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stllmnstr · 8 months ago

Text

sacred monsters: part one

pairing: lee heeseung x f reader

genre: academic rivals to lovers, vampire au, slow burn

part one word count: 19.3k

part one warnings: swearing, blood and all sorts of other vampire-y things, semi graphic descriptions/depictions of violence, I don't know anything about publishing and wrote about it anyway, not quite as much in this part, but I want to forewarn you that while there is still nothing explicit, we do get a little ~sexier~ than most stllmnstr fics

note/disclaimer: I have been itching to write an enha vampire fic for ages because hello? the material is RIGHT THERE!! this is a story I'm super excited about, and it's definitely gotten me out of my comfort zone. in order to help build this world, I did draw from some outside sources. primarily, a lot of the vampire lore and some plot elements are inspired by the dark moon webtoon series. I did also pull some things from twilight and other well-known vampire myths. lastly, there is a section with "poetry" in it. these "poems" are translated lyrics from still monster, chaconne, and lucifer by enhypen. some are in their original form and some I altered slightly. everything else is straight from yours truly! as always, happy reading ♡

soundtrack: still monster / moonstruck / lucifer - enhypen / everybody wants to rule the world - tears for fears / immortal - marina / supermassive black hole - muse / saturn - sleeping at last / everybody’s watching me (uh oh) - the neighbourhood

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A literature student in your third year of university, you’ve been dreaming of having your writing published for as long as you can remember. With a perfect opportunity dangling at your fingertips, the only obstacle that stands in your way comes in the form of a ridiculously tall, stupidly handsome, and unfortunately, very talented writer by the name of Lee Heeseung. Unwilling to let your dream slip out of reach, you commit to being better than the aforementioned pain in your ass at absolutely everything.

But when a string of vampire attacks strikes close to your city for the first time in nearly two hundred years, publishing is suddenly the last thing on your mind. And, as you soon begin to discover, Heeseung may not quite be the person you thought he was.

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The last sip of your coffee tastes bitter on your tongue. Acidic, like it was left to brew too long. Or maybe not long enough. Your limited knowledge of coffee extends to its effects on your alertness and little else.

Taste has always been an afterthought, something of little consequence. Besides, some bitterness is to be expected when you take your coffee black.

Suppressing the small wince that always follows your final sip, you set the reusable thermos down on your desk. Next to your open notebook and favorite ballpoint pen, it settles in nicely with your other class essentials.

Call it poetic or romantic or unbearably pretentious, but you actually do prefer to take your notes by hand. Partly because it feels more fitting for a literature major and mostly because your laptop is on its last leg and between tuition and rent, you don’t exactly have the funds to shell out for a new one.

Frowning at the bitter taste that still lingers on your tongue, you feel another pang of regret for forgetting to pack your water bottle this morning. But no matter. Today is a day for optimism. The bitterness now only means that your imminent victory will taste that much sweeter in comparison.

Because today is the last day of the fall semester of your third year. Which means that this is the last morning you’ll be sitting here in this lecture hall in the minutes preceding 9 am.

Which means that today is the day of your professor’s long awaited announcement. You still remember the day, nearly four months ago, when he first told the entire room of undermotivated, overcaffeinated students about it.

A publishing opportunity. A real, actual publishing opportunity. Something most literature students would sell their soul for.

Because Professor Kim, while a rather mediocre professor who prefers to dish out criticism and bite back praise, has an excellent eye for great writing. So much so that nearly twenty years ago, he founded his very own publishing house.

Known by the name New Haven Publishing, it’s a small operation that deals mostly in short pieces that are marketed more for niche literary circles than mass public appeal. Being published by New Haven may not be a straight shot to the New York Times�� Best Sellers List, but it’s still professional publishing.

And a week into classes, he announced that for the first time ever, he would be choosing one of you to not only intern at New Haven the following semester, but also to publish an original piece of short fiction with them.

You’ve been fantasizing about it for months now. You can already imagine it. A piece of your very own, marketed and edited by professionals. Published and complete with Professor Kim’s stamp of approval.

It’s what you’ve been craving ever since you decided to switch paths and pursue literature studies at the end of your first semester. It’s everything you’re sure you need. Validation that your writing is good, that your words are worth reading.

Hell, maybe it will even earn you the approval of your parents.

And, perhaps most satisfying of all, you will have officially beaten Lee Heeseng once and for all. You don’t want to speak poorly of the rest of your classmates and their writing abilities, but this has always been a competition between you and him.

Or, at least, it has been for you.

It’s the last day of the semester, and honestly, you wouldn’t be surprised if Heeseung still had a hard time remembering that the internship was even happening. Then again, you wouldn’t exactly be shocked if he couldn't remember your name, either.

And if you were hard pressed to choose only one thing, that would probably be what annoys you the most about him. Not the way his hair is alway somehow perfectly mussed. Not the way his writing is painfully beautiful and poetic that you swell green with envy just thinking about it.

No, the root cause of your infinite ire when it comes to Lee Heeseung is how damn aloof he is. Like his classmates and professors and even his greatest rival aren’t worth the effort of remembering.

And it’s not like it’s because he’s got some kind of crazy social life outside of academics. Other than mandatory discussion groups, you’re not sure you’ve ever seen him so much as talk to anyone.

But that’s just the way he is, you suppose.

Perfect Heeseung with his perfect hair and his perfect writing and perfect attendance record doesn’t need anyone but himself—

Wait.

Perfect attendance record.

Glancing at the clock mounted high above the front door of the lecture hall, you can hardly believe what you’re seeing.

8:59.

There’s no way. There’s no fucking way that the universe is rooting for you this hard, that the stars are aligning this perfectly.

Despite your doubts, the second hand continues its onward march. You suppress the sudden urge to bounce your leg in a matching rhythm.

He has five seconds.

Four. Three. Two. One.

And it’s official. A ridiculous amount of pent up tension drains from your shoulders as your spine straightens. You can’t believe it was that easy.

A semester of agonizing over every word, every sentence, every assignment you handed in for this class. A semester of panicking over missed buses and waking up way too early just to make sure you always beat the clock.

But today is the day where everything comes to a head.

And Lee Heeseung is officially late.

Professor Kim, at the beginning of the semester, had only two pieces of advice to offer his students that were suddenly all gunning for a shot at being published:

One: “Don’t make me read awful writing.”

And two: “Don’t be late to class. I have zero tolerance for tardiness.”

Heeseung has just broken a cardinal rule. One row down, nine seats to the left from where you sit. It’s the place that would usually be filled with an annoyingly broad set of shoulders and distractingly sharp jawline. In fact, Heeseung usually beats you here most days. Not that you’re keeping track, of course. And not that it matters.

Because this morning, this fateful morning, that particular seat, his seat, is glaringly, gloriously empty.

Your eyes flicker over to it again without your permission. But you can’t help it. You’re so antsy now, teeming with self-satisfied excitement. It’s almost unbelievable actually. A golden stroke of luck that he chose today, of all days, to be late.

In fact, you think the more you stare at the empty seat, Lee Heeseung is such a reliable presence that the entire lecture hall suddenly seems a bit off kilter. Tilted too far in some precarious state of imbalance.

Your smugness is still there, yes, but now there’s also a heavy feeling beginning to settle at the bottom of your gut. Why on earth is Lee Heeseung late?

You’re so distracted by his absence, the endless loop of possibilities and explanations running through your mind, that you almost miss the second abnormality of the morning.

Because now the clock reads 9:04, and Heeseung isn’t the only one missing.

All at once, your attention is on the podium at the front of the lecture hall. It’s empty, too. And Professor Kim may be a hardass, but he’s no hypocrite. Never once throughout this entire semester has he ever begun a class even a millisecond late.

Frowning, you pull out your phone to confirm that the clock on the wall is not playing tricks on you. Maybe there was a power outage or something, and maintenance hasn’t had time to correct it yet.

But your phone screen lights up, and 9:05 is the time that stares back at you.

Glancing around, no one else seems too particularly bothered by this. There are a few titters, a few annoyed grumbles that sound like hypocrite and double standard where they reach your ears.

But still, the clock ticks forward.

The minute hand has fallen another two notches when the front door finally opens, Professor Kim striding in unhurried. Despite his lateness, his steps are steady, even. There’s nothing frantic or apologetic about the way he sets his briefcase down next to the podium, pulling out his laptop and a small stack of notes before clearing his throat.

As the students around you fall silent, class begins as it always does. Other than the time, nothing is out of the ordinary.

But your spirits are still high, and you figure you can cut your professor some slack. Maybe he ran into a bad bit of traffic or spilled coffee all over his shirt. Maybe he’s too embarrassed to draw more attention to his error and has decided that not acknowledging it at all is the best course of action.

Oh, well. It’s no use ruminating on it now. Settling back into your seat, you do your best to focus your attention on the front of the room and not that damn empty chair. But the distraction isn’t necessary for long.

The clock is just striking 9:12 when a second late arrival draws the eyes of the class to the front door of the lecture hall. Like your professor, Heeseung maintains a certain air of composedness as he makes his way towards his seat wordlessly.

There’s a moment, a fraction of a second, where Professor Kim pauses, letting a sentence drift into silence.

Twelve minutes late. It’s a rookie mistake. For a fleeting moment, you almost feel bad for him. Because surely Professor Kim is about to make an example of him. No one walks into his lectures late and leaves unscathed.

Wincing, you remember a handful of weeks ago when a poor girl that sits a few rows behind you arrived late. Not only had Professor Kim stopped the entire flow of his lecture to draw attention to her tardiness, he had also assigned her an extra short story for homework. One on the merits of punctuality.

But the ebb in the lecture begins to flow again, the moment passing as soon as it comes. Heeseung settles into his chair. Your professor resumes his sentence.

For the remainder of the class, you do your best to pay attention, but you’re having trouble finding a point. It’s not like he can assign homework or an exam or a discussion on the last day of the semester.

Like you, most of your peers are fully zoned out, just waiting for him to get to what everyone has been dying to know for months.

Who’s interning at New Haven? Who’s getting published?

But distractions in this class have never been hard to come by. More than once, you find your wandering gaze drifting to the back of Heeseung’s head. Usually, you’d be bitterly admiring how soft his hair looks. But today, there’s only one question that plays in your mind as you stare.

What on earth happened that made perfect Lee Heeseung late?

Your thoughts are only interrupted by the sudden shuffle of small movement around you as everyone sits up a bit straighter in their seats.

“Ah,” Professor Kim glances at the time. “That wraps up our semester, then. As promised, I would like to announce the student who will be interning with New Haven Publishing this upcoming semester. And, of course, the student that will have the opportunity to publish an original piece with us.”

He pauses for a moment, looking down at his notes. You wonder if the people sitting close to you can hear the way your heart pounds in your chest.

Please be me. Please be me. Please be me.

The rushing in your ears is so loud that you almost miss it. But not quite. Because the sound of your own name is something you’d recognize anywhere.

Because it was your name that he said. Not anyone else’s. Not Heeseung’s.

You. You did it.

You’re officially going to be interning with New Haven. You’re going to be published.

When he asks you to stay a minute after class to discuss the details, it’s all you can do to nod. Butterflies are still scattered in your stomach.

As the rest of the students begin to file out, you pack up your materials with hands that shake slightly. It doesn’t feel real. It feels too good to be true. You poured your everything into this all semester long, and now it’s actually happening.

Your mind is a mess, and an erratic movement almost sends your empty thermos flying. Luckily, you snap out of it long enough to catch it before it hits the ground. With everything packed back into your bag, you make your way down to the podium on slightly unsteady feet.

A handful of passing classmates congratulate you on their way out, and you smile in return.

You’ve almost made it to the front of the lecture hall when a body blocks your path. It takes a moment for your brain to register the identity of the offender. And once it does, it spits his name with venom. Heeseung.

Oblivious and self-centered as always, he nearly knocks you over. Rolling your eyes, you move to step around him. Apparently whatever gift he was given for writing doesn’t extend to his spatial awareness or consideration for others.

But as you lean to the left, he follows the movement, still in your path. Your gaze snaps up, eyebrows raised when you find him already looking at you.

Oh. So it’s not a spatial awareness problem, then. He’s in your way on purpose.

As always, his expression is infuriatingly blank. You can’t get any sort of read on him, and it unnerves you. Irritates you. Here he is, blocking your path, and the only thing he has to offer you is an empty, silent stare.

You could just say excuse me, force your way around him, and be done with it. You should. The semester is over, your professor’s decision is made, and you have no stake left in this game.

But you’ve been biting back snarky comments and masking irritated expressions with mild indifference for months. The nerve he has to block you. The utter gall of it all. To physically stand in your way when he’s been your metaphorical obstacle to success all semester.

When every time you look at him, you still remember that one sunny afternoon, early in the semester. The time you tried, actually tried to be his friend. When he waved you off like a buzzing fly that was nothing more than a nuisance.

You inhale, weighing your options. His head tilts slightly at the movement, and it’s your last straw.

There’s poison in your voice when you bite, “Oh, what? Now that I’ve proved myself, you can spare some time out of your day to talk to me?”

Heeseung’s eyes widen, lips parting slightly. It’s the most emotion you’ve ever seen from him, and he’s wasting it on shock. As if he can’t quite comprehend why the girl he’s been giving headaches for months might not want to stop and have a friendly chat with him. Not that you imagine he’d even be capable of that if you tried.

Already, you regret your comment. In a perfect world, you wouldn’t have said anything. You’d be just as detached and cold and aloof as he was on that day you hate to think about. You still remember it like it was yesterday. Without your permission, the memory floats front and center to your mind.

It was warmer, then. The last clutches of summer were still holding on tight. Sunlight was bright in the sky, and it felt like a good time to breach the barrier of your comfort zone.

Class had just ended. Usually, Heeseung was one of the first to leave. You had to pack up abnormally quickly just to catch him in the quad right outside the lecture hall.

But you did catch up to him.

And in a voice braver than you felt, you asked, “Hey, it’s Heeseung, right?”

You’d been brighter, then. Still full of an energy you haven’t been able to muster since midterms. Not yet burdened by the weight of assignments and rejection, your disposition was as sunny as the sky above.

Heeseung hadn’t bothered to dignify your question with an actual answer, but he had at least stopped walking, and that seemed like an invitation at the time. Now, with the power of hindsight, you wince. You should have spared yourself the regret.

You remember watching as he pulled out his earbuds, tucking them back into his pocket before turning his attention to you. Or at least half of it. Even then, you never felt like he was truly looking at you, hearing you. His mind always seemed off in the distance, preoccupied somewhere you could never quite reach.

You recall being nervous, heat in your cheeks as you tucked a loose strand of hair behind your ear. His eyes tracked the movement like a cat tracks a ray of sunlight. Lazily, intently. With an energy you weren’t quite sure what to do with.

Instead, you had stuttered, “I, uh, I wanted to tell you that I thought your analysis today was brilliant.” The worst part is that it really was a brilliant analysis. Although you’d never admit that today, and much less to his face.

Instead, you cringe just thinking about it. You should have taken his blank stare as a sign. You should have just let the one-sided conversation die there. With at least a little dignity and some of your pride left to spare.

But you hadn’t.

“I never thought about the use of sunlight as a metaphor for life. I mean, now that you’ve pointed it out, it seems kind of obvious.” The memory of your nervous giggles settle like rocks in your stomach. “Anyway, I feel like I’m rambling, but if you ever want to get together and look through assignments or review each other’s analyses, I’d love to—”

You’d heard his voice before, of course. In class discussions and presentations. But never this close. And never directed at you.

He kept it short, his interruption, his response to your shaky offer.

“I’m busy.”

And that was it. Two words. Two fucking words. And not even an explanation or an I’m sorry or a sheepish expression to go along with them.

With that, you’d watched, a bit helplessly, as he pulled his earbuds out of his pocket, put them back into his ears and turned away from you before you could realize just how thoroughly you’d been rejected.

With a sudden haze in the air and hope dying in your heart, your friendly smile slipped into confused dismay as you watched him track a steady path across the quad.

If your cheekbones felt warm before, you were sure they must have been aflame by then. After all, it was your body’s natural response to the crushing weight of the embarrassment and thoroughly bruised ego he’d left you there standing with.

Fine then, you’d resolved after walking as quickly as you could in the opposite direction, sending a prayer to the heavens that no one from your class had just witnessed the most mortifying interaction you’ve ever had. If Lee Heeseung wanted nothing to do with you, the feeling could be mutual.

In fact, it was probably for the best. You were vying for that internship and if the past class discussions were anything to go by, Heeseung would be your only real competition. If he was too busy for you, then you would just have to be too busy for him.

Too busy perfecting every assignment and acing every exam. Too busy drowning in dictionaries and thesauruses and reference materials to make sure everything you submitted was perfect — no, scratch that — better than perfect.

Too busy to attempt another conversation or interaction or do anything but nod along politely whenever he did make an unfortunately great point in class.

So, no. Heeseung doesn’t get to dictate your time or attention or conversation now that you’ve actually been awarded with a publishing opportunity, now that all of your efforts and dedication and late nights have paid off.

If Lee Heeseung wants a bit of your attention on today of all days, at this moment of all moments, then you’re just going to have to be too busy to entertain him.

Standing in front of you, still blocking your path to the podium, Heeseung has the nerve to look confused. As if you have no reason to give him the cold shoulder. As if you’re the one being unreasonable here.

His brow furrows further. “What?” It’s the third word he’s ever spoken directly to you. It makes your blood boil. “No, I…” he trails off. You can practically see the gears running in his mind, like this wasn’t the conversation he expected to be having. Like he has no idea how to navigate it now. “I was just going to say that you should maybe reconsider.”

Your voice is ice when you ask, “Reconsider what?”

“Well…” He’s treading in dangerous territory, and he seems to realize it too. “The internship,” he clarifies, and it’s the second most insulting thing he’s ever said to your face.

You screw your eyes shut. Cold and detached. Blank and aloof. All the things you should be. But you’ve always run a little hot. And end of the semester exhaustion finds you more willing to throw caution to the wind.

“You have got to be fucking with me.” Eyes reopening, you’re met with that same expression of mild shock. Brows raised, lips parted. And god, he even looks good like that. “Yeah, right. Let me guess, so you can do the internship and publish a piece of your own? If all you came over to do is insult me, then save your breath.”

“What?” He still looks so damn confused. “No, I—”

You don’t want to hear it. “I have nothing to say to you.” If he won’t get out of your way, you’ll just have to go through him. The shoulder check is maybe slightly more intense than it needs to be as you shove your way past him. He barely stumbles back an inch. It makes you want to rip your hair out. “Besides,” you add, not bothering to turn back to look at him. “I’m busy.”

It’s a dig at him, yes, but it’s also true. You are. This is the opportunity of a lifetime, and Lee Heeseung is not about to ruin it for you.

To your unending gratitude, he doesn’t try to intercept you again. Your path to the front of the lecture hall is clear, and Professor Kim is just tucking his laptop back into his briefcase when you reach the podium.

Ultimately, it’s a watered down version of the million times you’ve imagined this moment in your head. Even coming on the tail end of the most annoying interaction you’ve had in months. Professor Kim congratulates you again, and hands you a printed schedule of when you’ll be expected at the publishing office for the first time.

There are also submission dates. Deadlines for you to submit drafts of the piece that you’ll be publishing. You take it all in with a beam and enthusiastic nods, mishap with Heeseung from minutes ago all but forgotten.

That is, until Professor Kim’s gaze lands somewhere over your shoulder after he tells you he’ll also send you a follow-up email with all the information you need.

You watch as his expression shifts, something uneasy, distrustful entering his gaze as he looks beyond you. “Something I can help you with, Mr. Lee?”

Following his gaze, you turn to look behind you. The lecture hall is empty, students cleared out from the class that dismissed nearly five minutes ago. All except for one, that is.

Gone is the shock from Heeseung’s delicately sharp features. Instead, he wears his mask of indifference again, betraying no emotion. You must be imagining the way it looks almost strained this time, as if he’s forcing his expression into neutrality instead of it there of its own accord.

Wordlessly, his gaze shifts to you.

And now it’s your turn to be confused, but you won’t let it last long. At least not outwardly. You’re quick to match his gaze with nothing but pure ire, venom dripping seeping from every inch of your glare.

Is he seriously still trying to ruin this for you? So much for being busy.

“No, sir.” Heeseung shakes his head. He’s addressing your professor, but he’s still looking at you. A muscle ticks in his jaw, betrays a hint of tension. “I was just on my way out.”

True to his word, he begins a steady descent towards the front door.

Your professor clears his throat, turns his attention back to you, resuming the wrap-up of your conversation.

You’re extra grateful for that follow-up email now, given the way movement in your periphery distracts you from Professor Kim’s last few statements. Instead, your focus hones in on the even footsteps that carry Heeseung to the door, allow him to slip through it silently.

It must be a trick of the light, must be a figment of your overworked, over irritated imagination. But you swear you see him linger there, just on the other side of the small glass window carved into the door.

Professor Kim says his parting words, and you thank him one final time. If there’s an unnatural quickness in your footsteps as you turn to leave, you tell yourself that it’s because you’re excited to get started on your draft, not because you have the sneaking suspicion Heeseung is still standing just on the other side of the door.

But you swear that’s his silhouette you see as you draw closer, shrouded in shadows but distinct all the same. You’re debating the merits of shouting at him or maybe accidentally shoulder checking him again as you pull open the door handle, a little more roughly than you intend.

But the only thing that greets you on the other side of the door is a nearly empty hallway, save for the pair of students bent over a laptop a few paces away. You ignore their twin expressions of shock as you let the door fall closed behind you, much more calmly than you opened it.

…..

The blank expanse of your notebook stares at you accusingly.

You’d stare back, if that would somehow make words appear on the page. Sighing, you reach for your long forgotten cup of tea sitting on your desk. Taking a slow sip, you realize it’s gone cold.

That just makes you double down on your frustration. How long have you been sitting here, waiting for inspiration to strike?

People always talk about the merits of a change in scenery, but ever since you started your first semester of university three years ago, your favorite place to write has always been here, at the small, simple desk that sits in the corner of your bedroom.

Back then, writing was a hobby. Something to do when the last of your biochemistry homework was finished. A way to release pent-up stress and tension from long days in the university lab and long hours feeling like you were drowning between all of the extra study sessions, TA workshops, and office hours.

At first, it had been worth it. You maintained high grades and high spirits. Mostly because of the small sprinkles of support your parents showered you with.

Every little You got this! that lit up your phone screen on dreary afternoons and We believe in you! that made your evening lectures a little more bearable felt like tokens of your parents’ affection. Something tangible to show for the care they held for you.

Most of all, you cherished the We’re proud of you messages. You can’t remember the last time you received one.

And it’s not like they were mad, exactly, when you told them you wanted to change majors. They did their best to be supportive in the ways that they knew how.

For your father, that was concern. “Are you sure? Literature? What do the job prospects after graduation look like?”

And for your mother, that was letting you know that she thought you were capable of more. Of better. “It’s not that literature is bad, sweetie. It’s just… Well, you’ve always been such a smart girl…”

You get it; you really do. All the questions and prodding comments that felt like criticism were wrapped in nothing but love. But that didn’t do much to soften the sting.

In the end, it was this desk that made you follow through with your change in major. Slumped in your hand-me-down chair late one Friday night, half finished lab report sitting untouched in your bag, the threat of tears burning at the corners of your eyes, all you wanted to do was write.

To put into words the feelings and emotions and fantasies and frustrations that you could never seem to express otherwise. To commit a piece of your soul to paper and wonder if maybe, just maybe, there was someone else out there who would read it and find a sense of solidarity, of common ground.

You submitted your official change request the next morning. You never regretted it once.

But your parents still make comments, still share their concerns. And for the last three years, you haven’t had anything to show for it except for empty promises. But now, you have something. A real something.

Publishing a story of your own is the exact validation that you need that your choice was the right one. And it’s the proof you need to assuage your parents’ fears, to show them that pursuing literature was the right call. That you can carve out a life for yourself with it.

You’ve fantasized about this for years. For the chance to have your voice heard, your words read. There are a million half-baked thoughts and partially written drafts scattered in your notebooks and digital documents and on the corners of takeout napkins that have been lying in wait for a moment just like this.

But no matter how hard you stare at the page in front of you, the words just won’t come. The more old drafts you scour, the more amateur your writing feels. The more you feel like maybe Heeseung should have won the internship over you.

It’s a miserable cycle your brain works itself into. The less you write, the more you criticize, the more you wonder.

What if he hadn’t been late that morning? What if Professor Kim was hoping to choose him instead? What if the reason he didn’t say anything when Heeseung finally arrived in class was because he was so disappointed that his first choice wasn’t an option anymore?

Groaning out loud to an empty room, your head falls on your desk with a muted thud.

It’s there, facedown on your desk, where an idea strikes you. If you can’t manifest a draft out of thin air, maybe you just need some parameters. A general guide to get the creative juices flowing.

Lifting your head back up, you push your notebook to the side and reach for your laptop. Opening a web browser, you navigate to New Haven Publishing House’s homepage.

It’s a simple website, reflective of its simple namesake. Chin in one hand, you click the link that reads Recently Published.

The list that pops up is modest. Unlike a larger, more corporate publishing house, your professor’s self-made enterprise is churning out new releases at a slower rate and smaller volume.

Perusing the titles and descriptions, you note that the vast majority of the works are short form fiction. There are very few full length novels. The majority is made up of essay and poetry collections, short stories, and memoirs.

Scanning the list again, a title close to the top catches your eye.

The Thirst for Revenge: An Analysis of Contemporary Vampire Activity. It was published less than a month ago.

Your cursor hovers over the link, brow furrowing. It strikes you as odd that something so… archaic would be published so recently.

Professor Kim has always come across as a discerning man. Someone that prides himself on his well curated taste.

But vampires… that’s hardly a headline worthy topic these days.

While most people still practice caution walking down dark alleyways at night and some even go so far as to carry charms infused with garlic cloves, monsters of the night are by and large a thing of the past.

The entire species of bloodthirsty, ravaging immortals were hunted to near extinction almost two hundred years ago. Those that survived relocated to remote areas. Some adapted to life in the countryside by learning to enjoy the taste of animal blood. Others found humans willing to donate small portions of their own blood intermittently. You won’t pretend to understand, but you suppose it’s preferable to the alternative.

Some still hunted in the traditional way, of course, but vampire attacks on humans are few are far between these days. After all, vampires, as a means of survival, have all but forsaken major urban areas. Population density spells demise for their species.

You’d have to confirm through research, but if you remember correctly, the last recorded vampire-related death in your city was nearly two hundred years ago.

Without bothering to click on the link, you continue scrolling down. Honestly, it was probably just a fluke. After all, who knows? Maybe there’s some niche circle out there that enjoys analyzing vampire literature, regardless of how outdated it is.

The next title seems a bit more promising. Shadowless Nights. The brief description marks it as a short story published half a year ago.

You click on it, take a sip of room temperature tea while the page loads.

Night was my favorite time of day, the first line reads.

I loved the stillness of it all, the all encompassing serenity. With the moon in the sky and stars in my eyes, every moment felt like a secret between me and the universe. Something we alone shared.

I whispered secrets to the earth and held hers in return. My days felt like dreams. Distant, blurry, faded. It was only then, in the distinct stillness of midnight, that I truly came alive.

Interesting, you think. It’s a bit more melodramatic than you expected, but maybe your professor prefers a poetic touch.

In the night, I earned peace. And in the night, I learned fear.

It came slowly at first, that sinking feeling of dread. The horrible suspicion that made the hair on the back of my neck feel sharp, the air in my throat feel shallow.

But if I have learned anything of monsters, it is that they revel in that fear. That sickeningly overt reminder of mortality, of humanity. The way I couldn’t help the racing of my pulse, the darting of my eyes.

He enjoyed it, toying with me from the shadows. Watching me become desperate, watching me become weak.

But it paled in comparison, I’m sure, with what came next. Every story has its climax, and every beginning has its end. For him, it was the sweet, clean taste of my blood.

Wait. Another vampire story? One was strange enough, but for the last two published works at New Haven to be vampire related doesn’t feel like a coincidence. Especially since the more you read, the more you realize it’s not as much of a story as it is thinly veiled anti-vampire rhetoric.

The dramatized descriptions of a weak, innocent female lead being victimized by a faceless, bloodthirsty monster. It just feels… strange. Outdated. Irrelevant, even.

Clicking back to the list, you scan over the next five entries. All of them are more or less the same. Some are more metaphorical than others, abstract in their rhetoric, but the topic is always the same. And the conclusion always affirms the immense, inevitable, irredeemable blight that vampirism is to the world.

It’s just bizarre. Especially considering that Professor Kim never once had you analyze any anti-vampire propaganda throughout the entire semester. In fact, you were never assigned to read anything vampire related at all.

If this type of literature is so central to his professional career, it doesn't make sense to you that he wouldn’t incorporate it into his class. Especially considering the fact that he was awarding an internship at New Haven to one of the students.

You take another long sip of cold tea. Well… you could try to come up with something that aligns with the current profile of New Haven’s recently published works. It’s not like you’ve ever written anything related to vampires. Maybe you just need to think of it as a writing exercise, a challenge of sorts. Producing a piece that feels relevant and fresh even if the central topic is a bit out of style.

According to the revision schedule Professor Kim gave you, your first draft issue in a week and a half. The same day that you’re set to go to New Haven for the first time and tour the office you’ll be interning at once winter break is over. It’s an ambitious timeline, but he did specify that he’s looking more for a solid concept than a well polished draft. But something in you wants to have more than just a concept. You want his approval, to impress him.

So you have a week and a half to come up with a draft that will catch his attention, that will convince him that you were the right choice for this opportunity. Not anyone else in your class. Not Heeseung. You.

A concept that will excite New Haven Publishing House’s usual reader base, that will maybe actually earn you some commercial success.

A story that will prove to your parents that literature was the right choice for you. That your words do matter, that you can make a name for yourself with your writing.

Well, you think, suppressing an internal groan, it looks like you have your work cut out for you.

…..

Despite your admitted lack of vampiric knowledge, once you have your topic, the words start to flow. You’re not sure if it’s your best work. You’re not even sure if it’s good. But it feels a hell of a lot better than staring at a blank page for hours.

This afternoon finds you in the corner of your favorite coffee shop. Mostly because they offer half priced lattes on Wednesdays. As you make a dent in yours, the pen in your other hand continues to fly over the pages of your notebook, occasionally stopping to scratch out a word or rewrite a sentence.

The bare bones are there. Just like in the handful of stories you perused on New Haven’s website, your plot features a young woman. It’s a historic setting, mostly because you still can’t quite bring yourself to write vampires into the modern day when the reality is so starkly different.

And it’s not a vampire story. At least not at first glance. Instead, you weave an enduring metaphor to symbolize a parasitic relationship between two lovers.

The woman in your draft is young, full of life and energy and optimism. And she dreams. Vivid, brilliant dreams that she clings to in order to escape the harshness of her reality as a lower class woman in the countryside.

Her husband, however, is a brute. Older than her and with a decidedly less sunny disposition. When he learns that his health is failing, he discovers that he can heal himself temporarily by stealing these dreams from her.

So, no. It’s not overtly about vampires. But it does fall into step with some of the more abstract anti-vampire tropes you came across in your preliminary research.

Crossing a dark line through the word you just penned, you sigh.

This is the fastest you’ve put a story together in ages. It’s cohesive, and the writing is solid. Your use of metaphor is strong and concise, and the prose feels true to your identity as a writer.

But something in you withers a bit with every new word you commit to paper. It’s not that you hate your topic. If anything, it’s just that you have no stake in it at all. It doesn't feel innovative or exciting or representative of your creativity.

No matter how easily the words flow out of you, something about it just feels… flat. One dimensional.

You need something new. A different angle or an alternative perspective or… Or a fresh set of eyes.

Struck with a sudden idea, you pull out your phone, plan taking form in your mind. The literature club at your university hosts bimonthly peer review sessions, and you haven’t taken advantage of them nearly as much as you should. They’re a chance for any writer, literature major or otherwise, to come together and workshop any piece of writing of their choice.

Tapping your finger impatiently on the table, you wait for the page to load. The fall semester did end almost a week ago, so it may be a long shot. You’re not sure if the club typically holds sessions over winter break. But as you pull up the club’s calendar of events, a small smile tugs at your lips.

Luck seems to be on your side this time. It’s written there in plain, bold font that there will be a session this upcoming Friday evening. That means that if you attend the session and get some solid ideas for revision, you’ll have exactly five days to refine your draft before you present it to Professor Kim.

The idea of having not only a topic, as the schedule outlined, but an actual complete, well-written draft to show him next Wednesday, turns your small smile into one that overtakes your features.

Energized with a new vigor, you reach for your pen again. It doesn’t have to be perfect, you remind yourself, even as a turn of phrase makes you cringe. Even as a piece of punctuation feels out of place. It just needs to be written. You just need to have as much content as you can to share on Friday.

Besides, you’re sure that a second opinion will help you fine tune this story into something you’re proud to share, something you’re excited to attach your name to.

The afternoon is quick to blur into early evening, and you’re still bent over your favorite corner table. Coffee long drained, you’re full of a new confidence. The thought of proving yourself suddenly doesn’t seem like such an unachievable, out of reach task.

And when you do finally gather up all of your belongings and make your way back to your apartment for the night, you’re sure that this is the exact boost you needed.

That same stroke of self-assuredness carries you all the way through a finished first draft. It’s rough and messy and littered with loose ends, but it’s tucked away in the bottom of your tote bag with a smile as you haul it to classroom number 105 in the university liberal arts building Friday evening.

You pause at the door to the classroom, only for a moment. The inhale you breathe in is deep, full. Nodding to yourself once, you push open the door.

You haven’t been to one of these workshop sessions since the second semester of your first year, back when you had just switched to a literature major. You remember being wide-eyed and incredibly protective over your work. It was hard to part with it, to let anyone else read over the sentences you were so unsure of. The writing you had little confidence in.

But your partner had been kind. Another girl in her first year, she had nothing but gentle feedback to give and reassurance that your writing was worth reading. Honestly, it was such an overwhelmingly positive experience that you would have come back for more sessions if you weren’t constantly struggling to find minutes to spare in the day.

You’re hoping that tonight will be just as rewarding as you enter the classroom, tote bag in tow. But as you survey the space around you, your face falls flat, easy going smile dropping from your lips.

You weren’t expecting a big crowd, considering that it is winter break and most students are deliberately avoiding campus right now, but you were hoping there’d be more than one other person in attendance.

Well, you think, deciding to look on the bright side of things. At least you’re not the only person.

The other attendee is sitting in the far corner of the room, occupying a desk near the front of the classroom. At the sound of your entrance, they turn to face you.

With that, your small disappointment is quick to snowball into an intense wave of exasperation. Because why is the universe so hellbent on playing games with you?

Your mouth drops open without your permission. “Heeseung?”

Your sudden outburst fills the room and lingers long into the awkward silence that follows. You hadn’t meant to say anything, but really, what are the god forsaken odds?

If he’s bothered by your reaction to seeing him, Heeseung doesn’t show it. Instead he looks strangely… relieved. It makes absolutely no sense for him to feel any sort of relief at the sight of you, but it’s hard to put a more apt descriptor to the way tension drains from his shoulders, crease between his brows softening as he looks at you, scans you from head to toe.

A moment of stilted silence passes between the two of you. Another. Your heartbeat feels too loud in your chest.

You exhale, a cross between a scoff and a laugh so humorless it could freeze a flame. Weighing your options, the most tempting by far is to just turn on your heel and exit the way you came.

Heeseung seems to read your intention before you can commit to it.

Breaking the heaviness in the atmosphere, he acts as if you’ve greeted him like an old friend, not as the source of all your recent headaches.

“Hi,” he nods, so tentatively you almost want to let your jaw drop open in shock. Almost.

Because what the fuck does he mean by ‘Hi?’ This has to be some kind of mind game, some way to get in your head and ruin this for you.

“Right.” Your lips pull into a tight line. You don’t bother to return his greeting. “I’m just gonna go, then.” Hiking up your bag on your shoulder, you turn to do just that. Your first draft will just have to be unpolished. Oh, well. You’re sure Professor Kim will have better feedback for you than Lee Heeseung ever would anyway.

Once again, Heeseung’s voice cuts across the classroom. “Wait.” There’s a command in his voice. Gentle, but firm. Insistent. So pervasive that you find yourself following without really meaning to.

Mind made up and dead set on leaving, now you’re just annoyed. What a waste of a Friday evening.

“What?” You turn back to him. You’re not sure if there’s more venom in your voice or your eyes.

And Heeseung, who commands a classroom with quiet grace, with his steady, unwavering presence, suddenly looks so damn unsure. As if tormenting you is uncharted territory. As if he’s never once left you in the cold with flaming cheeks and a thoroughly shattered ego.

“I…” he trails off, not quite meeting your furious gaze. “Didn’t you come here to get feedback?”

“Right.” You scoff again. “Because I’m sure you’d love nothing more than to tear my writing to shreds. Forgive me, but I’m not interested in being the butt end of your joke tonight.”

“What?” If you didn’t know any better, the ignorance he feigns would be rather convincing. “That’s not why I’m here.” He shakes his head. “I brought something I want reviewed too.”

Your brow arches. He can’t be serious. “Even if I did stay,” you counter, “you’re actually the last person I would want to read my work. Feel free to be offended by that, by the way.”

For a solid minute, Heeseung just looks at you. He wears that same damn deer-in-the-headlights expression he had after you brushed him off when he intercepted you in class the other day. He pauses, weighing words on his tongue. “Look, ____.” The sound of your name on his lips strikes a strange chord in you. Until now, you were certain he didn’t even know it. “Did I do something to offend—”

And no. Absolutely not. No way are you rehashing that day in the quad with him now.

“You know what,” you interrupt. You need to go. Now. You need an out. “I’m actually, like, super tired. I think I’m just gonna head back, and—”

But then it’s his turn to cut off your train of thought. “It’s your piece for Professor Kim, isn’t it?” Heeseung takes your silence as confirmation. “Publishing is a big deal. A second set of eyes will only make your work stronger. And if you hate my feedback, it’s not like you have to use any of it.”

You hate it. You despise the way his reasoning matches your internal monologue nearly word for word. The way your thoughts align exactly.

You pause, a decision weighing heavy on your mind. He is an excellent writer… There would probably be substance to his feedback. Real, actual, good substance that you could use to make your writing bloom into something truly amazing. He could be the exact spark you need to make your story come to life.

You purse your lips. “What’s in it for you?”

Heeseung smiles, a nearly imperceptible quirk of his lips. He knows he’s won. “Like I said, I brought something I’ve been working on.” There’s an intention you can’t quite read behind his gaze when he adds, “I want to know what you think of it.”

Hook, line, and sinker.

With a grumble, you take reluctant steps towards where he sits on the opposite side of the classroom. And if you slide down into the seat next to him with a little more force than necessary, well, it’s just because you’ve had a long week. No other reason. None at all.

“Fine,” you relent, reaching to pull your notebook out of your bag. “You get twenty minutes.”

“That’s not nearly long eno—”

“Thirty,” you concede. “And don’t push it.”

Sensing your disdain, Heeseung doesn’t respond. Instead, he accepts the notebook you reluctantly hand him with an outstretched hand and an open palm. The transfer between the two of you is gentle. You have the distinct sense that he’ll treat your work with care, in more than one way.

Still, something in your heart seizes at the thought of letting your work be read. Of letting him be the one to read it.

In return, he offers you a notebook of his own. Bound in brown, aged leather, it’s certainly much more refined than yours. Of course.

He hands it to you still closed. Staring down at the cover, you ask, “What page?” It feels intrusive to start flipping through his writing uninvited.

“There’s a bookmark.” Heeseung nods his chin towards the small piece of paper sticking out of the top edge that you missed at first glance.

And then the transfer is complete. A piece of your heart is spread open on his desk, and a piece of his soul is in your hands.

Ignoring the way your fingers tremble with a slight shake, you delicately open his notebook to the bookmarked page, letting it fall open on the desk in front of you.

At first glance, the writing strikes you as odd. The paragraphs are strange lengths, ending at random junctures instead of extending all the way to the margins. And then it hits you. They’re not paragraphs. They’re stanzas.

Poetry. Lee Heeseung writes poetry.

You sneak a sidelong glance at him out of your periphery. He’s already engrossed in the pages of your notebook, pausing occasionally to jot a note down on a scrap piece of paper. His brow is furrowed, and there’s a tension in his jawline that only makes it sharper.

Still, the image of his profile is shrouded in a distinct sort of softness. The kind of effortless beauty that feels like it should be reserved for intimate moments in the dead of night, secrets passed between lovers. It’s wasted under the fluorescent lights and patchy, beige walls of an underfunded classroom, but you waste another minute staring at him all the same.

For a fleeting moment, it’s not hard to imagine those hands, those long, delicate fingers maintaining an even grip on a ballpoint pen to write something as romantic as poetry.

Shaking your head, you clear the errant thoughts. Instead, you turn your focus back to the page in front of you and begin with the first poem. Forcing your eyes to focus, you read.

As if nothing happened,

She looks at me

With shadowless eyes.

But it is me who has been

Forgiven and reborn countless times.

You inhale. Exhale. Short and succinct with a distinct twinge of tragedy. That was… not what you were expecting. Pushing forward, you move onto the next entry.

Even the stars in the universe

Will close their eyes one day.

Underneath their watchful gaze,

All of these moments are precious.

For memory, for regret,

I will carve them

Into the repetition of the moment.

Again, you pause, taking a moment to breathe. It’s so… melancholy, so poignant in its evocation of pain, of regret. While you’ve been familiar with Heeseung’s ability to analyze the hell out of a novella, this was not something you thought you’d find in his repertoire. And the more you read on, the more you realize these aren’t flukes. This is his identity as a writer, or at least a significant part of it.

The world that abandoned us

Slowly turns to ash.

But I don’t feel the pain.

I only feel the cold.

My god. You nearly close the notebook on instinct. Without your permission, your eyes flick ove to the desk next to you. The broad set of shoulders that fill the seat. What has this boy been through? Why is he letting you read this?

Heeseung looks up. Not at you, but the movement is enough to startle you out of your staring. Returning your eyes to his notebook, you read the last entry on the page.

A shaded castle with no sun

The thick scent of dying roses never fades.

In a broken mirror, I see myself.

And my reflection whispers, “Monster.”

The breath you release is long. Audible. You’re overcome with the urge to run your fingers over his words, to feel the indents his pen made as he carved pain into the page. His writing is gorgeous. It’s beautifully, tragically haunting. Of that much, you’re certain. But you have no idea what to do with that information.

His words feel too raw, too terribly intimate. Like something that was never meant for your eyes. You can’t understand what on earth possibly possessed him to let — no — to encourage you to read these.

You can’t fathom any kind of feedback you could offer him. These feel like pieces of his soul, not something to be commodified or commented on in a writing workshop. Discussed in the cold, unfeeling walls of an old classroom.

Despite the discomfort that lingers with each passing stanza, his writing has an almost addictive quality. Over and over, you find yourself rereading each brief poem. You’re searching for meaning, for clarity, for something hidden between the lines that you missed on your first handful of reads.

Thirty minutes pass in a trance, and Heeseung, true to his word, is the one to break the silence when your half hour is up.

Mind still reeling, you realize with a sinking feeling that you have absolutely no feedback to give him at all.

Instead, you turn to face him. Throwing a meaningful glance at where your notebook still lies open on the desk in front of him. Doing your best to not look too hopeful, you ask, “Well?”

For a moment, Heeseung just looks at you, an unreadable expression on his face. Tension pulls at his temple, his jaw. Frustration seeps from beneath his skin, and you can’t tell where it’s directed.

“Oh, come on,” you prod when his silence extends even longer. “I know you’re dying to spill the gory details of how grossly incompetent I am and how horrifically amateur my writing is, so don’t—”

Heeseung wastes no fanfare. “This is awful.”

Your lips flatten. “Or just cut right to the chase.”

He’s quick to clarify. “But not for any of the reasons you just listed. I mean, sure, there are some craft issues here, but even those seem like a result of your concept.”

“What’s wrong with my concept?” The edge of defensiveness in your voice escapes without your permission.

Heeseung just levels you with a look. Returning his gaze to your notebook, he reads from your draft verbatim, “...Stashing away the light from her life. Tucking it into his back pocket like extra change just for the satisfaction of temporary happiness. It was never love that bound him to her, but the promise of a never ending fountain of life. Of wishes and thoughts and hopes and dreams that he could use to sustain himself as long as he subjected himself to the numbing pleasure of existing at her side.”

He raises an eyebrow, turns back to you. “I mean, really, ____? I’ve read some nauseatingly vitriolic vampire pieces in my life, and this just about has all of them beat. Besides, the whole vampire thing just feels so… irrelevant. Do people still read this stuff anymore?”

Your first instinct is to defend yourself, your work, even if his thoughts mirror your own. Before you can, Heeseung is pressing on. You don’t have the space to get a word in sideways. “I mean, what happened to the writing from that piece you presented back in September? I don’t remember all the details, but there was something about watching birds land on water and connecting it to the feeling of belonging but never truly fitting in.” He looks at you again. There’s more emotion, more glittering life in his eyes than you’ve ever seen from him before. “That was a fresh take and a well done metaphor.”

Your mind is reeling. It’s far too much information to take in all at once. But something stands out amongst the rest. Because that almost sounded like—

“Was that a compliment?” It seems unlikely, but you can’t find another way to take his words. “You paid attention to my presentation?”

You liked it? You don’t ask that question out loud, but the needier parts of you crave his answer anyway.

“Yeah, of course I did. Peer review was a mandatory component of the course.” Heeseung’s cheekbones remain the same, even, honey-tinted tone, but you swear you see a flash of embarrassment in the way he averts his gaze.

“Well, yeah.” It’s not a justification that holds much weight in your mind. “But you don’t exactly seem like the type to really pay attention to other people’s stuff. Especially if you think it’s not worth your time.”

“I just told you your presentation was good, didn’t I?”

You arch a brow. “Yeah, right after you finished calling my draft horrific.”

Heeseung shakes his head. “I didn’t say it was horrific…”

“Oh, please. Spare us both the semantics. That’s what you meant.” You’re not sure why your mind always goes back to that day in the quad, but you find yourself still sore from his rejection, his new assertion of your work poking at old wounds. Picking at poorly healed scabs. “And it’s not like you were jumping for joy at the chance to review my work back then, either.”

Heeseung’s brow furrows. You can practically see the gears turning in his mind. You’re not sure if it makes you feel better or worse, the fact that he doesn’t seem to remember that day at all.

In the end, you decide to spare him the effort of empty recollection. With a sigh, you spill your shame. At least this time around, you’re the only two that will bear witness. “That one day in class. Back at the beginning of the semester. We had to present our analysis of that one short story. You remember, the one about planting seeds in bad soil.” Heeseung nods, but there’s no spark of realization. Not yet.

Continuing, it only pains you slightly to admit, “Your analysis was brilliant, and I gushed about it in front of the whole class. Laid it on thick with the compliments. And then after class, I stopped you in the quad.” Something flickers over Heeseung’s features. A memory tugging at the back of his mind. “When I asked if you wanted to review each other’s pieces for the next assignment, you completely brushed me off.”

Brow still pulled downwards, Heeseung is thinking back to that day, too. But it doesn't seem to hold the same awful, leaden weight in his mind. “I didn’t brush you off,” he argues. “I think I said I was busy.”

It takes a lot of willpower not to let your jaw drop open. “That’s brushing someone off!” Your voice is too loud for the near empty classroom, for your close proximity. “Like literally the textbook definition. Everyone knows that ‘I’m busy’ is code for ‘leave me the hell alone.’”

Almost imperceptibly, Heeseung’s features soften as he watches yours strain. The fluorescent light bulbs that fill the room suddenly don’t seem quite as harsh when he says, “Well, that's not what I meant. I was busy.”

It’s hardly a satisfying answer. But you suppose it makes little difference. If he wants to stick to his story, you’ll continue to feign indifference. “Whatever. It’s not like it matters now anyway.”

And then your mind is back on his poems. His beautiful, tragic, gorgeously phrased stanzas scribbled in his handwriting. Fragments of vulnerability that he handed to you without hesitation.

It’s like comparing apples to oranges in a way, but there is no doubt in your mind that between the two of you, the writing he brought tonight is better. Better than your story, better than most things you’ve ever written, probably. The imagery is evocative, striking in a way you’ve never quite been able to achieve no matter how many seminars and workshops and lectures you attend.

Not for the first time, your brain dangles a dangerous thought in a place where you can’t avoid it. What if Professor Kim chose wrong? What if Heeseung hadn’t been late to class that day? Would you be sitting here with a mediocre draft and a raging inferiority complex?

You’ll never know, not really, but you find yourself asking anyway, “Why were you late to class that day?”

As soon as the words leave your mouth, you wish you could take them back. It’s not like his answer will change anything. And it’s invasive. Far too personal to ask someone you barely know. That up until thirty minutes ago, you actively avoided.

But maybe the universe is on your side for once. Maybe you got ridiculously lucky and he didn’t hear you, despite the fact that it’s dead silent in this classroom. Maybe—

“What?”

Or not.

Well, you’re committed now. “The last day of class. When the winner for the publishing opportunity was announced,” you clarify. “You were late. Honestly,” you add with a wry smile, “you’d probably be the one writing overdramatic vampire slander right now if you hadn’t been.”

It’s a self-deprecating joke. It might land poorly, but you’re hoping it will lighten the atmosphere.

A dark shadow crosses Heeseung’s features. “Trust me, ___. You winning had nothing to do with me being late that day.”

If he thinks flattery will get him anywhere, he’s wrong. You can feel your frustrations bubbling in your throat, clawing at your mind. You won. You beat him. So why doesn’t it feel like it? Why doesn’t it feel like anything you do is ever good enough?

“C’mon, Heeseung.” He doesn’t deserve your anger. At least, not now. But he gets it anyway. Insecurities and inferiority and frustration all wrapped in rage. “You were practically a shoe-in, and everyone knows it.”

He’s just as insistent. Leaning towards you slightly, he looks anything but aloof now. “No I wasn’t. Professor Kim chose you to intern with him. He read both of our submissions all semester and chose you to publish with his firm. I told you, your writing is good. Really good.” Glancing down at your notebook, he adds, “Even if this one is a bit… uninspired.”

A compliment and a slight. His version of the truth, wrapped up in a bow and delivered right to your waiting ears. You don’t know whether to be furious or overjoyed. Maybe it would be best to feel absolutely nothing at all. It scares you, just how much weight his opinion holds.

But approval from him has its way of feeling like a long sought victory, and now the air feels fraught with something delicate, fragile. Precarious, even.

It’s early evening in a threadbare classroom. The most neutral territory imaginable. But it’s the two of you, alone, secluded. And suddenly, that frightens you.

“Right.” You won’t tell him ‘thank you’ for the compliment or ‘go fuck yourself’ for the criticism. Both options feel like you would be revealing too much.

Instead, you take a glance at the clock. It’s not late, but it’s an excuse. “I should probably get going.”

Heeseung exhales. Leans back in his seat. “Of course,” he concedes easily, reaching to hand you your notebook.

You do the same with his, almost sad to watch his poetry pass from your hands to his. It’s odd, the way his words already feel like something you’ll miss.

You realize then that he hasn’t asked you for your opinion on his work. For your advice on how to make it better. In all honesty, you’re relieved. You haven’t the slightest idea what you would say.

So instead, you busy yourself with repacking your tote bag. In your haste, you knock your pen off of your desk. The sound it makes as it strikes the thinning carpet can’t be loud, but it feels thunderous in your ears.

As you reach to pick it up, Heeseung does the same. There’s a moment, fleeting but unmistakable, when the skin of his hand brushes against yours.

Instantly, Heeseung recoils as if you’ve burned him. His hand is back in his own space at a speed so fast you nearly miss it.

It was an accident, a tiny blip with no real consequences, but the way he’s looking at you with those damn eyes makes you feel like you should be apologizing.

“Sorry.” The severity of his reaction stings like rejection. It’s not like he’s exactly your favorite person either, but at least you have the common decency to not look repulsed at the thought of touching him. At the accidental brushing of your hands.

Heeseung frowns. Shakes his head slightly as if to clear his thoughts. “No, I…” he trails off, letting his words hang in the air for a moment. “I’m sorry,” he concludes, but it feels disingenuous. And he doesn’t bother to elaborate. Looking over your shoulder, he reads the clock on the wall. “It’s getting kind of late. Where are you parked? I can walk you to your car.”

His hands are busy putting his notebook back in his back. It’s a considerate offer, but coming on the tail end of everything else, it doesn’t hold much weight with you. His words don’t match his actions, and you decide you’d be a fool to take them at face value.

“Don’t bother. I’m walking home, not driving.”

Heeseung freezes, hand still inside his bag. He’s not looking at you, but you feel the weight of his attention all the same. “Do you need someone to walk with you?”

The way he phrases the question makes you feel like a burden. He’s asking if you need someone to walk with you, not offering because he wants to. A subtle difference maybe, but the last thing you want is to feel like you owe him any favors.

“No, I’ll be fine.”

“Are you sure?” He does look at you now, concern painted across his features. “It’s getting dark earlier these days, and—”

His words are wasted on you. You’re already halfway to the door. “I’m sure.” But before you leave, you decide one more hit to your pride can’t worsen the damage that’s already been done. At least this time, it will be by your doing. Standing under the doorframe, you turn back to him. “Thank you for your feedback. It was good to hear an honest opinion.”

Your words sink into the air. Linger for a moment.

Heeseung nods. Something in his jaw tightens. “You know, if you do decide to change topics, I’d be happy to read whatever you write.”

It almost sounds like another compliment. Or maybe another insult. Either way, you’re sure that even if you figure it out, you’ll still have no idea what to do with it. You nod, only once, and then your back is turned again before you can linger too long on any of it.

But his words, the sweet ones this time, replay in your mind the entire walk home.

Maybe if you weren’t so distracted by the ghosts of compliments, you’d have noticed the pair of quiet, even footsteps that trailed after you in the distance. That only retreated once the front door to your apartment was pulled shut and locked tight behind you.

Then again, maybe not. Heeseung has always had a knack for going undetected.

…..

You wake up the next morning with Heeseung’s words replaying in your mind.

Awful. Irrelevant. And of course your favorite, ‘nauseatingly vitriolic vampire piece.’

In the faded glow of morning light, you groan out loud to your empty bedroom. The worst part of it all is that he’s not even wrong. But it’s Saturday morning, and your first draft is due on Wednesday. The thought of starting a new story from scratch and writing it to completion within that time frame is enough to make you want to curl into a ball and screw your eyes shut until you can pretend the world outside your bedroom is nothing but a figment of your imagination.

So no, you don’t think you can start over entirely. But maybe, just maybe, you can rework things. Tweak the narrative to feel less cliche, less outdated. More true to you.

Part of you wants to abandon the vampire concept entirely, convinced it’s what’s holding you down. The other part is hesitant to do so based on New Haven’s list of recently published works.

And while Heeseung’s criticism was the confirmation you needed that your story needs reworking, it’s not like he gave you any ideas as to what you should change. What direction you should take.

Nauseatingly vitriolic vampire piece. That seemed to be Heeseung’s biggest problem with your draft. Not that it alluded to vampirism. No, you think he disliked that it was a tired and rehashed propaganda piece on the inherent evilness of vampires.

Everyone knows that vampires were monsters. Writing about it, no matter how many metaphors and symbolic phrases you wrap it up in, just isn’t interesting.

That’s the route you’ll take, then, you decide. You don’t have to invent a new concept out of thin air. You just need to find a way to bring something new to the table. Something worth reading. Climbing out of bed, you switch your pajamas for clothes more acceptable in public.

And then you make your way to the university library.

Just as you suspected, it’s essentially empty. Between long rows of meticulously shelved books, vacant study rooms, and community computers, the only other person you see is the librarian that greets you as you arrive. Even her eyebrows raise in mild shock to see someone else during the break, and on a weekend at that.

Heading to the second floor, the first section you peruse through is historical records. But between old newspapers, reports, and journals, the content itself is quite cut and dry. Detached descriptions of vampire attacks that only contain details of the date, time, and death toll aren’t exactly riveting. And you don’t think they’ll do much for your feeble draft.

Before long, you move away from the nonfiction section. Navigating to supernatural fiction on the third floor, you start browsing titles. Vampire stories make up a rather small portion of the texts, and from what you can tell, the vast majority align with what you found on New Haven’s website.

From Demons of the Dark to Left in Cold Blood, you doubt that most of what you find will offer any kind of new perspective. But on your third, slightly desperate scouring of the shelf, you make a discovery.

It’s a small, nondescript book. The muted tones and faded lettering on the spine go easily undetected amongst the much flashier copies of anti-vampire propaganda it’s nestled between.

Pulling the book out from the shelf with a delicate touch, you flip the cover face-up in your hand.

Sacred Monsters: A Collection of Essays on the Origins of Immortality

It piques your interest. At the very least, it seems different from all the other novels.

Book in hand, you make your way to a nearby desk. Once you’re settled in, you pull out your notebook, opening to a new page with the intention of taking notes.

The book you lay on the desk next to your notebook seems like it’s lived a long life, the old scent of dust and aged paper and time all contained within its pages. Flipping open the front cover, you look for an author or publication date. But there’s nothing there, not even a title page or a table of contents.

Glossing over the slight oddity, you decide the beginning is as good a place as any to start.

The Taste of Blood, is the title at the top of the page.

And the first sentence begins:

It is neither sweet nor particularly savory. There is no distinct aroma, no compelling flavor profile, nothing that appeals to the eye or excites the taste buds. The only merit is the fact that it is necessary. For even those blessed with immortality know what it means to survive. And even those cursed to live forever know what it means to die.

Frowning, you flip back to the cover, as if that will provide any clarity for the strange passage you just read. But nothing is different. Nothing new stands out. Just the same, faded title. No author or indication of any kind of publication date.

Intrigued, you turn back and resume where you left off.

Some are said to enjoy the act. The purity of release, of giving in to the instincts that can be convinced into domesticity but never fully silenced. I have never found such relief. The ghost of my humanity has always been stronger than the voice of the monster, even as he screams with unbounded ferocity.

Without it, I feel incomplete. With it, I feel irredeemable. Even now, I dodge the truth, omit the profane. I have seen many moons, enjoyed their silver glow. I have stolen the very same pleasure from countless others. And yet, I struggle to call it by name. I cannot reconcile the battles waged in my bones, the war fought in my mind.

There is no winner in either. All that remains in the taste of it. Lingering on my breath. Haunting my waking dreams. That which I cannot name.

The taste of blood.

In my fervor, it soothes like honey. In my regret, it turns to ash.

And still, nothing changes. And still, nothing remains the same.

-- Anonymous

Well, if you were looking for something different, you found it. Because what the absolute fuck are you reading? If you didn’t know any better, you’d think it were written from the perspective of a vampire.

Then again, shelved in the fiction section, you suppose it’s plausible. Actual vampires may have housed little room in their consciousness for anything outside of bloodlust, but it is an interesting idea to think of vampires as conflicted. Haunted by the brutality of their innate instincts.

You’re not exactly sure how or if this will be able to influence your own story for the better, but something about it makes you want to keep reading.

Alone, tucked amongst the dusty shelves of a neglected section of the library, you lose yourself between the pages of the mysterious book.

As the title indicated, it’s a collection of essays. Most are quite short, around the same length as the first one you read. And none are claimed by an author. All are signed off with the same boldface type that spells Anonymous. There are subtle differences in the writing though, stylistic choices that make you think that more than one person wrote these essays.

Despite that, they’re all woven together by a common thread. The first essay, as you discover, was not a fluke. Every single one is written in first person from the perspective of a vampire.

The writing is compelling, humorous in places and deeply upsetting in others. It seems odd to you, just how much humanity is captured within the pages, within each turn of phrase.

You feel inclined to root for the narrator in some stories and abjectly horrified by them in others. But never once does the writing make you think that vampires are incapable of self-actualization, of reflection, of morality.

In all honesty, aside from Heeseung’s poems, it’s the most interesting thing you’ve read in ages. So much so that by the time you realize you’ve finished the last essay, the winter sun is teeming dangerously close to the horizon, and the library is nearing its closing hours.

The notebook page you intended to use for notes, to jot down points of inspiration, is still woefully blank. But as you make your way back to the front of the library, the small, strange book comes along with you.

Stopping at the front desk to formally check it out, the librarian frowns when she enters the number from the spine into the system. She clicks around on her computer for a moment longer before handing the book back to you.

“I’m sorry, but the book isn’t coming up in our system for some reason. Would you mind writing down your student ID number for me? I’ll have to enter the information manually.”

You oblige her request, tucking the book into your bag before you leave.

It’s chilly outside, the cold clutches of winter gaining a full grasp on the crisp, frigid air. After a long day in a stuffy library, the freezing air is almost soothing. Tucking your hands into your pockets, you turn towards the direction that will take you home.

You’ve barely taken five steps when a voice calls your name from behind. Pausing, you turn to find the source of the sound.

“Heeseung?” But there’s no mistaking it. That is most definitely Lee Heeseung, currently jogging towards you on the otherwise empty sidewalk in front of the university library.

He catches up to you easily, no sign of perspiration or even a hint of breathlessness when he asks, “What are you doing walking alone at night?” As if you’re the strange one in this situation.

You give him a once over. The loose jeans and dark winter coat he wears are nothing special, but he wears them well regardless. You suppress the urge to sigh. “I could ask you the same.”

��Fair enough.” His tone is too light, too casual. Like he’s forcing it. Like he’s hiding something. “Are you headed home? I’ll walk you there.”

And if you weren’t suspicious before, you sure as hell are now. Why on earth would he want to walk you home? “I’m fine, thanks.” You turn away from him, heading in the direction of your apartment and hoping he’ll take the hint.

Your wish goes ungranted. He matches your pace easily, even as you try to quicken it. “It’s after dark, ___. And there are a lot of…” He trails off, searching for the right word. “strange people out at night these days. I’m not letting you walk home alone.”

Lips tight, you don’t bother looking at him. The idea of Heeseung letting you do anything makes you want to throw things. “I’ll be fine.”

But he’s persistent. He’s all smiles and a strange amount of desperate when he says, “Either you let me walk you back or I’ll just follow you at a weird distance, which will be far more uncomfortable for both of us.”

That makes you stop in your tracks. And now you do turn to look at him. “Well, when you put it that way…”

Heeseung nods, “Exactly. So—”

You arch an unimpressed brow, crossing your arms over your chest. “It sounds like you’re the strange person at night I need to stay away from.”

Heeseung sighs, matches your eye. A strand of hair falls into his eyes, and he pushes it away with long fingers. “Are you gonna start walking or are we gonna stand here and argue a little longer?”

“You don’t even know where I live.”

“What a great night to find out.”

You stare at him a moment longer, lips tight. You don’t want to be the one to give in, to hand him any kind of victory, no matter how small.

But it is getting late. The walk from campus to your apartment is never one that’s made you uneasy, but it never hurts to have someone at your side. Besides, you think he was serious about following you. He’s made it clear that he’ll be tagging along one way or another.

“Fine,” you huff, arms still crossed over your chest. “But only because the streetlight a few blocks away is out.”

Heeseung inclines his head, a minute acknowledgement. There’s a hint of movement at the corner of his lips. “Naturally.”

You resume walking, and he falls into your pace with a practiced ease, hands in his pocket, eyes on the stars. It’s a cloudless evening. The sky above you feels vast, immense as the last rays of daylight lie to rest on the distant horizon.

With a slight shiver, you pull your jacket tighter around your body. Heeseung notices the movement. Parts his lips as if he wants to say something. Changes his mind. Closes them.

You’ve just reached the far edge of campus when he breaks the steady silence.

“How’s your draft coming?”

“It’s…” You trail off, not sure how well honesty will serve you here. It feels vulnerable, like a blatant weakness to admit that you’ve got nothing. But something about cold air and the vast expanse of night has you wanting to tell the truth. “Not great.”

Heeseung lets your response settle. Turns it over in his mind a few times. You’ve noticed that about him. He’s careful with his responses. Weighs his words before breathing them to life. “Still looking for inspiration?”

“I don’t know if it’s inspiration I need.” It’s easier to talk to him like this, when your eyes have something to focus on, when your body has the constant repetition of steps to occupy part of your mind. Without little distractions like these, Heeseung has a way of becoming all consuming. “I feel like I backed myself into a corner with the vampire concept. I’m not sure if there's really anything there to explore that won’t feel outdated and irrelevant.”

“Mm,” Heeseung muses. It’s noncommittal, neither an agreement nor an argument. “Maybe. You said it yourself; vampires are nothing but bloodlust. Riled completely by instinct. Nothing left of their humanity.”

Frowning, your footsteps almost falter. “I didn’t say that.”

“Forgive me.” If there’s a tinge of bitterness in his tone, you suppose it must be because of the cold. The fact that he’s wasting his Saturday night walking you home. “Heavily implied it.”

“Honestly, the only reason I even wrote that story was because there were a lot of similar ones on New Haven’s list of recently published works.” Your reasoning feels almost stupid when you admit it aloud like this. You’ve always prided yourself on your originality, your commitment to staying true to yourself as a writer. But when push comes to shove, you let your desire to impress your professor get in the way of that. “I wanted something that would align with their usual publications.”

You’ve admitted a weakness, a poorly made choice. You’re expecting ire, more of that haughty contempt. But Heeseung’s mind is going in an entirely different direction.

He’s not questioning your abilities, not even alluding to them at all when he asks, “What do you think of vampires, then?”

His question catches you off guard. Why on earth would he care about that? “What’s it to you?”

“My bad. We can just walk in awkward silence if you prefer.”

It takes a ridiculous amount of your energy to swallow the laugh that bubbles in your throat. Since when did Heeseung crack jokes? Since when did you have to fight the urge to giggle at them like a schoolgirl with a crush? You suddenly find yourself grateful for the cover of night, the way shadows make the heat on your cheeks undetectable.

But his question still lingers. Ruminating on it, your mind flickers to the small, odd book currently sitting at the bottom of your bag.

Sacred Monsters.

It feels like a strange combination of words, two concepts that shouldn’t fit together.

“I think it’s more complicated than that,” you breathe. You don’t know if it could possibly be true, the idea that creatures of the night have a high level of consciousness, the ability to moralize, to feel conflicted. But it certainly makes for a more interesting story.

“I mean, vampires had to have some level of base cognition, right?” You’ll never know for sure, but the more you think about it, the more it makes sense. “They were hunted to near extinction, but they put up a good fight. They hid. They fled. They tried blending in as humans. Some resorted to drinking animal blood. I guess there’s no way of knowing, but that doesn’t feel like pure biology or an evolutionary response alone. It feels like… something a human would do.”

“Wouldn��t that be worse?” Heeseung’s voice is low. If the faint hum of faraway traffic were any louder, you might not hear him at all. “For them to know what it means to be alive and still make the choice to take that away from someone else? To exist as a parasite.”

“It would certainly be tragic.” The words of the first essay come back to you.

For even those blessed with immortality know what it means to survive. And even those cursed to live forever know what it means to die.

“It’s a fatal flaw, a cruel design. They need blood to survive. The very thing that their bodies used to create on their own. It’s parasitic, yes, but that doesn’t make it animal instinct. I can’t imagine the horror of having to experience that with the burden of human consciousness.”

You feel the weight of Heeseung’s gaze on the side of your face. “It’s still evil, is it not?”

His words feel heavy, weighted under moonlight. Though you can’t imagine why, you have the distinct sense that your answer is important to him.

“Like I said, I think it’s more complicated than that. Taking someone’s life is evil, yes, but that was never unique to vampires. Is a vampire that chooses animal blood still evil just because they’re a vampire? Is a human that chooses to kill another absolved of their crime just by virtue of being human?”

Your words settle into the space between you.

“That,” Heeseung finally breathes, “would make a much better story than the one I read last night.”

This time, you do laugh, a light airy thing. It feels easy, lighthearted as some of the tension drains from the atmosphere.

“Unfortunately, I’m not so sure Professor Kim would agree. Based on everything New Haven publishes, he seems to have some weird anti-vampire vendetta.”

As you round the corner, your apartment comes into view. Nodding toward the staircase that leads to your front door, you tell him, “This is me, by the way.”

Heeseung glances at the stairs, then back at you. He shoves his hands into his coat pockets. “When is your draft due?”

“Ugh, don’t remind me,” you groan. “Wednesday.”

“Mm,” he winces, an offer of understanding. “What time?”

“I’m supposed to be at New Haven by three, so—”

“What?” Heeseung cuts you off, expression suddenly tense, voice suddenly sharp. “You’re going to the publishing office?”

“Yeah.” You nod slowly, unsure why that would possibly warrant such a strong reaction. “I’m dropping off my first draft and getting a tour. The internship starts right when spring semester does, so he told me I could come in person to familiarize myself with the space first.”

“Right.” Heeseung nods. The tension in his jaw doesn’t relax.

It’s all so strange. He always seems to be speaking in riddles, dealing with invisible problems you can’t detect.

You’re tired and confused, and the moon that hangs above you doesn’t feel like a remedy for either of those things. In fact, it might be making things worse.

Because despite the way you feel like you’ll never quite understand him, bathed in the shimmering glow of moonlight, Heeseung looks…

He looks like all the things you’ve been trying to avoid calling him for the duration of the semester. Ethereal. Beautiful. Maybe even kind, at least when he wants to be.

After all, you’re standing at the base of your staircase with company, and it wasn’t due to any insistence on your end.

The silence lingers. A string somewhere is pulled taught.

You’re standing still, and you’re still a little breathless when you tell him, “I should go.” You don’t want to. You’re not sure why.

Again, Heeseung only nods.

The movement sends shadows dancing over his features. The bridge of his nose. The plane of his cheek. The line of his jaw. Things you’ve never let yourself linger on. Things you’re having a hard time looking away from now.

But he’s seen you home safe and sound, and even nights under the stars have their inevitable end.

It occurs to you then that you have no idea how he plans to get home, or even how far away he lives.

After he walked you home,it’s the least you could do to offer, “Do you live far? I could help you pay for a cab or something if—”

Heeseung shakes his head. He smiles, but it doesn’t quite reach his eyes. “It won’t take me long. Besides, I like to walk at night.”

“Okay.” It feels strange, trading these bits of kindness. You’re craving some normalcy, something unwavering. So with a final wave and a small goodnight, you climb the stairs to your door.

You couldn’t say for sure if his eyes follow you on the way up. You feel the heat of them, the weight of a steady gaze on your spine. But it’s a fickle sensation and you’ve been wrong before. And you can’t quite bring yourself to turn around and look.

The door closes behind you. Surrounded by the stillness of an empty apartment, you release a long held exhale. It drains out of you audibly. You hadn’t even realized you were holding your breath.

…..

Dawn breaks Wednesday morning and carries with it a certain kind of dread.

Despite your efforts, and there have been many, your draft remains far too close to its original state for your satisfaction. No matter how many times you pour over Sacred Monsters, you can never quite seem to find a way to make your submission more interesting while also staying true to New Haven’s general themes.

If anything, the book has been a distraction. Long hours that you could have spent editing or revising or rewriting were instead dedicated to detailed web searches with a variety of keywords and spellings that never seemed to bear any fruit.

It doesn’t matter which search engine you use. It doesn’t matter which database you browse. Other than the copy sitting on your desk, Sacred Monsters doesn’t seem to exist.

But the annoying, wonderful, awful thing about time is that it passes. Time doesn’t care that you haven’t found it in yourself to produce a draft you’re proud of. Time doesn’t relent just because you always feel like it’s slipping through your fingers.

And Wednesday morning turns to Wednesday afternoon with the same steady predictability as always.

You’d like to think that you know the area around your university quite well, but New Haven’s main office is in an entirely different part of the city. You’ll have to leave now if you want to catch the bus with a little cushion of time to spare. The last thing you want to do is be late to your first day. Especially since the draft tucked neatly into your bag isn’t one you can hand over with confidence.

To your relief, the bus is relatively empty. You tuck yourself into a seat and thank your lucky stars that you missed the afternoon rush.

Popping your headphones in, you’re searching for something to fill the time. There’s the draft sitting in your bag, of course, but the last thing you want to do is spend the next thirty minutes agonizing over it. For now, it will just have to be the mess of mediocrity that it is.

Instead, you reach for your phone. Maybe some mindless scrolling will be what you need to put your nerves at ease.

But when the app loads, the first post you see doesn’t have you giggling or rolling your eyes or scrolling on without a thought at all. Instead, your spine straightens, shoulders suddenly tense.

Because the words you’re reading are not something you ever expected to see in your lifetime.

Three dead in suspected vampire attack, the latest headline from your local news reporting channel reads.

Clicking on the article, the details are hazy, but that does little to lessen the grip of fear that makes a sudden grab at your throat. Fragments of sentences capture your attention as you scan the page.

Three bodies found near the river…

Bite marks on their necks…

No trace of recent animal activity in the area…

Eyes widening with every new piece of information, fear claws at your throat.

Bodies completely drained of blood.

Two hundred years. Two hundred years of the belief that vampires have all but been eradicated. Shattered in one fell swoop.

And in your city, of all places. At the river. Somewhere you’ve been. Somewhere you wouldn’t think twice about going. It’s not particularly close to your apartment or university, but it’s not exactly far enough away for comfort.

You shudder, suddenly grateful that Heeseung was there to walk you home last night. Not that he would be able to do much if you did stumble across the path of a vampire, but—”

Oh god. Oh god.

Heeseung.

You have no idea if he made it home safe after parting ways with you and you have no way of checking. He hadn’t made any indication as to where he lived before saying goodnight. For all you know, he could have been heading in the direction of the river. He could have been at the river. Right when the attacks occurred.

Doubling down on your phone, you scour the article for any information you can find on the victims. Objectively, it’s probably a good thing that they’re described only vaguely. Probably an intentional choice to protect the privacy of grieving friends and families.

But ‘three victims, two men and one woman, all in their early twenties’ does very, very little to assuage your terror. In fact, it only heightens it.

Blood pounding in your ears and dread pooling in your stomach, thirty minutes passes in the blink of an eye, you nearly miss your stop. But as you get off of the bus, you’re spiraling. Should you even be here? It feels wrong, leaving such a terrifying loose end untied.

But then you think it through a little further. Even if you got back on the bus, rode it all the way to the stop by your apartment, you have no idea where you’d go from there. You may have shared insults and confidence and a moment under the moonlight with Heeseung, but you don’t know anything about him. Where he lives, where to reach him, where he could possibly be right now.

But Professor Kim might. You’re sure that student information is strictly confidential, but if you explain the situation to him, he might be understanding, might just be willing to bend the rules a bit for you.

So with a heaviness in your heart and fire in your footsteps, you double check the address of New Haven’s office and start walking away from the bus stop. Your surroundings are not a primary area of your focus, but it does strike you as odd how deserted the whole area seems.

Other than a few residential looking buildings, the street you walk is mostly empty lots. Abandoned houses. Not the kind of place you would consider ideal for any business.

Despite the cold morning sunshine, the afternoon has brought a cover of clouds. Squinting towards the distance, you wonder if you should have brought your umbrella, just in case. It almost looks as if it’s going to rain.

When you do finally find the building, you have to stop to double check the address. Not only is there no signage, but New Haven’s supposed headquarters looks just as run down as all of the other buildings in the area.

Frowning, you reread your email. The address does match the faded numbers next to the front door, and Professor Kim seems too meticulous to make a mistake like an incorrect address. Then again, he also seems too well off to run his publishing company out of a decrepit building far away from any of the city’s major business centers.

But you won’t bother worrying about it now. Even your dreary first draft feels like an afterthought at this point. Who cares if the building’s not what you expected, if the location isn’t ideal? Right now, you need to focus on finding Heeseung, on making sure he’s okay.

Because the alternative…

No, you refuse to let yourself spiral there either. But the pressure of grief borrowed from the future is already pressing firmly against the backs of your eyelids, blurring your surroundings.

As you approach the front door, you notice a small, faded placard.

New Haven. Well, at least that confirms that you’re in the right spot. Even if it is a bit odd that they left off Publishing.

Standing at the door, you hesitate. Should you knock? Just walk in? You take a sidelong glance at the window, scanning for any sign of movement. But there’s nothing there. In fact, it looks as if the lights are off.

Dark, quiet, desolate. Strange, yes, but not something you’ll waste time ruminating on now.

You knock once. Twice. The sound echoes; the only response is the whistling of the wind.

Deep in the pit of your stomach, a sense of unease begins to build. It feels off, like something is wrong. Senses on high alert, you force the feeling aside. You need a way to find Heeseung, to make sure he’s okay. Besides, the lingering unease is probably just the anxiety of not knowing if he’s safe.

Steeling your resolve, you reach for the door handle, twisting it tentatively. It opens slowly, the hinges groaning in protest. As if the building itself doesn’t want you there. Stepping inside does little to shake the feeling. Dark and devoid of any decoration, the interior is nearly as gloomy as the sunless sky outside.

And even the layout of the building is strange. The front door opens to a long, dark hallway with no lights on. It’s eerily quiet. Too quiet. Too empty. You weren’t expecting a welcoming party by any means, but it’s hard to imagine anyone, much less Professor Kim, even being here.

“Hello?” You call, clutching your bag a little closer to your body, suppressing the shudder that licks at the base of your spine. “Professor Kim?” You wait a moment, but sustained silence is the only response.

Forcing your footsteps forward, you tread tentatively down the hallway. After all, you didn’t come this far just to turn around. Especially now that Professor Kim might be your only way of finding Heeseung.

Taking slow steps down the dark hallway, you pass two doors, both of them pulled shut. The end of the hall opens into a larger room, still empty of any furnishings. It certainly doesn’t look like a publishing house. It doesn't look like much at all. At the very least, there’s a bit more visibility here, faint traces of faded daylight streaming in through the half drawn blinds on the other side of the room.

Turning to your left, you see another door. This one is also pulled shut, but there’s a name placard on the front. Drawing closer, you read your professor’s name. It still doesn't feel right. Ducking down slightly, you check the gap between the bottom of the door and the hardwood floor for any sign of light, of movement. But it’s just as dark, just as quiet as the rest of the strange building.

As you stand back up to your full height, you raise a hand to knock. Just before your knuckles make contact with the door, you see it. An odd array of crimson stains near the handle. Peering closer, your brow furrows in a combination of disgust and confusion.

If you didn’t know any better, you’d almost think it looked like blood.

But that doesn’t make any sense. None of this does. You won’t pretend to know Professor Kim, but he’s never shown up to a lecture with so much as a hair out of place. Why on earth would he run his publishing company out of a building that’s nearly falling apart? Why would there be strange, suspicious looking stains on the door to his office? Why would it be empty at the time he asked you to come present your draft and tour your future internship location?

You have no idea what to do. Opening the door to his office and letting yourself in would feel like an inappropriate invasion of privacy, but you’re at a loss. This entire thing is so strange.

Before you can decide how to proceed, you hear something. A faint noise, barely there, but distinct from the wind that still whistles outside. It’s disjointed, arrhythmic like the sound of hushed voices. Overlapping. Arguing, maybe.

Inclining your head, your brow creases further. It sounds like it’s coming from your professor’s office, but how could it be? The noises are too muffled, too distant to be coming from right in front of you.

You lean closer. Deciding you’re past the point of maintaining decorum, you press your ear to the door, careful to avoid any of the suspicious looking stains.

For a moment, you hear nothing. Half convinced the voices were nothing but a figment of your overactive imagination, you almost pull away.

But then you hear them again. Still muffled, still indecipherable, but undoubtedly louder than before. Which means they must be coming from behind the door. The voices pause, suspend you in silence once again.

And then you hear another noise, different this time. Less like a voice and more like movement. Scuffling, maybe. Feet dragging against the floor. It’s punctuated by a strange gurgling noise. Something wet and thick and throaty. The kind of sound that makes you wince in a subconscious reaction.

And then a sudden thump has your bones jolting beneath your skin, everything muscle in your body tensing as you suppress an uninvited gasp. Because that didn’t sound far away. It was loud, too loud to be anywhere but right on the other side of the door.

Mild unease is quick to transform into sheer panic as you stagger backwards on shaky footsteps. You need to leave. You need to leave now.

You’ll find another way to get ahold of Heeseung, to make sure he’s okay. And maybe there’s a rational explanation for all of this. Maybe this is an old New Haven office and Professor Kim forgot to send you the new address. Maybe there’s an email in your inbox now, and he’s apologizing for the oversight and rescheduling your draft meeting. Maybe he’s—

The sound of the front door you walked in through minutes ago slamming shut kills the train of thought. This time, you can’t bite down the noise that crawls up your throat.

It’s stupid, from a logical perspective. A fatal flaw of human nature that your first instinct is to scream. To alert whatever danger surely lurks nearby of your exact location, the precise depth of your fear.

But the terror that leaves your lips is muffled. It comes from behind, the palm that covers your mouth. The outline of a body that presses into your back, forces you into submission with a hand around your wrist.

You thrash against the ironclad grip to no avail. Dig your heels into the ground but find little purchase in the hardwood floor as you’re dragged backwards, every nerve in your body singing with terror as you’re forced into a dark room. Even with your elbows flailing and head jerking, the grip on you remains steady, firm.

In the end, it’s a bite that frees you. The hand that covers your mouth drops away as soon as you sink your teeth into the flesh of your captor’s fingers. There’s a muffled grunt of pain in your ear as you spin on your heel.

Again, it’s stupid. You should be running, sprinting in the opposite direction, but everything in you is begging to know. To gain some sense of control over the situation. Eyes still adjusting to the dark and blinded by fear, you turn to find—

“Heeseung?” Your mind is spinning a million miles a minute. There are too many thoughts, too many emotions to keep up with. Relief. Fear. Confusion.

Relief, because he’s okay and he’s here, but—

“What are you doing?” You have a million questions that demand answers. “Why are you here? Why did you grab me like th—”

“Are you okay?” Heeseung takes a step closer to you, reaches his hands out as if to grab you again. Thinking better of it, he lets them fall back to his side with a slight shake of his head. There’s terror in his eyes too when he clarifies, “You’re not hurt?”

“No, I…” What the hell is going on? “I’m fine, but—”

A flash of relief makes itself apparent on Heeseung’s features before they’re morphing again, regaining all the urgency, the fear that was there before. He’s serious, gravely so when he tells you, “We have to get out of here.”

“Okay,” you stumble forward as he reaches for your wrist again, intent on tugging you behind him. “But I don’t understand. What’s—”

“I’ll explain everything later.” He’s frantic, you realize. Desperate. And so terribly afraid. Emotions you’ve never seen him wear. Not in the cool, calm mask of indifference he had in class. Not in the faint flickers of vulnerability from stolen moments under moonlight. This is different. This is so much worse. “But we have to go. Now.”

With that much command in his voice, that much fear in his eyes, you’re putty in his hands. But in the end, it makes little difference. The door to the room he’s dragged you into opens with a resounding bang before the two of you can make your escape. The sound is so loud, so frightening that you feel reverberations in your marrow as the door collides with the room’s interior wall, no doubt leaving a sizable dent.

And standing there, shrouded by the gray tones of sunless winter daylight, your professor blocks the room’s only exit.

Instinctively, you take a step closer to Heeseung. He does the same, pulling you towards him, behind him, until half of your body is covered by his. Peering over his shoulder, the sight that greets you is one that will haunt waking nightmares for a long time to come.

Professor Kim, who always prided himself on maintaining a neat, clean appearance couldn’t be further from that now. His clothes are ripped, hanging from his body at odd angles, adding an element of disfigured monstrosity to his silhouette.

And his eyes. His eyes. Bloodshot and so wide they must hurt, they dart around the room, narrow in on you and Heeseung like he doesn’t see humans. Only targets. Enemies. Prey. Mouth open and snarling, you swear you see a glint in his mouth, the shape of a tooth far too long and pointed to belong to any normal person.

But even those things you could force yourself to forget.

What horrifies you the most is the blood. Even in the shadows, the unnaturally potent shade of crimson is unmistakable. It stains him, covers him, drips from him. Seeps from his clothes and his skin and his mouth.

Panic clawing at your throat, you suppress the urge to vomit.

“Get behind me,” Heeseung whispers, low. “Now.”

But a split second of averted attention is all your professor needs. Professor Kim, lover of literature, beacon of taste, a role model you’ve looked up to since the first time you stepped foot in his class a handful of months ago, pinches a tiny object between his long, bony, blood-covered fingers. And then he throws it.

With startling precision, it whistles through the air, races through a hazy cloud of confusion and panic before it strikes its target true.

It doesn’t hurt, not really. The hand that flies to the side of your neck is instinct, more than anything. But the fingers that linger on your pulse point don’t find the smooth expanse of your unblemished throat that they usually would.

Because there’s something there now. An object lodged just beneath your jaw. Delicately, you draw your hand back in front of your face. There’s no blood on your fingers, but that doesn’t stop them from shaking.

As you look over Heeseung’s shoulder, the world starts to blur around the edges. Darken, as if your eyes are closing of their own volition, against your will. You see him retreat, the terrible ghost of your professor. In the dark, he looks almost forlorn. Regretful.

“Fuck,” Heeseung whispers. He doesn’t see the way your professor spins on his heel, runs in the opposite direction. His attention is trained fully on the space beneath your jaw. “Fuck.”

“Heeseung?” Your voice sounds strange to your own ears. Distant, muffled as if you’re submerged beneath water. You have so many questions.

But it’s suddenly so cold. And you’re so tired. Wouldn’t it be nice to just lay down? Rest for a moment? Surely that couldn’t hurt anything.

Your legs are wobbly beneath you, and you would collapse to the floor in an ungraceful heap if it weren’t for the two hands on your waist, supporting your weight.

“I’m here,” he tells you. Cold. When did it get so cold? Your eyes try to focus on Heeseung, but your vision is swimming. You wonder if he would be warm. “I’m right here. Just… fuck.”

Gently, he eases you both to the ground. The floor is hard beneath you, but it feels like a reprieve. You’re tired of holding the weight of your body upright. Your blinking is becoming slow, lethargic. Your head is suddenly far too heavy for your neck.

Slowly, Heeseung removes his hands from your waist, relocates them to either side of your jaw. With the care of someone well versed in patience, he delicately maneuvers your head to the side, exposing the length of your neck.

Whatever he finds there must be displeasing. You can’t imagine why. You can’t think much of anything. The world has taken on a sort of dreamlike quality in which everything feels loose, fluid and unburdened by the laws of any physics.

“Fuck,” he whispers for the fourth time. The curse scatters over your cheekbone like a kiss.

Pulling back slightly, he meets your half-closed eyes. “I’m sorry.” It sounds like a prayer. “This might…” he swallows, something in his resolve wavering. “This might hurt.”

Pain. You can barely conceptualize the sensation. It feels like a distant memory.

And then he’s tilting your head to the side again. His face draws closer, overcomes the last of your remaining senses, demands the full attention of what’s left of your consciousness.

You think he might kiss you. Whatever desire remains in you almost wishes he would.

Your eyes flutter shut, lips parting slightly as your eyelashes fan against the tops of your cheeks.

But his mouth never finds yours. Instead, you feel the soft caress of his lips against the side of your neck, a fleeting touch against the sensitive skin just beneath your jaw. Inhibitions whittled to nothing, you shudder against the sensation, release the airy ghost of a sigh.

He was wrong, you think. With his mouth on your neck, pain is the last thing you feel.

You feel his lips part against your skin, chasing away some of the cold that has only seeped deeper into bones, into the very essence of your being.

And then you feel it. Whatever capacity for sensation that remains all focuses on the sudden flash of agony as his teeth pierce the skin of your throat.

The tiny moan that escapes your lips is pitiful. Your ability to think, to rationalize, feels like something that’s dangling in front of you, just out of reach. Your body is too heavy, too weak to respond to the flash of searing pain as your skin is pierced deeper.

He can’t speak, but you feel the shallow vibration of a hum against your neck. Soothing, calming. His hand that doesn’t bear the weight of your head moves to push a stray strand of hair from your forehead. It’s gentle, reverent. In complete opposition to the war he wages against your neck.

Mouth still full of you, a groan escapes him. It’s heady, throaty, and you feel it travel the length of your spine, settle in the pit of your stomach. Sensation is the only thing tethering you to this world, and you can’t quite tell if this is pleasure or pain.

He pulls back, the absence of his steady heat leaving your jaw vulnerable to the chill in the air.

“Hold on,” you hear. You can’t pinpoint where the noise comes from. Sound surrounds you, washes over you in a strange uniformity. You feel the ground fall away, something warm and solid behind your shoulders and under your knees.“We’ll be there soon.”

Floating, you think. You must be floating. It’s hard to tell. Moments are bleeding into one another too quickly for you to keep up.

Eyes closed, body molten, you relax into the steady grip that carries you.

And the last thing you hear before reality loses its hold is the fervent, whispered sound of your name.

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CONTINUED IN PART 2 (which can be found on my masterlist!)

⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖

note: THANK YOUUUUU for reading!!! this is pretty different from what I usually write plot wise, so I hope it made for a good read. vampire heeseung and this oc are near and dear to me, and I'm excited to continue their story. the rest of this fic is fully plotted and partially written. I'm actively continuing to work on it, and hearing your thoughts/theories/screaming/feedback/etc. is great motivation! as always, I love know what you're thinking. ♡

#heeseung fanfiction #heeseung x reader #heeseung fanfic #enhypen fanfic #enhypen x reader #heeseung x you #enhypen x you #enhypen imagines #enhypen scenarios #heeseung scenarios #heeseung imagines

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