#Den Elgar

[daddynews247]

Ravi Shastri Underlines Fault in the Strategy of Rohit Sharma-led India’s vs. South Africa

When bad light forced early stumps on Day 2 of the 1st Test, South Africa had already taken an 11-run lead with five wickets remaining courtesy of Den Elgar’s classy unbeaten 140.

On Wednesday, the Rohit Sharma-led Indian cricket team endured a tough second day in the first Test against South Africa in Centurion. When bad light forced early stumps, South Africa had already taken an 11-run lead with five wickets remaining courtesy of Den Elgar’s classy unbeaten 140. Before that, KL Rahul’s 101 had taken India to 245, which many experts felt was a decent enough total. The start of India’s bowling was not bad either, as Mohammed Siraj dismissed Aiden Markram cheaply.

But after that, Dean Elgar and Tony de Zorzi stitched together a great stand as South Africa went to lunch at 49/1. After lunch, Prasidh Krishna and Shardul Thakur were given the charge. The two bowled eight overs between them before Jasprit Bumrah was brought on. By then, the score had reached 91/1, with Elgar completing his half-century too.

Former head coach of India, Ravi Shastri, did not like the idea of using Prasidh Krishna and Shardul Thakur right after lunch.

Ravi Shatri, former Indian cricket team coach, said during commentary that, “On any pecking order, these two (Shardul and Prasidh) would have been the last to start the proceedings after lunch.”

He also added, “That’s something that we’ve had a discussion about multiple times when I was the coach. And more often than not, we decided to go with the best two bowlers at the start of the session. If you cast your mind back, India would feel they had missed a massive trick in the first half hour of play. Two bowlers they started with, that tactically was a big mistake.”

[darkinfinity]

Hi, happy 28th! I decided to join the 28th appreciation, so here are all the fics I read and enjoyed in the past month! Fics are organised by word count :)

🌷Tell me it's the strongest shape by @louandhazaf (E, multi, 73k)

Nick and Elgar have it all. They’re famous, successful, and engaged to be married—and sometimes they play with others.

When uni student Louis gets street cast by Elgar for a GQ photoshoot, he's drawn into Nick and Elgar’s complicated relationship.

They've always invited mates into their bed. It doesn’t ever mean anything. Until… it does.

🌷A crown of heartache by WordsInBloom28 (E, 70k)

The Royal Tail: an alpha den, a strip club, a place where secrets are concealed and consent is medicated. It’s also the place Harry has been trapped for the last three years.

Through luck or fate, Harry finds his way to Louis, a kind alpha who offers safety and comfort. After being freed from the confines of the den, Harry struggles to shake the darkness from his past.

He has a choice to make. Live in a mental prison of his own making or find the strength within himself to face his demons head on with Louis at his side.

🌷In the still of the night by @jacaranda-bloom (E, 68k)

In a society where omegas are expected to follow a predetermined path, Louis strives for more; for his voice to be heard, for recognition, for true love.

In a world where your past defines your future, Harry fights against the system; for equality, for a different life, for acceptance.

When their two worlds collide, will they be beaten down by conformity or will they rise up and forge a new path together?

OR the Dirty Dancing AU where Louis is a feisty omega who wants to change the world, Harry is an alpha from the wrong side of the tracks, and nobody puts Louis in a corner.

🌷Chasing, searching, dreaming by @parmahamlarrie (E, 46k)

Everyone is chasing, searching, dreaming of their soulmate.

Harry has known who his soulmate is since he was twenty years old, and ever since, he has been waiting for Louis to be ready for him. The unexpected passing of Louis' mum, and the fact that now he is the guardian of his twin two-year-old little siblings, just means that Harry is going to have to wait a bit longer.

A soulmate AU full of cute kids, house building, therapy, and a lot of dreaming.

🌷Four, five, finished? by @beanno28 & @lalalaartje (E, multi, 45k)

Now that they've all settled down in their relationship dynamic, Zayn, Harry and Louis agree it's time for the next step. A new phase in their lives, so to speak. They're having a baby! Or well. That's the plan. As usual for the three of them, nothing goes as planned.

Adjustments have to be made, emotions have to be lived through and discussed and all in all, our three boys need to buckle up for the ride and hope to reach their final destination without major figurative car crashes.

🌷A hopeless connection by @parmahamlarrie (E, 34k)

In a world where everyone has a soulmate, what do you do when you don’t have one?

As soon as Louis Tomlinson was born, his Timer, the one that determined when he would meet his soulmate, was already at zero. He’s spent the last twenty-five years of his life looking for that void to be filled with faceless strangers. Can he still find love?

🌷Santa baby honey by @sadaveniren (E, 29k)

“Let’s cut right to the chase,” Niall said, loading the powerpoint, which was just one page, comprised of Louis’ face and the words How do you solve a problem like this asshole? “It’s the beginning of November and Louis is already being a fuckwit. How are we gonna have him knock that shit off this year?”

aka Louis is the CEO of a toy company and Christmas is a stressful time of year so his assistant decides the best way to make him chill out is by getting him laid through a Secret Santa

🌷Thespian sweetheart by orchidsinnewyork (16k)

Harry definitely was not. He’d stopped listening.

Across the room, someone had caught his eye. 

The stranger’s light brown hair fell into wisps, framing his mask. His cheekbones could be seen even with half his face covered, and his slender fingers were brushing along the buttons of his coat. He was smiling even though he had no one in company. He seemed to glow as he stood under a chandelier, the fragments of glass reflecting bursts of light onto his frame.

Harry had never seen someone like that before. He’d been staring for too long, completely ignoring Count Paris as his gaze focused on the stranger. And he hadn’t realised it until the stranger turned his head, and their eyes met.

Harry saw his lips part, and curled into a small smile as he removed his mask. Staring back at Harry were a pair of brilliant blue eyes, twinkling at him like twin stars. The stranger winked at him, and his head felt giddy. 

~

Uni AU where Harry participates in a Theatre production, and is supposed to perform a stage kiss that winds up becoming quite real. Featuring awkward encounters, insane dreams, OT5 and peanut butter.

🌷I'll look after you by @elmeiko88 (M, 15k)

I mean, when Harry inherited his late uncle's hybrid, he didn't necessarily expect this...

Where Louis is a nice hybrid cat who's never lived with anyone but an old man, and who discovers the freedom of living with Harry...

🌷I dig your cinema by @silverstuff50 (E, 13k)

It wasn’t that Louis didn’t want to see Harry’s latest film; it was a tragically pathetic fact that Louis had watched every single show and film, every interview, every red carpet that Harry had done since his ex-boyfriend had decided to leave Uni in the second year and pursue an acting career.

It's just that he wanted to watch it on his own, in his flat, with a soft blanket, beer, ice cream, and a large box of tissues.

🌷licking sugar off taboos, we pour wild honey and wine over the walls by @larentslovebot (E, 10k)

Louis Tomlinson is a big name in the industry. A lyrical mastermind, who does not appear in public and dedicates his existence to music. Deciding to find aspiring musicians for his label, he expected to tutor young talents and make them the next heads of show business. What he didn't expect was to meet Harry Styles, omega with attitude and a captivating scent.

🌷Woke up feeling knotty by @jaerie (E, 8k)

Beta Louis has a kink for knotting and the secret aesthetic porn blog he runs about it is more than proof. When he accidentally finds out his alpha best friend Harry is one of his biggest fans, he knows he has to come clean after everything that has already happened between them. Harry just might be willing to help him out anyway.

🌷I'll keep you warm by @parmahamlarrie (T, 6k)

Louis is the kind of guy who keeps his head down and minds his own business. He’s lived on the same street for years and barely would recognize the buildings, let alone his neighbours. That’s all about to change however, due to a broken key and an unexpected snow storm.

🌷Pretty and preposterous by @brightlyharry (5k)

Harry donates a copy of Pride and Prejudice to his little free library. He never expects what comes next.

🌷What the silence said by @larrysballetslippers (E, 3k)

“Our lives were just beginning, our favourite moment was right now, our favourite songs were unwritten. ‘Love is a mixtape’, Rob Sheffield.”

Or, Louis has tried to ask Harry, the quiet and cute librarian at his local library, out for some time. He never expected that quoting Harry's favourite books work so well for him. A very silent Valentine's day fic.

[softmoonlightmelody]

so. silm keeper people. i've been attempting to transliterate-ish some of the elves' names into sindarin or quenya to see if it works. and surprisingly, it does!

(names found from the wiki)

oralie - soft permutation to oralië for 'ora' to urge and 'ië' people, as in 'to urge the people' (quenya)

fintan - 'fin' hair and 'tan' maker, smith (sindarin)

bronte - soft permutation to brontê for 'brond' steadfast and 'tê' way (sindarin)

fallon - the 'fall' part could come from ancient elvish 'phal' meaning foam or splash, and '-on' is a common sindarin masculine ending (primitive elvish and sindarin combo)

kenric - 'kén' earth and 'ric-' to endeavor (quenya)

elgar - 'el' star and 'gar' a lenited version of 'car-' meaning to make (quenya)

kesler - 'kes' other and 'ler' free (primitive elvish)

ardal - 'ar' besides and 'dal' foot (sindarin)

alden - 'al-' well, happily and 'den' a lenited form of pen, meaning one as in a person (sindarin)

alvar - 'al' well, happily and 'bar' house, home (words that start with b are often lenited to start with v) (sindarin)

livvy - doesn't gloss but i thought it was interesting that quenya for sickness is 'lívë' and livvy is a doctor. does this mean anything? probably not.

calla - she's not an elf but 'cala' is the quenya word for light. so.

maruca - 'mar' earth and 'ú' not and 'ca' behind. does not make sense and barely passes, but it is very possible that the language has mutated far enough. (quenya)

marella - 'mar' earth and 'el' star and 'not'. also does not make sense. but hey. it's also very possible the language has mutated. (quenya)

radelle - said to be where della's name comes from. 'râd' path and 'el' star. given that the last e isn't pronounced, it's very likely that the '-le' at the end is a mutation. (sindarin)

adara - 'ad' and and 'ara' king (sindarin AND quenya)

elwin - this one is fun. 'el' is obviously star but the 'win' could be anything. it could be a lenited form of 'gwain' meaning young, or a lenited form of 'wing' meaning sea spray. i'm going to go with the second because that means elwin and elwing share a name, which is hilarious to me for some reason. (sindarin)

quinlin - 'quín' crest, ridge and 'lin' musical sound (quenya)

gethen - 'ge' if, maybe and 'thenn' short. doesn't make sense but is hilarious. (sindarin)

inar - 'i' the and 'nâr' rat. i think it's funny (sindarin)

tiergan - 'tir' to watch over and 'gan' increase, enlarge. barely makes sense (sindarin)

andrin - i can't exactly translate this word for word but as a name it's 'he who uses a hammer'

dexter, bexter, lexter, rexter - 'ter' is a quenya word for through, but other variations don't really work.

alvin - 'al-' well, happily and 'vin' could be the same element as in elwin - perhaps the quenya mutation of the w becoming the v carries over a little to sindarin??? (sindarin)

mai - 'mai' well (quenya)

noland - 'nôl' mutation of dol and 'and' long (sindarin)

terik - 'ter' so and 'ric-' to endeavour (same root as kenric's name) (quenya)

liora - 'li-' many and 'ora-' to urge (quenya)

anwen - 'ann' gift and 'wen' maiden

galvin - 'gâl' and same 'vin' as alvin (lenited 'wing' sea foam or 'gwain' youth)

harlin - 'har-' left hand and 'lîn' pool (body of water) (sindarin)

[pandoramusicbox]

Drowcember part 3

ok so these are

ok so here's prompt & , flora, fauna, and fungi. so here's me testing out some of the ideas for plants and fungi along with drawings of the three animals that represent the  three different cities. here's what some of the 

Prompt , flora and fauna- lots of flora and fauna can be found in the caves of the underground, all of the plants and mushrooms I showed here are edible and often used and eaten in the in the cities of the underworld. - Sivin Bloom; grows near the surface, it blooms white to golden and then will grow a sweet golden berry  - Rensustall antenna mushroom - Broad leaf mushroom - stick twal - Underworld orchid - inkling lantern mushroom - ink drop glowshroom -stoopospors -lusmoss -Pomber  -dinsm berries -drip leaves - top duster Fauna wise I drew the three animals that are the symbols of the different cites: the symbol of orai’ral, the dual Millapede symbol of Elgar, the cavern bats symbol of black chowl, the black cowled spider. 

Prompt 7, lgbtq+ here we have  a bit of a messy picture it shows two lgbtq cuples. the first (on the left) is a historical couple, one of the two brothers that established the dark fauth as what they are today, Calvive and his husband who is actually the founder of the black scorpion den, and is a Robin Hood like legendary figure in his own right. they are both legendary figures on their own, but their love story is a tale involving pirates, kidnapping, a darling rescue from a tower and a bunch of shenanigans. the other less exiting love story is That of lillygaurd the mayor of cavern bat city and her laquiam girlfriend. they just are a lovely and quiet couple with no intense story around them, but that's the way these two lesbians like it. - other things also in that photograph are a drawing of the lush caves.. still thinking about copying a bit of Minecraft's homework... and part of a sideways map of the continent of O’sten. the part of the map that has no labels on it what so ever is the one where most of these cave systems that make up the under world is located.

Prompt , some one else’s drow, so originally I was not intending on doing this prompt, mostly because the dark fauth are only baised on drow and are not drow in and of themselves in the dnd sense of the word, most of them are not even elves. But at some point or another that changed because I made some loose scetches of what other cities are like from some of the other designs floating around on the drowcember tag. So pictures 3&4 from left to right, here’s credit to who gave the inspiration for the design:

1. Dragon fish city, inspired by the elegant and flowing artwork of @j--mno-art​. The moon crescent coat on thier oc xaston is so fun. As for the what I decided on for the people of the dragon fish city

- weird genetics as they accept anyone that needs a place.

- fashion tastes are the closest aligned with that of the taste of the surface world of that region.

- often wear familial tattoos or make up.

- lots and lots of pirates

- worship of the moons are commonplace

-live in a grotto by the sea so have easy access to the ocean and surface

2. The blood spot millipede, inspired by the rigged and delicate design of @linaswalaf their art is so technically excellent and the red and grey color schemes prevent in a lot of the drowcember art was so pleasant. I just adored the overall aesthetic that thier drow art had. As for the bloodspot millipedes, the city is called Teri

- fuzzy ears are common as there is a good deal of troll blood in their ancestry.

- are cavern dwellers and do not venture near the surface unless nessesary

- known to be excellent scholars and jewelers as they mine a lot of precious materials

- despite not going up to the surface often they have extensive trade with the surface world.

- well infamous as relentless and absolutely brutal warriors

- weavers of kelper cloth.

3. The black scorpions, inspired by the drow of @eaglewind13 the colorful drawings of hers was a delight to see. But this design was most heavily inspired from the family day prompt, so the information

- simple genetics, an interesting thing about the city of the black scorpion is that most of its citizens are not permanent residents. Instead a lot of the people of the city will travel around the surface world and then hide out in the city come winter or due to other circumstances

- grey extremities, because of the rather migratory nature of a lot of the cities citizens the magic radiation that has changed the appearance of the people of the other cities has not been able to as effective in the people of black scorpion, though people who’s family has been in and out of the city for generations tend to have grey fingers, toes, hands, legs, or freckles and thier hair tends to be pale or purple in color.

- they interact a lot with the surface world and the underworld

- den of thieves, the city is full of thieves and robbers who use it as their hide out from the law of the surface, the “other circumstances” mentioned earlier. The city can be a bit chaotic.

-they make some strong booze.

- large cape like coats are common so that no one is aware of what you are carrying. Along with spikes on shoes to help access and climb walls of the cave. Also honor among thieves and all that, there’s unofficial rules a person needs to follow in order to get to stay in the city as a hide out.

4. The violet visage spider, this one is inspired most hevely on the normal dnd idea of the drow. All the good all the bad. It’s that one city that the other cities tell you to avoid if you are traveling the underworld. (The inspiration for the design in this one is the same as the ghost spider so I’ll get to that later)

- eugenics, awful, but let’s go with it. So for this city they are very particular on what kind of people are welcome to live here, and much more selective on who can have a family. Raquesasha, vickor, the few eyes of the region, the allets, troll blooded and so on and so forth are not allowed, and if they are they live in very specific areas of the city and surrounding villages (they got dibs on the largest cave in the know underworld)

-dark/grey skin. They have a few very set looks.

-spider worship, so I’m thinking that backstory wise the reason that these people are down here is because they were a really big cult that had some views that didn’t mesh well with the popular religion and opinion of the surface world and the violet visage moved to the underworld as a result

-matriarchy. And a really controlling and violent one. So what I’m thinking is that there is a bunch of family house and that they are in constant competition with each other and such to rule over the largest swafts of city territory. Basic but workable.

- sexist hiarchy, why not let’s throw all the bad tropes in here, slavery why not, badly treated harems, shure. I can play it straight but I might try to do something different with them even so. But for now the violet visage spiders are the closest dark fauth to Dnd drow. At least those imaged in the 80s-2010s

5. Ghost spider city, the city is called elisk and is actually the oldest parts of the idea regarding the dark fauth, a group of people who lived in the caves of the continent of O’sten and have a relation ship with large spiders called ghost spiders, at some point someone commented on how they where like dnd drow and I decided to embrace the idea. Now I also stumbled upon the ideas of @fantasy-anatomy-analyst and her (?) blog by a comparison of her(?) drow to the drow of mainline dnd. And I have to say the monkey like drow are so neat and cool. Unfortunately the picture I drew for the inspiration I was taking is too close to the reference image for my liking. So apologies about that, I’m trying to make them more distinct so it’s less of a copy than it is inspiration.

-oldest of the underworld tribes, they and the silver centipedes are the decedents of the people who lived in the underworld before the two brothers claimed it as a place of the forgotten and forsaken.

-have the most adaptations to the caves as they have live here the longest, including motion sensitive whiskers/eyebrows and a keen sense of hearing, also their hair can glow slightly in the dark. Slightly short on average.

- cultivate spider silk, and some of it glows (because that is so cool)

- respectful to elders, matriarchal mothers, lots of sibling rivalry, some different gender roles and identities than those of the surface world.

- wear clan markings, either painted on or as tattoos.

Prompt 19, exploration, some bat cavern people exploring some tunnels Prompt 27 nobility. here's the different current leaders of the cities    lillygaurd is the youthful  leader of the cavern bats. youthful and youthful she's in her mid 30s, got a girlfriend and a city to be concerned about. she was a well known zordezoth in her youth, (zordezoths are robin hood or Zorro like figure, they are called Zozoths for short.) she was elected into her position    ilnor, the hereditary leader of the black chowl caverns, she was chosen from a group of cannidents by the elder council, she is in her late middle age, also shown here is her daughter Rät, more on her later.   Seven, the three armed king of the Duel millipede, he was born with three arms and lost his eye in the duke to become king. Prompt 22, half drow, this was also originally not a prompt I was planing to do as I simply did not know how to do that with the fauth as they are all technically humans sort of, and vickor are also considered fauth. the raquesasha on the other hand are not, they may live among the dark fauth, but they are jevels according to O’sten and O’ller (they are heaven kin in the kin system)  but then I drew Rät, she is half dark fauth and half Raquesasha. the daughter of ilnor, and the raquesasha horek. she has a few of the abilities of raquesasha with the ability of teleportation and surounding manipulation with a plum colored core. only half of her mouth is sealed when closed. she is rather asymmetrical, but lacks the excess limbs of most raquesasha. though many raquesasha on the O’sten do not have these extra limbs.     Prompt 15+16 villains and heros. the legend of the lek brothers. two sons of a witch, they lived centuries ago as slaves to the people of the cricket lands.  They stayed together, through thick and thin. They eventually grew into a pair of rebellious trouble makers who stole a power and dangerous magical artifact called the fifth moon. They used their cunning and hard work they freed hundreds or thousands of slaves and moved them into the safety and freedom of the underworld. Then more impressively they stayed free against the might of the sun king. It’s much more of a legend these many years later than it is entirely historical events.

 (I’ll finish this later but I want to upload in December)

[theart2rock]

Seven Spires veröffentlichen neue Single und Video

SEVEN SPIRES veröffentlichen „The Old Hurt of Being Left Behind“, die dritte Single aus ihrem kommenden Studioalbum „A Fortress Called Home“, das am 21. Juni über Frontiers Music Srl veröffentlicht wird. Der Track wird von einem neuen Musikvideo begleitet, das unten zu sehen ist. Frontfrau Adrienne Cowan äußerte sich wie folgt zu dem Song: „Dies war der erste Song, den wir für ‚A Fortress Called Home‘ geschrieben haben. Er entstand aus einem ergreifenden Klavierstück aus meiner Ideensammlung und wurzelte in der Musik und Geschichte von Edward Elgars 'Sospiri, op. 70'. Es ist ein Stück, das für mich oft wie der Schmerz des Verliebtseins klang. Und - ich finde, es liegt etwas so Zerbrechliches und leise Schönes in den schmerzhaften Qualen, wenn man einem anderen wirklich seine Seele offenbart. Inspiriert von dieser Gegenüberstellung haben Jack und ich unser Bestes gegeben, um die Hoffnung im Schmerz, die Melodie im Chaos und die Sanftheit in der Brutalität einzufangen. Ich denke, der Titel sagt im Grunde alles aus.“ A Fortress Called Home", das vierte Studioalbum von SEVEN SPIRES, ist der mit Spannung erwartete Nachfolger von ‚Gods of Debauchery‘ (2021) und treibt die für die Band typische Mischung aus symphonischer Power und extremem Metal auf neue Höhen und zieht den Hörer dabei in die tiefsten Abgründe. Adrienne Cowan kommentiert: „Während des Schreibens dieses Albums habe ich die Leere zweimal besucht. Ich weiß nicht, was das andere hervorgebracht hat. Es ist hässlich. Ich liebe es und ich hasse es, und ich denke, es ist unser bisher bestes Werk.“ A Fortress Called Home“ wurde von Jack Kosto produziert, abgemischt und gemastert, der dazu Folgendes zu sagen hat: „Wenn unsere vorherigen Alben dich auf eine emotionale Reise mitnehmen wollten, die wir selbst entworfen haben, zwingt dich dieses Album dazu, dich mit der Reise zu konfrontieren, die du selbst gemacht hast. Viel Glück und viel Spaß!“ SEVEN SPIRES' anstehender Tourplan für 2024 beinhaltet ein Headline-Set beim Mile High Power Fest in Denver, CO, im August und ihre allererste Headliner-Japan-Tour mit Lords of the Trident im Dezember. SEVEN SPIRES ist eine amerikanische Symphonic-Metal-Band aus Boston, MA. Seit ihrer Gründung im Jahr 2013 am Berklee College of Music haben sich diese besten Freunde mit auffallend emotionaler Filigranität und unerbittlichem technischem Können eine Heimat in den dunkleren Ecken der melodischen Metal-Welt geschaffen. Sie sind für ihre melancholischen Konzeptalben ebenso bekannt wie für ihre Vorliebe, die Grenzen des Genres zu sprengen, und beziehen ihre Einflüsse aus dem gesamten Spektrum des Metals und darüber hinaus: Jazz, spätromantische Orchestermusik, cineastische Klangwelten und vieles mehr. SEVEN SPIRES sind 2023 in Nordamerika mit Eluveitie und Omnium Gatherum, 2023 in Europa mit Twilight Force und Silver Bullet sowie 2022 in Nordamerika mit DragonForce, Firewind und Visions of Atlantis auf Tour. Sie sind auch auf renommierten Metal-Festivals aufgetreten, wie 70000 Tons of Metal, Metaldays, ProgPower USA und Mad With Power Fest, wo sie 2023 eine ausverkaufte, fast zweistündige Headline-Show spielten. Außerhalb von SEVEN SPIRES tourt Adrienne Cowan als Sängerin mit Avantasia und Sonic Symphony durch die Welt. Jack Kosto ist spezialisiert auf Tontechnik, Produktion, Mixing und Mastering. Peter de Reyna arbeitet als Künstlermanager in seiner eigenen Agentur De Reyna Management und spielt außerdem Bass in der Prog-Band Ok Goodnight. A Fortress Called Home“ ist der letzte musikalische Auftritt des ehemaligen Schlagzeugers Chris Dovas mit SEVEN SPIRES. 'A Fortress Called Home' Track List: 1 - A Fortress Called Home 2 - Songs Upon Wine-Stained Tongues 3 - Almosttown 4 - Impossible Tower 5 - Love's Souvenir 6 - Architect of Creation 7 - Portrait of Us 8 - Emerald Necklace 9 - Where Sorrows Bear My Name 10 - No Place for Us 11 - House of Lies 12 - The Old Hurt of Being Left Behind Lesen Sie den ganzen Artikel

[piyasahaberleri]

Hindistan'dan Virat Kohli (solda) ve Cenup Afrika'dan Dean Elgar, 3 Ocak 2024'te Cenup Afrika'nın Cape Town şehrinde Hindistan ile Cenup Afrika içinde meydana getirilen Testin birinci gününde. — X/@ProteasMenCSAKARACHI: Hindistan ve Cenup Afrika arasındaki Cape Town Testi'nin açılış gününde şaşırtıcı bir halde 23 wicket düştü; bu, 1902'den bu yana tek bir günde en yüksek wicket sayısına işaret ediyor. Herhangi bir Kontrol maçının ilk gününde en oldukça wicket, 1902'deki İngiltere-Avustralya maçında 25'ti. 1890'ın başlarında, bir Kontrol maçında açılış gününde 22 wicket'in düşmüş olduğu görüldü. Bugünün rekoru, tek bir günde en yüksek dördüncü wicket sayısına işaret ediyor.1888'de İngiltere-Avustralya maçında ikinci günde 27 kale düştü. 1896'da, ilk Testin ikinci gününde 24 kalenin düşmüş olduğu görüldü. Benzer şekilde, 2018'de Chennai'deki Hindistan-Afganistan maçının ikinci gününde 24 kalenin atılmış olduğu görüldü.Cape Town'da 2011'deki Cenup Afrika-Avustralya Testi esnasında maçın ikinci gününde 23 kale kaybedildi.Ayrıca, ilk iki vuruş 349 topla sürdü; bu, 147 senelik kontrol kriketinin minimum ikinci vuruşuydu. Daha kısa olan tek örnek, 1902'de Avustralya ile İngiltere içinde meydana getirilen 287 teslimattı.Daha ilkin, Hindistan'ın ilk vuruştaki son altı kalesi skor tablosuna herhangi bir sayı eklenmeden düştü.Bu, Kontrol kriketinde yalnızca 11 topluk bir alanda altı kalenin çöktüğü ilk örneği işaret ediyor; bu, spor tarihinde benzeri görülmemiş bir vaka. Daha ilkin, herhangi bir sayı yapılmadan beş kalenin düşmüş olduğu yalnızca dört olay kaydedilmişti.Bundan ilkin, altı kalenin düşüşü sırasındaki en dar koşu marjı yalnızca 1 koşudaydı. Bilhassa, 1965'teki Rawalpindi Testi esnasında Yeni Zelanda da benzer bir durumla karşı karşıya kaldı ve yalnızca bir koşunun eklenmesiyle altı kaleyi yitirdi.Başka bir rekorda yedi oyuncu 0 puan aldı; bu, Kontrol tarihinde ilk kez olduYashasvi Jaiswal, Shreyas Iyer, Ravindra Jadeja, Jasprit Bumrah, Mohammed Siraj ve Prasidh Krishna olmak suretiyle altı Hintli oyuncu sıfır puanla oyundan çıktı ve hiçbiri sayı yapamadı. Mukesh Kumar herhangi bir sayı atmadan oyundan çıkmadı.Hindistan, 6 atışla en fazla ördek atma rekorunu egale etti ve daha ilkin de yedi oyuncunun sıfır atışta oyundan çıkmış olduğu yedi örnek vardı.Öte taraftan, Cenup Afrika'nın attığı 55 puan, Kontrol tarihinde Hindistan'a karşı herhangi bir takımın almış olduğu en düşük toplam oldu.Bu bununla beraber Cenup Afrika'nın 1889'dan bu yana kendi evinde vuruş yapmayı seçmesinden sonraki en düşük puandı.Cenup Afrika ikinci vuruşta üç kaleyi daha yitirdi ve birinci günü 62/3'lük skorla tamamlamış oldu. Cenup Afrika hâlâ Hindistan'ın 36 koşu arkasında

[444namesplus]

Ace Acead Achal Ack Ade Adess Adle Adop Ads Ady Afabi Afra Agne Ago Ain Aine Aira Ald Aldat Alde Ale Alet Alie Alk All Alla Allet Alph Alsa Alte Altz Amar Amet Amiba Amili Amul Ana Ance And Ane Anele Anfre Ang Anich Annia Annis Anoît Ans Ant Antra Anut Apaul Apso Ard Are Aria Arian Arica Arl Arle Armo Arn Arol Arp Arpy Art Arta Ary Aud Audge Aul Auny Aure Aurf Aurin Aurn Aurt Auste Aut Aval Ave Aver Avirg Back Bal Balle Balte Ban Bapop Barce Barg Barld Bas Basco Bel Bele Bend Beng Ber Berea Beres Berg Bern Beron Berry Bet Bier Big Bile Bin Bit Blair Blaut Ble Blen Blick Blore Bluer Bluka Blut Boar Bol Bone Brald Bre Brel Bri Bried Brild Brin Brise Brock Bruid Bug Buge Bugu Bunk Bunka Béa Cabar Cable Cair Cal Cald Cand Cane Canut Cap Car Cas Cat Ceag Cel Cele Celic Cell Chal Chama Chane Chard Chare Chari Chaël Cheid Chel Chen Cher Chert Ches Chic Chich Chil Chill Chine Chish Chlie Chlo Chlon Chno Chon Chria Chrie Chris Chrit Chtop Cla Clam Clan Clant Clard Clat Clato Cle Clutz Cléa Cléme Cock Cof Coffe Cola Cole Colk Colkt Cona Cop Core Coret Corge Corn Cors Cory Couck Couse Cra Crock Cucid Cuse Cyre Céa Céate Dale Dan Dand Dane Dann Danna Dano Dard Darl Dego Del Dele Delle Deme Demel Demme Den Derc Derd Des Devel Dia Dian Dic Did Die Dies Diet Din Dine Dio Dion Dis Dolf Dout Dovin Drale Dranz Drapp Drean Dres Drid Drin Drut Dry Dryan Dubre Dul Duo Dus Dust Duste Dut Dwave Dwise Eande Eid Ein Ele Elgar Elhed Eling Elk Elmut Elop Elte Eltel Elter Eltz Ely Emal Eme Emel Emlit Emon Emper Ence Enny Ental Erie Ern Esco Eup Euran Eurce Eus Evinn Ewave Exas Exast Expe Fabit Fai Fane Faul Fer Ferry Figa

Fil Fin Fium Fiur Flarp Flo Flon Floul Fluc Flue Flumo Flut Flutz Fol Fola Fold Folf Folia Folo Fra Frah Fral Fran Frand Fre Freat Frede Fres Frie Fried Frore Frudo Fruid Frunk Fun Fund Fune Fur Fus Fut Futh Gae Gank Gano Ganz Gard Gardt Garie Garn Gaël Gel Gelf Genne Ger Gerig Gern Gerry Ges Ghlop Ghop Ghto Ghton Ghtop Gial Giald Gil Gin Gine Ginet Gion Gis Gisch Gise Glass Glen Glia Gline Gnès Gone Gore Got Grack Grang Grard Gre Gred Grel Grent Gres Grest Gret Grick Grum Grée Gues Guid Guita Gum Guma Gumet Gérin Günto Hacia Hacid Hack Halm Ham Hamp Han Hana Hanin Hann Hanti Har Hara Harc Hard Hare Haric Harie Harle Hart Haunk Heand Hed Hedar Hedya Heine Heing Hel Hen Hena Henz Her Hera Herbe Heres Herie Herto Hes Het Hic Hick Hicme Hie Hila Hime Hiper Hiser Hobo Holk Honik Hop Hople Horc Hord Hores Horle Hounk House Huc Hugae Hul Hunt Hyerd Hymon Hymp Hélia Hélie Imar Imild Inath Ind Indus Ine Inin Inne Ino Inoé Inz Inzel Irape Ire Irge Irhan Irine Irès Ise Jack Jan Jea Jeado Jeang Jearp Jeate Jence Jent Jerry Jery Jes Jine Jitte Jivee Jiver Joace Joard Jock Johon Jon Jore Josca Jose Joso Josop Jron Jul Jula Julla Junk Jupes Jute Jéro Kabie Kach Kack Kar Kard Kards Kat Kaël Ken Kenal Kent Kit Kita Kitz Kla Klaur Kle Kob Kock Kold Kop Kpunk Lam Lan Lar Lass Laste Laud Len Liale Liass Lick Lie Lille Lin Linas Line Lival Lock Lode Lodie Loid Lois Lona Lop Loé Lues Lukie Lum Lumel Lut Lycha Lyne Lype Lyres Léme Lüton Mado Mag Maind Maire Mais Mal Malk Mall Malme Man Mana Mance Manck Mang Mange Manna Manne Mano Manop Mante Mar March Mard Mardt Mare Marf Maris Marit Marp Mart Mary Mas Mass Mata Matal Mate Mathe Matig Med Mely Men Met Meta Metal Metan Metto Mia Mial Miam Mibal Mic Mica Mich Mil Mild Mill Mily Min Minat Mine Minn Mino Mins Mir Mire Miry Mock Modia Modo Mon Mone Moom More Mul Munk Muno Mus Muse Muska Mut Mutep Naine Nat Nel Nelda Neock Ner Nere Nert Nes Netal Nic Nich Nics Nie Niené Nin Nis Niume Noce Noid Nom Nues Nuker Nukin Nunel Nut Nyiph Ock Odie Ola Oldes Ole Olf Olges Olk Oll One Opat

Ora Orein Osele Ote Otino Otrap Otris Otte Ousic Out Pade Pald Pall Pas Paud Pause Paut Paw Paya Paymn Pes Phaël Phon Phout Pie Pin Pinès Pip Piry Ple Polk Pop Poph Pople Popop Posca Pose Post Powee Praw Pria Prie Prock Psic Psop Psych Puge Pugu Punie Punk Puny Quese Rak Ral Ran Rand Rann Raur Red Reep Reg Relin Rent Rerme Res Resco Ress Rha Rhan Rhyes Ria Rie Rine Riste Roce Rodia Rold Roli Rone Rop Rose Rosop Rotry Roul Rount Rud Rudop Rum Runk Rée Régig Régo Rélin Sad Sady Sae Sal Sald Sall Sam San Sance Sane Sanor Sar Sat Sater Saxop Seann Sel Sell Sepop Sher Shtop Sia Sic Siche Sick Sie Sine Sive Skack Skam Skap Sla Slat Sli Slie Smuse Snock Sop Soul Sould Soune Sounk Soure Sous Souse Sout Spe Sphop Spian Spit Stans Ste Stean Ster Stia Stial Stinz Stive Stnum Sto Stone Stric Stry Sug Sul Sumda Sun Sunt Sur Sure Surf Suza Sve Swal Swam Swas Swava Swave Syl Syle Sylit Syme Symo Syne Synt Sype Séve Séved Séves Tal Tale Tall Tard Tend Tep Teple Tepop Ter Thar The Thie Tia Tialk Tich Tick Tin Tinal Tine Torn Tri Tric Trock Trull Try Tune Turpy Tya Tyl Ulber Ulle Unk Urock Urone Uré Val Valco Valsa Van Vana Vap Ver Ves Vicie Vid Vidja Vie Viko Vild Vin Vina Vine Vinic Vio Vion Vione Voca Vock Wall Walle Wam Wees Wenz Wer Weric Werng Werry Wert Wes Whein Wife Wig Wigae Wil Win Wine Winey Wob Wobie Wol Wole Wolk Wooma Wore Wory Wras Xana Xanne Xas Xass Xyle Yenra Yop Yukey Yve Yveme Yvemo Yvet Élikt Émy Éve Éver

[arcimboldisworld]

Järvi/Zimmermann: Elgar/Schostakowitsch - Tonhalle Zürich 07.06.2023

Järvi/Zimmermann: Elgar/Schostakowitsch - Tonhalle Zürich 07.06.2023 #konzert #tonhallezürich #endofseason #musicwasmyfirstloveanditwillbemylast #concert #musiclover #musik #edwardelgar #dmitrischostakowitsch #paavojärvi #frankpeterzimmermann

Wohl eines der letzten Highlights der zu Ende gehenden Saison 22/23: PAAVO JÄRVI dirigiert die 1. Sinfonie von Dmitri Schostakowitsch und Edward Elgars Violinkonzert mit FRANK PETER ZIMMERMANN… Ein voller Tag für die Mannschaft des Tonhalle Orchesters Zürich, tagsüber die Präsentation der kommenden Saison, abends dann das erste der beiden Konzerte. Während Elgars berühmtes Cello-Konzert in den…

[sheetmusiclibrarypdf]

Brahms - Klavierkonzerte, arr. für 2 Klaviere mit Noten

Brahms - Klavierkonzerte, arr. für 2 Klaviere, mit Noten, with sheet music

Das Klavierkonzert Nr. 1 in d-Moll, Op. 15, ist ein Werk für Klavier und Orchester, das 1858 von Johannes Brahms fertiggestellt wurde. Der Komponist gab das Werk im darauffolgenden Jahr in Hannover der Öffentlichkeit vor. Es war sein erstes aufgeführtes Orchesterwerk und (in seiner dritten Aufführung) sein erstes Orchesterwerk, das mit Zustimmung des Publikums aufgeführt wurde. Das 1. Klavierkonzert op. 15 in d-Moll ist ein Konzert für Klavier und Orchester von Johannes Brahms. Es wurde ab 1854 komponiert und am 22. Januar 1859 unter der Leitung von Joseph Joachim und dem Komponisten am Klavier im königlichen Hoftheater in Hannover uraufgeführt. Klavierkonzert Nr. 1 d-Moll Op. 15- Zweiter Satz https://dai.ly/x89toxs Klavierkonzert Nr. 1 d-Moll Op. 15- - Third Movement https://dai.ly/x89toxq Das Klavierkonzert Nr. 2 in B♭-Dur, Op. 83 von Johannes Brahms liegt 22 Jahre von seinem ersten Klavierkonzert entfernt. Brahms begann 1878 mit der Arbeit an dem Stück und vollendete es 1881 in Pressbaum bei Wien. Die Arbeit an diesem Konzert dauerte drei Jahre, was zeigt, dass er immer selbstkritisch war. Er schrieb an Clara Schumann: „Ich möchte Ihnen sagen, dass ich ein sehr kleines Klavierkonzert mit einem sehr kleinen und hübschen Scherzo geschrieben habe.“ Ironischerweise beschrieb er ein riesiges Stück. Dieses Konzert ist seinem Lehrer Eduard Marxsen gewidmet. Die öffentliche Uraufführung des Konzerts fand am 9. November 1881 in Budapest mit Brahms als Solist und dem Budapester Philharmonischen Orchester statt und war ein sofortiger Erfolg. Er fuhr fort, das Stück in vielen Städten in ganz Europa aufzuführen. Das Zweite Klavierkonzert in B-Dur op. 83 ist ein Werk für Klavier und Orchester von Johannes Brahms. Es entstand erst 22 Jahre nach seinem ersten Klavierkonzert. Klavierkonzert Nr. 2 B-Dur Op. 83 - 1 Satz First Movement https://dai.ly/x89toxp Klavierkonzert Nr. 2 B-Dur Op. 83 - 4. Satz Fourth Movement https://dai.ly/x89toxt

Johannes Brahms

Johannes Brahms (7. Mai 1833 – 3. April 1897) war ein deutscher Komponist, Pianist und Dirigent der mittleren Romantik. In Hamburg in eine lutherische Familie hineingeboren, verbrachte er einen Großteil seines Berufslebens in Wien. Er wird manchmal mit Johann Sebastian Bach und Ludwig van Beethoven als einer der „Drei Bs“ der Musik gruppiert, eine Bemerkung, die ursprünglich vom Dirigenten Hans von Bülow aus dem 19. Jahrhundert gemacht wurde. Brahms komponierte für Sinfonieorchester, Kammerensembles, Klavier, Orgel, Stimme und Chor. Als virtuoser Pianist brachte er viele seiner eigenen Werke zur Uraufführung. Er arbeitete mit führenden Künstlern seiner Zeit zusammen, darunter die Pianistin Clara Schumann und der Geiger Joseph Joachim (die drei waren eng befreundet). Viele seiner Werke sind zu festen Bestandteilen des modernen Konzertrepertoires geworden. Brahms wurde sowohl von seinen Zeitgenossen als auch von späteren Schriftstellern als Traditionalist und Erneuerer angesehen. Seine Musik wurzelt in den Strukturen und Kompositionstechniken der klassischen Meister. Eingebettet in diese Strukturen sind zutiefst romantische Motive. Während einige Zeitgenossen seine Musik als übermäßig akademisch empfanden, wurden sein Beitrag und seine Kunstfertigkeit von so unterschiedlichen Persönlichkeiten wie Arnold Schönberg und Edward Elgar bewundert. Die sorgfältige, hochkonstruierte Natur von Brahms' Werken war Ausgangspunkt und Inspiration für eine Generation von Komponisten. Brahms bewahrte in seinen Werken einen klassischen Sinn für Form und Ordnung, im Gegensatz zur opulenten Musik vieler seiner Zeitgenossen. Daher sahen ihn viele Bewunderer (wenn auch nicht unbedingt Brahms selbst) als Verfechter traditioneller Formen und „reiner Musik“ im Gegensatz zur „neudeutschen“ Umarmung der Programmmusik. Johannes Brahms (* 7. Mai 1833 in Hamburg; † 3. April 1897 in Wien) war ein deutscher Komponist, Pianist und Dirigent. Seine Kompositionen werden vorwiegend der Hochromantik zugeordnet; durch die Einbeziehung barocker und klassischer Formen gehen sie aber über diese hinaus. Brahms gilt als einer der bedeutendsten Komponisten der Musikgeschichte. Read the full article

[dreimalfuermich]

Samstag, 13.8.2022

GERASCHEL IM BAMBUSBUSCH ZU EDWARD ELGAR, ENIGMA VARIATIONS, OP. 36, 9. NIMROD (ADAGIO)

Eine Libelle, groß und violett lackiert, steht hier im Fluge, unsichtbar schnell schlagen ihre durchsichtigen Flügel, und sie sieht stolz und unbesiegbar aus, und die Musik sagt es auch.

Eine reife Tomate, da am Strauch. Und den Mangold heute in den Salat.

Ich fühle mich überdurchschnittlich wach und klar und ruhig und frei von den sonstigen riffs, die einem der Kopf spielt. Obwohl gestern noch bis 1 vor der Tür, Negroni und Campari Sodas und hunderte Afri Zigaretten, unten auf der Bank, mit Edie und Johannes —sitzen drei Maler auf der Bank—

In der späten Sonne eben, mir gegenüber, in 150 Millionen Kilometer, den Falling Man von Delillo ausgelesen. Das letzte Kapitel.

Grad kam eine dunkle Katze von rechts, saß kurz da, und ging wieder. Es zirpt von links. Allein ist’s ohne jeden schön.

[jesmusicblog]

Since you responded to my post about secret messages and symbolism in music, I must ask: what are some you've hidden that you'd be willing to reveal? 👀

Hehe, thanks for the question!

I dunno if I put anything particularly deep in things but… 

So a lot of the time it’s text references, either in the title, words on the score or musical quotation/reference.  Which will just be kinda references to what I was thinking about when writing the piece, which only benefits the listener insofar as maybe marginally increasing their interest/enjoyment of the experience…. but also I think of it very much like, if it were me… I enjoy making them semi-hidden/discoverable secrets because I'd really like the feeling of "OOH i looked that up/guessed that/got that reference".

The main thing I was thinking of with that being a MOOD was a piece I wrote for piano and soprano sax called "The Fox, on a Winter's Night".  It was in three sections of different moods and like… broadly about the fox figure in european folk tradition/literature, how it can trickster, kinda gentleman thief figure, also wise, also really primary for me is the Fox in The Little Prince …Through the score I wrote three quotes at the starts of sections: "many a mile to go" / "invisible to the eye" / "Said the fox, that is very pretty music, still - I'd rather be in my den-O!"

Aaaand I got to a rehearsal with the musicians and they were like "what's with the bits of text on the score", which I mean, nice they noticed but it was so flummoxing for me like….. would you not just throw them into google??? 

[Where you'd find the last one leads you to the folk song, from where the first is also a shorter quote, and the second one is in full: "One sees clearly only with the heart. What is essential is invisible to the eye." And maybe read the rest of the song/the story, for something to think about during those sections.  (...Yeah it is weird spelling this out!)]

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And definitely there's a lot either titles or musical references in the pianowrimo ones, though I tend to explain those a little more on my posts!  A bunch of the titles are quotes or titles of poems, which reading might give a bit of context or mood maybe; some of which -- I literally 'set' the lines to shape the music; you could sing along the full verses if you wanted.

I dunno though: I then just go and throw weird sounding titles like "sleepy cloud dragon" in and that's just … a reference to a cloud I saw.  "blue garden" means the garden in the picture on my wall, so… :D

often if there's a musical ref or homage I point it up in the title, like to Pärt (a few times). I wrote a piece called "reflections" which is basically and obviously heavily influenced by "spiegel im spiegel"/mirror in the mirror.  (Pianowrimo being a good time to do these really definite homages/pastiches; they're not strikingly Original but they don't have to be!  Eh actually… idk, I'm referential a Lot, not just in november.)  "in the night" — the title and the musical language is a little bit of a reference to "Sthtil di nakht" which I'd just been introduced to.  "green morning" — had some (very basic) inspiration from Chinese traditional/pop, bit of a shout out to "Green island serenade"… "deparature", same.  "11" that I wrote for 11th Nov had I think a bit of Elgar that they play at our Remembrance day services aaand the English and Polish national anthems..

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For the choir pieces in my PhD portfolio, I often did text collages from different poems.  The final text is supposed to say what it says, but hm people think about it to different degrees...  If a listener happened to know their names or looked them up, they might find some links between the three poets Amy Lowell, Katherine Phillips and Katharine Lee Bates who I chose to set together in one piece... I dunno, I know we don’t have to be hidden and coded now but I hope someone hears or reads that piece text and is like “...is this kinda lesbian tho...? oH. yes it is.”  

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there we are, some of my secrets :D  

…How 'bout you? 

[tinyshe]

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CPDL was founded in December 1998, ported to ChoralWiki in August 2005, and incorporated in May 2010 as a U.S.A. 501(c)(3) tax-exempt charitable organization. Here you will find free choral/vocal scores, texts, translations, and other useful information.

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Music for this Sunday, 15 November and St. Cecilia

15 November 2020(A solis ortus) - Beatus auctor seculi - Foeno iacere pertulit (Thomas Stoltzer)Quae est ista (Nicolas Gombert)14 November 2020A lieta vita (Thomas Morley)A safe stronghold our God is still (Martin Luther)Alles, was ihr tut (Everything you do) (Dietrich Buxtehude)Be glad and rejoice (Myles Birket Foster)Bright and beautiful (William Henry Monk)Clare sanctorum senatus (Adrian Willaert)Firmly I believe and truly (William Boyce)Foeno iacere pertulit (Thomas Stoltzer)Jesu, the very thought of thee (Richard Redhead)Nunc Dimittis (Peter Yost)O Mensch, bewein dein Sünde groß, BWV 402 (Johann Sebastian Bach)O love, how deep, how broad, how high! (Johann Hermann Schein)Pastorella gratiosella (Orazio Vecchi)Praise to the holiest in the height (Arthur Somervell)Praise to the holiest in the height (John Bacchus Dykes)Praise to the holiest in the height (Thomas Haweis)Repton (Charles Hubert Hastings Parry)Round me falls the night (Adam Drese)Sing we and chant it (Thomas Morley)The Lord my pasture shall prepare (Henry Carey)The wreck of the Hesperus (Henry Hiles)To the name of our salvation (Caspar Ett)Tu dormi Apollo alle fresch'ombra e l'arco (Lelio Bertani)Tu mi conduci Salmo (Mariano Garau)13 November 2020Al piacer alla gioia (Thomas Morley)Christus ist erstanden, hat überwunden, BWV 284 (Johann Sebastian Bach)Erstanden ist der heilge Christ, BWV 306 (Johann Sebastian Bach)Evening Scene (Edward Elgar)Ich dank dir schon durch deinen Sohn, BWV 349 (Johann Sebastian Bach)Jam nova perpetuo (Jacquet de Mantua)Missa L'homme armé (Guillaume Dufay)Nun freut euch, lieben Christen g'mein, BWV 388 (Johann Sebastian Bach)Pastores dicite (Giovanni Matteo Asola)Sometimes a light surprises (Johann Michael Haydn)The God of love my shepherd is (Charles Collignon)Thus saith my Galatea (Thomas Morley)Und es war eine Hochzeit zu Cana (Augustin Pfleger)Unus panis (Nobuaki Izawa)When all thy mercies, O my God (Frederick Arthur Gore Ouseley)12 November 2020Alleluia! the Lord liveth (Cuthbert Harris)O caput cruentatum, BWV 244.44 (Johann Sebastian Bach)Poi che l'alto valore (Giulio Renaldi)Regina caeli 2020 (Mariano Garau)Vivo Felice hor tra quest'antr'e giro (Giovanni Cavaccio)11 November 2020Anima nostra (Nicolas Gombert)Benedictus redemptor omnium (Adrian Willaert)Christmastide (Carlotta Ferrari)For the Fallen 2 (Richard Quesnel)Sancta Maria, succurre miseris (Philippe Verdelot)The Lord is King! lift up thy voice (Bertram Luard-Selby)The Lord is King! lift up thy voice (François-Hippolyte Barthélémon)The Lord is King! lift up thy voice (James William Elliott)The Lord is King! lift up thy voice (Robert Jackson)Veni, Sanctificator (Anonymous)10 November 2020Der Tag, der ist so freudenreich, BWV 294 (Johann Sebastian Bach)Felice hora ch'Orfeo ti chiam'all'ombra (Leonard Meldert)For the beauty of the earth (Geoffrey Shaw)For the beauty of the earth (Konrad Kocher)Formoso vermi formosa Camilla (Jacquet de Mantua)Gelobet seist du Jesu Christ, BWV 314 (Johann Sebastian Bach)Jedermann gibt zuerst den guten Wein (Melchior Vulpius)My God, how wonderful thou art (James Turle)O primavera (Prima parte), SWV 1 (Heinrich Schütz)O worship the King (William Croft)Oggi è nato per noi Gesù (Mariano Garau)Se di dolor io potessi morire (Giulio Renaldi)Sommarvisa (Gustaf Nordqvist)The spacious firmament on high (John Scheeles)9 November 2020All people that on earth do dwell (Louis Bourgeois)Bed att det dagas (Gustaf Nordqvist)Behold, I have given you every herb (Cuthbert Harris)Boruch Habo (Roos)Diffusa est gratia (Giovanni Maria Nanino)From all that dwell below the skies (John Bishop)Herr Jesu Christ, dich zu uns wend, BWV 332 (Johann Sebastian Bach)Hodo Al Eretz (Samuel Alman)Io son restato qui sconsolato (Orazio Vecchi)Missa de Angelis in English (Fr. Louis Di Rocco)Ring out, ye bells! (Carlotta Ferrari)Sanctus (R��mi Studer)Saviour of the World Mass ~ Missa Salvator Mundi (Fr. Louis Di Rocco)Se di Aretusa il troppo ardito Alfeo (Ruggiero Giovannelli)The Christmas Wreath (Carlotta Ferrari)Warum betrübst du dich, mein Herz, BWV 420 (Johann Sebastian Bach)Wo Gott der Herr nicht bei uns hält, BWV 258 (Johann Sebastian Bach)8 November 2020Alleluia natalizio (Mariano Garau)Bright the vision that delighted (Richard Redhead)Come, thou Holy Spirit, come (Samuel Webbe)Come, thou long-expected Jesus (John Stainer)Father of heaven, whose love profound (II) (John Bacchus Dykes)Father of heaven, whose love profound (John Bacchus Dykes)Haneross Hallolu (Louis Lewandowski)Hark the glad sound! the Saviour comes (Thomas Ravenscroft)Helmsley (Thomas Arne)Holy, Holy, Holy! Lord God Almighty (John Bacchus Dykes)Missa Prudentes Virgines (Alonso Lobo)Sacro fonte (Adrian Willaert)See the Conqueror mounts in triumph (Henry Thomas Smart)Sleepers, wake! the watch-cry pealeth (Philipp Nicolai)So ben mi ch'ha bon tempo (Orazio Vecchi)Son acqua viva e'n questa vall'ombrosa (Ottavio Catalani)Spirit of mercy, truth, and love (Ralph Harrison)The Lord will come and not be slow (William Jones)Wer Gott vertraut, hat wohl gebaut, BWV 433 (Johann Sebastian Bach)Wir glauben all an einen Gott, BWV 437 (Johann Sebastian Bach)7 November 2020Audivi vocem de caelo (Pierre de Manchicourt)Brockham (Jeremiah Clarke)Cara mie donna (Francesco Landini)Ding Dong! Merrily on high (Traditional)En sommarafton (Adolf Fredrik Lindblad)Es spricht der Unweisen Mund wohl, BWV 308 (Johann Sebastian Bach)Hark! A thrilling voice is sounding (William Henry Monk)In quel bosco di quercie ch'el Rufino (Giovanni Croce)Jul, Jul, strålande Jul (Gustaf Nordqvist)Machs mit mir, Gott, nach deiner Güt, BWV 377 (Johann Sebastian Bach)Music on Christmas Morning (Carlotta Ferrari)Now the day is over (Sabine Baring-Gould)O come, O come Emmanuel (Traditional)On Jordan's bank the Baptist's cry (William Henry Monk)Quem vidistis pastores (Orazio Vecchi)The Lord liveth (Arthur William Marchant)The advent of our King (William Henry Havergal)Veni sponsa Christi (Mariano Garau)Verbum caro factum est (Anonymous)Wenn mein Stündlein vorhanden ist, BWV 429 (Johann Sebastian Bach)6 November 2020A Dio, voglio partir (Orazio Vecchi)Again the Lord's own day is here (James William Elliott)Al primo vostro sguardo (Giovanni Ferretti)Christus, der ist mein Leben, BWV 282 (Johann Sebastian Bach)Le rose fronde e fiori (Thomas Morley)Psalm 100 (John Dowland)Round me falls the night (Adam Drese)This is the day of light (Herbert Stanley Oakeley)5 November 2020Chiar' acque ombrose valli ameni colli (Giovanni Piccioni)Filli vezzosa e lieta (Giovanni Gastoldi)Jesu, meiner Freuden Freude, BWV 360 (Johann Sebastian Bach)Laudate Jehovam, omnes gentes (Georg Philipp Telemann)Missa Salvator Mundi (Fr. Louis Di Rocco)Non dimittam (Nobuaki Izawa)There shall come a star out of Jacob (Cuthbert Harris)Those dainty daffadillies (Thomas Morley)Thou art my Life (John Dowland)Спасение соделал / Spaseniye sodelal (Nikolai Rimsky-Korsakov)Scores submitted: This month • Last month • Archive

[dermontag]

Sie nennen sich „Mriya“, auf Ukrainisch bedeutet das: „der Traum“. Musikerinnen, die nach Deutschland geflohen sind, haben sich vernetzt – und ein Exil-Orchester gegründet, das am Dienstag in der Philharmonie zu erleben war. Die Fäden für das Projekt laufen an verschiedenen Stellen zusammen, in Berlin, in Potsdam, vor allem aber in Bremen, beim Verein „Culture Connects“. Dessen Gründer Roman Ohem stellt vor Konzertbeginn einige Mitstreiter-Hilfsorganisationen vor und berichtet, dass ein ukrainischer Cellist seit Kriegsbeginn eine Liste aller geflüchteten Musiker:innen aus seinem Land führt. Hunderte Namen seien dort registriert, die besten von ihnen, so Ohem, vereint nun „Mriya“. Erste Konzerte hat das neue Orchester bereits in Bremen sowie der Hamburger Elbphilharmonie gegeben. Elgars Streicherserenade leuchtet Wie hoch das Niveau der künstlerischen Ausbildung in der Ukraine ist, weiß man natürlich in Klassik-Kreisen. Und die „Mriya“-Musikerinnen – und wenigen Musiker – bestätigen das am Dienstag auf beeindruckende Weise. Nach der Nationalhymne, zu der sich alle im Saal erheben, lässt das Ensemble Edward Elgars Streicherserenade leuchten: Klar ist der Klang, er hat Volumen und Glanz, die Melodien erblühen auf Edgar-typische Weise, in einer melancholisch-verhangenen Spielart der Romantik, mit noblen, weichen Konturen. Andrej Bielow und Kateryna Suprun waren die Solisten in Atterbergs Suite Nr.3Foto: André Stadniuk Dass sie erst seit März zusammenspielen, dass die erste offizielle Probe in der Berliner Besetzung am Montag stattfand, mag man kaum glauben. Bestens eingespielt, so wirkt diese Formation. Was zweifellos auch daran liegt, dass hier Streicherinnen mitspielen, die sonst Solistinnen sind. Drei Frauen werden im Laufe des Abends nach vorne treten, als prima inter pares brillieren, um sich dann wieder einzufügen in ihre Gruppe. Tolle Solistinnen und Solisten Hanna Tsurkan spielt den Primgeigenpart in Myroslav Skoryks „Carpathian Rhapsody“, singt erst sehnsüchtig auf ihrem Instrument und wird dann zur Vortänzerin bei einem mitreißenden Medley von Balkan-Rhythmen. Die blutjunge Varvara Vasylieva begeistert in Johann Sebastian Bachs A-Moll-Violinkonzert mit ihrer beseelten Interpretation: Wie innig sie den langsamen Satz gestaltet, ist zugleich bewundernswert und berührend. Die Bratscherin und „Mriya“-Initiatorin Kateryna Suprun schließlich musiziert gemeinsam mit dem Grazer Violinprofessor Andrej Bielow, zunächst Kurt Atterbergs spätromantische 3. Suite, dann ein witziges Werk des 1942 geborenen Yevhen Stankovych, das sich „Fast eine Serenade“ nennt und in einen tändelnden Tango mündet. Mozarts Konzert für zwei Klaviere steht noch auf dem übervollen Programm, mit Kateryna Titova und Artem Yasynskyy an den von Bechstein zur Verfügung gestellten Konzertflügeln, außerdem Stücke von Valentin Silvestrov, Lutoslawski, Viktor Rekalo und Yuriy Shevchenko. Die 27-jährige Dirigentin Margaryta Hrynyvetska behält bei dem wilden Stilmix den Überblick, führt ihr Ensemble mit expressiver, dabei stets feingliedriger Gestik. Fortsetzung folgt, auf der Plattform www.mriya.de – und hoffentlich bald auch wieder live in Berlin.

[wildwechselmagazin]

»Faszinierende Katastrophen!« im Café Gesundbrunnen Hofgeismar

Schauspieler Thomas Hof wird bei der Lesung zum Event »Faszinierende Katastrophen!« im Café Gesundbrunnen in Hofgeismar aus dem Buch »Pannen und Katastrophen in der Musik« vorlesen | (c) pixabay (Hofgeismar) »Faszinierende Katastrophen!« Thomas Hof und das Trio »Caprice de Femme« (Ww erwähnte sie bereits hier) werden Ende März gemeinsam im Café Gesundbrunnen in Hofgeismar auftreten. Darbieten werden sie eine Synthese aus Lesung und dazu passender Musik zum Schmunzeln und Beinwippen. Das Motto der Veranstaltung lautet hierbei: »Faszinierende Katastrophen aus der Welt der Musik«. Thomas Hof – Er zeigt was er kann! Und das ist buchstäblich so zu verstehen. Denn Thomas Hof ist nicht bloß Schauspieler und Moderator, sondern auch Theaterpädagoge und Dozent im Raum Kassel. Seit 2013 ist er als Theaterpädagoge fürs Staatstheater Kassel überregional unterwegs und bekannt. Er leitete von 2016 bis 2019 die Rubrik »Junges Schauspiel«. https://www.youtube.com/watch?v=1xAxVHUK_Ik YouTube Video von Schauspieler Thomas Hof: Er gibt einen Buchtipp Studiert hat Hof übrigens im Fach Schauspiel an der Hochschule für Musik und Theater »Felix Mendelssohn-Bartholdy« in Leipzig. Noch während des Studiums spielte er am Staatstheater Dresden. Nach seinem Diplom performte er dann bis zum Ende der Spielzeit 2010/11 am Jungen Theater Göttingen als Schauspieler. Ab Anfang 2012 arbeitete Thomas Hof als Theaterpädagoge und Schauspieler am Schauspiel Dortmund. Zu dieser Zeit entstand das Klassenzimmerstück »Dussel, Schussel und Fussel«. Das Klassenzimmerstück »Erste Stunde« - ein Präventionsseminar - führt Thomas Hof noch heute an Schulen in Nord- und Mittelhessen vor. Auch mit »Faszinierende Katastrophen!« trat er schon mehrfach auf. »Caprice de Femme« – Jenseits von Genres Das Trio besteht aus Eleonora Agranov an der Violine, Erika Umanez am Cello und Julia Reingardt am Klavier. Die drei professionellen Musikerinnen verfügen über jahrelange Konzerterfahrung. Mit unterschiedlichen Ensembles und Programmen traten sie bereits europaweit auf. Außerdem sind alle drei Musikerinnen Mitglieder in Kasseler Orchestern und darüber hinaus auch Pädagoginnen, ebenso wie Hof.

Das Streicher-Trio »Caprice de Femme« wird bei »Faszinierende Katastrophen!« im Café Gesundbrunnen in Hofgeismar die Lesung musikalisch unterstützen | (c) pixabay Im Trio haben sie sich zusammengefunden um neue Formen des Musizierens zu ebnen. Daher spielen sie jenseits musikalischer Kategorien Konzerte, die ihre Fans begeistern. Die Musikstücke stammen hierbei aus den verschiedensten Epochen und Genres. Von Salon-Musik und Klassik bis hin zu anspruchsvollen Arrangements von Jazz- und Popularmusik ist alles dabei. »Faszinierende Katastrophen!« Lustiges Spektakel im Café Gesundbrunnen Hofgeismar Der Theaterpädagoge und Schauspieler Thomas Hof wird mit seiner warmen Stimme und einem Lächeln eine Auswahl an Geschichten präsentieren. Dazu wird das virtuose Trio »Caprice de Femme« musikalisch untermalen. Sie spielen Salonstücke von Fritz Kreisler, Peter Tschaikowsky, Edward Elgar, Antonin Dvorak, Pablo de Sarasate und mehr. Das Buch auf dem die Lesung »Faszinierende Katastrophen!« basiert heißt »Pannen und Katastrophen in der Musik«. Verfasst wurde es von Daniel Hope. Es berichtet vom Aberglauben der Musiker, von erkältungsgeplagten Künstlern und Zuschauern und mehr. Die kurzen literarischen Episoden enthalten einen geschickten Spannungsbogen.

title="Pannen und Katastrophen in der Musik " alt="Pannen und Katastrophen in der Musik"/> Freitag 25. März 2022 Pannen und Katastrophen in der Musik • Caprice de Femme & Thomas Hof 19:30 Uhr Hofgeismar, Café Gesundbrunnen Typ: Lesung Weitere Informationen zum Thema: - Homepage des ausrichtenden Kulturforums Hofgeismar - Das Café Gesundbrunnen in Hofgeismar - Offizielle Website von Thomas Hof - Facebook Fanpage Thomas Hof - Facebook Fangruppe von Caprice de Femme - Live-Aufnahme eines Auftritts von Caprice de Femme

title="Pannen und Katastrophen in der Musik " alt="Pannen und Katastrophen in der Musik"/> Freitag 25. März 2022 Pannen und Katastrophen in der Musik • Caprice de Femme & Thomas Hof 19:30 Uhr Hofgeismar, Café Gesundbrunnen Typ: Lesung

title="Würfelturmfest " alt="Würfelturmfest"/> Sonntag 03. April 2022 Würfelturmfest 12:00 Uhr Hofgeismar, Innenstadt Hofgeismar Typ: Fest

title=" " alt=""/> Freitag 22. April 2022 FRONT PORCH PICKING 19:30 Uhr Hofgeismar, Schützenhalle Schöneberg Typ: Konzert » Blues

title="Dornröschenfest " alt="Dornröschenfest"/> Sonntag 08. Mai 2022 Dornröschenfest 12:00 Uhr Hofgeismar, Innenstadt Hofgeismar Typ: Fest

title="Ich darf das, ich bin Pflägekraft! " alt="Ich darf das, ich bin Pflägekraft!"/> Donnerstag 12. Mai 2022 Sybille Bullatschek • Ich darf das, ich bin Pflägekraft! 19:30 Uhr Hofgeismar, Stadthalle Hofgeismar Typ: Comedy Read the full article

[korrektheiten]

Heute vor 61 Jahren

LePenseur:»von LePenseur  ... (sorry, ich habe auf den runden »Sechziger« letztes Jahr vergessen!) starb Sir Thomas Beecham, Bt. — der seltene Fall eines »doppelten« Sirs, nämlich einerseits als Dirigent 1916 selbst in den Ritterstand erhoben, und dann ein Jahr später nach dem Tod seines Vaters Sir Joseph Beecham als 2. Baronet of Ewanville in the Parish of Huyton in the County Palatine of Lancaster —, der nicht nur bis heute wegen seiner ohne Zweifel herausragenden Dirigierkunst Bewunderung verdient, sondern auch im Gedächtnis seiner Landsleute geblieben ist wegen der vielen Bonmots aus seinem Munde, von denen ich diese zwei in den Tiefen des Internets gefunden habe und immer wieder gerne zitiere: So meinte er zu einer offenbar ... ähm ... nicht ganz herausragend spielenden Cellistin:Madam, you have between your legs an instrument capable of giving pleasure to thousands — and all you can do is scratch it!Und zu einem jungen Kollegen, der wissen wollte worauf es beim Dirigieren eines Orchesters am meisten ankäme: There are two golden rules for an orchestra: start together and finish together. The public doesn't give a damn what goes on in between..Ein interessantes Porträt bietet uns diese Dokumentation mit jeder Menge Film- und Tonmaterial (es ist nur manchmal etwas verunsichernd, wenn Bild und Ton nicht zusammenpassen ...) Und hier noch ein Film aus dem Jahr 1958 (das Originalmaterial, das in der vorigen Dokumentation zum Teil mitverwendet wurde — die technische Qualität ist ... na ja ...): (Hübsch, wie damals noch ganz ungeniert von würdigen Männern dicke Zigarren geraucht wurden ...) Aber nun zu etwas ganz anderem ... Er war auch ein wirklich großer Dirigent. Beginnen wir mit Mozart. Sir Thomas meinte einmal, er würde zur Verbesserung der Menschheit jeden verpflichten, fünf Jahre lang täglich ein Viertelstunde Mozart zu hören. LePenseur hätte kein Problem damit ;-) ... v.a. nicht, wenn dessen 39. Symphonie in der Interpretation Beechams dabei wäre: Kaum zu überschätzen ist seine Bedeutung für die damals zeitgenössische Musik, v.a. für Frederick Delius, mit dem ihn eine jahrzehntelange Freundschaft verband: Auch die Werke seines Standesgenossen Sir Edward Elgar, Bt. wußte er very british zu interpretieren, mit jenem leicht selbstironischen Augenzwinkern, das sie erst wirklich überzeugend macht, z.B. dessen spritzige Cockaigne Overture:  Aus demselben Jahr (1954) stammt seine fulminante Aufnahme von Elgars Enigma-Variationen op. 36: Und abermals aus 1954 stammt die eindrucksvolle Live-Aufnahme der 2. Symphonie von Jean Sibelius mit dem BBC-Orchester, von Beecham mit geradezu jugendlichem Schwung dirigiert: Doch zum Schluß noch eine besonders amüsante Anekdote über Sir Thomas Beecham, anläßlich einer Probe von Puccinis »Bohème« ... http://dlvr.it/SLJ8c7 «

[elmartillosinmetre]

La quinta de Barenboim

[Daniel Barenboim. La foto es de Harald Hoffmann]

DG publica una nueva integral de sonatas beethovenianas para piano de Barenboim, la quinta de su carrera

Para cualquier alumno de piano enfrentarse por primera vez a una sonata de Beethoven es un desafío (sí, están las Sonatinas Op.49, o la Op.79, ideales para los principiantes, pero aun así). Pensar en interpretar un día una integral de las 32 piezas, una fantasía (y eso, en casa; hacerlo en público, le parecerá al joven un insensato desvarío). Grabarlas, un sueño imposible. Imagínense hacerlo cinco veces. Sí, grabarlas todas cinco veces.

La primera vez que Daniel Barenboim (Buenos Aires, 1942) tocó en público una sonata de Beethoven tenía 10 años. El próximo domingo 15 de noviembre cumplirá 78. Decir que ha pasado toda una vida interpretando a Beethoven (y no sólo como pianista, también como director, en calidad de lo cual ha dejado entre otras cosas dos ciclos sinfónicos) es entender sólo una parte del legado (¡aún vivo!) de uno de los músicos más formidables del último medio siglo. Empiece por Bach (poco), siga por Mozart, pase luego a los románticos, con Bruckner y Wagner como peldaños casi tan esenciales como el de Beethoven, y culmine con todos los grandes clásicos del siglo XX (aún está reciente un espléndido álbum dedicado a Elgar) hasta Carter y Boulez. Piano solo, música de cámara, conciertos, sinfonías, música religiosa, óperas... El repertorio que este hombre hiperactivo y cosmopolita (tiene las nacionalidades argentina, española, israelí y palestina) deja en el medio fonográfico resulta absolutamente incomparable.

Había plasmado ya grabaciones de algunas sonatas beethovenianas (registros en algunos casos de adolescente) cuando Barenboim afrontó su primer ciclo integral. Lo hizo entre 1966 y 1969 (entre sus 24 y sus 27 años) para el sello EMI. Pasó más de una década, y el músico, que había desembarcado en otra de las majors, Deutsche Grammophon, afrontó un segundo ciclo para su nueva compañía. Lo registró entre 1981 y 1984.

En medio de esa grabación, el aún joven Barenboim se sintió impactado al dirigir en el Festival de Bayreuth de 1982 su primer Tristán e Isolda. La puesta en escena era del inolvidable Jean-Pierre Ponnelle. Los dos quedaron tan satisfechos de la colaboración que decidieron hacer una grabación televisiva de las Sonatas de Beethoven. El tercer registro nació así entre 1983 y 1984 gracias a la producción de la compañía Metropolitan de Múnich, que apenas pudo dar salida comercial a un producto registrado por muchas de las localizaciones vienesas vinculadas a la vida del compositor. Por suerte, en el año 2013, el sello EuroArts publicó esta integral en el formato DVD.

En 2005, director desde 1992 de la Staatsoper Unter den Linden berlinesa, Barenboim ofreció en su teatro una integral de las sonatas beethovenianas, que fue también registrada por las cámaras y los micrófonos de la EMI (vuelta a la casa del padre en su cuarto ciclo), que publicó las grabaciones en DVD al año siguiente. Aquel cuarto ciclo (que en 2012 Decca publicó en CD) se completaba además con una serie de clases magistrales impartidas a algunos jóvenes pianistas (entre ellos, Lang Lang y Javier Perianes) que aquel mismo año el maestro bonaerense ofreció en Chicago.

Quizás la reducción de su actividad causada por la pandemia ha llevado a Barenboim a centrarse más en el piano y es por ello que entre abril y junio de este 2020 grabó en la Sala Pierre Boulez de Berlín para los micrófonos otra vez de Deutsche Grammophon su quinta integral beethoveniana, que la multinacional alemana ha puesto a la venta el pasado 30 de octubre tanto en formato CD como en las ya habituales plataformas de escucha online.

En formato físico, el producto se compone de trece cedés: los diez primeros incluyen las 32 sonatas por orden estricto de numeración; el undécimo está dedicado a las Variaciones Diabelli, obra en la que el pianista ha ido profundizando en los últimos años y que tocó en su paso por el Festival de Granada el pasado mes de julio; y los dos últimos traen grabaciones de un Barenboim con 16 años que registró el sello Westminster en 1958 con algunas de las Sonatas más célebres del compositor: Patética, Claro de luna, Waldstein, Appassionata, Hammerklavier y Op.111, la última de las treinta y dos sonatas del ciclo pianístico más trascendente de la historia. Que un mismo hombre lo haya grabado comercialmente cinco veces en un período de poco más de 50 años es algo verdaderamente histórico y que no parece muy probable que vuelva a repetirse.

Quizás ya en aquellos registros adolescentes, Barenboim tocaba y escuchaba con la pasión del neófito, pero la conciencia del humanista, pues, como escribiría mucho después, “tanto a nivel individual como colectivo la interpretación se ve reforzada por la escucha; una voz fortalece a la otra”.

[Diario de Sevilla. 9-11-2020]

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