#Do you even call this an edit????
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alex-frostwalker · 4 months ago
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🥀𝕸𝖎𝖉𝖓𝖎𝖌𝖍𝖙 𝕷𝖎𝖑𝖞 𝕮𝖔𝖔𝖐𝖎𝖊🍪
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Beast Ancients AU belongs to @cuppajj
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poorly-drawn-mdzs · 9 months ago
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Laios's three Boy Best Friends. And yes, they hate him.
#dungeon meshi#laios touden#toshiro nakamoto#chilchuck tims#kabru#BF in this context could be boyfriend or best friend. The line is so blurry.#Chilchuck less so but whatever is going on between Shuro and Laios & Kabru and Laios is giving strong:#“dude if you were a girl I'd date the hell out of you”. And from the genderswap extra's that sentiment is canon for BOTH.#This was made prior to the translation of the Laios & Kabru & Shuro restaurant date comic and honestly I am just feeling vindicated.#I don't even know what to call this dynamic other than a situationship. There is so much going on between all of them.#Even on a purely platonic reading - the miscommunication and male yearning for friendship hurt so bad.#When we got the Big Hug scene in the epilogue arc I was whooping and hollering! Pure catharsis moment!#I also don't like hugs very much so I really felt it went Shuro ('hates being touched') went in for the bear hug.#Do not get me started on the agony of 'always lying' Kabru telling the truth (I just wanted to be friends)#and 'always believes' Laios thinking it's another lie and brushing him off.#I am once again supporting dungeon meshi day by posting art. Please watch dungeon meshi.#obligatory edit because I’m tired: YES. Chilchuck cares for Laios and him admitting it was a huge part of his arc#YES he is more just fed up with him that actually hating him.#I needed a third guy to be canonically done with his ass for the THREE WEED SMOKING GIRLFRIENDS reference
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anbaisai · 1 month ago
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🐍🫴🎃
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It was in our faces this entire time... he longs to hold a pumpkin...
Bonus:
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hauntingofhouses · 8 months ago
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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black-and-yellow · 7 months ago
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red-moon-at-night · 27 days ago
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okay the whole vase is great but something about Helen sitting on Aphrodite's lap as she wraps one arm around her shoulder and brushes her leg with her hand, staring into her eyes like that... as she is persuading Helen to go with Paris (while Peitho aka persuasion stands behind them) is so incredibly iconic.
and gay. toxic yuri, if you will.
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edwinisms · 3 months ago
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it’s actually so wild to me that this fairly quirky YA type show gave both of its main characters deaths that can, in one way or another, solidly be considered hate crimes. they were both flat out murdered as a result of being A) gay and effeminate or B) brown (south asian, specifically) and you could argue whether or not those kids thought of it that way in the moment or whatever but the bottom line is that they would not have been in the situations that killed them if they weren’t of their respective minorities. like legitimately that is a ballsy choice for this kind of netflix show, let alone for the two Main Characters, and i respect it big time
#rambling#i think about this a lot#you could brush charles’ off as a hate crime by proxy since it was in response to him Stopping a hate crime#but that would be stupid. like you think what happened to him would’ve happened if he was white? doubtful#as a mixed person the way i see it is that in that moment- when he protected that pakistani kid- he went from being tolerated#by being/acting just white enough and with enough other jock traits to sort of fit in amongst them#to all at once proving to them that no- he is in fact The Other. he isn’t one of us he’s one of Them.#and as such what happened to him would’ve been a bonafide hate crime. even if they were to give an excuse like ‘he got in our way’ or ‘he#made a fool out of us’ or whatever else. even if those boys didn’t fully UNDERSTAND the racism in their own intentions/actions#it still would be. because that would not have happened to a white boy. period#anyway. genuinely fascinating choice they made with the way they presented his death- especially considering it was not#remotely similar in the comics. neither of them had the hate crime aspect going on really up til yockey’s narrative choices#so props to him. man’s got balls#dead boy detectives#charles rowland#edwin payne#edit: I will say that I don’t think the boys in edwin’s case technically murdered him nor would I call them murderers#because I can’t imagine a single one of them actually thought that ritual was gonna do anything more than make him piss himself#it was still hate-based bullying. like they still absolutely did what they did because he’s visibly effeminate and easily clickable#and all in all: gay. but when I say edwin was murdered I don’t really mean by those boys. I mean those boys dragged him into the situation#(kicking and screaming) that GOT him murdered by a demon. and he would not have been in that position if not for being gay.#I’ll say it again because last time I talked about this someone got real pissy in my inbox: I am not excusing the actions of the boys that#got him killed nor am I saying what they did wasn’t based in homophobia. i am just clarifying that they didn’t intend on killing anyone or#think whatsoever that someone getting killed was even a possibility (as opposed to charles’ killers who definitely had to have thought he#could be killed even if that might not have been the premeditated goal of every boy involved)#but the fact that edwin was ultimately intentionally killed by a demon counts as murder to me#someone killed him on purpose. that’s murder#the demon probably didn’t give a shit about this human teenager’s sexuality but regardless he ended up there for being gay.#so. just. a clarification
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rottengurlz · 5 months ago
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toxic yuri vampires you will always be famous to me
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hrokkall · 1 year ago
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ULTRATOBER DAY 30 /// ██████
[PREVIOUS] 📟 [NEXT]
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cobaltfluff · 8 months ago
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so i started playing persona 4
where are the QoL features
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clowningcrows · 23 days ago
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hot take i guess but when i watch the scene with billy and agatha where she finds out for sure he’s billy maximoff and starts tearing up, i perceive it as being bc she’s still a bit (read: significantly) heartbroken that he isn’t nicky. he isn’t hers. sure, she might’ve known from the beginning to some degree that he was wanda’s, but she doesn’t know for sure. we see that every time she panics because he’s hurt. we see that in the way she refused to leave his side when he was asleep. we see that when rio herself has to shake agatha out of it, saying, “agatha… that boy isn’t yours.” like YES logically i think she knew he wasn’t nicky, that he couldn’t be but we CAN see how painfully, hopelessly desperate agatha is to think that maybe he could be. so in my mind, she sees billy maximoff standing in front of her, finally being met with indisputable proof that he could not possibly be her lost son. how could she not tear up at that?
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harbingersecho · 8 months ago
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finally played thru the infamous if demo and had an excuse to make a goth guy. with Facepaint and a coontail and everything. so here's Dane aka Lacuna of Dead Rat Society
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poorly-drawn-mdzs · 1 year ago
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Peeped the horrors
[First] Prev <–-> Next
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bacchuschucklefuck · 2 months ago
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official finish-this-sketch-how-you-want post idk what to call thisSAMPLE TEXT
hi! I miss drawing with people in a café and some folks mentioned they'd like to mess with my sketches themselves and that sounds cool so this is now a thing. if u play gartic phone this is basically the complement mode! but without the fucking ring noise that freaks you out right when you're getting into the flow of it
few things are 1/there's no hard deadline! take this at ur own pace if u do, but 2/I'll also be finishing this sketch and I estimate it to take around uhh 3 to 4 days? from the time this is posted. so if that's a structure u like then let's aim for something done in that timespan as well! and 3/if u finish ur piece and post it and want me to see it the best way to do that is to @ this blog! above all we go into this one determined to have fun and enjoy. I already bought u a matcha latte with oat milk sorry if u don't want that
here I got u today a sketch that's supposed to be Riz Gukgak (SY) (grey bg version and transparent version for ur ease of peruse)
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remember to have fun & be urself & finish ur drink & see u in 4 or 5
#not art#technically#idk what to tag this... I was thinking sketchboom bc its like one sketch many outcomes yknow. but turns out thats already#a company or something like that. and then I thought something riffing on the complement game mode but I cant think of anything for that#can we call it Fuck With This Sketch. pros: it would be funny. cons: cant think of even a single one#sooomewhat in the realm of dtiys. more in the realm of process swap or whatever the drawing meme was that used to be a thing#where like u and two friends swap pieces inbetween every step#(which is somewhat assumptive of what the process is to be fair. I know people who run directly into a piece blocking out poses in colors#as their sketch. and then just render right on top of it. as an ink-for-lifer their process is alien to me and we are like different specie#I want this to be real freeform u can do anything to this sketch. its decently readable for being made by me I think#if there are more than one character it gets worse. or if its full body or a first sketch for a design. uve seen that basrar piece's sketch#and when I say u can do anything to this sketch I mean it. if ur thinking ''oh they didn't mention a bg or painting idk if I should--''#Stop. You Can Do What You Want Forever. seek ur truth seize ur pleasure and call me a bitch to my face#sky's the ceiling and the depths of hell is the bar. draw with me. that is what this is for#ok Im done lets go. hope u have fun with the sketch! yay! yayaya#edit: well now Ive commited to a stupid tag this is called#Fuck With My Sketch
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manchesterau · 10 months ago
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random dnp gifs 11/?
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dogboymutual · 4 months ago
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hi everyone. letting you all know that i find the clicker game about the guy who likes clicking. the one called clickolding. that one. it's. hhot
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