#Derrick Davis

[pureanonofficial]

THE SECRET GARDEN - February 19 – March 26, 2023, Ahmanson Theatre.

[wheel-of-fish]

Thank you for streaming Derrick! If the restaged tour was supposed to humanize the phantom, he understood the assignment. He truly is an excellent actor and it was a delight to get to see a video of him. Would you happen to know if there are any other videos of him, even if they are non-phantom ones?

I'm not sure whether you mean videos in general or like, full performances. If it's the former, you can totally go down a YouTube rabbit hole with him. (Looks like this one of him singing "Music of the Night" is a great place to start, and here's a clip of him talking about the restaged tour.) I don't know of any other bootlegs, though.

[meilas]

Phantom of the Opera Wine List

Your wine sommeliers: 

@meilas: Concept, Graphics, Layout, Project Manager, Hadley, Barbara the Mannequin

@gwalchmedi: Franc D’Ambrosio, Norm Lewis, Drew Sarich, Peter Joback, Bronson Norris Murphy, Hugh Panaro, Michael Crawford, Jonathan Roxmouth, Jeremy Stolle, Barbara the Mannequin, Ethan Freeman, Peter Karrie, Dmitry Ermak, Earl Carpenter

inspired by @mxbuster: Uwe Kroger

inspired by @petittneko: Saulo Vasconcelos, Thiago Arancam

@devilswalkingstick: Cooper and triptychs

@when-it-rains-it-snows: Ben Lewis

DocTy: Alexander Goebel

Tina: Gina Beck

@from-aldebaran: Derrick Davis and proof-reader

@therosenpants: proof-reader and taste-tester

@box5intern: Christopher Carl

This wine list could not have turned out so well without the loving dedication of everyone involved. Thank you everyone for putting up with this silly project for so long!

D’Ambrosio Vintage Vintage 1962, best run 1998 Other nicknames: Cabernet Franc; Franc D’Amn that’s good!

Slither yourself down somewhere comfortable and loosen a few buttons while you steal a taste, slowly swirling your tongue around a luscious mouthful of this full-bodied, ambrosial red. Every note stays with you while you are distracted by its elegant looks, get reeled in by a silvery touch, and feel it gliding along your throat. As you swallow, a slow leisurely piquancy reveals a muscular body and delivers a prominent, long, full finish. A total god of a wine. Keeps giving satisfaction long after you have embraced your last glassful.

Bottling notes: The reddest of red wines in the bluest of containers, and the perfect precursor to pants-less pastimes. Comes in our most prominent bottle.

Saulo Vasconcelos, vintage 1999

An epic year for Brazilian wines, this timeless choice has performed in many a fine vintage bottle. A few tastings will assure you that this wine leaves you anything but Miserable, being a bit of a beast in disguise. Delightfully playful, sensuously hands-on with its flavour, and encasing you in its warm, chocolate tones, you’ll find yourself helplessly succumbing to its embrace. A proper, stern Daddy of a wine, this is one for those who like their types mature and commanding. De Nada!

Crémant NormLew Château Tallahassee

A first for a Crémant from this region of Florida, you’ll be getting a plethora of orchard fruits here with delightful baritone notes! Up there with the finest of champagnes, just enjoy how this Crémant gives such a unique expression of its appellation.

Peter Jöback

This fiery Scandinavian grape is a notoriously difficult one to grow well, but prolific once it takes hold, which makes this lovely drop of sleek Swedish red even more impressive! The acidity has a true, tenor register, a light note that is just right for pairings with other Swedish delicacies, I'd say. Very quaffable indeed.

Drew Sarich

With a very young feel to this Veltliner grape, it actually delivers a surprise that is a decade ahead of itself. This wine has a long taste on the tongue, sitting there like a kitten purring in your lap. Delightfully complex, this is a New York socialite of a vintage with a phantasm of aromatic perfume on it which is absolutely phenomenal. It’s fascinating how the acidity is so high that it somewhat devilishly disguises the wine’s natural sweetness.

Dreamclimber from the House of Derrick Davis Two pressings, 2016-2017 and 2019-2020

An astonishingly underappreciated vintage, Dreamclimber will make you abandon your defenses from the very first sip. A potent mix of smooth deep notes of dark oak ranging upward to a soaring sunshiney sweetness, the positive energy in every bottle offers sweet intoxication and will fundamentally alter your outlook on life. The dynamic and passionate essence of Dreamclimber elevates everything around it, so if you need to restage a meal, add this bold and muscular yet soft and sensual wine to your table. Want to stay one step ahead of the crowd? Catch a Broadway-bound dream of a wine and you can say you were among the first to realize its genuine and soul-stirring star power. Dreamclimber has the uplifting soulfulness to take you and your guests to where you long to be!

Bronson Norris Murphy Variety: Babygrapes

The very youngest of our vintages, this wine has brought out excitingly different comments from our patrons. Respected Voices talk knowledgeably either about its Wheel of Flavours, or enjoy a genuine Laugh about how this rush of taste almost knocks them over; still others amongst the cognoscenti talk about its delightfully Icie youthfulness and endearing features, or how a glassful taken at bedtime would counter a Snowy cold evening. One Purist anonymously chuckled that a grape as vigorous as this could be put in more than one setting and still retain its delightful, child-like boyish charms. Two stunningly dressed patrons, in Rose and Cora(l), admitted they’d been given a taste of this wine secretly, a sort of cameo appearance before its launch, and had felt the vibes of the overt rosehip and petal flavours long before it had become popular. The pair’s general consensus was that this vintage was young enough to Make It on the scene, although the coquettish undertones about vinicultural size and handspan were elusively enticing. The Vast Glassy Orangery was agog with gossip about some Baguette-wielding youth (and their noteworthy tailoring) having hugely overdosed on the tasting previously, almost knocking their socks off with its pale beauty and fragrant scents. Their partner in crime, a clear Persephone of a beauty, was wearing delicious couture from the House of ChristineGrrl, and the effect of this duo almost matched the effect of the wine’s heady aroma on the delightfully younger crowd. Suffice to say the vintage was a resounding success and its aura of vinicultural adolescence bursting into manhood held everyone in its attractive grasp. One worth keeping.

Panaro Prosecco

The elevation that every note in this charismatic, versatile Prosecco provides ensures that the bubbles in this Panaro Prosecco are so much lighter than in the flatter and usually insipid Chagny Champagnes to which they are unfairly compared. For me, there is no contest; crystal clear delivery, in a bottle with movie star good looks, this vintage delivers a deliciously singing bouquet, with beautifully crisp notes of apple to finish.

Michael Crawford, vintage 1986

Oh yes, this most venerable of English sparkling wines has a well-rounded palate with a hint of the most delicate, sweetest of orchard fruits giving way to deeper notes of Parisian brioche, with a hint of French kisses. French, I hear you ask - but did you know that English winemakers use the same traditional method that the French use to produce Champagne?

Jonathan Roxmouth, vintage b.1987, run 2011-2012, 2019

Not an easy Chenin Blanc grape variety to like on first encounter, this South African powerhouse has a drawn-out tingle which stays on your tongue, and wanders high into your head. The yearning feel to break out in full fruit mode is hidden beneath the complex mix of earthy, graveyard depths. You may feel the emotional and smoky hint of stalk, but a flash of strength beneath its velvet glove packs a punch like no other. Rox your Sox.

The St(r)olle

The smoothest of our wines, this will simultaneously quench your thirst and leave you begging for more. In parts of America, this vintage used to be obscure, yet when you taste it, you’ll wonder why.  This wine takes a confident, sassy stroll across your palate, its taste coiling a lasso around you as rock solid as Henry Cavill’s abs. Achingly rich and smooth, sporting lush, sweet toned, deep throated berry notes tinged with vanilla, it has suave yet elemental flavors pushing out from a deep, muscular centre. One not to be trifled with.

Barbara the Mannequin, vintage 1988

Wooden and oaky, this wine is perfect for poorly-thought-out proposals. We’ve all known at least one weird, dorky guy who somehow engineered a vision of a hot chick.  This wine is that chick.  Barbara is also known for its thin, acid nature, bolstered with a dressing that feels domineering, but sadly is only a foreshadowing of a disappointingly textured mouthfeel, with little middle, and an abrupt finish.

Hadley Fraser, vintage: 2 weeks old

A light dessert wine that sometimes forgets how it is supposed to taste. It’s not its fault. Really. We just didn’t give it enough time before bottling it.

Alexander Goebel Der Goebel Veltliner - Vintage 1988

Often overlooked and replaced by the Freeman, its direct descendant, the Goebel is the true original flavour of Vienna's best vineyards, planted and cultivated by the same London vintners that originated the Crawford. Since 1988 the deep rich tones of Dunkelheit in this wine have melted the heart and palate of real connoisseurs around the globe, who also appreciate the high Skan-da-lös and Maskenball notes that follow the first taste. Best served in the Original Cast environment (especially accompanied with a side dish of Nistler and Pfeifer) to highlight its most recognizable qualities, it is also recommended in its "boot" version where its taste is sublimated by visual experience to heighten each sensation.

Peter Karrie

Vintage with a distinctive voice. A commanding flavour, this is a wine both dangerous and elegant, one a chivalrous soul would offer to another, with a heart-rending tone, and an unparalleled physicality and wealth of detail. This grape makes the wine totally in a class of its own, with a wandering taste yet, by some rare and strange alchemy, with a touch of the rock band too. A bit of The Wolf in this bottle.

Ermak Syrah

Our only Slavic wine to date. Once phans sneak a taste of Ermak, they become avid for this imposing Russian grape. Its notes are powerful and bright, dominated by scents of ripe rich raspberry, and a touch of smoke that either comes from barrels toasted over a hickory flame or all that sexy heat. The Eastern European earthy touch, common in ‘Old World’ Syrah, is always present on the back of the palate, but bright succulent flavours mingle with those of hazelnut and chocolate. The tannins swirl like Rusalki across your taste buds, as smooth and alluring as Ermak himself.

G. Beck, vintage 2010

A silken, dry, red English wine with a strong note of blackcurrant. There’s a hint of youthfulness in its complexities. A wine so lovely it will bring tears to your eyes, as the taste conjures up the image of wistfully walking through a graveyard while crying about your father. Perfect after a day of tired feet from wearing heels and heavy gala dresses for too long, and with dark chocolate… or perhaps even Marmite on toast, if you’re feeling adventurous? It has also been blessed by a certain soprano’s tuxedo cat, because why not.

Tested and reviewed by: Tina, who was definitely in a country where the legal age of drinking is 17 at the time. She immediately bought nearly the entire stock and gave it a 6 out of 5 stars rating.

Thiago Arancam, vintage 1982

A total Batata Bonita, this wine from a little-known grape has been successfully transplanted from 13,000 feet up at Insosso Opera’s vineyard to the less stratospheric Sem Sal Palco Musical’s estate. You might call it a vinho on a budget mais fácil. With an early unmasking of a distinct brasiliaro flavour, this is one wine which ought to know how to show its range of notes, but sometimes just pales into insignificance.

Earl Carpenter

A strong bold grape should produce an overbearing wine. Instead, what we have here is viniculture’s version of a smooth Movie Star. Nuanced, sensual and gentle on the palate, it has a buttery feel, although on occasion this vintage’s notes are somewhat uncertain. Building up towards a taste explosion, too much enthusiastic sampling will find you too far gone to stop at the final reveal.

BEN BEN BEN Shiraz 2011

BEN BEN BEN is most curious; the 2011 is one of just two Phantom varietals that are easily acquired, yet rarely is it recommended. Best suited to the mad friends of Dionysus, this Australian Shiraz is a magic show as run by the white tigers:  absolutely beautiful, but whose idea was this? It cannot possibly end well… No amount of familiarity with the Brilliant Original will prepare the palate for this Absolute Beast. Expect to be dragged from delicately smoky baritone lows to peppery near-tenor highs; you may feel a little wide-eyed as you study the legs and ponder what that cheekbone is doing to the mouthfeel. Swooning is fine, this glass will pick you up from the floor, it is broad shouldered and surprisingly sweet.

A word to the wise: don't finish the bottle. Pour out that last twenty minutes in memory of the rare 2018 vintage, BEN! KELLY! BEN! KELLY!, of which no complete bottles exist.

Uwe Kroger, vintage 1964, 2006

Ye little gods, here was a tone with an unsettling quirky tongue to it, cutting right through the sweet fruit; an acidity, quite at odds with its vinicultural opulence. This lick of minerality which is just a fingertip’s distance away, is a bit old hat. Been done to death. Somewhat late to the party and overdressed too. It is easier to define what it is not – that is, it is not richness, nor fleshiness, nor texture, it is just there, this odd mineral flavour bringing neither a sense of purpose nor a sense of depth, fashionably unpopular, kookier and saltier than a bag of KP nuts, changeable without letting you know where it is going. And in any case, minerals, rocks and stones have no flavour at all. In Kresowy Slavic folklore, the “flavour” of stones is caused by an invisible substance called petrichor, which, according to my Russian-Greek-English thesaurus (what? It’s the only one I’ve got! Give me a break!) is “constructed from petra (πέτρα), meaning ‘stone’, and īchōr (ἰχώρ), the fluid that flows in the veins of the gods of Russian mythology.”

Gary Mauer

Are you married to your job? Just the wine for you! With a hint of sexy Dionysian wildness in its overtones, this sexy, vastly diverting and deliciously deep flavoured wine hits up hard on the brain. A sparkling good character with a touch of flair on its first taste, under all that joie de vivre, subsequent contact may make you come unhinged in the final analysis. Touted by wine snobs as 100% clean and wholesome in taste, those of us in the know greedily drink up the wicked taste and flavour, both of which provide a powerhouse duo, giving an amazing almost Elizabethan scent to the final mouthful. Having dashing good looks, this wine has a lovely tenor to its middle notes. While fairly standard from a non-specialist standpoint, it is sprinkled with touches of genius throughout; the distant whispered scent of a bridal bouquet of roses: so romantic. All in all, a great wine with a hugely masculine edge.

Ethan Freeman

A Viennese delight, this unexpected Rosé has distinct European notes, yet a brash American aroma. Moreover, it has a singing finish on the palate. A demanding Jekyll and Hyde of a wine, the duality of the fresh flavour of Oberhaüsen strawberries combined with the descending chill of the faint ghost of basement scents have resulted in a complex type of legerdemain that can be almost felt, not just tasted. Best experienced on hot summer nights.

Cooper, vintage 2014

Far too many notes for our taste, and most of them about this wine.  Just read this review left by a customer!  (We would like to remind everyone that we card any customers who appear to be younger than 21.) “A delightful wine, positively wonderful, just the perfect stubbly lad. Anytime is Coopertime. Also sweet.”

Christopher Carl

Looks like a meme but also 100% legit like a stock image of STOIC MAN (TM) sold by Hasbro. (Wine bottle and fine horses sold separately.)

[wheel-of-fish]

Yes, it's restaged tour! Here's Olivia Brereton in the UK:

And Kaitlyn Davis/Derrick Davis in the US:

in which production does christine tear up erik’s music and throw it at him during the final lair? i remember seeing a gifset of it but i can’t for the life of me remember which production. i think it might have been non-replica?

I wanna say the Restaged Tour, which has been performed in the UK, US, Australia and soon Austria. It is one of the non-replica productions focusing on the hand-written sheets of music and especially Christine's relationship with them.

Another to focus on the vocal store is the production that first premiered in Romania in 2015 and which later has also been seen in Norway, Greece and in a Middle Eastern Tour. But whereas Christine interact a lot with the music in MOTN, I don't recall her touching them in the Final Lair. So I wanna say we're talking the Restaged Tour.

[deadthehype]

USA Basketball wins Gold at 2024 Paris Olympics.

[pianolucky]

The aura in this photo 💯🙌

[stoic--rose]

i dont think ive posted about them before so heres my shitty retail worker ocs

[indeedgoodman]

[evilhorse]

Sliders Special #2: Blood and Splendor

[pureanonofficial]

The cast of "The Secret Garden" in the revival production at Center Theatre Group / Ahmanson Theatre in Los Angeles, February 19 through March 26, 2023. Photos feature Sierra Boggess, Derrick Davis, Aaron Lazar, Emily Jewel Hoder, Reese Levine, Julia Lester, and John-Michael Lyles.

[meilas]

Socks' Ultimate Phantoms list, part two

PART ONE

Phantoms, continued:

David Thaxton - Had this moment in Final Lair where it looked like he’d had a heart attack, and then Christine put her hands over his on his heart and just—��� David Arnsperger - Had a wild self-caress right before MOTN where he rocked backward. That's it, that's all I remember. John Cudia - I remember actively not liking his Phantom the first time I saw him, but I changed my mind at his Final Lair because it was so good. Jonathan Roxmouth - Has a slightly nasally tone and a slightly deeper voice than a lot of Phantoms. He did not have good pants. Actually the worst pants I’ve ever seen. Looks like a cinnamon roll, is not afraid to burn you if you’ve wronged him. I also don’t like how his wig looks like thinning hair at the very front. Tim Martin Gleason - Don't ask me why, I just like him okay. James Romick - Really like his voice. Does an excellent sad. Derrick Davis - Fantastic voice. Brought a touch of humanity to that awful restaged show and made it worth watching. Wish we could have seen him in Real POTO. Great ass. Brent Barrett - I remember liking him. Thomas James O’Leary - Good acting, good voice. Jon Robyns - Makes excellent noises during the Final Lair. Good voice. James Gant - Works best with Eva Shanu-Wilson. Okay acting, but nothing else really going on. Occasional good moments. Thomas Borchert - Unfairly pretty, beautiful voice, excellent choices during Final Lair, MOTN was mesmerizing. Bit of a slut. Top ten for sure.

Christines: Lisa Vroman - An "older" Christine. Great chemistry with Franc D'Ambrosio. Initiated a gentle hand-holding during the ring return with him which was an excellent choice that I don’t often see. Made some other excellent choices throughout the show in reacting to what was happening around her. Looks like she could kill you, is a cinnamon roll except when she’s going to kill you. Elizabeth Southard - Another "older" Christine. Love her. The best chemistry with Gary Mauer, her irl husband. Also had great chemistry with Jim Weitzer, who was her Raoul. Very, very good actor. Looks like a cinnamon roll, is a cinnamon roll but only for her husband, otherwise she can and will kill. Luzia Nistler - Love her voice. Austrian. (Like German, but elegant.) Emilie Kouatchou - I wanted to like her. But she has a ton of vibrato and she sounds like a child. I also don't care for her acting. She looked like she was only doing what she was told, rather than reacting to things happening around her. Meghan Picerno - I don't remember anything about her. I saw her live right after the reopening. Celinde Schoenmaker - I've only heard audio of her but I remember liking her. Kanisha Feliciano - Good Wishing. Looks fabulous in the blue dress. I love her wigs more than any other Christine. Hers doesn’t look like a frizzy mess. Lucy St Louis - She played a very sympathetic Christine, and has such a beautiful voice. Lily Kerhoas - fierce. Loved the anger she had in Final Lair. Holly Anne-Hull - too much vibrato Paige Blankson - too much vibrato

Raouls: Christopher Carl - Didn't get to see much of him owing to the fact that the boots he's in are Phantom-centered highlights. The little I have seen of him has been excellent though. I've heard an audio boot of him as the Phantom and it was excellent. Has a more "American" pronunciation than most Phantoms. ("ay" vs "ah") Ciaran Sheehan - I like him better as Raoul than as the Phantom. He was ready to throw hands. Has a very stilted way of singing that reminds me of the few clips of Colm Wilkinson, but sounds better than Colm. Willing to troll his associates irl. Bronson Norris Murphy - A. Dorable. The best. Looks like a cinnamon roll, is a cinnamon roll. Could probably do a murder if pushed far enough. Have heard audio and now seen a boot and he’s a protective Raoul. Hands down my favourite Raoul. John Riddle - Saw him live right after the reopening. I don't remember anything specific about him. Paul Schaefer - Nice chest. Matt Blaker - meh

[erstwhile-punk-guerito]

[sims4bradshaw]

Break Out The Candles - Derrick Pearce (2015) Produced in its entirety by Santiago Clemens and Derrick Pearce, "Break Out The Candles" is, in his own words, an “experimental RnB experience detailing the beginning and end of a relationship and a Sims romantic milestones”. In her QI Magazine review, Sandra Nowell writes: "This album really feels like a piece of art that will stand the test of time. It is Derrick Pearce like we’ve never seen him before. There are traces of classic 1970s soul, bringing to mind the music of groups like The Beaches and singers like Emma Davis, but with a sort of striking modernity to it. The vocals and vocal arrangements are impeccable, not just there for the sake of beauty but working to further the narrative.“ On his record-breaking 2016 world tour, he took those same arrangements to another level with a chamber choir and orchestra, something that insiders say his record label was not happy with. However, the tour grossed §90,000,000, breaking a record previously held by Loretta House with her 1983 tour for Glitter & Denim, which grossed §75,000,000. That same year, he took home the Grammy award for artist and album of the year. Following the success of “Break Out The Candles” he set out to record and release another album, but fans are still waiting for news. 👀

CC LIST:

@thisisthem yvan skin & calecones tisses @pralinesims eyebrows (crepe) beard (luke) @northernsiberiawinds lips N36 @joshseoh lighting overlay + hair overlay @sims3melancholic body highlight + contacts #79 @archivefaction body hair @xiuminuwusims delight poses (3)

[superelphie]

jennydinoia: Well… this happened today. What a gift to be back for a sec with this beautiful, supportive family 💚

[therealmrpositive]

Cabin Fever (2016)

In today's review, I find some viruses never go out of fashion. As I attempt a #positive review of the 2016's Cabin Fever #SamuelDavis #GageGolightly #MatthewDaddario #NadineCrocker #DustinIngram #RandySchulman #GeorgeGriffith #DerrickRMeans #LouiseLinton

There was a time when the world didn’t feel as (for lack of a better term) wild as it does now. Sure, those days are long behind us now, and some may doubt there ever was a period of calm. In 2016, over 14 years after Eli Roth’s directorial debut, he’s back producing a remake of the odd virus story that became a cult classic, a tale of Cabin Fever. The cabin has had a facelift, but the story…

[raven-curls]

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