#E-agency
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marvelsgirl616 Β· 7 months ago
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[πŸ”Ž] β€” Makeup artist Candice S-B's Instagram story. [via]
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doctorsiren Β· 8 months ago
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Nature, I guess
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phonoix Β· 4 months ago
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I'm so tired, I'm so so tired.
Watching TV shows has become the most tiring thing in this dystopian, late-stage capitalistic hellscape.
It doesn't matter how much we love those shows, how much we talk about them, how much we promote it online. Big streaming services will just cancel them on a Friday night and then let them slowly fall into oblivion. If by SOME MIRACLE the show doesn't get cancelled after the first season, it'll just decline over the years, some crazy writer will cook up a poorly written plot, or they'll just lose interest in the project and then leave the fans in the trenches.
Big corporate streaming services just think that views are gonna materialize out of thin air??? They barely promote their new shows and they DEMAND high views just to let them keep going? It's THEIR JOB to promote shows, but obviously they couldn't care less, they only care about money, and they leave the promoting job to the fans which is batshit insane if you ask me.
Streaming services were supposed to be the solution, the chosen one if you will, but they turned out to be the villains.
Owning a movie or a show is now absolutely impossible because God forbid they release DVDs anymore. Streaming services will just randomly DELETE their cancelled shows and movies from their platforms. Fans are now supposed to be PR teams for Netflix, HBO, Prime and whatever other stupid streaming apps out there because they couldn't be bothered to,,, idk,,, do their job and promote their own shows!? They're literally acting like villains.
It feels dystopic really.
I know I probably sound like a person yelling at a cloud but it's starting to become exhausting.
And I know that there are far worse things out there, that there are more important matters to focus on, but I'm so tired.
They're killing art. There are so many people out there that put all their love and all their passion and skills into creating amazing shows that SO MANY other people love and they feel represented by, but they don't care.
This is literally my last straw.
They're killing art with their greed.
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tumblerislovetumblerislife Β· 2 months ago
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that awkward moment when your manager becomes white boy of the month
(inspired by @e-payne's stunning singer/manager payneland au!! the tweets and the spongebob meme are taken from these amazing edits <3)
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charswithbatsmybeloved Β· 6 months ago
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Hi can you imagine
Charles in season 2 (yes it's not going to happen but bear with me) is approached and offered heaven. Straight up. No uncertainty of "you might be given a tranquil eternity", no what-ifs about it. He's told "you are going to heaven if you move on. You will find eternal happiness." And he freaks out. He says "I'm going to heaven?" Because he can't imagine, with all of his anger in him, that he'd ever deserve that. Life hasn't ever been fair to him. It keeps taking everything he loves. Even his afterlife isn't fair to him.
But there it is. A guarantee. He was a good person. Now he can go to heaven. Despite everything he's done, he's earned eternal freedom. And there's Edwin, a foot away, maybe less. And he says, "Charles, you're going. I won't let you stay behind." And Charles can only stare. "What do you mean?" "I won't let you give this up for me, Charles. Heaven is waiting for you. Please, take it."
And Charles hesitates. Because he's never wanted an afterlife without Edwin in it. He can't imagine it. But it's so easy to be convicted when you can't see the other option. For Charles, he's always had a 'what-if'. He's never known what moving on really means for him.
Heaven vs earth should be an easy decision. And it is. Charles always knew what he was going to pick. He picks Edwin every time. "Charles, why do you keep giving things up for me? Please. Why wouldn't you go? How could you do something like this?"
"Because there's no heaven without you in it. Because I won't go anywhere you can't. Mate, it's not even a contest." Nothing else matters to Charles but Edwin. And he'll still choose Edwin every time. Over and over again. Because loving each other means choosing each other over and over and over again and Charles is built to love him, more than anything else in the world.
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gwenie-clorrisan Β· 1 month ago
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Thinking about Sonic the Hedgehog 3 (again) and I have a thought.
They need to make another spin-off series. Not on Knuckles, or on another main character... no. They need to make it on...
The Chaotix.
Have them pull a Lion King 1/2; have them save the world in some by total accident and no one cares/no one notices. Make them go on wild, crazy, stupid adventures. Have fun with it. Don't put them in the movies, but give them cameos. HAVE. FUN. WITH. IT. It's Chaotix for pete's sake. Just let them EXIST.
(It would also be fun to see a Shadow spin-off series after 3, with him have an edgy Shadow the Hedgehog 2000's moment in finding himself and what-not. This could give an opportunity to introduce Rouge and even Omega, instead of cramming their introductions into a movie already packed with new characters. And also, Black Doom. Yep.)
Thank you for coming to my tedtalk. Goodnight.
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lutheban Β· 3 months ago
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Im bored so i drew my favorite gays as my favorite gays of all time
Also read Hare and Bunny!!
Original below:
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electric-friend Β· 9 months ago
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wait hang on 😭😭 are people seriously debating β€œhe’s a complicated man” right now??
i agree that izzy’s an unreliable narrator, and i think that some of the things he’s said about ed aren’t necessarily true, much as many other things he’s said are also not necessarily true. he’s not really aware of the full picture the whole time, poor duck, as much as i adore him.
but like… besides the fact it really doesn’t have anything to do with wether or not you think izzy’s doing complex evil shit to ed on purpose, and people seem to be making it about that…
ed is VERY MUCH a complicated man. as someone who relates to ed probably more than stede or izzy… he’s absolutely a complicated man. ed can be violent, and suicidal, and he clearly experiences some form of emotional dysregulation, and he’s done things to people that weren’t justified. the crew was traumatised by ed’s behaviour and how much violence he placed them in a position to commit.
the way ed responds to rejection is so violent and out of proportion, his consecutive raids, his suicidal antagonism towards the crew… and for me and my personal issues, that’s extremely relatable… but it is NOT mentally well behaviour.
ed also exhibits patterns of disordered alcohol use, and his anger often causes him to lash out (yes, often at izzy who pushes his buttons, and yes, izzy’s behaviour is a factor in this. but it’s also worth noting ed has agency as a character and his violence is still violence, provoked or not) and one of his most integral traumas is how an act of violence saved him from the violent alcoholic who was his father.
there’s nothing about ed that’s not a complicated man. he’s done bad things that weren’t justified. that doesn’t make him a bad man. it makes him a complicated one. it’s very clear he knows how to be a better person. and that he can be. that the show left out a lot of that journey is really disappointing, but ed feels like he’s a monster and he does bad things to become the villain he thinks he deserves to be treated as, you know?
he is SUCH a complicated man. that doesn’t mean he’s irredeemable or bad, it doesn’t mean there’s a moral obligation to dislike him either. none of that’s the case. but izzy got it right when he called ed complicated. i think in some ways izzy had finally realised that he wasn’t always going to understand ed because ed wasn’t always going to think the way he did, but he was coming to accept that he didn’t need ed to be someone he could understand as long as ed was happy? does that make sense? i know that’s a sappy outlook on a canonically toxic relationship but i just cannot believe that there’s a genuinely widely accepted take going around which boils down to people thinking it’s wrong to call ed a complicated man. like, huh???? girl….
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kunikiiida-kuuun Β· 5 months ago
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Personal vent time
This is a purely personal complaint but I think one of the major reasons why I'm so disappointed with how things are currently going in the manga is how they kept teasing us with this "once the agency is together there isn't anything we can't do" thing and ultimately divided them again AND killed off Kunikida. They took the idea away before we even got anything 😭😭
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They even had Atsushi say this in one chapter ago which got my hopes high and now obviously it's not gonna happen with how easily Amenogozen can slurp people up. I know eventually it's gonna be a SSKK battle in the end but heck, I'd take any crumbs they would offer but give us something?? I just wanna see some ADA action, is that too much to ask for?? 😭😭
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semioticapocalypse Β· 8 months ago
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Agence Dalmas. Nikita Chruschtschow. Paris. May, 1960
I Am Collective MemoriesΒ Β Β β€’Β Β Β  Follow me, β€” says Visual Ratatosk
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blushingguy Β· 16 days ago
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Torano Tantei Jimusho e Youkoso by Kuroi Yodaka
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eastward-detectives Β· 7 months ago
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Hello Hello, I have a question.
Who’s most likely to accidentally lose a game of Clue because they revealed their role?
Hattori. He can't keep a secret for the life of him. Trust me on this, he'd blurt out his role accidentally while arguing with Kazuha over some minute detail and then fume the rest of the game as he tries to make somebody else trip up instead.
-Conan
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autisticat23 Β· 1 month ago
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Who else agrees that more sonic side characters need their own games?
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ghosts-in-season Β· 8 months ago
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hey, asking around has anyone watched the dead boy detectives on netflix?
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inspochest Β· 8 months ago
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damn do i also love doom patrol charles and edwin like SEBASTIAN CROFT!!!!! and TY TENNANT is so sickly and victorian its perfect, it is so so good i kinda wanna see the parallel universes meeting.
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x-heesy Β· 1 year ago
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πšƒπš‘πš˜πš–πšŠπšœ π™·ΓΆπš™πš”πšŽπš›, π™΄πš—πšπš•πš’πšœπš‘: πšƒπš‘πš˜πš–πšŠπšœ π™·πš˜πšŽπš™πš”πšŽπš›, (πš‹πš˜πš›πš— π™Ήπšžπš—πšŽ 10, 1936 πš’πš— π™Όπšžπš—πš’πšŒπš‘) πš’πšœ 𝚊 π™ΆπšŽπš›πš–πšŠπš— πš™πš‘πš˜πšπš˜πšπš›πšŠπš™πš‘πšŽπš› πšŠπš—πš πšπš˜πšŒπšžπš–πšŽπš—πšπšŠπš›πš’ πšπš’πš•πš– πšπš’πš›πšŽπšŒπšπš˜πš›; πš‘πšŽ πš‘πšŠπšœ πš•πš’πšŸπšŽπš πš’πš— π™½πšŽπš  πšˆπš˜πš›πš” π™²πš’πšπš’ πšœπš’πš—πšŒπšŽ 1976. π™·ΓΆπš™πš”πšŽπš› πš‹πšŽπšŒπšŠπš–πšŽ 𝚊 πšπšžπš•πš• πš–πšŽπš–πš‹πšŽπš› 𝚘𝚏 πšπš‘πšŽ π™ΌπšŠπšπš—πšžπš– π™Ώπš‘πš˜πšπš˜πšœ πšŠπšπšŽπš—πšŒπš’ πš’πš— 1989 πšŠπš—πš 𝚠𝚊𝚜 πš’πšπšœ πš™πš›πšŽπšœπš’πšπšŽπš—πš πšπš›πš˜πš– 2003 𝚝𝚘 2007.
A reculons by Flavien Berger, Rebeka Warrior 🎧
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