#Duerer

[digitaltinnitus]

Avantgarde im Mittelalter

[gallade-x-treme]

AYO????? WHAT WAS THAT LOOK FOR????? 😳

[jakuri]

Early development images for Atelier Yumia: The Alchemist of Memories & the Envisioned Land.

[art-and-design-black-and-white]

Albrecht Dürer, Study of Lilies, 1526

[aestheticallypleasinganimeboys]

Viktor von Duerer - Atelier Yumia: The Alchemist of Memories & the Envisioned Land

[cordans]

[renmantsofashootingstar]

Rutger is the type that bullies his crush, and them Isla don't back out and just continue arging.

They are perfect for each other ;_;

[shy-girl04]

Albrecht Durer - Duerers Paradiesschlange 1507

Eve to the Serpent

Stretched on tiptoes, knowing

your eyes are flickering over me –

at my sex especially – look

how I twist the stalk

and snap – pluck it carefully,

because it is precious,

unblemished, and wrong.

I’ve never been more curious

than this. I think about the skin,

how my teeth will rip into it,

about the flesh, how clean

and white it will be, how luscious.

You told me, didn’t you? –

it will be the most delicious thing

I’ve ever put in my mouth,

its juice a drizzle of nectar.

It will do me so much good.

I might just stand here with it

in my hand, while you writhe

and sweat in your ornamental skin,

your tongue quivering. This could be

the longest afternoon of our lives.

Catherine Smith

[artsof]

A Hare in the Forest | Hans Hoffmann | 1585 | Getty Center

"Nibbling on a leaf pulled from a stalk of Lady's Mantle, an alert hare sits at the edge of a pine forest. Unlike the darkness one would expect to find in a forest, Hans Hoffmann painted a theatrically illuminated scene. Each plant and insect - snail, cricket, beetle - is seen in vivid detail. The finely wrought leaves of the thistle, the sprawling fronds of a plantain, and the bright blue flowers of the Hare Bell attest to Hoffmann's meticulous treatment of the subject. In fact, none of these plants could have coexisted in the natural world. Hoffmann imaginatively combined numerous individual nature studies in a single painting.

Hoffmann's golden-brown hare is based on Albrecht Dürer's famous and influential watercolor which, much like his Stag Beetle, shows a hare against a plain ground. Hoffmann had seen Dürer's hare while in Nuremburg. Later, when he went to work in the court of Emperor Rudolf II, he helped the Emperor acquire the watercolor for his Kunstkammer. Hoffmann's hare differs from Dürer's, however, appearing amid a striking arrangement of elegant plants and insects. At the time it was painted, this arrangement of nearly life-size subjects was entirely unique, not only within Hoffmann's body of work, but also within the tradition of German nature study."

[klingb3rg]

Albrecht Dürer, Selbstbildnis im Pelzrock (1500)

[normally0]

“Geometry Unveiled: Albrecht Dürer’s Timeless Legacy at the International Bau Ausstellung”

Albrecht Dürer, a visionary artist of the Renaissance, delved into the intricacies of the human body, using it as a measure of his era. Beyond his renowned allegorical masterpieces, Dürer’s exploration extended into the realm of geometry, weaving a tapestry where art and mathematics converged seamlessly.

Fast forward to the 1980s in Berlin, where Dürer’s legacy found a contemporary resonance as a symbolic cornerstone for the International Bau Ausstellung. His work, a testament to the timeless intersection of art and precision, became a beacon for the exhibition, embodying the enduring connection between artistic expression and architectural form.

Dürer’s impact transcends centuries, with his exploration of the human form echoing through time and influencing diverse disciplines. As we reflect on this convergence of art and geometry, we recognize the enduring power of creative exploration to transcend its origins and inspire generations across different epochs.

[7i74]

Melancholy - the print mentioned by Liszt, having it on his wall, is the same one that inspired the character of Beatrice and her role as Andrea's melancholia in the game Pentiment.

@litteranonerubescit

And as in every Liszt biography, there comes a point in Lina Ramann's diary when you have a lot of questions and feelings. Like here: Franz shows Lina his collection of paintings from the Altenburg and from then on everything reads very heartbreaking. 🫥 This was in 1884. And it will really hurt to read the rest because I already what will happen, but not so personally written (although Schmalhausen's report is very hard to read as well). The late Weimar period up to his death is often very difficult to bear, it makes me incredibly sad, this dissonance between his youth and his old age days. @franzliszt-official

In the meantime, Pickel had put up a third picture: Liszt's Portrait- Rahl painted in 1853. It shows him in full manly vigour - still true to his features - a picture of genius, strength and calm masculinity.

Liszt stood beside me - then he caught my hand from the side and squeezed it so fiercely that I suppressed a scream - his was damp, cold as ice. I looked up, a deathly pallor lay on his powerful features, his eyes deep in their sockets, a terribly sublime image of pain - with a pressed voice he whispered to me: "This is a grave for me -" I held his hand tightly and looked him in the eye, his frozen gaze dissolving into resignation. I knew it took him the greatest effort to show me these paintings and all that, these witnesses to the great life and spiritual struggle at the Altenburg.

The other paintings were no longer of interest to me and we left, him always leaning on my arm. When we reached the bottom, I asked the to enter the parterre. I wanted to see the hourglass, which was also in Liszt's room at the Altenburg and which I know is connected with the fugue of the "ldeals". "There it is," he pointed to it - "above it hung an engraving by Dürer, 'Melancholy' - I had no other pictures on the walls. "

Then I experienced the most extraordinary thing. The Benedictus is moving in its sounds of blessing, it literally drew me to my knees - unconsciously I took the Master's hand, who looked at me questioningly and bent his ear to me. "That I might sink to my knees!" A smile crossed his face, as it sometimes does when flattery is said to him, and he nobly, I might say, took pity on it. An anger arose in me and I whispered to him: "Don't laugh!" Suddenly, his expression changed. Our hands clasped tighter, we stretched out as if to fight, our eyes locked. His eyes receded into his cave for a moment, then a wet gleam came over them: "I'm not laughing!" - his lips quivered. It all lasted only seconds - I felt he was as shaken as I was. I was overcome by a marvellously holy peace. We sat like that, hands clasped together, until the end of the Agnus Dei.....

[gallade-x-treme]

"me and the besties! (read: probation officers)"

[jakuri]

Stylish battle illustration of Isla von Duerer. Illustration by: Benitama

[satoshi-mochida]

Atelier Yumia: The Alchemist of Memories & the Envisioned Land launches March 21, 2025 - Gematsu

Atelier Yumia: The Alchemist of Memories & the Envisioned Land will launch for PlayStation 5, Xbox Series, PlayStation 4, Xbox One, Switch, and PC via Steam on March 21, 2025 worldwide, publisher Koei Tecmo and developer Gust announced.

In Japan, the PlayStation 5, Xbox Series, and PC versions will cost 9,680 yen, while the PlayStation 4, Xbox One, and Switch versions will cost 8,580 yen. The Xbox Series, Xbox One, and PC versions are digital-only. The “Premium Box” special edition will cost 13,500 yen for PlayStation 5 and PC, and 12,400 yen for PlayStation 4 and Switch. The “Special Collection Box” will cost 23,700 yen for PlayStation 5 and PC, and 22,600 yen for PlayStation 4 and Switch.

Get the first details below.

■ About

In a world where alchemy has become taboo and is considered evil, Atelier Yumia: The Alchemist of Memories & the Envisioned Land follows the adventures of Yumia Liessfeldt and her companions as they seek to uncover the truth behind the fall of the Aladissian Empire—which once thrived with alchemy—and the memories of its lost history. Yumia’s quest will take her across a ruined continent, and despite the uncertainties of confronting her past, she will need to create her own path if she hopes to unravel the mysteries behind the cataclysm that destroyed Aladiss. Atelier Yumia: The Alchemist of Memories & the Envisioned Land takes players on a journey exploring the theme of memory. Playing as Yumia Liessfeldt, a young alchemist who lost her mother in an accident when she was young, players set out to uncover the forbidden art of alchemy while also learning the true intentions of Yumia’s mother who hid her identity as an alchemist. Along the way, Yumia joins the Aladiss Research Team where she meets Vikto von Duerer and his younger sister, Isla von Duerer. There, they are also joined by an assorted cast of characters including a mysterious woman, a timid demi-human, and a former adventurer with spectacular experiences. Together, Yumia and her companions will travel across the vast continent that was once the Aladissian Empire, where all civilization has perished. Players will have a wide range of actions and items at their disposal throughout the adventure, allowing them to explore a vast open world made up of different biomes as they make their way through these unknown lands gathering materials that can be used to synthesize and craft new items for use in their quest—both during exploration and combat. Not only will fans be able to craft items without having to return to their base thanks to the “Simple Synthesis” feature, but for the first time in the series, fans will be also able to build, furnish, and decorate their own base with the all-new “Building” feature! To help make Atelier Yumia: The Alchemist of Memories & the Envisioned Land come alive, Koei Tecmo and developer Gust have teamed up with the brilliant artist Benitama to create the main visual and all of the character designs. Specializing in creating illustrations and character designs for various fantasy game titles, Benitama incorporates references to paintings and reliefs in his work while striving to balance both persuasive depth and cuteness. His design, characterized by a monochrome based style, give a cool impression while bringing out the charm of the Atelier series.

■ Story

Weaving memories and tracing emotions. For the truth that lies ahead. The Aladissian Empire. It once thrived on a certain continent, having achieved remarkable development through alchemy that kept other nations at bay. However, it met its end due to a sudden and mysterious cataclysm. Time progressed, and several centuries later—. Alchemy became known as a “dangerous art that brings destruction,” and considered “evil” and “taboo” in this new era. In this now forbidden and perilous land, a lone alchemist sets foot. Her name is Yumia Liessfeldt. After losing her mother in an accident three years ago, Yumia discovered that she was from a family of alchemists and began to question many things. Why did Aladiss fall? Why did alchemy become “taboo”?… Is alchemy truly “evil”? Believing that all truths lie within the continent, Yumia embarks on a journey to uncover its lost history.

■ Characters

Yumia Liessfeldt (voiced by Wakana Kuramochi)

“I want to push forward. Push forward because I beleive every memory is part of alchemy.”

On a journey to trace memories and uncover lost truths. Due to an accident in her childhood, she lost her mother and learned that she was an alchemist. To uncover the truth behind her mother’s intentions and the forbidden art of alchemy, she joins the Aladiss Research Team. She cherishes her mother’s words: “Learn how to judge what is right by yourself.

Viktor von Duerer (voiced by Makoto Furukawa)

“I won’t waver either. I decided that the moment I saw the chief rush in that day, and I’m sticking to it.”

With his iron stake, he upholds justice. A member of the Aladiss Research Team, he joined the investigation as Yumia’s supervisor. He comes from the influential Duerer family and is also a member of the Order of Eustella. Although he has a strong sense of justice and an honest personality, he can be inflexible. Three years ago, his family fell into ruin due to a massive mana disaster in his family’s domain.

Isla von Duerer (voiced by Kaori Maeda)

“I’ve had enough with losing friends.”

Uncompromising feelings for both fashion and revenge. A member of the Aladiss Research Team and Viktor’s younger sister. She is bright, with high energy and communication skills, and is stylish at heart, never forgetting to be fashionable even during investigations. Her thoughtful nature helps her support her brother with things he can’t handle.

Nina Friede (voiced by Mikako Komatsu)

“Hehe, hehehe… Well then, don’t mind if I do…”

Unquestionable skill and a unique sense. A member of the Aladiss Research Team with a mysterious aura. She always seems to be relaxed, but sometimes it’s unclear what she’s thinking. She has mercenary experience and possesses the skill to conduct investigations alone.

Lenja (voiced by Yoshino Aoyama)

“I wanted to prove myself. I wanted to show that I can be useful.”

The greatest enemy is her own timid self. The only Welleks demihuman in the investigation team. She possesses high physical abilities and mana aptitude. However, she is timid with low self-confidence and frequently apologizes for everything. Welleks live in Aladiss in large numbers, having contributed to its development by producing many alchemists.

Rutger Arendt (voiced by Jun Fukuyama)

“It’s easier for me to act on my own. I’m gettin�� plenty results, so what’s the problem?”

An adventurer who laughs at adversity and forges his own path. A member of the Aladiss Research Team and a seasoned adventurer who loves valuable items. An orphan with no family, he survived by taking on shady jobs in the slums. Having experienced intense hardships, he is not bound to others but lives according to his own aesthetics.

■ World

Embark on a dramatic adventure across a vast land of endless fun and scenery.

■ System

Collect, combat, create—the journey with your companions will be filled with various “experiences.”

Synthesis: Create Items Interwoven with “Mana“

Manipulate the “mana” residing in materials to create new items based on recipes. The items you craft will exhibit powerful effects in various situations, such as exploration and combat. The strength of an item’s power depends on the materials used in synthesis, so select your materials carefully while assessing the power of the embedded mana.

Battle: A Captivating Variety of Actions with “Range” and “Items”

In real-time combat, you’ll be tested on your ability to make split-second decisions. Utilize two types of attack ranges (“range”) and switch between skills to fight strategically. Additionally, synthesized items can transform into shapes such as swords or spears, which can be used to attack. Since these items are reusable, don’t hesitate to deploy them and drive away enemies that stand in your way.

Watch the trailer and 10 minutes of gameplay below. View a new set of screenshots at the gallery.

First Trailer

English

Japanese

Gameplay First Look

English

Atelier Yumia: The Alchemist of Memories & the Envisioned Land Announcement Special Program

[cordans]