#Del Dettmar

[longliverockback]

Hawkwind Bring Me the Head of Yuri Gagarin 1985 Demi Monde ——————————————————————— Tracks: 1. Gaga 2. In the Egg 3. Orgone Accumulator 4. Wage War 5. Urban Guerrilla 6. Master of the Universe 7. Welcome to the Future 8. Sonic Attack 9. Silver Machine ———————————————————————

Dave Brock

Robert Calvert

Del Dettmar

Simon King

Ian Kilmister “Lemmy”

Dik Mik

Nik Turner

* Long Live Rock Archive

[rainingmusic]

Hawkwind - You Shouldn't Do That 

[bungitonthen]

31/10/24

you shouldn't do that ... you know you're only dreaming ... master of the universe ... we took the wrong step years ago ... adjust me ... children of the sun - hawkwind (x in search of space: stephen w tayler remix*)

*is this not the best album remix EVER!?

[spaceintruderdetector]

Del Dettmar & Gerald Toon ‎– Planets In Transit   1980

[rnurder-one]

Hawkwind (1973)

[in-the-morning-dew-blog]

Despite “Silver Machine” being their best-known song, no other effort compared to the “psychedelic storm” of Hawkwind’s “Master of the Universe”. The band formed in 1969 and became one of the first space rock groups. The genre combined the sounds of progressive and psychedelic rock with lyrics about outer space, space travel, and science fiction. Over forty members have been in Hawkwind, with founder Dave Brock as the only constant. One of the most notable members was Ian “Lemmy” Kilmister, who served as bassist and vocalist before being fired for drug use (he would later tell that it was not the fact that he’d used drugs, it was the kind of drugs he used: his bandmates had a penchant for LSD and disliked his speed). 

In Search of Space was the band’s 1971 sophomore release and the first to feature “Master of the Universe”. It rapidly became a staple in their live set. It is found on the 1973 live album Space Ritual, which was recorded in 1972 in Liverpool and London. The show was designed to be a complete audio-visual experience, complete with a light show and dancers. The album art is incredibly vibrant, detailed, and cerebral, and is considered to be one of the top 100 album covers of all time. The expanded release is over 130 minutes long. 

“Master of the Universe” is the only track on Space Ritual from Hawkwind’s first two albums. At about 7 minutes long, it is continuously driven forward by Lemmy’s pumping bassline. The vocals spread over the whole song, delivered with an almost robotic tone. An unusual guitar solo stretches across the middle. It is easy to see why an audience, especially one experimenting with mind-expanding substances, would be so taken with the tune. The beauty of the experience is that it never dulls: every time you play the track you hurtle through space once more.

Tense, constantly pushing, and entirely psychedelic, it is clear that “Master of the Universe” birthed the leagues of science fiction-inspired rock that came after it. And with the progressive elements to the composition, and the proto-metal elements to the execution, Hawkwind’s legacy hangs over more than just the genre they helped to create. 

[metalkilltheking]

Hawkwind - The Psychedelic Warlords (Disappear In Smoke)

1974. Hall of the Mountain Grill

[tfc2211]

Robert Calvert – vocals Dave Brock – guitar, vocals Nik Turner – saxophone, flute, vocals Ian "Lemmy" Kilmister – bass guitar, vocals Dik Mik (Michael Davies) – Synthesizer Del Dettmar – Synthesizer Simon King – drums

[eildotcom]

HAWKWIND Space Ritual. Rare 1973 fold out Barney Bubbles designed tour programme of similar format to the Hawkwind Log, with a nice narrative text & lyrics from key songs, including those from an embryonic 'Psychedelic Warlords'. These were given out free at Space Ritual tour shows & very few have survived, folding out to 15½" x 22" of double-sided goodness. This example displays some minor wear and age, with a tear on the right side and split in a couple of the folds, and small pen mark. This example includes a ticket stub for the 11th December show at City Hall in Newcastle, which has been boldly signed on the back by 'Yoo Hoo' Lemmy, Simon King, Dave Brock, Nik Turner and Del Dettmar in a black or blue point pen. A fantastic item, with a rare set of signatures you won't see often especially as Lemmy is sadly no longer with us. https://eil.com/shop/moreinfo.asp?catalogid=716141 #eildotcom #eil #records #vinyl #rarerecords #rarelps #rock #classicrock #progrock #cratedigging #vinyljunkie #vinylcollection #recordcollection #vinylporn #instavinyl #memorabilia #tourprogramme #signed #autographed #hawkwind #lemmy https://www.instagram.com/eildotcom/p/Bu7IwwChMiD/?utm_source=ig_tumblr_share&igshid=1v4e8bco04tay

[somosnoticias]

Japón, decidida a eclipsar a Alemania en su estreno en Qatar

El seleccionador de Japón, Hajime Moriyasu, reconoció la deuda histórica que el fútbol de su país tiene con Alemania, pero afirma que su equipo no estará menos decidido a eclipsar a los tetracampeones del mundo en el debut en el Mundial este miércoles.

El alemán Dettmar Cramer es conocido como el padre del fútbol japonés moderno tras su trabajo en el país en la década de 1960, y jugadores como Lukas Podolski y Pierre Litbasrki han jugado en Japón desde entonces.

"Estamos muy agradecidos a los alemanes, son un modelo a seguir para nosotros", declaró Moriyasu en una rueda de prensa el martes.

"Todavía nos estamos desarrollando, por supuesto, y al mismo tiempo hemos incorporado buenas cualidades de Japón a nuestro estilo de juego.

"Así que tenemos una especie de sentimientos encontrados por jugar contra Alemania, pero no importa quién sea nuestro rival, vamos a dar absolutamente el mejor rendimiento que podamos".

El intercambio de jugadores entre Japón y Alemania se ha invertido en los últimos años, y el capitán Maya Yoshida es uno de los siete miembros de la plantilla de los Samuráis Azules que juega en la Bundesliga.

"Los jugadores de la Bundesliga han compartido información con el resto de la plantilla", afirmó el defensa del Schalke 04.

"Lo más importante es defender bien. Puede que no tengamos muchas oportunidades de atacar, pero deberíamos tener ocasiones al contraataque".

"Creemos que tenemos posibilidades".

El Grupo E también incluye a la excampeona España, así como a Costa Rica, lo que supone para Japón su sorteo de primera ronda más difícil en su séptimo viaje consecutivo a la fase final de la Copa Mundial.

diariomeridiano emprendernegocio unnuevoamanecer

[rainingmusic]

Hawkwind - Psychedelic Warlords (Disappear In Smoke) 

[killedbydeth]

Michael Moorcock, actor Jon Finch (as Jerry Cornelius) and Space Ritual-era Hawkwind (l-r: Dik Mik, Robert Calvert, Nik Turner, Stacia, Simon King, Dave Brock, Del Dettmar, Lemmy) in a deleted scene from The Final Programme (1973), a film by Robert Fuest.

[spilladabalia]

Hawkwind - D-Rider

[spaceintruderdetector]

Hawkwind - 29th June, 1973, Redruth, Flamingo Ballroom 

Dave Brock, Nik Turner,  Dik Mik, Del Dettmar, Lemmy, Simon King & Robert Calvert

[metalkilltheking]

1974. Hall of the Mountain Grill

is the fourth album by band Hawkwind, released in 6 September. It is regarded by many critics as a career highlight (in studio).

The album's title was a nod to Edvard Grieg's "In the Hall of the Mountain King" and to a Portobello Road cafe called The Mountain Grill (now closed), frequented by the band in the early 1970s. The cover of a derelict spaceship in the mists of an alien lagoon was painted by the band's regular artistic collaborator, Barney Bubbles. The rear cover was by space artist David Hardy.

The record featured hard rockers like "The Psychedelic Warlords (Disappear in Smoke)" and "Lost Johnny" (subsequently recorded by bassist Lemmy's post-Hawkwind band Motörhead and also by co-writer Mick Farren with his band the The Deviants), psychedelia such as the heavily-phased "D-Rider" and "Web Weaver",

this is the quintessential hawkwind album, plenty of that ethereal space rock sound. The grill has it all from the pounding heavy metal of the earlier Space Ritual through to the gorgeous synth washed sounds that would define later works like spirit of the age. For an Hawkwind beginner i would suggest this album as a taster, although you can hear the newer direction that the band were heading in. this album really deserves to be revered alongside those albums as one of the best from the 'Lemmy' period.

[danzanetmx]

Dios mío! de Shanti Oyarzabal. from DanzaNet TV on Vimeo.

¡Dios Mío!

Creación y Dirección: Shanti Oyarzabal *

Productores Ejecutivos: Luis Fernando López y Víctor M. Gómez Villaverde

Interpretes: Marina Boido, Carolina Contreras, Julieta Deschamps, Ana Monroy, Jessica Esther Moreno, Esthela Kuri, Edgar Omar Moreno, Sergio Solís, Carlos López, Gabriel Martínez, Dettmar Yáñez y Luis Rodríguez Hernández.

Iluminación: Carolina Jiménez

Diseño sonoro y música original (excepto Ventilator Blues y Vassillissa): Eduardo Palacio

Vestuario: Marcela Cuevas

Asistente de Vestuario: Alala del Llano

Foto: Susanne -M-Tanne

Construcción (marcos y bancos ): Pablo Cervantes

Coordinador de Efectos Especiales: Víctor M. Gómez Villaverde

Asistente de Producción: Axel Serrano

Exposición Fotográfica: "60 milímetros, Grupo de Creación Visual", dirigido por Miguel ��ngel Gómez Villaverde

Diseño Gráfico: Sergio Hernández Cruz

Contadora: Nayeli Aguilar

Duración: 70 Minutos

* Becario Programa Creadores Escénicos con Trayectoria, FONCA 2009.

Agradecimientos: Queremos agradecer muy especialmente a Eugenia Rusek y a Begoña Arriaga, por su apoyo solidario y oportuno sin el cual no se hubiera podido realizar la obra, a Fomento Urbano para las Artes y la Cultura A.C. Agradecemos a todas las personas que generosamente donaron sus abrigos.