#Don't blame it on me - Michael Bublé | Explore Tumblr posts and blogs

hotchs-bitch · 2 years ago

Text

Hold On

Summary: When a case hits a little too close to home, it’s time for Aaron to face the music and be honest about his feelings after the breakup

Pairing: Hotch x blank slate Fem!Reader (no use of y/n), Hotch x Beth mentioned, Emily Prentiss x mentioned oc (aka @leftoverenvy)

Word count: ~12k (the girl cannot shut up) (it’s closer to 13 but it’s worth it I swear to god it is)

Warnings: hotch pov, case-compliant violence/injuries, mentions of suicide, mentions of pregnancy & pregnancy scares, domestic actions without fluff, relationship talk/references to relationship, angst angst angst, deep delving into their feelings, this is basically a case study, I once again leaned way too heavily on song lyrics so pls listen to it

A/N: As Taylor Swift said…. Dear reader, if it feels like a trap, you’re already in one. Mwahaha. Anyways I hope you enjoy this. Massive shoutout to @munsons-curls and @doctorstethoscope for fixing my many mistakes and validating me, and to everyone who has let me take them on this little ride. I can’t express how much I’ve enjoyed writing this fic, or how excited I am to write the epilogue

Find it on ao3 here and as always, happy reading <3

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—————

There's so many dreams that we have given up

Take a look at all we've got

And with this kind of love what we've got here is enough

So hold on to me tight, hold on, I promise it'll be alright

'Cause we are stronger here together than we could ever be alone

Just hold on to me, don't you ever let me go

Once upon a time, Aaron had considered himself lucky. He had a steady job, as dangerous as it was fulfilling, with the BAU. He had a son, energetic and joyous despite all he’d been through. He had you, beautiful and strong and endlessly supportive of him. He had a version of the life he had always wanted, the normalcy of family game night and someone else making Jack eat his veggies. It had been perfect.

But then, he’d screwed up. Hadn’t he? He had opened up, just a bit too much, and told you something you didn’t want to hear. Scared you off.

Instead of spending the rest of his life with you, as he’d planned, Aaron found himself alone. He tried not to blame you, tried not to feel bitter about the inevitable result of finally opening up to someone so wholly.

He bit back every thought of how conditional your love turned out to be, every scathing remark about how Biometrics was one of the most useless departments in the Bureau. He pretended not to care when he overheard that you were dating again, courtesy of JJ and Prentiss’ water cooler gossip.

He’d done what Aaron Hotchner always did; he’d buckled up, lifted his chin, and done what was expected of him. He’d found a nice girl, one that fell for him quickly, and he wished he could return the depths of her affection. He’d continued to work, putting away bad guys with Morgan and Reid while missing the easy way you’d always been able to read his mind in the field.

He moved apartments as soon as it became apparent that the ghost of you would never leave; he just wished that it hadn’t followed him, haunting him with thoughts of you dancing around the new stainless steel kitchen, or flopping onto the brand new suede couch.

He’d done what you asked him to, two years ago when you’d walked away from him and left him to pick up the pieces of his son’s broken heart and ignore his own.

Everyone has a breaking point, though. Aaron, to his credit, hadn’t reached it many times in his life.

There was the first time his father hit his little brother; the first time Aaron fought back. Open-handed slaps, broken noses, Sean screaming. He had never regretted it, not even when he wound up in the hospital that night.

There was George Foyet, dead on the blood-soaked carpet after a blur of a fight. Bloody knuckles, blurry vision, Haley’s blood flecked on her killer’s face. He’d do it a hundred times over if he had the chance.

There was the breakup, the one that simultaneously snuck up on him and had been inevitable. Crumpled flowers, Aaron yelling, you packing your desk. If he hadn’t snapped, would you have stayed?

And then there were the breaking points Aaron never expected to reach.

Leaving for a case the day you broke up with him, only to return to a half-empty apartment. Empty closet, the ‘hers’ sink from the his-and-hers themed bathroom scrubbed clean, your favourite mug left in the dishwasher. He had shattered the mug, thrown it off the balcony where you liked to drink your coffee in the mornings.

The first time you’d come along on a team outing after the breakup. Laughter, avoiding glances, ignoring how good you looked. He had taken home the first woman who caught his eye that night, learned her name- Beth- and given her a place in his life, like that would solve anything.

No matter how many breaking points he experienced, Aaron could never be sure about when the next one would occur. His saving grace through it all was that at least he could keep his composure at work.

Where Aaron failed, Hotch wasn’t allowed to.

Maybe that’s why it’s such a shock when the team gets news of a bombing in New York, just days after Emily’s wedding, and Hotch nearly keels over at his desk.

You’re in New York.

— — —

The drive to the airstrip is a blur; the whole team is worried, of course, but Aaron can hardly see straight until he’s on the plane with a file in his hand and Emily is squeezing his arm.

He remembers giving a quick and quiet order to Garcia, to call you and find out if you’re okay, and it doesn’t help his nerves that all she could tell him was, “Her phone is off.”

“She’s okay, you know,” Emily murmurs, discreet enough that no one else can hear. “It’s a big city. She’s just fine. We’ll catch this guy, and then you can see her. We just need to work the case first.”

Aaron- Hotch, now- takes a deep breath and does his best to hide that those words are exactly what he needs to hear right now, even if he doesn’t plan on seeing you. She’s right; they just need to work the case. “Alright. Okay,” he says a little louder, “What do we know?”

“Not much,” Morgan frowns at the file in his hand. “A bomb went off at The Vessel. It was a structure, I guess, but no one was allowed inside and that’s where the bomb was. Makes sense with the casualty numbers- Seven wounded, two dead.”

“Probably nearby tourists, taking pictures with it,” Prentiss says thoughtfully. “Maybe he’s sending a message to outsiders, but didn’t want a high body count.”

“That could be it,” Rossi agrees. “‘Stay out of my city’.”

“There’s been no communication to any news outlets so far,” JJ chimes in. “I don’t think we’ll learn much more until we get there and have a chance to check out the scene.”

Reid adjusts a few papers so they align, most of his attention focused on the task. “You know, most seemingly random bombings have a high chance of being followed up with a string of serial bombings, for a number of reasons. Sometimes the unsub gets addicted to the attention, or the feeling of killing, or the initial bomb doesn’t impact the intended target,” he continues, not noticing the look Rossi is shooting him.

Hotch takes a deep breath and tries to push back the feeling in his chest that resembles a brick being crushed into his sternum. “Alright. JJ is right. There’s not much more we can do with no signature and no other bombings. Everyone, just try to relax; I have a feeling we won’t be getting much rest in New York.”

He watches as the team follows his instruction. The tension is palpable but they know there’s nothing they can do; the waiting is everyone’s least favourite part of the job. Still, they try to relax. Morgan pulls on his headphones and closes his eyes, JJ and Reid start to play cards, and Prentiss and Rossi re-open their file folders to review case details.

As much as he’d like to do the same, Aaron can’t bring himself to move. He sits there, head against the window, and he wonders if you’re okay. Were you caught in the blast? Did you become one of Reid’s bombing statistic numbers? Or are you perfectly fine, content somewhere in the city with no idea that Aaron is on his way there?

He wonders, briefly, against his will in a moment dripping with guilt, which potential is worse.

———

Aaron Hotchner is something of a practiced master at hiding his agony. Maybe that’s why his voice is so level when the plane starts to descend, and he finally speaks to do the one thing he knows how; direct his team.

“Morgan and Rossi, go to the bombing site. See what you can find. Prentiss, head to the hospital with Reid and start talking to victims, and JJ, see if any news outlets have been contacted yet. We’ll meet at the station later.”

As though on cue, Garcia’s computer screen against the wall of the jet lights up. The tech analyst looks a bit paler than usual, and Hotch crosses his fingers and chalks it up to bad lighting until she speaks.

“Sir, there was another bombing. Three minutes ago, in a grocery store near the Village. There’s no casualty numbers yet.” She looks like she might cry now, and it’s not hard to figure out why.

“A grocery store is a serious escalation,” Rossi says, opening the file folder he’d just closed. “There’s locals, long-stay tourists, families shopping. Big jump from a tourist trap.”

“So we know he’s not possessive of the city. At least, he isn’t just trying to get rid of perceived outsiders,” JJ offers, and Morgan shakes his head.

“If this guy is looking for the homey-cozy ‘love thy neighbour’ deal, he’s not about to get it in New York no matter what he bombs,” he points out.

When the plane jostles them all a little, Hotch takes the moment of silence to re-assess assignments. “Garcia, is search and rescue at the second bombing site?”

“Yes. Well, sort of. The team is split between doing recovery at both locations,” she says, and one nod from Rossi means Hotch doesn’t hesitate to reassign.

“Morgan, you’re with me at the new site. We’ll be assisting with search and rescue before anything else. Rossi can handle the first scene by himself. Everyone else, stay as assigned.”

“Hotch, are you sure about that? I might be able to…” On what was probably going to be an offer of how he can assist at the original scene, Morgan falters. Of course he does. There’s nothing to be done when the bomb’s already gone off.

“I’m sure. There are people out there, and they deserve to be saved.”

———

When the plane hits the tarmac, his team is ready. It’s like watching a well-oiled machine, the way they pair off and head off to their assigned zones. The only pause is between Aaron and Rossi, when he grabs his friend’s arm on the way off the plane. “Dave…”

“I’ll tell you if she’s there,” Rossi promises, and then he’s gone in a black SUV while Hotch climbs into one with Morgan and heads to the Village bombsite.

“So, search and rescue,” Morgan says, raising his voice to speak over the sirens that Hotch has turned on. “Are we heading in, or assisting from the sidelines?”

“According to Garcia, the ambulances aren’t able to make it out to the grocery store. There’s too much rubble blocking the roads that aren’t under construction, and it’s New York traffic in addition to the media outlets swarming the place.” Hotch lets out a concentrated breath. “It’s going to be all hands on deck. Look for survivors, get them to an ambulance.”

“Got it.” The second Hotch throws the car into park, Morgan is sliding out of his seat and onto the sidewalk. Both men make their way through the media storm, past the ambulances that managed to park closer than they did, and into the store.

Search and rescue is there already, along with the SWAT team. They’re moving debris, lifting fallen shelves, and occasionally carrying people out to the ambulances waiting for them.

Hotch sets into motion instantly. He breaks off for the frozen food aisle where he doesn’t see anyone searching. “Is anyone over here?” He calls out, but there’s no answer.

The bomb must have come from across the store; there’s less debris here, but the shelves are twisted and collapsed all the same. Shattered glass from the freezer doors covers the ground, and he tries to avoid it as best he can as he walks down what once was an aisle.

He steps around stray items- a warped metal freezer door frame, a pile of frozen pizza boxes, pints of melting ice cream- while keeping his eyes trained for any sign of another person anywhere.

When he finally does see something, it makes his adrenaline spike. It’s a leg, poking out from under a freezer shelf. If he has to venture a guess, he’d say that someone is pinned under the bent freezer frame, but whether they’re merely unconscious or dead remains to be determined.

“Hello? Can you hear me?” Hotch raises his voice a little and gets closer to the figure. He can see the leg a bit more clearly now, and a hand poking out from under the side of the freezer. The fingers twitch slightly. Thank god.

The sweatpants the person is wearing look vaguely familiar, and Hotch can’t place them until he sees the image of Nemo on them, and it clicks. As soon as he realizes, his stomach drops. His hands go clammy, the blood rushes from his face, and it’s all he can do to stay on his feet.

When the dizziness hits him, he wants to throw something and scream and maybe sink down onto the floor and cry, but he can’t.

He can’t, because he remembers when Penelope made sweatpants out of quilts for everyone on the team four Christmases ago. He can’t, because she’d had more than enough Disney quilt for two pairs, and had given you and him matching pants.

He can’t, because he recognizes those pants because they’re in his closet at home, but the only other person who owns a pair like this, obviously handmade, from a quilt covered in Disney characters, is…

It’s you.

Aaron can’t help himself, couldn’t stop it if he wanted to; he turns his head, bends over, and throws up on the grocery store floor, on layers of glass and rubble and thawed boxes of Pizza Pops. Right there, staring at your leg and hand, Aaron almost breaks.

But where Aaron has chinks in his armour, Hotch has none. Hotch is the one who takes a deep breath and wipes his mouth and straightens up, the one who uses every bit of strength to lift a warped freezer shelf up and reveal you, with a mangled wrist but looking generally otherwise unharmed.

You look terrified.

Not that Hotch can blame you, of course.

“It’s alright. You’ll be okay,” he says, and he doesn’t know if it’s Hotch or Aaron talking, because he sounds calm but he has no idea what happened or how hurt you are. “Were your neck or back hurt? You need to answer me.”

You’re looking up at him, gaze half-lidded, and he doesn’t know if he should be scared or relieved when you shake your head and croak out, “They’re fine.”

He knows it’s risky, knows he should call for Morgan or a member of SWAT or anyone with a gurney to transport you safely. But you’re in front of him, dazed, grimy and half-conscious with your wrist bent at an angle, and all he can do is pick you up and hold you close to him. “Hold on,” he instructs, and he feels your arm wrap around his neck.

“Aaron…” you whisper, and he strains to hear you as he makes his way towards the doors with you in his arms. No words follow, though, and he looks down to see you crying against him, silent with tears slicing through the coat of dust on your face. Your arm starts to slip, and he squeezes you a little.

“We’re going to get you out of here,” he promises, “But you need to stay with me. You’ve probably got a concussion, so don’t close your eyes. Hold onto me, tight. I’ve got you.”

When your grasp tightens again, he resumes moving towards the exit. The first breath of fresh air must invigorate you, because he feels you tighten your grip even more. “Aaron,” you repeat, less feeble than before, but he doesn’t want you wasting an ounce of energy.

“I know, but it’s going to be alright,” he shushes you as gently as he can until you arrive at the ambulance, and he passes you off to two paramedics who slide you onto a gurney.

He tries to step back but your hand shoots out and grips his dirtied suit with more strength than he thought you had. “Will you visit? At the hospital?”

The correct answer is no. No, there’s a case to work. No, you’ll be fine. No, we broke up and that’s weird. “We all will,” he promises instead without a hint of regret. “Just let them take care of you, and we’ll be by when we can.”

Relief shines in your eyes, and it’s the last thing he notes before your grip loosens on him and you’re wheeled up into the ambulance.

A minute or so passes before Aaron senses someone behind him and turns to see Derek, who’s watching the road the ambulance disappeared down. “She’s gonna be okay,” he says to Aaron, offering him a nod of support.

Hotch doesn’t know who he’s trying to reassure.

— — —

They reconvene at the station a few hours later, and Aaron sits mostly silent while his team discusses victimology, motives, and the chemical makeup of each bomb. He tries to contribute once or twice, but he falls quiet every time he recalls the way you’d looked up at him.

There had been fear in your eyes, of course. You’d been in a bombing, and he knows how natural fear is after traumatic events. But there had been recognition there too, a solemn kind. He wonders to himself if you wish anyone other than him had found you and brought you to safety, or if he’s worrying about nothing.

You’re safe now, and that’s what’s important. Even if you recover and stay in New York and Aaron never sees you again, at least you’re safe.

Who is he kidding? He can’t go along with never seeing you again, safety be damned. And yet…. He clenches a fist, ignoring Morgan and Reid’s discussion about chemical compounds. And yet, you’d been so close to dead. An aisle or a footstep away, and you could have been ripped away forever.

It makes him sick to think about.

He’s thinking so hard about it that he’s got no idea how long he’s had his gaze fixed on the table before JJ’s sharp “Hotch!” breaks through and gets his attention.

He clears his throat, embarrassed to be caught off guard. “I’m sorry. I was… elsewhere.”

“Did you hear what Emily said?” She asks, and he shakes his head. When he makes eye contact, JJ’s features soften. “You should go see her.”

“No. No, that’s unnecessary. We have a case to work,” he says, and Morgan scoffs at that. “We need to work it like any other case.”

“Any other case? Hotch, you carried her to the ambulance! It’s first aid 101. She could have had a broken spine, and you threw protocol out the window,” Morgan says, staring his boss down. “This isn’t any other case. You guys were in love, man. Go see her.”

Hotch sighs, wishes that the floor could open up and swallow him. Of course he wants to see you, buthe needs to catch the person who did this, first. “It’s not my priority. There are people dying, and we need to stay focused on that. I told her that we would all come visit her after the case is closed.”

“We are focused,” Emily points out. “You aren’t. You’re not helping anyone like this. Just go talk to her, see how she’s doing.” When Aaron opens his mouth to protest again, she cuts him off. “I’m not saying you should live at her bedside or propose to her, but just go say hi. It’s going to help both of you.”

When he looks to his right, Rossi has one eyebrow up. “You know you aren’t winning this one, right?” he asks, and Hotch sighs again. “Bring the girl some flowers, too.”

Aaron closes his file and stands up. “I’m not bringing her flowers,” he mutters. “I’ll be back in forty-five minutes. If anything else happens, keep me updated.”

——

When he gets to the hospital, flowers in hand, Aaron finds your room almost immediately. He knocks twice on the door, is greeted with a soft, “Come in.”

“Hi,” he says gently, leaving the door open. He watches, waits while you do a double-take like you can’t trust your own vision when Aaron Hotchner is standing at the door.

“You came,” is your response, and he can’t decide if your voice is coloured by exhaustion or disbelief. Maybe it’s both, but he doesn’t like the idea of not being seen as dependable to you, even now.

Encouraged slightly, Aaron takes a further step into the room. Maybe you do want him here, and you weren’t delirious when you asked him to visit. “You asked me to; of course I came. How do you feel?”

While he waits for an answer, he observes you. You’re in a fresh pair of clothes, and before he can enquire about it you’re speaking.

“I’ve been better.” You hold up one arm in a cast. “But I’ve just got this and a concussion, so it could be worse. Remember that case in Kansas where I broke my leg? That was way worse.”

Aaron shakes his head, wanting to scold you for speaking so lightly of an event that had very genuinely terrified him, but he stops himself. It’s not his place. In lieu of conversation, he raises the vase of flowers slightly.

“I, uh, brought you these.”

In the two long years that you’ve been gone, Aaron has never stopped reading human behaviour. More than anything, he has experience with your body language, and he looks over you with a familiar eye.

He sees the tension in your shoulders, your eyes narrowing slightly in the direction of the arrangement, and he knows that you’re remembering the last time he brought you flowers. “Thank you,” you say after a pause that’s almost too long. “What kind are they?”

“They’re Gladioli,” he says, and the words are fully out of his mouth before he remembers that he should have lied.

When you were dating, he had always brought you flowers. On your birthday, when you solved a case, when you just felt down; Aaron was there with a bouquet, one that always meant something. Celebration, or supportive love, or some other flower language message that he knew you would understand even when he couldn’t say it out loud.

He’s pretty sure that by the time you broke up, you had memorized the whole flower dictionary. But it’s possible, he hopes, that you never came across the Gladiolus flower. Hope. Love. Remembrance.

Why he bought them, he can’t say for sure. Maybe old habits die hard. Maybe he wants to know what you’d do if you recognized the flowers.

When you finally speak, it’s with an indecipherable voice. He’s got no idea whether or not you know what these flowers mean. “They’re beautiful. Can you just put them there?” You point one finger at the windowsill, and he follows your directions to place the vase down.

“Of course.” He sets the flowers down in a beam of sunlight, adjusts them this way and that until he’s satisfied. Once he stops moving, a heavy silence falls over the room.

What is there for you to discuss?

He’s racking his brain looking for something, anything, to talk about, until you speak bluntly.

“What do you know about the bomb?”

“What?” He hadn’t even considered that you might want to talk about the case. You’re a former agent of his unit, so ethically, it’s fine to discuss this with you. Still, he’s concerned about the trauma to your body and mind. Before he can speak again, or protest, you’re already talking.

“The bomb,” you repeat. “Do we know who it was placed by? Is it connected to any other bombs? What was it made with?”

This is familiar. This is okay. This is something Hotch knows how to talk about, even when you’re laid up in a hospital bed and he’s only talked to you a handful of times since you broke up two years ago.

At least it’s not awkward anymore. He can read it in the way you sink back into the bed, and how his own shoulders release a bundle of tension that’s been there since he initially heard that there was a bombing in New York this morning.

“We’re still trying to figure that out,” he admits. “It was made with the same chemical compound as the one that blew up The Vessel this morning. It was a homemade compound, nothing that could have been acquired naturally without extensive knowledge of bombs.”

“The Vessel? That’s a tourist attraction.” You sit up, but Hotch shakes his head.

“A closed one,” he corrects. “People just go there to take pictures outside the structure, now. That’s why there’s such a low body count.”

“Well, yeah, but it’s not just closed. The Vessel is the attraction that closed after a string of suicides,” you say, and Hotch’s head snaps up in attention. “It was a big thing on the news. Have you looked into anyone related to any of those suicides?”

“No, we haven’t.” He’s already fumbling for his phone. “I’m going back to the station. Just… keep us updated on your condition, okay? We would all like to know how you’re doing.”

“Absolutely not.” Hotch can’t decide if he’s more annoyed, impressed, or concerned when you stand up. “I’m coming with you.”

“You aren’t a part of the BAU anymore,” he reminds you. “You made that choice.”

“Yeah, well, there weren’t any lives at stake. He went after a grocery store, Aaron! What’s next, the Empire State Building? Times Square?” You grab your bag of possessions collected from the bombing and rustle through for your purse. “Did you drive here?”

“You can’t come with me. You’re in the hospital for a reason.”

“For a concussion! People are dead.” You stride towards the door, holding your purse and jacket in the hand that doesn’t have a cast around the wrist. “Can you bring the Gladioli, please?”

Is he caught? Do you want to bring them because you know what they mean, or just because they’re nice flowers? With a sigh, Aaron picks them up and pulls his car keys out, knowing that you’ve won this one. “We aren’t putting your name on any reports,” he warns, taking your jacket and bag of possessions in his other hand. “Strauss would kill us both if she thinks I’m borrowing agents from other units.”

“I don’t need credit. But we need to find this guy, before he hurts anyone else.”

———

When Aaron gets back to the station, he thinks that his agents probably expected him to come back with something like Thai food, or information about a new bombing.

They likely weren’t expecting him to bring you with him. Or maybe they were, because the response of greeting waves and murmured ‘hello’s are less surprised than he had expected.

“How are you feeling?” Prentiss asks casually, but Hotch can see the flicker of panic in her eyes when she glances at your cast.

“I’ve been worse. Listen, Aaron told me about The Vessel…” you start talking to the team as Hotch calls Garcia to loop her in, and suddenly everything feels more normal than it has in two years.

When you’ve finished filling the team in, Hotch starts to speak. “Garcia, we’re going to need history on the deaths that occurred there before it was closed down. Rossi and Prentiss, go through medical reports. Reid, I want you going through any written notes or other evidence found with the bodies.”

While he talks, he notices you slipping out of the room out of the corner of his eye. Morgan grabs his phone and calls Garcia, trying to help her comb through articles for a list of suicides that occurred at The Vessel.

Hotch sits down with Reid, paging through suicide notes and crime scene photos sent by Garcia until he feels like his head is spinning.

That’s right around when you come back, your presence subtly announced with a cup of tea placed in front of Hotch and a gentle squeeze of his shoulder as you pass.

When he brings the cup to his lips, he smiles. It’s English Breakfast tea with a dash of sugar in it; his beverage of choice when it’s too late in the day for coffee. “Thank you,” he says, and you just give him a grin before going to assist Rossi and Prentiss.

After a few minutes of idle work and murmured discussion, Derek shushes everyone and puts his phone on speaker. “Okay, baby girl, tell us something good.”

“None of that, crime fighters. After a truly depressing deep dive through news articles, I’ve got 37 names belonging to people who… you know, died at The Vessel.”

“That’s not workable,” JJ remarks, “We need to narrow it down.”

“We said he has a protective, low body count style. Could be the family member of a suicide victim. One who doesn’t have the guts to cause the maximum amount of carnage,” Rossi suggests.

“That’s good,” Hotch hears himself say, like he’s hearing it from a distance. “A parent would show aggression. Garcia, look for suicide victims with surviving siblings in the area. Focus on the ones with older siblings.”

The click-clack of her keys is the only audible sound before she reports, “16 left. Still too many names.”

“Do any of them work in auto mechanics, or in proximity to cars?” Reid asks. “There’s a specific compound in the bomb that’s almost impossible to come by unless you have access to garage-grade chemicals or a specialized lab, and the lab is unlikely for him.”

“Two names. Anything else?”

Out of the corner of his eye, Hotch sees you perk up. “Did any of the victims work at that grocery store?”

“Uhh…. One! He wasn’t on our list of two, but his name was Jackson Moyer.”

“Wait, I’ve got something here.” Reid sorts through papers- suicide notes and similar images sent from Garcia, and Hotch doesn’t know when he had time to get them printed out- until he pulls out a sheet of paper. “Jackson Moyer. It says in the note that his girlfriend broke up with him on the same day he got fired.”

Emily leans over to look at the note. “It’s dated nine months ago.”

Nine months. “She was pregnant,” Hotch blurts out, and a heavy silence falls over the group.

Moments later, Garcia gives the confirmation. “Nora Carr, Jackson’s girlfriend, had the baby…. Three days ago, but she gave it up for adoption,” she reports.

“Right before the bombings started.” Rossi’s observation sits heavy for a second until you speak again.

“Back to the victim. Does he have a surviving family member matching the description?” You hold the end of a pen in your mouth, worrying it between your lips while you look at your files. “A sibling or close cousin, maybe.”

There’s a moment of typing before Garcia says, “Bingo. His older brother, Jeremy. It looks like they were really close growing up; same sports teams, friend group, classes, you name it. He doesn’t work at any kind of auto shop, though. He works in retail.”

“He felt betrayed when his brother killed himself,” Hotch starts.

He’s caught off guard when you continue his train of thought for the first time in two years. The ease with which you take over his idea is one that he’s missed; sometimes, when he’s having difficulty going somewhere with a profile, he misses working with you. It’s like you hold the other piece of the puzzle.

But now, even if just temporarily, you’re here and you’re fitting the puzzle piece into place

“And he saw giving away Jackson’s child as the ultimate betrayal. Does he have a boyfriend or girlfriend with access to the chemicals used?” You ask.

“Yep. Her name is Erica Harmon and she’s a grad student at Columbia. She’s a TA in a load of undergrad chem classes, too.”

“He’s got access to the chemicals through her,” JJ says, frowning at her list of materials found in the bombs. “Almost all of this is lab-grade, and the rest of it wouldn’t be hard to find at a supermarket.”

“And he’s probably going after Jackson’s ex-girlfriend next,” Morgan says, already grabbing his gun as the rest of the group stands up.

Prentiss looks at her boss. “Where do you want us?”

“You and Reid, head to Jeremy’s house. Rossi, Morgan, JJ, I want you at the ex-girlfriend’s apartment.”

“Where am I going?” You ask, using one hand on the table to steady yourself when you stand up and wobble slightly. “I need a gun.”

“No, you don’t. You need to stay here, and I’ll stay with you.” Aaron sits back down, pulls you into your own chair with both hands on yours while he ignores the team’s stares.

“Hotch, are you sure?” Morgan asks, but Aaron doesn’t even look over.

“Go.”

He hears the sounds of rustling to his side, his team leaving as fast as they can while Garcia says something about sending them the addresses, but he can hardly focus. “Are you okay?”

“A little…” You bring a hand to the centre of your forehead. “A little dizzy, that’s all. Are they going to be okay?”

“They’ll be just fine. We profiled that he targets the buildings themselves, not the people in them. He won’t be able to take a hostage successfully.” Aaron promises.

He hopes he’s right.

He hopes he hasn’t lied to you yet again, especially when you give him a hopeful smile.

“I missed this,” you say, so casually that his heartbeat falters before you continue to speak, giving him clarification that he doesn’t want. “Working with everyone, being on cases. Biometrics isn’t nearly as interesting.”

The confession cracks his face into something resembling a smile. “Never a dull moment here,” he agrees before the two of you fall into a silence that he can’t decipher.

Should he have said something else? We missed working with you, or I missed having you around, or Biometrics is practically an entry-level unit. Maybe even, Are you thinking of rejoining the team?

He still doesn’t know why he lied to you on the day of the breakup, why the words ‘it’s not reversible’ had ever left his lips. You could have come back to the BAU at any time, Strauss be damned. Of course, it would be his head on the chopping block, but still. You deserved to know.

He doesn’t say anything.

“How’s Beth?” You blurt out, and he wonders how long you’ve been holding onto that question before you asked it.

He wishes you hadn’t asked. He has a moment of panic, gives you a reaction he already hates himself for before he does it. Instead of answering, he stands up and picks up his now-empty mug of tea. “I’m going to get another. Do you need anything? Some water?” He suggests, brushing the back of his hand on your forehead the way he does when Jack is sick.

The look in your eyes is unreadable when you slump down into your seat further, staring at the table. “I’m okay,” you mumble, and Aaron hates himself even more for the familiar way he caresses your hair before he walks off.

His return a few minutes later finds you curled up in one of the large office chairs, your head leaned back while you speak into your cell phone. “… not sure when I’ll be back,” you’re saying, and you glance up when he enters the room. “I’ll call you back later, okay?”

You hang up and tuck the phone under your leg before you look up at him. You don’t say anything.

He doesn’t say anything.

You don’t say anything.

“I brought you tea,” he blurts out.

Aaron Hotchner, ex-prosecutor, Unit Chief of the Behavioural Analysis Unit of the Federal Bureau of Investigation, well-known in more than one elite circle for his nuanced understanding of the human mind and what makes it tick. That’s him.

Or maybe it’s not, because after two seconds of awkward silence he’s offering you the mug of tea he made for himself.

“I thought you went to get yourself one,” you say, but a barely-trembling hand reaches forward to accept the mug nonetheless. Thank god he’d grabbed a clean one.

“You need it more. How’s your arm doing?” He asks, and you shrug.

“It’s been better, but it’s been worse. Hurts less when I don’t think about it.”

Aaron has always prided himself on giving you what you need. If you’re telling him that you don’t want to think about it, he can work with that. He can distract you. “Who were you on the phone with?”

It’s excruciating, the length of time that he sits in silence before you answer. It feels like he’s waiting for a signed murder confession. He sits there and waits for what feels like days, weeks, maybe a month or two to hear you say, “My friend.”

“Garcia said you were visiting a friend. That’s why you bought the onesie, isn’t it?” He guesses, remembering that awkward run-in with Beth and Ella at the museum gift shop.

He can’t believe he brought it up. Can you see the shame for it on his face, or the tips of his ears red with embarrassment?

It had been a great day. He had had a rare day off, and he and Beth had taken the kids to the park. They’d gone out for ice cream afterwards, and finally for a tour of Jack’s favourite museum that ended with the museum gift shop. It’s almost a perfect memory, a day that he would fit into a snow globe to preserve if he could.

He knows that if he did that, somehow preserved the day in a sphere full of glycol, he would just remember the look on your face in that gift shop. He still can’t put a name to the emotion other than ‘torn’.

Aaron Hotchner; the master of understanding every human mind except yours.

“She just had a baby,” you respond, and he blinks twice before he remembers that you aren’t in the gift shop anymore and that he asked you a question.

You’re here in front of him now with a broken wrist and a concussion and you finally seem to be opening up to him, and he doesn’t want to risk missing it by staying in his own head.

“Boy or girl?” He asks while you sip the tea. It's an English Breakfast with nothing but a bit of sugar, but you don’t seem to mind.

“He’s a boy. His name is Tristan and he’s cute, too. Do you want to see a picture?” You’re already eagerly reaching for your phone, and he couldn’t bring himself to stop you now whether he wants to see the pictures or not.

When you show him the screen, a part of him wishes he had stopped you.

The baby is tiny. Tristan is swaddled in a blanket, the top half of his head poking out just for tiny eyes to squint at the camera. Aaron can see the top of a scrunched nose, maybe the beginning of a cry or a yawn. He examines the details, the obviously-plush blanket with grey-blue floral detailing.

Aaron does his best to fixate his attention on Tristan and ignore the fact that the photo is of you holding the baby, looking almost maternal and definitely happy and…

He looks away.

He can’t help it; he hardly stops himself to consider whether it’s rude of him to actively dodge the photo. Instead, he clears his throat. “Very cute,” he agrees, “You’re right about that.”

“Yeah. He was born a little premature, so I thought I’d take some time off of work, come up and help her out for a little while.” You look down at your cast and let out half a scornful laugh. “Some help I am. I don’t even think I could hold him now.”

“I’m sure you’ve been plenty helpful,” he assures you without a thought. After all, for years you had as much of a hand in raising Jack as Aaron did. “It just might have been cut short a little.”

“Yeah, a little. I’m probably going to have to head home after this. It doesn’t make sense to stay when I can’t do anything.” You look glum at the prospect, and without a thought Aaron reaches a foot out to bump against the roller wheels of your chair. It’s a gentle tap, one that just serves to get your attention.

“Talk to your friend,” he advises. “Maybe you can still cook, or help her clean up around the house. There’s no need to cut your time off short just because you can’t hold a baby.”

Your head tilts just a bit, and your eyes narrow as though you’re looking at an equation in the air that Aaron can’t see, let alone guess the factors of. He hopes you can solve it, whatever it is. “Maybe,” you say, and that’s when he hears the conference room door open.

“Hey, double trouble.” Morgan has a trademark grin from ear to ear as he sits down at the table, and Hotch swivels in his seat to face the team as they file into the room.

How did it appear to them? Him close to your chair, you tucked into it with one leg under you and the other hanging off the side. Did it seem uncomfortable, like you didn’t want to be there? He wishes he could have taken a picture of the two of you, somehow, something he could study and examine and hope to understand.

You’ve been alone in a room for… well, he’s lost track of time, but it’s been a while and he still can’t tell if you’re comfortable or not. He’s got no clue until you pipe up and wheel your chair closer to the table.

“Dibs on being ‘double’. You can be ‘trouble’.” You nudge his shoulder with your own, and Hotch does his best not to smile. There’s no use in encouraging you, after all. Still, he can feel some of the tension drain from his shoulders at the light tone; you’re happy to be here, happy to work on this case and to talk to him.

“Actually, you can’t assign nicknames based off of a group nickname when the name itself is a play on how many members there are,” Reid corrects as he sits down with his case file in hand. “You can only do that if each nickname is a separate title.”

Morgan groans out loud at that and reaches over to swat Reid’s arm. “C’mon, man, you’re taking all the fun out of it,” he complains, leaving Reid with a mildly perplexed look on his face.

“We can try again,” Prentiss offers, slipping out of her bulletproof vest. “Hey, sugar and spice.”

Aaron can feel your reaction before you can even open your mouth, and he beats you to it by a half second by warning, “Don’t say that I’m spice.”

The look on your face tells him that that’s exactly what you meant to say. He pushes away thoughts of Look how well I know you in favour of We’re at work.

“How did takedown go?” He asks. The debrief usually happens on the jet, but it feels wrong to discuss the case without you now. Debriefing is an essential part of each case for everyone who works on it, and he does his best to make sure that each member of his team- past or present- can leave each city with a sense of closure.

If anyone needs closure on this case, it’s the woman wearing a cast who hasn’t had to face the horrors of the BAU in two years.

And maybe Aaron, because it’s just as important to him that you feel okay after the events of the last day. Maybe you need to know that the unsub is behind bars, but Aaron needs to know that you know.

Dave, who has been smirking ever since he saw Hotch quickly wheel his chair away from yours upon the team's arrival, speaks first. “Nice and easy. We caught him while he was assembling a bomb in the apartment complex's boiler room. Taking a hostage never crossed his mind.”

“He didn’t even go to Nora’s apartment. She had no idea what we were talking about when we tried to interview her,” JJ says. She hasn’t sat down yet, and is already working to gather up the metric ton of paper covering the conference room table.

Maybe Hotch should have thought to do that.

“Good. And Erica, the girlfriend?”

“She had no idea about any of it. Morgan found a copy of her keys on the unsub’s keyring, and her best guess was that he copied them right out of her purse.” Prentiss passes JJ a stack of papers and sighs. “I feel bad for that girl. She had no idea what was happening right under her nose.”

“She had no way of knowing that her boyfriend would be pushed over the edge like he was. She’s gonna need help after this, for sure,” Morgan says thoughtfully, and the group mumbles out a collective agreement.

“Either way, mi bellos,” Rossi stands up to clasp his hands together, “The case is closed and we’ve got someone in cuffs. All’s well that ends… well, you know.”

It catches Hotch off guard when his stomach pangs at the thought of leaving. Boarding the jet and heading home. Leaving New York, leaving Jackson and Jeremy and their girlfriends in the past, leaving you to deal with the aftereffects of being injured on your own.

He can’t stop himself from speaking, even if just to re-think his words before they become law. “We can stay the night.”

There’s no subtlety to the rise of Morgan’s eyebrows, or the glance that Prentiss and JJ exchange. But there’s nothing he can do about it now. The words are out there. It’s already done.

“Why would we do that?” Reid asks, always one to voice the question no one wants to vocalize. Hotch has always loved his curious mind and his need to understand every aspect of something.

Even if he kind of wants to throttle the kid right now, because how the hell is he supposed to answer that?

“Because you all did some good work today,” he answers after a painfully long minute, “and deserve a night off. We can all go out for dinner and be on the jet early in the morning.”

That answer seems to satisfy the room, and Aaron ignores the look Rossi is giving him as he glances over at you and drops his voice. “How are you feeling?”

“Better,” you promise. “Do you, you know, maybe have an extra seat at that table?” You look nervous; he can read that clear as day. The idea that this could put you on edge almost makes a laugh bubble up in his stomach but he shoves it down in favour of a smile.

“I’m sure we can pull one up,” he assures you in a murmur. “We’d love to see you a bit more before we leave.”

“Oh.” You sound almost surprised, and he’s glad that he thought to hide behind the royal ‘we’. “Okay. Can I ride there with one of you?”

“Of course.” Aaron stands up and pulls your chair away from the table so you’ve got room to stand. Unnecessary chivalry; he has to remind himself to cut it out. “We can take a taxi.”

—

That’s how, fifteen minutes later, he finds himself in the passenger seat of a cab with you, JJ, and Garcia squished together in the backseat.

He wonders what you’re talking about back there behind the partition in low whispers, the occasional giggle, and one or two sharp “Shh”’s. The taxi stops too soon for him to find out, and your little group finds the rest of the team at a table already.

You slide into a seat and Hotch unconsciously moves to take the seat farthest from you- a habit he’s built in the last two years- only to find Morgan already sitting in it. “Sorry, Hotch. You snooze, you lose,” he defends with a wide smile.

By the time he turns to see what other seats are free, the only one left is right next to you. “Aaron, over here,” you say, and with all eyes on him there’s nothing to do but come around the table and sink into the stiff chair.

The waitress comes by to take drink orders a minute later, and Hotch orders himself a water. He’s here on official business, and he refuses to get drunk. It’s what his father did, and that always ended up in violence or big scenes made in public. Hotch does everything he can to avoid that side of himself, especially when he’s representing the government.

“What kind of wines do you have?” He hears you ask, and he turns his head to see the waitress produce a menu from what must have been thin air.

“She can’t drink,” he says loudly, putting out a hand like he can stop the menu from making its way to you. “She has a concussion.”

Speaking around you, to you, for you, is a dance, as Aaron is slowly learning.

You frown, and he hopes he hasn’t overstepped. You don’t say anything, and he holds his breath. You finally look up at the waitress and order a water, and he sighs in relief.

“Thanks, it slipped my mind,” you murmur once she’s walked away, and he gives you a tight smile before getting dragged into an argument between Morgan and Reid.

Dinner, for the most part, passes in a blur of quiet conversation and polite laughter. It isn’t until everyone is eating dessert, half the team feeling the effects of the wines they’ve been indulging in, that everything goes to hell.

He really shouldn’t be so surprised. The evening has gone without a hitch so far- Aaron’s left arm occasionally bumping your right when you try to eat at the same time has really been the only obstacle- so he figures that you’re about due for something to go wrong. Some event to stir up the peaceful bubble he’s stumbled across.

It happens, as many things do, in the form of Emily Prentiss opening her mouth. She leans over you to speak to Aaron, and it’s like he’s watching the train crash in slow motion when she says to him, “So, how’s the single life?”

He can feel the way you stiffen up next to him, white knuckles on your fork, peering out of the corner of your eye. Do you want to hear the answer? “Prentiss, please. That’s hardly appropriate.” His voice is being held together like it’s wrapped in duct tape, but it comes out steady enough.

Emily sighs at the scolding. “I just wanted to know,” she grumbles, pushing a piece of cheesecake around on her plate. “You and Beth broke up a week ago; I’m just curious.”

“Good question,” JJ says. “Have you talked to her since? Wait, is that why she wasn’t at the wedding?”

“You told us she was sick, but statistically this is the least likely time of year for someone to experience cold or flu related symptoms.” Spencer frowns down at his rootbeer. “Did you lie? You could have told us that you broke up. We could have helped.”

“Same way I got over the second Mrs. Rossi,” Dave jokes, lifting his glass in a salute. “I don’t think I left the strip club for a month.”

“Please,” Aaron repeats, raising his voice slightly. “This isn’t appropriate.” He directs it primarily to Emily, who started this whole thing, and he notices the shell-shocked look on your face out of the corner of his eye.

“I just wanted to know,” Emily repeats, as petulant as a stubborn child.

She wanted you to know, more likely. Aaron has been careful about not talking about his relationship- Emily only knows because he developed a case of drunkenly loose lips the night of the wedding and overshared to her wife, Katie- and now you know the one thing he didn’t want to become widespread. There’s no way that wasn’t intentional.

“I should…” You push your chair back with a ‘screech’ and stand up, hurrying out of the restaurant in the direction of the lobby without further excuse.

Hotch watches you go, lets out a groaned “God.” while he pinches the bridge of his nose. “I need to- I’ll be back.” He tosses down his napkin and takes off in the direction you exited.

“Now, that wasn’t too nice,” Derek points out, and Emily shrugs.

“I didn’t like the tension. At least now they’ll talk.”

Meanwhile, Aaron finds himself rounding the large fountain display in the lobby to talk to you. “Are you leaving?”

When you look up, there’s vague surprise on your face. Did you think he wouldn’t follow you? If there’s one thing Aaron knows about himself by now, it’s that he would follow you to hell and back.

“I think I should. I think that would be best.” Instead of looking at him, you fiddle with your keys and look everywhere else. The chandelier, fountain, reception desk; everywhere except at Aaron himself.

“Just… just hold on, a couple of minutes. I didn’t mean to upset you, by not saying something. I thought it would be… easier.”

That gets a reaction. Your eyes snap to his, and he can see something like hurt swimming in them. “Easier?”

“Yes. You didn’t have anything to do with it; why should I have to tell you?” He challenges, even though it’s half a lie. You weren’t faultless in the breakup, but he’s not going to be sharing that fact.

“You don’t think I would want to know?” You take a small step towards him. “Even just so I could be there for you?”

“That’s not a good idea,” he counters. “I have friends I can speak to about breakups.” He regrets his words the second that he sees the pain in your eyes. Oh, because you’re supposed to be friends now. That’s right; his last breakup was with you.

Three feet away, perched on the edge of the fountain, an older woman is watching the two of you intensely. She’s obviously listening, and that’s something that Aaron doesn’t want to deal with. “Look,” he says, his voice low and quiet, “Will you come up to my room? We can talk there, but I’m not doing this in public.”

The conflicting emotions on your face seem to be going to war until you take a deep breath and take Aaron’s hand, your fingers wrapping around his as you board the elevator.

He hopes you don’t notice David Rossi standing near the elevators. He hopes you don’t notice the thumbs up that the older man gives him, or the middle finger he gives in return.

The elevator ride is silent and long, almost excruciatingly so, and he’s half relieved once you get into the hotel room and take a seat on separate beds facing each other. His suitcase is against the wall, zipped up, and the desk is covered in various writings and readings that he doesn’t even know when Spencer had time to unpack.

You break the silence first, your face expressionless like it’s an interrogation. It feels like he’s on the wrong side of the interrogation table for once when you speak. “You and Beth broke up.”

“We did,” he agrees, and that’s when he wonders if he made a mistake bringing you up here. He doesn’t want you to hear the whole story; why not just confirm the breakup in the lobby and send you on your way?

Well, he couldn’t have done that, and he knows why. It’s still a half-decent alternative to this, though.

“Why?”

“Why… did we break up?” He clarifies, and you nod. “We wanted different things.”

Finally, emotion crosses your face; a flicker of anger. He doesn’t blame you, especially when he remembers the sacrifice you made. “Different things? So, she didn’t want more kids? Or was it work-related?”

He isn’t going to get through this without telling you the whole story; he can see that now. As hard as it is, he knows you aren’t letting this rest until you get a comprehensive answer.

“She had a pregnancy scare.”

Your sudden bark of laughter is hardly a surprise, but it makes him wince all the same. “You broke up because you don’t want to have another kid? Are you serious?”

He tries to answer. Instead, memory hits him like a brick wall, wraps its arms around him and drags him down into it.

“Aaron? Honey, where are you?” Beth’s cheery voice entered the room before she did, and Aaron looked up at her with a smile.

“Hey, sweetheart. How was your day?” He asked. He hated this domestic part, the part where he had to pretend to be just as in love as she was.

But love grows, he knew. Just as flowers could blossom from cracks in the pavement, love could develop with time and affection. It wouldn’t be fair to her, to not return the open affection she gave him.

He always wondered why it never felt easy or effortless, why he often felt like he was just a young boy playing at being in a relationship, instead of an adult who was actually in one.

“My day was good,” she said, a barely-contained smile on her face. “So, you know how I’ve been under the weather lately?”

That was an understatement. She’d thrown up more than once in the last couple of days. Love or not, Aaron cared enough that he was on the verge of taking her to the emergency room himself. “Of course. Are you feeling any better?”

“Not really. But my period was late yesterday, so I thought, why not?” Why not, what? She wasn’t making any sense, and it wasn’t until Aaron saw the little stick in her hand that the pieces flew together for him, like a puzzle begging to be solved. “And, well…”

He stared down at tanned hands presenting him the stick, two tiny lines deciding his future for him. “You’re pregnant.”

“I’m pregnant,” she confirmed, throwing her arms around his neck. He slowly brought both arms up to hug her- a facade of excitement, even though his face would certainly betray him if she were to look at it. “Isn’t that great?”

“That’s… wow.” It was as honest of an answer as he could give. “Are you going to see a doctor to make sure?”

“Of course I am.” She pulled away just enough to kiss him, but he broke away soon enough. “Aaron? This is great, isn’t it? Aren’t you excited?” There was an edge in her voice, one that told him that his face- expressions of shock, uncertainty, certainly no joy- was giving him away.

He couldn’t dodge the direct question, the look in her eye. She already knew the answer before she asked the question, and they both knew that this was his chance for redemption.

He didn’t take it.

A week later, the doctor confirmed the false positive. Aaron couldn’t have brought himself to be upset if he tried.

The same afternoon, Beth packed up hers and Ella’s things, and they were gone.

He wanted to feel sad. He wanted to feel heartbroken. He wanted to punish himself, for knowing that he had missed out on the closest chance he had had to a real family in years.

It was the reason you left; your sacrifice, the heartache you’d both been left with, everything you’d both gone through was deemed useless in the deciding moment. It was his one chance, and he hadn’t taken it.

He just felt numb.

“Aaron.” Your voice, pitched sharp, manages to pull him out of his trance. “Are you okay?”

He doesn’t know why you’re asking. He wants to know if you’re okay. He wants to apologize, to fall to his knees and hold onto you the way he should have two years ago.

“I’m fine.”

“So, Beth had a pregnancy scare,” you prompt. “And that’s why you broke up?”

He hesitates. “Yes.”

He hesitated too long.

“Why?” You ask.

He knows that you’re only pushing it because you know him.

You know him better than anyone; you know that he doesn’t walk away from things that he wants, not when he has a choice.

And wasn’t that what he wanted? Didn’t he want Beth, more children, a family of his own?

“Don’t do this.” It’s a plea, and it goes unanswered.

“Why did you break up? Aaron… come on.” The desperation in your voice kisses his ears. It reminds him that you’ve been hurt at least as badly as he’s been. It tells him that you aren’t there as a concerned friend; you’re there as someone who deserves the answer to the question you asked. Someone who’s a part of the twisted equation, who fits into the formula of the last two years. Someone who’s been hurt by him, for him, only for him to throw that sacrifice away.

He replies by just saying your name, the name he’s spoken so many times. He’s said it before with love, playful annoyance and affection. After the breakup he said it less often, and it was often delivered with spite or tears of proportions that he didn’t know he would, or could, shed.

This time, when he says your name, he thinks he sounds… broken. His voice cracks, his face flushes, and he looks down at his feet. He’s still got his dress shoes on, and he counts the eyelets- 3, 4, 5 pairs of them, black laces looped neatly through- without saying another word.

Your name, as broken as it is between his lips, is an admission of guilt. It’s a confession, an entreaty for you to stop pushing, and it contains unspoken defeat.

“Aaron.” Your voice is firm when you repeat his name, and his eyes snap up from his shoes- 3, 4, 5, 1, 2, 3, 4, 5- to meet yours. “Don’t I deserve to know?”

You do. He knows you do. The ‘don’t I deserve?’ angle is never something you’ve used, and he knows this is a last ditch effort to get the truth out of him.

You do deserve to know.

How can he say it? How can he tell you the truth? How can he possibly look into your earnest eyes and pretend that he can defend himself and the decisions that he’s made?

He can tell you that more kids doesn’t make sense; he knows that, in a factual sense. He wasn’t around enough when Jack was little, is hardly better at being around now. The job is priority; he could get hurt or worse, and leave behind a widow with more mouths to feed than she can handle. He could become a twisted version of his father, pitting his children against each other. He’s too old to run around with toddlers for the next ten years.

He can tell you any number of things that make sense, but you won’t accept anything less than the truth. That, at least, is written plain as day on your face.

“She isn’t you.”

His words hit you like a bucket of ice water. They slap you so hard that you have half a mind to bring a hand up to your cheek and check for sore spots. “Aaron-”

“It’s true. I’m sorry if that’s not what you wanted to hear, but you wanted the truth and that’s it.” His breathing sounds more ragged now, like he’s fighting to stay collected.

He doesn’t know what he was thinking, telling you. He isn’t trying to get you back. You made your choice, you walked away, and that’s that.

“Aaron. You want a family,” you remind him, your voice cracking. How can he not remember? How can he throw away the last two years, disregard your sacrifice like this?

Hadn’t that always been his dream? A positive pregnancy test with a woman who loved him? And yet, in the final hour, he’d walked away. He’d made a choice, one that he has to face now, with you.

“I know. God, I know, but it just… it couldn’t happen.”

“Because she’s not me? Are you serious?” Your voice is hardly above a whisper, fraught with disbelief and maybe a hint of fear at the potential weight of his answer, and you wish that Aaron were speaking even quieter when he responds. You wish you couldn’t hear him at all.

“Because there’s no family without you.”

The dry scoff that escapes you is answer enough, especially once it’s paired with your head dropping into your hands. “Then what the hell have we been doing?”

“I tried,” he defends. Desperation is poured into every syllable, filling in the spaces of the things he can’t say like resin on wood. “I gave it a chance, she was happy. But when I saw that test…”

Neither of you knows if he’s stopped to figure out what he should say, or if it’s because he can’t say it. He looks small, appears defenceless in a way that he never lets himself.

“I couldn’t do it,” he finishes. He spreads his hands out, a placating gesture. “I didn’t know what to do. I didn’t want a family with her. When I saw that test, I was scared. Terrified. A baby is a commitment, and I don’t- I can’t- see myself making that commitment with anyone but you.”

“You know how I feel about kids.” For a moment his eyes flicker down, to where your phone sits on the bed, and you have half a mind to wonder if he’s going to bring Tristan into this.

Maybe he’s settled more into this conversation. Maybe he’s realized that he doesn’t have much to lose here. For whatever reason, his rebuttal to you, perched facing him on the opposite bed- worlds away, yet only mere feet- is more of a challenge than a question. “When did I ask you to have any?”

“What?” You tilt your head the slightest bit, stray hairs illuminated in the yellow-grey light, and he thinks his heart skips a beat when you blink.

“I didn’t ask you to have kids. I never asked for that.” He knows it for a fact; that simple thought has been his port at sea more than once, on the nights where he wondered exactly how things had gone so wrong.

You blink again. ‘I want us to get married, have as many kids as we can, I want all of that and I want it with you.’ Those were his words, spoken so passionately two years ago.

But there were other words, too, and they fly back into your mind like they’re trying to haunt you. Words that circle you, remind you that you were the reason he couldn’t have that life.

‘I’ve been thinking, and you’re more important to me than having more kids.’

‘Just say the word, and I’ll never bring it up again.’

‘I’m not going to sit here and tell you what I want, because I’m not forcing you into that. You don’t want it, fine. We don’t do it.’

You remember him confessing what he wanted, so earnest and unexpecting of you to go along with it.

Phrases swirl your head, sentences that haven't done so since the breakup.

Sentences that you hadn’t let yourself understand until now.

‘I would be happier knowing that I’m in a relationship with someone who wants the same things I do. I want that with you, I want you to want it, but that isn’t happening.’

‘I want us to go back to normal. How we were.’

‘You’re all I need. I mean it.’

“You want a family. That’s what you want.” Your protest is weak, and you don’t know if it’s a protest for your self-protection or his feelings.

Maybe it’s both.

“You were my family. You and Jack. I was so happy with you.”

“Not as happy as you could have been,” you counter. Aaron visibly hesitates, a moment of back-and-forth sway before he crosses the room to sit next to you on the other bed.

“You…” the breath he takes is deep and rattling. “You made me happier than I could ask for.”

You move back and he does too, kicking off his shoes to mirror your crossed legs. The two of you sit and face each other. The headboard sets the scenery behind him, cheap hotel wall art behind you. When you take a breath, so does he.

“You walked away,” you remind him. It isn’t a show of blame; it’s a reminder, pure and simple, that he wasn’t happy with you.

“No, I didn’t.” He reaches out, one of his hands trembling as it grasps yours. “I wouldn’t have.”

He doesn’t say anything for a minute. Instead, he watches as his hand wraps around yours, squeezes it once.

He’s just about to let go when you squeeze back.

“You told me to go,” he whispers, staring down at those linked hands. If he looks you in the eye now, he doesn’t know what he’ll do. “It’s what you wanted.”

You laugh, and the sound is humourless and dry. “What I wanted? Aaron, you only stayed past that first day for me, to make me feel like I wasn’t ruining your life. I didn’t kick you out; I let you go.”

“I didn’t get a choice. I chose to stay, I chose you above a bigger family, and you didn’t let me,” Aaron says, and your hand tightens on his. “I tried, okay? I- I found Beth, we moved in together. For God’s- Ella called me ‘dad’. I did my best to have that life. I tried. It didn’t work.”

“I don’t know what you want,” you confess, and he hates himself a little more when he sees the heartbreak in your eyes. “I just want you to be happy. I thought I was giving you that.”

Aaron shifts himself, moves a little closer to you. He thinks he might be about to say the wrong thing, the thing that destroys whatever tentative relationship the two of you have built.

He doesn’t care.

This relationship, this dance of overdoing and understepping and caring too much without saying enough? He doesn’t want it.

He doesn’t care about throwing it away.

“Nothing,” he vows, extending one hand to raise your chin when you look down, “Nothing has ever made me as happy as you did. That’s all I wanted. You.”

You avert your gaze, and you feel your face grow warm. It’s been a long time since he looked at you like this, with all of the care and attention in the world somehow pouring from the gaze of warm hazel eyes locked on yours.

“What do you want me to say?” You ask after a stretch of silence. Not even the sound of breathing dares to disrupt the quiet; neither of you want to make the wrong move right now, not when you can see the crossroads ahead.

“Whatever you want to say. Just not what you think I want to hear.”

That’s what it’s come down to, at the root. Both of you lying, sneaking, saying and doing whatever you can to protect the other’s feelings and do what you think is best. He’s tired of it.

You did what you thought was the right thing, and let him go. He did what he thought was the right thing, and chased the life you made possible by leaving. But neither of you are happy, and he can admit that now.

“I still don’t want kids.”

“I’m still not asking you to have any.” He waits two beats, unsure if he can even bring himself to ask what he knows he has to.

“Does Jack count?” He’s breathless as he waits for the answer. You could have found freedom in the last two years, after several spent living a mother’s schedule. Maybe you don’t want a hand in any child’s life, and he won’t begrudge you that.

“He’s… no,” you say, and Aaron exhales in what might be relief. “But that doesn’t mean I want more. You want more.”

“I want you,” he corrects, the same way he did two years ago. Maybe this time you’ll listen, and accept his words for the truth that they are. “I had more. I didn’t want it, not without you.”

Your breathing, shallow and timid, hitches at his words. He notices the slip-up in a heartbeat, wants to trip over himself and correct it. Before he can, you say, “But the future-”

“The future,” he interrupts, clasping one of your hands in both of his, “My future, it only matters if it’s you.If you’re happy with Jack, I’m happy. You’re what I need. You’re all I need.”

“Aaron, please.” Your voice is small, and that’s when he realizes that he’s been trailblazing this conversation with hardly a thought about what you want. Maybe you’ve moved on, or fallen out of love.

He doesn’t think you have, though. Between your conversation at the wedding and the fact that you’re still here, both hands now holding onto his, wide eyes peering into his own, he thinks he’s made a safe bet.

“Please, what?” He murmurs. He can defer to you now, let you approach this at your pace. He’s said his piece.

It’s not until he sees your eyes squeeze shut that he remembers your concussion, and he’s sure that this conversation isn’t helping what must be a painful headache.

“I… it’s getting late. And I really should sleep. My head...”

Every instinct in Aaron’s body is well-honed, trained to take opportunities that might pass him by otherwise. It’s what got him Haley, what got him into the BAU, and now it’s what might get you back.

Every instinct is screaming not to let you leave.

“Do you want to talk more about this later?” He offers, his right hand releasing your left. The other two stay linked, his fingers brushing the cast, and you make no move to loosen them as you nod.

He waits. He isn’t sure what he’s waiting for, but he waits.

You close your eyes, already on the verge of rethinking before you speak. But you’ve got instincts, too, and they’re all telling you to stay in this room. Your future is in this room, and you aren’t about to close the door on that. Even if the conversation can wait, you know exactly how it will end.

It’s clear to you now that Aaron only left because he did the same thing you did, tried to protect your feelings. He never would have left if you hadn’t forced his hand and left first, and the thought of the time that you lost makes your chest seize unpleasantly.

It’s not too late to undo old mistakes, though.

“Can I sleep here? It’s not really safe, getting a taxi this late.”

Aaron lets go of your other hand first. “Of course, you can.” He’s half situated to go to sleep already, just has to take off his tie and loosen his shirt. He doesn’t get off the bed, and that’s why it surprises him when you lay down in the same bed, on your side.

“So you don’t have to share with Spencer when he gets here,” you explain through a yawn, and his heart hurts when he sees the way your nose crinkles. He’s missed it, missed you.

Sleep comes quickly, somehow. The exhaustion of the day, of the conversation, overtakes you both in what feels like mere moments.

When Aaron wakes up, it’s with his arms around you and his nose pressing into your neck. He holds on for a moment before he has to let go; you’ll have time later, and the team is waiting.

Getting out of bed, Aaron finds the other queen bed- Spencer’s- empty, untouched.

When the two of you arrive at the jet, late with your suitcase, he says, “I stayed with Morgan and Rossi. We thought you could use some privacy.”

You let go of Aaron’s hand to reach out and ruffle Spencer’s hair, ignoring the look he gives you when you mess up his curls. “Thanks, Spence.”

If the team is anything, it’s ‘respectful when the time calls for it’. No one says a word when you and Aaron sit next to each other. No one blinks when your hand slides home into his.

His fingers lace around yours. He squeezes once, and you squeeze back. As the jet takes off, soaring towards DC and your new future, you hold onto him. It’s going to be alright.

Once upon a time, they always said that you and Aaron were the lucky ones. Maybe they were right.

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