#Debra Herzog | Explore Tumblr posts and blogs

hillside-dangler · 2 years ago

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Born To Kill COMPLETE SERIES 2005-2016

“Going back to the age-old Nature vs Nurture debate, a good way to think about it is that genetics provide an individual with a spectrum and the individual’s environment, developmental and otherwise, determines where you lie on it. A predisposition may lie dormant for eternity, but feed it a stressful environment and increased risk factors such as malnourishment and trauma, and it will manifest. Clinical facts must be tempered with ethical concerns when applying science to society.” Source

)c(

Season 1

S01E01 Fred West

S01E02 Harold Shipman

S01E03 Jeffrey Dahmer

S01E04 Myra Hindley

S01E05 The Washington Snipers

S01E06 Ivan Milat

)c(

Season 2

S02E01 Ted Bundy

S02E02 Charles Starkweather

S02E03 John Wayne Gacy

S02E04 Aileen Wuornos

S02E05 Richard Chase

S02E06 Albert DeSalvo

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Season 3

S03E01 Gary Ridgway

S03E02 Edmund Kemper

S03E03 Richard Ramirez

S03E04 Donald Gaskins

S03E05 David Berkowitz

S03E06 Dennis Nilsen

)c(

Season 4

S04E01 Charles Manson

S04E02 Dennis Rader

S04E03 Beverly Allitt

S04E04 Hillside Stranglers (Kenneth Bianchi and Angelo Buono)

S04E05 Colin Ireland

S04E06 Herbert Mullin

)c(

Season 5

S05E01 Peter Sutcliffe

S05E02 Donald Nielson

S05E03 Patrick Mackay

S05E04 John Linley Frazier

S05E05 Cary Stayner

S05E06 The Briley Brothers

S05E07 Hadden Clark

S05E08 Paul Bernardo and Karla Homolka

S05E09 Thor Christiansen

S05E10 Dale Hausner and Samuel Dieteman

S05E11 Wesley Shermantine and Loren Herzog

S05E12 Douglas Clark and Carol Bundy

)c(

Season 6

SE06E01 Robert Napper

SE06E02 John Duffy and David Mulcahy

SE06E03 Gerald and Charlene Gallego

SE06E04 Levi Bellfield

SE06E05 Tony Costa

SE06E06 Richard Cottingham

SE06E07 Cleophus Prince Jr.

SE06E08 Sean Gillis

SE06E09 Timothy Wilson Spencer

SE06E10 David Alan Gore and Fred Waterfield

SE06E11 David Carpenter

SE06E12 Bobby Joe Long

)c(

Season 7

SE07E01 Peter Moore

SE07E02 Trevor Hardy

SE07E03 William Suff

SE07E04 Charles Albright

SE07E05 Allan Legere

SE07E06 Robert Reldan

)c(

Born to Kill/Class of Evil 2017

Season 1

SE01E01 Peter Tobin

SE01E02 Altemio Sanchez

SE01E03 Alton Coleman and Debra Brown

SE01E04 Stephen Griffiths

SE01E05 Graham Young

SE01E06 Joanna Dennehy

)c(

Killing Spree 2014

Season 1

SE01E01 Suffolk Strangler

SE01E02 Terror in Paradise

SE01E03 Northumbria Rampage

SE01E04 The Miami Murders

SE01E05 Horror at the Mall

SE01E06 Columbine Massacre

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Season 2

SE01E01 The Hungerford Massacre

SE01E02 Soho Nail Bomber

SE01E03 New York Knifings

SE01E04 Revenge Cop Killer

SE01E05 The Family Slayer

SE01E06 Woman On The Rampage

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Criminal psychologists: Louis B Schlesinger, Helen Morrison, Katherine Ramsland, David Wilson and Robert Ressler.

Narrator: Christoper Slade

TwoFour productions

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safedistancefrombeingsmart · 2 years ago

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Hey there, this is re for anon who wrote about AA and RB's terfines. I'm glad somebody finally brought this up here. I'm honestly convinced you're giving Rachel too much benefit of the doubt and many of Martin's fans have been doing so for a while, so many of them very vocally supporters of trans people and some are trans themselves and seem to ignore Rachel's 'leanings' towards that.

Rachel seems to be, or at least was until the most recent deletion of her IG account, arguably very non bothered by presenting as 'gender critical'. In addition to the 'rumors' about her likes on Twitter (they weren't rumors - I was around before she cleared her tracks on Twitter and they were *blatant*. I'm trying to remember who had screenshots) , up until a few weeks ago she was following, for at least a year and even longer, accounts by terf "thought leaders" and reporters like Debra W. Soh (she no longer does, but she did a few weeks ago), Katie Herzog (still on her follow list) and AT LEAST another two French female 'gender critical' journalists whose names I don't remember but were very clearly and loudly TERF to the point of putting it in their bios. I would look every once in a while to see if she unfollowed them or not over the last year or so, because I imagined she might want to at least pretend she doesn't condone these accounts in any way. As I said, she removed all follows but the Katie Herzog one just in the most recent deletion. Which suddenly makes sense to me with all those recent different postings since she reopened the account. They're different from the older posts and it feels like she's gearing up or aiming for a different kind of attention, maybe she's hoping for modeling or acting roles. It's definitely a 'scrubbed' account this time. A feature film she wrote finished production so maybe she had actual PR remove her follow list and remove Debra Soh and the French journalists. I don't see a point saying 'she's still young'. She's in her 30s (was in her late 20s back then) and doesn't come off as stupid or not socially unaware, I'm sure she's aware that terf discourse is problematic. Maybe she honestly doesn't care. Doesn't bode well for Martin's opinions in that sense, which is why I've been distant from MF's fandom for a while, especially the 'forgiving' Rachel discourse. She comes of as far more problematic than we even realize. She's his partner and he's welcome to it, I'm convinced he's aware and doesn't care - but I do.

You see, this here ↑ is the reason why I was a bit reluctant to answer yesterday's post, why I didn't tag it. Because I knew it would attract more of ... this. I've thought long and hard about what I would write and if I even should answer at all. But you certainly made an effort and deserve an answer.

Clearly, transphobia is a huge problem and should never be ignored. That much I know. You clearly know much more about the topic. I honestly don't know any of the names you stated above. But then again, it's also not my agenda to unmask every terf on this planet. If that is yours- great. Everybody needs a purpose in life. 😉 But I don't have the time or the energy or the wish to check who follows who on twitter /Instagram and who likes what. That's not what I do and that's not something you will find on this blog.

And yes, I do give Rachel the benefit of the doubt. Does that make me naive and possibly even ignorant? Maybe. But I am also not a fan of Rachel- I am fan of Martin (which should be quite obvious xD). And Rachel happens to be a part of Martin's life. But like I wrote yesterday: people are not defined by their partner's opinion.

That's all I will say about this topic on this blog.

Just one more thing (even tho it should be obvious): I don't support any form of transphobia.

PS: I answered both your asks in one post. There really is no point to make another post about it. The answer would have been the same.

#asks #anon ask #no other tags #because of reasons

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danvilleareacc · 2 years ago

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DACC Lists Fall President's & Honors Students

Danville Area Community College has released a list of its honor students for the Fall 2022 Semester. A student must carry 12 or more credit hours and a straight A (4.0) average on a 4.0 scale to be included on the President’s List. To be included on the Honors List, a student must carry 12 or more credit hours and have a B+ (3.5) grade point average on a 4.0 scale.

Danville Area Community College Fall 2022 President’s & Honors Lists

Danville Area Community College PRESIDENT’S LIST – FALL 2022

Alvin, IL

Nicholas Garmon.

Armstrong, IL

Olivia Logue.

Bismarck, IL

Allison Bostwick, Ryan Bostwick, Dianne Trimble.

Bloomington, IL

Brennon Reed.

Catlin, IL

Jaiden Baum, Holden Dunavan, Joseph Kedas, Kylee Pate, Rebecca Rogers, Monica Vasquez.

Chicago, IL

Lauren Crawley.

Chrisman, IL

Lindsey Franz.

Covington, IN

Alyssa Cheuvront, Margo Galloway, Hailynn Herzog, Briley Peyton, Alexandra VanVickle.

Danville, IL

Noah Acree, Wariya Alhassan, Gracie Arnett, Amber Atkinson, Xitlally Bonilla, Jasmine Brown, Ne'Kedra Cain, Devontay Carpenter, Rowan Clawson, Jeremiah Cooper, Isabella Courson, Brandon Cox, Mariela Cruz, Debra Cummings, Joel Cundiff, Olivia Edgington, Robin Farr, Brenda Fisher, Nicholas Fuentes, Teagyn Goodwin, Meghan Gross, Logan Hall, Marlee Harper, Jadyn Hess, Lindsey Janssen, Tamara Jimson, Josephine Kamwela, Christopher La Combe, Trenton Lewis, Layla Martinez, Kalia Mason, Ashlynn Pinnick, Ethan Rayburn, Chelsea Reeves, Kearby Robinson, Vivianna Ruffo, Veronica Sasseen, Yoo Bin Seo, Maxeen Smart, Shania Smith, Maria Sobany Bosch, Frederick Soderstrom, Elmonia Taylor, Lewis Towne, Kayce Wagle, Charlene Walsh, Grace Ward, Donald Wills, Mia Yant.

East Lynn, IL

Abigail Walder.

Evansville, IN

Matthew Bunnell.

Fithian, IL

Codey McMahon.

Georgetown, IL

Jacob Maskel, Hunter Way.

Hillsboro, IN

Lauren Highland.

Hoopeston, IL

Charis Allen, Tori Birge, Gage Hopkins, Morgan Keith, Skyler Morgan.

Mahomet, IL

Ahmad Al-Heeti.

Marine, IL

Alixandria Grenzebach.

Milford, IL

Abigail White.

Mooresville, IN

Blake Nigg.

Muncie, IL

Dominyq Gritten.

Oakwood, IL

Madison Doan, Jarron Fleming, Natalie Garrison, Raiden Jackson, Kimberly Montgomery, Tannar Pouilliard, Carlie Reitz.

Osgood, IN

Elizabeth Pavy.

Paris, IL

Drew Pinkston.

Philo, IL

Kyleigh Weller.

Potomac, IL

Destiny Fitzsimmons, Violet McCool, Mason McMasters, Seth Pollitt.

Ridge Farm, IL

Matthew Coleman.

Rossville, IL

Heidi Goble, Morgan Miller, Abigail Ryan.

Troy, IL

Caleb Durbin.

Tuscola, IL

Alexis Koester.

Westville, IL

Laney Crawford, Jack Duensing, McKenzie Meinders, Joshua Miller, Emma Myers, Zachary Troxel.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Danville Area Community College HONORS LIST – FALL 2022

Armstrong, IL

Justin Wilken.

Bismarck, IL

Trenton Spicer.

Catlin, IL

Naomi Dolan, Emily Fier, Lillie Hannan, Macallister Hill, Autumn Lange, Grace Niedzwiecki.

Champaign, IL

Lilian Eziefule.

Charleston, IL

Ashlynn McPeak.

Columbus, OH

Brianna Hamilton.

Covington, IN

Jacob Eells, Hannah Hunter, Calvin Springer, Katie Woodrow.

Danville, IL

Nora Abdelghani, Joan Applegate, Michele Budnovich, Anna Carrion, Christine Daniel, Benjamin Dickerson, Ian Dukes, Jayla Greer, Chelsey Haga, Dalton Hagley, Diego Hightower, Aryanna Huckstadt, Lexi Hudson, Matteo Janzen, Ginaveve Jessup, William Landis, Chayton Lawrence, Lezlea Lowe, Julieanna Morse, Amanda Nelson, Candela Nevares Garcia, Aaron Olmstead, Destiny Parker, Lilliana Perez, Tah'yah Rose, Ruth Salazar, Woodley Scholz, Andrew Sentelle, Sebastian Skinner, Braeden Skoog, Jennifer Stovall, Dylan Taylor, Rylie Terrell, Kendra Tucker, Cassie Warren, Zoe Wilson, Ella Wolfe, Jacob Xiong.

Evansville, IN

Ryan Caddell, Adam Evans.

Fairmount, IL

Aaron Dean.

Findlay, IL

Dirk Bruyn.

Fithian, IL

Reed Sperry.

Georgetown, IL

Brooke Robertson, LaVonte Taylor, Madison Wilson.

Hoopeston, IL

Maria Alvarado, Vanessa Blackburn, Ashley Cadle, Marissa Garcia, Brady Woods.

Indianaola, IL

Lacee Darr.

Ingersoll, Canada

Lucus Forbes.

Kingman, IN

Lydia Van Huysen.

Liberty Township, OH

Keiara Gregory.

Mattoon, IL

Raven Morrison.

Mentone, IN

Owen Kirchenstien.

Milford, IL

Craig VanHoveln.

New Market, IN

Samuel Endicott.

Oakwood, IL

Lane Bensyl, Gaven Clouse, Koby Fletcher, Travis Goodner, Hayley Mascari, Katherine Reffett, Charles Rieches, Isaiah Ruch, William Sandusky, Brevin Wells.

Potomac, IL

Casey Grant, Leanne Rogers.

Quincy, IL

Luke Mettemeyer.

Richland, IN

Jackson Raaf.

Ridge Farm, IL

Savannah Davis, Gentry Howard.

Rossville, IL

Madalyn Goble, Hunter Howe, Sabrina Koenig.

Sheldon, IL

Julia Bushnell.

Sidell, IL

Madison Farrell.

St. Joseph, IL

Kelsey Martlage.

Tampa, FL

Briana Hernandez.

Westville, IL

Jason Cotten, Gage Lange, Christopher Miller, McKenzie Montgerard, Douglas Reffett.

Wheaton, IL

Ian Johnson.

Williamsport, IN

Ethan Hickman.

#writeyourstoryatdacc #honorslist #proudscholars #communitycollegesservethecommunity

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ahmdmelhawi · 4 years ago

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مترجم Aftermath 2017 مشاهدة فيلم

Storyline Two strangers' lives become inextricably bound together after a devastating plane crash. Inspired by actual events, AFTERMATH tells a story of guilt and revenge after an air traffic controller's (Scoot McNairy) error causes the death of a construction foreman's (Arnold Schwarzenegger) wife and daughter.

Genres: Drama | Thriller

Details Official Sites: Country: UK | USA Language: English | Thai Release Date: 7 April 2017 (USA) Also Known As: Aftermath Filming Locations: Columbus, Ohio, USA

مشاهدة الفيلم مترجم

أهم الاعمال لبطل الفيلم

مشاركة الموضوع

#arnold schwarzenegger

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page58-blog1 · 8 years ago

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Two Lives will Collide as Arnold Schwarzenegger Seeks Revenge in the 'Aftermath' (Trailer) of a Deadly Plane Crash

Two Lives will Collide as Arnold Schwarzenegger Seeks Revenge in the ‘Aftermath’ (Trailer) of a Deadly Plane Crash

“It’s a big day. Your family’s arriving so go home and get everything ready for them. Spend some time with your daughter. You’re gonna be a grandfather.” Inspired by actual events of an airline accident that occurred in July of 2002 and on the events that took place 478 days later, two lives will collide as two strangers’ lives become inextricably bound together after a devastating plane…

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filmskribent · 3 years ago

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“Ekofilmiska tankefrön” (publicerad i Filmrutan, nr. 2 2019)

I en tid när klimatkrisen sätts under daglig lupp, är det inte förvånande om intresset ökar för filmer som på ett eller annat sätt kommenterar människans relation till vår planet. I så fall behövs det inte ett alltför avancerat mikroskop för att upptäcka spaningar kring miljö, kultur- och naturarv.

Vissa filmare tar mer än bokstavligt talat avstamp i det intima och personliga. Jennifer Reed, doktorand i sociologi vid Nevadas universitet i Las Vegas, skriver en avhandling om ekosexualitet. Hon har följt konstnärs- och aktivistparet Annie Sprinkle och Elizabeth Stephens, som ligger bakom dokumentären Goodbye Gauley Mountain: An Ecosexual Love Story (2014). Den skildrar filmskaparnas symboliska, “pollenamorösa” förhållande med Appalacherna, samt deras kamp mot gruvbrytning och MTR (Mountaintop Removal Mining). I en intervju i Washington Post berättar Reed om hur parets månggiften, varav det första ägde rum 2008, delvis var en reaktion på motståndet mot samkönade äktenskap och hånfulla ord som: “If you let gay people get married, they’ll marry anything” (22/4, 2019). Med humorn som vapen, vill paret bjuda på sig själva och sprida ljus för att lätta upp bland dystopiska framtidsbilder.

I sammanhanget kan nämnas så kallade objektsexuella, som likt de som ingått äktenskap med Berlinmuren, ger sitt hjärta till specifika föremål. Ekosexuella verkar däremot ha en mer grandios och flytande relation till sina partners. Varför äkta ett träd när man kan få en hel bergskedja? Sprinkle/Stevens menar att istället för att se Moder Jord som en förälder, bör vi betrakta henne som en älskare. Lyckligtvis kan man fortfarande respektera sin mor utan att nödvändigtvis inleda ett incestuöst förhållande med henne.

I varm dialog med jorden Att konstnärer söker sig till lugna miljöer för att få skaparro, är lika självklart som att dödsmetallmusiker inte håller igen med ljudvolymen. En som inte nöjer sig med en vanlig ateljé, är den tyska konstnären Ulrike Arnold, som har ägnat sitt yrkesverksamma liv åt att måla på otillgängliga platser världen över. Essensens av hennes arbete porträtteras i Dialogue Earth (Hank Levine, 2019), som framför allt är en dokumentation av Arnolds verksamhet i Utahs öken, där hon har etablerat en “open-air studio”. Där tar hon hjälp av omgivningen, då de abstrakta verken får sin form utifrån de material som råkar finns på plats. Förutom exempelvis jord, sand och lera, använder hon dammpartiklar från meteoriter. På så sätt, menar Arnold, kopplas universums storhet ihop med den mer greppbara värld vi känner till. Kanske bjuder det in till tolkningar och tankar om jordens uppkomst, kanske nöjer sig åskådaren med att beundra hennes uppdaterade versioner av stenålderns hällmålningar.

Det går inte att ta miste på Arnolds respekt för de tusenåriga grottor som har formats av sanddyner och tjänat som hem för ursprungsfolk. Hyllningarna till det karga landskapet får en att vilja packa ned solskyddsfaktorn och fikatermosen, för att åka på knölig roadtrip bland klippformationer. Levines dokumentär är dock inte bara mys och bergsromantik. I samband med att Arnold möter en hobbyarkeolog till “granne” i öknen, som hjälper henne att samla rester från meteoriter, berättar hon om oron inför framtiden. Detta på grund av president Trumps omstridda, exekutiva order 2017 om att återkalla eller skala ned nationella monument, däribland Bears Ears-monumentet i Utah.

vimeo

Förutom att ordern kan strida mot Antiquites Act som trädde i kraft 1906, som syftar till att bevara naturtillgångar, pekar Arnold på hur flertal historiska landskap är i farozonen på grund av gruvdrift och oljebrytning. Detta har inspirerat henne att göra något kreativt med alla de jordfärger hon funnit genom åren. Slutresultatet One World Painting, uppfördes i FN-huset i New York under Earth Day 22 april i år. Dukens färger är menade att representera mångfald och kulturell spretighet. Som det står formulerat i ett pressmeddelande: “a statement for the preservation and protection of our unique planet earth, peace and harmony.”

Åter till södra Utah, där spåren från stekande sol, väder, vind och krälande varelser är påtagliga, dock utan att hindra arbetsprocessen. För Arnold är det snarare en tillgång. Vördnaden inför platsen hon befinner sig på, är så stor att hon ser penseldragen som en dialog, ett samspel där former framhävs och levandegörs, som en organisk utväxt av landskapet. Det som sker, får ske. På så sätt jobbar hon inte mot utan med slumpen; ödet får avgöra hur dagsverket landar. Ibland flyter skapelserna ihop med omgivningen att de på håll ter sig som kamouflage, där det är svårt att tyda var den mänskliga inverkan börjar och slutar.

I dokumentären visas några möten med Arnolds vänner – mest spirituellt blir det när hon samtalar med navajoindianen Eli Secody – och via arkivbilder får man ta del av hur Arnolds strikta uppväxt har påverkat hennes konstnärskap och drivkraften att stå på egna ben. Hon säger att upptäckten av en plats, är upptäckten av en själ, vilket gör att hon aldrig känner sig ensam i ödemarken. Förutom sökandet och viljan att bottna i en urkraft, skänker Dialogue Earth förståelse för att en sten inte alltid bara är en sten. Vissa hittar hem i den urbana betongen, andra, som Ulrike Arnold, finner mening och ro i öknens varma famn.

Glöm inte var du kommer ifrån Darren Aronofskys surrealistiska skräckdrama Mother (2017), fungerar som en allegori över hur människan behandlar jorden. En författare med skrivkramp (Javier Bardem) och hans tålmodiga hustru (Jennifer Lawrence) bor i ett ensligt hus, vars inre väsen är en tickande bomb som exploderar när de yttre påfrestningarna blir för stora. Aronofsky kräver mycket av sin publik och är sällan övertydlig i intervjuer. Istället vill han uppmuntra oss att själva reflektera över symboliken i Mother, de många bottnarna och bibliska referenserna. Filmens barnförbjudna, illustrerade poster, där huvudpersonen visar upp sitt utslitna hjärta, bör dock ge en fingervisning om dess sensmoral.

I den inte fullt lika apokalyptiska satiren Downsizing (Alexander Payne, 2017) från samma år, har norska forskare kommit på ett sätt att stävja överbefolkning. Genom att krympa människor till att bli decimeterlånga, ska man radikalt spara på jordens resurser. En positiv ekonomisk bieffekt, åtminstone för medelklassen, är att den konverterade valutan som pyssling innebär ett liv i överflöd. Det visar sig snart att det är svårt att trolla bort orättvisor. På sedvanligt småputtrigt vis, förmedlar Alexander Payne den smygande insikten att människan allt som oftast är sin egen fiende.

Stadens lungor En i Chicago lokalt förankrad dokumentär, är The Lungs of the City (Harrison Swanson & Oliver Czuma, 2019), som handlar om hur stadens sjösida faktiskt inte är naturlig, utan konstruerad för att komma det gemensamma till gagn. Trots en knapp kvarts speltid ryms en hel del historik och intervjuer med stadsplanerare och andra experter. Det talas om återuppbyggnaden efter den stora branden 1871, skapandet av generösa utrymmen för stränder, promenad- och löpstråk och hur Chicago brukar förknippas med sin ståtliga sjösida.

vimeo

Ibland görs försök att exploatera dessa områden och därmed utmana gamla överenskommelser. Exempelvis nämns hur Hollywoodlegenden George Lucas kämpade i åratal för att etablera ett strandnära museum för sina filmuniversum, just vid Lake Michigan. Initiativet, som först välkomnades av såväl borgmästare som politiker, gladde säkert många Star Wars-fans, men kritiker varnade för att museets tilltänkta placering skulle inkräkta på det allmänna. De beskrev byggnaden som “an eyesore on the waterfront, [violating] public use policy governing development on the shore of Lake Michigan” (Reuters, 24/6 2016). Kritiken vann gehör och efter ett svidande nederlag blev det inte läge för Lucas-imperiet att slå tillbaka. Lucas Museum of Narrative Art håller istället på att etablera sig i Los Angeles. Slutet gott för vänner av matinéäventyr-memorabilia, men exemplet belyser utmaningarna i att verka för en expansiv, urban miljö, utan att tumma på de offentliga utrymmen som blivit en stads signum.

Självförverkligandets höga pris En poäng som görs i The Lungs of the City, är att det inom staden bör finnas rimliga ytor för mental paus och andrum från stadens larm. Detta får extra tyngd i en kontext som saknar något för svenskar så självklart som allemansrätten. Debra Graniks senaste spelfilm Leave No Trace (2018), handlar om en krigsveteran, som med sin tonårsdotter lever olovandes i ett naturreservat utanför Portland. Då pappan lider av PTSD, har han medvetet sökt sig utanför samhällets ramar. Dilemman uppstår när dottern börjar sakna den ordnade, trygga tillvaron i staden. Att det känns så äkta, beror på att historien bygger på ett äkta livsöde, fångat av författaren Peter Rock i boken My Abandomnent (2009). Aktuell forskning i ämnet syns bland annat i det Colorado-baserade dokumentärprojektet Remedy (Nick McNaughton), där det undersöks hur rekreation i naturen kan hjälpa krigsveteraner med stressrelaterade problem.

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Att gå utanför sin bekvämlighetszon, eller rentav riskera livet för att bli ett med naturen, är ett återkommande tema i spelfilmer. Wild (Jean-Marc Vallée, 2014) och Into the Wild (Sean Penn, 2007) visar två personers respektive resor i vildmarken. Båda är baserade på verkliga händelser, precis som 127 Hours (Danny Boyle, 2010) om bergsbestigaren Aron Ralston, som överlevde en ödesdiger vandring i Canyonlands National Park i Utah. Även i omtalade dokumentärer som Grizzly Man (Werner Herzog, 2005) och Free Solo (Elizabeth Chai Vasarhelyi, Jimmy Chin, 2018), berättas om passionerade individer. Att som Alex Honnold i den sistnämnda bergsklättra utan livlina, lär förfära de flesta, men vem har facit för frihetstörstande själar? Vem producerar hållbara lösningar för att framtidens barn ska kunna vädra sinnet? Svaren lär finnas därute.

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didanawisgi · 4 years ago

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A Letter on Justice and Open Debate

July 7, 2020

The below letter will be appearing in the Letters section of the magazine’s October issue. We welcome responses at [email protected]

“Our cultural institutions are facing a moment of trial. Powerful protests for racial and social justice are leading to overdue demands for police reform, along with wider calls for greater equality and inclusion across our society, not least in higher education, journalism, philanthropy, and the arts. But this needed reckoning has also intensified a new set of moral attitudes and political commitments that tend to weaken our norms of open debate and toleration of differences in favor of ideological conformity. As we applaud the first development, we also raise our voices against the second. The forces of illiberalism are gaining strength throughout the world and have a powerful ally in Donald Trump, who represents a real threat to democracy. But resistance must not be allowed to harden into its own brand of dogma or coercion—which right-wing demagogues are already exploiting. The democratic inclusion we want can be achieved only if we speak out against the intolerant climate that has set in on all sides.

The free exchange of information and ideas, the lifeblood of a liberal society, is daily becoming more constricted. While we have come to expect this on the radical right, censoriousness is also spreading more widely in our culture: an intolerance of opposing views, a vogue for public shaming and ostracism, and the tendency to dissolve complex policy issues in a blinding moral certainty. We uphold the value of robust and even caustic counter-speech from all quarters. But it is now all too common to hear calls for swift and severe retribution in response to perceived transgressions of speech and thought. More troubling still, institutional leaders, in a spirit of panicked damage control, are delivering hasty and disproportionate punishments instead of considered reforms. Editors are fired for running controversial pieces; books are withdrawn for alleged inauthenticity; journalists are barred from writing on certain topics; professors are investigated for quoting works of literature in class; a researcher is fired for circulating a peer-reviewed academic study; and the heads of organizations are ousted for what are sometimes just clumsy mistakes. Whatever the arguments around each particular incident, the result has been to steadily narrow the boundaries of what can be said without the threat of reprisal. We are already paying the price in greater risk aversion among writers, artists, and journalists who fear for their livelihoods if they depart from the consensus, or even lack sufficient zeal in agreement.

This stifling atmosphere will ultimately harm the most vital causes of our time. The restriction of debate, whether by a repressive government or an intolerant society, invariably hurts those who lack power and makes everyone less capable of democratic participation. The way to defeat bad ideas is by exposure, argument, and persuasion, not by trying to silence or wish them away. We refuse any false choice between justice and freedom, which cannot exist without each other. As writers we need a culture that leaves us room for experimentation, risk taking, and even mistakes. We need to preserve the possibility of good-faith disagreement without dire professional consequences. If we won’t defend the very thing on which our work depends, we shouldn’t expect the public or the state to defend it for us.”

Elliot Ackerman Saladin Ambar, Rutgers University Martin Amis Anne Applebaum Marie Arana, author Margaret Atwood John Banville Mia Bay, historian Louis Begley, writer Roger Berkowitz, Bard College Paul Berman, writer Sheri Berman, Barnard College Reginald Dwayne Betts, poet Neil Blair, agent David W. Blight, Yale University Jennifer Finney Boylan, author David Bromwich David Brooks, columnist Ian Buruma, Bard College Lea Carpenter Noam Chomsky, MIT (emeritus) Nicholas A. Christakis, Yale University Roger Cohen, writer Ambassador Frances D. Cook, ret. Drucilla Cornell, Founder, uBuntu Project Kamel Daoud Meghan Daum, writer Gerald Early, Washington University-St. Louis Jeffrey Eugenides, writer Dexter Filkins Federico Finchelstein, The New School Caitlin Flanagan Richard T. Ford, Stanford Law School Kmele Foster David Frum, journalist Francis Fukuyama, Stanford University Atul Gawande, Harvard University Todd Gitlin, Columbia University Kim Ghattas Malcolm Gladwell Michelle Goldberg, columnist Rebecca Goldstein, writer Anthony Grafton, Princeton University David Greenberg, Rutgers University Linda Greenhouse Rinne B. Groff, playwright Sarah Haider, activist Jonathan Haidt, NYU-Stern Roya Hakakian, writer Shadi Hamid, Brookings Institution Jeet Heer, The Nation Katie Herzog, podcast host Susannah Heschel, Dartmouth College Adam Hochschild, author Arlie Russell Hochschild, author Eva Hoffman, writer Coleman Hughes, writer/Manhattan Institute Hussein Ibish, Arab Gulf States Institute Michael Ignatieff Zaid Jilani, journalist Bill T. Jones, New York Live Arts Wendy Kaminer, writer Matthew Karp, Princeton University Garry Kasparov, Renew Democracy Initiative Daniel Kehlmann, writer Randall Kennedy Khaled Khalifa, writer Parag Khanna, author Laura Kipnis, Northwestern University Frances Kissling, Center for Health, Ethics, Social Policy Enrique Krauze, historian Anthony Kronman, Yale University Joy Ladin, Yeshiva University Nicholas Lemann, Columbia University Mark Lilla, Columbia University Susie Linfield, New York University Damon Linker, writer Dahlia Lithwick, Slate Steven Lukes, New York University John R. MacArthur, publisher, writer

Susan Madrak, writer

Phoebe Maltz Bovy, writer

Greil Marcus Wynton Marsalis, Jazz at Lincoln Center Kati Marton, author Debra Mashek, scholar Deirdre McCloskey, University of Illinois at Chicago John McWhorter, Columbia University Uday Mehta, City University of New York Andrew Moravcsik, Princeton University Yascha Mounk, Persuasion Samuel Moyn, Yale University Meera Nanda, writer and teacher Cary Nelson, University of Illinois at Urbana-Champaign Olivia Nuzzi, New York Magazine Mark Oppenheimer, Yale University Dael Orlandersmith, writer/performer George Packer Nell Irvin Painter, Princeton University (emerita) Greg Pardlo, Rutgers University – Camden Orlando Patterson, Harvard University Steven Pinker, Harvard University Letty Cottin Pogrebin Katha Pollitt, writer Claire Bond Potter, The New School Taufiq Rahim Zia Haider Rahman, writer Jennifer Ratner-Rosenhagen, University of Wisconsin Jonathan Rauch, Brookings Institution/The Atlantic Neil Roberts, political theorist Melvin Rogers, Brown University Kat Rosenfield, writer Loretta J. Ross, Smith College J.K. Rowling Salman Rushdie, New York University Karim Sadjadpour, Carnegie Endowment Daryl Michael Scott, Howard University Diana Senechal, teacher and writer Jennifer Senior, columnist Judith Shulevitz, writer Jesse Singal, journalist Anne-Marie Slaughter Andrew Solomon, writer Deborah Solomon, critic and biographer Allison Stanger, Middlebury College Paul Starr, American Prospect/Princeton University Wendell Steavenson, writer Gloria Steinem, writer and activist Nadine Strossen, New York Law School Ronald S. Sullivan Jr., Harvard Law School Kian Tajbakhsh, Columbia University Zephyr Teachout, Fordham University Cynthia Tucker, University of South Alabama Adaner Usmani, Harvard University Chloe Valdary Helen Vendler, Harvard University Judy B. Walzer Michael Walzer Eric K. Washington, historian Caroline Weber, historian Randi Weingarten, American Federation of Teachers Bari Weiss Sean Wilentz, Princeton University Garry Wills Thomas Chatterton Williams, writer Robert F. Worth, journalist and author Molly Worthen, University of North Carolina at Chapel Hill Matthew Yglesias Emily Yoffe, journalist Cathy Young, journalist Fareed Zakaria

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solo-bolo-trollo · 7 years ago

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A COMPLETE LIST OF FILMS I WATCHED IN 2017

1. A Cure for Wellness (2016, dir. Gore Verbinski)

2. Aguirre, the Wrath of God (1972, dir. Werner Herzog)

3. All About Eve (1950, dir. Joseph L. Mankiewicz)

4. Arrival (2016, dir. Denis Villeneuve)

5. Baby Driver (2017, dir. Edgar Wright)

6. Beauty and the Beast (2017, dir. Bill Condon)

7. Belladonna of Sadness (1973, dir. Eiichi Yamamoto)

8. Big Little Lies (2017, dir. Jean-Marc Vallée)

9. Black Mirror: Hated in the Nation (2016, dir. James Hawes)

10. Black Mirror: Men Against Fire (2016, dir. Jakob Verbruggen)

11. Black Mirror: San Junipero (2016, dir. Owen Harris)

12. Blood Simple. (1984, dir. Joel and Ethan Coen)

13. Born in China (2017, dir. Chuan Lu)

14. Boxing Helena (1993, dir. Jennifer Lynch)

15. Candyman (1992, dir. Bernard Rose)

16. Carnival of Souls (1962, dir. Herk Harvey)

17. Chicago (2002, dir. Rob Marshall)

18. Chico and Rita (2010, dir. Tono Errando, Javier Mariscal and Fernando Trueba)

19. Chris Gethard: Career Suicide (2017, dir. Kimberly Senior)

20. Dogtooth (2009, dir. Yorgos Lanthimos)

21. Dolores Claiborne (1995, dir. Taylor Hackford)

22. Dunkirk (2017, dir. Christopher Nolan)

23. Elle (2016, dir. Paul Verhoeven)

24. Emma (1996, dir. Douglas McGrath)

25. Far from the Madding Crowd (1967, dir. John Schlesinger)

26. Far from the Madding Crowd (2015, dir. Thomas Vinterberg)

27. Faster, Pussycat! Kill! Kill! (1965, dir. Russ Meyer)

28. Father John Misty: Pure Comedy (The Film) (2017, dir. Grant James and Josh Tillman)

29. Frailty (2001, dir. Bill Paxton)

30. Friday (1995, dir. F. Gary Gray)

31. Friday the 13th (1980, dir. Sean S. Cunningham)

32. George Michael: Freedom (2017, dir. David Austin and George Michael)

33. Get Out (2017, dir. Jordan Peele)

34. Ghost (1990, dir. Jerry Zucker)

35. Gray’s Anatomy (1996, dir. Steven Soderbergh)

36. Hamilton’s America (2016, dir. Alex Horwitz)

37. Heaven’s Gate (1980, dir. Michael Cimino)

38. Hidden Figures (2016, dir. Ted Melfi)

39. Holiday (1938, dir. George Cukor)

40. I Am Not Your Negro (2016, dir. Raoul Peck)

41. I Don’t Feel at Home in This World Anymore. (2017, dir. Macon Blair)

42. I Love You Phillip Morris (2009, dir. Glenn Ficarra and John Requa)

43. In a Heartbeat (2017, dir. Esteban Bravo and Beth David)

44. It’s Alive (1974, dir. Larry Cohen)

45. Jackie (2016, dir. Pablo Larraín)

46. Jen Kirkman: Just Keep Livin’? (2017, dir. Lance Bangs)

47. Jim and Andy: The Great Beyond – Featuring a Very Special, Contractually Obligated Mention of Tony Clifton (2017, dir. Chris Smith)

48. Jim Carrey: I Needed Color (2017, dir. David L. Bushell)

49. La La Land (2016, dir. Damien Chazelle)

50. Lawrence of Arabia (1962, dir. David Lean)

51. Lion (2016, dir. Garth Davis)

52. Logan (2017, dir. James Mangold)

53. Logan Lucky (2017, dir. Steven Soderbergh)

54. Lost Highway (1997, dir. David Lynch)

55. Louis C.K. 2017 (2017, dir. Louis C.K.) (yes, I know; this was before I knew about what he did, I’m sorry)

56. Loving (2016, dir. Jeff Nichols)

57. MTV Unplugged: 10,000 Maniacs (1993, dir. Milton Lage)

58. Man on the Moon (1999, dir. Milos Forman)

59. Manchester by the Sea (2016, dir. Kenneth Lonergan)

60. Marc Maron: Too Real (2017, dir. Lynn Shelton)

61. Maria Bamford: Old Baby (2017, dir. Jessica Yu)

62. Mary Poppins (1964, dir. Robert Stevenson)

63. Meet the Feebles (1989, dir. Peter Jackson)

64. Michelle Wolf: Nice Lady (2017, dir. Neal Brennan)

65. Miss Peregrine’s Home for Peculiar Children (2016, dir. Tim Burton)

66. Moana (2016, dir. Ron Clements, Don Hall, John Musker and Chris Williams)

67. Moonlight (2016, dir. Barry Jenkins)

68. mother! (2017, dir. Darren Aronofsky)

69. My Cousin Rachel (2017, dir. Roger Michell)

70. Night of Too Many Stars: America Unites for Autism Programs (2017, dir. Michael Dempsey)

71. New Rose Hotel (1998, dir. Abel Ferrara)

72. Orphan (2009, dir. Jaume Collet-Serra)

73. Over the Garden Wall (2014, dir. Nate Cash)

74. Pete Holmes: Faces and Sounds (2016, dir. Marcus Raboy)

75. Pride and Prejudice (2005, dir. Joe Wright)

76. Psycho (1960, dir. Alfred Hitchcock)

77. Rango (2011, dir. Gore Verbinski)

78. Rear Window (1954, dir. Alfred Hitchcock)

79. Silence (2016, dir. Martin Scorsese)

80. Space Mutiny (1988, dir. Neal Sundstrom and David Winters)

81. Spawn (1997, dir. Mark A.Z. Dippé)

82. Step Brothers (2008, dir. Adam McKay)

83. Strait-Jacket (1964, dir. William Castle)

84. Tale of Tales (2015, dir. Matteo Garrone)

85. Tallulah (2016, dir. Sian Heder)

86. Teeth (2007, dir. Mitchell Lichtenstein)

87. Tetsuo, the Iron Man (1989, dir. Shin’ya Tsukamoto)

88. The Autopsy of Jane Doe (2016, dir. André Øvredal)

89. The Babadook (2014, dir. Jennifer Kent)

90. The Beguiled (2017, dir. Sofia Coppola)

91. The Big Sick (2017, dir. Michael Showalter)

92. The Birth of a Nation (2016, dir. Nate Parker)

93. The Black Cauldron (1985, dir. Ted Berman and Richard Rich)

94. The Bye Bye Man (2017, dir. Stacy Title)

95. The Cable Guy (1996, dir. Ben Stiller)

96. The Conjuring (2013, dir. James Wan)

97. The Crying Game (1992, dir. Neil Jordan)

98. The Founder (2016, dir. John Lee Hancock)

99. The French Connection (1971, dir. William Friedkin)

100. The Killing of a Sacred Deer (2017, dir. Yorgos Lanthimos)

101. The Last Temptation of Christ (1988, dir. Martin Scorsese)

102. The Lego Batman Movie (2017, dir. Chris McKay)

103. The Lost City of Z (2016, dir. James Gray)

104. The Problem with Apu (2017, dir. Michael Melamedoff)

105. The Red Turtle (2016, dir. Michael Dudok de Wit)

106. The Sound of Music (1965, dir. Robert Wise)

107. The Vietnam War (2017, dir. Ken Burns and Lynn Novick)

108. The Visit (2015, dir. M. Night Shyamalan)

109. The Wizard of Lies (2017, dir. Barry Levinson)

110. The World’s Greatest Sinner (1962, dir. Timothy Carey)

111. The Yearling (1946, dir. Clarence Brown)

112. The Young Pope (2016, dir. Paolo Sorrentino)

113. Toni Erdmann (2016, dir. Maren Ade)

114. Total Recall (1990, dir. Paul Verhoeven)

115. Trainspotting (1996, dir. Danny Boyle)

116. Twin Peaks: The Return (2017, dir. David Lynch)

117. Vertigo (1957, dir. Alfred Hitchcock)

118. Watership Down (1978, dir. Martin Rosen)

119. Wayne’s World (1992, dir. Penelope Spheeris)

120. What Ever Happened to Baby Jane? (1962, dir. Robert Aldrich)

121. Winter’s Bone (2010, dir. Debra Granik)

122. Wishful Drinking (2010, dir. Fenton Bailey and Randy Barbato)

#film #cinema #movies #2017

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derby-art-foundation-2016 · 7 years ago

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Research for next week

Catherine Bertola

Over the next two weeks you will be making a variety of work based on Calke Abbey. A feature of Calke is aging and weathering- in the gardens outbuildings and house. As well as gathering your own source materials from drawing and painting, we would like you to do some artist research for Thursday’s lesson. These artists use texture and surface in their work:

Artists to research include (although you don’t have to look at all of these): Catherine Bertola, Joan Schulze, Rodrigo De Filippis, Tapies, Elana Herzog, Anthea Toorchen, Shelley Rhodes, Boyle Family, Alberto Burri, Marie Stockhill, Michaela Mara, Albert Oehlen, Debra Corbett, Nava Lubelski, Gerhard Richter, Roanna Wells, Jo Budd.

Post some on your blog, with the artist’s name. You might also like to add to Pinterest and Flickr, to add multiple research photos.

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pangeanews · 4 years ago

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“Lasciateci dissentire. Siamo scrittori e abbiamo bisogno di una cultura che ci lasci spazio per la sperimentazione, per l’assunzione del rischio e persino per gli errori”. Un appello contro il politicamente corretto

Non solo in Italia, evidentemente, ma anche in America un certo pensiero integralisticamente “correct” ci sta facendo soffocare. E fa cadere teste. Giornalisti, scrittori, studiosi, insegnanti beccati semplicemente a criticare o addirittura a non ossequiare abbastanza il pensiero mainstream perdono il posto di lavoro e di sostentamento. Ostracismo, maledizione sociale, gogna mediatica, perfino la galera stanno tornando di moda non verso persone violente o fraudolente, ma semplicemente per un pensiero espresso, un’opinione pubblicata. Non lo dico io; non lo dice un’accolita di reazionari o fascistoidi di ritorno. Lo dice un appello firmato negli USA da un gran numero di intellettuali, scrittori, docenti liberal e progressisti americani. Ha fatto specie infatti la pubblicazione su “Harper’s Magazine” del 7 luglio 2020 di “Una Lettera sulla Giustizia e sulla Libertà di Opinione” che propone la questione del rischio liberticida nella società causato da una certa deriva del pensiero unico dominante; in America è legata soprattutto ai tragici episodi della violenza della polizia ma anche della moda para-identitaria dei distruttori di statue, ma un rischio del genere in Italia potremmo correrlo anche con leggi come la Zan-Scalfarotto contro l’omotransfobia: qualora fosse approvata, potrebbe bastare una frase sbagliata per finire in prigione. Non so quanta eco questa lettera abbia avuto in Italia, temo molto scarsa. Per questo abbiamo deciso di proporla. Ringrazio per la traduzione Massimo Ridolfi, e non solo per la traduzione, ma anche per il dialogo, squisitamente e liberamente culturale, avuto intorno a queste problematiche. Idealmente ci aggiungiamo ai firmatari, felici di essere ultimi tra cotanto senno. Non sfugga che tra di essi spicca il nome di Noam Chomsky… (Gianfranco Lauretano)

*

Una Lettera sulla Giustizia e sulla Libertà di Opinione

Le nostre istituzioni culturali stanno affrontando un momento di prova. Le dure proteste per rivendicare una eguaglianza etnica e sociale stanno portando a richieste tardive in merito alla riforma delle forze di polizia (caso George Floyd, N.d.T.), insieme a domande più ampie di maggiore uguaglianza e inclusione in tutta la nostra società, non ultima nell’istruzione superiore, nel giornalismo, nella filantropia e nelle arti. Ma questa necessaria resa dei conti ha anche intensificato una nuova serie di atteggiamenti morali e impegni politici che tendono a indebolire le nostre norme che determinano la libertà di opinione e la tolleranza delle differenze a favore di una particolare adesione ideologica. Mentre applaudiamo gli iniziali esiti di tutto questo, alziamo però la nostra voce contro le sue immediate conseguenze. Le forze illiberali certamente stanno guadagnando forza in tutto il mondo e hanno un potente alleato in Donald Trump, che rappresenta una vera minaccia alla democrazia. Ma non bisogna permettere alle forze di opposizione di irrigidirsi e fissarsi nella propria impronta dogmatica o repressiva, che i demagoghi di destra stanno già sfruttando. L’inclusione democratica che desideriamo può essere raggiunta solo se manifestiamo contro il clima di intolleranza che si è palesato da entrambe le parti in causa.

Il libero scambio di informazioni e di idee, linfe vitali di una società liberale, sta diventando sempre più limitato. Mentre ci aspettiamo tale atteggiamento dalla destra radicale, la censura si sta invero diffondendo anche più ampiamente nella cultura cosiddetta democratica: intolleranza alle opinioni contrarie, un particolare gusto per il malgoverno e l’ostracismo, e la tendenza a dissolvere complesse questioni politiche dentro una accecante certezza morale. Sosteniamo il valore di un discorso controcorrente robusto e persino caustico da tutte le parti interessate. Ma ora è fin troppo facile sentire richieste di rapide e severe soluzioni in risposta a comportamenti ritenuti inopportuni e che percepiamo in tal modo solo grazie alla libertà di parola e di pensiero. Ancora più preoccupanti sono quei rappresentanti istituzionali che, nell’intenzione di contenere il danno, in preda al panico, stanno offrendo soluzioni affrettate e sproporzionate invece di riforme ponderate e durature. (Nel campo dell’informazione e della cultura, N.d.T.) i redattori sono licenziati per aver mandato in stampa pezzi controversi; i libri sono ritirati per presunta inautenticità; ai giornalisti è vietato scrivere su determinati argomenti; i professori sono indagati per aver citato opere letterarie in classe; un ricercatore è licenziato per aver fatto circolare uno studio accademico non autorizzato; e chi è a capo di complessi organismi ne viene espulso per quello che a volte è stato solo un errore materiale. Qualunque siano le argomentazioni su ogni particolare caso, il risultato è stato quello di restringere costantemente i confini di ciò che si può dire senza la minaccia di rappresaglie. Stiamo già pagando il prezzo con maggiore rinuncia al rischio da parte di scrittori, artisti e giornalisti che temono di perdere i propri mezzi di sussistenza (redditi, condizione patrimoniale, ecc., N.d.T.) se si discostano dal consenso o mancano di sufficiente zelo al sistema.

Questa atmosfera soffocante alla fine danneggerà quelle che sono le ragioni fondamentali del nostro tempo. La restrizione del dibattito, da parte di un governo repressivo o di una società intollerante, invariabilmente danneggia i più deboli e rende tutti meno capaci alla partecipazione democratica. Il modo per sconfiggere le cattive idee passa solo attraverso l’esposizione, l’argomentazione e la proposta, non certo cercando di zittirle o desiderare di allontanarle. Rifiutiamo qualsiasi falsa scelta tra giustizia e libertà, perché non possono esistere l’una senza l’altra. Come scrittori abbiamo bisogno di una cultura che ci lasci spazio per la sperimentazione, per l’assunzione del rischio e persino per gli errori. Dobbiamo preservare la possibilità di dissentire in buona fede senza il rischio di conseguenze professionali. Se non difendiamo la cosa da cui dipende il nostro lavoro (la Libertà, N.d.T.), non dovremmo aspettarci che il cittadino o lo Stato la difendano per noi.

Firmatari:

Elliot Ackerman Saladin Ambar, Rutgers University Martin Amis Anne Applebaum Marie Arana, author Margaret Atwood John Banville Mia Bay, historian Louis Begley, writer Roger Berkowitz, Bard College Paul Berman, writer Sheri Berman, Barnard College Reginald Dwayne Betts, poet Neil Blair, agent David W. Blight, Yale University Jennifer Finney Boylan, author David Bromwich David Brooks, columnist Ian Buruma, Bard College Lea Carpenter Noam Chomsky, MIT (emeritus) Nicholas A. Christakis, Yale University Roger Cohen, writer Ambassador Frances D. Cook, ret. Drucilla Cornell, Founder, uBuntu Project Kamel Daoud Meghan Daum, writer Gerald Early, Washington University-St. Louis Jeffrey Eugenides, writer Dexter Filkins Federico Finchelstein, The New School Caitlin Flanagan Richard T. Ford, Stanford Law School Kmele Foster David Frum, journalist Francis Fukuyama, Stanford University Atul Gawande, Harvard University Todd Gitlin, Columbia University Kim Ghattas Malcolm Gladwell Michelle Goldberg, columnist Rebecca Goldstein, writer Anthony Grafton, Princeton University David Greenberg, Rutgers University Linda Greenhouse Rinne B. Groff, playwright Sarah Haider, activist Jonathan Haidt, NYU-Stern Roya Hakakian, writer Shadi Hamid, Brookings Institution Jeet Heer, The Nation Katie Herzog, podcast host Susannah Heschel, Dartmouth College Adam Hochschild, author Arlie Russell Hochschild, author Eva Hoffman, writer Coleman Hughes, writer/Manhattan Institute Hussein Ibish, Arab Gulf States Institute Michael Ignatieff Zaid Jilani, journalist Bill T. Jones, New York Live Arts Wendy Kaminer, writer Matthew Karp, Princeton University Garry Kasparov, Renew Democracy Initiative Daniel Kehlmann, writer Randall Kennedy Khaled Khalifa, writer Parag Khanna, author Laura Kipnis, Northwestern University Frances Kissling, Center for Health, Ethics, Social Policy Enrique Krauze, historian Anthony Kronman, Yale University Joy Ladin, Yeshiva University Nicholas Lemann, Columbia University Mark Lilla, Columbia University Susie Linfield, New York University Damon Linker, writer Dahlia Lithwick, Slate Steven Lukes, New York University John R. MacArthur, publisher, writer

Susan Madrak, writer Phoebe Maltz Bovy, writer Greil Marcus Wynton Marsalis, Jazz at Lincoln Center Kati Marton, author Debra Mashek, scholar Deirdre McCloskey, University of Illinois at Chicago John McWhorter, Columbia University Uday Mehta, City University of New York Andrew Moravcsik, Princeton University Yascha Mounk, Persuasion Samuel Moyn, Yale University Meera Nanda, writer and teacher Cary Nelson, University of Illinois at Urbana-Champaign Olivia Nuzzi, New York Magazine Mark Oppenheimer, Yale University Dael Orlandersmith, writer/performer George Packer Nell Irvin Painter, Princeton University (emerita) Greg Pardlo, Rutgers University – Camden Orlando Patterson, Harvard University Steven Pinker, Harvard University Letty Cottin Pogrebin Katha Pollitt, writer Claire Bond Potter, The New School Taufiq Rahim Zia Haider Rahman, writer Jennifer Ratner-Rosenhagen, University of Wisconsin Jonathan Rauch, Brookings Institution/The Atlantic Neil Roberts, political theorist Melvin Rogers, Brown University Kat Rosenfield, writer Loretta J. Ross, Smith College J.K. Rowling Salman Rushdie, New York University Karim Sadjadpour, Carnegie Endowment Daryl Michael Scott, Howard University Diana Senechal, teacher and writer Jennifer Senior, columnist Judith Shulevitz, writer Jesse Singal, journalist Anne-Marie Slaughter Andrew Solomon, writer Deborah Solomon, critic and biographer Allison Stanger, Middlebury College Paul Starr, American Prospect/Princeton University Wendell Steavenson, writer Gloria Steinem, writer and activist Nadine Strossen, New York Law School Ronald S. Sullivan Jr., Harvard Law School Kian Tajbakhsh, Columbia University Zephyr Teachout, Fordham University Cynthia Tucker, University of South Alabama Adaner Usmani, Harvard University Chloe Valdary Helen Vendler, Harvard University Judy B. Walzer Michael Walzer Eric K. Washington, historian Caroline Weber, historian Randi Weingarten, American Federation of Teachers Bari Weiss Sean Wilentz, Princeton University Garry Wills Thomas Chatterton Williams, writer Robert F. Worth, journalist and author Molly Worthen, University of North Carolina at Chapel Hill Matthew Yglesias Emily Yoffe, journalist Cathy Young, journalist Fareed Zakaria

*In copertina: Martin Amis, ragazzo

L'articolo “Lasciateci dissentire. Siamo scrittori e abbiamo bisogno di una cultura che ci lasci spazio per la sperimentazione, per l’assunzione del rischio e persino per gli errori”. Un appello contro il politicamente corretto proviene da Pangea.

from pangea.news https://ift.tt/3fcWvAP

#news #Politica culturale #Gianfranco Lauretano #Harper's Magazine #Letteratura #Libertà #politicamen

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chamorrocarlos · 4 years ago

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Una carta sobre justicia y debate abierto

(Traducción libre no autorizada de la carta del 7 de julio publicada en https://harpers.org/a-letter-on-justice-and-open-debate/ )

Nuestras instituciones culturales enfrentan un momento de prueba. Protestas poderosas para justicia racial y social que están encaminadas para solicitar reformas policiales que ya están en mora, en conjunto con extensos llamados para una mayor igualdad e inclusión en toda la sociedad, no solo en la universidad, el periodismo, la filantropía y las artes. Pero este reclamo necesario también ha intensificado un nuevo conjunto de actitudes y compromisos políticos que tienden a debilitar nuestras normas de libre debate y de tolerancia de diferencias en favor de una conformidad ideológica. Así como aplaudimos el primer desarrollo, nosotros también levantamos nuestras voces contra el segundo. Las fuerzas del iliberalismo están ganando fuerza por todo el mundo y tienen en un poderoso aliado en Donald Thrump, quien representa una amenaza real a la democracia. Pero la resistencia no debe permitirse endurecerse en su propio tipo de dogma o coherción —la cual los demagogos del ala de derechas ya están explotando—. La inclusión democrática que queremos solo puede ser alcanzada si podemos hablar contra el clima de intolerancia que se ha impuesto en todos los lados.

El libre intercambio de información e ideas, la sangre viva de una sociedad liberal, diariamente se hace más restringido. Mientras que hemos llegado a esperar esto de la extrema derecha, la censura también se está expandiendo ampliamente en nuestra cultura: una intolerancia de las visiones opuestas, la moda para la vergüenza pública y el otrasismo, y la tendencia para disolver cuestiones políticas complejas en una certeza moral cegadora. Nosotros sostenemos el valor del contra discurso robusto y a incluso cáustico desde todos los cuartos. Pero ahora es muy común escuchar llamados para rápida y severa retribución en respuesta a percibidas transgresiones de discurso y pensamiento. Aun más problemático, líderes institucionales, en un espíritu de aterrado control de daños están entregando castigos rápidos y desproporcionados, en vez de considerar reformas. Editores que son despedidos por publicar piezas controversial es; libros que son retirados por alegatos de falta de autenticidad; los periodistas están siendo bardeados de escribir sobre ciertos temas; profesores que son investigados por citar trabajos de literatura en las clases; un investigador es despedido por circular un estudio académico revisado en pares; y las cabezas de organizaciones que son expulsados por lo que a veces son errores torpes. Cualquiera que sea el argumento alrededor de cada incidente particular. El resultado ha sido regularmente estrechar los límites de que puede ser dicho sin el temor de represalias. Ya estamos pagando el precio en una mayor aversión al riesgo entre escritores, artistas y periodistas que temen por su sustento si se alejan del consenso, o incluso si carecen del suficiente fervor en acuerdo.

La atmósfera sofocante ultimadamente dañará las causas más vitales de nuestro tiempo. La restricción del debate, ya sea por un gobierno represivo o una sociedad intolerante, hiere invariablemente a aquellos que no tienen poder y hacen a todos menos capaces de una participación democrática. El modo de vencer malas ideas es por exposición, argumentación y persuasión, no por intentar silenciarlas o desaparecerlas. Rechazamos cualquier falsa elección entre justicia y libertad, las cuales no pueden existir la una sin la otra. Como escritores necesitamos una cultura que nos deje espacio a la experimentación, toma de riesgos, e incluso errores. Necesitamos preservar la posibilidad de desacuerdo en buena fe sin enfrentar consecuencias profesionales. Si no defendemos lo más escencial de lo que depende nuestro trabajo, no podemos esperar que el público o el estado lo defienda por nosotros.

Elliot Ackerman

Saladin Ambar, Rutgers University

Martin Amis

Anne Applebaum

Marie Arana, author

Margaret Atwood

John Banville

Mia Bay, historian

Louis Begley, writer

Roger Berkowitz, Bard College

Paul Berman, writer

Sheri Berman, Barnard College

Reginald Dwayne Betts, poet

Neil Blair, agent

David W. Blight, Yale University

Jennifer Finney Boylan, author

David Bromwich

David Brooks, columnist

Ian Buruma, Bard College

Lea Carpenter

Noam Chomsky, MIT (emeritus)

Nicholas A. Christakis, Yale University

Roger Cohen, writer

Ambassador Frances D. Cook, ret.

Drucilla Cornell, Founder, uBuntu Project

Kamel Daoud

Meghan Daum, writer

Gerald Early, Washington University-St. Louis

Jeffrey Eugenides, writer

Dexter Filkins

Federico Finchelstein, The New School

Caitlin Flanagan

Richard T. Ford, Stanford Law School

Kmele Foster

David Frum, journalist

Francis Fukuyama, Stanford University

Atul Gawande, Harvard University

Todd Gitlin, Columbia University

Kim Ghattas

Malcolm Gladwell

Michelle Goldberg, columnist

Rebecca Goldstein, writer

Anthony Grafton, Princeton University

David Greenberg, Rutgers University

Linda Greenhouse

Rinne B. Groff, playwright

Sarah Haider, activist

Jonathan Haidt, NYU-Stern

Roya Hakakian, writer

Shadi Hamid, Brookings Institution

Jeet Heer, The Nation

Katie Herzog, podcast host

Susannah Heschel, Dartmouth College

Adam Hochschild, author

Arlie Russell Hochschild, author

Eva Hoffman, writer

Coleman Hughes, writer/Manhattan Institute

Hussein Ibish, Arab Gulf States Institute

Michael Ignatieff

Zaid Jilani, journalist

Bill T. Jones, New York Live Arts

Wendy Kaminer, writer

Matthew Karp, Princeton University

Garry Kasparov, Renew Democracy Initiative

Daniel Kehlmann, writer

Randall Kennedy

Khaled Khalifa, writer

Parag Khanna, author

Laura Kipnis, Northwestern University

Frances Kissling, Center for Health, Ethics, Social Policy

Enrique Krauze, historian

Anthony Kronman, Yale University

Joy Ladin, Yeshiva University

Nicholas Lemann, Columbia University

Mark Lilla, Columbia University

Susie Linfield, New York University

Damon Linker, writer

Dahlia Lithwick, Slate

Steven Lukes, New York University

John R. MacArthur, publisher, writer Susan Madrak, writer

Phoebe Maltz Bovy, writer

Greil Marcus

Wynton Marsalis, Jazz at Lincoln Center

Kati Marton, author

Debra Mashek, scholar

Deirdre McCloskey, University of Illinois at Chicago

John McWhorte

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psycheblog-uk · 5 years ago

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Diagnostic Crossover in Anorexia Nervosa and Bulimia Nervosa: Implications for DSM-V

ArticleFull Access Kamryn T. Eddy Ph.D. David J. Dorer Ph.D. Debra L. Franko Ph.D. Kavita Tahilani B.S. Heather Thompson-Brenner Ph.D. David B. Herzog M.D. Published Online:1 Feb 2008https://doi.org/10.1176/appi.ajp.2007.07060951

Abstract

Objective:The Diagnostic and Statistical Manual of Mental Disorders (DSM) is designed primarily as a clinical tool. Yet high rates of…

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chocolateheal · 6 years ago

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pensamentsisomnis · 7 years ago

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youtube

Una Historia de Venganza - Trailer (HD)

Director: Elliott Lester Reparto: Arnold Schwarzenegger, Maggie Grace, Kevin Zegers, Scoot McNairy, Hannah Ware, Glenn Morshower, Mariana Klaveno, Mo McRae, Theresa Cook, Debra Herzog

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ovc-bulletin · 7 years ago

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Newly Published Research at the Ontario Veterinary College, University of Guelph

Each week the Ontario Veterinary College at the University of Guelph will be sharing newly published work from faculty and graduate students. If you have a new publication that has not been included in this listing, please email links to the communication team at [email protected].

Department of Biomedical Sciences

Low levels of exosomal-miRNAs in maternal blood are associated with early pregnancy loss in cloned cattle T. H. C. De Bem, J. C da Silveira, R. V. Sampaio, J. R. Sangalli, M. L. F. Oliveira, R. M. Ferreira, L. A. Silva, F. Perecin, W. A. King, F. V. Meirelles & E. S. Ramos Scientific Reports- October 30, 2017.

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Department of Pathobiology

Interactions between lactobacilli and chicken macrophages induce antiviral responses against avian influenza virus Bahram Shojadoost, Raveendra R. Kulkarni, Jennifer T. Brisbin, Wanderley Quinteiro-Filho, Tamiru N. Alkie, Shayan Shari- Research in Veterinary Science, available online 31 October 2017.

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movieandtvreviews · 8 years ago

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Lionsgate have released the latest official trailer for the new movie Aftermath. Starring Arnold Schwarzenegger, Maggie Grace, Scoot McNairy, Kevin Zegers, Hannah Ware, Glenn Morshower, Mariana Klaveno, Larry Sullivan, Mo McRae, Larry Sullivan, Theresa Cook, Debra Herzog, Ted Williams, Michael Lowry and Kim Evans.

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