#Danny Steele Music

[dcxdpdabbles]

Hi Drabbles,

I wanted to ask if you still do prompts and if you do can you do the one below?

So Danny is the Ghost King and was friends with Bruce’s parents so he felt when they died. They could become ghosts but I’ll leave that up to you. But either way, Danny feels their death and assists Alfred when he can to raise Bruce. Due Danny’s visits and Bruce’s holidays in the infinite realms they (Bruce and Alfred) became very Liminal. So they have slight powers. One day, Danny comes over with Ellie and Dan (who are like siblings to Bruce as both we deaged/destabilised and Danny raised them) but Bruce forgets he never told the newer kids about them as Danny hasn’t come over in a while. Dick has meet them, Jason has heard about of them but the rest don’t know about them.

There were three strangers in their house. Usually, that would be okay, as multiple people came and went through Wayne Manor. It was customary to hire random crews to help set up for a Gala, or maybe some representatives from the various charities they helped would come over for dinner or a meeting.

Sometimes, a few of Bruce's old party buddies would pop up to get him to stop being a dad and return to his party boy days. They've all learned how to dance around visitors and hide their identities.

The thing was, these strangers were kept from the main parts of the manor. Their rooms, the sitting lounge, Bruce's Office, Damian's art studio, Jason's library, Tim's game room, Cass' dance studio, and Duke's music record room were all inaccessible.

Bruce would always ask if someone attempted to sneak away and stop them. There was a time when paparazzi disguised themselves as crew members—the three idiots even got jobs at the cleaning company—and tried to see if they could find a scandal on the children.

Brucie Wayne was seen crying hysterically on the news that night for accidentally pushing down a piano on them. He was trying to take it up to the Music Room as a surprise for Duke and wanted to avoid bothering the cleaners to have them help him. He had no idea the rope he was using to drag the grand piano up the stairs would have snapped and rolled backward onto the paparazzi, who had previously been taking pictures of Cass practicing without her knowledge.

People told him not to feel bad, as Bruce had cameras in the hallways of his home due to the last time someone broke in, and it was obviously not his fault. Some people said they deserved it, but Bruce wouldn't hear it. He paid for all their medical bills and gave them enough funds to tie them over for three weeks while they recovered.

Everyone shook their heads at poor Bruce. After all, the piano had fallen so far that the only real harm was that each of them got a few bruises and a broken arm, but that was all.

The point was that no one went up there that shouldn't be.

Yet here, standing in the middle of the Gaming room, were three strangers who were all aggressively battling it out on an old remaster shooting game.

"This is way harder than I remember," said the oldest one, who seemed to be Alfred's age.

"That's cause you always sucked at games," The woman taunted, but her words were countered by the other man shooting her down. "Hey!"

"Ha!" Barked the last man from where he was twisting his elbows, moving alongside his running character. "I'm unstoppable!"

Tim turns to his siblings, about to ask them how they want to play the dramatic scene where they would throw these people out, but his words catch in his mouth upon spotting Cass' expression.

Her narrowed, guarded eyes watched the three with the same amount of steel she had reserved for only the worst of their enemies. Whoever they are, they set off so many alarms in her. She knows they're dangerous.

At once, this minor inconvenience turned into a severe risk to his health. He snaps back towards the strangers, tense and ready for battle. Around him, the rest of his siblings are in similar stances, quickly signing how they would attack.

What kind of message were they sending if someone on Cass's danger scale was able to break in undetected and choose to play with their things? Was it a show of what they could do? Claim that they could beat the Bats without really trying?

The woman's eyes snap towards them so fast she could have been a speedster. He had even noticed her turning around; one second, she was back to them. The next, she was half-turned, staring at them. It looked like a poorly edited video. Everyone jumps, but all she does is smile. "Hey, it's Bruce's kids! Anyone want to call the winner?"

The older gentleman drops his control, turns around to fully face them, and gasps. He puts one hand on his chest and the other right above his mouth. "Look at them! There are so many! Alfred must be so excited to be a grandfather. Why aren't you two giving me grandbabies?"

"Ugh, not this again." The man sighs, continuing to play despite the fact that the other two are no longer paying attention.

"It's fine time you find someone nice." The other protested.

"I'm not nice," Countered the player. "I highly doubt someone would want to find me."

"That's not true, Dan. Most of my co-workers want your number, " the woman chirps. "Also, stay away from my office. It's gross."

"Aren't half of your office married?"

"That's why I said most, you idiot."

"Just for that, I'm going to your office dressed like a romance novel protagonist. The modern professor who goes home for the holidays and finds his humanity again. I'll have a trench coat and everything."

"How dare you. Then I'll strut by your friends in a bikini."

"That's mean. It's not Halloween; there is no need to scare them."

"I'll kill you-"

"Enough! Honestly, you two, you're in your late thirties. Stop bickering."

"No matter how old we are, Dani will always be my little sister."

"Aw. " Dani poses the same as the older man—hand on chest, hand over mouth—and looks close to tears. "I love you too, you big waste of space."

Cass creeps into the room, somehow vanishing from view as the three strangers chat. Tim is still determining where she is, but he figures she'll strike when she has the opening. He feels Duke palm the knife in his pocket, and Damian lowers himself in preparation to throw a ninja star.

Dan snaps his head up with a laugh. "Wow, you're fast. A little too loud, though. Make sure to flatline your heartbeat when sneaking up on people."

Cass drops down over him, but Dan only laughs. Her blade goes right through him, and her fast place kicks do nothing. She accidentally cuts the controller in half, stopping the man's laughter.

"No! I was winning!"

"Ha!" Dani barks, uncaring the ninja star that goes through her right shoulder and flies through her body to exit on the other side. "Dan forfeits!"

"How does this count as forfeiting-"

"Guys, the children are trying to kill us." The older man cuts in. He levels the Waynes with large, grandfatherly eyes. "Children, why are you trying to kill us?"

He says it the same way someone would as a child why they were putting things in their mouths.

"Not kill. Just harm," Duke responds, voice low and dangerous. " Why don't you answer our questions. How did you get in here?"

"Alfred, let us in. He said we could make ourselves at home while he stepped out." The old man frowned. "He went to get Bruce from his office."

"Who are you?" Tim demands next, filing away the claim that Alfred let them. The butler would have told them days in advance if someone would have access to the game room.

"I'm Danny Fenton. These are my children, Dani and Dan." Danny introduces, eyeing the crowd. "We're close friends of Alfred and Bruce."

"How-"

"It's so good to see you all again!" Dick cheers, running down the hallway and still in uniform. He jumps over his siblings in an impressive flip, not breaking stride to race into Danny's arms.

The older man holds them open seconds before they crash together. "Dick! Look how big you've gotten. Oh, it seems like only yesterday you were waist-high!"

"Ha ha ha, it has been a few years, Granpa Danny. Hi Auntie, Uncle! How are you?"

"Dickie, my sweet pea, look at you!" Dani squeals, leaning in for her own hug. She passes through a confused Cass like a ghost. "So handsome! And Tall! Who told you that you were allowed to grow taller than me?"

"Seeing that you are barely over five' six, everyone," Dan laughs, clapping Dick on the shoulder. "It's a shame we're twins, so I'm no taller."

"Um, Dick?" Tim calls as his brother breaks in fast-paced, reassurances that no matter how tall he is, he will always be open for hugs from the shorter adults. "Who are they?"

"Oh these are Fentons. Danny helped Alfred raise Bruce, so their like our extended family."

Tim blinks, wondering if this feeling of confusion is what his classmates mean whenever they joke about being at family functions and people who last saw them as babies walk up to them like they should know them. It's an odd feeling.

"Oh, them?" Jason says from behind the hallway. He peeks in casually, lowering his gun and raising the soda can in the other hand. "I heard about them but never met them. They have level purple clearance."

"Of course we do! We build that stupid cave for Bruce." Dan scoffs. "He got stuck down there as a kid and thought it was safe just to make an entire headquarters in a hole. Honestly."

"At least Bruce has a career and children," Danny says pointingly.

"Please don't compare me to my cousin." Dani groans. "It's exhausting."

Yeah, this is definitely extended family.

[goliath-de-senfina-sango]

Mythic Phantom

This is a little something I whipped up over a while thinking about merging the DP and Riordanverse universes together, and I thank @geraldmariaivo for helping me think my way through it. If you want the ao3 version you can find it here, and I hope you enjoy the fic!

Most Underworld Gods felt it when Vlad’s current permanent Portal opened, but they all Felt it when Danny’s accident happened. A child’s death throes is hard to ignore after all. Pantheons world wide decided that was America’s problem, and Hel decided it was Persephone’s problem, and Haides felt it would close on its own. No gate to Khaos can stay open for long after all.

When Ember went globally live, Muses and Music Gods and Hypnos heard the way she sang, called out to the mortals to never be forgotten. Danny and Tucker dealt with her swiftly enough that she was remembered, noted even, but disregarded.

When the Fright Knight’s sword was drawn, many Fear Gods turned toward Amity, but Danny dealt with it swiftly. Most regarded it as an anomaly but Phobos and Deimos sent subordinate spirits to investigate the town and report anything interesting.

Hades and Persephone noted the invasion of Ghost Cops and saw that Danny had it handled in only a few days, which they would count as a quest fulfilled. Clearly, Amity Park was a contained issue, and the Master Bolt had gone missing by now so they have other things to deal with. The House of Life have some reservations but agree.

Then Pariah Dark got out, and the Gods scrambled to do something about that. In only a week however, He was dealt with too.  A closer eye was warranted. By everyone, not just the Observants.

Whoever these agents were, be they half-bloods or spirits or even minor gods, most wouldn’t see Young Blood and thus would fear Danny was losing it too. When he calmed down, they’d sigh in relief. The two future Ghost Villains who show up outside of the do-over would raise alarms at how fast ghosts can progress, but hey, it’s handled.

When the Hellenic spies are pulled back home for safety during the winter solstice, pleasantly surprised by Ghost activity dying down at the same time, Artemis and Luna, Khonshu and more felt something wrong happening as the Ghostwriter possessed the moon to speak.

When Duul Amon returned to the land of the living, the House of Life sent agents to the town, and Tucker Foley was immediately offered magic lessons. His is power over stone and steel, glass and gems, as well as an ear for the voices of machines. Between terrakinesis and technopathy, Tucker’s limits with his staff became only what he understood about technology.

Then entire copies of the Ghost Boy (Prince? King?) appear, attacking him, manipulating him for the elder, but he lets her go free after he’s rescued? Truly fascinating. Psychopomps keep an eye on Elle wherever she goes - she’s always very close to melting after all. The titan army also keep an eye on her, a powerful being both like and unlike the Gods, much the same as a Titan, Giant, or Monster.

Then the Reality Gauntlet is found by a mortal man, a rogue Magician, while the boy is busy trying to stop it and save the world, Lydia is keeping House of Life magicians and even Odin’s Ravens from finding Freakshow, so some Camp Jupiter heroes are being sent on a quest to deal with him. Then he gets the fucking gems and turns the world into a circus for 10 minutes.

Before the Boy tricks him, takes the Gauntlet, resets the world to before his identity was revealed to the world, (though perhaps not quite fooling the memories of Gods, who Are the world) and destroying the Gauntlet and gems in a single blast.

An artifact presumed by the Ghost Investigation Ward to be powerful enough to destroy the Infinite Realms, reduced to molten ash by one burst of power.

What to do about the young Phantom is a matter of discussion during the solstice meeting on Olympus.  Hades is sent to investigate the boy and finds that he is a godling of Kaos Themself, which sparks yet further debate on what to do when Artemis goes missing.

But then the Son of Hades stumbled upon Elmerton and witnessed a duel between Gods firsthand.

Danny Phantom faced off against Vortex, the ghost of all weather and sky and storm gods who had faded over the millennia, all on his own.  Even in defeat, Danny stole half of Vortex’s power, and less than a week later, he defeated the calamity that even two pantheons worth of gods could not.

The Titans would be horrible for humanity as a whole, and the Olympians were bad for half bloods as well.  Danny Phantom, however, could be just what most half bloods were after.  He needed training in mortal form, clearly, but that could be an angle for Nico to use.

[world-of-wales]

NEWS -

NEW DETAILS OF THE CHRISTMAS CAROL SERVICE HAVE BEEN REVEALED

Kensington Palace has released new details about Friday’s service, which will include readings “linked to the theme of love and empathy”.

Sir Chris Hoy, who has revealed he has terminal cancer, and Lindsey Burrow, the widow of the late rugby player Rob Burrow who died of motor neurone disease in June, will light candles during the service. Paralympic Champions Lizzi Jordan and Danni Khan will also be lighting the candle during the service.

The Prince of Wales, the Olympic swimmer Adam Peaty, and the actors Richard E Grant, Sophie Okonedo and Michelle Dockery will all do readings during the service.

The service, which will be televised on ITV1 on Christmas Eve, will also include music from Paloma Faith, Gregory Porter and Olivia Dean

Alongside, performances by the Royal Ballet and students from the Royal Ballet School.

The abbey will be adorned with sustainable festive decorations and foliage, and a “kindness tree” will be placed outside the entrance for guests to dedicate a decoration to someone who has supported them throughout their life.

The congregation will also be entertained by young musical performers, including a 25-piece steel band and jazz ensemble from Restore the Music, a charity which funds musical education for young people.

Kensington Palace said the congregation would include “some of those who have gone through difficult times this year”, including the families of the three girls killed in the Southport knife attack in July, and some of the children who survived the attack.

It will “shine a light on individuals from all over the UK who have shown love, kindness and empathy towards others in their communities”.

[bonesandthebees]

alright since it seems no one was expecting ironmouse with a steel chair let's take our guesses as to who the next qsmp members will be

[fandomtrumpshate]

FTH 2024 Unlisted Fandom Challenge!

All right, there was a peek at the leaderboard in yesterday's numbers post. Today we're giving you the whole thing. The list below contains all 84 write-in fandoms. The majority of them have only one offer —so far. One more signup for them will jump them onto the leaderboard. Two more signups will put them in a tie for second place. Any fandom that gets an additional 4 signups will challenge for the lead ...

And we've had fandoms in years past that went from not on the list at all, to nearly the top of the leaderboard in the time between numbers updates. Will that be your fandom this year?

Signups are OPEN!

One quick request - when writing in your fandoms, please avoid using the ' | ' character. It gives google sheets (and your mods) a headache.

And now, on to the numbers! At not quite 48 hours of signups, this is the complete list of write-in fandoms -

5 YuYu Hakusho 3 Ace Attorney 3 Bungou Stray Dogs 3 Dragon Ball 3 For All Mankind 3 Realm of the Elderlings - Robin Hobb 3 The Goblin Emperor Series - Katherine Addison 2 Ancient Greece Religion and Lore 2 Buffyverse 2 Detective Conan 2 Dune 2 Guardian/Zhen Hun 2 HBO War 2 Imperial Radch Series 2 Tortall 1 Among Us 1 BBC Ghosts 1 Blue Beetle 1 Buzzfeed Unsolved/Watcher Entertainment RPF 1 Cherry Magic 1 Chronicles of Narnia 1 Cobra Kai 1 Criminal Minds 1 Danny Phantom 1 Death Note 1 Dice Punks (podcast) 1 Digimon 1 Donten ni Warau / Laughing Under the Clouds 1 Dungeons and Daddies (podcast) 1 Endeavour/Morseverse/Inspector Morse (ITV/Dexter) 1 Falsettos 1 Farscape 1 Fire Emblem (4-10, 13, 14, 16) 1 Five Nights at Freddy's 1 Formula 1 RPF 1 Glee 1 Grantchester 1 Greek Mythology 1 Grey's Anatomy 1 Gundam 1 Hawaii 5.0 1 Honkai Star Rail 1 Jeff Satur - music videos 1 Law and Order 1 Legend of the Galactic Heroes 1 London Spy 1 Magi: The Labyrinth of Magic 1 Magnificent Seven 1 Mob Psycho 100 1 Mobile Suit Gundam: The Witch From Mercury 1 Mrs. Davis 1 My Little Pony 1 Narcos (TV) 1 Omniscient Reader's Viewpoint 1 Omori 1 Orphan Black 1 Pacific Rim 1 Professional Wrestling - New Japan Pro Wrestling 1 Professional Wrestling: All Elite Wrestling 1 Re-Animator 1 Riverdale 1 Shades of Magic - V. E. Schwab 1 Simon Snow Series 1 Slam Dunk 1 Slow Horses (TV Show) 1 Super Sentai 1 Sweeney Todd 1 Ted Lasso 1 The Adventures of Buckaroo Banzai Across The 8th Dimension 1 The Adventures of Tintin 1 The Bear (TV) 1 The Empyrean Series - Rebecca Yarros (Fourth Wing) 1 The Good Place 1 The Last Kingdom 1 The Lunar Chronicles 1 The Mummy (1999 franchise) 1 The Pairing (Casey McQuiston) 1 The Radiant Emperor Series 1 The Saint of Steel 1 The Stanley Parable 1 Voltron: Legendary Defender 1 Wayfarers (Becky Chambers) 1 Wolf Pack 1 Yu-Gi-Oh! Duel Monsters

[suppose-i-was-worm]

Dragon Landing pt 1

**I've had this one floating around for a while and just today realized it was ready to post. Enjoy!**

Kon raged about his room, throwing anything that came to hand at the door, which stayed resolutely shut. His uncle, the king regent of Metropolis after the death of his father, had ordered it locked from the outside until Kon could “calm down”.

Calm down? Snarling, Kon threw another useless piece of decor at the door. How Lex expected him to calm down when he’d just been sold like slab of meat at the market, Kon had no idea.

Sold to marry a dragon, of all things.

Kon cursed the dragon and cursed Lex.

The young man who came as a herald to the dragon was good looking but uninteresting. He smiled and simpered at Lex, and then did the same to Kon.

Kon was pretty sure he was going to vomit if he had to deal with this much longer. The welcoming feast had already stretched on for hours, and the turbulence in his stomach at being forced to marry a dragon hadn’t subsided, even weeks after he’d been told.

At the earliest opportunity, he slipped away from the feast, glad that Lex was paying attention to someone else. No one other than his uncle really looked at him anyways, they wouldn’t notice his absence.

He didn’t notice the bright blue eyes following him out of the great hall and into the shadows of the Keep.

The stars glimmered down at him out in the gardens, and a cool breeze ruffled his hair like a friendly hand. Kon sat down gingerly on his favorite bench, steeling himself against the stone chilled by the night.

It was quiet between the rosebushes, nothing but the sounds of birds singing each other goodnight and bugs going about their business.

“The gardens are beautiful.”

Kon flinched at the voice, and turned angrily to scold the servant who dared disturb his peace.

The speaker was the dragon’s herald.

“I’m Danny, by the way. It’s nice to actually meet you, Prince Kon-el.”

“I would say the same in any other circumstance.”

Kon didn’t stand up to greet the other properly, choosing instead to turn away again once he’d said his piece.

“You did not volunteer to marry my lord?”

“Would anyone?”

He couldn’t help the vitriol in his voice.

“A prince marrying a stranger, a dragon, so that his regent could gain power? I think not.”

The herald made a considering noise in response.

“You do not agree with your uncle.”

It wasn’t a question, but Kon answered nonetheless.

“The day I agree with that man, someone ought to check me for spells.”

They were quiet for a long time- Kon seething against the constraints of royal duty and the herald- Danny?- thinking about whatever the hell it was he thought about.

“I shall leave you to your thoughts, your highness. I hope you will allow me to meet with you again.”

This time, Kon heard the man’s footsteps.

~~~

Over the days, Kon started noticing how pretty Danny was. The other man glowed in the light and shone in the darkness like a guiding star, and he seemed to want to orbit around Kon.

Every day after Kon’s lessons and training, Danny would pop up beside him from seemingly nowhere and drag him away- to walk through the town below the keep, to ride horses in the fields, and to explore the Keep.

He was never impolite to Lex, if they happened to cross paths, but the closer they came to the dragon coming, the less Kon saw of Lex, no matter what he was doing. And all the more he saw of Danny.

Silly Danny, who played merry games with the hunting dogs by the stables. Gentle Danny, who spoke with the gardeners at length about their craft. Lithe Danny, who danced pretty jigs with both men and women when there was music playing on the streets.

Lovely Danny, who began to look at Kon with stars in his wide blue eyes.

Heartless Danny, who extolled the virtues of the dragon hundredfold.

“He’s very nice, you know, once you get past the inability to rest for more than a moment.”

“Is he?”

Kon kept his eyes closed against the sun, listening to Danny chatter as they rested their horses in a meadow.

“Oh yes, my lord is- he’s very good. Odd, but what dragon isn’t? Kind and selfless and pretty enough most of the time.”

A bitter answer was on the tip of Kon’s tongue, but he kept it behind his teeth. It was no good asking Danny why he didn’t marry the dragon if he liked him so much.

“You’re falling asleep, Prince Kon-el.”

Kon felt a shadow fall over him and he opened his eyes to see Danny leaning over him. A hot flush crept up his cheeks at the sight of the other man looking down.

“It’s warm out.”

Danny laughed, a tinkling laugh like thousands of tiny bells.

“You’ll get a sunburn. Let’s return and see if we can’t get something sweet from the kitchens.”

The other man held a hand out, and Kon took it, allowing himself a moment of selfishness when Danny helped him upright.

~~~

“Prince Kon-el! Do you have a moment?”

Kon turned to see Danny hurrying down a hallway towards him.

“Of course, what can I help you with?”

The servant Kon had been speaking with bowed and made her way off, probably to relay his response to Lex.

“My lord is coming soon, and I need to practice my dancing for the celebration! Will you help me?”

On one hand, Kon could only see this turning out badly. He would be pressed close to Danny for minutes at a time, looking down into his wondrous eyes, and he wouldn’t be able to keep declarations of love to himself.

On the other hand, he would get precious time with Danny that would be ripped away from him all too soon.

He nodded, and Danny lit up with a smile.

“Wonderful! I’ve found an empty room to practice in.”

Kon allowed Danny to take his hand and lead him away.

He did not see the pair of eyes following them down the hall.

Kon was determined that he would at least kiss Danny once before the dragon came.

[scotianostra]

Happy Birthday Bill Forsyth the Scottish film director and screenwriter.

Born in Glasgow July 29th 1946 and educated at Knightswood School. On leaving aged 17, he answered an advertisement for a “Lad required for film company” and spent the next eight years helping make short documentary films.

Leaving documentary production in 1977, Forsyth wrote the scripts for Gregory’s Girl and That Sinking Feeling in the hope of breaking into feature films.

Obtaining finance, however, proved frustrating and problematic. The BFI Production Board rejected Gregory’s Girl three times. Forsyth later said, “I remember one torment of a meeting when I tried to explain that Gregory’s Girl was really a structuralist comedy… I suspect my script was too conventional although nobody actually told me as much.”.

That Sinking Feeling was eventually made in 1979 with amateur actors from the Glasgow Youth Theatre, including John Gordon Sinclair (who later took the lead in Gregory’s Girl , its tiny £5,000 budget was raised from a variety of sources.

Forsyth’s distinctive voice as writer-director is already apparent in this tale of a robbery of stainless steel sinks by a gang of unemployed Glasgow teenagers - intensely humanistic and humorous yet with an underlying seriousness of purpose. This ability to create a self-contained yet believable world with a keen sense of the absurd and bizarre in the everyday is perhaps only rivalled by the work of British television writer Alan Plater. The film opened to great popular and critical success at the Edinburgh and London Film Festivals but was unable to secure more widespread distribution.

Gregory’s Girl was Forsyth’s breakthrough film. This acutely observed story of adolescence and first love set in a Scottish new town was rapturously received by both critics and public alike. Forsyth’s reputation seemed to be secured by the success of his next venture, Local Hero, a first collaboration with producer David Puttnam.

In 1999 he made Gregory’s Two Girls as a sequel to Gregory’s Girl, with John Gordon Sinclair playing the same character, but it received mixed reviews.

Gregory's Girl, to me, is still a very funny film, but it feels dated, that's not to say that it hasn't stood the test of time with some folk, indeed The Glasgow Film Theatre (GFT) showed a 4k version of the 1980 cult classic last August 1which was followed by a Q&A session with some of the cast including Gordon Sinclair(Gregory), Clare Grogan.

In 2022 the popular Scottish actor Peter Capaldi spoke of how Bill Forsyth saved him from living off pakora and lager after featuring him in Local Hero. The Doctor Who and The Thick Of It star praised the Scots film director in an acceptance speech after receiving a Bafta Scotland Award for Outstanding Contribution to Film & Television.

I love Capaldi's affection for our country, speaking to the audience while holding his Bafta, Capaldi said the award was “for getting lucky, and for being lucky enough to be born in Scotland”.

He said: “Forty years ago I was just up here (in Glasgow) as an art student, living off pakora and lager for breakfast.

“Bill Forsyth scooped me up and put me in Local Hero.

“It was an act of kindness and confidence that baffled me and much of the industry to this day, but I wouldn’t be here without him and nor would a lot of others.”

Capaldi landed this breakthrough film role aged 24 playing Danny Oldsen, a naive young oil industry executive, in the film.

A number of actors, including Dee Hepburn, will be a part of a celebration of the films of Bill Forsyth at the Outwith Festival of music and arts which takes place in Dunfermline from September 3-8. It will also screen That Sinking Feeling and Local Hero at the city’s Carnegie Theatre.

[alldancersaretalented]

NYCDA National Outstanding Dancers 1999-2024

1999

Junior: Travis Wall (Denise Wall Dance Energy) and Megan Eisenhart (The Dance Club)

Senior: Nick Lazzarini (Studio 10) and Cindy Welik (Dance Academy USA)

2000

Junior: Robbie Fairchild (Pulse 31) and Kayla Kalbfleisch (Christine Harper's Dance West)

Teen: Danny Tidwell (Denise Wall Dance Energy) and Melissa Hough (Dance Explosion)

Senior: Manuel Herrera (Fran Sullivan School of Dance) and Janna Oberdorf (In The Spotlight)

2001

Junior: Bret Easterling (Teen Dance Co.) and Collette Chan (Teen Dance Co)

Teen: Sean Duvall (American Dance Machine) and Nicole Winhoffer (In The Spotlight)

Senior: Daniel Vaniska (La Danse School of P.A.) and Nicki Loud (Turning Pointe Dance Center)

2002

Junior: Garrett Smith (Dance Impressions) and Erica Ross (Dance Connection 2)

Teen: Anthony Lomuljo (Dance Attack Sunnyvale) and Becca Henderson (Ballet Society)

Senior: Danny Tidwell (Denise Wall Dance Energy) and Melissa Hough (Dance Explosion)

2003

Junior: David Gensheimer (American Jazz Dance Co.) and Whitney Jensen (CSPAS)

Teen: Travis Wall (Denis Wall's Dance Energy and Marilee Glazier (CSPAS)

Senior: Phillip Spaeth (Triple Threat PAC) and Carly Lang (DDK Danceworks)

2004

Mini: Corey Snide (Eleanor's School of Dance) and Christina Spinger (Dance Motion Performing Arts Co.)

Junior: Nick Young (Young Dance Academy) and Kayla Radomski (Michelle Latimer Dance Academy)

Teen: Chuck Jones (CSPAS) and Jaimie Goodwin (Denise Wall's Dance Energy)

Senior: Jon Bond (Center Stage Dance Academy) and Ellery Baum (CSPAS)

2005

Mini: Hogan Fulton (Bobbie's School of Performing Arts) and Tiara Keeno (Wasatch Dance Center)

Junior: John Manzari (Spotlight Studio of Dance) and Angelica Generosa (Dance Stop)

Teen: Garrett Smith (Odyssey II) and Dusty Button (Movin' South)

Senior: Teddy Forance (Hackworth School of Performing Arts) and Allison Holker (The Dance Club)

2006

Mini: Ross Lynch (Artistic Fusion Dance Academy) and Catherine Hurlin (Westchester Dance Academy)

Junior: Corey Snide (Eleanor's School of Dance) and Christina Spinger (Dance Connection)

Teen: Ryan Steele (Dance Dynamics) and Kirsten Wicklund (Danzmode Productions)

Senior: Christian Denice (Bobbie's School of Performing Arts) Jamie Godwin (Denis Wall's Dance Energy)

2008

Mini: Kolton Krouse (Tempe Dance Academy) and McKenna Ross (Tempe Dance Academy)

Junior: Alex Hathaway (Dance Dynamics) and Tiare Keeno (Wasatch Dance Center)

Teen: Corey Cox (Denise Wall's Dance Energy) and Taja Riley (Denise Wall's Dance Energy)

Senior: Crain Dionne (Donna Coco's Performance Plus) and Erica Ross (Tempe Dance Academy)

2009

Mini: Brandon Chang (Dance Town) and Sarah Pippin (CC&Co. Dance Complex)

Junior: Kolton Krause (Tempe Dance Academy) and Kamila Shah (Westchester Dance Academy)

Teen: Mason Manning (Dance Industry) and Tiare Keeno (Classical Ballet Academy)

Senior: Richard Villaverde (Dance Town) and Ida Saki (Dance Industry)

2010

Mini: Tade Biesinger (Dance Impressions) and Payton Johnson (Jean Leigh Academy of Dance)

Junior: Rae Srivastava (Independent) and Jayce Kalb (The Dance Centre)

Teen: Corey Snide (Eleanor's School of Dance) and Mattie Love (Dance Impressions)

Senior: Cory Barnette (Tempe Dance Academy) and Kaitlynn Edgar (Spotlight Dance Works)

2011

Mini: Travis Atwood (The Talent Factory) and Jacalyn Tatro (Inspire School of Dance)

Junior: Niko Martinez (Dance Images & Music) and Sarah Pippin (CC&Co)

Teen: Ivan Kalinan (The Dance Zone) and Madi Hicks (Academy of Dance Arts)

Senior: George Lawrence (Dancemakers of Atlanta) and Kali Grinder (The Dance Zone)

2012

Mini: Kyle Anders (Savage Dance) and Kayla Mak (Westchester)

Junior: Jack Wolff (Precision Dance Academy) and Payton Johnson (Jean Leigh Academy)

Teen: Kolton Krouse (Tempe Dance Academy) and Jordan Pelliteri (Plumb Performing Arts Center)

Senior: Joseph Davis (Draper Center) and Alexia Meyer (The Dance Club)

2013

Mini: Justice McCort (Krystie’s Dance Academy) and Jasmine Cruz (Westlake)

Junior: Jonathan Fahoury (Artistic Fusion) and Sophie Miklosovic (Faubourg School of the Ballet)

Teen: Jake Tribus (CC & Co) and Jayci Kalb (The Dance Centre)

Senior: Alex Soulliere (Spotlight Dance Works) and Alyssa Ness (Northland School of Dance)

2014

Mini: Luke Spring (Independent) and Charlee Fagan (Main Street Dance)

Junior: Matthew Spangler (Artistic Fusion) and Mackenzie Bessner (KJ Dance)

Teen: Rae Srivastava (BHumn DanceSpace) and Jacalyn Tatro (Inspire School of Dance)

Senior: Kolton Krouse (Tempe Dance Academy) and Jordan Pelliteri (Plumb Performing Arts Center)

2015

Mini: Brady Farrar (Stars) and Madison Brown (Lents Dance Company)

Junior: Parker Garrison (Stars) and Jasmine Cruz (Westlake)

Teen: Harrison Knotsman (Studio West Dance Center) and Nina Bartell (Sweatshop)

Senior: Jake Tribus (Next Generation Ballet) and Sarah Pippin – CC & Co

2016

Mini: Luke Barrett (Dance Attack) and Eden Galloway (Center Stage Dance Studio)

Junior: Jack Easton (IMPAC) and Mahalaya Tintianco-Cubales (Westlake)

Teen: Kele Roberson (Dance Institute) and Ali Deucher (The Dance Club)

Senior: Zach Manske (Woodbury) and Jacelyn Tatro (Inspire School of Dance)

2017

Mini: Hudson Silva-Costa (Spotlight Dance Center) and Phoenix Sutch (Krystie's Dance)

Junior: Mason Evans (Performance Edge 2 and Madison Brown (Lents Dance Company)

Teen: David Keingatti (Columbia) and Sydney Revennaugh (CSA's Dancers Edge)

Senior: Michael Garcia (Dance Industry) and Kaylin Maggard (Columbia)

2018

Mini: Sienna Morris (Westchester) and ???

Junior: Eden Galloway (WNC Dance) and ???

Teen: Aydin Eyikan (Kanyok Arts) and Jasmine Cruz

Senior: Harrison Knostman (Studio West Dance Center) and Jenna Meilman (Westchester)

2019

Mini: Ian Stegeman (Woodbury) and Ivana Radan (Westchester)

Junior: Justin Padilla (Infusion Dance) and Rebecca Stewart (Spotlight Studio of Dance)

Teen: Luke Spring (East Coast Edge) and Madison Brown (Lents Dance Company)

Senior: Jamaii Melvin (Miami Dance Collective) and Madison Goodman (KJ Dance)

2020

Mini: Eric Poor (CityDance) and Kynadi Crain (Jean Leigh Academy)

Junior: Jagger Effs (Miami Dance Collective) and Sienna Morris (Westchester)

Teen: Mason Evans (Performance Edge 2) and Mahalaya Tintianco-Cubales (Westlake)

Senior: Aydin Eyikan (Kanyok Arts) and Sydney Revennaugh (Performance Edge 2)

2021 (Orlando)

Mini: Spencer Parnell (Academy of the Living Arts) and Kiera Sun (Westside)

Junior: Michael Duvali (Centerstage Dance Academy) and Macie Miersh (All American Dance Factory)

Teen: Luke Biddinger (Touch of Class) and Eden Galloway (WNC Dance)

Senior: Jemoni Powe (Academy of Nevada Ballet) and Kayla Mak (Westchester)

2021 (Phoenix)

Mini: Ellis Khoundara (Tempe Dance Academy) and Skylar Wong (Woodbury)

Junior: Ian Stegeman (Woodbury) and Carolina Garcia (Miami Dance Collective)

Teen: Justin Padilla (Westside) and Erin Park (Westside)

Senior: Justice Wooden (Just Dance) and Charlee Fagan (Main Street Dance)

2022 (Orlando)

Mini: Mali Photnetrakhom (In Motion Dance Project) and Avery Gallenero (Dance Inc.)

Junior: Bryce Young (All American Dance Factory) and Eva Jimmerson (Renner Dance)

Teen: Luke Barrett (Dance Attack) and Phoenix Sutch (Krystie's Dance Academy)

Senior: Mason Evans (Performance Edge 2) and Kailey Woronstoff (Dance Universe)

2022 (Phoenix)

Mini: Levi Caicco (In Motion Dance Project) and Kensington Dressing (Evolve Dance Complex)

Junior: Avery Khoundara (Tempe Dance Academy) and Fiona Wu (Yoko's)

Teen: Keenan Kiefer (Academy of Dance Arts) and Georgie Weir (Miami Dance Collective)

Senior: Parker Rozzano-Keefe (Westlake) and Mahalaya Tintiangco-Cubales (Westlake)

2023

Mini: Jonathan Macleod (Joanne Chapman) and Hannah Fogel (Dance Institute)

Junior: Lincoln Russo (Poirer Productions) and Kiera Sun (Westside)

Teen: Hudson Silva-Costa (In the Spotlight) and Crystal Huang (The Rock)

Senior: Jonathan Paula (Canadian Dance Unit) and Abigail Weber (Dallas Conservatory)

2024 (New York)

Mini: Marko Kokovic (Draper Center for Dance Education) and Maeve Olsen (The Dallas Conservatory)

Junior: Levi Caicco (In Motion Dance Project) and Aria Du (Yoko's)

Teen: Sam Gauss (Draper Center for Dance Education) and Evee Lee (CAP The Company)

Senior: Caleb Abea (Larkin Dance Studio) and Izzy Howard (Westside)

2024 (Phoenix)

Mini: Anderson Sander (New Dimensions) and Belle Marie Arauz (Dance Town)

Junior: Ellis Khoundara (Tempe Dance Academy) and Mali Photnetrakhom (In Motion Dance Project)

Teen: Maceo Paras-Mangrobang (Westlake) and Gracelyn Weber (The Dallas Conservatory)

Senior: Cameroon Janson (Creative Conservatory of Dance and PA) and Jordyn Sarmoen (Performance Edge 2)

[justforbooks]

In the childhood memories of more than one generation, Glynis Johns, who has died aged 100, will be best remembered as the Edwardian materfamilias of the hugely popular Walt Disney musical Mary Poppins (1964). Winifred Banks, married to David Tomlinson’s George W Banks, is the mother of Jane and Michael, the children in the care of the magical nanny played by Julie Andrews. A protester for the right to vote, Winifred delivers a spirited rendition of the song Sister Suffragette – “Our daughters’ daughters will adore us. And they’ll sing in grateful chorus: ‘Well done, Sister Suffragette!’” – as the children’s previous nanny tries to quit.

But the husky-voiced actor had other claims to fame from her more than 60 films and 30 stage productions. In 1973, Stephen Sondheim composed the song Send in the Clowns for Johns when she was cast in the leading role of the premiere production of his musical A Little Night Music, on Broadway. And she had won initial stardom in the British cinema as a mermaid.

In the title role of the film comedy Miranda (1948), she travels from Cornwall to London and causes romantic complications among the Chelsea set. Although the film’s whimsy may now seem strained, it was a great commercial success in its day, making Johns a top-liner in British movies. Miranda returned in a rather belated sequel, Mad About Men (1954).

By that time, Johns had moved almost completely from stage to films, where she was associated chiefly with lightweight roles, alternately fluffy and feisty. One of her most appealing opportunities came in the thriller State Secret (1950, released as The Great Manhunt in the US), playing a cabaret artiste in a fictitious Balkan country, and gamely singing Paper Doll in a wholly invented language.

It says something for her properties of youthfulness that at the age of 30 she could play a teenage schoolgirl in the melodrama Personal Affair (1953). The same year she played in two fanciful Walt Disney British productions, as Mary Tudor in The Sword and the Rose, and as the heroine wife of Rob Roy, and she went on to make her first Hollywood picture, the Danny Kaye comedy The Court Jester, in 1955. The following year she played a cameo role in the star-studded Around the World in 80 Days.

At the time Johns alternated between American and British films, generally in subordinate roles, but a rewarding one came in The Sundowners (1960), set in Australia, as a jolly barmaid who takes a shine to a visiting Englishman played by Peter Ustinov. It brought her an Oscar nomination as best supporting actress. Top billing came in a stylish horror movie, The Cabinet of Caligari (1962). She was well enough known to American audiences by this time to star in 1963 in Glynis, a TV sitcom series that ran for just one season.

In 1966 Johns returned to the London stage in The King’s Mare, as Anne of Cleves to Keith Michell’s Henry VIII. Her Welsh heritage came into play when she took the role of Myfanwy Price in a screen version of Dylan Thomas’s Under Milk Wood (1971) starring Richard Burton, Elizabeth Taylor and Peter O’Toole, and two years later came her great Broadway success as Desiree Armfeldt in A Little Night Music, which brought her a Tony award.

Glynis came from a show business background: her mother, Alice Steele (nee Wareham), was a concert pianist who performed under the name Alys Steele-Payne, and her father was the prolific character actor Mervyn Johns. He was a stalwart in particular of Ealing Studios films: father and daughter appeared together in an Ealing drama, The Halfway House (1944).

Though her vocal intonations pointed to her Welshness, Glynis was born in Pretoria, South Africa, where her parents were on tour. She was reportedly carried on to the stage at the age of three weeks, and it was not too much longer before she was appearing there in a professional capacity, making her performing debut at the Garrick theatre, London, as a dancer in a revue called Buckie’s Bears (1935).

Educated at Clifton high school, Bristol, and South Hampstead high school and the Cone School of Dancing in London, she rapidly graduated to juvenile acting roles in both theatre and cinema. Her first screen appearance came at the age of 14, as politician Ralph Richardson’s troublesome daughter in South Riding (1938), and on stage she was the young sister, another Miranda, in Esther McCracken’s comedies Quiet Wedding (1938) and Quiet Weekend (1941).

That year brought the opportunity to appear in the film 49th Parallel, starring Leslie Howard and Laurence Olivier in a spy thriller intended to bolster second world war support in the US. When the prospect of playing a mermaid came after the war, she was able to draw on her theatrical versatility: “I was quite an athlete, my muscles were strong from dancing, so the tail was just fine. I swam like a porpoise.”

Johns returned to the London stage in 1977, as Terence Rattigan’s choice to play the murderer Alma Rattenbury in his well-received dramatisation of the Rattenbury case, Cause Célèbre. Her acting appearances became sporadic, though in 1989 she starred with Rex Harrison and Stewart Granger on Broadway in Somerset Maugham’s The Circle.

She was occasionally a guest star in US television series such as Murder She Wrote and The Love Boat, and played Diane’s rich mother, Helen Chambers, in the first series of Cheers (1983) and Trudie Pepper in the sitcom Coming of Age (1988-89). By the time of her final films, While You Were Sleeping (1995) and Superstar (1999), she was a characterful grandmother.

Johns was married and divorced four times. Her first husband, from 1942 to 1948, was the actor Anthony Forwood. Their son, Gareth, also an actor, died in 2007. Marriages to two businessmen followed: David Foster, from 1952 to 1956, and Cecil Henderson, from 1960 to 1962. She was married to Elliott Arnold, a novelist, from 1964 to 1973, and is survived by a grandson and three great-grandchildren.

🔔 Glynis Margaret Payne Johns, actor, born 5 October 1923; died 4 January 2024

Daily inspiration. Discover more photos at Just for Books…?

[kdo-three]

Lefty Frizzell - Long Black Veil (1959) Danny Dill / Marijohn Wilkin from: "Long Black Veil" / "When It Rains the Blues" (Single) "Country Music: The Soundtrack" (2019) (5 Disc Boxset | Disc 2)

Counrty | Ballad

JukeHostUK (left click = play) (320kbps)

Personnel: Lefty Frizzell: Vocals Grady Martin: Guitar Harold Bradley Guitar Don Helms: Steel Guitar Marijohn Wilkin: Piano Joseph Zinkan: Bass Buddy Harman: Drums

Produced by Don Law

Recorded: @ The Bradley Film and Recording Studio in Nashville, Tennessee USA on March 3, 1959

Released: on April 20, 1959

Columbia Records

In 2019, Frizzell's version of "Long Black Veil" was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant"

[rivetgoth]

I know my primary faves weren’t ever technically on the label (I mean. aside from side projects) but my god Wax Trax! broadly just so represents my all-time favorite moment in music literally ever. The “Stainless Steel Providers” music video, everything Jim and Dannie stood for. Groovie Mann’s scream at the start of “A Daisy Chain 4 Satan.” The style, the sex appeal, the drugs, the experimentation coupled with both the edge and the fun, the uncompromising queerness and disco sensibilities�� Engaging with it all for the first time it felt like I was discovering the coolest music that had ever been made. And I still feel that way. Read Chris Connelly’s autobiography btw.

[dustedmagazine]

Danny Paul Grody Duo — Arc of Night (Three Lobed)

Photo by Ian Albert

The guitar-drums duo concept has produced a lot of good music lately, whether in Gunn-Truscinski’s abstract explorations (sometimes augmented with Bill Nace) or Jim White’s percussive conversations with Marisa Anderson. Like these outfits, the Danny Paul Grody Duo often allows the drummer (in this case Rich Douthit of The Drift) to range free form, using percussion as a color and a mood as much as a timekeeper.

Arc of Night follows the similarly titled Arc of Day by about a year, and it’s very similar in texture and vibe, though perhaps a little moodier and introspective.  Once again, the tracks foreground Grody’s lyrical guitar lines but this time, there’s more space for Douthit and other guests are kept to a minimum.  Only two tracks feature artists outside the duo. Trevor Montgomery adds some electric bass to eerie, hovering “Hawk Hill,” while Chuck Johnson joins on pedal steel for the slow-blooming, very nocturnal “Moon Garden.” 

Both of those cuts have their own appeal, but perhaps it makes sense to focus first on unassisted tracks. Grody and Douthit have an undeniable chemistry that comes through best when it’s just the two of them. Consider, for instance, the opening “Last Light,” which unfolds in a free-form, unhurried, unconstrained way. Grody unspools a thoughtful melody, his tone full of force and clarity, but with long meditative pauses between phrases. Into those gaps, Douthit inserts abstracted bits of cymbal shimmer, short drum rolls and unexpected thwacks. Their interaction sounds like a conversation, the guitar proposing, the drums answering with bursts of conciliatory or contradictory energy. There’s a fluidity to the piece, which moves as it will, without the guardrails of obvious time signature.

Later, the two extend their dialogue into a longer form in “Coyote Valley at Dusk.” The guitar licks flurry upwards from a single lingering low note. At first, the percussion simmers a barely audible jangle of bells. Then, in time, a rhythm asserts itself, first in the guitar line, later picked up in a minimalist cadence of cymbal and snare. The piece takes on purpose and propulsion; it sounds a bit like Chris Forsyth’s extended grooves with Solar Motel Band. You can hear the two musicians testing cracks in the repetition, finding ways to make a repeated motif fresh from measure to measure without violating its integrity. The addition of slide (or maybe e-bow?) in the second half infuses ethereal spirituality, turning the music from chug to free flight.

The music is quite beautiful in a somnolent, dusky sort of way. It can fade into the background if you let it, but there are details worth hearing if you take care and listen closely.

Jennifer Kelly

[countriesgame]

Please reblog for a bigger sample size!

If you have any fun fact about Dominica, please tell us and I'll reblog it!

Be respectful in your comments. You can criticize a government without offending its people.

[fortunafavours]

Care to share some facts about the ROs?

oh, absolutely! i'll drop a few about each:

Malcolm

Has been imprisoned twice, and nearly hanged once. Not something he's really proud of, but not something he shies away from either.

Knows how to use a sword! It should come as no surprise to anyone that he was training from young to enter squirehood and eventually knighthood. He swapped paths when he was sixteen and needed something to keep him out of trouble, so blacksmithing kept him busy. Turns out he was good at it and stuck with it as it's meditative for him in nature.

Everything Malcolm forges has his signature on it: a small M engraved somewhere on the steel or handle. That's how you know it's an authentic Ashford blade and of good quality.

If Malcolm had a dnd class, he would be a LG oath of devotion paladin with the artisan background

Cyril

Loves cats. Has had a few in his lifetime, currently has two, both black: Mischief and Mayhem. Mischief is a sleek black and Mayhem is a fuzzy black.

Is left handed!

Not really religious, but definitely knows a lot of sayings for the old gods and uses them regularly. The one he refers to most often is Bastian, god of dawn and dusk and the patron of shadows and rogues.

If Cyril had a dnd class, he would be a CG/LN grave domain cleric with the charlatan background

E

Has fairly good memory recall and is likely to know exactly what you're trying to refer to. However, the pitfall to this is that it makes them not a very good liar. "I don't know" doesn't fly when you can remember where you were on August 15th at 3:55 in the afternoon.

Reads EXTREMELY corny romance novels for fun, but would rather gnaw their own hands off than admit that outloud

Knows a lot about ships. They're from a merchant family and spent a lot of time between ports, so they have a random assortment of knowledge on boats.

If E had a dnd class, they would be a LG conjuration wizard with the sage background

JJ

Was an annoying theatre kid (speaking as an ex-annoying theatre kid). It shows in their debate style, as they cannot help the flair for the dramatic.

Knows how to count cards and has, on occasion, used loaded dice. You could take them to a gambling den and win, but you'd have to know when to haul 'em out. Not because they have issues with gambling, but because they have far too large an ego and would blow it pretty quick.

Of all the ROs, JJ is the least likely to give you a nickname as a term of endearment and instead, always use your full preferred name. However you introduce yourself to them is how they'll refer to you (i.e. if you say your name is Daniel, they'll never refer to you as Dan or Danny unless you say so, even if others around you are doing it). They're very proper in this way. Likewise, they absolutely hate being called Jamie/Janey. It's either James/Jane or JJ.

If JJ had a dnd class, they would be a CG glamour bard with the courtier background

D

like their younger brother, D also has magic, and actually made it through SCEPTRE training with top marks, but didn't qualify for the group. So instead, they were made head of the sorcerer division of the kingsguard.

If Fortuna were set in a modern verse, they would have the most "dad rock" taste in music of all time. Like, Journey, Aerosmith, Queen etc. They'd have a record player and their favourite records and get tons of mileage from it.

Takes great care of their mount. One of those real rider/beast bonds, was probably a horse girl.

If D had a dnd class, they would be a... lawful... oath of the crown paladin with the knight of the order background

A

In certain circles, and once you get to know them better, they utilize their mother's surname of Larkspur as they themselves hold no love for the Calyx crown either. Being a pawn in greater political ambitions does not suit them well.

Very religious. Depending on the twin, the deity they follow changes. Amaranthus is a follower of Viralaine, goddess of love and death, whereas Amaryllis is a follower of Valentine, goddess of mercy and justice. They have very different perspectives on this.

If they aren't tending to their duties at the temple, then they're usually in the burial mounds paying respect to the departed. The dead keep the best secrets after all.

If A had a dnd class, they would be a NG twilight cleric with the acolyte background

[fandomtrumpshate]

Unlisted fandom challenge!

Since our numbers post earlier today, we've had more than 30 signups, including write-ins for 2 more fandoms, bringing the total of unlisted fandoms to 155 ... for now ...

At the top of the list we have a 3-way tie for 1st, a 5-way tie for 2nd, and a 6-way tie for third ...

5 Danny Phantom

5 For All Mankind

5 Yu Yu Hakusho

4 Ace Attorney

4 Ted Lasso

4 Goblin Emperor Series - Katherine Addison

4 Stanley Parable

4 Tortall

3 Greek Mythology/Religion

3 Bungo Stray Dogs

3 Call of Duty

3 Dragon Ball

3 Realm of the Elderlings - Robin Hobb

3 Mummy (1999 franchise)

A single sign up could change all that ...

The rest below a cut for length -

2 Alan Wake/Remedyverse

2 Ghosts (TV)

2 Buffyverse

2 Cosmere

2 CSI

2 Detective Conan

2 Dracula

2 Dune

2 Firefly

2 Formula 1 RPF

2 Glee

2 Guardian (2018)

2 HBO War

2 Hermitcraft/The Life Series SMP

2 Imperial Radch Series

2 Mob Psycho 100

2 Mobile Suit Gundam: The Witch From Mercury

2 Omniscient Reader’s Viewpoint

2 Persona Series: 3-5

2 Professional Wrestling

2 Riverdale

2 Saw

2 Shades of Magic - V. E. Schwab

2 Slow Horses

2 Stormlight Archive

2 Bear (TV)

2 Empyrean - Rebecca Yarros

2 Folk of the Air (Holly Black)

2 Radiant Emperor Series

2 Undertale

2 Venture Bros

2 Voltron

2 Wolf Pack

1 1670

1 a league of their own (TV series)

1 A Plague Tale (Videogame Series)

1 Adventure Zone: Balance

1 Adventures of Buckaroo Banzai Across 8th Dimension

1 Adventures of Tintin

1 American Gods

1 Among Us

1 Artful Dodger

1 Bendy (and The Ink Machine/Dark Revival)

1 Billabong - Mary Grant Bruce

1 Bioshock 1&2

1 Blue Beetle

1 Breakfast With Scot

1 Bunny - Mona Awad

1 Buzzfeed Unsolved/Watcher Entertainment RPF

1 Cabin Pressure

1 Cats the musical

1 Charlie's Angels (2019)

1 Cherry Magic

1 Chronicles of Narnia

1 Cobra Kai

1 Coffee Talk (Video Game)

1 Criminal Minds

1 Death Note

1 Dexter

1 Dice Punks (podcast)

1 Digimon

1 Dimension 20

1 Discworld - Terry Pratchett

1 Divergent

1 Donten ni Warau / Laughing Under the Clouds

1 Dungeons and Daddies (podcast)

1 Fallout Video Game (Bethesda)

1 Falsettos

1 Fargo FX

1 Farscape

1 Fire Emblem (4-10, 13, 14, 16)

1 Five Nights at Freddy's

1 Friends at the Table

1 Game Changers Series - Rachel Reid

1 Good Place

1 Grantchester

1 Green Creek

1 Greenhollow Series - Emily Tesh

1 Grey's Anatomy

1 Grimm

1 Gundam (see below for details)

1 Hatchetfield

1 Hawaii 5.0

1 Hello From The Hallowoods

1 Higurashi no Naku Koro ni

1 Hollows - Kim Harrison

1 Honkai Star Rail

1 Horizon Zero Dawn

1 Horror

1 Inception

1 Inspector Morse

1 IT (Movies - Muschietti)

1 Jeff Satur - music videos

1 JoJo's Bizarre Adventure

1 Julie and the Phantoms

1 Last Kingdom

1 Law and Order

1 Left-Handed Booksellers of London - Garth Nix

1 Legend of the Galactic Heroes

1 Live Free or Die Hard (Die Hard 4)

1 London Spy

1 Lunar Chronicles

1 Magi: The Labyrinth of Magic

1 Magnificent Seven

1 Mechanisms

1 Mrs. Davis

1 My Little Pony

1 Nancy Drew (CW Series)

1 Narcos (TV)

1 Nine Worlds Series - Victoria Goddard

1 NU: Carnival

1 Omori

1 One Direction

1 Orphan Black

1 Outlast

1 Pacific Rim

1 Pairing (Casey McQuiston)

1 Re-Animator

1 Saint of Steel

1 Sex Education (TV)

1 Shadow Campaigns - Django Wexler

1 Simon Snow Series

1 Skins (UK)

1 Slam Dunk

1 South Park

1 Starry Musical

1 Succession

1 Super Sentai

1 Sweeney Todd

1 Team Starkid

1 Teenage Mutant Ninja Turtles

1 Terror (TV 2018)

1 Three of Hearts

1 Tin Can Bros

1 Tower of God

1 True Detective

1 Vorkosigan Saga - Lois McMaster Bujold

1 Wayfarers (Becky Chambers)

1 Westworld (TV)

1 Yellowjackets

1 Yu-Gi-Oh! Duel Monsters

[stephenmalkmusofficial]

Top Albums of 2023

Hello everyone!

It's that time of year again! For me personally, it's been a hectic year, but an exciting one too. I did my best to keep up with new music, and listened to new albums with pretty good regularity, however I didn't find myself revisiting a lot of new records, at least not yet. In the list to come, I definitely see most of them as growers, records I'll fall in love with in the years to come, that already have left a strong impression on me. Just this year alone I spent a lot of time with 2022 releases I adored like Alvvays' Blue Rev and Panda Bear & Sonic Boom's Reset, and another record I'll give special mention to in a minute. I'm hoping to fall more in love with these records, and all the records I missed this year! Let's dive in

My Favorite Record from 2022 That I Listened to For the First Time in 2023: MJ Lenderman - Boat Songs

Ripping off this gimmick from Steven Hyden, who actually put this record tied for the #1 spot last year (with Big Thief's fantastic double album that was in my own top 10). I really became enamored with the alt-country sound this year, and this record was just the perfect scratch for that itch. The songs veer from aching to rocking, sometimes in the same track. My absolute favorite song of the year was "You Are Every Girl to Me" on this album, which evokes such strong feelings in me it's hard to describe. MJ had a big year being part of Wednesday, but I'm excited to see where he goes next as a solo artist!

Honorable Mentions: The Replacements - Tim (Let It Bleed Edition) M83 - Fantasy Alan Palomo - World of Hassle Greg Mendez - Greg Mendez Olivia Rodrigo - GUTS

10. Sufjan Stevens - Javelin

I've been a Sufjan fan for a long time now, probably around 8 years or so. I've always admired his ability to capture such intimate feelings with such sweeping and varied instrumentations. His last full length under his own name, The Ascension, came out in 2020, when a lot of new music wasn't really sticking with me. The Ascension had the same vastness that I came to know in Sufjan's work, but it felt slightly distant. Javelin closes that gap. From social media posts, it seems like Sufjan has had a tough year, and this record is about grappling with pain and loss. Removed from that narrative, the songs here build and grow with such beauty that although I've only listened in full once, I'm almost saving myself from the full wallop I know this record will give me once I really dive in. Thank you Sufjan, for everything.

Crucial track: "Shit Talk"

9. Squid - O Monolith

Squid are an exciting band to come out of the vibrant post-post(-post?)-punk scene in England. I really liked their 2021 debut, Bright Green Field, but it was sprawling and epic, and it could feel tough to revisit. O Monolith takes everything that was great about BGF and builds on it, while also focusing in a bit more. With 8 songs at about 40 minutes, this record experiments with post-rock-esque tension builds, vocoders, and engaged, involved guitar work. I feel like these songs will work well live as well. Excited to see how this band continues to grow!

Crucial track: "Siphon Song"

8. Wednesday - Rat Saw God

I know, I know, how surprising. I am not immune to Wednesday's Rat Saw God being on my year end list. Despite not having listened to this record a ton, I can definitely already feel like this is going to go down as a critical cornerstone of where alternative/guitar-oriented rock music will go for maybe the rest of the decade. As I fell in love with MJ Lenderman's Boat Songs, I grew to appreciate this record more and more. With huge, crushing fuzzed-out electric guitars mixed with beautiful pedal steel, it's really hard to resist this record's charms. Even revisiting their 2021 record, Twin Plagues, was a delight. Can't wait to listen to it more!

Crucial track: "Chosen to Deserve"

7. JPEGMAFIA & Danny Brown - SCARING THE HOES

Another hyped up album I couldn't help but put on my list. While not being super long to begin with, this record flies by, and it can be hard to miss everything. I've been a fan of Danny Brown for awhile, and have skirted around JPEGMAFIA's work, so this was a good introduction to hear them work so well together. JPEG's production here is insane, and both are firing at full mischievous speed. Just check out that sample at the end of "Fentanyl Tester".

Crucial track: "Fentanyl Tester"

6. Mitski - The Land is Inhospitable and So Are We

Yay! Mitski! After the kind of underwhelming Laurel Hell from last year, this record finds Mitski back at nearly full strength. Again, my weakness for pedal steel bleeds through, and I love Mitski experimenting with a new, more acoustic and natural sound. This is another record I haven't listened to more than once or twice yet, but I'm still excited to fall more in love with it. She's back!!

Crucial Track: "Bug Like an Angel"

5. The Tubs - Dead Meat

As a huge fan of bands such as Los Campesinos! and Martha, I've always had a soft spot for British rock bands with heart. The Tubs are no different, and in my year-end revisit, this record really stood out to me. It has the jangle of old British folk and early R.E.M. with the propulsion of Joyce Manor, not forsaking sweet melodies and harmonies along the way. At 28 minutes long, I insist you give this a spin!

Crucial track: "That's Fine"

4. Yo La Tengo - This Stupid World

For a long time, Yo La Tengo admittedly did not click with me that much. I'm not sure what changed, but their ability to vary between raucous, distorted shoegaze to calm, reflective instrumentals really stuck with me. On This Stupid World, they've once again found that sweet balance. Bolstered by arguably one of the best concerts I went to this year, I've really come to love this record a lot.

Crucial Track: "This Stupid World"

3. Avey Tare - 7s

Avey Tare has always been my favorite member of Animal Collective. His 2019 record, Cows on Hourglass Pond, is my favorite solo release from anyone in the group. Avey has apparently been sitting on 7s for a little bit now, and I'm so glad it's in the world. Avey continues his unique blend of experimentation with profound moments of beauty, melody and depth. He's also been working more with the bass guitar on his and AnCo's latest albums, and it really works well on tracks like "Invisible Darlings" and "The Musical". Hey Bog is an epic in a year full of Animal Collective epics. Very happy with this one!

Crucial Track: "Lips at Night"

2. Animal Collective - Isn't It Now?

Animal Collective have always inspired a dedicated, eager fanbase. After a few years doing their own things, the four core members of the group have reunited to make an ultimate "for the heads" record, with Isn't It Now. Last year's Time Skiffs built on a lot of things the band as a four-piece did well, and made it more melodic and accessible (again, Avey's bass playing and Panda Bear sitting behind a proper drum kit have changed their sound in a way you wouldn't expect), however this record takes it one step deeper. As typical with Animal Collective records, the band often plays songs that will appear on the *next* record on tour for the one they just put out. As a result, when I saw Animal Collective twice last year, they played most of the songs that ended up on this record. However, I did not fall victim to demoitis, and these songs sound magnificent. Definitely their densest record, but full of rich sounds, melodies and just the right amount of melancholy. Really really love this one.

Crucial Track: "Genie's Open"

1.Jeff Rosenstock - HELLMODE

Jeff Rosenstock is my favorite musical artist. For nearly 20 years, everything he has put out, whether under his own name with his backing "Death Rosenstock" group, Bomb the Music Industry!, or Antarctigo Vespucci, has been great to amazing punk music. On HELLMODE, his first full-length since moving to California in early 2020, has Jeff more level-headed and reflective than ever, but also bursting with the sheer kinetic energy that has made his work a joy to listen to and experience since i became a fan in early college (seriously, go see Jeff live if you can!). There's a maturation here that doesn't sacrifice his passion in the slightest. This feels like a big budget record, but in all the right ways. Songs like I WANNA BE WRONG, 3 SUMMERS, and LIFE ADMIN capture the feelings of trying to work through your own life with so much crashing down around us. This has been the most in-love I've been with a new record in a long time, where I could really not get enough of it in the first month when it was released.

Thanks for reading if you made it this far! Here's hoping to a peaceful, loving and fulfilling 2024. Much love to all!