#Define Me
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Jhené Aiko | “Define Me”
“in honor of Chilombo’s 4th anniversary, let’s take a Trip back in time with these unreleased visuals ✨” - @jheneaiko
#xothemedia#jhene aiko#jhene chilombo#Jhené Aiko efuru chilombo#chilombo#chilombo album#chilombo jhene aiko#music video#define me#define me jhene aiko#video#dailymusicsource#define me interlude#interlude
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Evil
We’ve come to tell you that
she’s evil
Most definitely
#lana del rey#thoughts#narcissistic abuse#abuse survivor#blogging#life#quotes#poetry#sadgirl#lyrics#define me#Spotify
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Labels don’t define me.
#positive mental attitude#self care reminder#gay men#mental health#love#relationship#lgbtq#kindness#mormon#labels#define me#resilience#religion#gender
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Characters you need to know to understand me [ Even more than my never ending Define Me lost]
Image One: Luke Skywalker (Star Wars) Penny (The Rescuers), Lilo Pelkai (Lilo & Stitch), Alice (Alice's Adventures in Wonderland), Peter Pevensie (Chronicles of Narnia), Zuko (Avatar The Last Airbender), Septimus Heap (Septimus Heap), Jenna Heap (Septimus Heap), Syarh Syara (Septimus Heap), Heinz Doofenshmirtz ( Phineas and Ferb), Phoebe Litchen (Phoebe in Wonderland), Crona Gorgon (Soul Eater), Bruce Banner/The Hulk (MCU & Marvel Comics), The Doctor (Doctor Who), Charlie Kelmeckis (The Perks of Being a Wallflower), Dawn Summers (Buffy The Vampire Slayer), Edward Elric (Fullmetal Alchemist Brotherhood), Rey (Star Wars) Daniel Pierce (Perception) & Harley Quinn (Batman The Animated Series)
Image Two: Will Graham (Hannibal NBC), Mai Su (Next Gen), Max Mayfield (Stranger Things), Jin Tan (Anohana), Alyssa (End of The F**cking World), Elana Alvarez (One Day at A Time), Constance Blackwood (We have Always Lived in The Castle), Camille Preaker (Sharp Objects), Jonathan Sims (The Magnus Archives), Agnes Montague (The Magnus Archives), Rebecca Jessel (The Haunting of Bly Manor), Dolores Haze (Lolita), Jane (Doom Patrol), Jinx (Arcane), Keyleth (Critical Role/The Legend of Vox Machina) Vax'ildan (Critical Role), Caleb Widogast (Critical Role), Claudia (Interview With The Vampire), Gideon Nav (The Locked Tomb), Alicent Hightower (House of The Dragon)
#the theme here is mainly traumatized and/or ND#i left off characters from the wizard books#Me Tag#Define Me#my post
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compliments from girls go hard
#comic#the girly girls are girling girling#this one popped off on twitter and there are SOOOO many wonderful positive comments about shared experiences omg#anyway lmao this happened at a friends birthday and we spent so long trying to find out who this was#all i remembered was “petite/shorter than me / nice hair / one could define her style as ”pinterest coquette“ lmao
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#funny talking tag#My favorite thing to do is HC characters as trans but also that they've never heard that term before and act accordingly.#My other favorite thing to do is make characters repressed.#My other other favorite thing to do is make a character go ''I feel like a(n) object/animal/thing pretending to be a man/woman''#''but I don't really care about that right now I have a job''#Anyway while this post can be about whichever characters you feel fit I made this with a certain character in mind.#(Dimentio of SPM fame) (He has something really specific going on that makes me cackle) (You can ask me about it)#(Also Morceau Oleander is a trans woman to me because she would be happier)#(and she deserves to live a life not defined by other's expectations of her)#Someone put a forbidden and ancient curse on this post so no more.
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The Afton kids deserved better in FNAF..
#myart#chloesimagination#comic#fnaf#five nights at freddy's#fnaf fanart#michael afton#elizabeth afton#dave afton#David Afton#cc fnaf#fredbear#fnaf helpy#afton family#fnaf pizzeria simulator#fnaf 4#KEEPING yall on your toes it’s time for an angst comic#if I think too hard about Michael’s story I will sob#Michael is defined and driven by his own guilt/regret#mean everything he does in FNAF is to free his siblings#and also get rid of his father#and in the end decides to rid of himself too#I just gotta believe he just misses them#wishes they all could of had better lives#full stolen childhood#nobody can make me hate you Michael Afton
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people who haven't played this series will never understand how much of a hater phoenix is in his internal monologue
#bitchiness is nicks's defining character trait#ace attorney#phoenix wright#athena cykes#he's just like me fr fr#shitpost
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dood dump <33
#bg3#baldur's gate 3#shadowlach#galemance#tavstarion#halsin#durge#drizzt do'urden#guenhwyvar#idk what the 80s dnd bros would think of me looking at drizzt and saying i want to squish his cheeks and put him to bed#you can't give me a character whose defining trait is Having Empathy and expect me not to go soft for him#after i started the books i went back and watched the bg3 oneshot again where he has a lil cameo#the fact that gale almost ATE guen sent me#also i need to draw more of halsin and ashe bc their dynamic would be unhinged#it's just a very moist relationship
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Wait, is Orym's bananas high perception a trauma response to not spotting the assassins that killed his husband coming? Is it literally 'Nobody will ever be able to sneak up on the people I care about like that again?'
Like, in my head, I was going 'oh haha, this is Liam trying to make the perfect counter to someone like Vax, someone who can beat a high level rogue's minimum stealth role,' but like... in character? In character this is a man who has decided he'll never let anyone catch him unawares again.
#Critical Role#Orym#orym of the air ashari#Bells Hells#This is like me realizing the extent to which Keen Mind defined Caleb
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Characters Who Define Me: Part 22
Image: Lance Sweets (Bones), The Collector (The Owl House), Camilla Hect (The Locked Tomb)[foxtea], Ray Schleine (Uptown Girls), Dream of The Endless (The Sandman 2022), Sansa Stark (Game of Thrones), Ballister Boldheart (Nimona 2023), Nimona (Nimona 2023), & Trilla Suduri (Star Wars Fallen Order)
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TUMBLR POST EDITOR WON'T LET ME TITLE THIS POST ANYMORE SO I GUESS THIS IS THE TITLE NOW. WEBBED SITE INNIT
So let's say you grew up in the nineties and that The Lion King was an important movie to you. Let's say that the character of Scar - snarling, ambitious, condescending, effeminate Scar - stirred feelings in you which you had no words for as a child. And then let's say, many years later, you're talking about it with a college friend, and you say something like, "oh man, I think Scar was some sort of gay awakening for me," and she fixes you with this level stare and says, "Scar was a fascist. What's the matter with you?"
The immediate feeling is not unlike missing a step: hang on, what's happening, what did I miss? You knew there were goose-stepping hyenas in "Be Prepared," but you didn't think it mattered that much. He's the bad guy, after all, and the movie's just pointing it out. Your friend says it's more than that: the visuals of the song are directly referencing the Nuremberg rallies. They're practically an homage to Riefenstahl. This was your sexual awakening? Is this why you're so into peaked caps and leather, then? Subliminal nazi kink, perhaps?
And then one of your other friends cuts in. "Hold up," he says, "let's think about what Scar actually did in the movie. He organized a group of racialized outcasts and led them against a predatory monarchy. Why are you so keen to defend their hereditary rule? Scar's the good guy here." The conversation immediately descends into a verbal slap fight about who the real bad guy is, whether Scar's regime was actually responsible for the ecological devastation of the Pride Lands, whether the hyenas actually count as "racialized" because James Earl Jones voiced Mufasa after all. Your Catholic friend starts saying some strange and frankly concerning shit about Natural Law. Someone brings The Lion King 2 into it. You leave the conversation feeling a little bit lost and a little bit anxious. What were we even talking about?
INTRODUCING: THE DITCH
There is a way of reading texts which I'm afraid is pervasive, which has as its most classical expression the smug obsession with trivia and minutiae you find in a certain vein of comic book fan. "Who was the first Green Lantern? What was his weakness? Do you even know the Green Lantern Oath?" It eschews the subjective in favor of definitively knowable fact. You can't argue with this guy that, say, Alan Scott shouldn't really count as the first Green Lantern because his whole deal is so radically different from the Hal Jordan/John Stewart/Guy Gardner Corps-era Lanterns, because this guy will simply say "but he's called Green Lantern. Says so right on the cover. Checkmate." This approach to reading a text is fundamentally 1) emotionally detached (there's a reason the joke goes, oh you like X band? name three of their songs - and not, which of their songs means the most to you? which of them came into your life at exactly the right moment to tell you exactly what you needed to hear just then?) and 2) defensive. It's a stance that is designed not to lose arguments. It says so right on the cover. Checkmate.
And then you get the guys who are like "well obviously Bruce Wayne could do far more as a billionaire to solve societal problems by using his tremendous wealth to address systemic issues instead of dressing up as a bat and punching mental patients in the head," and these guys have half a point but they're basically in the same ditch butting heads with the "well, actually" guys, and can we not simply extricate ourselves from the ditch entirely?
So, okay, let's return to our initial example. Scar is portrayed using Nazi iconography - the goose-stepping, the monumentality, the Nuremberg Lichtdom. He is also flamboyant and effete. He unifies and leads a group of downtrodden exiles to overthrow an absolute monarch. He's also a self-serving despot on whose rule Heaven Itself turns its back. You can't reconcile these things from within the ditch - or if you can, the attempt is likely to be ad-hoc supposition and duct tape.
Instead, let's ask ourselves what perspective The Lion King is coming from. What does it say is true about the world? What are its precepts, its axioms?
There is a natural hierarchical order to the world. This is just and righteous and the way of things, and attempts to overthrow this order will be punished severely by the world itself.
Fascism is what happens when evil men attempt to usurp this natural order with the aid of a group or groups of people who refuse to accept their place in the order.
There exists an alternative to defending and adhering to one's place in the natural order - it consists only of selfish spineless apathy.
Manliness is an essential quality of a just ruler. Unmanliness renders a person unfit for rule, and often resentful and dangerous as well.
And isn't that interesting, laid out like that? It renders the entire argument about the movie irrelevant (except for whatever your Catholic friend was on about, since his understanding of the world seems to line up with the above precepts weirdly well.) It's meaningless to argue about whether Scar was a secret hero or a fascist, when the movie doesn't understand fascism and has a damn-near alien view of what good and evil are.
There's always gonna be someone who, having read this far, wants to reply, "so, what? The Lion King is a bad movie and the people who made it were homophobes and also American monarchists, somehow? And anyone who likes it is also some sort of gay-bashing crypto-authoritarian?" To which I have to reply, man, c'mon, get out of the ditch. You're no good to anyone in there. Take my hand. I'm going to pull on three. One... two...
SO PHYREXIA [PAUSE FOR APPLAUSE, GROANS]
We're talking about everyone's favorite ichor-drooling surgery monsters again because there was a bit in my ~*~seminal~*~ essay Transformation, Horror, Eros, Phyrexia which seemed to give a number of readers quite a bit of trouble: namely, the idea that while Phyrexia is textually fascist, their aesthetic is incompatible with real-world fascism, and further, that this aesthetic incompatibility in some way outweighs the ways in which they act like a fascist nation in terms of how we think of them. I'll take responsibility here: I don't think that point is at all clear or well-argued in that essay. What I was trying to articulate was that the text of Magic: the Gathering very much wants Phyrexia to be supremely evil and dangerous fascists, because that makes for effective antagonists, but in the process of constructing that, it's accidentally encoded a whole bunch of fascinating presuppositions that end up working at cross-purposes with its apparent aim. That's... not that much clearer, is it? Hmm. Why don't I just show you what I mean?
Atraxa, Grand Unifier (art by Marta Nael)
In "Beneath Eyes Unblinking," one of the March of the Machine stories by K. Arsenault Rivera, there's a fascinating and I think revealing passage in which Atraxa (big-deal Phyrexianized angel and Elesh Norn's lieutenant) has a run-in with an art museum in New Capenna. The first thing I want to talk about is that, in this passage, Atraxa has no understanding of the concept of "beauty". A great deal of space in such a rushed storyline is devoted to her trying to puzzle out what beauty means and interrogating the minds of her recently-compleated Capennan aesthetes to try and understand it. In the end, she is unable to conceive of beauty except as "wrongness," as anathema.
So my first question is, why doesn't Atraxa have any idea of beauty? This is nonsense, right? We could point to a previous story, "A Garden of Flesh," by Lora Gray, in which Elesh Norn explicitly thinks in terms of beauty, but that's a little bit ditchbound, isn't it? The better argument is to simply look at Phyrexian bodies, at the Phyrexian landscape, all of which looks the way it does on purpose, all of which has been shaped in accordance with the very real aesthetic preferences of Phyrexians. How you could look at the Fair Basilica and not understand that Phyrexians most definitely have an idea of beauty, even if you personally disagree with it, is baffling. This is a lot like the canonical assertion that Phyrexians lack souls, which is both contradicted elsewhere in canon and essentially meaningless, given Magic's unwillingness or inability to articulate what a soul is in its setting, and as with this, it seems the goal is simply to dehumanize Phyrexians, to render them alien, even at the cost of incoherence or internal contradiction.
Atraxa's progress through the museum is fascinating. It evokes the 1937 Nazi exhibit on "degenerate art" in Munich, but not at all cleanly. The first exhibit, which is of representational art, she angrily destroys for being too individualistic (a point of dissonance with the European fascist movements of the 20th century, which formed in direct antagonism to communism.) The second exhibit, filled with abstract paintings and sculptures, she destroys even more angrily for having no conceivable use (this is much more in line with the Nazi idea of "degenerate art", so well done there.) The third exhibit is filled with war trophies and reconstructions from a failed Phyrexian invasion of Capenna many years prior, which she is angriest of all with (and fair enough, I suppose.) But then, after she's done completely trashing the place, she spots a number of angel statues on the cathedral across the plaza, and she goes apeshit. In a fugue of white-hot rage, she pulverizes the angel heads, and here is where I have to ask my second question:
Why angels? If you are trying to invoke fascist attitudes toward art, big statues of angels are precisely the wrong thing for your fascist analogues to hate. Fascists love monumental, heroic representations of superhuman perfection. It's practically their whole aesthetic deal. I understand that we're foreshadowing the imminent defeat of Phyrexia at the hands of legions of angels and a multiversal proliferation of angel juice, but that just leads to the exact same question: why angels? To the best of my knowledge, the Phyrexian weakness to New Capennan angel juice is something invented for this storyline. They have, after all, been happily compleating angels since 1997. We could talk about the in-universe justification for why Halo specifically is so potent, but I don't remember what that justification is, and also don't care. Let's not jump back in the ditch, please. The point is, someone decided that this time, Phyrexia would be defeated by an angelic host, and what does that mean? What is the text trying to say? What are its precepts and axioms?
Let me ask you a question: how many physically disabled angels are there in Magic: the Gathering? How about transsexual angels? How many angels are there, on all of the cards that have ever been printed for Magic: the Gathering, that are even just a bit ugly? Do you get it yet? Or do you need me to spell it out for you?
SPELLING IT OUT FOR YOU
There is a kind of body which is bad. It is bad because it has been significantly altered from its natural state, and it is bad because it is repellent to our aesthetic sensibilities.
The bad kind of body is contagious. It spreads through contact. Sometimes people we love are infected, and then they become the bad kind of body too.
There is a kind of body which is good. It is good because it is pleasing to our aesthetic sensibilities, and it is good because it is unaltered from its (super)natural state.
A happy ending is when all the good bodies destroy or drive into hiding all of the bad bodies. A happy ending is when the bad bodies of the people we love are forcibly returned to being the good kind of body.
Do you get it now?
ENDNOTES
It's worth noting that the ditch is very similar to the white American Evangelical hermeneutics of "the Bible says it. I believe it. That settles it," the defensive chapter-and-verse-or-it-didn't-happen approach to reading a text, what Fred Clark of slacktivist calls "concordance-ism". I don't think that's accidental. We stand underneath centuries of people reading the Bible very poorly - how could that not affect how we read things today? We are participants in history whether we like it or not.
I sincerely hope I haven't come across as condescending in this essay. Close reading is legitimately difficult! They teach college courses on this stuff! And while it is frustrating to have my close readings interrogated by people who... aren't doing that, like. I do get it. I find myself back in the ditch all the time. This stuff is hard. It is also, sorry, crucial if you intend to say something about a text that's worth saying.
I also hope I've communicated clearly here. Magic story is sufficiently incoherent that trying to develop a thesis about it often feels like trying to nail jello to the wall. If anyone has questions, please ask them! And thank you for reading. Next time, we'll probably do the new Eldraine set.
#phyrexia#not defining the ditch except by implication#thanks to all the very smart vorthoi on the flavor text discord server for helping me work through my thoughts on fascism and phyrexia#this is technically the march of the machine review also#or as much of one as i care to do
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off on an adventure ! this au turns 1 week old today
jjk atla!au with @philosophiums
pose ref [x]
#my art#jujutsu kaisen#jjk#itadori yuuji#fushiguro megumi#kugisaki nobara#yuuji#megumi#nobara#fanart#jjk fanart#jjk atla!au#lmhs#atla!au: illust#atla!au: art#finalized earth kingdom clothes !!! tht did not change much barring a few tonal shifts fr megu#1 week in and it already feels like a lifetime has passed. i have a small portfolio's worth of pieces Already#im in so deep and i do not want out#got given the master Lore Scroll today and . sharp inhale. BOY#im so hype abt this im so hype abt THEM#they r taking megu out on the town :D and trying 2 one-up each other. god they make me ill#i have never wanted good things to happen More to a group of characters than i have fr them#i originally ws upset @ my me fr giving nobara a bag tht covered her charm#but then i remembered she Also wears it at her collar :D#im so happy i make the rules. so happy i hold the keys to their closet#so happy their adventure is going to b fun and mundane and void of significant character defining events#they r just going out to grab lunch probably <3
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its always funny when i remember hamilton was a big deal because i know about it rationally like i was into it as well. but so many people in the doctor who tag knowing jonathan groff primarily as king george still amuses me because he is in so many other things
#man is prolific i think these are his most well known defining stuff?#i personally have been a spring awakening guy forever even though i actually did know him from hamilton originally#i just. those youve known makes me mournful.#i want to know this. this is important data to me#doctor who#rogue doctor who#jonathan groff#musical theatre#fifteenth doctor#polls
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Abby reminds Michael of someone else in FNAF,,
#myart#chloesimagination#comic#michael afton#abby schmidt#elizabeth afton#fnaf#fnaf movie#sister location#fnaf fanart#five nights at freddy's#this comic has been a long time coming#Abby no doubt reminds Michael of Elizabeth#Michael is a character defined by his guilt to me at least#He couldn’t tell Abby no but deep down he feels she wouldn’t want him as a brother#For Abby though he’d definitely try his best to be better
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recent doodles
#satsuhart#ace attorney#spirit of justice#nahyuta sahdmadhi#apollo justice#dhurke sahdmadhi#athena cykes#can't unsee nahyuta's fucking chikuwa scroll#also first time drawing dhurke but that pov feeding sushi meme that was trending on jptwt reminded me of them...#also not to sound like a weeb but athena calling apollo senpai kinda hits different i like all the different titles in jp...#i feel like it makes their rship much more defined than in the eng version
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