir. He’s going hunting with the British Ambassador.” Eduard nodded. 

“Clear my schedule for that morning. If the Crown Prince’s servants won’t talk then perhaps it is best to simply ask his Imperial Highness after his companion.” 

“As you say, sir.” 

“And-” Eduard pulled the budget from the pile of papers once more. “Perhaps he’ll even have a good answer for why his sausage expenditures have gone up four-fold and the twenty different types of ribbons that he has ordered for delivery to Mayerling. I for one don’t see how mauve ribbon would be of use if one was hunting.”

Wiligut doesn’t respond, and Taaffe gets up, his limbs creaking. He’s not as young as he used to be. But it will be nice to get out of the palace for once, even if it won’t be until next week. Eduard gave his globe a lazy spin and gazed out the window. What would he do if the Crown Prince did have a male lover? It would be so much easier if the Crown Prince’s companion was only that, but Eduard for one didn’t think he would be in luck.

[teal-skull]

I don't know how factual these musicals are, but if you are down for german-language musicals and Austrian history, here's my two cents to this post:

1837-1898 || The life of Empress Elizabeth of Austria, queen of Hungary and wife of Emperor Franz Joseph and her assasination, minor focus on crown prince Rudolf and other fmily members: Elisabeth

1888-1889 || Rudolf, Crown prince of Austria and his affair with Baroness Mary Vestera, known as Mayerling incident, also minor focus on Rudolf's political conflict with his father Franz Jopesh and the prime ministerof that time Eduard Taaffe is also there : Rudolf

Musicals to help you with history class!

So I’m back at it with a text post you didn’t know you needed!

School is coming up and let’s face it, musicals are way more interesting than teachers rambling, power points, note taking, etc. So I’m here to maybe help you with that!

If I forgot any please let me know because most of these I don’t listen to but now that I’m finally taking a history course my junior year I thought I’d help others that are struggling.

1500 // Two men are imprisoned for foreclosing a monastery by the Spanish Inquisition: Man of La Mancha

1590 // French Village Life: Martin Guerre

1776 // The signing of the Declaration of Independence: 1776

1776 // The Founding Father, Benjamin Franklin’s foreign adventure to form an alliance: Ben Franklin in Paris

1789 // The French Monarchs being taken to the guillotine (French Revolution): 1789: Les Amants de la Bastille

1792 // The first 100 years in The White House:  A White House Cantata (or 1600 Pennsylvania Avenue)

1793 // The French Revolution: Scarlett Pimpernel

1755-1804 // Alexander Hamilton, a determined founding father who never stopped: Hamilton

fun fact: he’s my first cousin eight times removed

1804-1806 // The exploration of The Louisiana Purchase: Adventures of Lewis and Clark

1812 // The French Invasion on Russia (this is also based off the novel War and Peace): Natasha, Pierre, and The Great Comet of 1812

1832 // June Rebellion or The Paris Uprising: Les Misérables

1767-1845 // Andrew Jackson, the American “Hitler”: Bloody Bloody Andrew Jackson

1853 // The westernization of Japan: Pacific Overtures

1861-1865 // The American Civil War: The Civil War

1865 // Assassination of Abraham Lincoln: Assassins

1871 // This is about the 72 days that workers governed France: Paris Commune

1881 // Assassination of James A. Garfield: Assassins

1893 // This covers the trial of Lizzie Borden, a Massachusetts girl accused of murdering her father and stepmom with an axe: Lizzie the Musical

1893 // New Zealand was the first country to allow women to vote, thanks to Kate Sheppard: That Bloody Woman

1899 // The Newstrike in New York against Joseph Pulitzer and William Hearst: Newsies

1900 // This musical is very informative when it comes to immigration racial tensions at the turn of the 20th century (also includes known historical figures, e.g. Harry Houdini, Booker T. Washington, and Emma Goldman): Ragtime

1904 // A Jewish family in Imperial Russia who faces struggling with their traditions and the Tsar forcing them out of their village: Fiddler on the Roof

1912 // The sinking of the Titanic on it’s first voyage: Titanic

1913 // The KKK and Anti-Defamation League: Parade

1914-1918 // A family and their struggles and triumphs during World War I: Oh! What a Lovely War

1924 // The trials of two women, Beulah Annan and Belva Gaertner, accused of killing their significant others: Chicago

1925 // Cave explorer, Floyd Collins, and his cave exploring adventures: Floyd Collins

1860-1926 // Annie Oakley, prize-winning sharpshooter in Buffalo Bill’s Wild West: Annie, Get Your Gun

1905 // This musical is about Rasputin and the fall of the Russian Empire: Beardo

1907-1927 // The daughter of many conspiracy theories, and of Tsar Nicholas II, who watched the Russian Empire fall: Anastasia

(the musical itself isn’t very factual, but if you enjoy listening to it, you’ll definitely enjoy the history and hard truths of the Romanov family)

1931 // The Scottsboro Trial, which created two rights for criminal defendents: The Scottsboro Boys

1931 // Night club setting, but gives you an overall Nazi Germany feel, and includes one Jewish character: Cabaret

1867-1932 // The life of Margaret Brown, a brave woman who survived the sinking of the Titanic: The Unsinkable Molly Brown

1932-1934 // Bonnie and Clyde, two criminals that traveled and murdered people during The Great Depression: Bonnie & Clyde

1942 // A Japanese family is removed from their home and are moved to a Japanese-American internment camp: Allegiance

1945 // Following the end of World War II, this musical shows the reality of loss and PTSD that we tend to not talk about: Bandstand

1939-1945 // A story of a Jewish internment camp in Czechoslovakia: Signs of Life

1924-1950 // Tells the story of a Jewish couple (Kurt Weill & Lotte Lenya) as World War II begins: LoveMusik

1946-1952 // First Lady of Argentina, Eva Perón: Evita

1962 // American Civil Rights movement, with talks about segregation in schools and on TV: Hairspray

1963 // Assassination of John F. Kennedy: Assassins

1975 // Racism, colonialism, vietnam war, but is also problematic: Miss Saigon

1979-1981 // A musical that mixes Yiddish Americans and the AID crisis that shows the heavy struggles small families can have: Falsettos

1984-1985 // The coal miner’s strike of England with some mentions of Margaret Thatcher: Billy Elliot

2001 // 9-11 Attacks: Come From Away

Please feel free to message me or comment one I missed and I will gladly edit it!

[joyfullycrookedcandy-blog]

Mayorista De Piedra Bella

Los diamantes están constituidos por un material que posee gran dureza a base de carbono cristalizado a altas temperaturas y presiones. Si bien esta opinión es favorecida por muy pocos manuscritos , sin embargo, no está desprovista de razón; puesto que mientras las otras once piedras corresponden a una piedra en el pectoral es singular que esta sea la única excepción. Considerado como el rey de las piedras preciosas, el rubí aparece en la Sagrada Escritura y algunas escrituras en sánscrito como la piedra más preciosa. Para los metales duros (como el acero inoxidable y el tungsteno) y las piedras hermosas con hendiduras y grabados, frota suavemente con un cepillo dental suave. Dado a que los recipientes de las maquinas vibradoras con frecuencia no resisten bien los materiales muy gruesos, son usados muy frecuentemente para pulir piedras que han sido rotadas y formadas.Joyería Con Piedras Bellas /uploads/ALIANZAS.jpg" width="253" />

Estas decoraciones se ejecutaron con tres técnicas diferentes: pintura estuco aplicado sobre los muros, incrustación de piedras y estatuas. Diamantes rosados: es una piedra sumamente escasa que se genera primordialmente en los yacimientos de Argyle en Australia. Las piedras de imitación que tiene un aspecto similar al de las piedras naturales, mas que pueden estar fabricadas con vidrio, plástico o bien otro material más económico. Además, dos minas habilitadas para visitantes, el Jardín de las Piedras Bellas en Kempfeld, más de 60 tradicionales y modernos talleres de tallado de ágatas, como numerosos museos ilustran este complejo mundo. Es una de las piedras más extrañas del planeta, fue nombrada así después de haber sido descubierta por Eduard Taaffe, la cual descubrió accidentariamente en mil novecientos cuarenta y cinco, estaba tallada de una forma infrecuente, la cual el jamás antes había visto. Una vez conseguida la gema en bruto del yacimiento empieza el proceso de dar más valor y belleza a la piedra, para lograr su comercialización en las mejores condiciones económicas. Los diamantes van a tener el aspecto similar a una capa de película delgada de vaselina. En la historia de la humanidad, sólo se encuentra unas pocas muestras de este mineral y la mayor parte tienen un peso muy bajo - menos de 0,5 quilates. Gema esta manera también se llaman los diamantes que provienen de países productores que se encuentran inmersos en conflictos bélicos. El tratamiento de blanqueado se usa para aclarar y blanquear algunas piedras preciosas, incluyendo el jade y las perlas. Las cuatro características, conocidas informalmente como las 4 C, son usadas ahora de una forma común como descriptores básicos de los diamantes: estos son carat, cut, colour y clarity (peso, talla, color y pureza).

El tratamiento de irradiación puede agregar color a los diamantes de colores, a ciertas piedras hermosas y a las perlas. La alejandrita natural apareció por vez primera en Rusia, donde tomó su nombre del Zar Alexander II a inicios de 1800. Límpiala y libérala de las rocas circundantes y posiblemente la esmeralda muestre una parte de la característica estructura cristalina verde, tal vez muestre una opacidad similar a la de las piedras jade.

[yallemagne]

Taaffe is not above espionage for the retrieval of detrimental information to their empire. So, when he is tasked by the Kaiser to… in gentler words: monitor the Crown Prince’s behaviour, he does so without question.

What he finds is... disconcerting.

[kronprinz-rudolf]

[kronprinz-rudolf]

Taaffe and Stéphanie

[kronprinz-rudolf]

Eduard Taaffe, 11th Viscount Taaffe (1833–1895)

[sarcasticdolphin]

Smrtolf (Canon) "An (Un)welcome visitor"

Taaffe makes his trip to Mayerling. Cut for length and well ... Taaffe's attempts to rationalize the supernatural. Defiantly somewhat dark-cracky. For the amazing @adridoesstuff as all the Smrtolf drabbles are :)

Eduard Taaffe’s ride to Mayerling had been almost entirely silent. Part of him had thought to take an - Meissner knew the recalcitrant Prince’s hunting lodge well while Wiligut tended to understand Eduard’s goals better, but in the end he only takes a single guard, and the man will wait with the horses. Strictly speaking the purpose of the trip isn’t blackmail - for all Rudolf seems childish he can be very subtle when it suits him and if he is indeed keeping a male companion - thought it was clever Meissner had thought that said companion was more a lover than a friend even if he hadn’t been willing to speculate over much - Taaffe knows there is no guarantee he will catch the prince in the act.

And so that isn’t his goal. At least not today. If he does manage to catch the Prince with his companion Taaffe won’t be complaining, but he only wants to startle the Prince. The boy will be more likely to make a mistake if he is thrown off his usual routine, and Eduard appearing at his hunting lodge unannounced certainly counts as a departure from his routine.

The roof doesn’t come into view until they turn the last corner, but Meissner had called the interior of the lodge surprisingly roomy considering how low the ceiling seemed from the outside. Eduard leaves his horse with the guard and brushes by a pair of surprised servants. Meissner had been quite specific as to which room served as the Crown Prince’s bedroom and studio.

—-----------

He’s not sure what he had been expecting when he opened the door, but whatever it had been, the truth is far stranger than all the fictions his mind had concocted.

“Kronprinz Rudolf.” Eduard isn’t sure what else there is to say besides the prince’s name. The boy is at least present, his imperial jacket nowhere to be seen and in a loose white undershirt that is half-undone with green, black, and blue paint on his hands and looking more than a little surprised to see Eduard. But he isn’t alone. Sprawled on his bed is a graceful, black-clad feminine figure with oddly painted eyes that looks more like a deranged cultist - face as white as bone with red eyes, black paint around them, and a dark iridescent cloak that looks more like a pair of wings each passing moment that Smrt watches it. But Rudolf’s demonic mistress isn’t the worst of it.

It seems Meissner had been right, though Eduard now finds the spy’s report entirely lacking - Rudolf’s companion is sprawled in a chair, dressed similarly to the girl on the bed, with the same disturbing eye paint. And to top it all off, he had a live raven sitting on his shoulder. Had Rudolf somehow managed to get himself mixed up in a demonic cult? Before Eduard can even really contemplate the answer there is a noise from a pile of fabric on the floor. The blue-gray fabric must be one of Rudolf’s jackets, though likely an old one by the state of disrepair that is evident. A small crow emerges from beneath the fabric and gives Eduard a look that Eduard for one finds more than a little unnerving.

“What-” Eduard doesn’t know what to say. How does one accuse the Crown Prince of cavorting with a Satanic cult? Even after catching the boy in the act he doesn’t think the Emperor will believe any of it. It is all much too outlandish to be true.

“For shame, Count Taaffe. Even such a - what is it you usually call me? - recalcitrant prince, was it? As I know to knock before I enter the bedchamber of my betters.” The Crown Prince does look offended by the intrusion, and more so than Eduard had really expected.

“What are these-” Eduard eyes the girl, man, and pair of birds once more. “Demons?” Because they must be demons. Or else a pair of witches with familiars. Eduard had never personally believed in any of the drivel that had marked the previous centuries, but he cannot think of anything else that they might be.

“Demon?” The girl seems more unimpressed than offended. “I thought you said Minister-President Taaffe was smart, Rudolf. I suppose that might still be true, but he’s certainly entirely unoriginal.”

Eduard takes a step back. Perhaps some information is simply not worth knowing, and he has the inescapable urge to simply flee the scene and head back to Vienna and never tell the Emperor of his misadventure. But even as he resolves to do so the girl flows from the bed with a grace that is more fitting for a cat than any girl or whatever witch-demon-thing that the girl truly is. She’s between Eduard and the door in moments, and Eduard finds himself stumbling back and tripping on his own feet to land sprawled on the Crown Prince’s bed with the small crow now perched near his hand.

“Do be careful, Herr Minister-President. He bites.” The Crown Prince looks entirely smug about the way this is going, though Eduard cannot help but note the incongruity of the fact that Rudolf still has a paintbrush in his hand. The girl comes closer to Rudolf, nuzzling into his side, and Eduard can see what he had thought and hoped was a cloak cannot be anything other than a magnificent set of dark wings, shining with a blue-green iridescence. What sort of foul demon took the form of this dark angel? Was Rudolf cavorting with a harlot of Satan himself? Eduard was no scholar of demonology the way the Archbishop claimed to be. But what would that make the man still lazing in the chair by the window? Had Rudolf fallen prey to Satan himself? Had Satan sent the succubus that was entirely too close to Rudolf to drain the life from him and the entire Habsburg dynasty? Given the myriad of misfortunes that had befallen the Empresses relations in particular it seemed a more reasonable proposition than it should.

The crow does try to bite, but Eduard manages to snatch his hand back, only for the crow to flutter forward and try and bite his nose as well, though Eduard manages to dodge the crow and it flutters off to a different corner of the room.

But in the time he is totally focused on the crow the girl disappears and Eduard finds himself looking frantically around. Where has she gone? But quickly his eyes come to rest on a large raven that is nestled in the Crown Prince’s arms as he affectionately strokes her feathers and presses a little kiss to her head. Truly, the Crown Prince must be bewitched.

Eduard turns to the man in the chair. All the birds must be his familiars and he must be the witch - or otherwise the demon - that has set upon the Crown Prince. 

Eduard’s eyes flick to the door, but he has no doubt the raven in the Crown Prince’s arms will stop him if he tries to leave.

“Rudolf-” perhaps an appeal to the Crown Prince’s humanity will be of some help. For as much as Eduard’s men rarely call the Crown Prince kind, they all usually agree that he is quite human. “What is this?”

“Well you’ve been putting quite the damper of me making friends in Vienna, Count. What with all the spies and such. So I had to look for other companions. I was lonely, Mein Herr.” Eduard glances at the man by the window again - he looks amused, if anything.

“Rudolf.” The man does finally speak, and his voice is more an intoxicating song than anything else. The Crown Prince hearkens immediately, his face softening and his head bowing in a way that makes Eduard suspect his demon supposition had been correct.

“Rudolf-” Eduard knows he must sound panicked, but from the music and deceptive force in the man’s voice he is more than a little hesitant to listen for long. Or to let the Crown Prince listen for long. Will the man order Rudolf to cut him up so he can feed Eduard’s eyes to his ravens and crow? The thought seems far-fetched, but everything about the entire situation is far-fetched. “I should be heading back to Vienna.”

“Heading back? But Mein Herr, you’ve only just arrived.” Rudolf is enjoying this, that much is clear. Reveling in the fact that Eduard is the one squirming. “Then again, you were so very rude, barging in like that. Run back to Vienna, Count Taaffe. And do try to find some better manners.”

Eduard flees before the man at the window can countermand the prince. He’s pinching himself the whole way back, hoping to wake up in his bed after some foul nightmare. Because this must be a nightmare of some sorts. He had no such luck. To top if all off, Wiligut is waiting for him with a report that he really doesn’t want to read and the unfortunate news that the French Ambassador is causing problems again, and that rather than just offending one other diplomat there is a veritable menagerie of ruffled diplomatic feathers that Eduard will have to smooth over. He makes a mental note to have Meissner poison the French Ambassador the next time the man parties in Vienna. The next one can’t possibly be worse than the current one and right now is the time to do it - there are at least a dozen parties with plenty of motive to do the deed.