#Debranding

[maisbranding]

Tendência em Branding e Design = Debranding

A identidade visual de uma marca deve ser simples, agradável e deve diferenciá-la das concorrentes, para que os consumidores e clientes lhe atribuam uma carga simbólica e a guardem na memória. O debranding é uma tendência interessante no mundo do marketing, branding e design. Basicamente, é quando uma marca decide se retirar um pouco do sua identidade visual tradicional, focando mais em descrever os benefícios e características de seus produtos de uma forma mais direta e sutil.

Simplificar a imagem, torná-la mais “limpa” e sem grandes floreados é uma das grandes tendências em termos de identidade da marca. Também conhecida como debranding, esta estratégia está a ser seguida por grandes insígnias a nível mundial, incluindo Burger King, Toyota, Intel, Rolling Stone e Warner Brothers.

Um bom exemplo é a Glossier, uma marca de beleza que conquistou muitos fãs com uma abordagem de branding diferente. Eles usam muito pouco seu logo nas embalagens e anúncios, preferindo focar em fotos de pessoas reais usando os produtos e textos que explicam o que eles fazem. Isso cria uma conexão mais autêntica com o público. Outro case legal é o da Everlane, marca de roupas que se posiciona pela transparência na cadeia de produção. Eles usam muito pouco sua identidade visual, preferindo fotos dos produtos e textos que explicam a origem e o processo de fabricação. Isso reforça a mensagem de transparência.

Então, o debranding não significa abandonar completamente a identidade visual da marca. É mais sobre usá-la com mais sutileza e focar em conteúdo que realmente interessa ao público, como benefícios dos produtos, história da marca, valores, etc. Isso cria uma conexão mais profunda e autêntica. Claro, nem todas as marcas precisam fazer debranding. Depende muito do público e do posicionamento. Mas é uma tendência interessante para marcas que querem se conectar de um jeito mais real com as pessoas. Menos logotipo e mais conteúdo relevante. Até o próximo texto. Tchau!

[brandbasket]

Uncover the hidden world of "The Debranding Effect" – a phenomenon reshaping brand identities. 🔄 Explore how brands navigate this transformative journey, shedding old personas for authenticity. 🚀 Dive into the impact on consumer perceptions and the evolving landscape of corporate images.

[soul-music-is-life]

Started Watching Dear Edward...

And already have a favorite character:

Top tier.

Change my mind....

[dippedanddripped]

RESOURCED: GUESS In-Store Recycling Program

[boomgers]

No es lo que pierdes, es lo que encuentras… “Querido Edward”

Un niño de 12 años es el único sobreviviente de un accidente aéreo. Mientras él y los otros afectados por la tragedia tratan de comprender lo que pasó, surgen amistades inesperadas, romances y comunidades.

Estreno: 3 de febrero de 2023 en Apple TV+.

Basada en la novela de Ann Napolitano, la serie cuenta con las actuaciones de Colin O'Brien, Taylor Schilling, Connie Britton, Audrey Corsa, Carter Hudson, Amy Forsyth, Dario Ladani Sanchez, Ivan Shaw, Khloe Bruno, Brittany S. Hall, Douglas M. Griffin, Anna Uzele, Idris Debrand, Eva Ariel Binder, Jenna Qureshi y Maxwell Jenkins.

Los protagonistas atendiendo la premiere mundial el 31 de enero de 2023 en Los Ángeles, California

[suchananewsblog]

Is ‘Dear Edward’ Based On A True Story? A Real Plane Crash Inspired The Apple TV+ Series

Apple TV+‘s Dear Edward, a new drama from Friday Night Lights and Parenthood creator Jason Katims, tells a story that seems almost too bizarre to be true. But is it? The 10-episode series, which dropped its first three episodes on February 3, is an adaptation of Ann Napolitano’s 2020 novel of the same name. The series follows a 12-year-old boy named Edward (Colin O’Brien), who became the sole…

[maicrowave]

sometimes i miss dan howell being danisnotonfire, #debranding

[mdhwrites]

You know, I think Dana didn't plan Belos at all in s1.

The whole eating palismen wasn't even a thing till s2. And what frustrates me about it the most is Lilith, most of her actions in s1 created a huge plot hole in s2 with that decision. He confiscates and eats all the palismen yet she's allowed to keep hers while Hunter is on a stress marathon at the idea of Belos finding Flapjack, and I couldn't care much since Lilith was right there. Same about the coven sigils, why does she not have one????? She was the freaking E.C head not just a regular.

And another plot hole about the sigils brands, one coven scout mentioned switching covens (Severine was her name don't remember the episode), was that meant to be a silly joke? Or considering that Dana voiced her, people assumed she did it to poke fun at Disney's decisions. It still creates a contradiction to the brands being permanent tho, people did consider a possibility that there's a way to debrand someone, and there should be in this case right?

Sometimes I feel like Dana cares more about hating Disney than writing sense in her story and I'm tired to pretend it's not like that, which pisses me off. Can you forget about that mouse for a damn second to consider that maybe you shouldn't write some things that make no sense? Or be aware of your time limit to not write certain things, like the freaking collector? But god forbid you'd be mad at her in this fandom smh🤦

So... I could talk about each of these subjects on their own. Belos/Philip as just a complete mess of a character and inconsistencies, Palisman and how they're a good concept that got fucked over by what this blog will actually be about and the EC/Coven system which... Holy fuck. HOOOOLY Fuck S2 fucks it up sideways.

And because I've talked some about some of these topics, here are three different blogs covering

Belos' asinine rise to power and TOH wanting to mirror historical fascism in his rise.

Talking about why people are mad about Stringbean is the closest I've actually come to talking majorly about Palisman.

And I did some talk about metatext and plain text to do with the magic tracks in TOH that is about to become VERY relevant to this blog.

It's actually your last paragraph I want to talk about though. Because... The problem isn't that Dana was too focused on hating Disney. That would only explain, realistically, the problems with S2B and S3 and the jokes at the Mouse's expense take very little time and don't really detract from the show. It is not a major issue about her as a writer.

Now before I get into what her biggest weakness, at least as you can tell from TOH, is as a writer: Don't attack creators. I am attacking her writing and criticizing it but I am not attacking her as a person or getting mad at her. Her creation does nothing offensive, nothing cruel, etc. like that. Are there problems with it? Yes. Do I have issues with how she has used excuses to shield herself and TOH from criticism? Yes. But we still need to be good people and I just wanted to take a moment to remind everyone about that.

Anyways: I've talked at LENGTH about the fact that TOH has a focus problem. That it is effectively three shows at once. I even just yesterday talked about how this lack of focus damages its ability to have coherent themes because nothing is given enough time, attention or is actively contradicted eventually.

As the show runner, it's Dana's job to keep focus. To not let writers do whatever they want and keep the show consistent and in continuity with itself. Her job, effectively, is to follow a line I ADORE:

A great piece of art knows as much what it isn't as it knows what it is.

The problem is... Dana quite obviously doesn't agree with this. She appears by her writing to have a mentality that there is no idea she doesn't like. There is no statement, regardless of the contradictions it makes.

If you want to talk about how early this happens, just look at Covention. Dana, as the creative lead, should know that the covens are a very serious thing, that the nine covens are important to Belos' plans and she should know about glyph magic.

That is the episode that introduces there being potentially HUNDREDS of covens simply for the sake of a job fair joke and setting and also the power glyph EXISTS. Yes, the power glyph is used to make Amity more impressive in the fight, cranking up the spectacle, but notice how it has NEVER been brought back up? And Construction magic explicitly isn't what was described when we were first told about it? Almost like witches using paper goes against Amity's shock at seeing Luz use a piece of paper to cast a light spell.

Dana also should be the one most acutely aware of how dangerous it is for a witch to be a wild witch. How much deciding to use multiple forms of magic is hazardous to them. Well... Dana was on the writing team for First Day (linked in the metatext blog) and Reaching Out was SOLELY written by Dana. You know, an episode where Amity treats joining a coven like going to college, Alador has no objections about this and the twins both get a bad girl coven shirt like it's something to purely celebrate for them.

And if we look at what Dana hasn't explicitly written, she still doesn't appear to be willing to say no to anyone. Hollow Mind was written by other people and includes the line that the Titan was believed to be dead when Belos rising to power. In King's Tide, an episode Dana DID write, Belos talks about Luz must having been blessed by the Titan in order to have already gotten glyph combos despite Belos being the LAST person who should think the Titan is alive, especially since he's been in the things skull and made a fake religion around it.

Worse yet is that while Dana has never met an idea she doesn't like... She's never met an idea she likes enough to commit to. So much of the show is about presenting potential, even with what I've described above, but then doing nothing with it. In fact, more often than not, ESPECIALLY WITH THE COVEN SYSTEM, it will be discarded, ignored or changed for the sake of a different concept. Amity's parents are like this where Alador seems 90% on board with anything Odalia does in his first two appearances but then he's only a little neglectful but still moral come Reaching Out. We can have Luz and Amity try to have a healthy relationship and agree to not lie to each other but that would make the reveal of Luz's dad being dead so much harder so just... ignore that. It's okay that Luz is still blatantly lying and breaking her girlfriend's trust.

Remember: It was Dana's FIRST solo episode, Eda's Requiem, that setup how important the coven heads were for the sake of the Day of Unity. That even one going missing at this point would be a MAJOR problem for it.

Buuuut that is a problem that a lot of prophetic fantasy faces and usually doesn't have an answer to. It's a hard thing to have an answer as to why the heroes don't just keep one mcguffin away, let alone what TOH did with three of them being on the side of good. So what did other writers do with it when they actually had to deal with what Dana had written?

Throw that shit out in one line that implies replacing coven heads is as easy as replacing paper plates.

The show is, to put it lightly, a disaster. And you know a better show runner can do better than this because Amphibia doesn't have these contradictions. Gravity Falls doesn't have these contradictions. Hell, we go to less renowned media, to stuff like Randy Cunningham Ninth Grade Ninja or Danny Phantom and THEY don't have the same sorts of inconsistencies despite being about as serialized as TOH just not touting that as some sort of revolutionary aspect of it.

And the worst part? At least to me? It... It's a fanfiction writing problem. And in fanfiction, it's fine. Fanfiction is meant to use a piece of media to explore every potential part of the world and characters it wants. A professional piece of media, that takes so much money and effort to create, is meant to have greater focus and coherence so as to actually have a point to its story.

And if you want a comparable example for professional work, look no further than 50 Shades of Grey. I'm not saying TOH is as bad as 50 Shades but they both suffer from whenever the writer loses interest in an idea and just writes it out or has it vanish for no reason. Both go on tangents when the writer has some new idea that comes into their brain.

It reminds me of when people would ask while I was writing Crises Girlfriends, "What are Gus and Willow doing in this AU?" Because I am more of an original writer than I am a fanfic writer, and Crises Girlfriends was a story that I always planned to convert to original fiction, I'd never even considered them. Not for even a second.

Because... Could I have given them a role? Yes. But like TOH, it would have been performative, dilute the point and focus of the story and just felt like a waste of word count. So I didn't include them because they had no point.

But it was also fanfiction and Willow and Gus probably mean a lot to the people who asked. That's not their fault. That's part of fanfiction. I didn't get mad or anything, I just described what I just did as to why they wouldn't show up.

Because I knew what Crises Girlfriends was. I can make a one sentence pitch for it. It's about two girls who find love through the person they are with, but find help through the place they're in. It gets across how the two give support and care for each other but that love isn't the answer to mental health so within the story, you can actually expect some treatment of their mental health issues.

For Amphibia, you can say "It's the story of how another world helps bring light to the flawed friendship of three girls and makes them better people" and that works for explaining the main thrust of Amphibia.

What the hell is the main thrust of TOH? I can say what its main theme is, that self expression is king, but that's even an awkward placement when it clearly wants to be about reality versus fiction. But then it also is way too much wish fulfilment. It wants to be subversive of the fantasy genre but it uses too many of the tropes and excuses of it.

It doesn't know what it isn't, which doesn't let it know what it is. And that's such a shame. =======

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead,

And finally a Twitter you can follow too!

[ataehone]

Tons of fresh B-roll footage from Gamescom.

Alan can pick up and place in other places the Light of a light source, kind of like Dumbledore at the start of Harry Potter, and this alters both the location you take the Light from and the one you deposit it in

Alan's "Mind Palace" is different from Saga's (obvs), it's his Writer's Room back in the Witch's cabin, and by shuffling cards on the plot board he can also alter locations, gaining either ways to pass obstacles or gain new stuff or lore notes

The public phone call felt so Hotline, didn't it?

Maybe it's the way the footage is edited or maybe actual stuff but the aboveground segments look like they loop around after a while

Alex Casey (with Sam Lake's face, him being a debranded Max Payne and all) attacking Alan Wake (Sam Lake's author avatar) feels like it's telling us something about Mr Lake, isn't it?

The various graffiti feels like callbacks and taunts - like the SCRATCH at the entrance to the subway

All the red Vs make you think of Valkyr, and ain't that a callback from hell?

Old Gods of Asgard are the musicians on the talk show

The host is Mr Door? Isn't that a Quantum Break thing?

Stay tuned for noting more details on repeat views.

[adtothebone]

Bluesky and Twitter* seem to take up a curious amount of space on my phone.

*I haven’t updated the app since the debrand.

[nityarawal]

May 26, 2023

Morning Songs #2

I love You Me

That's What Jo Jo

Says to Herself

I love You Me

She Says To Me

As She Puts On Face Cream

I Love You Me

She Says To Her Daughter

I Love Everything

If You Love You Me

You Gotta Say

The Words

Publicly

I Love You Me

California Girls

I Love You Me

Influencers

I Love You Me

And All We Got

All Our Rivers

Will Run Together

Sandy Rocks

Sculptures Of Beauty

Nude Artists

Sirens By The Rivers

Muses

Snow Creeks

White Waters

Palm Springs

WindMills

Cahuillan Daughters'

Up The San Bernadino Mountains

To Tahquitz

We Bow Before

Our King

A Rock

And Speak

I Love You Me

I Love You More

That's Being A Mom

And If You Don't 

Get It

Close Your Eyes

For Grace

Beg Goddesses For Understanding

'Cuz

I Love You More

Might Need To Be

A Podcast For Debranding

Debugging

I Love You More

That's A Mother's Heart

A Sister's Beat

I Love You More

I Love You Me

Just Because

You Break My Heart

With Atrocities

I Love You More

I Love You Me

Please God Forgive

Then Make Justice

For All Our Children

That Want To Look

In The Mirror

With Magic Creams

De-Worming

In Quarantine

With Mom

I Love You More

I Love You Me

Let's Live Babies

For Eternity

I Love You More

I Love You Me

So De-Bug

Get Some Love

Manual Self Massage

Olive Oil Up

Goop Says

De-Bug 

I Love You More

I Love You Me

That's Why We

Have

Boundaries

Peace,

Nitya Nella Davigo Azam Moezzi Huntley Rawal 

[jhsharman]

Camp Fire paid for this one

There is a strangely uneven cutting of Camp Fire insignia throughout the story. We start with the dumping of an actual summer camp located in Georgia in favor of the fictional camp that was in an earlier reprinted story -- one there headed by Weatherbee, which poses the question of what he did that had him let go. Also various quotations about the sentimental greatness of youth summer camp are deleted.

Still wearing the Camp Toccoa shirts, though.

They are a little unsure what to do with "Teens In Action" -- fades in and out --, but they do obliterate a Camp Fire slogan off a box (lower left corner).

Goodbye quotation. Goodbye Camp Fire logo on cap -- even when the title of the story (piece of propaganda) is "Camp Fire Days". Probably just the result of getting a new logo, but there is a partial debranding in the story happening.

Sure. Sure. Do these camp counselors chatter on about the camp fire related badges like this?

[psychuan]

i've seen this before and i can tell you that someone (i believe it was Youtube user "Waffle to the left") did indeed meticulously edit out the product from it's own advert which, like mad respect

and then Reddit user Blunderjoy composed some music for it and added it to the debranded video and it made one of my favourite things ever. which i now share with you.

#WARNING: The music is VERY LOUD

[debranding]

DEBRANDING cung cấp các dịch vụ thiết kế website, Mobile app, thiết kế bộ nhận diện thương hiệu, thiết kế và in ấn bao bì sản phẩm, dịch vụ SEO chuyên nghiệp, tổ chức sự kiện và thiết kế & thi công gian hàng triển lãm. Với giải pháp sáng tạo và tối ưu chi phí, DEBRANDING giúp doanh nghiệp nổi bật, tạo dấu ấn mạnh mẽ trong mắt khách hàng và nâng cao khả năng cạnh tranh trên thị trường.

[belleandkurtbastian]

I love that they’re VERY clearly drinking orange & passionfruit J2Os at this party, despite the debranding.

[insightsresearch]

Reverse Logistics Market Analysis, Business Outlook for 2024-2036

The Reverse Logistics Market report provides a comprehensive analysis of the current state and future prospects of the Reverse Logistics Market. This report aims to provide key insights and valuable information to industry stakeholders, investors, and decision-makers. By examining the market dynamics, trends, challenges, and opportunities, this report offers a holistic view of the Reverse Logistics Market.

Purpose of the Report

The purpose of this report is to analyze the Reverse Logistics Market and provide actionable intelligence to help businesses and organizations make informed decisions. It aims to provide a detailed understanding of the market landscape, competitive scenario, and growth potential.

Scope of the Report

The report covers various aspects of the Reverse Logistics Market, including market size, growth rate, key players, market segmentation, and industry trends. It also includes an in-depth analysis of the competitive landscape, market dynamics, and regulatory framework.

Size of the Reverse Logistics Market

The Reverse Logistics Market is a rapidly growing industry with a market size of USD 1000.5 billion.

It is expected to reach USD 3351.8 billion by 2036, growing at a CAGR of 10.6%.

Major Players in the Reverse Logistics Market

·       Debrand Services Inc.

·       DB SCHENKER

·       DHL Group

·       FedEx Corporate Services, Inc.

Emerging Trends

The report identifies a growing trend of Reverse Logistics companies adopting innovative technologies.

This includes the implementation of AI and automation in Reverse Logistics processes.

Key Findings

The Reverse Logistics Market report provides a comprehensive analysis of the market's current state and future prospects. The key findings from the report highlight the market's potential for growth and the numerous opportunities it presents for businesses and investors.

Market Potential: The Reverse Logistics Market is projected to experience significant growth in the coming years. The report identifies several factors driving this growth, including increasing consumer demand, technological advancements, and favorable government policies.

Segment Analysis: The report includes a detailed analysis of different segments within the Reverse Logistics Market. It provides insights into the market size, growth rate, and key trends in each segment. This information can help businesses identify lucrative opportunities and tailor their strategies accordingly.

Regional Analysis: The report also examines the Reverse Logistics Market on a regional level, providing insights into the market dynamics and trends in different geographic areas. This analysis can help businesses understand the regional variations in consumer preferences and behavior, enabling them to target specific markets effectively.

Competitive Landscape: The report assesses the competitive landscape of the Reverse Logistics Market, profiling key players and analyzing their strategies. It provides valuable insights into the market's competitive intensity, helping businesses identify their strengths and weaknesses and develop effective competitive strategies.

 

Future Outlook

The Reverse Logistics Market is expected to witness robust growth in the coming years, driven by factors such as increasing urbanization, rising disposable incomes, and changing consumer preferences.

However, companies need to navigate challenges such as intense competition, regulatory uncertainties, and evolving customer expectations.

By staying agile, embracing digital transformation, and fostering innovation, businesses can position themselves for success in the dynamic Reverse Logistics Market.

Source: https://www.researchnester.com/reports/reverse-logistics-market/6267