#Department of Public Information (DPI) | Explore Tumblr posts and blogs

jicanapzz30 · 4 years ago

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Media and Government: A Love-Hate Relationship

The media and the government have this what you called Love and Hate relationship. The freedom of the press or media is being held by the government. Why is this happening to the media? Who is holding the media? What did they do? Is there something about the government that they didn't want the people to know that’s why they are controlling the media? The government controlling the media and press is not new here in the Philippines because it always happened. The first step that President Marcos took when he declared the Martial Law on September 21, 1972, was to take control of all the mass media in the country. Strict censorship was made in all the news and the Department of Public Information (DPI) was using a guideline requiring newspapers, radio, and television to print and broadcast only the accurate information that reflected positively to the government, the authorities, and the military. President Marcos silencing public criticism and control the information that the people had access to. On September 28, 1972, President Marcos issued a letter of instruction no.1 authorizing the military to take over the assets of all major media outlets including ABS-CBN Network, Channel 5, and many more.

It's not surprising and new if the current government is like this or aggressive towards the media. Because sometimes the media is also acting irresponsibly, and maybe the media is just stating the truth about the Government’s dirty little secret. But the media has a right to publish all the real information to the people. The people have all the right to know what’s going on in the country and the government. It may be a negative or positive approach, the media or the people must know. Even in today's government, there is some situation that the government is controlling the media. Also, let’s not forget about the 13 journalists who were killed in work-related attacks under President Duterte’s administration. The lives of the journalist are at risk. According to the Media Freedom Organization Without Borders, the Philippines remains to be the topmost dangerous countries for media in Asia pacific. Sometimes the media are publishing some fake information and this is one of the reasons why the government is controlling the media. Even though all of this is happening in the media now, Filipino netizens are still no.1 in Asia and sixth in the world when it comes to internet freedom.

Reference:

https://www.jstor.org/stable/2643617?seq=1 https://martiallawmuseum.ph/magaral/breaking-the-news-silencing-the-media-under-martial-law/ https://newsinfo.inquirer.net/1140825/what-went-before-13-journalists-killed-under-duterte-admin https://technology.inquirer.net/17692/filipino-netizens-freest-in-asia-6th-freest-in-world

By: Nicole Magallones & Jica C. Naparan

@nicolekimpark23

@queenlupitajones

#@queenlupitajones

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powerandmagic · 5 years ago

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MAÑANA: Latinx Comics From the 25th Century is now open for submissions.

[Noten: Toda esta información también está disponible en español a pedido.]

"In 1492, Christopher Columbus sailed to the islands of the Caribbean. That single event led to the radical transformation of the region, the hemisphere, and eventually the entire world.

Indigenous peoples were decimated. Lands were colonized. African peoples were displaced and enslaved. Race, as a concept, took root. Black women and indigenous women were subjugated. Cultures died, fused, changed, and were, sometimes, reborn. Art, music, foods, and faiths echoed these tangled pasts. Immigrants from across the planet flocked to the newly christened "Latin America." A caste system based on race and color reigned. Liberation struggles were fought. Revolutions were won. Wars of independence were waged. Coups were orchestrated. Global capitalism ran amok, fueling the mass exodus... And we survived it all.

That all seems so far away now."

MAÑANA: Latinx Comics From the 25th Century is a speculative fiction comics anthology set throughout Latin America in the 2490s, roughly one thousand years from the voyage that changed the world. It took 500 years to get us where we are now -- where could 500 more take us?

Submission Period

Submissions will be open to the public from May 27th - July 7th, 2019 (11:59 PM Pacific Time).

Who Can Participate

To pitch a story to MAÑANA, you must be Latinx or Latin American. We define Latinx as "a person living outside of Latin America whose cultural background includes any of the Spanish, Portuguese, or French-colonized countries of the Americas and the Caribbean." We define Latin American as anyone born, raised, and currently living in any of those same countries.

You may pitch as a SOLO CREATOR (making the whole comic by yourself), as a WRITER ONLY (story writer who we will pair with an artist), or as an ARTIST ONLY (a comics artist who we will pair with a script).

Solo Creators with a strong story idea but not-as-strong artwork may receive an offer to be paired with a different artist (vice versa for pitches with stronger art than story).

"Writers Only" may request to be paired with a specific artist. The artist they request must be someone they know for a fact is filling out the "Artist Only" submission form. The reverse applies to "Artists Only" requesting a specific writer.

Age Restrictions

All contributors must be 18 years of age or older. All content must be suitable for readers as young as 14 years old.

Specifications

Comics from 2 - 12 pages long (must be an even number)

6.625” x 10.25” trim size (template will be provided)

Bleed? Yes.

Black & White, or Grayscale (no screen tones)

600 dpi

.PSD final files

Timeline

Selection Process (May 2019 - Aug 2019)

Open Submissions: 5.27 - 7.07 (6 weeks)

Selection Period: 7.08 - 7.28 (3 weeks)

Acceptance Emails & Feedback: 7.29 - 8.08 (1 week)

Paperwork: 8.09 - 8.15 (1 week)

Creation Period (Apr 2019 - Sep 2019)

Script: 8.16 - 9.15 (4 weeks)

Feedback/Edits: 9.16 - 9.29 (2 weeks)

Thumbnails: 9.30 - 10.20 (3 weeks)

Feedback/Edits: 10.21 - 11.03 (2 weeks)

Pencils: 11.04 - 12.15 (6 weeks)

Feedback/Edits: 12.16 - 12.29 (2 weeks)

Inks: 12.30 - 1.26 (4 weeks)

Feedback/Edits: 1.27 - 2.09 (2 weeks)

Toning & Shading: 2.10 - 3.01 (3 weeks)

Feedback/Edits: 3.10 - 3.15 (2 weeks)

Lettering: 3.16 - 4.05 (3 weeks)

Feedback/Edits: 4.06 - 4.19 (2 weeks)

Final Files Due: May 3rd, 2020

Kickstarter (May 2020)

Payment (June 2020)

Compensation

Contributors will be compensated at a rate of $107/page plus any Kickstarter bonuses unlocked through stretch goals. Contributors also receive a minimum of 10 complimentary copies of the anthology, royalties on all digital sales proportionate to their page-count contribution, and royalties on any future print runs of the anthology after the first printing sells out.

"Writers Only" will receive $42/page, with bonuses, comp copies, and royalties split evenly between themselves and their artist.

"Artists Only" will receive $65/page, with bonuses, comp copies, and royalties split evenly between themselves and their writer.

All contributors have the right to purchase additional copies of the anthology at 50% off the cover price for as long as the anthology is in print.

Rights

Creators will cede exclusive first worldwide print and digital rights to their stories for a full calendar year from the date of publication, and non-exclusive worldwide print and digital rights (in both the English and Spanish languages) in perpetuity. Ownership remains with the creators.

What We WANT:

Comics (not illustrations, not prose, not poetry).

Previously unpublished stories.

The protagonist (or POV character) must be Latinx or Latin American.

Writers who have a connection to the country they choose as their setting (either from there, born there, parents or grandparents born there, lived there for many years, etc.)

Speculative fiction: How has technology changed? How has society changed? How have politics changed? The natural world? Fashion? The thoughtfulness of your world building will make or break your pitch.

Informed fiction: We want stories whose ideas about the future are rooted in an understanding of the past and present. For example: we're less interested in whether flying cars exist and more interested in whether the Amazon rain forest makes a full recovery (and what that means for Brazil).

Optimism: your vision of 25th century Latin America doesn't need to be utopic (although it can be) as long as themes of improvement, empowerment, growth, or problem-solving predominate.

Peaceful stories, sad stories, triumphant stories, funny stories, failure stories, action stories, philosophical stories, love stories -- the full spectrum of humanity is welcome. The catch: it must end “positively.” Everything doesn’t have to work out, but we prefer stories end on a note of hope, new understandings, resilience, etc.

What We DON’T Want:

No fan works. No auto-bio. No prose. No one-off illustrations.

Comics that are already finished or that you’ve already started drawing.

Hacking the Mainframe: Unless you really, really think you can "WOW!" us with a highly original take, avoid "hackers take down the mega corporation" as a plot (because it's been done to death).

Fantasy: We want science fiction and/or speculative fiction based in the real physical laws of our universe. However, certain elements of magic realism can work for us (e.g. in an otherwise realistic setting, a character speaks to a long departed ancestor, experiences old gods in a vision, or watches their life unfold out of sequence).

Ahistorical Takes: any stories that erase, deny, or revise the real-world histories of Latin American peoples will be rejected.

Horror: Your story can use fear and danger as plot elements, but if instilling fear/existential dread in the reader is the overarching goal, this is the wrong anthology.

Cursing is permitted as long as words aren’t used literally (i.e. “Shit, you scared me!” as opposed to “Let’s go shit in the woods!”) and are used very sparingly when used at all. In general, we’d prefer not.

No porn. No references to specific sexual acts. No explicit nudity whether sexual or non-sexual (sorry, folks). “Consensual fade-to-black sex between legal adults” is fine.

No depictions of abuse (sexual, physical, psychological) whether pictorial or written. Characters may vaguely reference (in non-graphic language) abuse that they have suffered in the past if doing so serves the story or is integral to the character.

No gore. People can get hurt, bleed, die, etc, but not in a grossly over-the-top way that fetishizes violence.

No slurs, no racist statements nor imagery, no misogyny, no transphobia, no ableism, no xenophobia, and no white supremacist nonsense in general. Since this anthology is about Latin America's future, these topics can be broached in your story, but we urge you to tackle such subjects in a more creative way than "[insert drawing of some guy yelling a slur]."

Ready to pitch?

"SOLO CREATORS" APPLY HERE.

"WRITERS ONLY" APPLY HERE.

"ARTISTS ONLY" APPLY HERE.

Here’s what you’ll need to complete each form:

SOLO CREATORS:

A working title and page count for your comic (doesn’t have to be exact).

A synopsis of your story, including a beginning, middle, and end. Spoil everything, but try to keep it under 300 words.

Preliminary sketches associated with your pitch: character ideas, environment concepts (the latter is especially important if your portfolio lacks strong examples of background art), etc. These don’t need to be final or polished pieces! Just clear enough to give us an idea.

Links to any relevant publishing credits. Self-published works and webcomics count as credits! Choose examples that best reflect the style you intend to use for this comic. You may simply include a link to your portfolio if you have no pre-existing credits, but please note that folks with sequential storytelling examples will receive preference.

Tell us about yourself, your cultural and creative background, and why you want to be in MAÑANA. Short and sweet is best!

WRITERS ONLY:

A working title and page count for your comic (doesn’t have to be exact).

A synopsis of your story, including a beginning, middle, and end. Spoil everything, but try to keep it under 300 words.

Links to any relevant publishing credits. Self-published works and webcomics count as credits! You may simply include a link to your writing portfolio if you have no pre-existing comics writing credits, but note that folks with comics writing experience will receive preference.

Tell us about yourself, your cultural and creative background, and why you want to be in MAÑANA. Short and sweet is best!

ARTISTS ONLY:

Links to your portfolio and/or any relevant publishing credits. Self-published works and webcomics count as credits! You may simply include a link to your portfolio if you have no pre-existing credits, but please note that folks with sequential storytelling examples will receive preference.

Tell us about yourself, your cultural and artistic background, and why you want to be in MAÑANA. Short and sweet is best!

More from Charitynavigator.org:

The Trevor Project is the leading and only accredited national organization providing crisis intervention and suicide prevention services to lesbian, gay, bisexual, transgender and questioning (LGBTQ) young people under the age of 25.

The Trevor Project offers a suite of crisis intervention and suicide prevention programs, including TrevorLifeline, TrevorText, and TrevorChat as well as a peer-to-peer social network support for LGBTQ young people under the age of 25, TrevorSpace. Trevor also offers an education program with resources for youth-serving adults and organizations, a legislative advocacy department fighting for pro-LGBTQ legislation and against anti-LGBTQ rhetoric/policy positions, and conducts research to discover the most effective means to help young LGBTQ people in crisis and end suicide.

If you or someone you know is feeling hopeless or suicidal, our Trevor Lifeline crisis counselors are available 24/7/365 at 866.488.7386. www.TheTrevorProject.org

Who are the Mods?

@creme13rulee and her IRL best friend @imandarr (on Twitter) and TheBookeWyrme

I have published @wordstudyzine. Outside of YOI, I’ve raised over $1200 running past events (prom and another dance) for Washingtonstuck, which at the time was a 1000+ member Homestuck fan group in my home state. I formerly was on the mod team. I’ve also organized one-day cons (Pancon) in Seattle and a few Christmas parties in the past. I love planning events! I have not planned in-person events lately as I work in a Title 1 (high-poverty) special needs classroom and my spare cash for rental has been going to activities for my kiddos.

My etsy is here: https://www.etsy.com/shop/cremebrulee My tumblr, Ao3 and twitter are all under @creme13rulee @mandarr has been my best friend for over a decade. She’s spent her entire life volunteering and working to help others.She is now a board member of a youth service organization we are both past members of. She is a traditional artist and has had her art featured at Jet City Comic Show, local murals and Ever free, a MLP convention. She is an amazing leader, hard worker and my platonic better half. I dragged her into the YOI fandom. She is currently an artist for multiple writers in the Victuuri Fluff bang and has made art for my fic Deep Within my Bones and co-written a fanfic with me.

You can find her on Twitter and Facebook (Mandarrart) and her website here http://www.visualartsservices.com

@thebookewyrme loves reading and writing fluff angst and smut and creates amazing podfics! Meet her in the project Discord and check our her social media!

Follow them at @thebookewyrme (Tumblr, Pillowfort, Dreamwidth)

Twitter @LiaWolff

AO3 TheBookewyrmeWritesFic

How will the zine work?

Namida will be primarily released as a PDF sold on our bigcartel website. 100% of the proceeds will go toward the Trevor Project.

The zine will also be available in print through Lulu.com.

To keep it affordable, the zine will be divided into ‘volumes’ of roughly 100 pages. Participants will be notified of which volume their piece will be included in. Those participating in the zine will be able to buy a copy at-cost from Lulu.com. The general public will be able to buy print copies directly from Lulu.com with a set donation added to the cost.

Why is the print version through lulu.com?

Lulu.com is a Print-on-Demand marketplace we have used in the past. Using Lulu.com enables us to run a large project and still enable participants to see their own work in print form.

People who buy from Lulu.com will be able to get their book shipped within 7 business days at a cheaper shipping rate than what is available to the public.

Using the Marketplace also allows the zine to collect money for the Trevor Project without having to worry about preorder issues with Paypal that other projects have encountered in the past.

Will there be merch?

Due to the potential scale of an open zine, we are not planning to offer merch as part of the project. We encourage you to check out any shops that zine participants may own!

General Participant Requirements/Rules:

Fiction (and art) can be cathartic to read/see. The main idea of the zine is to get a cry and feel good at the end. Hurt/comfort angst, or ‘angst with a happy ending’ is encouraged.

If there is enough interest, there will be a section for works that may not have a guaranteed happy ending.

Being dark for the sake of being dark is discouraged. Please explore difficult themes carefully and with respect.

Pieces with tough subject matter should be ‘tagged’ with appropriate warnings, even if they may spoil the story.

Any characters in romantic or explicit/sexual situations must be obviously 18 years or over [by age and appearance.]

No non-con (non-consensual)/rape, underage or child abuse please.

We reserve the right to ask you to change your idea, or refrain from adding it to the project if it is deemed inappropriate.

Writer requirements:

Any type of previously unpublished prose up to 5,000 words.(No minimum)

Word count can be split between pieces (e.g. poems) but they should be cohesive (belong to each other) and be a stand alone story. (No continuation or prequels to existing fanfic)

Artist requirements:

8.5x11/ Letter size format (2550 pixels wide and 3300 pixels tall)

300 DPI digital art or high-quality scan/photo

Formatted for RBG

Comics -> 5 pages or less, formatted as above

Are we allowed to do AU (Alternate Universes?)

Yes!

Can we collaborate?

Yes! There will be a channel for collabing in the Discord. It will be up to participants to find someone to work with by Check-in 1.

Can I sign up as a writer and artist?

Yes. You can have both roles!

What pairings/ships can we do?

Namida is open to all pairings/ships, as long as any romantic/explicit content features characters at least 18 years old or older.

How can I apply? Applications will open January 1st 2019 and close on the 31st at this link:

https://goo.gl/forms/F799OXkht2RD8fi23

How do I know you got my application?

You should receive a confirmation email from Google forms. Occasionally Google acts up. If you do not get an email feel free to DM/email us to check. Please include the email/username you used to apply!

Do I have to submit a sample/ spotlight piece?

Since it is a open project, there is no judging. The link you submit is a highlight of your favorite work to be featured along with your social media information.

It is not required. If you don’t submit a link or otherwise contact us, I will assume you do not want a spotlight post. You will still be announced as a contributor and featured in the zine regardless!

What are the requirements for the spotlight?

YOI Related, Safe for Work and easily copied/downloaded from the link. Work can be published or unpublished. If its unpublished (not on Ao3 or FF.net) then we will post it in whole on the spotlight piece.)

You can contact us through our tumblr, twitter (@yoiangstzine ), Discord (cremexbrulee#1430, TheBookewyrme#6691 or Mandarr#9986) or at [email protected]

#mobile faq

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jaipuriaschoolsgnoida · 3 years ago

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5 qualities to search for before picking one of the most reliable pre-nursery schools near me for your youngster.

The moms and dads acquire fretted concerning the education and learning as well as knowing of their youngsters once they change one. As in India, there are no accurate guidelines take down by the Department of Public Instruction (DPI) associating with when your youngster ought to get enrolled in an establishment, therefore the establishments have really laid their very own collection of guidelines. However usually you can get your youngster signed up in pre-nursery university ranging from age of two years 6 months to 3 years 10 months.

Yet when you begin to look for your child a college that can satisfy all the needs of the overall development of the youngster you desire pre-nursery schools near me that makes use of all one of the most efficient education and discovering in addition to centers to your kid.

Consequently in this article, we will absolutely inform you worrying need to have 5 high qualities to search for before choosing the very best pre-nursery schools near me for your child. Strong online reputation Do we require to emphasize the trustworthiness of the pre-nursery establishment that you are registering your youngster in? Certainly track record is not everything, there are different other requirements also, yet it is important to consider simply exactly how well deemed the pre-nursery organization is. The preliminary years of the kid are crucial as well as lay a strong framework for the future. Select an institution that is passionate concerning its task along with recognizes its responsibility to enlighten as well as inculcate all the essential values in its child. The preschool need to be such that holistically brings the caring location of students as well as the training design should be such that supports youngster general growth. Passionate instructors Educators are an essential to laying a strong framework for your young person's understanding. They are the one that intends in addition to set up the whole frame of mind of the class in addition to hence endure a youngster's understanding. Thus the feature of the teachers comes to be important here. Making them discover in a fun method and also later on dealing with their requirements while treating them as an individual is needed. The instructor helps by supplying the children a tough discovering environment and also at the same time fascinating jobs to make finding out enjoyable in addition to very easy. Comfy and likewise reassuring environment When it includes the first duration of finding out like pre-nursery it is very vital to give your youngster a warm and additionally calming atmosphere. Considering that pre-nursery is typically the first round experience of being far from their mother and fathers and additionally the beginning of their discovering stage as a result it is extremely important to supply your child a sense of a cozy as well as also soothing setting. It is very vital to inspect that the teachers present at the college connect with their trainees properly and likewise make the trainees figure out in a pleasurable along with interesting approach. Your youngster ought to feel welcome along with safe while uncovering brand-new points with their schoolmates. Leading facilities for all-round advancement The college, facilities, and facilities in Schools In Greater Noida With Fee Structure play a substantial feature in identifying the well-rounded development of the youngster. The rich environment-friendly campus, electronic smart boards, solid concentrate on value-based education and also learning, as well as a room for extra-curricular tasks with a safe as well as additionally safe as well as protected setup are important in developing the basic character of the youngsters. Standard centers are really important that influence the health, actions along with understanding, as well as development of the pupils. For the all-round advancement of the child, the typical centers are incredibly important. As it helps them to increase and additionally make discovering a lifelong regimen. Frequent tracking of the mentor in addition to discovering procedure In the beginning of growth in a child, the consistent monitoring of the understanding procedure is truly essential. It helps to determine how much and also just how without delay the youngster is finding and likewise comprehending. It is likewise practical for an instructor to understand whether the methods in discovering they are using serve or otherwise or whether they need to alter their strategy for making the youngsters discover easily as well as swiftly. Picking the best preschool is probably to lay a strong framework for your youngster. If you want that your child has a general development afterwards the framework years play a substantial duty as well as consequently the pre-school. Consequently opt for an institution with a strong track record, passionate instructors, a warm and likewise calming setting, leading centers, as well as likewise routine as well as right monitoring of the training along with finding process.

#Schools In Greater Noida With Fee #pre-nursery schools near #Seth Anandram Jaipuria School – Greater Noida

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creta5164 · 6 years ago

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[Second week of 2018.09] Busan Indie Connect Festival!

Sorry I was late, I had to postpone the posting one day because the schedule was so busy. So, thank you for waiting my devlog!

Hi, there!

I will try to make an important announcement before the start of devlog. Starting this week, I started to do level design, plot, and visual work.

So, coincidentally, it became impossible to avoid making it difficult to write a devlog every Sunday, so I decided to write a diary every two weeks, and decided to post a status report on another week.

However, this week is the second week, so I will fill in the details. (First, third week = status) (Second, fourth week = devlog)

And the theme of this devlog is the indie game event held in Busan. In other words, I participated as an exhibitor at the Busan Indie Connect Festival.

It was a good place to meet many developers. Thanks to Waffle, the developer of ‘The Starry Night’ who was able to provide such a precious place. Let's begin.

Plot writing... and improving dialogue window...

Now, as I mentioned above, I'm working on the details of the plot in the current big-frame game, and I'm working on improving the script as well as moving the dialog window interface from the canvas to the world space.

This is the situation I had working on.

Depart for Busan!

First, let me introduce the background story that I was able to participate as an exhibitor of The Starry Night.

...

Waffle, who previously worked on The Starry Night, is a close ally with me. I knew that he was not a major in programming. He was developing mobile games using RPG MAKER MV.

One day, after I finished developing, I bored and told Waffle. I was talking how about planning localizing in another language. Then Waffle said, I will copy the whole project and build a version that has changed the language. I have heard some very shocking plans for me.

So, from that moment on, I've become a developer of text localization plugins using JSON, and I've become a developer who has helped to develop a pretty important part of the game.

Because MV is an engine that uses JavaScript, I implemented it right away. It's very easy to use compared to other localization plug-ins. I thought it was good.

Then one day in August I received a phone call. It was a phone call from Waffle, and I was offered a suggestion from Waffle to go to BIC and meet with the developers there.

I think now that the game being developed is very early in the game, and if it is not now, it's hard to make a chance. I was ready to talk with you right away.

So on the 12th of September...

We took the exhibition model of Tia, the protagonist of The Starry Night(...)

Then we arrived at the hostel's hostel. Two people were free, and the next person had to pay $ 20 per night for a discounted price. I think it is well worth going out because it is something I can not easily experience where I go.

Receiving the exhibitor ID card...

It was before the start, but we went ahead and watched. It's one of the biggest gaming events in the Hall of Fame.

The entrance has a BIC title on the container. I feel something different.

At the end of the day, we moved to Haeundae, and we watched the beach. The beach where the pigeons go, rather than the seagulls, feels different lol

And when I came back to my accommodation, this BIC platinum sponsor, Nicalis, welcomed the exhibitors with a very impressive font(...).

It is the appearance of the Haeundae market. It feels very different.

First Schedule - Conference Day

It is the day when the exhibitors of BIC gather in the movie theater and give a lecture to people gathered in various fields all day.

It's time to share and learn important and useful information about indie games.

It is the day when BIC exhibitors come together in a movie theater and lectures gathered in various fields all day. It's time to share and learn important and useful information about indie games.

After the conference schedule, there was a network party hosted by Nicholas. Unfortunately, due to some kind of reason, I could not participate...

Still, Waffle went to the party and brought a Hamburger called Nicalis Touch(?).

Second Schedule - Business Day

Business Day is a time to prepare booths and communicate with the developers again before the exhibition.

B-15, The Starry Night's booth. And we check out the equipment we requested...

We hastened to prepare the booth. Waffle made many preparations for this exhibition.

And I have seen 8 Doors that show this time again since Unite Seoul 2017. The game has changed a lot. I was surprised to see that the development was progressing to some extent and that the game was also a more well-caught frame. I will expect it!

And as the developers of 8Doors have used RPG MAKER since before, so he interested and have also come to The Starry Night. he was talked a lot about Waffle and MV.

In the meantime, LSH, a representative of Psychoflux, came and talked for a moment.

And this is an analog game that was personally the most expected.

youtube

As you can see, I expected that it was a game that had both sound effects and game play with the idea that it can not be tried anywhere because it is not software and play video alone.

When completed the game, it is shown play time of game. The number of red dots in the center is minutes, and the red dots on the outside are seconds. It took four minutes and 45 seconds. It was a really fun game.

SHE and the light bearer is a conversational point and click adventure game. Overall, the art style was cute, too, and the characters had a unique voice in the conversation. To briefly summarize, it is said that a firefly leaves the adventure in search of a lost mother.

Nicalis has been able to play Crystal Crisis, RemiLore, The binding of Issac: Repentance, Dungreed's Nintendo Switch version, Blade Strangers. The binding of Issac: Repentance confrimed can do Co-Op play by ask question. The demo ends on the third floor.

It is a very difficult boss rush game, SACRED STONES. I thought it would have been nice to have a headset or a speaker for experince but there's doesn't have, anyway I think the game itself is really cool.

IndigoBlue Game Studio's Blindia, famous for SPLIT BULLET and Vectorium. This game has DARK ECHO's style and with the action and strategic aspects are highlighted. I can shoot a gun!

youtube

Dance of fire and ice was also seen by the developers themselves. I can see that the developer has changed from Flash to Unity and the graphics have improved significantly, but I have not been able to shoot properly with the camera. In addition to what you can see in the video, and some pretty interesting variations such as a diagonal column.

It's called MagiCat, and I played the game for a while. Oh my gosh... It's impressive that if you like cats, you might be stunned. It was also a good game design.

So the schedule is over...

And it is the opening ceremony informing the start of the event!

A variety of food from the support of the Canadian government was displayed at the front. I ate taco with sauce at first time!

Three, Fourth Schedule - Public Visit

Now, the weekend is finally here to can communicate with players and gamers.

But I did not make The Starry Night directly, so I helped organize the booth and guide and introduce foreign guests. Photo shows I had Aseprite's source code build(...)

By the way...

At first, Aseprite has laggy were caught. I initially thought this was due to the fact that it works in debug mode, but the real reason was the 4K resolution(...)

Anyway, if change the target to system in Program > Properties > Compatibility > DPI then can use it normally.

I heard from the end, but there was a story that there were many speculations that this BIC would have come more people.

Waffle surprisingly made the demo quite long. It's hard for many to enjoy, but I think this will help people know what game is.

This is Muse dash. It was an impressive game because the animations were made to fit well into the beat.

Wow, there was a place to show the development. He is a developer of the rhythm doctor, Dance of fire and ice.

During the exhibition, one developer has shared a leaflet.

"Let's have an informal party and get together at Haeundae in front of the hostel at 9PM!"

So we arrived at Haeundae and it was 9PM, but I could not see people, so I gave up and tried to return. However, I found a person wearing an ID card on the other side of the traffic light, and the developers who were wandering around looking for a party place gathered one by one and the party proceeded.

It was a good time to talk to a lot of developers here. I had talked with LSH again, and he says I have been watching the development journal steadily, and I was surprised to see you doing the animation work.

I had a schedule to perform the awards ceremony and the LAN party once again from 5:00 on the last Sunday, but unfortunately I came back as soon as 6 o'clock due to personal reason.

But this opportunity is not uncommon, so I think it makes sense.

Oh my legs!

I am still making a small part of the plot and game system, and still keeping one commit per day. In the future, the amount of development journals will decrease. Because, as I mentioned at the beginning of this devlog, there are a lot of things I'm working on that are hard to disclose. I'm sad.

LSH said for that "most of the indie game developers when if keep writing the devlog, they arrive at this point, the devlog's post date term is getting longer." And he said, "that is a natural process. if you are worried about the devlog's quantity, how about put up a devlog every two week?" So I decided to try this part of the time.

One day I will improve my perfection until the day I show my game from there.

See you in next week, thank you :)

#devlog #gamedev #indiedev #game development

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