#Denny Driscoll
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crowlixcx · 9 months ago
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The Way, Episode 1 - 'The War'
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marchentraume · 9 months ago
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Various shots of Michael from The Way ep3
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nar0art · 8 months ago
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Michael Sheen sketch dump <3
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crusheswhimsandfancies · 9 months ago
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The Way - episode 1: The War
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letterboxd-loggd · 1 year ago
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Charley Moon (1956) Guy Hamilton
June 28th 2023
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billboard-hotties-tourney · 5 months ago
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Okay, folks, the mini-tourney is inching closer to the finals, so I'm going to give a list of the competitors in the Miss Billboard Tourney in order to give everyone a chance to submit more propaganda. The nominees are:
Lale Andersen
Marian Anderson
Signe Toly Anderson
Julie Andrews
LaVerne Andrews
Maxene Andrews
Patty Andrews
Ann-Margret
Joan Armatrading
Dorothy Ashby
Joan Baez
Pearl Bailey
Belle Baker
Josephine Baker
LaVern Baker
Florence Ballard
Brigitte Bardot
Eileen Barton
Fontella Bass
Shirley Bassey
Maggie Bell
Lola Beltran
Ivy Benson
Gladys Bentley
Jane Birkin
Cilla Black
Ronee Blakley
Teresa Brewer
Anne Briggs
Ruth Brown
Joyce Bryant
Vashti Bunyan
Kate Bush
Montserrat Caballe
Maria Callas
Blanche Calloway
Wendy Carlos
Cathy Carr
Raffaella Carra
Diahann Carroll
Karen Carpenter
June Carter Cash
Charo
Cher
Meg Christian
Gigliola Cinquetti
Petula Clark
Merry Clayton
Patsy Cline
Rosemary Clooney
Natalie Cole
Judy Collins
Alice Coltrane
Betty Comden
Barbara Cook
Rita Coolidge
Gal Costa
Ida Cox
Karen Dalton
Marie-Louise Damien
Betty Davis
Jinx Dawson
Doris Day
Blossom Dearie
Kiki Dee
Lucienne Delyle
Sandy Denny
Jackie DeShannon
Gwen Dickey
Marlene Dietrich
Marie-France Dufour
Julie Driscoll
Yvonne Elliman
Cass Elliot
Maureen Evans
Agnetha Faeltskog
Marianne Faithfull
Mimi Farina
Max Feldman
Gracie Fields
Ella Fitzgerald
Roberta Flack
Lita Ford
Connie Francis
Aretha Franklin
France Gall
Judy Garland
Crystal Gayle
Gloria Gaynor
Bobbie Gentry
Astrud Gilberto
Donna Jean Godchaux
Lesley Gore
Eydie Gorme
Margo Guryan
Sheila Guyse
Nina Hagen
Francoise Hardy
Emmylou Harris
Debbie Harry
Annie Haslam
Billie Holiday
Mary Hopkin
Lena Horne
Helen Humes
Betty Hutton
Janis Ian
Mahalia Jackson
Wanda Jackson
Etta James
Joan Jett
Bessie Jones
Etta Jones
Gloria Jones
Grace Jones
Shirley Jones
Tamiko Jones
Janis Joplin
Barbara Keith
Carole King
Eartha Kitt
Chaka Khan
Hildegard Knef
Gladys Knight
Sonja Kristina
Patti Labelle
Cleo Laine
Nicolette Larson
Daliah Lavi
Vicky Leandros
Peggy Lee
Rita Lee
Alis Lesley
Barbara Lewis
Abbey Lincoln
Melba Liston
Julie London
Darlene Love
Lulu
Anni-Frid Lyngstad
Barbara Lynn
Loretta Lynn
Vera Lynn
Siw Malmkvist
Lata Mangeshkar
Linda McCartney
Kate McGarrigle
Christie McVie
Bette Midler
Jean Millington
June Millington
Liza Minnelli
Carmen Miranda
Joni Mitchell
Liz Mitchell
Marion Montgomery
Lee Morse
Nana Mouskouri
Anne Murray
Wenche Myhre
Holly Near
Olivia Newton-John
Stevie Nicks
Nico
Laura Nyro
Virginia O’Brien
Odetta
Yoko Ono
Shirley Owens
Patti Page
Dolly Parton
Freda Payne
Michelle Phillips
Edith Piaf
Ruth Pointer
Leontyne Price
Suzi Quatro
Gertrude Rainey
Bonnie Raitt
Carline Ray
Helen Reddy
Della Reese
Martha Reeves
June Richmond
Jeannie C. Riley
Minnie Riperton
Jean Ritchie
Chita Rivera
Clara Rockmore
Linda Ronstadt
Marianne Rosenberg
Diana Ross
Anna Russell
Melanie Safka
Buffy Sainte-Marie
Samantha Sang
Pattie Santos
Hazel Scott
Doreen Shaffer
Jackie Shane
Marlena Shaw
Sandie Shaw
Dinah Shore
Judee Sill
Carly Simon
Nina Simone
Nancy Sinatra
Siouxsie Sioux
Grace Slick
Bessie Smith
Mamie Smith
Patti Smith
Ethel Smyth
Mercedes Sosa
Ronnie Spector
Dusty Springfield
Mavis Staples
Candi Staton
Barbra Streisand
Poly Styrene
Maxine Sullivan
Donna Summer
Pat Suzuki
Norma Tanega
Tammi Terrell
Sister Rosetta Tharpe
Big Mama Thornton
Mary Travers
Moe Tucker
Tina Turner
Twiggy
Bonnie Tyler
Sylvia Tyson
Sarah Vaughan
Sylvie Vartan
Mariska Veres
Akiko Wada
Claire Waldoff
Jennifer Warnes
Dee Dee Warwick
Dionne Warwick
Dinah Washington
Ethel Waters
Elisabeth Welch
Kitty Wells
Mary Wells
Juliane Werding
Tina Weymouth
Cris Williamson
Ann Wilson
Mary Wilson
Nancy Wilson
Anna Mae Winburn
Syreeta Wright
Tammy Wynette
Nan Wynn
Those in italics have five or more pieces of usable visual, written, or audio propaganda already. If you have any visuals like photos or videos, or if you have something to say in words, submit it to this blog before round one begins on June 25th!
If you don't see a name you submitted here, it's because most or all of their career was as a child/they were too young for the cutoff, their career was almost entirely after 1979, or music was something they only dabbled in and are hardly known for. There are quite a few ladies on the list whose primary career wasn't "recording artist" or "live musician," but released several albums or were in musical theater, so they've been accepted.
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beardedmrbean · 9 months ago
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Zoomer Huey, I tend to see people saying why Gen z don’t have sex much.
Holy
Fucking
Shits
These journalists surprisedly have WORSE self awareness than there boomer relatives
Here a hint https://x.com/swannmarcus89/status/1762582001507323991?s=46
And gender dynamics are…nuked in the fields they are surveying. Women and girls are told that all men are predators and misandry is left unchecked
Also, why Hollywood act surprised about the sex abuse?
We all heard about the casting coach, and how suspiciously people from working class backgrounds like Micheal Jackson (yes his dad had his music connections. But essentially mj was a slave and was arguably was the first black child star unless I’m missing someone) and Walt Disney (though not as bad) are painted as monsters while the actual monsters are protected for decades
I mean look at Judy Garland, she was a sweet person and she did help the LBGT in Hollywood and supported the civil rights movement
But her “crazy” behavior makes more sense because she was sexually abused at a extremely young age
And she not the only one, Shirley Temple, the boy who played at the first LA Dennis the Manis
Oh and the Peter Pan actor (a lot of people leave out the part where ALL of Hollywood basically says he can choke and die because he was “too” Disney)
But sorry about the Gen stuff, but the false rape accusations, maybe if you guys didn’t view men (especially white ones) the same way Nazis viewed the Jews while saying all the working class men were Weinstein.
My Gen would have more sex
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Entertainment industry has been like that since the beginning of forever, probably less so when women weren't allowed to participate but still a thing I'm sure.
As for Judy Garland it was nice to see people come out swinging in her defense when someone tried to start shit over well
She was not in control of her carer, saying no was not an option for her with this, but dumbasses that can only think in terms of today's standards never think about that.
Jay North (Dennis the Menace) did ok, so did Shirley Temple, plenty of others not so much, more recently we can look at Drew Barrymore and RDJ who both had fairly public meltdowns and problems.
Drew was ruined since her first film was ET and Spielberg takes care of the kids on set, going beyond the legal requirements.
Bobby Driscol was the Peter Pan VA top of his Wiki article.
Robert "Bobby" Cletus Driscoll (March 3, 1937 – c. March 30, 1968) was an American actor who performed on film and television from 1943 to 1960. He starred in some of the Walt Disney Studios' best-known live-action pictures of that period: Song of the South (1946), So Dear to My Heart (1949), and Treasure Island (1950), as well as RKO's The Window (1949). He served as the animation model and provided the voice for the title role in Peter Pan (1953). He received an Academy Juvenile Award for outstanding performances in So Dear to My Heart and The Window.
He just fell into the child actor pit, where he wasn't "cute" anymore couldn't get gigs and couldn't adjust to not being in the spotlight, the way he went and nobody knowing is awful to think about still.
Jackie Coogan, on the other hand was a different story.
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His parents sucked and as a result there's a series of laws named after him California's Coogan Law all about protecting the earnings of child actors from their parents. % goes into a trust iirc.
He ended up OK in the end though
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The false accusation thing, #me too hurt women because #believe women was taken advantage of to such a degree that even this coming out to light
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has still probably not cleared up for the trooper, and men are opting to not mentor women because of not wanting to risk a false accusation, everyone screams about how rare they are, to which I say so what, why should they assume the risk even if it's minor
Former VP Mike Pence came out and said he won't be alone with a woman that's not his wife in order to ensure that there is no possibility of someone making a claim of impropriety.
And he got this response
Why is anyone going to put their neck on the line when something like what he said is going to get this kind of response.
Maybe instead of crying about how rare false accusations are they should focus on shaming the people making them and coming up with solutions to keep them from happening.
You know instead of blaming the victims of the false accusations.
All this and so much more going on that isn't in this ask goes to the I don't blame people for not having as much sex, it's actually kinda nice too, fewer std's this way.
I went on a couple tangents, hope that's ok
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alcalavicci · 7 months ago
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Dean impressions from Dancing on the Edge:
When Russ met Dean on the set of The Boy with Green Hair, Dean was a high-energy kid who hated attention and was learning how to play the drums
Dean asked Russ if he could bring Wallace Berman and his wife to a party he was having. Thinking he meant the comedian Alice Berman, Russ said yes but was shocked by this weird mute guy who didn't say a word at his party.
One time, Russ was hanging out with four other former child actors (Dean, Billy Gray, Bobby Driscoll and Robert Blake). Talking about that day years later, Blake said they were a bunch of drowning puppies going down the rapids while hanging onto a lifeboat together. Says a lot, doesn't it?
Russ described Dean as intelligent, intuitive and practical- Jack Hirschman said as much too. Both said that Dean would help other people out as well. It's interesting that Russ says Dean was dedicated to his career and never dropped out unlike Russ, but that's not how Dean saw his career during this time, according to interviews. I think Russ was more significantly dropped out than Dean, however.
The Last Movie: Russ and Dean, along with Billy Gray, got to see Machu Picchu on their days off, but poor Billy got lost and missed the last scenes to be filmed.
Dean invited Russ to be in Another Day at the Races (which was apparently a spoof of the Marx Brothers classic A Day at the Races), but the title was changed to Win, Place or Steal. Apparently the movie was already kind of darkly lit in the original print too and got bad reviews at the time.
Jack, Russ and Dean all liked puns - that came from Wallace.
Russ' second wife, Elizabeth, had major problems with drinking and he eventually left her because she refused to get help for her problem. Dean was incredibly supportive to Russ during this time. Elizabeth ended up drinking herself to death five years after they got divorced. Must've been so heartbreaking to Russ to see Dean struggling like Elizabeth did near the end of his life.
Between Dennis, Dean and Russ, Russ could be trusted to come back with a full order of cocaine because he was allergic to it. So Dennis would ask him to pick up cocaine for him.
Russ says Dean was dating this woman in summer 1980. Interesting, Dean must've been just friends with Joy until the year or so before they got married. But this woman, Valerie Valente, is important because she invited Dean and Russ to her friend Bonnie's show, and Russ ended up married to Bonnie.
Russ does mention Dean meeting Joy and falling in love fast but I get the impression Russ didn't know about them keeping in touch for a few years. Russ said he needed to move out fast so Joy could move in after they got engaged (? my impression). I wonder if there was any overlap between Valerie and Joy...
Dean was the one who recommended Russ to the producers for his Quantum Leap episode- he didn't even have to audition!
The Wallace stories in this are also amazing so I'd definitely recommend reading this book for them as well.
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queen-mabs-revenge · 9 months ago
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so this post by @ardentlake about the references to the drowned towns of wales in the way set all my neurons firing, because for real the way that the series takes these real and overwhelming violences on marginalized people (the drowned towns, industrial injury and death, systematic deprivation and alienation) and tells their story through surreal myth recounting is so fucking....
all i keep thinking about is how the way is in reality a work of gothic marxism? which margaret cohen describes as:
(1) the valorization of the realm of a culture’s ghosts and phantasms as a significant and rich field of social production rather than a mirage to be dispelled; (2) the valorization of a culture’s detritus and trivia as well as its strange and marginal practices; (3) a notion of critique moving beyond logical argument and the binary opposition of a phantasmagorical staging more closely resembling psychoanalytic therapy, privileging nonrational forms of ‘working through’ and regulated by overdetermination rather than dialectics; (4) a dehierarchization of the epistemological privilege accorded the visual in the direction of that integration of the senses dreamed of by Marx in The 1844 Manuscripts….and (5) a concomitant valorization of the sensuousness of the visual: the realm of of visual experience is opened to other possibilities that the accomplishment and/or figuration of rational demonstration.
like it's almost a textbook case?
(1) the ghost of denny driscoll as a literal ghost of himself but also a ghost of welsh working class struggle crushed by neoliberal capitalism exemplified by thatcherism. every time geoff sees denny's ghost or thinks about his death by suicide you see the past flashes of the miner's strike struggle being violently suppressed. but also their very first interaction is geoff clinging to 'rationality and sensibility' against denny's 'romance' and 'the fight' to try and maintain a fingernail grip on any remnants of bare survival in the miserable status-quo
owen seeing denny's ghost in the labyrinth of the drowned town in his dreams handing him the gift of united working class struggle against oppression - that if we're in conversation with our ghosts instead of dispelling them, we can learn key parts of our own present liberatory process - that we will then hand down as ghosts to the generations coming
(2) the valorisation of the "cultural detritus" - cohen talks about cultural detritus as the things that are seen as extraneous or superfluous to the capitalist ruling class - that can be anything from entire people as in the case of colonized and indigenous peoples at the sharp end of capitalist imperialism, down to the fragments of communal human existence that serve no capital gains - so like everything from our folk arts and narratives to the human experience of communal kindness and help.
you see this in the deep scars of alienation in the way from the drowned towns that were literally made into detritus by the English ruling class being the link between wakefulness and dreams and understanding, the red monk standing over the detritus of the walls of the original abbey smelting works, the pilot light of the factory as a bit of superstitious detritus cast away by the owning investment company even and especially in their attempt to 'better the factory and the town' (their profit margin).
how all of these things when embraced are can fuel the fight against emiseration and alienation
(3) the phantasmagorical staging of the dreaming, the withdrawal hallucinations, the ghosts, and the way those aren't discarded by the narrative. that they give insight into the waking moments of the escape, and even in the terror of the unknown ahead of them give them strength even as oppressive forces close in. how these moments of surrealism aren't removed from the characters' experiences but inform and hone their decisions.
(4) not discarding the sensory experiences of the characters that lie outside of the senses accepted as relevant to science and industry (how the characters start to become unalienated when they reclaim those sensory inputs). the ideas from marx's 1844 works cohen's referring to are that marx talks about alienation as an expression of how under a system of private property, the senses that confirm ownership are prioritised as not just all-important but the limitations of sensory experience. that in order to have a truly liberated human sensuality, we have to get rid of the system of private property.
you get nods to bridging that alienation in the way from how geoff can't shake the feelings churning in him from seeing a fellow worker's self-immolation, to the senses of comradery towards Anna that extend beyond the rigid bourgeois family unit even in the face of possibly being disappeared, to the feelings of wrongness and instinct that are leaned into by the entire group as they make their way through the dangers of the violent state surveillance hurdles of 'illegal' migration.
(5) but also embracing the senses that are seen as valid and rational but bringing them into their full expression by removing the false binary with the other possible senses of the phantasmagorical, psychological and dreaming, putting the characters as a direct opposition to the nostalgic rigid regurgitation of the repressive violence of the state. all of that as an antidote to the alienation that all of the characters feel as cast-offs of capitalism, imperialism, xenophobia. a way to make these broken characters take a step towards finding a measure of wholeness.
there's so much more there and i'm just vomiting out my immediate thoughts, but yeah imo the way is def a work that uses ideas of gothic marxism in its surreal speculative fictive narrative to tell the story of oppression from the point of view of the marginalised
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invisibleicewands · 9 months ago
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Michael Sheen likens his TV directorial debut to getting into the ring with a heavyweight boxer. 
‘Mike Tyson says everyone has a plan until they get punched in the mouth, and I felt like I had a plan but was then punched in the mouth several times,’ laughs Michael, whose three-part drama The Way, about a family on the run in South Wales, comes to BBC1 this week.
‘Weirdly though, I also enjoyed it. It gave me the chance to be part of a story set and filmed in my home town of Port Talbot and it afforded me a power I don’t get as an actor. When people came up to me during filming with 100 questions, I had a wonderful feeling of importance.’
The Way is the gritty story of the dysfunctional Driscoll family – Geoff, Dee and grown-up children Owen and Thea – who have to put aside their differences and flee Port Talbot after getting caught in a civil uprising when the local steelworks is threatened with closure.
But it also has fantastical elements. Watch out for a medieval monk in a red robe and the ghost of miner Denny Driscoll. ‘There are supernatural elements because it’s about a family who are haunted by their troubled pasts,’ says Michael, who’s best known for movies such as Frost/Nixon and the TV hit Good Omens.
‘It does address some dark and serious issues but it’s also colourful, vivid and full of humour – some of the qualities I associate with the community I come from.’
It was access all areas when the drama was filmed in Port Talbot last year – except in one part of town. ‘Forge Street was off limits because there’s a mural of Michael on a wall there,’ says Steffan Rhodri (Geoff). ‘It’s a tribute to a town legend who’s adored.’
Michael jokes, ‘I tried my best to get the mural on film but I couldn’t manage it!’
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sleepy--anon · 1 year ago
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Sleepy's Writing List
I will also write ler!reader, (there is a severe lack)
Mcyt
Dream
Sapnap
Georgenotfound
Badboyhalo
Skeppy
Dream XD
Sapnap 4K
George HD
Antfrost
Velvetiscakee
Captain Puffy
Awesamdude (Sam)
Larray
Sidemen
JJ Olatunji (KSI)
Simon Minter (MiniMinter)
Harry Lewis (W2S)
Ethan Payne (Behzinga)
Josh Bradley (Zerkaa)
Tobi Brown (Tobjizzle)
Vik Barn (Vikkstar123)
Heartstopper
Nick Nelson
Charlie Spring
Darcy Olsson
Tara Jones
Elle Argent
Tao Xu
Issac Henderson
Imogen Heaney
Sahar Zahid
Tori Spring
Otis Smith
Sai Verma
Christian McBride
9-1-1
Hen Wilson
Karen Wilson
Denny Wilson
Mara (Driscoll) Wilson
Maddie Buckley-Han
Chimney (Howie) Han
Athena Grant-Nash
Bobby Nash
May Grant
Harry Grant
Eddie Diaz
Christopher Diaz
Evan (Buck) Buckley
Tk Strand
Carlos Reyes
Ravi Pannikar
Tommy Kinard
Red, White, and Royal Blue
Alex Clermont-Diaz
Henry Hanover-Stuart-Fox
Beatrice (Bea) Hanover-Stuart-Fox
Nora Holleran
Percy (Pez) Okonjo
Smosh
Anthony Padilla
Ian Hecox
Shayne Topp
Damien Haas
Courtney Miller
Olivia Sui
Keith Leak Jr.
Tommy Bowe
Spencer Agnew
Amanda Lehan-Canto
Angela Giarratana
Trevor Evarts
Chance McCrary
Arasha Lalani
The Walking Dead
Rick Grimes
Michonne Grimes
Carl Grimes
Judith Grimes
RJ Grimes
Glenn Rhee
Maggie Rhee
Daryl Dixon
Carol Peletier
Rosita Espinosa
Paul (Jesus) Rovia
Enid
King Ezekiel
Aaron
Connie
Kelly
Juanita (Princess) Sanchez
Michael Mercer
Gabriel Stokes
Noah
Lydia
Jerry
Bridgerton
Anthony Bridgerton
Benedict Bridgerton
Colin Bridgerton
Daphne (Bridgerton) Bassett
Eloise Bridgerton
Francesca (Bridgerton) Sterling
Gregory Bridgerton
Hyacinth Bridgerton
Penelope (Featherington) Bridgerton
Kate (Sharma) Bridgerton
House of the Dragon
Simon Bassett
John Sterling
Rhaenyra Targaryen
Aegon II Targaryen
Daenerys Targaryen
Daemon Targaryen
Jacearys Velaryon
Lucearys Velaryon
Helena Targaryen
Baela Targaryen
Rhaena Targaryen
Aemond Targaryen
Alicent Hightower
Rhaenys Targaryen
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crowlixcx · 9 months ago
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The Way, Episode 2 - 'The Walk'
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marchentraume · 9 months ago
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Various shot of Michael from The Way ep2
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flannelandcurls · 8 months ago
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Denny Driscoll, Slavkin O'Hara & Kenneth Williams
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jxrm · 2 months ago
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book log - 2019
my kind of perfect by hannah ellis
not the girl you marry by andie j. christopher
the wedding party by jasmine guillory
sweet venom by tera lynn childs
obsession by amanda robson
the proposal by jasmine guillory
maybe in another life by taylor jenkins reid
the last librarian by brandt legg
exit west by mohsin hamid
the water cure by sophie mackintosh
the broken hearts' society of suite 17c by leighann kopans
royal holiday by jasmine guillory
the good samaritan by john marrs
fuck marriage by taryn fisher
christmas with friends by hannah ellis
the death of mrs. westaway by ruth ware
gabi, a girl in pieces by isabel quintero
swipe right for murder by derek millman
#therealcinderella by yesenia vargas
shutter island by dennis lehane
the wedding of rachel blaine by amy cross
pieces of her by karin slaughter
these witches don't burn by isabel sterling
a spark of light by jodi picoult
the friend by teresa driscoll
frankissstein by jeanette winterson
how to hang a witch by adriana mather
the bride test by helen hoang
just one bite by jack heath
the babysitters coven by kate williams
blame game by c.j. cooke
about the night by anat talshir
wreckage by emily bleeker
our house by louise candilish
just what kind of mother are you? by paula daly
the other ann by amy cross
in a dark, dark wood by ruth ware
spare room by dreda say mitchell
jar of hearts by jennifer hillier
without remorse by tom clancy
the amateurs by liz harmer
exhalation by ted chiang
the astonishing color of after by emily x.r. pan
all the beautiful lies by peter swanson
batman: year one by frank miller
go by kazuki kaneshiro
the bird and the sword by amy harmon
q is for quarry by sue grafton
guilt by amanda robson
blame it on bianca del rio by bianca del rio
size 14 is not fat either by meg cabot
the banker's wife by cristina alger
a good enough mother by bev thomas
someone we know by shari lapena
the man i thought you were by leah mercer
radio silence by alice oseman
the butterfly garden by dot hutchison
in twenty years by allison winn scotch
what happened at the lake by phil m. williams
the thinnest air by minka kent
you know me well by nina lacour
the waiting room by emily bleeker
sleeping murder by agatha christie
we were mothers by katie sise
bunny by mona awad
the one by john marrs
losing leah halloway by lisa reganby devney perry
the song of achilles by madeline miller
daughters of the lake by wendy webb
remember me? by sophie kinsella
the birthday list by devney perry
a curse so dark and lonely by birgid kemmener
spindle by e.k. johnston
the babysitter by sheryl browne
a serial killer's daughter by kerri rawson
the ex by alafair burke
the meryl streep movie club by mia march
watership down by richard adams
every ugly word by aimee l. salter
the rhythm of blues by love belvin
killman creek by rachel caine
undead girl gang by lily anderson
the turn of the key by ruth ware
smart girls gets what they want by sarah strohmeyer
girl gnoe virals by arvin ahmadi
the perfect roommate by minka kent
brother by david chariandy
that time i loved you by carrianne leung
lock every door by riley sager
the zen man by colleen collins
stillhouse lake by rachel caine
daisy jones & the six by taylor jenkins reid
once upon a river by daine setterfield
the good widow by liz fenton
sadie by courtney summers
dead girls by tim kizer
half past by victoria helen stone
the woo-woo by lindsay wong
ender's game by orson scott card
smoke by catherine mckenzie
the favorite daughter by kaira rouda
xo by jeffery deaver
whiskey in a teacup by reese witherspoon
the truth lies here by lindsey klingele
save the date by morgan matson
i am wathcing you by teresa driscoll
the last time i lied by riley sager
alex and eliza by melissa de la cruz
little fires everywhere by celeste ng
the long deception by mary mccluskey
fast forward by juliet madison
emergency contact by mary h.k. choi
two weddings and a fugitive by donna joy usher
the rules of magic by alice hoffman
i dream of johnny by juliet madison
friends like these by hannah ellids
the perfect mother by aimee molloy
a beautiful poison by lydia kang
girls with sharp sticks by suzanne young
the other woman by sandie jones
from twinkle with love by sandhya menon
the seven husbands of evelyn hugo by taylor jenkins reid
instant mom by nia vardalos
finding claire by lisa regan
the silent patient by alex michaelides
hidden bodies by caroline kepnes
playing with matches by hannah orenstein
the last resort by marissa stapley
robin by dave itzkoff
the perfect child by lucinda berry
sugar run by mesha maren
the afterlife of holly chase by cynthia hand
bright side by kim holden
convenience store woman by sayaka murata
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ulkaralakbarova · 4 months ago
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Meet Jack Foley, a smooth criminal who bends the law and is determined to make one last heist. Karen Sisco is a federal marshal who chooses all the right moves … and all the wrong guys. Now they’re willing to risk it all to find out if there’s more between them than just the law. Credits: TheMovieDb. Film Cast: Jack Foley: George Clooney Karen Sisco: Jennifer Lopez Buddy Bragg: Ving Rhames Maurice ‘Snoopy’ Miller: Don Cheadle Glenn Michaels: Steve Zahn Marshall Sisco: Dennis Farina Adele Delisi: Catherine Keener Kenneth: Isaiah Washington Richard Ripley: Albert Brooks José ‘Chino’ Chirino: Luis Guzmán Moselle: Viola Davis Bank Employee: Jim Robinson Bank Customer: Mike Malone Bank Teller: Donna Frenzel Bank Cop: Manny Suárez Bank Cop: Keith Hudson Lulu: Paul Soileau Pup: Scott Allen Parking Lot Woman: Susan Hatfield White Boxer: Brad Martin Himey: James Black Daniel Burdon: Wendell B. Harris Jr. Library Guard: Chuck Castleberry Shock Lock FBI Man: Chic Daniel White Boy Bob: Keith Loneker Old Elevator Lady: Connie Sawyer Old Elevator Gent: Philip Perlman Raymond Cruz: Paul Calderon Officer Grant: Gregory Alpert Ripley Personnel: Mark Brown Ripley Receptionist: Sandra Ives Ripley Guard: Joe Hess Waitress: Betsy Monroe Philip: Wayne Pére Andy: Joe Chrest Third Ad Guy: Joe Coyle Midge: Nancy Allen Ray Nicolette (uncredited): Michael Keaton Hejirah Henry (uncredited): Samuel L. Jackson Federal Marshal: Stephen M. Horn Airport Patron (uncredited): Oscar A. Diaz Waitress (uncredited): Jennifer Dorogi Airport Passenger (uncredited): Deborah Smith Ford Xenon Light Guard (uncredited): Mike Gerzevitz Flight Attendant (uncredited): Thelma Gutiérrez Bank Manager (uncredited): Wayne V. Johnson Bank Patron (uncredited): Pati Lauren Shopper (uncredited): Sherrie Peterson Gas Station Attendant (uncredited): Ronnie Stutes Film Crew: Director: Steven Soderbergh Producer: Danny DeVito Executive Producer: Barry Sonnenfeld Novel: Elmore Leonard Screenplay: Scott Frank Executive Producer: John Hardy Producer: Michael Shamberg Producer: Stacey Sher Original Music Composer: David Holmes Director of Photography: Elliot Davis Editor: Anne V. Coates Makeup Artist: Bill Corso Digital Compositor: Sean MacKenzie Second Assistant Director: Trey Batchelor First Assistant Director: Gregory Jacobs Second Second Assistant Director: Michael Risoli Supervising Sound Editor: Larry Blake Set Dresser: Mike Malone Casting: Kathy Driscoll-Mohler Casting: Francine Maisler Production Design: Gary Frutkoff Art Direction: Philip Messina Set Decoration: Maggie Martin Costume Design: Betsy Heimann Makeup Artist: Margot Boccia Key Hair Stylist: Bonnie Clevering Makeup Artist: Anita Gibson Key Makeup Artist: Katherine James Hairstylist: Deborah Mills-Whitlock Hairstylist: Waldo Sanchez Makeup Effects Designer: David LeRoy Anderson Hairstylist: Mary L. Mastro Makeup Artist: Mark Shostrom Unit Production Manager: Frederic W. Brost Production Supervisor: Pat Chapman Post Production Supervisor: Caitlin Maloney Production Supervisor: Mary Morgan Additional Second Assistant Director: David M. Bernstein Second Second Assistant Director: William D. Robinson Set Dresser: Shane L. Ashton Set Dresser: Tristan Paris Bourne Art Department Assistant: Andrea Brody Leadman: Jon J. Bush Set Designer: Lauren Cory Set Designer: Keith P. Cunningham Standby Painter: Chuck Eskridge Property Master: Emily Ferry Set Dresser: Harry Frierson Construction Foreman: Gary Gagliardo Paint Coordinator: Hank Giardina Construction Foreman: William Gideon Props: Brett Gollin Assistant Property Master: Otniel Gonzalez Set Dresser: L. David Gordon Props: Charles Guanci Jr. Art Department Coordinator: Blair Huizingh Set Dresser: James E. Hurd Jr. Paint Coordinator: Steven Kerlagon Set Dresser: Alexander Kirst Set Dresser: Chris Patterson Leadman: David C. Potter Set Designer: Mary Saisselin Construction Coordinator: Chris Snyder Assistant Property Master: Joy Taylor Painter: Mark Woodworth Carpenter: John Blanchard Set Dresser: Kurt Braun Painter: Tammy DeRuiter Greensman: Michael ...
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