#Dee Caspary
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I just have so many questions-
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A friend of mine sent me a gift of Trey singing in the shower. I've only just now went to find out what the hell he was doing. Turns out! Kenny Ortega made a show called Hull High in 1990 and up there is the first episode but I've yet to find more
I think also a good handful of newsies were in this but sometimes its very crunchy to see them, Trey obviously, Marty Belafsky (Crutchy) Dee Caspary (Snitch) and maybe Mark David (Specs) Michael Goorjian) but also at the same time its hard bc the video was crunchy
anyways im gonna rethink my life
#I just have so many questions#Trey is slaying but WHY.hes also the only one in shorts#there is alot of adult themes here#but ig thats just how the show was supposed to be#i need to see more tho tbh.lowkey got me hooked#also did kids act like that back then or is that how tv works#totally should give it a watch#its an experience fr#92sies#1992 newsies#1992sies#newsies 1992#newsies#Youtube
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Working Girls (1931) 1h 17min #Drama #Precode
1931 Drama USA
Synopsis— Two sisters arrive in New York straight from the country and settle down in a boarding house. based on the play Blind Mice by Vera Caspary and Winifred Lenihan
Directed by Dorothy Arzner
Written by Zoe Akins
Company Paramount Pictures
Cast—
Judith Wood (June Thorpe)Dorothy Hall (Mae Thorpe)Charles ‘Buddy’ Rogers (Boyd Wheeler)Paul Lukas (Dr. Joseph Von Schrader)Stuart Erwin (Pat Kelly)Frances Dee (Louise Adams)Mary Forbes (Mrs. Johnstone)Frances Moffett (Lou Hollings)Claire Dodd (Jane)Dorothy Stickney (Loretta)Adrienne Ames (Bit)Edith Arnold (Verne)Mischa Auer (Elsie’s Boyfriend)Sheila Bromley (Carrie)Marion Byron (Ellen)Leonard Carey (Boyd’s Butler)Ruth Channing (Frieda)Pat Cummings (Singer with Megaphone
#FrancesDee #JudithWood #DorothyHall #CharlesRogers — #precodehollywood #silverscreen #legends. #oldhollywood
#frances dee#old hollywood#precode#golden age of hollywood#silver screen legends#silver screen goddess#DorothyHall#Judith wood#charles rogers#silver screen#classic film#classic#pre code hollywood
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very low quality blood drips heavily on newsies square icons - like or reblog if you use
#newsies#92sies#newsies 1992#newsies 1992 icons#newsies icons#92sies icons#blood drips heavily on newsies square#bdhons#blood drips heavily on newsies square icons#bdhons icons#max casella#max casella icons#mark david#mark david icons#michael goorjian#michael goorjian icons#lucy boryer#lucy boryer icons#dee caspary#dee caspary icons
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Performed by: Logan Hernandez and Allison Holker
Number: “The Other Side”
Choreographer: Dee Caspary
Style: Contemporary
From: So You Think You Can Dance, Season 14 (2017)
#dance#dancers#contemporary#logan hernandez#allison holker#the other side#ruelle#choreography#dee caspary#contemporary dance#contemporary dancers#contemporary dancing#sytycd#so you think you can dance#dancing
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SO YOU THINK YOU CAN DANCE USA SEASON 14 // Logan Hernandez / 18 / Contemporary & Allison Holker / 29 / Contemporary / «The Other Side» by Ruelle / Contemporary / Choreography by Dee Caspary / Top 6 Week
#SYTYCD#So You Think You Can Dance#The Other Side#Ruelle#Logan Hernandez#Allison Holker#Dee Caspary#US14#US14T6#videos#suits#roses#rose petals
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Dee Caspary, admit it, you were inspired by Sasha Velour.
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let’s talk abt the dee caspary and lee gumbs situation.but like seriously lee did not come to play exposing all of them😩
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Everything we Know About Snitch
He probably got his nickname because he’s good at stealing or does it often.
Alternatively, he could have gotten his name because he’s a tattletale.
He is often seen with Mush, Kid Blink, and Itey, so they’re probably his friends. (Newsies Analysis Part 8: Rooftop and High Times) (Newsies Analysis Part 1: Carrying the Banner)
He sucks his thumb, which could be showing that he’s young (or maybe he just never broke the habit). (Newsies Analysis Part 1: Carrying the Banner)
He was played by Dee Caspary
Snitch has a long, oval shaped face, straight blonde hair, and oddly dark eyebrows.
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Season 14 Duet Ranking
Here I have my rankings of the duets from Season 14 listed in one complete post, with links to my individual comments on them.
“L-O-V-E” (Koine & Lex, Broadway) - Al Blackstone
“Change Is Everything” (Taylor & All-Star Robert, Contemporary) - Travis Wall
“REDMERCEDES” (Mark & All-Star Comfort, Hip-Hop) - Luther Brown
“Danca Molengo” (Koine & Kiki, Salsa) - Val Chmerkovskiy
“An American in Paris” (Taylor & Lex, Jazz) - Spencer Liff
“HUMBLE.” (Lex & All-Star Gaby, Hip-Hop) - Luther Brown
“You’re the Last Thing on My Mind” (Koine & All-Star Marko, Contemporary) - Mandy Korpinen & Elizabeth Petrin
“Ending” (Mark & All-Star Comfort, Contemporary) - Talia Favia
“Miss Otis Regrets” (Lex & All-Star Gaby, Broadway) - Warren Carlyle
“Speaking in Tongues II” (Koine & All-Star Marko, African Jazz) - Sean Cheesman
“More” (Lex & All-Star Gaby, Tap) - Anthony Morigerato
“Black and Gold” (Koine & Taylor, Jazz) - Mandy Moore
“Perm” (Robert & All-Star Jasmine, Hip-Hop) - Chris Scott
“Hater” (Mark & All-Star Comfort, Jazz) - Ray Leeper
“The Other Side” (Logan & All-Star Allison, Contemporary) - Dee Caspary
“Five Months, Two Weeks, Two Days” (Logan & All-Star Allison, Jive) - Emma Slater & Sasha Farber
“HandClap” (Koine & All-Star Marko, Jazz) - Mandy Moore
“The Rain (Supa Dupa Fly)” (Kiki & Lex, Hip-Hop) - Luther Brown
“Pop Hd” (Kiki & All-Star Jenna, Jazz) - Travis Wall
“Shake Your Pants” (Dassy & All-Star Fik-Shun, Popping) - Popin’ Pete
“In the Morning” (Logan & All-Star Allison, Jazz) - Brian Friedman
“I’m Better” (Kaylee & All-Star Cyrus, Hip-Hop) - Pharside & Phoenix
“Say You Won’t Let Go” (Logan & All-Star Allison, Lyrical Hip-Hop) - Chris Scott
“Memories” (Koine & All-Star Marko, Contemporary) - Stacey Tookey
“Kabila” (Logan & All-Star Allison, African Jazz) - Sean Cheesman
“Die Trying” (Kaylee & All-Star Cyrus, Hip-Hop) - Phillip Chbeeb
“Protocol” (Logan & All-Star Audrey, Contemporary) - Tyce Diorio
“The Man That Got Away” (Taylor & All-Star Robert, Broadway) - Al Blackstone
“Work Song” (Lex & All-Star Gaby, Contemporary) - Mandy Moore
“Breathe” (Dassy & All-Star Fik-Shun, Contemporary) - Jaci Royal
“All Stars” (Sydney & All-Star Paul, Cha-Cha) - Val Chmerkovskiy
“Numb & Getting Colder” (Taylor & All-Star Robert, Hip-Hop) - Keone & Mari
“You Matter to Me” (Taylor & Lex, Contemporary) - Mia Michaels
“No Twerk” (Mark & All-Star Comfort, Hip-Hop) - Misha Gabriel
“To Make You Feel My Love” (Taylor & All-Star Robert, Contemporary) - Mandy Moore
“There’s Nothing Holding Me Back” (Kiki & All-Star Jenna, Cha-Cha) - Dmitry Chaplin
“Shadows” (Kaylee & Logan, Contemporary) - Travis Wall
“Both Sides Now” (Koine & Kiki, Contemporary) - Travis Wall
“You Don’t Own Me” (Koine & All-Star Marko, Hip-Hop) - Dave Scott
“The First Time Ever I Saw Your Face” (Kiki & All-Star Jenna, Contemporary) - Mandy Moore
“Radha Nachegi” (Dassy & All-Star Fik-Shun, Bollywood) - Nakul Dev Mahajan
“Dancin’ Fool” (Kiki & All-Star Jenna, Broadway) - Warren Carlyle
“Don’t Cha” (Taylor & Kiki, Cha-Cha) - Anya Garnis
“Gypsy” (Taylor & Logan, Jazz) - Mark Kanemura
“The Letting Go” (Sydney & All-Star Paul, Contemporary) - Jaci Royal
“Otherside” (Robert & All-Star Jasmine, Contemporary) - Stacey Tookey
“Rock Around the Clock” (Koine & All-Star Marko, Jive) - Dmitry Chaplin
“DKLA” (Kaylee & All-Star Cyrus, Contemporary) - Tyce Diorio
“Less Talk, More Art” (Kaylee & All-Star Cyrus, Jazz) - Spencer Liff
“Gallan Goodiyaan” (Kaylee & Kiki, Bollywood) - Nakul Dev Mahajan
“Respect” (Kaylee & All-Star Cyrus, Cha-Cha) - Val Chmerkovskiy
“Bring the Funk Back” (Dassy & All-Star Fik-Shun, Jazz) - Ray Leeper
“Tilted” (Dassy & Mark, Hip-Hop) - Chris Scott
“Red and Black” (Lex & All-Star Gaby, Argentine Tango) - Miriam & Leonardo
“Knock on Wood” (Koine & Lex, Disco) - Doriana Sanchez
“Clown” (Kaylee & All-Star Cyrus, Contemporary) - Tessandra Chavez
“Criminal” (Mark & All-Star Comfort, Broadway) - Spencer Liff
“Proud Mary” (Kiki & All-Star Jenna, Jazz) - Ray Leeper
“Bodak Yellow” (Taylor & All-Star Robert, Hip-Hop) - Luther Brown
“Really? Yeah!” (Sydney & All-Star Paul, Hip-Hop) - Luther Brown
“Chillando Goma” (Lex & All-Star Gaby, Samba) - Sasha Farber
“Bun Up the Dance” (Taylor & All-Star Robert, Samba) - Jean-Marc Genereux
“Caroline” (Kiki & All-Star Jenna, Hip-Hop) - Luther Brown
#so you think you can dance#sytycd#sytycd14#sytycd14 duet ranking#lex ishimoto#koine iwasaki#taylor sieve#kiki nyemchek#logan hernandez#kaylee millis#mark villaver#dassy lee#sydney tormey#robert green#gaby diaz#marko germar#robert roldan#jenna johnson#allison holker#cyrus spencer#comfort fedoke#fikshun stegall#paul karmiryan#jasmine harper#audrey case
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Top 6 Duet Rankings
9. Chillando Goma (Gaby/Lex samba), Sasha Farber
Alright, this wasn't good lol. It wasn't remotely the worst samba ever or anything... in fact, it was better than Taylor and Robert's from earlier in the season, but Lex did not have the feel for this at all. Though I did enjoy watching Gaby since she's done more ballroom this season than her own lmao. Also those outfits were awful.
8. Knock on Wood (Koine/Lex disco), Doriana Sanchez
So, who else remembers that this routine already existed? And it was way better when Sara and Neil did it. I don’t know why they reused the song and put Koine in pretty much the same color Sara wore. They didn’t even mention that something like this had happened before. But anyway, Koine was great and gave it her all, but Lex was visibly tired throughout this whole thing and I was very scared during most of those lifts. I really wish Doriana would chill with the lifts, especially when you have someone like Lex who isn’t exactly The Rock. Luckily he wasn’t seriously injured, but that was scary.
7. Proud Mary (Jenna/Kiki jazz), Ray Leeper
Ray Leeper, you’re fired. No, but really. He could have given Kiki and Jenna anything in the world. Not only did we have to see them dance jazz YET AGAIN, Ray gave them the most basic, uninspired routine ever. The best thing about this routine was the song tbh. Kiki did a good job performing, but I think choreographers feel limited with him in these styles since he can’t even lift his leg. I still think Ray could have pulled out something a little more creative than something that might as well have been a jive with no actual jive steps.
6. G**** (Taylor/Logan jazz), Mark Kanemura
If you’re wondering why I refuse to write out the title of this, that word is a racial slur towards Romani people and I’ve completely cut it out of my vocabulary. If you’ve never heard that before, I encourage you to read up on it and see how much this word has been used to hurt people in the past and the present. So I was already biased against this routine because this song is pretty tasteless. I can tell Mark put a lot of his heart into this routine, which is why I don’t hate it, but it was hard to see other people dancing like Mark, lol. It looked better on Logan, who was also much MUCH better at dancing with abandon than Taylor was no matter what the judges said. Logan looked free and happy and I will never stop being impressed by his extensions and leaps. Taylor wasn’t terrible, but as usual, she seemed to be holding back with her body even though I do think her performance and chemistry with Logan was pretty good. But um. Yeah, racist song, no bueno.
5. Gallan Goodiyaan (Kaylee/Kiki Bollywood), Nakul Dev Mahajan
I can’t believe they actually gave Kaylee a Bollywood routine lmfao. But hey, for what it’s worth, I actually liked this. The constuming department seemed intent on never puting Kaylee in clothes that match her hair/look nice on her, but this was cute. The concept was finally something other than “girl is in love with dude” that Nakul insists on. I didn’t expect these two to have any chemistry considering how stilted their package was, but they looked like they were having fun together. I don’t know, I know this isn’t super amazing or anything, but I find it so charming because of these two that it’s probably my guilty pleasure of the season, lol.
4. Numb & Getting Colder (Robert/Taylor hip-hop), Keone and Mari Madrid
Far and away the best Taylor has done out of contemporary/jazz. Keone and Mari have a very weird style of hip-hop that I don’t always..get, for lack of a better word, but this routine seemed different from most things that they do. The jumpsuits were odd, but I enjoyed a lot of the little details, like when Taylor and Robert froze and did the ticks to the beat both times, or towards the end when they just moved their legs while facing each other. They definitely got lucky with this type of stylized hip-hop.
3. The Other Side (Allison/Logan contemporary), Dee Caspary
Man, I get so upset when I see Logan dance and remember that he didn’t make the finale. (And he never got a real hip-hop!!) I know this was supposed to be sexy or something, but I didn’t really get that vibe from this? It felt more...raw, I guess? I think part of it is that I just can’t see these two in a sexual manner because it creeps me out, but I don’t think it lessened my enjoyment of the routine. There were a lot of cool things in here, but my favorite was when they finally danced in unison towards the end. The whole thing came alive for me at that moment, and I wish they had gotten to dance in unison for longer. I didn’t really get the whole rose thing, though. Like...what was this routine even about again??
2. Die Trying (Cyrus/Kaylee hip-hop), Phillip Chbeeb
I am sooooo glad that Phillip’s choreography was given to people who did it justice this time! Phillip has so many cool ideas and I hope we get to see more of them if the show comes back. Anyway, I’ve always thought that Kaylee and Cyrus had good chemistry, but I think something broke through for this particular dance. They seemed connected on every possible level. Even the moments when they were just looking at each other were powerful to me, and it seemed like Kaylee trusted him wholeheartedly and just wanted to dance. I think a lot of pressure was off her shoulders since she was sure she was going home and she was able to dance with abandon. It was great to see. Also, some of those lifts? How did they even happen? The one where Cyrus flipped on her waist and then Kaylee went around his entire body like three times? The fuck? I don’t normally like lifts in hip-hop, but that was really cool. I’m also glad they didn’t spend too much time doing stuff in the ladder as that would have ruined the entire thing. (Also Mary’s backhanded compliments. Lol this show.)
#sytycd#sytycd season 14#so you think you can dance#kaylee millis#cyrus spencer#logan hernandez#allison holker#taylor sieve#robert roldan#kiki nyemchek#jenna johnson#lex ishimoto#gaby diaz#duets#rankings#lists
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Dee Caspary Lives a Low-Key Life & Mostly Focuses On His Career
Dee Caspary Lives a Low-Key Life & Mostly Focuses On His Career
Quick Facts of Dewitt Talmage Caspary IV
Full NameDewitt Talmage Caspary IV
Net Worth$500,000 (Est.)
Date of Birth1975 /10 /21
NicknameDee Caspary
Marital StatusSingle
BirthplaceDowney ,California
EthnicityAmerican
ProfessionChoreographer
NationalityAmerican
Active Year1987-Present
Eye colourHazel
Hair colourBrown
BuildAverage
Height5’9″
Body MeasurementAverage
Online PresenceInstagram…
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NSU presents Nth Degree to alumnus, businessman J.W. Stine
NATCHITOCHES – Northwestern State University honored alumnus J.W. Stine of Sulphur with the Nth Degree, a special award that recognizes an individual for meritorious service to others. Stine, a World War II veteran combat pilot and long-time Louisiana businessman and philanthropist, celebrated his 100th birthday July 22.
Stine was born to Sulphur residents Andrew Stine and Elma Landry Stine and attended Sulphur High School, where he played quarterback for four years. He enrolled at Normal College, as NSU was then known, on a football scholarship in 1939 and lived in Caspari Hall, then a men’s dormitory. He left school to join the U.S. Army Air Corps, now the U.S. Air Force, in 1943 and was sent overseas in 1944.
Just before he left to serve overseas, he married his high school sweetheart Dorris “Dee Dee” Drost in 1944. They were married 67 years until her passing in 2011 and raised six sons and one daughter. Stine has 31 grandchildren and 71 great-grandchildren.
In World War II, Stine flew more than 40 combat missions as pilot of a B-26 Marauder in the 17th Bombardment Group, which conducted missions against targets throughout the Mediterranean, Italy, France and Germany.
After the war Stine and a friend started a construction company and later a lumber company in Sulphur, now called Stine Lumber Company. He became the sole owner in 1973 and all six of his sons joined the family business. Headquartered in Sulphur, the company employs 850 associates at 10 locations in Louisiana and one in Mississippi. Although he has been retired for many years, Stine still has an office in the business. Stine Lumber hosted a 100th birthday celebration at each of its stores on Aug. 4, a private family celebration also took place.
Stine is a member of Our Lady of Prompt Succor Catholic Church in Sulphur and has been a member of the Knights of Columbus and the American Legion for many years. He has supported many organizations in the community and in 1989, was awarded Citizen of the Year by the Diocese of Lake Charles.
Stine Family:
Several members of J.W. Stine’s family accepted a birthday gift and an Nth Degree on behalf of their father and grandfather, presented in celebration of Stine’s100th birthday. From left are Garrett Stine, Wendy Stine Smith, Jenny Stine Williams, Tim Stine, Dennis Stine and NSU President Dr. Chris Maggio. The family posed before a portrait of the family patriarch, who attended NSU before enlisting in the Army Air Corps to serve in World War II.
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#456 || Ashley Galvan / Contemporary & Ade Obayomi / Contemporary Contemporary | Choreography by Dee Caspary | «Cosmic Love» by Florence and the Machine | SYTYCD USA Season 7 (2010) | Top 9 Week Top 500 List | Intra-Seasonal Placement: #8 • US7 | Direct Link
When it comes to dances about classical statues coming to life most people will probably think of Melanie and Marko's Contemporary from US8, but for me this very first routine which Dee Caspary produced for the show exemplifies it for me even more. The dramatic shapes Ashley and Ade form with their bodies which could very well just work as stand-alone freeze frames morph into each other in the most beautiful ways. The angular lines (the walk at 0:55) and circular, wavy movements looks so carefully crafted that it simply makes me speechless. The sequence leading up to the ending still is one of the most memorable moments in SYTYCD history for me.
#SYTYCD#So You Think You Can Dance#Cosmic Love#Florence and the machine#Contemporary#Top 500#US7#videos#Ashley Galvan#20#Ade Obayomi#22#Dee Caspary#US7T9
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Yoga Poses For Athletes Part - V
Dayna Marshall
Dayna Marshall grew up in Utah where she studied ballet, jazz, and tap. She is also musically trained. As a senior in high school she was accepted into the ballet department at the University of Utah where she received the Willam F. Christensen scholarship. She has performed numerous lead roles with Utah Ballet under the direction of Attila Ficzere and Conrad Ludlow, and completed her BFA in Ballet in 2006. She has done work with USANA, modeled for XANGO’s 2012 health and wellness campaign, was a dancer for Glenn Beck’s “Man In The Moon” show (2013), and Discount Dance Supply published some of her images in Peddecord Photo’s 2014 Calendar.
Dayna has toured nationally and internationally with Odyssey Dance Theatre from 2008¬2014. During her time with Odyssey, she has performed choreography from Mia Michaels, Dee Caspary, Roni Koresh, Derryl Yeager, Eldon Johnson, Bonnie Story, Christian Denise and many others. She was also a dancer in the Capezio ACE Awards for Christina Bluth (2012). Dayna has been teaching at dance studios and schools since 2003, teaching with Rapture Dance Intensive since 2010, and has performed with the Michigan based company Rapture Dance Project. Dayna won Utah’s 2013 Best Of State Individual Dancer. She is Scholé Yoga level 1 certified and a mUvmethod instructor.
Molly Davenport
Molly grew up in Taylorsville, UT where she trained in jazz, ballet, clogging and tap. She started her career with Odyssey Dance Theatre as a senior in high school when she was accepted into their training program, Odyssey II (2005-2007). Molly trained at two summer programs with Lines Ballet School in San Francisco, where she was also awarded a scholarship (2007-2008). She has worked as a dancer for USANA on several occasions, was a dancer for Glenn Beck’s “Man in the Moon” (2013), and was featured in Christopher Peddecord’s Discount Dance Supply Calendar (2014).
Molly spent eight years dancing for and touring with Odyssey Dance Theatre (2007-2015), where she had the opportunity to perform works by several world renowned choreographers including Derryl Yeager, Eldon Johnson, Roni Koresh, Bonnie Story, and Christian Denice. She has had the opportunity to perform in the Off Broadway Productions of “Cats,” “Tarzan,” “Grease,” “The Little Mermaid,” “The Wizard Of Oz,” and “Joseph and the Amazing Technicolor Dream Coat” at the Tuacahn Amphitheatre in St. George, Utah. She teaches ballet, contemporary, jazz, and is also Scholé Yoga Level 1 certified and a mUvmethod instructor. She is grateful for all of the wonderful opportunities she has encountered through dance, and enjoys sharing her passion with her students.
For more details on our products and services, please feel free to visit us at Dance teacher training, Dance conditioning & Yoga poses for athletes
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All about Dee Caspary : height, biography, quotes
How tall is Dee Caspary
See at http://www.heightcelebs.com/2016/01/dee-caspary/
for Dee Caspary Height
Dee Caspary's height is 6ft (1.83 m) Dee Caspary is actor, born: Dewitt Talmage Caspary IV , October 21, 1975, Downey, California, USA. Dee Caspary is best known for "Newsies" Best Known For Movie: NewsiesHeight: 6ft (1.83 m)Born: Dewitt Talmage Caspary IV , October 21, 1975, Downey,...
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