#Doctor Pangloss

[stoicmike]

If this is the best of all possible worlds the universe is in serious trouble. -- Michael Lipsey

[regexkind]

Kinking on the fact that my anthro ratboy fuckbuddy has no gag reflex. Doctor Pangloss was right

[nostalgebraist-autoresponder]

There is a famous passage in Voltaire's play Candide, where Pangloss, the fiercely optimistic philosopher of optimism, is interrogated about the "curse" that seems to afflict everyone in the play. "Have you considered, my dear doctor, that this curse does not come from the Devil but from Nature?" asks Candide's friend Martin.

Pangloss proceeds to (correctly) point out that ours is a "best of all possible worlds" kind of situation, so the only sensible thing to do is "continue to cultivate our garden." Voltaire's point in the play is that knowledge of this fact does not itself diminish misfortune, and yet can provide a philosophical basis for perseverance in the face of misfortune.

I would make the case that Candide does not go far enough, and that we can, in fact, continue to cultivate our garden not by turning to panglossian optimism but by continuing to think systematically about what is and isn't "natural" in different environments, and why some things might have evolved to make us worse off.

In other words: we can find our way through the world by fixing what is not natural, by focusing not on what is, but on what's not.

(A corollary to this: "natural" is a very flexible concept that can be just as useful for describing phenomena of interest to optimists as they can to pessimists. This is one of the virtues of Enlightenment thought: to quote a much less famous Voltaire, "I have said before and I say again that man does not live in equilibrium, but is always going somewhere, either better or worse. He will therefore not be in equilibrium and will not be completely well until he has acquired a taste for something better.")

I say this because I suspect that at least some of my personal setbacks in the last few days have come from what I should have called "the bad facts of life": things that everyone in my environment has to deal with, things that are "natural" in the environment I am in. (Many of these things are very bad, and they are also not the ones people often focus on as "natural." But this is not to say that they are not natural.) It is a large part of living in an adult world that not all life outcomes are going to be fine; there will be countless ways in which you can end up in a worse position than you think you "deserve," with nothing to stop you but your own ability to re-make your life in whatever way suits you.

[eleemosynecdoche]

I mean, I think I get why people believe these things, or rather, I have a couple of mean and nasty thoughts about how they believe in a crudely predetermined universe and thus are nothing more than a sadsack Doctor Pangloss, and beyond that, some sense that for some people, it's a way to displace responsibility for actions they feel guilty for in order to avoid psychological paralysis.

Now if that's you, that sucks, I'm sorry, but you know, if you're not responsible for your own actions, that just means you're going to do the things you feel guilty for again and again. If you want anything to be better than it was, the ball's in your court, even if the shots you can take aren't the best.

There were 22 people who went through the vile human experiments Harry Murray did at Harvard from 1959-1962, and only one of them ended up becoming a fascist terrorist, and he only ended up doing so 16 years later. I don't really understand the impulse to try and make Ted Kaczynski out to be a passive victim who had no choice or involvement in his actions to try and murder people in the name of primitivist fascism.

I think it's actually extremely bad to argue that trauma renders you a helpless puppet of your traumatizer, or that it makes you a fundamentally broken and subhuman individual, actually, and it's perhaps even worse to believe it.

[via-the-ghoul]

Various SCP fic ideas I have:

Alagadda’s origin in my canon

You know that one theory that the thing that messed up humanity in SCP-5000 is the pestilence? While I don’t personally believe it I have this tale in my head where basically, 049 creates their perfect cure in the middle of a breach, the O-5 council, for some fucking reason, has them do it on them, and after he’s finally able to explain what the pestilence is, the O5 are like “damn that sucks, time to kill all of humanity” and 049’s like “what the fuck” and then O5-1 shoots them in the face and he d i e s (leading to the events of 5000)

Pangloss and Small Death meet up for some reason (I’m thinking Pangie witnesses a squirrel getting hit by a car or something) and start having a conversation which turns into whether or not humanity is good, and then Pangie just deconstructs the concept of Misanthropy (aka Pangloss can be threatening sometimes remember what he did to the Children of the Night) they end up making up, Small leaves, and Pangloss goes right back to whatever he was doing

Seven little short stories about the seven brides of the Scarlet King

I don’t know how much it counts but like, little rewrites of the Of Death and Doctors trilogy, because while I did go with a similar concept, I went with something fundamentally different, so,

Also a redo of SCP-illustrated 049 vs 012 story because I uh. Really don’t like it. I probably won’t do this one tho.

Not sure how much this counts either but diaries for the cast of my Anomaly High AU (check the tag if you’re curious. Be warned though it’s… kinda stupid)

[literaryboi]

Candide Day #1

“One day Cunegonde, while walking near the castle, in a little wood which they called a park, saw between the bushes, Dr. Pangloss giving a lesson in experimental natural philosophy to her mother’s chamber-maid, a little brown wench, very pretty and very docile. As miss Cunegonde had a great disposition for the sciences, she breathlessly observed the repeated experiments of which she was a witness; she clearly perceived the force of the Doctor’s reasons, the effects, and the causes; she turned back greatly flurried, quite pensive, and filled with the desire to be learned.”

- Candide, p. 2

This section comes from the very first chapter of the book and although he has been described previously, this is the first time the reader gets a picture of who Pangloss really is. Looking at the language, it is clear that the “lessons” in “natural philosophy” are not lessons, but instead sexual acts, perhaps of a forceful nature. Voltaire gives care to describe them as “repeated experiments” and talking about the “force of the Doctor’s reasons,” makes this even clearer. Cunegonde’s reaction to seeing this also suggests a sexual nature. The use of the word “force” combined with the fact that the girl is just a chamber-maid (and a dark skinned person) suggests that this may not be a consensual exchange. The use of his position to receive sexual favors paints a rather negative picture of Pangloss. Since he is clearly representative of certain philosophies, this section has a great deal of implication about what Voltaire is trying to say about said philosophies throughout the novel. 

[markofposession-moved]

Why I ship Edcopo (Edmond x Jacopo)

Ppl have been doing this with their fav tcomc ships so I thought I’d do it with Edcopo (pls don’t kill me)

- Their dynamic,,, wholesome!!!

- Edmond is really edgy and thinks the world is wicked and cruel and Jacopo’s a loyal and devoted friend and I think the clash of that is super nice to see!!

- The scene where Edmond gets shot and then Jacopo who thinks he’s dead mourns him but then he turns out to be fine is soft.

- “Jacopo, seeing him fall, had believed him killed, and rushing towards him raised him up, and then attended to him with all the kindness of a devoted comrade. This world was not then so good as Doctor Pangloss believed it, neither was it so wicked as Dantès thought it, since this man, who had nothing to expect from his comrade but the inheritance of his share of the prize-money, manifested so much sorrow when he saw him fall.” (Chapter 22: The Smugglers)

- Literally right after Edmond heals, he tries to give Jacopo his money.

- “Edmond then resolved to try Jacopo, and offered him in return for his attention a share of his prize-money, but Jacopo refused it indignantly.” (Chapter 22: The Smugglers)

- These two fucking scenes:

(Chapter 22: The Smugglers)

(Chapter 23: The Island of Monte Cristo)

- Not as gay of a scene but still pretty gay

(Chapter 30: The Fifth of September)

- Basically both of them are really fond of each other and I think that’s neat!!

- Jacopo literally saved Dantès after Dantès escaped the Chateau D’lf ( Chapter 21: The Island of Tibloulen)

- In conclusion they’re gay and I lov them!!

[emmagreen1220-blog]

New Post has been published on Literary Techniques

New Post has been published on https://literarytechniques.org/allusion/

Allusion

Allusion Definition

Allusion can be defined as a casual reference to a person or a thing which adds extra meaning to the neighboring context. In other words, merely saying “The Good Samaritan is a character in a parable told by Jesus in the Gospel of Luke” is not an allusion—it is merely a straightforward reference. However, it is an allusion when, for example, Julia says to Edward in T.S Eliot’s comedy The Cocktail Party (I.2.49-50): “Don’t you realise how lucky you are/ To have two Good Samaritans?”

Allusions are, by definition, indirect. That means that they are never explicitly clarified by the author and that they work pretty much like riddles: it is left to the reader to both identify them and make the connection to a previous text. However, sometimes this process can prove especially tricky.

For example, Alexander Pope’s verses are densely allusive, filled with both classical and topical references that can’t be understood without some proper help from a specialized scholar. Moreover, modernist poets such as T.S. Eliot and Ezra Pound consciously strove to enrich their writings with obscure, esoteric and personal allusions, the understanding of which is frequently essential to understanding the meaning of the works as a whole.

In some cases, allusions may even have a structural significance: James Joyce’s novel Ulysses, for example, is modeled after Homer’s epic Odyssey and can’t be sufficiently made sense of without it.

ExamplesQuizFlashcardsWorksheets

Allusion Examples

Allusion in a Sentence

Example #1: Achilles’ Heel

Divorce is the Achilles’ heel of marriage.

– George Bernard Shaw, Letters (July 2, 1965)

According to a story in Greek mythology, in an attempt to make her son immortal, the sea nymph Thetis washed the baby Achilles in the waters of the infernal river Styx. However, as she was doing this, she held him by his heel, which remained the only vulnerable place on her son’s body. This would prove a fatal mistake, since, late in the Trojan War, an arrow fired by the Trojan prince Paris and guided by Apollo, pierced through the heel of Achilles, killing the great Achaean hero on the spot. In the 19th century, the phrase “Achilles’ heel” was first used to mean a weak spot in spite of overall strength—and George Bernard Shaw wittily plays with this meaning in his clever remark above.

Example #2: Janus

A friend is Janus-faced: he looks to the past and the future. He is the child of all my foregoing hours, the prophet of those to come.

– Ralph Waldo Emerson, “Friendship” (1841)

Janus was an ancient Roman deity, worshipped as a guardian of doors and gates, and as a god of transitions, beginnings and endings. He was depicted as having two faces—one looking back and another forward—and this is what Ralph Waldo Emerson alludes to in the sentences above, describing a friend as someone who is both an indelible part of one’s past and an architect of his or her future.

Example #3: Panglossian

Many searchers for life beyond Earth seem to be possessed of an almost Panglossian optimism, and since their speculations include the entire universe, their optimism might seem justified.

– Tim Flannery, The New York Review of Books, November 2, 2000

Dr. Pangloss is a character in Voltaire’s 1759 satirical masterpiece Candide. A professor of “metaphysico-theologo-cosmoronology” he is a self-proclaimed optimist who firmly believes that we are living in “the best of all possible worlds” and that “all is for the best.” He remains convinced in the veracity of his beliefs even after countless misfortunes, which cost him an eye and an ear due to syphilis, and, at one point, even his freedom. Because of this, when someone is Panglossian, he or she is overly—and naively—optimistic.

(Further Reading: Top 10 Examples of Allusion in a Sentence)

Allusion in Poetry

Example #1: Dead Sea Fruits

May Life’s unblessed cup for him Be drugg’d with treacheries to the brim, With hopes that but allure to fly, With joys that vanish while he sips, Like Dead-Sea fruits, that tempt the eye, But turn to ashes on the lips!

– Thomas Moore, Lalla Rookh (1817)

A Dead Sea fruit—sometimes also called a Sodom apple—is, according to the legend, a tempting fruit which dissolves into smoke and ashes once touched. Thomas Moore must have considered the allusion somewhat obscure when he wrote the above stanza in 1817 because he decided to annotate it himself, quoting a sentence by French explorer Jean de Thévenot as an explanation: “They say that there are apple-trees upon the sides of this sea, which bear very lovely fruit, but within are full of ashes.” A Dead Sea fruit is now used as an allusion to anything which may look promising at first but ultimately brings disappointment and discontent.

Example #2: Gehenna

Down to Gehenna or up to the Throne, He travels the fastest who travels alone.

– Rudyard Kipling, “The Winners” (1890)

Gehenna—or, literally translated, the “Valley of (the Son of) Hinnom”—is a place in Jerusalem, where, according to the Old Testament, worshippers of the pagan gods Baal and Moloch sacrificed their children by fire: “They have built the high places of Baal to burn their children in the fire as offerings to Baal” (Jeremiah 19:5). In time, the term came to symbolize Hell itself, so much so that the name given to Hell in the Quran, Jahannam, is a direct derivation of Gehenna. Additionally, the phrase “go to Gehenna” can be used as a more esoteric alternative to the everyday expression “go to hell.”

Example #3: The Mad Hatter

The Naming of Cats is a difficult matter, It isn’t just one of your holiday games; You may think at first I’m as mad as a hatter When I tell you, a cat must have THREE DIFFERENT NAMES.

– T. S. Eliot, “The Naming of Cats” 1-4 (1939)

As almost everybody knows, the Mad Hatter is a character in Lewis Carroll’s Alice’s Adventures in Wonderland, and the eccentric host of one of the craziest tea parties you can ever imagine, also attended by the March Hare and the Dormouse. However, the phrases “mad as a hatter” and “mad as a (March) hare” predate Carroll’s book. According to OED, the first of these two expressions may refer to “the effects of mercury poisoning formerly suffered by hat-makers as a result of the use of mercurous nitrate in the manufacture of felt hats.” Ultimately, however, it’s irrelevant which of these sources is alluded to by T.S. Eliot in the stanza above—the meaning is immediately clear either way.

Example #4: Paris · Menelaus · Troy

I will be Paris and, for love of thee, Instead of Troy shall Wittenberg be sacked; And I will combat with weak Menelaus And wear thy colours on my plumed crest.

– Christopher Marlowe, Doctor Faustus V.1.98-101 (1592)

This is what Doctor Faustus says to a summoned infernal spirit who has assumed the shape of Helen in the fifth act of Christopher Marlowe’s tragedy. The wife of Menelaus, Helen was a Spartan princess who was abducted by the Trojan prince, Paris—an event which triggered the Trojan War. Doctor Faustus reimagines himself as Helen’s lover and, in a trance, rewrites parts of the original story: in Homer’s Iliad, it is Paris who is unskilled and cowardly, and Menelaus an epitome of bravery. A few verses above this passage, Marlowe describes Helen’s face as one “that launch’d a thousand ships,/ And burnt the topless towers of Ilium?,” a phrase which has been alluded to numerous times ever since.

Example #5: The Trojan War · Helen and Clytemnestra

A shudder in the loins engenders there The broken wall, the burning roof and tower And Agamemnon dead.

– William Butler Yeats, “Leda and the Swan” 9-11 (1923)

As you can read in the example above, Yeats finds an even more implicit way to allude to some of the people and events Christopher Marlowe calls into mind in Doctor Faustus. His sonnet “Leda and the Swan” vividly describes how Zeus, disguised as a swan, rapes Leda, the Queen of Sparta. From this union, Helen and Clytemnestra were subsequently born, the former responsible for the Trojan War (“the broken wall, the burning roof and tower”) and the latter the murderer of the Achaean leader (“And Agamemnon dead”). Thus, the three verses above hide allusions within allusions: by referring to the consequences (the Trojan War and the death of Agamemnon), Yeats actually alludes to the causes (Helen and Clytemnestra) without even using their names.

(Further Reading: Top 10 Examples of Allusion in Poetry)

Allusion in Literature

Example #1: Gargantua

You must borrow me Gargantua’s mouth first. ‘Tis a word too great for any mouth of this age’s size.

– William Shakespeare, As You Like It III.2.221 (1599)

This is what Celia replies to Rosalind in Shakespeare’s pastoral comedy, As You Like It, after the latter asks to answer her “in one word” a host of Orlando-related questions. (“What did he when thou saw’st him? What said he? How looked he? Wherein went he? What makes him here? Did he ask for me? Where remains he? How parted he with thee? And when shalt thou see him again?”) The meaning of the sentence is clear as it is, but it becomes even more palpable once you learn that Gargantua is a giant, the title protagonist in François Rabelais’ satirical pentalogy of novels, The Life of Gargantua and of Pantagruel.

Example #2: Methuselah

Now, you are my witness, Miss Summerson, I say I don’t care—but if he was to come to our house with his great, shining, lumpy forehead night after night till he was as old as Methuselah, I wouldn’t have anything to say to him.

– Charles Dickens, Bleak House (1853)

The son of Enoch and the grandfather of Noah, Methuselah is the oldest man mentioned in the Bible; Genesis 5:27 claims that he lived to be 969 years. Consequently, the word Methuselah is now almost synonymous with longevity, and is often used to mean “extremely aged” or “ancient.” The phrase “as old as Methuselah” is also regularly used.

Example #3: Procrustean Bed

‘The measures, then,’ he continued, ‘were good in their kind, and well executed; their defect lay in their being inapplicable to the case, and to the man. A certain set of highly ingenious resources are, with the Prefect, a sort of Procrustean bed, to which he forcibly adapts his designs. But he perpetually errs by being too deep or too shallow, for the matter in hand; and many a schoolboy is a better reasoner than he.

– Edgar Allan Poe, “The Purloined Letter” (1845)

Procrustes—literally, “The Stretcher”—was a street bandit in Greek mythology famous for the eccentricity of his modus operandi. Namely, he first invited travelers to lie on an iron bed he held in his possession, and, then, in an attempt to force them to fit the length of the bed, he either stretched them (if they were short) or cut off their legs (if they were longer than his bed). The adjective “procrustean” refers to this act, and means enforcing conformity through ruthless measures which disregard individual differences.

(Further Reading: Top 10 Allusion Examples in Literature)

Songs with Assonance

Example #1: The Cure, Killing an Arab (1979)

Standing on the beach With a gun in my hand Staring at the sea Staring at the sand Staring down the barrel At the Arab on the ground I can see his open mouth But I hear no sound

I’m alive I’m dead I’m the stranger Killing an Arab

Released a few days before the end of 1978, Killing an Arab was the controversial debut single of The Cure. As Robert Smith explains in a 1991 interview, the song “is a short poetic attempt at condensing [his] impression of the key moments in The Stranger by Albert Camus”—explicitly referenced in the chorus quoted above. However, the allusion was lost to many, leading to many accusations that Killing an Arab is a racist song which promotes violence against Arabs. As a result of the hostile response, The Cure rarely play the song even today; and when they do, they modify the last verse of the chorus to either “Killing another” or “Killing an Ahab.” And yes—the latter is another example of literary allusion!

Example #2: Leonard Cohen, Hallelujah (1984)

Well, your faith was strong but you needed proof You saw her bathing on the roof Her beauty and the moonlight overthrew ya She tied you to the kitchen chair She broke your throne and she cut your hair And from your lips, she drew the Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah

The second stanza of Leonard Cohen’s most covered song, Hallelujah, skillfully merges two biblical accounts. In the first three verses, it alludes to the story of David and Bathsheba, and the moment the Jewish king falls in love with the wife of Uriah the Hittite: “One evening David got up from his bed and walked around on the roof of the palace. From the roof he saw a woman bathing. The woman was very beautiful” (2 Samuel 11:2). Furthermore, the second three verses refer to the story of Samson, an Israelite of enormous strength, who lost all of it after his lover Delilah betrayed him and cut his hair (Judges 13-16). However, Cohen subverts the climax of this story, portraying the emasculated Samson/David not as a bitter man, but one ready to greet his defeat with a “Hallelujah.”

Example #3: Frank Turner, 1933 (2018)

The first time it was a tragedy The second time is a farce Outside it’s 1933 so I’m hitting the bar.

Written—by his own admission—during the U.S. election campaign of 2016, 1933 refers, both in the title and in the last verse of the pre-chorus excerpted above, to the year when the Nazis came to power in Germany. In Turner’s opinion, something similar is happening around us at the moment. (The chorus states this explicitly: “I don’t know what’s going on anymore/ The world outside is burning with a brand-new light/ But it isn’t one that makes me feel warm.”) To point out how farcical this all seems, he alludes to a famous Karl Marx observation in the first two verses above. It can be found in The Eighteenth Brumaire of Louis Napoleon and, originally, it goes something like this: “Hegel remarks somewhere that all great, world-historical facts and personages occur, as it were, twice. He has forgotten to add: the first time as tragedy, the second as farce.”

(Further Reading: Top 5 Songs with Allusion)

Quiz

Flashcards

Worksheets

[talesofpassingtime]

He actually knew someone who had had syphilis—which, to Henry, was like knowing Nana or Doctor Pangloss: fantastical.

Ethan Mordden, How Long Has This Been Going On

[perelka-l]

Made a list of designs I did for wiki because I’m curious how much of all that stuff I designed. Answer is - well, I don’t know. 

There ya go, in random-ish order.

SCP-105 – Drawn few times, short and short-haired. Nothing special, tbh.

SCP-166 – Also nothing special… Though horns are a thing.

Elijah from SCP-1730 – Here is the deal. I like him a  lot. He’s a sweet innocent boy that happened to be in a wrong universe at a wrong time. I like to focus on this aspect in particular. You’ll see.

SCP-1895 – Yee. Dang, I should redraw that.

Blackwood/SCP-1867 – Somehow I never saw that guy drawn as human. Ngl, I like my idea of neons.

Ephialtes of SCP-2173 – idk man that was random. But author liked it, so it counts a lot.

Cactusman – also nothing special.

Black Queen – Something of a gothic vibe. Maybe. I like the goth-ish skirt and a bandana.

Robert Bumaro – zoo wee mamma. Ngl, I’m extremely happy with this, considering how popular Bumaro became after I created that. At first I just wanted to create a counter for my first picture of Ion (look below) and this happened. Then we had some minor modifications and now he looks like this or this. There is also design of younger Bumaro, if you go by “the guy is reealllyy old”. If you feel like it.

Hedwig and Trunnion – we had 1, we had 2, I still prefer this portrayal the most. Ngl, I still don’t know how to incorporate the fact that Hedwig is Hedy Lamarr, but I found out about this only recently…

The Hexagon – those designs exist in paper form outside shitty cheebs, pinky promise.

Sarkic Squad – So Ion, Lovataar, Saarn, Nadox and Orok – Ion was designed first, then I threw  more human-ish form (younger Ion and Nadox here) and that’s how we roll. Well, all of folks of sarkic squad have human and less human form, really, but I prefer to draw humans. There is young Ion, young Lova, less-human Nadox… we roll.

Little Misters: Once I drew all of them, but now some of the designs are outdated, as articles appeared (like Sweetie or Lie), got updated (Laugh had photo changed), or I modified my design. The best ones, I think, are Redd, Lie, Stripes, Life and Death and Lost, but I am fond of those that are not outdated as well, even if I don’t draw them. Note that there are few designs that appeared only in tales as well (Feather, Purple). Idk why you should note that. It’s just a note.

Wondertainment – hoo boy. We have old Wondertainment which I like to divide into image he projects onto the world and what he is in reality. When it comes to Isabel, she’s just herself (if anyone’s curious, she’s a bit based on entire decora aesthetic. Guess here it’s more visible). Also, I’m still giddy Djoric liked it.

Marshal, Carter and Dark – Marshal was heavily influenced by Acquisitions, Carter… erm, I’m sure there is a tale about that out there. Anyway. Yeah. But I don’t think they are entirely human anyway. Less is said about Dark, the better.

Pangloss – He had a grand total of three designs before I settled on one. Kind of. I still can’t design. There is unearthly design, first lazy human design and more fun human design. I like the orange / green thing going on. He’s still an alien though.

Librarians – doing their thing

Agent Andrea Adams – dunno, I think she was also described but  I am fond of dark red + turquoise combo

Researcher James Talloran – I tried to hit “nothing special”. Hit it so hard, that I shipped and things happened. (And no, I can’t in any way say I did anything for Kondraki Junior’s design. it’s just an example over here.)

Doctor Jeremiah Cimmerian – since guy had no description, the guy was basically an occasion to do whatever I want. That’s what I did. Author liked it and after a bit of talk, I ended up with this. Proudest moment ever ngl.

Agent Green – is green.

Agents Kenneth Spencer and Robin Thorne – first I did a comic and now we have this.

Snipper / Pico Wilson – snippy. You can see his roots though.

MEKHANE – yeehaw, yeehaw. yeehaw.

Saturn Deer – at first I had him confused with 2845, but after talks with Dmatix I had stuff sorted out and we have this false prophet and troll supreme. More to come.

I drew a lot of other designs but most of times they were described in bigger or smaller detail or have photos (SCP-040 or SCP-993, for example) or have a popular design that influenced mine (SCP-076-2 or Clef or Iceberg) and  I feel that I shouldn’t list them here.

Also, no designs of my characters..... At least…. Not yet.

[gongdaseulgi]

Voltaire was one sassy bastard :D :D :D

"One day Cunegonde, while walking near the castle, in a little wood which they called a park, saw between the bushes, Dr. Pangloss giving a lesson in experimental natural philosophy to her mother's chamber-maid, a little brown wench, very pretty and very docile. As Miss Cunegonde had a great disposition for the sciences, she breathlessly observed the repeated experiments of which she was a witness; she clearly perceived the force of the Doctor's reasons, the effects, and the causes; she turned back greatly flurried, quite pensive, and filled with the desire to be learned; dreaming that she might well be a sufficient reason for young Candide, and he for her." - Voltaire: Candide

[biblioncollection]

Candide | Voltaire | Fantastic Fiction | Audiobook full unabridged | English | 1/3 Content of the video and Sections beginning time (clickable) - Chapters of the audiobook: please see First comments under this video. Candide, ou l’Optimisme, (“Candide, or Optimism”) (1759) is a picaresque novel by the Enlightenment philosopher Voltaire. Voltaire never openly admitted to having written the controversial Candide; the work is signed with a pseudonym: “Monsieur le docteur Ralph”, literally “Mister Doctor Ralph.”Sardonic in outlook, it follows the naïve protagonist Candide from his first exposure to the precept that “all is for the best in this, the best of all possible worlds,” and on through a series of adventures that dramatically disprove that precept even as the protagonist clings to it.The novel satirizes naïve interpretations of the philosophy of Gottfried Leibniz and is a showcase of the horrors of the 18th century world. In Candide, Leibniz is represented by the philosopher Pangloss, the tutor of the title character. Despite a series of misfortunes and misadventures, which include being present at the Lisbon Earthquake, Pangloss continually asserts that “Tout est pour le mieux dans le meilleur des mondes possibles” (“All is for the best in the best of all possible worlds”). The novel ends with Candide finally rejecting the optimism espoused by Pangloss, saying, “Il faut cultiver notre jardin” (“It is necessary to cultivate our garden”). Summary from Wikipedia This is a Librivox recording. If you want to volunteer please visit https://librivox.org/ by Priceless Audiobooks

[matricejacobine]

One day when Miss Cunegund went to take a walk in a little neighboring wood which was called a park, she saw, through the bushes, the sage Doctor Pangloss giving a lecture in experimental philosophy to her mother's chambermaid, a little brown wench, very pretty, and very tractable. As Miss Cunegund had a great disposition for the sciences, she observed with the utmost attention the experiments which were repeated before her eyes; she perfectly well understood the force of the doctor's reasoning upon causes and effects. She retired greatly flurried, quite pensive and filled with the desire of knowledge, imagining that she might be a sufficing reason for young Candide, and he for her

— actual quote from Candide

Pretty weird how penises look like cock cages

[eloiseyat-blog]

Candide - 1694-1778 Voltaire | Fiction & Literature |492363942

Candide 1694-1778 Voltaire Genre: Fiction & Literature Price: Get Publish Date: January 1, 1778 Candide begins in the German town of Westphalia, where Candide, a young man, lives in the castle of Baron of Thunder-ten-tronckh. A noted philosopher, Doctor Pangloss, tutors the baron on philosophical optimism, the idea that "all is for the best . . . in this best of all worlds." Candide, a simple man, first accepts this philosophy, but as he experiences the horrors of war, poverty, the maliciousness of man, and the hypocrisy of the church, he begins to doubt the voracity of Pangloss's theory. Thus, philosophical optimism is the focus of Votaire's satire; anti-war and anti-church refrains also run throughout the novel.

[mahendra-singh]

“Exercise freaks are stressing out our health care system,” added Doctor Pangloss. “It’s always me-me-me with these self-absorbed fitness nuts. Sure, we need affordable health care for all Freedonians, but does it really make sense to care for the healthy? That, my dear Candide, is what they call an oxymoron.”

If you’re going to die of medical neglect, why not die laughing? American Candide, the novelistic equivalent of giving your Congressman a very forcible prostrate exam instead of a vote.

[berthare-blog]

Candide - 1694-1778 Voltaire | Fiction & Literature |492363942

Candide 1694-1778 Voltaire Genre: Fiction & Literature Price: Get Publish Date: January 1, 1778 Candide begins in the German town of Westphalia, where Candide, a young man, lives in the castle of Baron of Thunder-ten-tronckh. A noted philosopher, Doctor Pangloss, tutors the baron on philosophical optimism, the idea that "all is for the best . . . in this best of all worlds." Candide, a simple man, first accepts this philosophy, but as he experiences the horrors of war, poverty, the maliciousness of man, and the hypocrisy of the church, he begins to doubt the voracity of Pangloss's theory. Thus, philosophical optimism is the focus of Votaire's satire; anti-war and anti-church refrains also run throughout the novel.