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physalian · 8 months ago

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You don’t have to pay for that fancy worldbuilding program

As mentioned in this post about writing with executive dysfunction, if one of your reasons to keep procrastinating on starting your book is not being able to afford something like World Anvil or Campfire, I’m here to tell you those programs are a luxury, not a necessity: Enter Google Suite (not sponsored but gosh I wish).

MS Office offers more processing power and more fine-tuning, but Office is expensive and only autosaves to OneDrive, and I have a perfectly healthy grudge against OneDrive for failing to sync and losing 19k words of a WIP that I never got back.

Google’s sync has never failed me, and the Google apps (at least for iPhone) aren’t nearly as buggy and clunky as Microsoft’s. So today I’m outlining the system I used for my upcoming fantasy novel with all the helpful pictures and diagrams. Maybe this won’t work for you, maybe you have something else, and that’s okay! I refuse to pay for what I can get legally for free and sometimes Google’s simplicity is to its benefit.

The biggest downside is that you have to manually input and update your data, but as someone who loves organizing and made all these willingly and for fun, I don’t mind.

So. Let’s start with Google Sheets.

The Character Cheat Sheet:

I organized it this way for several reasons:

I can easily see which characters belong to which factions and how many I have named and have to keep up with for each faction

All names are in alphabetical order so when I have to come up with a new name, I can look at my list and pick a letter or a string of sounds I haven’t used as often (and then ignore it and start 8 names with A).

The strikethrough feature lets me keep track of which characters I kill off (yes, I changed it, so this remains spoiler-free)

It’s an easy place to go instead of scrolling up and down an entire manuscript for names I’ve forgotten, with every named character, however minor their role, all in one spot

Also on this page are spare names I’ll see randomly in other media (commercials, movie end credits, etc) and can add easily from my phone before I forget

Also on this page are my summary, my elevator pitch, and important character beats I could otherwise easily mess up, it helps stay consistent

*I also have on here not pictured an age timeline for all my vampires so I keep track of who’s older than who and how well I’ve staggered their ages relative to important events, but it’s made in Photoshop and too much of a pain to censor and add here

On other tabs, I keep track of location names, deities, made-up vocabulary and definitions, and my chapter word count.

The Word Count Guide:

*3/30 Edit to update this chart to its full glory. Column 3 is a cumulative count. Most of what I write breaks 100k and it's fun watching the word count rise until it boils over.

This is the most frustrating to update manually, especially if you don’t have separate docs for each chapter, but it really helps me stay consistent with chapter lengths and the formula for calculating the average and rising totals is super basic.

Not that all your chapters have to be uniform, but if you care about that, this little chart is a fantastic visualizer.

If you have multiple narrators, and this book does, you can also keep track of how many POVs each narrator has, and how spread out they are. I didn’t do that for this book since it’s not an ensemble team and matters less, but I did for my sci-fi WIP, pictured below.

As I was writing that one, I had “scripted” the chapters before going back and writing out all the glorious narrative, and updated the symbols from “scripted” to “finished” accordingly.

I also have a pie chart that I had to make manually on a convoluted iPhone app to color coordinate specifically the way I wanted to easily tell who narrates the most out of the cast, and who needs more representation.

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Google Docs

Can’t show you much here unfortunately but I’d like to take an aside to talk about my “scene bits” docs.

It’s what it says on the tin, an entire doc all labeled with different heading styles with blurbs for each scene I want to include at some point in the book so I can hop around easily. Whether they make it into the manuscript or not, all practice is good practice and I like to keep old ideas because they might be useful in unsuspecting ways later.

Separate from that, I keep most of my deleted scenes and scene chunks for, again, possible use later in a “deleted scenes” doc, all labeled accordingly.

When I designed my alien language for the sci-fi series, I created a Word doc dictionary and my own "translation" matrix, for easy look-up or word generation whenever I needed it (do y'all want a breakdown for creating foreign languages? It's so fun).

Normally, as with my sci-fi series, I have an entire doc filled with character sheets and important details, I just… didn’t do that for this book. But the point is—you can still make those for free on any word processing software, you don’t need fancy gadgets.

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I hope this helps anyone struggling! It doesn’t have to be fancy. It doesn’t have to be expensive. Everything I made here, minus the aforementioned timeline and pie chart, was done with basic excel skills and the paint bucket tool. I imagine this can be applicable to games, comics, what have you, it knows no bounds!

Now you have one less excuse to sit down and start writing.

#writing advice #writing resources #writing tips #writing tools #writing a book #writing #writeblr #organizing your book #outlining #shut up and write the book #google sheets #google docs

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violet-eng · 7 months ago

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Fem!reader married to a Neuvillette who loves not her but someone else | NSFW 🔞 + 😢

In this one I'm going out on a limb, because I presume without any argument other than my own intuition, that Neuvillette and Focalors had a platonic relationship with feelings never confessed out of fear or genuine ignorance of them (like Violet Evergarden, yes). But you are Neuvillette's wife and so you will fall victim to his coldness when Focalors dies.

Includes NSFW with the reader and angst. Never mistreatment because Neuvi is a gentleman. NOTHING BETWEEN FOCALORS/FURINA AND NEUVI NONONO

⚠️ Warnings: established relationship between Neuvillette and reader, implied cheating, unloving and unprotected sex, pregnancy, sex during pregnancy, mentions of masturbation. Mentions of death. More sex between spouses bc yes.

mndi, if you feel unconfortable reading this then don't. Your mental health is first.

6k words, not edited.

💧💧💧💧💙💙💙💙💙💙💙🔹️🔹️🔹️🔹️🔹️💧💧💧💧💧💙💙💙💙🔹️🔹️🔹️

You had seen him crestfallen the last few weeks, after the flood, self-conscious in his own thoughts, drowning in his remorse and cowardice.

Neuvillette does not understand human feelings, not at all, though love is supposed to be a passion that transcends the natural laws of evolution. Focalors had been his friend, his companion, in the bruised body of a puppet that felt so real that its strings seemed invisible.

There was no denying the deep affection that had grown between the two, Neuvillette and Focalors, two wandering souls, roaming the world with ancestral antiquity, companions destined to the sound of agony and separation, haunted by the solemn ignorance of innocent creatures.

Love… what was it but a word in a spoken contract.

Neuvillette had married you months ago, a happy and superficially authentic marriage. You had captured his attention, and his knowledge of humans, as the Great Chief Justice, could be satiated by knowing you, a faithful human companion, devoted wife, and sublime lover.

The bed was the only moment where you two connected, where, to the rhythm of the waves, Neuvillette penetrated his marital responsibility towards your depths, that which he considered appropriate towards his so-called wife, who, in a frenzy of pleasure, crushed his pale back with her nails, set to music by the melodious moans he tore from your sweaty breast… There was no connection beyond the sexual, for as a dragon, despite the years, it is very difficult for him to connect with humans.

Focalors was an oceanid, and he was a dragon sovereign. Both turned human. Nothing more to add, two rulers abandoned by the world they were supposed to protect, what would grow between them but pure trust and admiration that would obviously develop into love?

Neuvillette didn't understand. Not until that moment. He had been deaf to his innocent heart pounding anxiously every time Focalors entered his office in her unruly human form, rampant in color and expression. He had been unaware of the flame of satisfaction in his chest that burned hot when she spoke to him in the privacy of their conversations in the theater…he did not understand, not until he understood that he would eventually lose her.

He cried, for the first time he let someone see him cry in his human form. Focalor's words, so exquisite before him, ethereal in her ornate louvered dress, echoed in his head…and in his heart… ….

"Hydrodragon, Hydrodragon… don't cry," she whispered… and he, very reluctant to leave her, wished with all his might to leap upon her, wrap her in his arms and never let her go. He would flee with her on his lap, in his draconic form, leaving Fontaine and everyone else to their fate.

No… a Sovereign would not do that… he would not do that… for to abandon his oath would deserve the most dastardly punishment of all. And maybe, just for thinking that, he deserved what happened next.

"Farewell, Neuvillette," her words, pure in his human form. His companion, his friend, his mentor… his soul mate, tossed away like the foam on the shore of a beach.

Death was a human concept, without transcendence over evolution… love, however, was another story.

He came home like a soldier after the war, he came back without a part of himself… he came back to his boring life married to a woman he doesn't even love, at least not the way you really deserve him.

"Darling," you offer him a glass of fresh spring water from Quiaoying Village, because you know he doesn't like anything else, especially in dark times like these, a glass of the freshest, coldest water suits him wonderfully.

He drinks from the glass, almost as stoic as ever, though his face is stiffer than usual. Routine is becoming overwhelming for both of you, and Neuvillette is suspiciously distant from you, more so than usual. You stroke his cheek while he sleeps to help him fall asleep, you make him breakfast in the mornings and serve him dinner when he comes home, all without so much as a hello.

You suspect the worst, because your friends have planted the idea in your head that Neuvillette has a mistress, and not far from the truth, his heart belongs to another.

After the flood, many had left Fontaine, and perhaps your husband's mistress was among them, or so you thought. How painful it had been for you to see him break for another woman, to see him crack at his most human for a heart that was not yours.

Overwhelmed, you write him a letter with the idea of leaving him and traveling to Sumeru with one of your friends in search of a new life, but everything is cut short when your symptoms begin. Pregnancy was imminent, after all the nights the Iudex had taken you into your bed, it was to be expected.

You receive Neuvillette that night, frustrated by your own doubts, debating between informing him of your condition or simply fleeing to new horizons with your child. It is so difficult to decide when your husband is the Iudex of Fontaine… and when you care about his reputation because you love him sincerely.

There is no need to search for words when your husband is a dragon with keen senses, for as soon as he set foot in the house, he sensed the scent of his brood stirring within you. The Iudex's interest, however, lay in whether or not you would confess to him.

"A package arrived for you this afternoon," Neuvillette comments as he sips the tea you prepared for him, pointing to a bag on the front table.

"Ah, yes," you say half-heartedly, taking the bag in your hands, emotions spilling from your chest as you crumple the paper between your fingers.

You sigh deeply, thinking that maybe this gift is your way of saying goodbye to him, of silently making amends and apologizing for something that is absolutely not your fault other than falling in love with the wrong man.

You take out of the bag an encyclopedia, a thick book with thick paste and yellow pages, brought from Sumeru, recommended by the very scribe of the Academya, a book of human anthropology for your dear strange husband, who seems to have a real interest in human behavior. Neuvillette looks at it as if it were a revelation, as incredulous as he is moved, touched by your gift and your attention to his interests. You try to say something, to tell him that you are pregnant, but you stop when you hear him speak.

"I know you're expecting my child," Neuvillette says, without going into the details of how he found out, touching the rim of the teacup, a wedding gift. "Whatever you need, tell me, health, food, you know I will cover all expenses."

"I want to go to Sumeru," you confess in an almost whispered tone, your words seeming to be carried away by the wind rushing through the window.

"That wouldn't be good," for a Hydro Dragon hatchling, of course it wouldn't. "You're too young to venture into a new nation, especially one with new leaders like Sumeru, not to mention the dry climate."

You don't argue, knowing he's right, and decide to simply retreat to your room and wallow in your defeat.

Neuvillette, however, with what little empathy he has generated, caresses the book with his fingertips, gliding over the fine markings carved into the cover.

A gift, he had never given you a gift before, but you had given him a gift by taking the initiative.

The months passed quickly. The precariousness of your relationship, increasingly dry on your part, provokes something in Neuvillette.

He looks at you from his side of the bed, the way you sleep peacefully with a swollen belly, carrying his little dragon without knowing it, without trying to get rid of it, loving it from the first moment. Neuvillette has seen you singing lullabies to your child these past few months, reading him stories while caressing your belly, telling him how much you want him to be born strong and healthy.

He's grateful for the deep affection you have for your child, so much so that he has tried to show it. Maybe what he read in the book worked, or maybe it is just a product of his new feelings for his wife, who is about to become a mother. He would do anything for your son to be born healthy and with a healthy mother.

He buys you fritters on the way home, from the store he found out you like best, courtesy of some Melusine, and sits next to you at the dinner table, trying to take an interest in your day and tell you about his, always aiming for your peace, a healthy heart would bring a healthy child.

His devotion is to the birth of your child, because that's what he tells himself. It's not that he was interested in you, of course not… it's not like he was surprised when you told him your clothes were too tight and you hated your new body, not when he likes to see your new figure when you lie next to him at night, with enlarged breasts and a round belly. He bought you new clothes, yes, by the boatload, but because that's what any husband would do.

He only appreciates you for being the mother of his child, it's not like his heart fluttered when he saw you helping some melusines with their problems, or coddling some baby of your friends, thinking what a wonderful mother you will soon be. It's not like h chest filled with pride when he saw you in the stores looking for maternity books and baby clothes, worrying about the weather and your child's health.

And it's definitely not like he's masturbating in his office, remembering the image of you undressing that morning to get into the tub, cutting the skin of your arms and breasts, moaning at the contact of the warm water against your body, and letting out a sigh of deep satisfaction.

That night, he comes home with the usual everyday gift, this time a box of macaroons, because he noticed that you were looking at them in the display case with great eagerness during the afternoon. And he sits down at the table with you, pours you a cup of tea and starts the conversation, even though he notices that you are much more tired than usual.

He carries you into the bedroom and helps you into your nightgown, taking the opportunity to caress your waist and back as he helps the fabric slide over your curves. And then he strokes your head to help you fall asleep, and without realizing it, he smiles as he sees you fast asleep next to him.

The birth is approaching and the strong pains make you desperate, confined to your room and reluctant to go out even to sunbathe. It was the midwife who unscrupulously suggested to Neuvillette that a little sexual activity would help you get through the contractions. And he, as devoted to his wife's health as any good husband, agrees.

You feel Neuvillette's cock thrust deep into you, deep into your velvety walls, soft and slow, not unlike what you've felt before. His hands rest on the sides of your head, his gaze fixed on his cock disappearing inside you, while you curl your legs at the delicious sensation of his thick appendage inside your pussy. He moves cautiously, sharply, trying not to hurt you, and as he pumps inside you, his gaze is lost on your breasts, bouncing to the rhythm of his gentle thrusts.

"Perfect," he whispers through his teeth, because in his eyes you are the perfect reservoir for his brood, yes, just that… he insists that you are simply his good companion, and pretends that he hasn't wanted to have you like this for weeks, under him, a mess between moans pinned to him as you cling to his arms.

"Monsieur~" you whimper, bringing a hand to your face to cover your expression, though he takes your wrist and looks at your face as if you were a treasure just discovered by a hungry, ambitious man.

When you reach your orgasm, he kisses you, for the first time during sex, Neuvillette kisses you, and even he surprises himself with his own actions. He washes your body and dresses you before you rest, now much calmer than before, sinking into your husband's chest as you fall asleep, ignoring the feelings that surface between the two of you.

When the child is born, Neuvillette is surprised to continue his affection for you. He did not fall into the same materialism as before, because now he recognized in the shared work of the novices how difficult it was to take care of a baby. It is he who washes the child because, to your surprise, he knows the strange need for fresh water that your baby requires at least twice a day. Neuvillette enjoys the laughter that you get from your child, and the way that he lifts his arms so that you can hold him and show him how well you are feeding him, he looks strong and healthy.

One day, as he was leaving the Opera Epiclese, he was distracted by the statue of the Focalors, but his attention was immediately drawn to the babbling exclamations of his son, who was waving in your arms near the fountain. How gratifying is that moment when his heart leaps with joy as he sees you holding his child.

The days have been sunny in Fontaine since your son was born, and to Neuvillette's relief, the bitter memories of his separation from the Focalors are just that, memories… past images that he does not cherish, as he knows humans do, not now that his being is entirely devoted to his mate and his brood. What kind of elixir have you become for him, that he can forget all his sorrows and his past loves?

Neuvillette spends hours in his office poring over the pages of the book you gave him months ago, highlighting this thing called melancholy, the longing for past situations and desires, and feeling sorry for those who feel it, because if it were a disease, he would call himself cured of this melancholy.

He finds it curious how you managed to get rid of all the gloomy feelings that plagued him, and even wonders if you are not some kind of sorceress… No, not you, not when you so devotedly cleanse your child and offer him a carefully prepared dinner, and practically put your heart and soul into every act of domesticity.

Focalors… her name and image sail through the ancient memories of Neuvillette's tattered mind, the smile of a woman he loved, now replaced by that of the one who lies beside him, coddling a bright-eyed, rosy-cheeked child. Funny how in such a short time he had acquired such human habits as feeling part of a family he hadn't even planned to have.

Your relationship with Neuvillette, full of respect and admiration, help and companionship, seems to evolve into something more. You become his confidant, his mentor when he has doubts about human children or about the customs between parents and children. Involuntarily, he comes to you when he has questions, not to a library, for despite your young mortal age, you know much more than books could ever give him.

You are patient with his ignorance and loving when he is wrong. Mutual and pure respect, absolute devotion and admiration. Neuvillette doesn't believe you are human, how can you be human with so many virtues… his curiosity grows and changes, so much so that he counts the hours in court to come home and chat with you while you nurse his child.

He returns home that night with new doubts, because he has seen strange devices for children without understanding their usefulness, called fun. Can they have fun by themselves? Aren't they too young for that?…oh, and he brings a storybook, because he understands that made-up stories are interesting for babies, even if they don't understand much of the language.

He goes to the baby's room with an enthusiasm he doesn't know he has, and stops at the door when he hears you soothing your baby's cry with sweet words.

"Hydro-Dragon, Hydro-Dragon, don't cry," you murmur as you caress your child's cheek and try to feed him.

Your child is frantically breastfeeding, his tears fading as he closes his bright purple eyes, his little hands clenched into fists and his nose twitching. Neuvillette watches the whole scene from the doorway, his heart in his throat and his feelings on his skin. Those words that broke his soul so long ago now seem to put the pieces of his shattered existence back together.

He smiles, a melancholy, self-satisfied smile. And he looks at you, he looks at you with devotion, because you have finally made him understand what he feels and has felt for so many months. His devoted wife, as patient as she is charming… seems wiser and more skillful than any scholar.

Leaving your child in its cradle, you straighten your neck and turn to Neuvillette, who has entered the room.

"What a beautiful book," you murmur, picking it up, "the baby will love it.

Neuvillette watches you with one hand on the crib that protects his baby, then watches his son sleep, wrinkling his nose the way you do when you sleep.

"You must be exhausted," he whispers, stroking your arm and leading you out of the baby's room.

"Not at all," you smile, "the child fills me with vitality."

"So… Hydro Dragon," Neuvillette recalls the words you said to his baby.

"I said it when I was a girl, like everyone else in Fontaine, it was an idea that came to me suddenly," you answer, and he smiles at your expression, thinking that maybe he heard you when you were a girl, maybe you were one of the many children who recited the same words when it rained in Fontaine.

"I have to tell you something," Neuvillette says, his voice lacking authority, more like a prayer. You watch him from the kitchen.

"'Tell me.

Focalors, Neuvillette, Furina, Fontaine's hydrodragon, the flood, his never-confessed love… he tells you everything because he understands that you deserve the truth, and that he doesn't deserve you because you're too understanding of his confession. It is as if this conversation has cleared up all your doubts, and you have finally seen the real Neuvillette, who fully trusts you to know what to do with this information.

Neuvillette believes that you will ask him for a divorce and leave him alone with his son, but he is surprised to find you preparing breakfast the next morning with your child tied to your leg while you both laugh.

He does not deserve you, definitely not, for he is perhaps the most despicable man in Fontaine and all of Teyvat. To think of another while he is married, to take his wife with him in a grief that is not hers, to bind her to him forever by impregnating her… how mean he must have been, and how understanding you become as his selfishness grows.

He hugs you from behind, buries his face in your neck, inhales your scent and clings to your waist. He begs for forgiveness countless times, and you feel that he may have already shed a few tears on your shoulder, because the sky suddenly begins to cloud over.

"There's nothing to forgive," you whisper, stroking his head, "we can't choose who we fall in love with."

He looks at you in disbelief, wondering in what book he would find such an accurate statement. You had fallen in love with him, and he finally understands, for you are both victims of the disorderly course of love, so messy in its actions, indifferent to those it hurts.

He thinks about your words as he sits in his office, as he looks at the framed photograph he has of you holding his son, and wonders when he fell into the trap of the reckless love that humans call it.

The name of the Focalors does not mean anything to him anymore, even less when he sees Lady Furina in boutiques or restaurants… surely a memory has finally become just that, a memory. His heart is now the prey of another person, his wife, the mother of his son.

Neuvillette understands that there is a difference between soul mates, first love, and true love. The connection with Focalors had been imminent years ago, as both were unaware of the actions of the society in which they had become intruders, but they were nothing more than that, accomplices in a game of masks and power, the first experience of mutual affection and trust. Focalors was his soulmate, yes, because she understood firsthand everything he experienced, but being a living part of her theater did not feel authentic.

With you, however, Neuvillette had learned to be a part of his people, whether as a human or a dragon, as Chief Justice or as the father of an infant. He was no longer an intruder or a stranger ignorant of human ways, not after you. At your side, Neuvillette had known a new range of sensations, of experiences and learning based on mistakes, all very human on his part, and as expected, he had learned to fall in love again, because it was inevitable, after several problems and misunderstandings between the two of you, after the birth of his son and the new horizons that fatherhood brought. His affection for you had been disguised as admiration and redemption, his ignorance had once again avoided love, a mistake he wanted to make up for.

Sitting in your living room while he reads a book and you braid his hair and hum a lullaby, Neuvillette lets the waves of your voice carry him away, wondering what kind of marital experiences he had missed with you.

"What kind of things do husbands do?" He asks suddenly, looking up at you from the carpeted floor, surprising you with his curious question.

"Well…" you think, it's not like when he asks you why kids suck their thumbs or why people give each other presents on non-holidays. It's not a question about trivial human behavior, not this time.

"I've seen couples go out to dinner, but you told me that friends also go out to dinner," he continues, elaborating on his puzzle. "Wriothesley and I have had tea together, what would be the difference between having tea with him and with you?"

"Well…" you continue to think about your answer. "Perhaps the most obvious is living together, planning the week together, household and food expenses, child care, and confidentiality between the two. When you and I have tea, we talk about things that you probably don't mention to Wriothesley".

" Certainly," he says with a hand on his chin, "you and I do all those things, but how is that different from students who share a house? They also plan expenses and discuss confidences."

"Then I guess the biggest difference is in starting a family. Normally, people get married because they want to have a family with the person they choose, the person they love, or the person their parents impose on them."

"So sex is what differentiates married people," he says, and you remain static at his words, stopping to braid his hair, "of course… the physical and emotional affection shown by both parties in marriage…" Neuvillette rambles on, his own conclusion as he sits on the couch next to you, thinking about how he hasn't shown his affection the way he should.

He looks at you out of the corner of his eye, you are distracted by the details of your skirt, picking out rebellious threads, and then he thinks about the last time he kissed you and wonders what it would be like to kiss someone with marital affection.

"Can I kiss you?" The question is thrown out with innocence, causing surprise in you.

"You've kissed me before, Neuvillette," you say, smiling and getting up to go into the kitchen, "we even have a son, I don't think there's anything new to try."

"Indeed," he says, getting up and walking toward you, your back against one of the walls, "but the variable that makes this situation different from the others is that I didn't feel that way about you."

"Like what?" you ask, as he moves closer to you, almost cornering you against the wall.

"I like thinking about you, being with you, hearing you talk," he says, his tone low, as if he were ashamed to confess everything to you. "I thought it was a simple instinct to care for you as the mother of my child… but now I know it's something deeper than that."

You look at him in surprise, now it is you who has unknowns that only he can answer. The silence between you is cold and almost tactile.

"What about her? Of the Archon," you whisper, your breath depending on the question, Neuvillette's forehead inches from yours.

"It's not the same. There is no excitement or desire. I never longed for her or desired her like you. She didn't provoke me the way you did, it's almost annoying."

"Am I annoying? "Is that what she's telling me, Judge?" You smile as you touch the tip of his nose, trying to take some of the seriousness out of the conversation.

"You are adorably hypnotic, I must say. More than you should be. You have taken everything from me without me even realizing it, subtly and carefully taking over my mind and my heart," Neuvillette's hands caress your cheek, high above your skin, avoiding friction as if his touch would bruise your flawless complexion.

"Let me show you these human feelings that have taken over me, please," he whispers, his thumb sliding over your lower lip. He says it almost like a complaint, his bursting emotions becoming painful, trapped in his chest, longing for you to give him comfort and permission to act.

"I'll let you… only if you promise me something," you say, taking his hand, avoiding the marks of his fingers on you. "You will never push me aside for another woman again…"

His oath needs no words, not when he has you leaning against the kitchen table, his cock pushing behind you to your cervix. Your muffled moans as he adjusts your skirt over your waist and spreads your legs further to give him free access to your pussy, which sucks him contemptuously.

Neuvillette feels like a fantasy, thrusting relentlessly into you, touching the bulge that has formed in your belly from the penetration of his cock, pushing with his hand so you can feel it better, eliciting a high-pitched moan from you. . He kisses your cheek and you hear his muffled moans against your ear as he utters words of worship.

You grip the marble edge of the table, moaning at the burning building in your belly, your eyes glassy and spit falling from your mouth. It's as if your legs were lifeless, as if you were prey to Neuvillette and the way he drives his love for you so deep that it seems to stir your womb.

That afternoon he takes you in the kitchen, and the next morning he doesn't let you get out of bed, one hand on the headboard and the other around your waist, Neuvillette has you with your ass up like a dog in heat, hitting your slippery with his length. The strength that his support gives you is hard to bear, your breasts trembling strongly as your ass bounces to his rhythm, your skin moving like waves in the sea with each vibration that Neuvillette's relentless interference causes.

His hand slides down your body, caressing your breasts and down to your clit, your face buried in the pillows, almost crying at how good his fingers feel on your nervous lump. He fills you with his seed when he reaches orgasm, because he is dying to see you again with your belly swollen for his offspring. And he kisses you again, he kisses your forehead while you catch your breath, while you cover your body that has been bruised by his fingers, defining the lustful path of his digits over your body.

In his office, he remembers the past hours with fanciful lust and longs to return home to enjoy this new activity that you have made him experience, this new addiction that your body represents against his. He longs for your company and your warmth, your voice moaning with pleasure and the way your nails dig into his back. He adores everything about you, not only because you are the mother of his child, but because he finally understands, after several months of reading and reflection, that he has truly fallen in love with you, his precious human wife.

#genshin impact #genshin smut #neuvilette smut #neuvillette #neuvilette genshin #genshin impact smut #genshin x reader #neuvilette x reader #focalors #focallette

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atsadi-shenanigans · 2 months ago

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A Misuse of Potions 1- Hill Giant Strength

Wrote it, thought I should sit on it to better edit, then decided I ain't patient. Bon appetite.

Rated VERY E.

Astarion has a plan. A nice, simple plan. His love has been gone for almost a tenday, but now she's back, and he needs her to obliterate him in the best way possible.

Night has fallen. Apprentice spellworkers dart through the streets to light the lanterns as the pale wash of sunset fades into purple, and then black.

Astarion stands near the window overlooking the front street and the small, rather overgrown garden his love has been somewhat tending to.

She’s late.

She’s actually two days late, but he’s inclined to blame the wizard for that. No, she should have been here thirty minutes ago, right as the last curve of the sun sank behind the distant buildings and released the creatures of the night to their nefarious doings.

To which he would happily add his own misdeeds. Except that she’s late.

Something happened. They were waylaid by pirates. A kraken rose from the deep to smash Waterdeep and pulled that wizard tower down on top of them, and her body is so human and so, so mortal. He needs to go. Needs to check—

Magic stirs below. The scent of cinnamon and licorice he always associates with Gale’s spells. A glimmer of purple flickers in the space right before their front gate—she painted it teal and seemed quite pleased with herself—before a shimmering, purple cloud unfurls taller and taller and…

His breath sighs out of him. She emerges. Eleanor. His former leader, his friend, his love. She’s back. She’s home.

He lets the curtain fall back into place.

They’re plush things, and heavy. Purchased with him in mind and enchanted to boot. Usually, the moment it’s safe to do so, he throws them open to catch the fading light still painting the sky.

But not tonight. He doesn’t care about the sky, today. And he doesn’t want an audience.

Well, aside from one, anyway.

She unlatches the little gate and steps through. Her footsteps sound heavy. She must be tired. He hopes that won’t alter his plans. Because he did. Plan. He’s getting better at that. But now she’s late and it’s thrown him so he hurries down the stairs, soft as a sigh.

Not that he needs to. Her hearing is awful (she says it’s quite good for a human and he feels a twinge of pity at that). Plus their townhouse is enchanted against noise. Can’t have the neighbors (he has neighbors) complaining about the screaming (it’s not even bad screaming; usually involves a lot of “yes, yes oh god” even).

He hits the ground floor and surveys the room. It’s nothing grand. Nothing like the mansion he still gets dragged to in reverie sometimes. But it’s bright and tidy (they pay someone for that, because it turns out neither of them is particularly good at housekeeping). The wooden floor is well-swept and decorated with colorful rugs and potted plants (dearest Eleanor says her people were farmers). The walls are covered in patterned wallpaper and bookshelves and trinkets, tapestries and paintings she should have haggled better for, but didn’t because “good art is worth the artist.”

It's very her. And, he thinks, it might possibly him, as well? Part of him? They change things as they need to as he figures that whole mess out.

But he’s really here to check that everything is in place. No elaborate staging, though. He chose his own clothes for his own reasons, for his own purposes. He’s in their home. And it smells of them.

Or it did smell of them, And that’s the problem.

Oh, his scent is everywhere. He can’t escape that. But she’s been gone the better part of a tenday, and it’s her that’s beginning to fade.

The first, few nights were tolerable. He could nuzzle into her pillow and remember to breathe. The bedding smelled of her: rich blood, the linden soap she favors, and that wonderful, clean scent she carries on her skin. It was nearly enough for him to imagine he held her as he rested.

But the bedding wasn’t warm, like her. And though the late, summer sunlight warms the stone walls of their home and chases away the burgeoning chill of autumn, there was no living body within the walls to fill it with heat.

She wasn’t there. He was alone.

He’s been alone before, of course. Was practically alone for two centuries before he threatened her on that beach (he sighs fondly at the memory: her on her back, staring up at him with what he initially mistook for a simpleton’s vacancy, but later learned was a vicious cunning) (when she wasn’t tired) (and when what she calls her “brain chemicals” were correctly balanced).

Then they were together (he feels himself smile) for a little over a year, now. And in that time, they’ve never been apart as long as this expedition of hers.

And now their home is too cold. Too quiet. And nerves twist his stomach.

It’s almost hilarious. Centuries at seduction, and he’s now reduced to fussing over his clothing as he waits. Second guessing: where he’ll stand, how he’ll position himself. It used to be as effortless as, well, not breathing, but blinking, perhaps (even that’s a stretch). He barely thought about it. Wasn’t entirely present for more than half of it.

But now every moment drags. Her steps up their walkway. The way her lungs draw air. The beat of her heart and there’s no one to witness the slight stumble as his knees go stupidly weak.

He ought to sneer at the thought. A little over a year ago, he would have done far worse. Probably stabbed someone. But now, it’s Eleanor and he missed her, gods help him, and he smooths his hands along his front and takes up position at the door. Waits until…just…there.

Opens that door for her.

Her hand is raised to grab the knob. Now it hovers and slowly falls to her side as she boggles.

He chose well, it turns out. He doesn’t need a mirror to know he looks good. He’s retrieved his heels and laced them up. Unpacked another purchase he kept from her: a long, blood red dress of embroidered silk. It’s a slim fit, meant to hug his form. Would be tight along the legs if it wasn’t for the slit up one side.

The sleeves fall off his shoulders in a way he knows highlights them. She does love his shoulders (loves to clutch them as he works between her legs) (curl her head upon them as he reads to her) (dig her fingers in to try to ease the tense muscles when that blasted joke of an editor at the Baldur’s Mouth throws some feeble counterargument back at him).

But it’s the way her eyes follow along his collarbones to the dip that leads down his chest. It’s his chest that’s her favorite part of him (well, second) (alright, third because she says disgusting things like “your eyes” and “the way you smile” and “but if you didn’t have a mouth, I couldn’t hear you talk about plagues”).

(And she means all of those statements; she’ll just…sit there and listen to him prattle on—)

“Good evening, lover,” he purrs.

She almost drops all three bags she carries.

***

The rest on AO3 so no tumblr horny jail for me.

#a misuse of potions #these two shitheads #astarion smut #tavstarion smut #plus size tav #m/f but not heterosexual #obliterate that elf!

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jams-sims · 1 month ago

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Curly victimhood and how 2 things can be true.

Curly was a good Captian, a good friend BUT he was also willing to hide Jimmy wrong doing, Failed Anya by not taking action sooner and in general relying to heavily on the "we are friends we understand one another." The thing about Curly is nothing that he says, he's going to do, when we play as him. Ever comes to fruition, we never make it to Earth, we never make it to the drop off point. His sin or inactions stay on the ship and in a way, him getting hurt like he did is his punishment for his sin. He is as much of a victim of Jimmy as others on the ship.

The rose colored glasses are torn away when Curly is put in a position of helplessness. When he loses the status of friend and becomes someone Jimmy had already disliked into someone below Jimmy. The 5 people in this fandom have already mentioned it, Curly can be a allegory for the mistreatment of people who are disabled, rape connecting to Anya and helplessnes.

But what i think the real connection is, is that Curly represents those real friendships where you have a close bond with someone who does something horrible. I think it also represents, how some men will just stay friends with a horrible people. Even though they know that person is horrible.

In Curly case he made a few statment that showed he was willing to work things out. He would "Take Responsibility." Could it be he was simply trying to keep everything together by pacifying both Jimmy and Anya. They are on a ship that still had 200+ days left to go. Yes. But we'll never know the full scope of Curly character because we only ever get his view in flash back or from Jimmys warped perspective.

Edit:

I forgot the gun scene- it is the foundation of two things can be true. Curly can talk to Anya on day 0 when Curly looks for the gun. Its not explain why hes looking for it. But when you talk to Anya, Curly assumes she is going to hurt herself. He tells Anya that they can work this out, and that he would have done ANYTHING for her.

Anya calls him out saying "I know you wouldn't have given me the gun to protect myself but atleast he doesnt have it." Which just puts Curly firmly in the middle. He wants to hold on to his friendship with jimmy, while also trying to "Take Responsibility". Its adds another level of tragedy and why he starts laughing when Jimmy finds the gun. It was staring him in the face the whole time. An maybe he should have given Anya the gun to protect herself.

#mouthwashing #mouthwashing game

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hermitw · 5 months ago

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All my JJK character playlists (what I think they listen to) in one post (will be edited to add more when they are longer)

Every playlist is best shuffled, unless stated otherwise.

Satoru Gojo before prison realm (perfect for 2am mental breakdowns when u gotta dance and cry at any moment)

Satosugu's blended playlist gives me chest pain

Suguru Geto (such a vibe especially when it's raining)

Yuuji Itadori (actually in chronological order)

Megumi Fushiguro (somehow this one intimidates me)

Ino Takuma (I think he'd listen to full albums)

Miwa's (cried while making this tbh)

Choso (over 50hrs, so it's vibes and emotion and chill, everything)

Kenjaku (maybe the only one that you can't cry to)

(only 10 images fit in a post so I'll reblog w the others ig)

Mai Zenin - The cuntiest playlist to cry to

Toji Zenin / Fushiguro (is in chronological order)

Mechamaru's aux (I'm content w the order, no significance. Mechamaru's colored manga panel here)

Hanami's aux & colored manga panel (I did the heat stroke trend for this)

Yuuta Okkotsu - obv he listened to La Dispute

Shoko Ieri - yes her temporary cover is from the burger king video. I laughed at that thing every day for like 2 weeks.

these feel unfinished so but are going up before I forget to share (some of them are hours long I'm just a bitch)

Nanami Kento - guess I subconsciously think he's a closet theater kid?

Sukuna - includes songs that sound like his domain expansion.

Sukugo's blended playlist

The merger - Maybe not a character but deserves its own playlist

Mahito - tbh this is fun to listen to (my character analysis on him is irrelevant dw)

Toge Inumaki - resident troll

Junpei Yoshino - sorry but you know his hair is greasy

Gojo Satoru - prison realm and after

Nanako & Mimiko Hasaba - a compromise between their styles

Mimiko Hasaba - morute

Nanako Hasaba - gyaru

Kirara - she has the best taste probably idk

Gojo Satoru - prison realm, just prison realm (I tried to hold back forever on this. Yes, it's his 3rd playlist. 5th if u count the ships)

Ijichi - should I apologize to him? I made this in sincerity.

Nobara Kugisaki - the first 2 songs are the duality of her I love it

Itafushi blended playlist

Maki Zenin - chronological I guess

Nishimiya

Utahime - this is just vibes idk

Todo Aoi - should I apologize for this?...i could find an artist like that idol he's obsessed with and fill it out better (idk much about that scene so it's... Everything else rn)

Noritoshi Kamo - the one we meet at the exchange event, not kenjaku or the Noritoshi he possessed 150 years ago.

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quibbs126 · 5 months ago

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So I’ve been making this

So basically last night, I was listening to some music, specifically Not Gonna Die by Skillet, more specifically a version on YouTube with the intro (because I’m not the biggest fan of Good to be Alive where the intro actually is). Anyways, when it’s night, my imagination tends to be more active and I tend to have more energy. While listening to the song, I eventually got this mental image in my mind of this scene with Dark Choco, and the more it crystallized the more I wanted to draw it. I was going to go to sleep and maybe do it in the morning, but I realized that I probably would forget the vibe and not have as much energy, so instead I decided to power through and draw the idea

It was a bit difficult since I had limited references for the pose I wanted, and I suppose I can admit the sword looks a bit off anatomically, but it looks good enough I think, and lets me keep the eyes revealed

I did eventually have to stop drawing, because my iPad had been worked all the way down to 4% (and it was at 30% when I started, the poor thing), not to mention it was around 11:30 already which is pretty late for me, and my earbuds had been running nonstop for over 2 hours (yes I was listening to the same song, it’s how I keep the vibe). I was at least able to get the pose, base colors and lineart done, and I’m still pretty proud of where I left things last night

Today was mostly just doing the background and lighting, which admittedly I may have fumbled. I’m not very good at backgrounds and I didn’t know how to draw lightning. I tried my best, but honestly I don’t think I got the image in my head. Didn’t help that my brain was playing the wrong Skillet song this morning

Oh yeah and by the way, the background is supposed to be from this. That’s what I used as reference

The lightning both feels like too much and too little. Like, it’s crowding the picture, and I can’t have more because it’d be way too crowded with it, but also at the same time, it doesn’t feel like enough, like there isn’t as much power as I wanted

Actually wait, maybe I can add some small particle effects to like, enhance the lightning feel. That was in the original sketch but I omitted it in the final. If you see one with that, you know I did that

Edit: I did indeed do that

To be fair though, I don’t think I have the art skill to properly convey the image in my head. Basically the scene is that Dark Choco is using absolutely every amount of his power for this final swing down, so much that it’s too powerful and the Strawberry Jam Sword completely shatters. But also it’s too powerful that Dark Choco’s body simply can’t handle it, and he basically ends up exploding. The scene depicted would be the wind up to that final swing that destroys the both of them

This isn’t necessarily the first time I’ve come up with this scenario, and the setup would basically be that he turned on the Cookies of Darkness slightly earlier, because he didn’t want to destroy his homeland again, and he tried to get rid of them while in the kingdom but not yet at the Citadel, but he ended up failing, so with nothing to lose, he chases after them and decides to put everything into destroying them, even if it likely ends in his death. After this he probably killed Pomegranate and crippled Licorice in some way (I don’t think he’d attack Poison Mushroom), so his final act did have some effect, but he’s still dead by the end of it. And he and his father never got the chance to properly reconcile because Dark Choco thought that could never be a possibility anymore and he had resigned himself to his fate

But yeah, I just don’t know how to convey that sheer overwhelming power and emotion that this scenario suggests. I tried my best though

I also want to submit this to the Dark Cacao Forever contest, but I’m not sure if it’s good enough for it. What do you think?

#cookie run #cookie run kingdom #dark choco cookie #my art #I really did try hard and this and it does look better than most of my others #but I don’t know if it’s really that good or anything

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cparrisart · 1 year ago

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Hi! Looking for my character sheet template? Here are the two original full size versions (white background and transparent).

🌟 About this character sheet 🌟

I made this sheet to help me get to know my characters by combining elements from D&D character sheets, OC cards, and ship memes. I made it for myself and my only goal was that it be fun to fill out and pretty to look at- I had no idea it would take off the way it did! If you dislike literally anything about it, feel free to make edits (see below).

The largest box is intended for your character's portrait; the five circles are intended for your character's color palette; and the two small boxes are intended for important traits or accessories. But obviously you can get creative and do something else with them, too!

✨ Can I edit and/or share the character sheet? ✨

Yes! Go ahead and edit this sheet however you want. Color it! Remove things! Add things! Chop it up and rearrange it! Change the wording! Translate it! Completely redesign it with your own layout and fonts! Share it with your friends! Repost it anywhere! Print it out! Use it in your game!

🔥 Do not sell it! >:0 🔥

You may even remove my credit on the bottom, I don't care. But it's nice to leave it there so that other people can find the blank template!

Have fun!!! 😂

#character sheet #character meme #oc card #ocs #oc meme #original character #original characters

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mycadences · 9 months ago

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When Elain was about to be thrown into the Cauldron (so this was before she even entered the "oh so evil and corrupt" Cauldron that "definitely twisted and created fake mating bonds!"), notice who was the one who had a visceral reaction:

Also notice how I didn't include Azriel's reaction? Yeah. Because he had none. Azriel had no reaction to Elain's greatest trauma -- her transformation into a High Fae. I can't even find any quotes during that scene, and if you don't believe me, grab your copy of ACOMAF and verify it for yourself. This is why they are definitely NOT mates. Meanwhile, Lucien tried to help Elain although it was their first meeting, so how it possibly be that their mating bond is fake and created by the Cauldron when he felt the bond even before she went in?

In fact, during ACOMAF, Azriel was heavily implied to be shipped with Mor:

But Mor, as we all know, was likely retconned and revealed to be bisexual in ACOWAR (with a greater inclination toward females), putting an end to their ship.

Meanwhile, contrast Azriel's reaction toward Elain's violation to how Cassian reacted when Nesta was going through the same thing:

Cassian's wings were shredded. He was in a sea of agony. And yet when Nesta was being thrown into the Cauldron, he was fighting to stay conscious at her screams. Because Nesta is his mate.

The same way that Eluciens are undeniably, irrefutably mates, evil Cauldron be damned.

Alternatively, you can also contrast to this scene:

Azriel is the Night Court's Spymaster. Yet he didn't leave a single one of the Hybern soldiers alive for questioning? He killed them all immediately, suggesting that he was in a fit of blind, uncontrollable rage.

Which one screams mate behavior to you?

Edit to add: I finally found it! The evidence that Azriel knew to keep at least two enemies alive for questioning, so it was obvious he was incapable of thinking clearly when he killed every single one of the Hybern soldiers who hurt Gwyn.

In this scene (in ACOSF), Cassian and Azriel were attacked by Autumn Court soldiers, and if Cassian knew the reasoning behind keeping two soldiers alive, obviously Azriel (the actual Spymaster) would, too.

"But -- Elain was wearing a cobalt blue dress when she met Azriel!"

Yeah, so? Nesta was wearing an amethyst dress when she met Cassian...

... and she ended up with Cassian, didn't she? If cobalt is Azriel's color then crimson is Cassian's (these are the colors corresponding to their siphons btw), and if SJM intended the scene to be a parallel, wouldn't she have Nesta in a crimson dress?

Also tons of people wore cobalt outfits. Feyre, Eris, Helion, even Vassa in ACOSF. I guess we should start shipping Vassa and Azriel! Azris shippers should celebrate, since by Elriels' logic your ship is confirmed!

And if you really want to compare outfits, I think it's significant that both Azriel and Lucien draped their coats over Gwyn and Elain respectively in light of their traumatic experiences. This is how you do a proper parallel.

Even SJM herself alluded to being an Elucien shipper:

Yes, this was from her actual Pinterest account before she took it down. If you search online for it, you'll find other people talking about it and that this is true, it's not just some random fake account lol.

Elriels claim that Gwyn is the red herring in their ship. I propose the opposite -- Elain is the red herring in Gwynriel's ship, like how Azriel is the red herring in Elucien's ship. Because think about it, if Elriel were really meant to be, why would SJM need to introduce Gwyn as a potential love interest for Azriel? She already had one red herring in Lucien, did she really need a second one? No, she didn't. So why? Why does all the evidence, new and old, point toward Gwynriel and Elucien and not Elriel?

Because there was never Elriel. Elriel were never mates, nor would they ever be. There was only ever Elucien (which came first) and Moriel (but Mor was retconned into being bisexual), which eventually gave rise to Gwynriel and highly likely Emorie (Mor x Emerie).

#gwynriel #pro gwynriel #elucien #pro elucien #antielriel #now I sit back and sip my tea #ahh typing this was refreshing

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picturejasper20 · 6 months ago

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Looking back the ending of Gravity Falls while thinking about endings of other series like Amphibia and The Ghost and Molly Mcgee, Weirdmageddon has a message that is underwhelming when it comes to Dipper and Mabel's relationship and Mabel's potrayal in the show.

This isn't about Mabel getting tricked by Bill. She is a 12-13 years old that in that context she was feeling really bad and not thinking well what she was doing. That isn't relevant to the topic at hand and honestly it isn't a problem she did that, it does makes sense in the episode it happened.

What i have an issue is how the narrative makes Dipper feel bad about considering staying studying with Stanford. This is something that Dipper was interested in and he was very fascinated by anything that was paranormal related. Stanford himself told Dipper he had a lot of potential and the kid was digging into it.

Mabel lashing out and not liking the idea of Dipper staying with Stanford is understandable in the episode Dipper and Mabel vs. the Future. She doesn't seem to have much friends back in her home and her parents are implied to not be the best. She gets scared of Dipper leaving, that's a reasonable fear for a kid to have.

However, as i mentioned before, Dipper is made feel bad about considering choosing something he wants to do. It isn't Mabel who has to learn that things change and sometimes this brings things we don't like. She doesn't exactly consider what Dipper wants for himself, she mainly cares about how ¨she is going to be alone¨ and making her brother feel selfish for choosing his own path or do something that could make him happy.

Yes, she learns that things can't stay the same forever and they are growing up, that itself is a pretty good development for her and overall a good message to teach.

Yet her being codependent on Dipper doesn't get brought up nor addressed, in fact the series seems to praise this behavior of hers. In how Dipper has to do what she wants if not he is a bad brother. Mabel's clinginess and controlling behaviour to an extent isn't called out, which that itself is a problem.

Small edit: I want to add an extra point here that Mabel does have a short scene near the end of the episode that she tells Dipper that she won't get in his way if he wants to stay with Stanford and she was ¨acting nuts¨ in the dream bubble. This is good for her but it does still feel in part that her issues weren't fully acknowledged and it doesn't help she didn't say this until after Dipper told her that he was going to stay with her and not be with Stanford, which is rather questionable in my opinion. It would have been more appropiate in the episode to have this brought up and getting adressed better than for her to wait for Dipper to do what she wanted.

In contrast in Amphibia, Marcy Wu has a similar arc about change. The series explores how she can take her escapism too far and how she can be very selfish in plenty of ways, something that is potrayed as an aspect she has to learn from and realize that it isn't healthy.

Her being too codependent on Anne and Sasha and their overall friendship is potrayed as toxic and the series explores this relationship a lot, having the girls grow over time and think about different aspects they have to work on.

In ¨True Colors¨ it is revealed that Marcy Wu learned about the Calamity Box the same day she got told by her parents that they were moving away. Very afraid of having to leave her friends behind and having to be alone in a new city, she found the Calamity Box and told Sasha and Anne about it. Worth of mentioning she didn't know if it would work but it was a desperate act of her just to not having to move away from her friends yet.

When Sasha and Anne find out about this they are, not surprisingly, very pissed and push from Marcy away for a moment, making Marcy realize her mistake and eventually apologizes for what she did.

In ¨All In¨ Marcy finally comes to terms with how she can't force Anne and Sasha to be the way she wants them to be and that her codependency on them isn't a good thing. She realizes that has to move away to her new home at some point, that things change but that doesn't mean the three of them have to stop being friends.

As you can see, there is a clear difference between how Mabel Pines and Marcy Wu’s characters and flaws are potrayed in the narrative. While Gravity Falls makes Mabel’s codependency and controlling behaviour to be something acceptable and that Dipper should conform to, Amphibia does the complete opposite and presents Marcy Wu’s actions as flaws she has and that can hurt other people, including her friends. She is the one that has to make a change and understand she has to work on herself if she wants to have new friends and keep these relationships as times moves on.

Since we are on topic, one thing that really bothered me is how Mabel created a version of Dipper that is ¨cool¨ and says yes and goes along with everything she wants to do. (Weirdmageddon Part 2)

This has… interesting implications of how Mabel believes that relationships should work, or at least with her brother twin Dipper. A lot has to do with how she and Dipper have very different personalities and she maybe wishes that he was more like her, but expecting someone else to say ¨yes¨ to everything you want is a toxic mentality to have. And the episode itself doesn’t address this enough, it doesn’t bring up to Mabel she can’t expect people to work like this and she should try thinking more about what others wants.

Lets talk about The Ghost and Molly Mcgee. In this series Molly Mcgee often has episodes where she has to learn certain lessons. One of them she learns over time is that often she has to give up control and let what others want to do instead.

A good example of this is ¨Ready, Set, Snow!¨ in which she is constanly trying to make Libby and Scratch to go and play outside in the snow with her without considering they would rather stay inside and sit near the fire for the moment. She spends most of the episode trying to find ways to make them go outside until she gets angry and goes out on her own. She has… quite of a mental breakdown in a sequence song. Scratch goes to check on her but he tells to her that she can’t do always what she wants and what it is important is for her to be spending time with her friends. Molly realizes she was wrong, goes back to the house and she apologizes for how she acted.

Molly has quite a lot of episodes like this, and all this becomes important in the series finale ¨The End¨ when she sees that Scratch has to go back to be Todd even if that means forgetting the memories he got as a ghost, her included. She tells Scratch that she is going to miss him a lot but she knows that forcing Scratch to stay wouldn’t be right. She encourages Scratch to go and ¨live his life¨ because she cares about Scratch being happy.

Similar to Marcy Wu, Molly learns that she can’t force people to do what she wants and she has to let them choose for themselves. She knows that encouraging Scratch to do what he always wanted to do as human is the right thing to do, even if it means saying goodbye to him.

I do understand the idea that Gravity Falls was doing at with something among the lines of ¨Dipper and Mabel not repeating the same mistakes that their uncles did¨ but that doesn’t mean Dipper has to give up his dreams at expense of what Mabel wants. As Dipper said in VS The Future episode: he can still visit and they can still talk to each other. They don’t have to fall apart the same way Standford and Stan did. Just like in Amphibia, if Marcy still was able to remain friends with Anne and Sasha over the years, the same can be applied to Dipper and Mabel as siblings.

If not, it could be rewritten in a way that makes Dipper reconsider that he would like to wait a few years before joining Stanford in his adventures. That he is still a kid and wants to spend a while longer figuring himself out and be with Mabel before making a decision. That way it feels more like a decision he wants to do for himself and goes along with his character arc that he doesn’t have to rush to grow up.

As for Mabel, she has a lot of growing up to do. She has to learn overtime that Dipper is his own person and he can take is own path. That if she wants to have friends or have in general healthy relationships with others, she can’t make it always about herself and people have their own needs as well. She would have to work on her codependency and clinginess she has on others, specially her own brother. This would help her with being a more mature capable individual when she grows up.

This post on itself isn’t me hating on Mabel’s character since she has moments she can be good and i feel a lot of her behaviour comes from not being taught properly and being a teenager. The problem is that the series doesn’t address this behaviour enough and, as result, it comes off as the series giving an unintentional underwhelming message of potraying Mabel’s issues as something that should be acceptable and not her having a dynamic with Dipper that comes off as toxic. It is important to understand to learn to support others and not always make things about ourselves. That sometimes relationships change and we can’t force people to be in a specific way.

#gravity falls #amphibia #The Ghost and Molly Mcgee #mabel pines #dipper pines #weirdmageddon #marcy wu #anne boonchuy #sasha waybright #molly mcgee #scratch mcgee #Dipper should also like learn to put boundaries better and not go along with what Mabel always wants #He kinda has the opposite problem of Mabel #anyways i remember this rubbing off the wrong way when i watched 8 years ago and rewatching it still does

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