#Doug Jones very good
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I was in a mood to draw Billy Butcherson from Hocus Pocus (1993)
He has an eye patch because I didn't feel like drawing the second eye I think it suits him.
#hocus pocus#billy butcherson#hocus pocus billy#hocus pocus fanart#im brave enough to admit that he was a childhood crush for me#Doug Jones very good
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Caligari's been on the brain lately, and since I keep seeing talks about remakes and theoretical recasting--I'm kind of curious to see if anybody on Tumblr has any ideas. For fun, here's some actors who I think could make for an interesting Cesare;
Tom Sturridge (Able to convey sad wet and pathetic with a dash of menace perfectly)
Dev Patel (Imo he conveys a level of kindness I think he could imbue into the role. Idk I'm just curious to see his take on it)
Lee Joon Gi (Could match the physicality needed. Could ALSO emotionally stomp my heart into the dirt at the tragedy of it all.)
Doug Jones (he NEEDS a second chance!!)
And it doesn't even have to be just casting--I'm very curious to see how people on here would approach the aesthetics or the story with a new lens!
#Eva Green is also very Cesare coded. Plays sad wet and pathetic very well!#Could also maybe be a decent Jane for a more traditional casting#timothee chalamet would make for a good Alan#Meanwhile I saw somebody cast Bill Skarsgard as Francis and Werner Herzog as Caligari and like. I'm v. Intrigued#And of course yeah remakes bad and I'd never want to see a traditional remake done but this is a fun thought exercise#Robert Weine wanted Jean Cocteau as Cesare in a Surrealist sound remake so I'm going to dump my ideas out as well#The cabinet of doctor caligari#Cesare#Dev Patel#Tom Sturridge#Lee Joon Gi#Doug Jones#the cabinet of dr. caligari
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Celebrate 50 Years of Star Trek Animation with the Launch of Star Trek: very Short Treks
The first of five 'very Short Treks' to debut on Star Trek Day 2023 along with the first chapter of a new comic book!
Star Trek continues its salute to the 50th anniversary of Star Trek: The Animated Series with the launch of Star Trek: very Short Treks, five all-new animated promotional shorts, and the new comic book, Star Trek: The Animated Celebration Presents The Scheimer Barrier, both debuting on Friday, September 8 as part of the annual Star Trek Day global celebration.
Previously announced Star Trek Day programming and events can be found at StarTrek.com/Day.
CBS Studios is launching Star Trek: very Short Treks, a series of all-new animated promotional spots in the style of Star Trek: The Animated Series.
The very Short Treks will feature previously announced fan-favorite characters voiced by cast members from across the Star Trek universe, including icons Jonathan Frakes as Will Riker, Doug Jones as Saru and Armin Shimerman as Quark, and a new line-up of exciting voices, including Ethan Peck as Spock, Gates McFadden as Dr. Beverly Crusher, Celia Rose Gooding as Uhura, Connor Trinneer as Trip Tucker, Bruce Horak as Hemmer, Noël Wells as Tendi and the legendary George Takei as Sulu.
Star Trek: very Short Treks comes from creative consultant Casper Kelly, best known for the viral smash hit Too Many Cooks and his work on Star Trek: Short Treks and Adult Swim. The first animated spot will launch on Star Trek Day, September 8, exclusively on StarTrek.com and the official Star Trek YouTube channel, with four additional animated spots rolling out weekly on Wednesdays through October 4 at 10:00 am PT / 1:00 pm ET. Titles and release schedule include:
September 8 – “Skin a Cat”
September 13 – “Holiday Party”
September 20 – “Worst Contact”
September 27 – “Holograms, All the Way Down”
October 4 – “Walk, Don’t Run”
Casper Kelly will also release a new comic book with IDW Publishing, Star Trek: The Animated Celebration Presents The Scheimer Barrier. The first chapter of the comic will debut digitally on September 8 on StarTrek.com with physical copies available at New York Comic Con in October.
Additional chapters of the comic will drop weekly on Wednesdays on StarTrek.com at 10:00 am PT / 1:00 pm ET.
youtube
#Star Trek: The Animated Series#Star Trek#Star Trek: Short Treks#Star Trek: very Short Treks#Casper Kelly#Lou Scheimer#Filmation#Jonathan Frakes#Gates McFadden#George Takei#Celia Rose Gooding#Ethan Peck#Connor Trinneer#Doug Jones#Armin Shimerman#Youtube
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Out of Office
Natasha Romanoff x fem!reader
Summary: R gets a special surprise to her office
The Loud House Universe (this is not an au of the au. This is real life =))
W/c:3.8k
Play this when you read it https://open.spotify.com/track/4isk4UYRcmslphcTq61xUg?si=1vKGqQ_uQ2-Go9CEdnRq_g
Warnings: 18+ Minors DNI
One of the perks of being the Assistant District Attorney of New York City is having your own corner office. The large windows offer a stunning looking of the bustling skyline of New York City. Of course the perks go beyond just the offices. There’s the satisfaction of tackling high-profile cases, the thrill of courtroom victories, and the respect that comes with the title. Today, you’re enjoying one of those benefits that’s seeming to be more like a con.
This meeting was boring to say the least. The topic had been on a rise of criminal activity in the area and how to prevent it. Normally, you would have been all ears. However, this meeting was anything but normal. It was the first meeting after the holidays and your coworkers were still in the post-Christmas mood.
The usual professional atmosphere was gone.
You sit in a chair across from the head of the long table, listening as best you can to the discussion.
"How about we continue this tomorrow?" Alex Cabot, your DA and overhead suggested. "Y/n? Any objection to that?"
You look up in surprise, wondering if you had missed something.
"No, not at all."
Alex smiles at you and then at the other two women.
"I think that's a good idea." You agree. "I'll get back to you with my thoughts on the Coleman case."
The three other women begin packing up their bags and heading out.
"Thanks for the meeting." You say as you get up and gather your things. "It was very informative."
Alex chuckles, clearly seeing right through your fib. "You used to be a much better liar than that."
"I'm just trying to be polite." You smile. "After all, we are in a room full of lawyers."
Alex laughs. "That we are. I'll see you tomorrow then?"
"Tomorrow."
You leave the room, feeling like you could breathe again. You head to your office and stop by your assistant's desk in order to check mail and messages. The meeting was supposed to be thirty minutes and lasted more than an hour. You were more than tired. You were ready for the day to be over.
"Hey Y/n, a message came in for you earlier." Your assistant, Haley says. "You still need to review the police report for Jones and Jones. Also, an interview with Cass Daniels."
You sigh and look down at the file you're holding.
"Great, I'm swamped. Is the file with the Jones's case available?"
Haley nods and hands you a brown folder.
"Anything else I can help with?"
You shake your head and smile. "Unfortunately, not this time around."
"Hey, y/l/n, “ Your colleague Doug Stone greets. He does a little jog over to the desk.
"Hi, Doug, " You return. "Just the man I was looking for."
He looks confused. "Really?"
You hand him the file. "I just spoke with Alex. She says she wants you to handle the Jones case."
"But what about the-"
"I already reviewed it and made notes." You interrupt. "Just make sure to check out the new witnesses and that'll be it."
"Okay, so no problem." Doug nods, looking unsure. "Anything else I can do?"
You smile and shake your head. "Actually," You smirk. Just to get under his skin.
"Oh no," Doug shakes his head.
"I need you to get me a copy of the police report." You finish.
"You have one."
You shrug. "I think it would be a good idea to double check."
Doug rolls his eyes. "You know I came over here to see if you could ask the misses to go ahead and make some of that special eggnog she made over the holidays. Special order just for me."
You move to rebuttal when you hear a familiar husky voice behind you. You turn to see your wife standing there with that familiar smirk on her face. Natasha stepped further into the floor, her presence commanding attention. She had chosen a slightly floral midi dress that hugged her curves, the soft fabric contrasting with her typical demeanor. With her red hair pulled back and her eyes sharp and observant, she exuded a mix of elegance and strength.
"You can ask me yourself," Natasha grinned. She stepped closer to you and wrapped her arm around your waist. You landed a quick kiss to her head before looking over at Haley with questioning eyes. She's supposed to remind you if something important like your wife visiting.
"Sorry," She apologizes, quickly. "I was just about to tell you."
"It's okay, Haley," You wave off, smiling. "What brings you by, baby?"
"Can a girl come visit her wife in her office? I'm sure Tammy comes to see you all the time right, Doug?" Natasha tilts her head.
"Uhh..um, yes," Doug stumbles over his words.
Natasha gives him a smile. "Good." She looks up at you. "So, how's your day, babe? I didn't catch you at a bad time, did I?"
"Not at all," You answer.
"Actually, y/l/n has some errands to run," Doug cuts in.
"And Doug has a case to take over," You reply. Natasha looks suspiciously between the two of you.
"We're not going to have a problem, are we?" She asks.
"Of course not." Doug assures.
Natasha nods and smiles. "I'd hate to have to break up this lover's quarrel you two are having. But I would like to spend some time with you before your lunch is over." By the look in her eyes, you know exactly why she's come to your office so unexpectedly.
"Not a problem," You nod.
"I'm free for the rest of the day," Doug says. You send him a glare. "I'll just get a start on those files." He adds before making himself scarce.
You give him a thumbs up. "Perfect. Haley, cancel my meetings for the next hour."
"Sure thing,"
You take Natasha's hand and lead her down the hallway towards your office.
"I love it when you get bossy," Natasha whispers, biting her lip. You feel the blush creeping up your neck.
"That was nothing," You wave off. You walk before her into the office to clear up a few things on the couch. The last thing she needs is to see how messy you are at work. "Where's Luke and Paige?"
"I left them with my mom today," She says disinterestedly.
"Oh, that's cool then," You nod.
"Now do you want to hear about Luke's diapering schedule, or should we talk about other things?" She steps over to you. It's then you notice the heels she's wearing. Those sexy Manolo Blahnik pumps in a deep blue that accentuates all of her curves.
"I think I want to talk about whatever you want to talk about," You answer honestly. You place your hands on her hips and pull her close. She giggles, placing her hands on your chest.
"Good," She leans in for a quick peck. "You're in a good mood today."
"That's because you're here." You hum. "You taste good."
"Lemon and ginger," She smiles.
"That's what it was. You taste delicious." You lean in again and capture her lips in a deeper kiss. Your tongue glides over her lips, coaxing them open. "Mm, I think you should surprise me in the office every day."
"If only I could." Natasha sighs. "Your coworkers would get tired of me or become jealous of you."
"I don't care." You whisper against her lips. "I only care about what's happening right now."
"Oh, is that so?" Natasha bites her lip.
You nod and reach around, smacking her ass. "That's what you're here for right? You couldn't wait for me to come home?"
"Something like that." She grins. She leans forward to kiss you again. This time as a distraction while she unbuttons your silk button down with her nimble fingers. Her lips are soft and warm against yours.
You pull away from the kiss and smirk. "We can't have sex in the office."
"That's a first." Natasha chuckles. "Why not?"
"I don't know if I'll want to stop after one round," You sigh when her hands find bare skin underneath your shirt.
"Hmm, we'll have to be quick then." Natasha murmurs, pressing her lips to your neck.
"I don't know," You groan when her teeth scrape across your pulse point. "You're quite loud."
"I guess you'll just have to keep me quiet," Natasha bites down on your neck. You let out a whimper, your body shivering.
"Damn it, Tasha," You growl.
She pulls back and flashes you a wide grin. "Do you think you can keep me quiet?"
"I don't know if I want you to be quiet," You open your eyes.
"Oh, is that so?" Natasha grins. She pulls your shirt down off of your shoulder, revealing your lacey black bra. She moves to do the same to the other side.
"Natasha," You warn.
"I'm just looking," She says as her eyes roam over your torso. "Admiring."
"Yeah, admiring is going to get us in trouble," You shake your head.
"Fine, fine," She steps back, taking her warmth and heat with her.
"Are you pouting?"
"I am," Natasha lowers her hands onto her hips. "You're denying me what I want."
"Come here," You offer a hand. She takes it and you lead her over to the couch. You sit down and pull her onto your lap. She settles her knees on either side of your hips and rests her hands on your shoulders. You begin rubbing her thighs, smoothing your hands across the smooth nylon of her leggings before you rip them. The sound drowning out the harsh breaths both of you are taking. You're so glad this office is at the corner and also doesn't have glass windows. Of course, she always gets what she wants.
"I thought you said we can't have sex."
"We're not," You murmur, your eyes focusing on the swell of her breast. "But we can do other things."
"Other things," Natasha nods. "Like what?"
"Just sit there and let me touch you," You say, pulling her down for a kiss. "You don't have any objection to that, do you?"
"None," Natasha says softly, her breath fanning over your lips. At the first press of your thumb against damp panties, Natasha lets out the sharpest squeak deep from the back of her throat.
"Told you that you would be loud."
"Shut up." She moans, her hips canting forward, chasing the contact. You give her another rub through the soaked material, her wetness seeping through. "Are you going to tease me?"
"Yes," You answer simply, kissing the exposed skin of her chest.
"Fuck, baby." Natasha groans.
"Shhh," You tsk, "Be a good girl and stay quiet for me."
"I want you inside," Natasha lowers her head to look you in your eyes. She reaches behind her back to unzip herself. She lifts her dress over her head and drops it onto the floor. She leans back over you and presses her chest to yours.
"I have a feeling this isn't going to end well." You groan, your eyes focused on her soft and supple breasts.
"I don't think we're going to get caught."
"Maybe." You murmur.
"Y/n, are you listening?"
"Huh?" You snap out of your daze. It's then you feel another wave of arousal as she releases her hair from its ponytail. She leans back on her hands and gives you a smug smile.
"Are you listening, Mrs. Romanoff?"
"I'm listening," You swallow thickly. You can't help but take her in.
"So, how about it?"
You look at her confused. "How about what?"
"I knew you weren't listening," Natasha laughs.
"I was thinking about how gorgeous you are," You admit. "How sexy you are. All the things I want to do to you."
"Oh yeah?" She grins. "Like what?"
"Well," You start, running a finger across her cheek. "First, I would have you sit there and watch as I undress."
"I'm interested," She looks you over. You should probably take those pants off unless you want them to be ruined with her juices. Not that you would mind it that much.
"I would go slowly. I would leave on my heels and my bra."
"Your bra?" She arches a brow. "No, take off your bra."
"Are you going to be difficult, or can I finish?"
"I'm sorry, continue," She waves a hand.
"Anyway, I would leave my heels and bra on. Then I would lay back on the couch and spread my legs for you. I'd want you to use your mouth and fingers."
"Mmm," Natasha hums.
"I'd have you fuck me with your fingers until I came all over them." You whisper, tracing her lips. "Then I would do the same to you. Just how you like it."
"How many times would you make me come?"
"Until you can't take it anymore." You answer. "Then I would clean you up with my mouth. Would you like that?"
"Fuck, yes," Natasha moans, her hips bucking against yours.
"Are you turned on, Tasha?"
"I'm beyond that," She admits. "I've been thinking about this since this morning."
"Yeah? You couldn't wait to have my hands on you."
"No," She whines.
You tap her thighs, instructing her to lift up so that you can strip yourself of your clothes. You rush over to the office door, locking it to ensure you won't be disturbed.
"What are you doing?" Natasha calls.
"Just making sure no one comes in and sees you like this," You explain, stepping back over to her. "They can't see what's mine."
"Would you let them watch?" She dares to ask.
"No," You growl, pulling her into your arms.
"And here I thought the idea would turn you on." She teases, trailing a finger along your collarbone.
"It does," You answer truthfully.
"But," She raises her brow.
"It turns me on to know that they can't have you," You admit. "Only I can touch you and see you."
"Touching has been minimal," She raises a perfectly arched brow.
"You're right," You smirk.
"How about we fix that," She whispers.
You nod and sit back down, taking her with you. You help to slide her panties off, tossing them to the side, before you get an idea. You pull her over to your desk, her eyes following yours quizzically before you bend her over. Your hands rub against the expanse of her back. You can't take your eyes off her perked-up ass and pussy on display for you.
"What are you doing?"
"Getting an idea."
"For?"
"This," You say, sliding a finger inside of her. Her walls tighten around the intrusion, and you let out a low moan.
Natasha's back arches and she hisses. You know it's not a sound of pain but pleasure. She wasn't expecting you to do it but she for damn sure loves it.
"I knew you'd be turned on by this," You tell her. You pump your finger a few more times before adding another.
"I am," Natasha agrees.
"Is this what you want, Tasha?” You slap her ass. "For me to fuck you like this. Have you dripping all over my desk?"
"Y/n," Natasha groans. "Stop teasing and give me what I want."
"What do you want, Natasha?" You question, curling your fingers. Twisting them as you thrust back into her.
"I want you to make me come."
"Not yet." You tell her. "I want to hear you."
"Baby," She whines, her hips rocking against the desk.
"What is it?"
"You're driving me crazy." She pants. "You have no idea what this is doing to me."
"I have some idea," You say cheekily as you watch your fingers, glistening with her slick, slide in and out of her with ease.
"Stop teasing and fuck me," She hisses.
"You want me to fuck you?"
"Please, y/n." She moans. "I'm so wet for you."
"I know," You hum. You push her legs open a bit wider. "Stay still for me."
"Fuck," She whimpers.
You lean over and pepper her back with kisses. Her skin is so warm and soft. You wish you could take your time, but you're both already on borrowed time. You speed up then, using your hips to add the slightest bit of force behind your thrusts. You know she likes it, her body shivering beneath you.
"That's it," She coos.
You place a hand on her back and move your thumb to her clit. You begin rubbing it in slow, circular motions. Natasha turns her head against the cool surface of the desk, her nipples becoming hard pebbles against the wood.
"I love seeing you like this," You whisper. "Taking everything I have to give."
Natasha's only response is a deep whimper. Not good enough for you.
"You love taking my fingers," You taunt. "But not as much as I love giving them to you."
"Shit, y/n, fuck." Natasha's body begins trembling. Her breathing becomes uneven. Her pussy walls fluttering against your fingers.
"Are you going to come, Tasha?"
"Yes, fuck." She cries. "Make me come, baby."
"Fuck, I love it when you call me that." You groan. You add a third finger, pumping faster. Her body quakes as you hit the right spot. Her toes curl as her orgasm tears through her body. Her moans are unbridled now, and you reach forward to press a hand against her mouth. That seems to turn her on more. Her body shaking beneath yours. Her body jerking from the aftershocks.
"Are you okay, baby?"
"I'm better than okay," She grins. "But if you don't fuck me again in the next five minutes, I'm leaving."
"Turn around," You instruct her. You help her on shaky legs to turn around and sit on your desk. This is going to be a bit more difficult to maneuver but you do. You drop to your knees and grab her thighs to pull her to the edge of the desk.
"I've need to taste you all day," You murmur to yourself.
"Baby," Natasha whimpers, her fingers resting atop your head. "I need you."
"You have me," You reply before swiping your tongue through her folds. She's so warm and delicious.
"Don't tease," She gasps, her legs trembling.
You look up at her from your place between her legs. Your eyes never leave hers as you wrap your lips around her clit, sucking.
"Just like that," She adds the gentlest bit of pressure for you to bob your head. The slurping noises for added effect have her head dropping down she can't handle it. "So close, baby. Don't stop."
"Never," You murmur against her. "I love this. Love eating you out."
"Y/n," She gasps, her hips lifting off the desk.
"Come for me, Natasha," You coax her.
She's so close to the edge, and she can't help it. She's helpless against the orgasm that rips through her body. She can barely hold herself up as you suck her through the orgasm, lapping up the juices spilling from her.
"Fuck," She whimpers.
You stand and kiss her, your tongue tangling with hers.
"Let me," She finally pulls back. She pulls you down to the floor before she pushes you onto your back. Rug burn be damned.
"Tasha," You gasp when she wastes no time in slipping two fingers inside of you.
"You're so wet," She groans. "I love you." She nuzzles your neck.
"I love you too." You murmur, reaching down to guide her thumb to your clit. "Harder."
Natasha's body covers yours. Her lips latch onto your neck. Her teeth scrape along the flesh. You know you're going to have a hickey there tomorrow. It doesn't matter. You're hers and she's yours.
"Tasha," You groan. "Please."
"Shh," She whispers, her other hand caressing your breast. She pinches your nipple, delighting in the shiver that runs through your body.
"Please," You beg her. "Make me come."
"Anything for you," Natasha smirks, curling her fingers. She thrusts harder. Faster.
"Fuck, I'm going to come." You warn her, your body tensing.
"I've got you," Natasha tells you. "I've got you, baby." She coos as you whimper pitifully.
"Don't stop," You beg. "Oh my god, don't stop."
"Never," She growls. "Come for me, y/n. I want you to soak my hand."
You cry out as you reach your peak. Your back arches off the carpet, and you ram yourself onto her fingers. You don't want to lose this feeling.
"Fuck, I can't," You sob.
"You can," She whispers, her breath fanning across your lips. "One more. Come on, baby."
"I can't," You sob. "Tasha, please."
"I've got you," Natasha promises.
Your body begins shaking as a second orgasm rips through your body. You're unable to form words as you're consumed by your desire. You don't even remember that you're at work and the possibility that if anyone were to come by your office, they could probably hear you.
"There you go," Natasha smiles, her eyes focused on you. "I'm right here, baby."
"Tasha," You whimper.
"Right here."
"Don't move," You pant.
Natasha uses her unoccupied hand to open the bottom drawer of your desk and take out a towel.
"What are you doing?" You ask her.
"I'm going to clean you up," She says, gently wiping your inner thighs.
"Thank you," You whisper.
"Always," She smiles.
"You're so good to me."
"You're pretty good to me," She winks, kissing the top of your head.
"What time is it?"
"Time for us to get the hell out of here." Natasha laughs.
"You're right," You sigh. "Can we go home?"
"I was thinking maybe we could order a pizza, put on a movie, and have dessert later."
"I think I could deal with that." You nod. "I can't walk just yet."
"I'll carry you," Natasha teases with a smug look.
"Shut up," You laugh, swatting her away. "You know you're a little cocky after we fuck."
"And you're cute."
"Stop," You groan.
"I don't want to," Natasha replies.
"What do you want?"
"You," She answers. "Always."
"I'll be yours forever."
"Forever," She repeats.
"We should go," You whisper.
"I'm ready when you are."
"Let's get out of here."
Coming out of the office would be a little awkward. You should probably open a window. Your cheeks heat up at the thought. It was some of the hottest sex you had with her, and you can't believe that it happened here.
"You look nervous," Natasha notes.
"I'm not," You say.
"Liar."
"Tasha, come on. Let's go home."
"Whatever you say," She grins, taking your hand in hers.
"You're annoying," You mutter.
"And yet, you still love me."
"Unfortunately," You grin.
"I heard that," She calls.
"I meant for you to hear it."
"Brat," She says affectionately.
You really do love her.
#natasha romanoff#black reader#natasha x reader#black widow x reader#natasha romanov#black widow x female reader#natasha x you#natasha romanoff smut#minors dni#Spotify
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𝗖𝗢𝗠𝗘𝗗𝗬 𝗣𝗟𝗢𝗧 𝗕𝗨𝗡𝗡𝗜𝗘𝗦
We’re back at it again with some random plot bunnies!! These ones are all for comedy movies or sitcoms that I particularly love - I probably won’t make any proper intro posts for them, but you’re all still welcome to send me any asks about them that you’d like!!
Cecelia Jane “CJ” Billings, she/her, The Hangover OC, Phil Wenneck ship, Megan Fox FC. Doug’s younger sister by one year who’s been hanging around the rest of the guys since they were all kids. Phil has been flirting with her for years, but she’s always rebuffed him because she thinks he’s just trying to get with her so he can say that he’s slept with his best friend’s sister (which is true at first, but he does eventually gain actual feelings for her). Doug’s best woman when he gets married in the first movie, so she’s there for the start of the Wolf Pack and all the subsequent adventures and chaos, and she and Phil slowly fall in love over the course of the trilogy. Very sarcastic and witty and tends toward being a pessimist, but also knows how to let loose and have fun. A travel writer in her normal life, and isn’t afraid to flaunt her knowledge of different places and cultures, which especially comes in useful during the Bangkok fiasco. Also bisexual, and sleeps with several men and women during the Wolf Pack’s escapades.
Elizabeth “Betty” Jones, she/her, Ghosts CBS (American version) OC, Hetty Woodstone ship, Lana Parilla FC. A former fifties housewife who was staying overnight at Woodstone Mansion after leaving her cheating husband, only to fall down the stairs and die the next morning and find a group of ghosts standing over her. Has mild gravity manipulation for her ghost power, but she can’t really do more than make small objects hover a few inches above their surfaces. Eventually reveals that she’s bisexual and was in love with her best friend from life, but remains very scared of relationships after her husband cheated on her. Eventually Sam and Isaac team up to set her up with Hetty after they realize the two of them have feelings for each other, and they become a really sweet couple. Very sweet and a bit of a mother hen since she never had children of her own (which was a big reason her bastard husband said he cheated on her), but also has an amazing dead-eyed disapproving look that is Trevor and Thor are deeply afraid of.
Rachel “Rocky” Drake, she/her, Ghosts CBS (American version) OC, Flower Montero ship, Bex Taylor-Klaus FC. Lead guitarist in a Riot Grrl band back in the 90’s, who were staying at Woodstone Mansion the night before a gig in the city when a chandelier fell on Rocky and killed her. Gained pyrokinesis as a ghost power, and loves using to mess with the candles in the mansion and help Thor play with the lights. The bane of Hetty’s existence since she’s basically the opposite of a “proper lady,” and spends most of her time whacking Trevor upside the head when he says something douchey. Very fierce and sarcastic and usually wearing a scowl, basically Flower’s opposite, but has had a crush on her since she first saw her, so of course Isaac, Alberta, and Sam team up to get them together.
Dorcas Brinley, she/her, Ghosts BBC (British version) OC, Julian Fawcett ship, Carey Mulligan FC. A baker who died in the 90’s during a wedding being held at Button House which she had made the desserts for, having been stabbed by a coworker who was actually meaning to kill someone else. An incredibly shy sweetheart of a lady who, as her ghost power, can make any Living who walks through her smell their favourite dessert. Very much an opposites-attract couple with Julian, but she brings out his softer side and he brings her out of her shell. Pretty withdrawn and doesn’t interact much with anyone else at first, but eventually becomes really good friends with Mary and Pat.
Beth Fawkes, she/her, The Office (American version) OC, poly Andy Bernard/Erin Hannon ship, Emily Bett Rickards FC. An accounting worker at Dunder Mifflin who’s been best friends with Oscar since she started her job. Doesn’t talk to her co-workers a lot, but is kind of friends with Pam and has a weird mother-daughter relationship with Meredith. Develops a crush on Andy quickly after he starts working at the office but resigns herself to pining when she realizes he has feelings for Erin, before she finds herself beginning for fall for Erin as well, and eventually they all get together. Very smart and quiet and rarely entertains any foolishness, but will never hesitate to help out anyone who needs it. Also Jim and Pam’s biggest shipper, and nearly throws a whole party when they finally get together.
Mariah Green, she/her, Friends OC, Phoebe Buffay ship, Reneé Rapp FC. Rachel’s youngest sister who becomes determined to make something of herself outside of her family’s money after Rachel runs away from her wedding, so she decides to try and make it on Broadway. Winds up meeting Joey through an audition and he introduces her to the gang, not realizing she’s Rachel’s sister and being very embarrassed once he realizes she is. Actually does wind up getting a few minor stage roles and briefly moves in with Phoebe after the other woman offers, during which they fall in love. An amazing singer who’s very bold and outspoken and determined, but can also be impulsive and has trouble with thinking before she speaks. She and Rachel don’t always get along as sisters, but they do generally have a good relationship, and she winds up becoming really good friends with Joey and Chandler.
Graham Pryor, he/him, Friends OC, Chandler Bing ship, Matthew Grey Gubler FC. A new part-time worker at Central Perk who’s also in school to get a degree in literature. Very interested in the classics and historic book manuscripts, and winds up bonding with Ross because of that beyond being friends with Rachel because of work. Chandler has a full-on bi crises because of him and has to work on overcoming his internalized homophobia from what happened with his dad, but they get there eventually and become a really sweet couple. Graham’s kind of awkward, but incredibly intelligent, and very loyal and sweet. Joey likes to teasingly call him and Ross the Nerd Squad, which usually earns him a swat upside the head from Monica.
Elizabeth “Betsy” Harrington, she/her, The Nice Guys OC, Jackson Healy ship, Rose Byrne FC. Friends with Jackson since their early twenties and had only slept with him once since before the events of the movie, but they both claim they’ve moved on since and now Betsy is just the go-between with Jackson and his clients, getting everyone who approaches her to make sure they won’t turn him into the police. Neither of them ever properly moved on, though, and over the course of the whole case they begin to really fall back in love and end the movie together for real. Betsy is hard as a rock, sarcastic and quick-witted and with no time for nonsense, but she also has a soft spot for kids and is completely loving and loyal to those she really cares about, and can read people within only a few minutes of knowing them. Becomes really good but weird friends with Holland, and basically becomes an aunt to his daughter along with Jackson.
Elizabeth “Betty” Halloran, she/her, M*A*S*H OC, Radar O’Reilly ship, Lola Tung FC. The daughter of a Chinese immigrant and an American general, she really wants to help in the war effort once it kicks off but has no experience in nursing or being a clerk. Nevertheless, her father, who’s never really been there for his wife and daughter and just wants Betty to stop bugging him, assigns her as another clerk to the 4077th, knowing Henry is too intimidated by the brass to argue. Most of the unit doesn’t really like or trust her much at first - especially Frank, for obvious reasons - but Henry comes to see her as another daughter and before long most of the camp sees her as their niece or little sister, and Margaret even takes her under her wing. Very sweet, cheerful, and friendly, which can lead others to think she’s a bit airheaded, but she’s actually very clever and makes a very good clerk, and while she and Radar sort of fumble their way through having crushes on each other, they do become a very sweet couple. (Hawkeye also gives her dad a very good telling-off at one point, which is very fun.)
Tagging the OC besties: @auxiliarydetective, @luucypevensie, @manyfandomocs, @ginevrastilinski-ocs, @dancingsunflowers-ocs (also gonna tag @eddysocs, @ginger-grimm, and @come-along-pond for the Ghosts content, and @juliaswickcrs for the Friends content).
#plot bunnies#oc: cj billings#oc: betty jones#oc: rocky drake#oc: dorcas brinley#oc: beth fawkes#oc: mariah green#oc: graham pryor#oc: betsy harrington#oc: betty halloran#randomness
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S5E8 "The Roast" thoughts:
Ok, I watched this episode three times and I'm still smiling. I love when you think and episode is gonna be about something because of its title and then surprise you when its all a misdirection (see also: Succession's "Connor's Wedding").
At first Laszlo's err… state intrigued me, love everyone projecting and imposing their own insecurities (Guillermo's secret, Nadja's hex) as a reason on why he is behaving like that. And of course it's a stupid reason 😭.
"And a flat pepsi for Guillermo". Oh Nandor, that's the worst thing you ever done to Guillermo, that's the worst thing you could do to anyone. And yes, I remember a certain S4 episode.
I screeched like a bird when Colin mentioned dreaming about being a baby under Laszlo's care, not only because I wanted this shit to happen since the past finale, but also I really thought the episode was going on that direction (and also bc its another W for my predictions).
Having said that, LOVED the nonchalance of Nadja and the others when they were like 'no, it wasn't a dream, that totally happened'.
I mentioned it in a separate post: they really had a Sweet Dee in IASIP moment when The Guide gave the roast idea, only to be ignored and then the same idea being stolen by a dude who is celebrated.
Seanie's poor brain it should be soup at this point, we don't know if he can hazily remember the event like it happened before.
What can I remember is his line after Nadja's roast because it was one of the biggest laughs for me: "Women CAN be funny!" I fucking loved it so much, it's the perfect condescending shit straight men say all the time, even when they're trying to be complementary to you they can't stop being garbage. It was a simple line but Anthony nailed the delivery and timing. Seriously, rewatch that part.
At first I was confused why all the jokes were so mid, but shortly I realized this episode wasn't about the roast at all, lol.
Just by watching screenshots of other users I noticed that in the scene of Nandor resting his head on Guillermo's shoulder there's a BIG flame between them. LMAO. There's no way that is unintentional.
Good for The Guide being the catalyst of Baron Afanas learning the truth. I was demanding more screen time for her lately, so having some incidence in the main plot goes on the plus column.
The other guests present at the roast being shocked at the knowledge of Guillermo killing vampires surprised me; I always assumed Guillermo being a familiar/slayer was a known fact in the vampire community after his very public massacre at the Théâtre des Vampires.
Fuck yeah when I realized this is a Doug Jones spotlight episode, I just fuckin ahgdjkaksdf, love him, perfect, no notes.
The Baron being terrifying!! Guillermo was seriously scared for the others and he barely tried to show off his Van Helsing abilities.
Nandor and Nadja begging the Baron to not hurt Guillermo!! 😭 Them being dragged while grabbing the cape!! 😭 They're spiritual siblings to me!! 😭😭
They really reminded me a little bro and sis begging their mom to not hit their beloved older brother with the chancla for talking back or something.
I fell for the two fake-outs with the sack lol I'm so gullible when it comes to vampires I guess.
NANDOR PAINFUL SOUNDS (MOANS???) WHEN HE BELIEVED HE WAS IN FRONT OF GUILLERMO'S INERT BODY. IT WAS SAD BUT ALSO A LITTLE HORNY!!!
"At least he died doing what he loved: beating off in the toolshed."
A wonderful small detail: After Laszlo opened fake Guillermo with the knife he cleaned his hands on The Guide's dress.
Idc if you think its dark, the whole 'Nandor will kill you and then kill himself' bit becoming a recurring joke it's peak writing.
I wish I can say something more serious about Baron Afanas' sadness over how boring his life is now. But I just keep thinking that the way he talks about his homelife with The Sire and the Hellhound sounds exactly when a dude has a middle life crisis and suddenly he doesn't enjoy his marriage anymore. They're husbands!! And I loved how cunty he looked at the end all half-charred (see posted gif) Queen!
Now, the Nandermo of it all: What more can I say than incoherent screaming and foaming from the mouth? Episodes 8 are all about them again!! Nandor on the window looking all cliched melancholic heroine of a romance novel?? How relieved he was when he found him in the coffin??? Him still remembering Guillermo's card word for word???!! Knowing that this toxic dark sided devotion goes both ways???!!! Borrowing the words of Fleabag: THIS IS A LOVE STORY.
Seriously, I know all these soft Nandor moments are here so the heartbreak when he learns about Guillermo being turned it's even bigger. But still denying that there is a romantic undertone between these two it's just being purposely adamant at this point (i'm looking at you wwdits reddit). Even if nothing explicitly romantic happens on screen, just by watching these moments, I know, we know.
Now, go listen to the ending song again. You will not regret it.
#i wish nandermo enjoyers only good dreams tonight!#to the others sorry err for me keep winning and being right#nandermo#wwdits#what we do in the shadows#wwdits thoughts
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Hi Mike! Just wondering about the wonderful Katie Parker. Since she’s been a part of the Flanaverse for a pretty long time, I was wondering how she joined Absentia and which of her roles in your work is YOUR favourite? Personally I can’t get over how good she was as Poppy.
Also just want to quickly say I’m so excited to see T’Nia again in Usher. Thank you and have a lovely day!!
I first met Katie back in - I want to say 2008? Somewhere in there. She was friends with my girlfriend at the time and soon we were friends too. She was an actor struggling to find footing in LA and used to come over for movie nights and crash on our couch, and as time went by I started to think of her as a sister. I was working full-time as an editor on reality TV shows and trying to get something started. I wrote Absentia as a project for my friends to star in, so Katie's role was custom tailored just for her. Same with Courtney, Dave, Morgan and Justin. We were all living in LA and had similar dreams, but were all struggling to pay the rent and this was a chance to make something together that might get noticed.
(Above: The first table read of ABSENTIA, sometime in 2010)
We had a blast making that little movie, and it actually did what we all hoped it would do - it kicked open some doors, and led to Oculus being picked up by Trevor Macy at Intrepid Pictures (who has produced everything I've made since).
Katie had a small cameo in Oculus, playing the phone store clerk who sells Brenton Thwaites his first cell phone after being released from a lifetime in a mental institution. The scene was sweet and Katie was great, but it wasn't in the final cut of the film. I think it may be available on the blu-ray but I'm not sure to be honest. Katie remained a great friend, but there weren't really roles in the following movies that were a perfect fit. When I got my first shot at making TV, though, I really wanted her to be in The Haunting of Hill House. She auditioned to play Joey, the recovering addict who befriends Luke. The studio wanted to go another way with the part, and so I decided to write the new character of Poppy Hill for Katie instead, and she absolutely crushed it. It was meant to be.
(Katie as Poppy Hill on the set of The Haunting of Hill House)
After that, she was kind enough to take a smaller role in a much bigger film, portraying Silent Sarey in Doctor Sleep.
(Katie signs autographs at the premiere of Doctor Sleep)
When it came time to make The Haunting of Bly Manor, I had a fun idea for Katie and my wife Kate to play the doomed sisters in one of our coolest episodes. It was exciting for Hill House fans to see them together, but it was really terrific for me to have so much trust in two actors who could make such a huge impact in one episode.
After Bly, Katie joined us for The Midnight Club, and has a wonderful role (and does some of her absolute best work) in the upcoming The Fall of the House of Usher. Just before those, though, she joined us at the Saturn Awards in LA, where we had an impromptu Absentia reunion with my sibling Jamie Flanagan and my dear friend Doug Jones, both of whom acted in that little movie all those years ago. It was really neat to see everyone in the same place again, and think back about how far we've come since those days filming in that pee-covered tunnel.
Katie is a phenomenal actor, and I was lucky enough to work with her at the very beginning of my career, and now five more time since. She's unique among the family of actors that I've accumulated over the years, in that she was there from the very beginning. We sat in a tiny apartment in Glendale dreaming of making movies, worrying about paying our rent, and trying to figure out how the hell to get where we wanted to go. I'm proud to know her, proud to collaborate her, and proud to call her family. I expect you'll see her in many, many more Intrepid productions for years to come.
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Weak Signal — Fine (12XU)
Weak Signal has been my pick for “best rock band you never heard of” for a few years now, and this fourth full-length only strengthens the argument. It pulls their clanking, grinding VU-ish drone in new and intriguing directions—an acoustic blues folk a la Aquarian Blood, a guitar-heavy clangor akin to Crazy Horse—without sacrificing any core competencies. It adds some guests, including Hot Chip’s Alexis Taylor, Doug Shaw of Gang Gang Dance and Cass McCombs, without diluting the locked in synchrony of its three founding members.
To review, Weak Signal is a three-piece led by Mike Bones who is linked to some cool NYC noises via an association with Endless Boogie and a stint with Soldiers of Fortune (Kid Millions is also a member). Sasha Vine plays mostly bass, but also a little violin and sings. Tran, the drummer, also sings. They’ve been a band for about seven years, and Dusted has favorably reviewed two of the three previous albums, 2021’s Bianca and 2022’s War on War.
Fine is an advance for Weak Signal but not a shock. Though most of its songs sound very much in line with previous albums, it diverges in some fruitful ways. Both “Out on a Wire,” and “Baby” begin in a frenzy of feedback and improvisation, beginning side one and side two of the vinyl edition in exhilarating freefall.
“Out on a Wire” coalesces eventually into Weak Signal’s trademark vamp, a dissolute cousin to “Peter Gunn” that slinks and struts and smirks and all but has a lit cigarette dangling from the corner of its mouth. And yet, it’s pure rock and roll, this cadence, full of menace but also vibrating with heart and vulnerability, talk-sung with bracing cynicism but sweetened by boy-girl harmonies.
“Baby” is more of a surprise, because once the din lets up, a softer aesthetic emerges in jangling folk acoustic chords and soft lyricism. It’s an appealing shift, and it continues through “Terá Tera,” a fragile, pretty but deeply felt cut that puts me in mind of other unplugged psychedelic garage rockers: Aquarian Blood, The Duchess and the Duke and the Gris Gris’ Greg Ashley’s solo work.
The best cut, though, is “Wannabe,” a blown-out guitar-psych tune with shades of ragged glory. That’s the one where Cass McCombs guests, and if it’s him letting the long notes fly at the beginning, they should consider offering him a full-time gig. If Weak Signal’s songs have had a flaw up to now, it’s been a certain dank claustrophobia. This cut blows the doors down and lets some light in.
Weak Signal entertainingly imagines life as a Brian Jones-style figure in “Rich Junkie,” tapping into a pre-digital fantasy of rock ‘n roll excess (and financial rewards). Though spiritually part of a strung-out but brilliant lineage, Fine will likely never buy a mountain villa for anyone involved. It’s just another good one from a band you ought to know but probably don’t. Why not fix that right now? You owe it to yourself.
Jennifer Kelly
#weak signal#fine#12xu#jennifer kelly#albumreview#dusted magazine#rock#garage#cass mccombs#alexis taylor#doug shaw
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Here's why I'm still unimpressed with the Wicked movie trailer
A while ago I made a post explaining my thoughts on the Wicked teaser trailer. A lot of it was mostly negative due to the poor CGI, acting, lines etc... Well the official trailer dropped and I've got some new thoughts both good and bad. This is going to be way longer than my last post because I'm going to go into detail about why I think this movie won't live up to the musical by comparing it to other movies and musicals. I'll also be talking about some scenes from the featurette.
THIS IS JUST MY OPINION SO FAR ON WHAT WE SEE IF YOU LIKE THE TRAILER OR LIKE ANY OF THE ACTORS THEN DON'T GET YOUR PANTIES IN A TWIST MY WORD ISN'T GOSPEL NOR IS IT MY FINAL OPINION ON THE MOVIE.
Starting off with things I liked:
I'm actually starting to warm up to Cynthia as Elphaba. In my last post I argued I didn't entirely see her as Elphaba mainly because it was obvious she's a thirty seven year old playing an eighteen year old. While I still believe she doesn't pass for younger Elphie and her simple "I am" comeback is weak, hearing more of her lines and performance is actually on point with Elphaba's character. I wouldn't be against her revisiting Elphaba on stage after the movie. Bottom line: I think she's a great singer and am happy a fellow WOC is playing Elphie.
Holy shit that witch cackle gave me goosebumps. It might be the editing and sound in the trailer that makes me feel that way so we'll have to see when it happens in the movie.
Michelle Yeoh???? Like hello? Although she seems more toned down compared to the campy personality MM has on stage, she plays the role of the evil villain quite well. (I'm sad she had to stop using her beautiful Malaysian accent ;_; I hope it was by her choice and not by the choice of the executives.)
Some set designs look quite nice. I'm particularly curious about the scene where The Wizard is dancing around a full size diorama of Oz.
The effects of the grimmerie are quite neat. I despise the new shape of the book, but I think it's cool how instead of going for some floating colorful lights to pass as "look magic oooo", they're going for the spells to be coming out of the pages. Very unique.
And now, on to the negative. This is where I'll be comparing some of the shots and scenes of the trailer to other movies and parts of the musical.
I hate hate hate the CGI. You don't understand I absoultely for forever deeply truly LOATHE the CGI. It cheapens the movie and all that talk and show about how they built up the sets and rainbows showing over their productions goes all out the window when I see those flying monkeys.
Let's talk good CGI vs rushed CGI.
First off I do not blame the VFX artists for this movie looking the way it does so far. VFX artists are one of the most overworked and underpaid workers in the film industry who have to pump out content in a short amount of time. It is also not their fault that audiences are tired of seeing overdone CGI movies every month. It's part of the reason why the Wicked teaser trailer got so much hate when it came out (on top of Ari/🧽, reactionary bros, etc...)
The CGI (mostly in the Emerald City) looks AI generated. Most of my issues with it come from the effects looking poorly rendered. Elphaba flying looks obviously fake. I know they recently touched up some of these scenes but honestly it doesn't make a difference to me at all in quality.
If John Chu and the team behind this movie really cared about this like they insist they do, it wouldn't hurt to take time with the effects. When you do so, you get mind blowing results like this:
Onto other effects: The flying monkeys don't look great. They look poorly rendered along with the rest of the effects. For that I wish they would've stuck to practical effects like Pan's Labyrinth did or literally any character Doug Jones plays like down below.
Heck, even the musical does a better job:
I seriously encourage you to watch B T S footage of Wicked to see how insane and amazing this effect is. Once you see it, you'll realize just how bad the movie fucked up on this.
Bottom line: movies that take their time with CGI effects and utilize other methods like practical effects before leaving everything up to post have better results than your run of the mill CGI Marvel or DC blockbuster.
I'm still not feeling Arianna as Glinda. Before you fans eat me up alive I need to say again I don't hate her and even like some of the stuff she puts out there. This critique is not a reflection on who she is as a person because I don't know her personally. With that out of the way I still cannot stand her Glinda impression. "But Lilli!" You say. "You said you didn't like Ari as Glinda because she's not giving Glinda but she's doing Glinda's voice!" And I stand by that. She's not giving Glinda. She's giving Kristen Chenoweth. You might think that's the whole point of playing Glinda but let me ask you; When you watch Megan Hilty as Glinda, did you think she was imitating KC to the bone? What about Kendra Kassebaum? Ginna Claire Mason or McKenzie Kurtz? Did you think KC was imitating Billie Burke? Or were all of them doing their own interpretations of Glinda that made the character unique to themselves and not a copycat version of the original? Because I argue that's what makes every Glinda special and unique from the previous actress who played her. Doing a copycat rendition of KC makes me believe you have no faith in yourself as an actor and you are incapable of playing character that's been done before without having to copy the source material beat for beat. Because of this, I still cannot seperate Ari the pop star from Glinda The Good.
This point has less to do with Ari as Glinda in the movie and more as what she's doing to promote the movie. I have no idea where else to rant about it but here. I hate hate HATE how Arianna is making this movie and Glinda her ENTIRE personality. She acts like she's part of this fandom yet never interacts with anyone in it (unless its directly involves her) and it all feels so... artificial and money grabbing. Someone please tell me I'm not alone. Like girl please call me when you read and write fanfic on AO3 and get three kudos on your multichap fic lol.
DTL: Again I ask, WHY IS THIS MOVIE SO DARK? DTL is meant to be in a ballroom with tons of bright lights and projections. This ballroom looks so dark and depressing. I'm not thinking "let's dance because dust is what we come to" I'm thinking "turn me into dust already." When I saw Elphaba putting that hat on in the teaser trailer, I thought that was a scene in defying gravity. John Chu failed this scene which makes me angry because I this is my favorite scene in the musical.
Adding on to DTL, we have to talk about the scene where Elphaba and Glinda establish their friendship. If you know this scene in the musical (which duh) you'll know that this is where Glinda realizes that she did a horrible thing to Elphie and wants to make things right, even if it means putting her reputation in the gutter in front of her friends. I know this is an edited trailer so we won't know for sure how the full scene plays out in the final movie, but Glinda immediately going for a hug before they start dancing threw me off guard. At this point, they still aren't best friends because Elphaba doesn't realize that Glinda is sorry for what she did, their relationship is only now starting to build up. Let me ask you, what do you think makes a scene more impactful? Glinda hesitantly and nervously walking up to interupt Elphaba doing a solo dance and then cutting in to make her feel less alone, which eventually leads to all while making them ease up around each other as the song and dance progresses OR Glinda rushing into a bear hug with Elphaba before they even establish them making amends on the dance floor? One seems like a slow burn that tugs at your heartstrings while the other feels like a cheap attempt to get some kind of emotional response from the audience? (Then again not sure how this scene will play in movie but it's not looking good right now)
Final point, why is Elphaba crying during this scene? I get she's just been put through public humiliation and is just now getting an act of kindness from someone but don't you think it's too soon to show her in such a vulnerable position? One of the things about Elphaba in both the musical and books is that she's built a wall of apathy around her because she's been judged her whole life and doesn't care how other people percive her. We don't see her breakdown in the musical until Nessa's death because she's been forced to stay strong her entire life. Maybe at the earliest, we'll see her tear up during defying gravity but I'd argue that's a part of the actress playing her and not the character herself.
I hate how this trailer has been edited to make Arianna look like the protagonist. I get she's bringing in a large audience, but she's playing the secondary character, not the main one. It just pisses me that the protagonist (who is a WOC) has to be in the shadow of the white woman. It almost makes me believe they're doing it because they're more worried people would be offended at the prospect of a POC being a leading role.
The main actors still look way too mature to be playing their characters. I spoke about this already. I don't buy any of these adults (with the exception of Marissa Bode) as college freshmen.
Still hate that riff at the end of defying gravity and that after all the backlash, they're still going with it. I also can't believe some of you are defending it to the death and acting like Cynthia Fucking Erivo can't do a better take than what she gave. (Yes, I know every Elphaba does a different take on the riff and we all have our favorite ones but I'm going to say something that is controversial yet brave: Not every riff that every Elphaba does is great. Some of them are range from underwhelming to straight up bad) Here's a reddit post I found that better explains my gripe with the riff since I'm bad at explaining musical terms:
Costume and makeup design is still atrocious. I'm sorry, but the low effort looking costumes cannot hold up to the extravagance and camp the stage has. They should've brought Susan Hilferty back. Look at Elphaba's act 2 dress and the dress movie Elphaba wears and tell me you're not disappointed.
Adding on, why does everything look modern, including the makeup? Arianna using her brand of makeup in the movie doesn't impress me when she's using a modern day mascara wand over her wispy falsies in a 1900's inspired society when she should be using one of these:
Like... come on? Can you imagine a scene of Glinda doing her makeup while she's ranting to Elphaba about how men (except for darling Fifi of course <3) are so entitled and disrespectful and in the middle of her sentence, she just SPITS on her mascara cake, scrubs the brush like she's scrubbing the floor and does her lashes? Iconic honestly.
Adding on to the makeup looking modernized, I'm not a fan of Elphaba's modernized makeup either. It could be the deaging filter they added on everyone older than thirty but one thing that stood out to me is they used 90's era lip liner on her. I'm much aware if you're darker skinned, you will often times need to use a liner in order to blend in parts around your mouth that are darker in comparison to your lips. Counterpoint however:
They could've easily used a dark lipstick post-Popular like they already do. The 1900's era mostly used a single shade of lip color anyways. And no, I don't want to hear from any of you how none of this matters because Oz is an advanced society or some half assed excuse why it's totally okay they didn't care about the miniscule details while they cared about the number of tulips used in Munchkinland for NMTW. (also note: Oz was considered an advanced society FOR THE TIME IT WAS CREATED. Meaning they weren't envisioning the future items we have now like a mascara wand) If they allowed Arianna to use her own brand of makeup for the movie, they could've allowed an expert on BW's makeup history on set for their main protagonist.
Set design. I've got to say, while some of the sets are impressive, they really don't fit into Wicked or Oz. I mostly blame CGI and lighting, but even then, it can't hold up to the simple, yet brightly colored sets we see on stage. Shiz looks like something out of Hogwarts, which nearly every fantasy academia story looks like these days. Can we please have something original for once?
What I would've enjoyed seeing the movie do is something similar to Melanine Martinez's K-12. They were working on one location on a smaller budget, yet it looks better than the dimly lit and CGI sets we're seeing.
Obviously I'm not saying Wicked should look EXACTLY like K-12 because they have completely different themes and genres, but my point is good lighting, original set designs and color correcting can take you a long way. Wicked is deserving of having the same whimsy look that the WOZ movie had, while still having dark parts where needed.
Some more examples of good use of lighting during dark scenes in movies:
Continuing from not being a fan of the sets, I'm FUMING at the location of Fiyero and Elphaba freeing the lion cub. Why is it in a dark dreary forest?????? Did John Chu mix up the locations between INTG and ALAYM???? The lion cub scene takes place in the poppy field, with a soft orange pinkish lighting that creates a romantic atmosphere and establishes the growing romance between Fiyero and Elphaba (<3) This forest looks too erie and mystical, which should've been used for act 2.
Another hot take: I think the tulip field in Munchkinland looks completely unnecessary. I literally do not care if they planted thousands of rows of them. They look CGI'd because nearly everything in this movie is CGI.
Now onto some things I'm confused about.
God I was so looking forward to Peter Dinklage as the voice for Dr. Dillamond,but from what I heard of his voice acting so far, it just sounds... underwhelming. But I can't complain too much because at least it's not James Corden. I still believe in Peter and hope he will pull through.
Why did they feel the need to change the shape of the grimmerie? It was fine the way it was!
Adding to Dr. D, I'm not sure if I like his new design. I'm guessing they're taking inspiration from the book but if we're discussing live action, I really prefer makeup effects over CGI. One of the things I liked about the Animals in Wicked and in Cats the Musical is they find a perfect balance between blending human features and animal species without it going into the uncanny valley.
I feel underwhelmed by Jeff Goldbulm's acting as The Wizard :( I can't complain too much because he kinda-
On a final note: I think this movie just cannot and will not match up to the excellence of the musical. Will it be a good movie? I don't know yet. I'll still see it in theaters and will give my thoughts.
While brainstorming my thoughts for this trailer, I've really been thinking about why I hate what I'm seeing so far while I enjoy other interpretations of Wicked, especially when it comes to costumes. Then I realized something.
I love non-replica productions of Wicked... So why don't I like the design of this movie?
Part two of my take COMING THANKSGIVING 2025
Not really, give me like a week or two.
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got this feeling that aaron taylor johnson could probably be a freaky character actor of exponential proportions like doug jones and andy serkis but god hit him too hard with the sexy stick and now he’s just out here doing his best to tread the rough water of having mass worldwide sex appeal he never asked for. at least he gets to crawl around like a leopard on all fours and maul people with claws as kraven....THIS time
tbh this is why (in my HUMBLE OPINION) he shouldn’t be in the running for james bond; it’s too much of a long-term commitment to straight laced cinema. let the man be wild and freaky and take roles that aren’t beholden to long-running expectations and assumptions. he’s very good at it
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DA Review Series: Redemption
<<< Previous Review: Hard in Hightown
Aaaaaaaand I'm back, this time with a piece of DA media I'd never seen before!
Title: Redemption Director: Peter Winther Year Released: 2011 In-World Year: ~9:34 Dragon Verdict: Surprisingly not as bad as I'd expected. The Qunari look TERRIBLE, but the story was a fun little romp with one potentially very important MacGuffin: The Mask of Fen'Harel.
Dragon Age: Redemption introduces us to Tallis, a Qunari elf assassin operating in and around Kirkwall during Dragon Age II. Most players likely met Tallis during the Mark of the Assassin DLC, but Redemption is *technically* her first appearance.
In order to reclaim her role within the Ben-Hasraath, Tallis must hunt down a Tal'Vashoth Saarebas that was captured by the Chantry. This is around the height of the Qunari invasion of Kirkwall and tensions are high between the Chantry and all Qunari.
So of course, along the way Tallis meets a Templar who is also hunting Saarebas. A Dalish mage and a Nevarran Reaver mercenary round out the party, as they search for Saarebas and the elvhen artifact he stole: The Golden Mask of Fen'Harel.
Turns out, that mask can tear open the Veil when brought to its altar and supplied with enough Elvhen blood. Why this artifact exists and what it's original purpose was is never addressed, sadly. But, that it exists, is tied to Fen'Harel and the Veil makes me wonder just how far back in development Bioware writers knew about Fen'Harel and his plans...
I have so. many. questions.
Anyway, through this story both Tallis and the Templar question their loyalties to their respective religions, and even begin to submit to their feelings for one another. But, this is Dragon Age, and so few heroes get happy endings.
The Templar, Cairn, dies saving Tallis (which was a bit overdramatic if you ask me). Even the Dalish mage's fiancee betrays him and he accidentally kills her in a scuffle over a dagger. The only person who seems to leave this story unscathed is the Nevarran mercenary, Nyree. Which thank the Creators! She was my favorite by FAR!
Basically, this isn't a good mini-series. It's cringey and very low budget. But it has some surprisingly bright moments. Doug Jones as Saarebas! Nyree! The Mask of Fen'Harel! And did I mention Nyree??? Even Felicia Day, who I'm usually lukewarm about, was pretty good in this.
If you've got 50 minutes free and want to watch some old school Dragon Age camp, why not fire up Dragon Age: Redemption?
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just been to see alien romulus! it's good, it does go much too hard on the fan service - they could have found a way to do it without rook, 100%, and some of the quotes / scenes were just like shot for shot remakes - but i liked the scenes on the colony, showing just how bleak and desperate life was for them, and it's legit quite scary. maybe too long? too many scenarios to get through? but i thought the characters were very good, especially andy and rain.
also, i had a thought as i was leaving the cinema - why have they not got doug jones in a xenomorph costume yet?? he would have been SO fucked up as the one at the very end, it would have made it so much creepier if it was a real person
#also they clearly were too scared to actually go all the way with this but that xenomorph at the end should have been sucking on kay's tit#they kind of hinted at it but they didn't dare actually show it#like come on guys just do it make it fucked up make it nasty#alien romulus#spoilers
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Discovery 5e3 first reactions
If you had told me in the early days of season one with its Expanse knock off aesthetics and edge that Discovery would deliver an exemplar of a truly great Trek story, I'd have been deeply skeptical. Yet here we are.
I'm authentically surprised I'm in this good of a mood after the credits rolling on an episode of Discovery. This was a good episode. It was a very Star trek episode!
After the bleakness of Picard, its really refreshing for a Trek show that is not Lower Decks to be leaning into core themes of mercy, adult relationships that are nuanced rather than histrionic, and really hitting that sweet spot between action adventure, sciency goobledygook, and human idiosyncrasies.
I was really, really happy to get a Culber-centric episode. The character is great, even when its not entirely the character. I really ought to look up the actor and try to see more of his work because he's one of the big standouts for me in this series, along with Doug Jones. It was a good use of the Trill personality exchange plot device.
Saru and T'Rina's subplot was likewise nicely executed. I really like this take on Vulcans where they are subdued but not entirely flat. The crisp "handsome and erudite Saru" was a great touch.
This is at least two instances in the same episode where my meta theory about the Federation, that its superpower isn't that its perfect but that it is full of people who will immediately course correct when they realize a mistake, seems embodied by its characters. This time in the form of Saru and Burnham.
I had a theory about Burnham as well that I think may be on the money as well. That through a mix of intentional planning and reacting to some of the more thoughtful critiques of the character, Burnham's arc has been to first bounce between the extremes of denial of emotion through her Vulcan upbringing, then have to do a crash course in managing emotions after abandoning that Vulcan conditioning. The version we see of Burnham in season 5 is a Burnham who is well balanced. Someone who is informed by intuition and feeling but not ruled by it. A lot like Spock in his later years after he had fully integrated and reconciled his Human and Vulcan natures.
Which is poetic. I think Sarek, while still not winning any father of the year awards, would have been pleased to recognize that his children, well Michael and Spock at least, well able to bridge Earth and Vulcan. Even if they had to strike out on their own and figure out for themselves without his influence.
Booker is interesting too. In a lot of ways I think he's being set up for the arc that Han Solo should have had. Namely growing into responsibility, being nostalgic for aspects of his old life, yet realizing that he's not that person anymore. Which does make me think that ultimately Booker and Burnham will reconcile on account of Booker making peace with his new life and role and it happening to be one that makes a lot more sense in Burnham's world, having decided to lean into Starfleet.
Rayner is definitely a torch carrier for the Jellico tradition but like Jellico, I suspect that he's going to find his own way to relate to the crew. His "speed dating" approach to meeting the crew is painful and stilted, but its a bit like ripping a band-aid off. Tilly isn't wrong that "professional distance" is not a great way to persuade a crew that they can trust your decision making. This is a crew that has gone a long time without a hardass on the bridge and not particularly fond memories of the last time their boss was aloof and prickly. A lot of Rayner's expressions do suggest to me that he knows what he's doing and is playing the long game with Discovery's crew.
I'm really excited to (hopefully) finally see the Tzenkethi. I'm really, really hoping for a Larry Niven tribute. Its been a minute since we've had anthropomorphic felines and someone desperately needs to atone for the film Kilrathi. Wow. I have not thought about Wing Commander in a long time. l feel like I need a shower.
#star trek#star trek discovery#discovery s5e3#discovery spoilers#spoilers#michael burnham#Doctor Culber#fandom commentary#scifi ethics#Saru#cleveland booker#Wing Commander#Kilrathi
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Hello Peeps!
I haven't been on here in a long ass time once again. At this point, I think it's just to be expected of me. LOL! 😆
Anyway, a lot has happened since I last posted. So... First of all, Nezuko is doing well. She's already a year and 4 months old already. Where in the hell did the time go?! She hasn't gotten too much bigger though which is why Doug and I both refer to her as our forever kitten. She's on the lean and petite side which is pretty common when it comes to female cats. She has recently gotten fixed, but if her surgical site looks like it is mended at least for the most part (It's been healing very well from what Doug and I have seen throughout this week.) by the time Doug gets back from work today (This is officially her 7th day of recovery since we had her fixed.), she'll finally get to be completely free and not have to stay in a relatively well sized dog kennel for most parts of the day anymore which would be awesome for all because she's missed her freedom to do as she pretty much pleases in the apartment and Doug and I have missed her and her kitty cuddles and such and she has missed that as well. We have fairly recently allowed her some supervised time out of the kennel in our bedroom with the door shut so she can get a little exercise and such which of course she has really liked and just yesterday, she went back and forth here and there between where Doug was at and where I was at in our bedroom to get some good quality time and get nuzzles, snuggles, and cuddles in too as well.
Second of all, we've had another cat for probably about 2-3 months now considering that he was estimated to be 6 months, 3 weeks, and 2 days old on May 30th for when him and Nezuko both got fixed. His name is Tanjiro. Unfortunately, with a lot of things that were going on at that time and the time before then, we couldn't seem to find the time, money, and or energy in some cases to get some things done including getting both Nezuko and Tanjiro fixed at technically a good or decent time so that by now, they could have been properly socialized and such, but recently we've been getting some things going and prepared which is good because of the 3rd really big thing that has been going on for a long while now. However, before I get to that, please keep us in your thoughts and prayers for when it comes to anything and everything pertaining to all of these crazy changes. We are most definitely going to need it for many reasons. You'll see why for when I mention the 3rd and biggest change that is very life-changing in and of itself that is happening in the Jones and Filkins household.
Third of all, I'm pregnant! Doug and I both have been trying to get pregnant from June 1st of last year. I officially stopped taking my birth control pills on that day after we discussed it with my OB prior to that. I started feeling mild nausea for about 3 months starting in August or September I want to say in the early morning hours to about late afternoon hours of the day everyday and around that time and sometime after my period had started to regulate naturally, my flow was starting to fluctuate in quantity here or there (I made myself some charts that went from that specific pack of my birth control pills, including listing the last day I took one, and the day I stopped taking them altogether, that I was stopping on to June of next year because that's what my OB suggested for Doug and I to do before looking into our fertility and such like that (Not the detailed month charts. Writing down the month charts was my idea to keep track of things.). Then there was some spotting here and there happening more and more frequently as the months went by until there was almost nothing to absolutely nothing really showing up sometime in September or October if I'm remembering the months correctly so Doug advised me to take some pregnancy tests. I took the first two from the package on Nov. 5th and both the digital and + or - said positive. Well I did my due diligence just to be on the safe side of things and waited exactly a week after Nov. 5th to take the second two from that exact same package (a digital and + or - one) relatively around the same time in the morning that I took the first two and both of those also said positive.
We both were pretty sure that I was pregnant given my symptoms and the 4 positive tests that were taken exactly as the directions written in the pamphlet, but whenever we told his immediate family about it, we did both say that it's still just a possibility that I could be pregnant and that this wasn't technically an official announcement and that we won't know for sure for sure until getting it officially confirmed with my doctors so to please not say anything about it to anyone else until we get confirmation on it. They were of course very excited just like we were about the real possibility that I could be pregnant.
Fast forward to Nov. 28th, where we get told by my primary physician that the pregnancy test that they just did had come back positive. So... By that point, we have 5 pregnancy tests in total all saying positive which in and of itself was incredibly surreal, but nothing and I mean absolutely nothing could have prepared me for how more surreal things could get until I went to get my first out of 4 total ultrasounds I've had done where I got to see my baby for the first time right there in front of my eyes on the screen and hear their heartbeat on Dec. 7th. No words that I could ever think to say would be able to describe even a little bit of the feelings that I felt hardcore while I was seeing this little human inside of me and hearing their heartbeat especially for the first time. That was the moment it felt incredibly real, but still so surreal at the same time. After trying to conceive for just a small number of months, Doug and I were officially on our journey of parenthood.
So... As you can see here a lot of changes are heading mine and Doug's way and any day now I'll be having our baby because I am now according to the What to Expect App, 39 weeks and 5 days along and the estimated due date is literally this Sunday, June 9th which is insane because my own birthday is this coming Monday. Either way, you look at it Doug is going to be dealing with not only two Geminis (We be crazy sometimes. We're fun, but things can get crazy with us here and there.), but two female Geminis. May the Lord and all the highest, bless him and his soul is all I have to say. LOL! 😆
So... Yeah those are the biggest changes from last year to now that has happened and or is happening still. Oh and Doug and I both have a raise coming up in September and it's actually a really good one to be honest especially his because he gets paid more as a Plumber for the school district than I do as a Custodian for the school district, but what I have coming my way per hour is pretty damn good. I'm not at all complaining about it. Oh and another thing, whenever I get back to work from my maternity leave, I'll be at a different campus. I'm going to miss my boss and my co-workers and the people I've cleaned for and such, but I have to do what is best for my daughter which is why I'm being transferred to a different campus so I can work the morning shift while Doug works the evening shift. I'm a bit nervous and anxious about it, but a tad bit excited too because while the morning shift custodians get paid a little less than evening shift custodians do, it's also usually from my very little experience doing it at other school campuses a bit easier cleaning wise so that's a plus in my book especially being a new mom and all. My new work shift will be 6 am-2:30 pm instead of 2:30 pm-11 pm, but I know I'll be all right. I adjust to different work shifts relatively well. It'll take me, mind and body wise probably at most 2 weeks to adjust to that time difference especially as long as I allow myself enough time to eat a good breakfast and enjoy a cup of coffee before getting my work day started.
Well... I believe that just about covers it really at least for now. Have a good day and Ttyl, Peeps!
Sincerely, Kendra E. Jones
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So fucking happy Dash Con 2 is happening in Toronto, very hear to me, and I am so down to see a tribute to this catastrophe and the joy it could well be.
I for sure always reblogged those jokes on how the original Dash Con was a shit show and made fun of it, but watching the video from @strange-aeons has brought me back to the con times I've been lacking this year and reminded me that there's another perspective of DashCon '14 and how little we have heard of the voices of those who were actually there.
Yes it was a disaster, but it was also a con and a gathering of like-minded people who all belong to something and want to see and meet people like them. The sense of community I have for sure felt from going to the local cons I try to attend every year radiated off the footage some people took and pictures from the con. Also fucking kudos to Doug Jones for being such a good sport, according to attendees. Knowing how much more famous he is now for Star Trek: Discovery and other things, he still seems like the most wholesome guy.
You bet my Canadian ass I will be at this con next year, and I will plan my vacation around this.
The video is linked below for anyone wanting to watch it!
youtube
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From Facebook - M. A. Rothman 9/26/24
If the English language made any sense, lackadaisical would have something to do with a shortage of flowers.
- Doug Larson
Writers don’t have lifestyles. They sit in little rooms and write.
- Norman Mailer
Learn to write. Never mind the damn statistics. If you like statistics, become a CPA.
- Jim Murray
The dubious privilege of a freelance writer is he’s given the freedom to starve anywhere.
- S.J. Perelman
Writing is easy. All you do is stare at a blank sheet of paper until drops of blood form on your forehead.
- Gene Fowler
If you can't annoy somebody, there's little point in writing.
- Kingsley Amis
Real seriousness in regard to writing is one of two absolute necessities. The other, unfortunately, is talent.
- Ernest Hemingway
Writing is so difficult that I often feel that writers, having had their hell on earth, will escape all punishment thereafter.
- Jessamyn West
I was sorry to hear my name mentioned as one of the great authors, because they have a sad habit of dying off. Chaucer is dead, so is Milton, so is Shakespeare, and I am not feeling very well myself.
- Mark Twain
All autobiographies are alibi-ographies.
- Clare Booth Luce
The art of writing is the art of applying the seat of the pants to the seat of the chair.
- Mary Heaton Vorse
The world is a hellish place, and bad writing is destroying the quality of our suffering.
- Tom Waits
The average Ph.D. thesis is nothing but a transference of bones from one graveyard to another.
- J. Frank Dobie
An autobiography usually reveals nothing bad about its writer except his memory.
- Franklin P. Jones
Long, hard slog today writing the Great American Tweet.
(That was it...what do you think? Pulitzer?)
- Greg Tamblyn
A bad review may spoil your breakfast, but you shouldn't allow it to spoil your lunch.
- Kingsley Amis
Unless a reviewer has the courage to give you unqualified praise, I say ignore the bastard.
- John Steinbeck
Asking a working writer what he thinks about critics is like asking a lamppost how it feels about dogs.
- Christopher Hampton
The only time I'll get good reviews is if I kill myself.
- Edward Albee
As far as I'm concerned, "whom" is a word that was invented to make everyone sound like a butler.
- Calvin Trillin
Listen up, Internet: there is no "h" in "wacky." Got that? THERE IS NO "H" IN "WACKY." Thank you.
- Dave Barry
Writing and travel broaden your ass if not your mind and I like to write standing up.
- Ernest Hemingway
About the most originality that any writer can hope to achieve honestly is to steal with good judgment.
- Josh Billings
Alimony is the curse of the writing class.
- Norman Mailer
Autobiography is an unrivaled vehicle for telling the truth about other people.
- Philip Guedalla
An autobiography is an obituary in serial form with the last installment missing.
- Quentin Crisp
Practically everybody in New York has half a mind to write a book, and does.
- Groucho Marx
Having been unpopular in high school is not just cause for book publications.
- Fran Lebowitz
Revising a story down to the bare essentials is always a little like murdering children, but it must be done.
- Stephen King
Never let a bad memory get in the way of a good memoir.
- Joanie Levenson
Everywhere I go I'm asked if I think the university stifles writers. My opinion is that they don't stifle enough of them. There's many a best-seller that could have been prevented by a good teacher.
- Flannery O’Connor
It's splendid to be a great writer, to put men into the frying pan of your imagination and make them pop like chestnuts.
- Gustave Flaubert
Writing is a socially acceptable form of getting naked in public.
- Paulo Coelho
All literature is gossip.
- Truman Capote
Your manuscript is both good and original; but the part that is good is not original, and the part that is original is not good.
- Dr. Samuel Johnson, to an aspiring writer
I can write better than anybody who can write faster, and I can write faster than anybody who can write better.
- A. J. Liebling
There's not much to be said about the period except that most writers don't reach it soon enough.
- William Zinsser
It took me fifteen years to discover I had no talent for writing, but I couldn't give it up because by that time I was too famous.
- Robert Benchley
When I was a little boy, they called me a liar, but now that I am a grown up they call me a writer.
- Isaac Bashevis Singer
Never, ever use repetitive redundancies. Don't use no double negatives. Proofread carefully to see if you any words out.
- William Safire
Only kings, presidents, editors, and people with tapeworms have the right to use the editorial "we."
- Mark Twain
Writing is like prostitution. First you do it for love, and then for a few close friends, and then for money.
- Ashish Chauhan @4shish
Did you hear about the little boy who ended a sentence with 5 prepositions? He said, "What are you bringing that book that I don't want to be read to out of up for?"
Let me see if I can put it in words that even the inebriated might understand.
- Tom Robbins
When Thoreau wrote: "Simplify, simplify, simplify!" shouldn't he have edited it down to "Simplify!"?
- CrankyPappy @CrankyPappy
He does not so much split his infinitives as disembowel them.
- Rebecca West
I am a writer. If I seem cold, it 's because I am surrounded by drafts.
- (Unknown Author)
How many writers does it take to screw in a lightbulb?
Six:
One to screw it in,
One to sharpen all the pencils in the house,
One to make more coffee,
One to call a friend to chat,
And one to complain that there's never time to do any writing.
Wait, that's only five — that's why they need editors.
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