#EVERYTHING TIES TOGETHER

[flowercrownashes]

Richard Giblett, Mycelium Rhizome, 2006-2009

[the-sketches-lair]

I can't help, but wonder...

[show-tunes]

Into The Light

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4)

[casualavocados]

Learn from who? Learn from you?

Chen Bowen as CHEN YI & Chiang Tien as AI DI KISEKI: DEAR TO ME (2023)

[heythere-mel]

The way the greys are just showin OUT. 🤍

[dirtytransmasc]

I think I need MelVik connecting when Viktor was on his sick bed. they had been amicable before, maybe a little more than that due to their connection through Jayce and her presence around Hextech and such. but they weren't entirely friends. not yet.

and she goes to see him. perhaps she feels a tinge of guilt at assuming the worst about Jayce, or her bleeding heart makes her feel responsible for keeping Jayce out of the lab when Viktor had needed him. maybe Jayce needs to step out for a moment, and she soothes his worry by promising to sit with Viktor. maybe she just wants to be closer to the man that's so painfully important to the one she loves, wants to befriend him, wants to know him, all before it's far too late.

maybe it's a little bit of each.

but she goes to see him. she sits in the chair that Jayce has nearly worn a hole through, and keeps a semi-awkward distance between them, not knowing what is too close and too far.

this man is dying. he is dying and he has accepted that. he looks like a corpse. cold emanates off of him. he is something she doesn't fully understand.

she doesn't know how to approach.

but she does.

she greets softly and speaks softly and hesitates to touch, but rests a hand over Viktor's and feels how cold he is, even as a sickly warmth brews in his bones, leeching the warmth from his skin and the energy from his body.

he seems surprised she's there. it feels out of place. like the song and dance of their dynamic has shifted, and now he needs to relearn the steps. and now this is a dance of two, not three.

she will tell Viktor, in enough detail to be understood and not enough to be awkward, where Jayce was. because it feels right to confess. it's not an apology, but the avoidance of keeping something like a secret from a dying man.

Viktor will probably just nod and say something self deprecating, because what else do you say when your body is already making a joke of itself? before assuring her that Jayce is not his keeper, that she is not to blame, but even that comes off as some twisted attempt at humor. sue him for being sardonic as he lay dying.

but unlike Jayce, who will cringe at the jokes, she will hide a smile behind her fingers, muffling a soft, if not saddened, chuckle in her palm.

Viktor's eyes will light up ever so slightly.

she'll feel awkward once more. should she have laughed? was this playing into a complex? was this right of her?

Viktor will smile weakly.

she'll feel a little less awkward.

she will realize Viktor needs someone to laugh with. that Jayce, bless his soul, cannot be that person for Viktor. his worry has brewed too long. it's too strong.

but maybe a fresh face like Mel's can be there to smile when Jayce cannot. will laugh when Jayce cannot. can make cheeky jokes and pokes and prods.

the three fit together like 3 pieces of 3 broken puzzles. they fit together, not perfectly, but they fit, and create a finished object, even if off kilter her and uneven there. but it's ok, they're making due.

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[justaz]

arthur (prince of camelot) still has to study under a tutor bc yknow uther wants him to be very intelligent before becoming king or something bc its super important idk idc anyways merlin is doing chores in his chambers while arthur is squinting at a book and merlin eventually caves and asks him what he’s reading and arthur gruffly explains that its a collection of stories from greece that make absolutely no sense so merlin asks him to read them outloud to him. arthur of course teases him and calls him an idiot and asks how he could possibly help but does as he’s asked and reads the stories to merlin as he does his chores. merlin (being crushed under the weight of destiny and tormented by the prophecies that kilgharrah spews) understands the stories almost immediately and gets all excited and starts rambling about them with arthur. arthur is glad to have someone who understands so he can give something that reflects a hint of understanding to his tutor who accepts it and moves onto the next unit of education.

the thing is, arthur finds more stories in camelot’s library and brings them up to his room to read them aloud to merlin under the guise of completing his studies but really he just wants to watch as merlin’s eyes gleam when he understands whats happening and listen to him ramble on and on about them bc he’s gay. the stories stick with merlin though and he realizes that they’re cautionary tales, that the heroes who were told too much of their future doomed themself to fulfill them - that them fighting the prophecies led to their completion. merlin takes it to heart and gives a big “fuck you” to kilgharrah before forging his own fate and helping morgana with her magic and handing out an olive branch to mordred and now everyone can live happily and peacefully in an albion teeming with magic.

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[sheepwithspecs]

i don't normally make posts about things myself but i keep thinking about how the whole point of EW was that the strength you needed didn't come from a god, or a supreme being, or a primal or anything: it all comes from you

your love for this world and your friends and everything that you allow purpose and meaning- that is what gives you the strength to climb to your feet, even when you feel utterly alone at the end of the universe

In Shb we had Ardbert who gave us the strength to take that next step, but in EW we are alone (save for Zenos i guess but this ain't about him). That's why even though I agree that "it was the ancients" is becoming an extremely stale take, I still forgive MotR and the Twelve because it's hammering in EW's theme of being enough to handle what life throws at you without needing to rely on something much larger than yourself

EW's plot- and even the Omicron quests -point to the fact that dynamis alone does nothing. It has to be moved to action by feelings/emotions for it to work. As N-7000 says, "all [dynamis] requires is for us to ask "what if?""

Zodiark did not save the Ancients. Hydaelyn cannot save Her Children. The Twelve do not answer your cries. Primals are bound to the prayers of those that summon them.

The Warrior of Light is an imperfect being. More talented than most, but imperfect yet. EW does not make you a god. It shows that change can be wrought by anyone, at any time. You need not do it alone: there are others willing to come to your aid. But when you are alone, at the end of your rope, facing insurmountable odds: the strength you need can only come from within.

[scumvillainess]

au where the entire plot of pidw gets derailed when shen qingqiu shows up with a baby and announces to the rest of the world that yue qingyuan got him pregnant.

(i think there’s a fanfic where sqq babytraps yqy but i just can’t find it for the life of me)

[graciereadshannigram]

re: sex, power, and hannigram (the bees in my head have struck again)

y'all know the quote, everything in the world is about sex, except sex – sex is about power? Will, someone who has been consistently denied agency and power in his life especially by Hannibal, and Hannibal, a man who has kept himself under such strict control around other people, despite desperately craving true connection to another person – sex would be a natural extension and exploration of these pre-existing dynamics. 

Will and Hannibal’s entire relationship is based on their emotional and intellectual connection as they play this cat and mouse game where the power dynamics are fluid and unstable! the mental arousal they provide one another is an integral part of their connection. and that’s what attracts and excites them! and you know what increased psychological arousal leads to (or at the very least, enhances)? physical arousal!! 

which brings me to my next point: we know that Will is mentally aroused by the prospect of both saving and taking lives (s/o to our boy Chilton, man was a rat, but he was right!) because doing bad things to bad people feels good. 

so when Will finally Becomes by killing the dragon with Hannibal and they start exploring how they kill together, of course bloodlust and regular old lust are going to start blurring. not because either of them are sexual sadists who get off on the act of murdering someone, but instead on the power they each hold over death, the thrill of being truly seen and accepted by the other. 

not to mention the fact that sex provides an outlet for some of their more destructive urges, as well as a way to rebuild trust and psychological safety, two things they haven’t really had much of?? which is not to say that i believe everything they’d do would be safe, sane, or consensual, but i do think they’d be providing each other with what they each authentically need to move forward with one another. 

basically, i'm trying to say Hannibal tried his own brand of therapy on Will and look where it got them. i think the next logical progression would be sex as therapy and therapy as sex.

[mitskiluvr]

watched the persona 5 proof of justice ova from years ago and was getting acid reflux with how queer everything was... what do you mean its just 20 minutes of joker mourning his boyfriend. that's the entire ova.

[gummi-ships]

Kingdom Hearts Dream Drop Distance - Symphony of Sorcery

[mike-milkyway]

Here's some thoughts I've been having about the ending of Thiller Bark as a luzosan shipper.

I just noticed how the luzo and zosan canon events in thriller bark are so close together, and its only more leverage for my luzosan delusions. I argue lusan in too because both Zoro and Sanji were fr arguing they should sacrifice in place of the other for their captain.

Though it's been talked about plenty, that whole exchange just shows their characters so well too:

> As I see it, Zoro is a man of his words, he swore to Luffy he'd never lose again in the Baratie arc, this to make both their dreams come true. Luffy is already hurt so he'll do what's in his power to protect him now and in the future. He's determined to live for Luffy.

> On the flip side, Sanji already sees a favour as a thing he doesn't deserve, so when someone "goes out of their way" to help him he repays them in a way someone who was taught to be loyal like a soldier, and to love with all he has. He's determined to die for Luffy.

They both have in common that they want to sacrifice, but it just doesn't sit right with Zoro that Sanji— even if he survives— would see Zoro allowing him to take the bullet as a confirmation of his destructive way of thinking. That's why I believe Zoro taking it made so much sense.

It just makes me ill how much Zoro and Sanji care about each other, and how committed they are to Luffy. You don't have to ship them, but by denying their bond and dumbing down the scene to "Zoro takes Luffy's pain because he's cool and Sanji was getting in the way of it." then you're just doing yourself a huge disservice.

One does not just write "You'll have to get yourselves another chef" next to the "nothing happened" scene just because 😭.