#Mayerling 1968

[costumeloverz71]

Maria Vetsera (Catherine Deneuve) White ballgown.. Mayerling (1968).. Costume by Marcel Escoffier.

[kronprinz-rudolf]

uh context ish:

[gradexmovies]

[lunatic-fandom-space]

Its crazy that royals used to just ride around in open carriages, i feel like it wouldve been so easy to assassinate them

[verypersonalscreencaps]

CATHERINE DENEUVE through the 60's LE VICE ET LA VERTU (1963, dir. Roger Vadim) LES PARAPLUIES DE CHERBOURG (1964, dir. Jacques Demy) RÉPULSION (1965, dir. Roman Polanski) LES DEMOISELLES DE ROCHEFORT (1967, dir. Jacques Demy) BELLE DE JOUR (1967, dir. Luis Buñuel) MAYERLING (1968, dir. Terence Young) LA SIRÈNE DU MISSISSIPI (1969, dir. François Truffaut) HAPPY BIRTHDAY TO THE LEGENDARY QUEEN  👑 October 22 1943

[labyrinthofstreams]

Catherine Deneuve on the set of Mayerling (1968).

Photographed by Terry O'Neill.

[silver-screen-divas]

Ava Lavinia Gardner (December 24, 1922 – January 25, 1990) was an American actress. She first signed a contract with Metro-Goldwyn-Mayer in 1941 and appeared mainly in small roles until she drew critics' attention in 1946 with her performance in Robert Siodmak's film noir The Killers. She was nominated for an Academy Award for Best Actress for her performance in John Ford's Mogambo (1953), and for best actress for both a Golden Globe Award and BAFTA Award for her performance in John Huston's The Night of the Iguana (1964). She was a part of the Golden Age of Hollywood.

During the 1950s, Gardner established herself as a leading lady and one of the era's top stars with films like Show Boat, Pandora and the Flying Dutchman (both 1951), The Snows of Kilimanjaro (1952), The Barefoot Contessa (1954), Bhowani Junction (1956) and On the Beach (1959). She continued her film career for three more decades, appearing in the films 55 Days at Peking (1963), Seven Days in May (1964), The Bible: In the Beginning... (1966), Mayerling (1968), The Life and Times of Judge Roy Bean (1972), Earthquake (1974) and The Cassandra Crossing (1976). And in 1985, she had the major recurring role of Ruth Galveston on the primetime soap opera Knots Landing. She continued to act regularly until 1986, four years before her death in 1990, at the age of 67.

In 1999, the American Film Institute ranked Gardner No. 25 on its greatest female screen legends list.

[paristexaz]

Omar Sharif Catherine Deneuve Ava Gardner and James Mason in

MAYERLING (1968) directed by Terence Young

[gatabella]

Catherine Deneuve on the set of Mayerling, France, 1968

[citizenscreen]

Ava Gardner as Empress Elizabeth of Austria in Terence Young’s MAYERLING (1968)

[yuzukahibiscus]

のせ様’s (No-se-sama) Documented Events (January 2023)

(Note: This was taken from “Eto-Bun” (えと文) section in January Kageki 2023. Eto-Bun is a section written by a particular sienne in each troupe to share some little stories about them or about their troupe every three months. In this cycle of January-March, Ichinose Kouki is the one writing for Flower Troupe. And I thought, why not drabble and translate a little to see what Hanako* has for us!) *Hanako is her nickname as mentioned in OTOME, a biography of all siennes in Takarazuka.

A little introduction to Ichinose Kouki for those who are unfamiliar with her.

Ichinose Kouki・一之瀬航季

Entered the Revue in 2014 as the 100th class. Her favourite roles include Oswald Vickers for "A Fairy Tale” newcomers’ performance. She was originally going to have a newcomers’ performance lead for “Haikara-san: Here Comes Miss Modern” in 2020 but it was cancelled due to the pandemic. Nevertheless, she went on Yuzuka Rei’s “Lock-On” Episode as a guest to talk about what she learnt from Rei, being Rei’s first “shinko kid” since she became Top Star. Later on in 2022, she starred in the Bow Workshop “Junjou” (or Complete Devotion) alongside with Mihane Ai as her partner. She also previously joined Minami Maito in her CAST side-A and was one of the members of Flor5. She will be performing with Minami Maito in her “One and Only” dinner show, also the final performance for Minami Maito as a Flower Troupe member before transferring to Senka.

Hey everyone! Have you being doing well?

I am Ichinose Kouki who’s here on “Eto-Bun” for the first time! “のせ様’s Documented Events” will be the title of this time’s “Eto-Bun” corner. The parent for titling the name is my douki Honoka (Seino) ✨

Readers like you may think, “Eh!? Isn’t Ichinose’s nickname Hanako”...!

Actually, underclassmen do call me “のせ様”~. Hahaha. In Flower Troupe, we call (OG Marika Yume-san) as “Yume-sama”, (Kazumi-san) as “Shii-sama” and others by adding “-sama” to their nickname... how cool is that✨ I also want to live up cool like that! So when given this opportunity of writing for “Eto-Bun”, I have the strategy to induce the underclassmen to start calling me “のせ様” lol.

In these 3 months, I’ll be updating everyone a lot about the charms and updates of our Flower Troupe friends.

Please look forward ☘️

🌻 Intimidating “KAGEKI”

So now, now. Let’s commemorate this as my first entry!

As I start writing, I researched more about “Eto-Bun”... “Eto-Bun” has been a general corner in “Kageki” from the time of! Showa Year 43 (1968).

“What...half a century ago!?” I was surprised.

For reference, once again I opened up the “KAGEKI”s I have at my home again and when I opened the portrait photo, the thing I immediately saw was...

“Yuzuka-san is so cool! The best!”

“This angle is nice✨“

“Hey! My douki looks great too😍”

And it was so fun reading it that this time I didn’t quite want to turn the next page yet. There’s the roundtable discussion, backstage notes. Sometimes I realised there would be new corners and I familiarised myself in reading several of these (“KAGEKI”) books. And very quickly, time passed. Lol.

Has everyone had such experience before!?

I’d say this is why the charm of “KAGEKI” is intimidating.

🌻 Flower Troupe University・Starts School!

As we’re embracing the New Year in the Grand Theatre, now Flower Troupe’s in the middle of rehearsals, but actually from the start, we were arranged with quite an irregular rehearsal pattern.

To trace back the events, this happened in the next day after meeting day (*shuugobi; the day when rehearsals of performances start). As we entered the rehearsal classroom, it was like entering a school. In front of the large white board, there were long desks and long chairs aside each other. Sensei was in her seat and holding a mic, all was readily prepared...How would this start!? We thought as we stay seated. Then Koyanagi-sensei (*director of “Mayerling”) said this.

"Everyone, have you learned the way of speaking Japanese?😁”

For me, I had Japanese lessons, but was not taught specifically the way of speaking it. Then Koyanagi-sensei continued to say, “even for English, when you are admitted into the overseas drama schools, the first thing is to directly learn about the way of speaking for your mother tongue”.

Oh...! So on that day Koyanagi-sensei prepared for us Flower Troupe members a special “Acting Enhancement Lesson Club”✨! What kind of theatrical troupe is Takarazuka like? What does an actress do? She asked us many of these foundational questions...and then started picking siennes to answer🤣 lol.  Then when it comes to the situational acting class, Aoki Tsukasa was given the role of a rock singer character and Hoshikaze had to play her fan and it was a lot of fun. From the Top-san to the most junior underclassmen we’re all given an opportunity to play this, so it was exciting from start to finish...!

When we Flower Troupe members were having these lessons, it really felt like a framed memory of our school life. In a day of these lessons, (we’d be asked) “What is Takarazuka? What is a musical? What is language/words?” and once again we learnt a lot through this process. It was really interesting knowing all of such things...!!

Koyanagi-sensei said, “Everything is about conveying the “language/words”. That’s why it shouldn’t get too convoluted, but it should be enunciated word by word,” and that’s how Flower Troupe University came to an end☘️

🌻 The healing god appears!

During a weekend in the rehearsal period...

Suddenly, the healing god appeared!!

That week was a challenging time for the underclassmen, having to rehearse for both the musical and the choreography for the show (*Enchantement). Our heads felt like being in a state of sea urchin (*maybe meaning full of spikes, frustrated and headaches...) As I returned home for the week, feeling accomplished like “I’ve done it!”, several people seemed to have discover something...

As I saw the car that passed by, isn’t that Yuzuka-san’s dog Noah! Noah-kun suddenly appeared before us...✨

“Ka...Ka...Kawaii———————♡” (Cute)

Yuzuka-san held Noah-kun’s little hand and stuck its hand out of the car window and started waving it✨ Together with Yuzuka-san’s beautiful hand, we saw Noah-kun’s small hand. What-What-What an angel! As Yuzuka-san and Noah-kun waved their hands, that sent the weariness of the underclassmen away. (Besides, Ichinose is always touched by the beauty of Noah’s fluffy fur and side profile. I want to tell you...more about how touching this is) Yuzuka-san, Noah-kun, thank you for making us healed with happiness♡

I have other Yuzuka-san’s episodes I want to share, but ah~! I’m running out of pages!! Please look forward to the next entry...! This time, I’ve shared fully about the appearance of Noah-kun😁✨

Once again... Everyone, thank you for reading this first entry of my “Eto-Bun” to the end. Since we’re at the start of 2023, I’m so honoured to share with everyone my stories☘️ There’s so much I want to record document about but here I’m up at my 2 pages. From the start of the year, it would be the Flower Troupe performance. I look forward to seeing everyone in the audience.

Everyone, please be happy in 2023!

With love! From “Hanako” “(Ichi)Nose-san”.

[kronprinz-rudolf]

Eduard Taaffe portrayals in movies Mayerling (1936) Mayerling (1957) Mayerling (1968) Requiem for a Crown Prince (1974) The Crown Prince (2006)

[lunatic-fandom-space]

I swear to fucking god if this is just Mayerling (1936)/Mayerling (1957) again Im gonna. kill someone else

[annoyinglyperfectartisan]

Mayerling, 1968

[vixonimus]

i’m quite literally going to frankenstein this edit by compiling different rudolf adjacent media (the crown prince 2006, elisabeth das musical, mayerling 1968, etc) so i can make The Rudolf Edit Ever. this means i somehow have to figure out how to color correct all of these clips and also download all of these onto my computer since this edit is going to be HEFTY and i somewhat value my phone’s life. but anything for the tiger lillies’ “heroin” <33