#Damian Arry

[demi-pixellated]

all grown

[juls-art]

Tops n Bottoms –  

*✧Support me!✧*   *✧Tip me for a job well done! ✧*

[faeryc0ll3ct1ve]

∴∵FAERY COLLECTIVE∴∵

⊱ System Tag ⊱ °•🦋•°

⊱ System Type ⊱ DID

∵COLLECTIVES∴

⊱ Collective Name ⊱ Fae, Bumble, Bee

⊱ Collective Pronouns ⊱ He/him, It/its, Xe/xym/xyr

∵SYSTEM INFORMATION∴

⊱ Hosts-Co-Host ⊱ Oscar - Damian

⊱ Frequent Fronters ⊱ Cc!Ranboo, Arris, Jace

⊱ DNI ⊱ basic dni

∵RELATIONSHIP INFORMATION∴

⊱ Partners ⊱ John/Ljos(with entire system), c!tubbo(of shakespere system, only with c!ranboo)

∵EXTRA INFORMATION∴

⊱ Comforts ⊱ music, sanrio, our partners, bestfriends, art, reading, cuddles

⊱ Extras ⊱ We have tourettes and autism

[jasmehraj]

Timari out-sick au                                               

Marinette came to Gotham heart-broken. Her best friend, her first crush, her partner knows nothing about her. Nothing. Gabriel hit him hard on the head causing him to lose memory of last 4 years. She then punched Gabriel so hard the battle didn't last long. She was there when he woke up.

"Chaton you are awake?"

"Father? .....Who are you? Where is father and mother?"

She ran away from him and packed her bags. She ended up in Gotham. She did some research on Gotham's vigilantes. She was clearly impressed by Red Robin. He is very smart, analyzed every moment, very powerful and definitely handsome. He is her age and she is sure that he is handsome, there's no way he isn't and he is a coffee addict just like her.

In short she had a crush on him. She started going out as Rouge Gorge. Sometimes she shadowed the vigilantes and sometimes she went out alone. She disguised herself with Trixx's illusions. They all could sense her somehow and Red Robin always looks straight to her direction.

That is why she ended up in this situation. She went out a little earlier than usual. The bats had yet to come. She was running on the rooftops alone when she saw him. A completely sleep deprived man with many coffee cups in his hands. He probably wasn't aware of the people following him, probably muggers. She jumped into action as for some reason he turned to an alleyway. She took care of the two muggers. Where did the third one go? She turned to see the man had pinned the mugger. Subconsciously, without thinking, her stupid mouth said,"R..red robin?"

"So you are the shadow following us?"Well shit. He just confirmed it.

He took a coffee cup and chugged down a whole cup! Then he started coughing. Aaah he is falling. She caught him just in time. What should I do? What should I do?

She made the worst decision of her life. She took him to her apartment.

That's her story. Now she is sitting beside her crush who is laying on her bed, still unconscious. She took the cup he drank and smelled it. It smelled like, like BRANDY? What the hell?

That means he drank a whole cup of very strong alcohol even when he had probably never drank it in this much amount ALL HIS LIFE.

He suddenly woke up and asked her for bathroom. She led him quickly and he threw up. He is probably not aware of his surroundings. That is bad. He rinsed his mouth and she took him back to bed. He was very hot like literally very hot. He has high fever, vomiting..-I'll just check the internet. She then took some water and a cloth. She put the wet cloth on his forehead. He woke up an hour later.

"Shadow?"

"No I am not a shadow. I am Marinette."

"So your vigilant name is Marinette. Its very beautiful name." She felt her face heat up.

"No its Rouge Gorge."

"That's very nice too darling."

She huffed, her red cheeks betraying her,"Thank you."

"Its Ok love."

"Stop doing that."

"Doing what?" He looked like an innocent child. Like he doesn't know anything. Why the hell is he tilting his head at his side. That asshole is smirking.

She groaned,"Calling me these names..?"

"Well darling, are you not the same person who named yourself after me?" Now as if she could get any more red.

"Well that doesn't give a reason to call me those names."

He pretended to think," Well you are beautiful."

She turned away and ran out of there after yelling,"Message your friends, family or something. This conversation is going no where."

When she came back he was sleeping. She sighed in relief. Her cheeks were still red. Maybe taking her drunk crush inside her home wasn't that good idea.

________________________________________________________________________________

Tim slowly opened his eyes. He looked at his surroundings. He was in a bed and the room was unfamiliar. When did he get here? He remembers that while going home he was attacked and the shadow? He took a small knife from his inside pocket. He slowly got out of the bed without making a noise. He made his way towards the door where music was playing.

He slowly opened it to reveal a midnight hair girl working with some kind of..........clothes?

"Who are you and where am I?" She was startled and let out a slow 'ouch'. She put her finger in her mouth.

"You don't remember?"

".........No?"

"I am the shadow as you say. Let me finish. I was out when I saw you getting mugged. I went to help you. You told me you are Red Robin.-"

"I told you?"

"I just said Red Robin and you said Oh so you are the shadow. You drank very strong brandy which was in your coffee. How the hell did you manage to get Brandy in a coffee cup."

He groaned and said,"Jasoooooon....."

"So I didn't know where to take you so I took you to my home...... You were drunk. And.....-"

"And-" He raised an eyebrow.

"Well I told you that my name was Rouge Gorge you started flirting with me. I took care of you. Now you can go back wherever you live. You were sleeping from past 16 hours."

She was not looking at him. She was stitching? He leaned closer to see she was stitching MDC on a skirt.

He processed everything. She is MDC who is also the shadow and her name is Rouge Gorge which means, Red Robin. He flirted with her. SHE IS MDC. SHE IS MDC.

Now his whole face was red. This was the most embarrassing thing he had ever been in. He is going to kill Jason for this.

Just then the doorbell rang. That broke her out of her stupor. He was frozen on his place. He heard voices suspiciously like his family and ran to the door.

Dick was squealing,"Timmy got so cute girlfriend. She is so cute."

Jason laughed,"We are not sure that he didn't kidnap her. She is too good for him."

Damian,"Tt Why did you inbeciles dragged me here?"

Cass just said,"I approve."

Stephanie said,"He never mentioned you before, you are so cute and tiny. Speaking of him where is he?"

Poor Marinette was stuck between them as they asked questions after questions. Then their gaze turned to Tim.

"Oh god, where are your bags Tim? How is this possible? How are you not half-dead. You must be magic you got him to sleep."

"Timmy you were with her, for how long?"

"You got a girlfriend replacement? She is too good for you give her to me."

All the voices were mixing with each other.

"What makes you think she is um.. my girlfriend?"

"You messaged us."

He opened his phone and read the Message.

I, Timothy Drake-Wayne the CEO of Wayne Enterprises, am staying with my girlfriend Marinette. Don't you dare to come here.

What could he possibly say. Suddenly he remembered the MDC signature. He looked at her and said,"You are MDC?" pointing at her.

"Umm, yess." Her voice was barely audible.

He took her hand and sat on one knee,"Marry me."

"What we are not even dating."

"Will you go on a date with me?"

"I.... I guess?"

The silence was broken by Dick,"You are MDC."

"You were not dating?"

"Tt you are so dramatic."

"Replacement what is the meaning of this?"

Tim turned to Jason and said,"Thank you Jason."

With that he went out the door,"Be ready till 3 Marinette."

BONUS:

Louis : So how did you two met?

Tim: My brother put brandy in my coffee cup. She took care of me and when I get to know she was my favorite designer and how amazing she is....

Clark: And?

Marinette: He asked me to marry him, I said we are not even dating so he asked me for a date.

Louis :..............................................

Clark:...............................................

Cameraman:.....................................

Batfamily: (Laughing)

Louis: We give you our blessing for your wedding.

Clark: God bless you.

[hellyeahomeland]

An HYH Exclusive Interview with Dominic Mainl

[Over the last six seasons, Dominic Mainl has worked in the camera department on Homeland, working to get the shots you see in each episode onto your screens. For our “On the Record with…” series, Dom graciously answered our questions about what the Homeland experience has been like, including how he got started, what it’s like to work with cast and crew, and his most vivid memories. Thank you Dom for answering our questions! –the HYH team]

Hell Yeah Homeland: Your first Homeland episode was “Tin Man Is Down” in season three. How did the German guy become a part of the production?

Dom Mainl: Haha, pure luck? In 1998 I moved from tiny Bad Dürrheim, Germany, to Los Angeles because I wanted to work in Hollywood. I was already in the film industry in Germany and wanted to work with the best of the best and that meant moving to Los Angeles. It took a few years and a lot of hard work to “break into Hollywood” and yet another few years and even harder work to become established, but in the end it all worked out. I worked on the HBO show True Blood and met David Klein, ASC there. I really enjoy working with him and over the years we have become a good team, business partners and most importantly, very good friends. One day my phone rings and Dave said, “Hey man, I’m taking over as the Director of Photography on Homeland. Are you interested? I would love to have you on the crew” …. and I had no idea what Homeland even was! I had never heard of it! I said yes anyway because I love working with Dave and looked up the show online. So on my way out to Charlotte (where we shot season three) I started watching the first season and really, really liked it. So I was hyped about being part of the project after becoming part of the project. 

HYH: What do you remember from your first day at set? 

DM: Every project, whether it’s film, tv or commercials, I have butterflies in my stomach the night before day one. David Klein says, “if you’re not nervous before day one you are phoning it in,” and he’s right. We love what we do and there are so many things that can go wrong, so even after 20+ years I still get nervous. The first day on Homeland was really easy though because all the actors are sooo unbelievably nice. As a focus puller I am quite immersed in all technical things to make sure nothing goes wrong (especially on day one!), so Homeland was no different from other shows in that respect.

HYH: We know you can’t talk about season eight yet, but looking back at previous seasons, what scenes still stick with you? Why?

DM: This is going to explain a lot about why I love working with Dave Klein: there’s a shot in season three when Brody is brought back to the US and it's the first time Carrie and Brody meet since he was shipped off to Caracas. He’s laying on the bed and the camera is right in his face. Carrie steps into the background and has an emotional monologue directed at the sleeping Brody. Remember that? 

So, my job as a focus puller is to adjust focus during the shot. And I felt strongly about keeping Damian sharp in the foreground although the #1 star of the show just entered our shot and she was the only person talking! General rule of thumb for focus pullers: make sure the person talking is sharp. If a lot of people talk, make sure the star of the show is sharp... So here I was, new to the show, and breaking all the rules at once. But, to me, it felt so damn powerful to stay on Brody’s face to see his reaction as he slowly wakes to Carrie’s words, until he opens his eyes and (eventually) turns around. So I discussed this with Dave and he brought this idea up with director Lesli Linka Glatter and the producer/creator Alex Gansa and we ended up shooting two versions of this scene, one with the focus shifting to Carrie as she enters the frame and one that stayed with Brody. To Dave's credit he fought for my idea and in the end they used my version. That shows you how amazing it is to work with Dave Klein--you’re truly a part of the team.

HYH: Thinking of some iconic Homeland scenes (pretty much all the scenes which left us heartbroken)--like Brody‘s death scene, Quinn driving into a lethal hail of bullets--how much time did you have to prepare these scenes? How do you in the camera and photography department plan for these scenes? How many times do you shoot them before you got the material we see in the final and aired cut?

DM: Brody’s death was rather emotional for the crew as well because that was the very last shooting day of the season. We were shooting all night in Morocco and we had to bid Damian adieu after we wrapped. It was almost the same with Quinn, although we had a few days of shooting left after we killed off Rupert’s character… But Rupert served the crew champagne after the day ended, still bloodied from the scene, which was very sweet…. plus the bubbly was rather good so I didn’t mind killing him off, haha. As far as preparation for these scenes go, it's the same as for any other shot--for me, anyways. I prepare the gear the same way I would for any other scene as reliability is key. The most important part is that the equipment is functioning flawlessly because, in the end, if the camera doesn’t record what’s in front of it… why are we there?

HYH: Homeland’s main cinematographer is David Klein, and you two have worked together on many episodes over the years. Can you describe the working relationship between the two of you? 

DM: I was asked the same questions a few years ago and I have the same answer: it’s a privilege to work with David Klein because you get to work with him and not just for him. There is a fundamental difference. Of course, he’s the boss and all departmental decisions are his to make but he actively involves the camera operators and the focus pullers in the process and that’s what makes it so much fun! Sure, it really does take a while to establish such a good rapport and a working relationship like ours, because it is 100% built on trust. The example I mentioned [earlier] shows that we have each other’s back and that’s when you can get really creative…

HYH: Speaking of the art of cinematography and photography, how would you describe Homeland’s visual/photographic DNA?

DM: That’s a question for David Klein, haha. Of course I have my 2 cents but that’s not for me to answer…

HYH: What's your secret about taking the perfect shot?

DM: Generally speaking, preparation. Hard work beats talent unless talent works hard. The perfect shot is when all the elements come together in synchronized harmony. Think of it as choreography - the actors, the frame, focus and camera platform (hand-held, dolly or Steadicam, etc.)… everything that moves, everything needs to be perfectly in sync to achieve what the director or the DP had in mind and there is a lot that can go wrong. But when it all goes right, it seems effortless. What’s my secret? Easy: Don’t fuck it up. Don’t be the one element that blows the shot.

HYH: You’ve traveled with the Homeland production all over the world -- to South Africa, Germany, Morocco, and several locations in the US. Which trip did you enjoy the most and which one was the hardest work? Why?

DM: I really enjoyed Morocco. And I really disliked Morocco. For clarification, I met my wife in Morocco while shooting the finale for season three there and I will always have fond memories of that time. And I disliked season eight in Morocco, because even though my wife had become a member of the crew by then (she is the script supervisor for season eight), shooting there the second time around was unnecessarily complicated and frustrating for reasons I will not go into detail at this point…. but it really wasn’t much fun.

We loved South Africa a lot, too. That was probably one of my favorite seasons. Not necessarily the scripts but the location.

HYH: Compared to other jobs you did before, what’s different about working on Homeland?

DM: After 7 years (well, on and off) of True Blood I was happy I didn’t have to work with vampires and at night anymore. The spy game turned out to be fun and intriguing but you pay the price for getting to see the world. The biggest challenge was the constant shifts in location. One, because we ship a lot of camera gear around the world which adds a ton of work and stress (carnets, inventory, maintenance, etc.). Two, it’s really hard to find and keep a good crew around and given we were on the road for six years we had to start over almost everywhere we went and train the team to the workflow that Dave and I have had established. I admit, I am quite demanding and finding a crew that could do the job to my expectations in all those locations was not easy. But we ended up making some life-long friends… and probably a handful of enemies too, haha.

HYH: From what we were able to follow on social media, we got the impression that filming season eight has been a long and tough journey, much harder than previous seasons. Is there anything you can share about the reasons why?

DM: Well, if you go into Africa expecting you can shoot an American TV schedule with an international crew within the same time frame and on the same budget... you have to be crazy! But there isn't just one party to blame for the exhausting Moroccan portion of season eight but rather a combination of unfortunate misunderstandings paired with inexperience and a healthy dose of negligence. As they say, “everything that could go wrong, did.”

HYH: Was there ever a scene for which you had just one take to get it right? Which one?

DM: Let’s just say there is going to be an explosion in season eight and we only had one try at it. And we nailed it.

HYH: For the tech nerds among us, what's your favorite camera and objective and which scene you shot with it comes to your mind?

DM: Hands down, the ARRI Alexa Mini. Homeland is a predominantly handheld show in order to keep the tensions high while (subconsciously) keeping the audience always on the edge of [their] seat. If the cameras are handheld the image constantly moves. You can even see/feel the breathing of the camera operators. The Alexa Mini is lightweight yet robust and the sensor is the best money can buy. We used ARRI Master Primes for added sharpness for seasons five, six, seven, and eight, but sprinkled in a few Zeiss Supreme Primes this year to take off a little bit of weight. We also like to use Canon Cinema Zooms for their high quality.

HYH: Butter bei die Fische (Now’s the time for straight talk), why is Homeland still filmed in HD?

DM: Because Showtime wants it that way. I would’ve loved to shoot 4K or with a different aspect ratio or utilize a different sensor size but the people at the helm want to keep it “the way it was.”

HYH: Homeland’s eighth and final season is wrapping up and now airing. How does it feel that the show is coming to an end soon?

DM: It’s bittersweet. I have had some of the best and some of the worst moments of my career on the set of Homeland and I know I will miss it down the road but right now I’m happy that Carrie finally gets to…. Never mind, can’t tell you that, haha. I know I’ll miss it but we’re just exhausted right now.

HYH: What other projects are you working on after Homeland? Any plans yet?

DM: Vacation. No more jobs in 2019 and hopefully a good movie with a good script in 2020. I think after six years of spy TV I want to take a break from the small screen, if possible.

[adventurepunks]

thedemonconstantine​:

“Hehe, you shite at footie, Dames. You spend too much time on your stewpid phone is why!” Jimi dribbled his ball out the lift and onto the streets, jumping and juggling it and nearly tripping himself up with a trick he saw on the tube, but Jimi was Jimi so he bounced back real quick.

“Woh, juice is all you pickin’ up? Buh gum!” Don’t they have a ton of these back home already anyways? Jimi could never understand bigger humans. They were all weird.

Would he be weird when he grew into a bigger human? He sure hoped not!

“Dun feel like chocolate rite now. I’ll ‘ide it from Da,” He kept the Wispa in his pockets and decided it was for Alexis.

Jimi kicked his ball up and hugged it under his arm after saying goodbye to Sanjeep, following Damian towards the worn bench. He decided he’d rather stand and practice Ronaldo’s elastico whilst Damian sat.

“Uh huh, uh huh.” Jump, jump, jump!

“Well skewl’s alrite, I dun likes me ‘omework tho. ‘n Ms ‘arris is a dried-up cunt. She’s nah gittin’ shagged, is why she’s so mad all th’ time.”

Jimi tripped and fell over, picked himself up and chased his ball, came back and tried again. Now Damian was talking about boring adult stuff. Bla bla bla.

“Huh?”

He scratched the back of his head and finally sat down, putting a hand on his brother’s shoulder. 

“You mean when Cece starts bleedin’ through ‘er cunt?” Pat pat.

“I know all abar tha’! Skewl taught me!”

“That is not a very polite word for the female reproductive organ Jimi. It’s a very rude word and it should not be used to describe your female teacher no matter how upset she makes you and if she is getting romantically involved or not is none of your business either. You do not know what struggles a person has unless you care enough to ask” Damian semi repeated something John said to him a little paraphrased.

“Alright let’s get you home” Damian decided that Jimi knew he could turn to him they might as well go home and not waste time on a bench.

“I can still pick you up and text my mates back boogerface” Damian mugged Jimi’s face and flicked his ear to try and steal his ball and when Jimi’s grip on it didn’t relent Damian just picked him up and ran until around the corner she came.

Louise.

“Good evening Louise” Damian felt flustered and just blinked way too much. How much should a human blink a minute exactly. “Uh...bye” Damian just let Jimi on the floor and kept walking as the giggling girl waved goodbye.

“Prices have gone up father” he informed taking his shoes off and handed John his packet of cigarettes.

“I is going ta bed I will tidy the wardrobe tomorrow ‘fore skewl” Alexis announced after brushing her teeth and would like she said go to bed to end this awful day. She’d be like mom. Just staring. Feeling only when she was alone.

That ought to teach everyone to care more!

[public-new-yahoopartner-blog]

Cristiano Ronaldo : Découvrez le montant qu'il aurait versé à la mère porteuse de ses jumeaux

C'est un peu l’ascenseur émotionnel pour Cristiano Ronaldo. Le footballeur serait le père de faux-jumeaux , une fille Eva et un garçon Mateo, nés a priori, le 8 juin dernier aux États-Unis d'une mère porteuse. L’heu­reux papa aurait même été sur la côte Ouest pour rencon­trer ses deux enfants : "Cris­­­tiano et sa famille sont im­­­pa­tients de faire la connais­­­sance des nouveaux membres de leur clan. Il aime garder sa vie privée secrète mais a confié aux personnes qu'il aime et à ses proches amis que les deux enfants doivent arri­ver très bien­­­tôt. Il a le senti­­­ment que c'est le moment pour son fils d'avoir des frères avec lesquels gran­dir", a d’ailleurs confié une source proche au jour­nal anglais The Sun. Son aîné, Cris­tiano Junior, âgé de 7 ans, est égale­ment né d’une mère porteuse outre-Atlan­tique. La famille s'agrandit.Les jumeaux à Madrid cette semaine ?Le quotidien Correio da Manhã, repris par le journal catalan Mundo Deportivo, a révélé mardi 13 juin le montant versé par le joueur du Real Madrid à la mère biologique. Pour pouvoir être de nouveau père, CR7 aurait versé 200 000 euros pour cette nouvelle gros­sesse. La mère porteuse aurait égale­ment offi­ciel­le­ment renoncé à ses droits sur les jumeaux, prénom­més Eva et Mateo. Des bébés qui devraient rejoindre leur papa à Madrid cette semaine et faire ainsi connais­sance avec leur grand frère.De bonnes nouvelles qui nuancent avec les accusations de la justice espagnole concernant le capitaine du Portugal .... Retrouvez cet article sur Public

Cristiano Ronaldo : Le footballeur partage la victoire de la Ligue des Champions avec sa chérie et son fils !

Photos : Paul Pogba, Cristiano Ronaldo, Neymar... le top 20 des footballeurs les plus riches en 2017 selon Forbes

Photos : Georgina Rodriguez, Ilaria D'Amico : Les WAG's de Cristiano Ronaldo et Gianluigi Buffon sont aussi en compétition !

Photos : Beyoncé, Puff Daddy, Cristiano Ronaldo, Kim Kardashian : Forbes dévoile le classement des personnalités les mieux payées !

Photos : Jay Z : Il file en Jamaïque rejoindre Damian Marley avant l’arrivée des jumeaux !

[diegoricol]

Diego Ricol Freyre recomienda: Diego Ricol recomienda: La fotografía en los Premios Goya con ‘La sombra de la ley’ y ‘Un día más con vida’

El pasado fin de semana se han celebrado los Premios Goya 2019, los premios del cine español. Me hubiera gustado poder ver todas antes de los premios pero es imposible. Hay mucho cine bueno por estas tierras. Y como estamos en Xataka Foto, vamos a centrarnos en la fotografía. Vamos a conocer el premio a la Mejor Dirección de fotografía y una película que ha recibido el premio a la Mejor Película de animación que cuenta la historia de un fotógrafo que terminó siendo un gran escritor: Ryszard Kapuscinski. Estamos hablando de ‘La sombra de la ley’ y ‘Un día más con vida’.

El tema de los premios es complicado. Por ejemplo, para nosotros los fotógrafos puede que nos duela que ‘El fotógrafo de Mauthausen’ no tenga ni un solo reconocimiento en forma de ‘cabezón’ (como se llama cariñosamente al premio diseñado por el escultor José Luis Fernández).

Los premios cambian según el jurado. Pueden parecer justos o injustos. Si leemos en las redes sociales nos encontramos de todo. Desde gente encantada, personas que no están de acuerdo y luego seres anónimos y maleducados que no dudan en expresar su ira porque la película premiada no les gusta.

Las dos películas premiadas

Pero como fotógrafos tenemos que estar contentos por el reconocimiento del director de fotografía Josu Incháustegui por su trabajo en ‘La sombra de la ley’, la película de Dani de la Torre. Y por supuesto por el premio a la Mejor película de animación a ‘Un día más con vida’ que adapta a formato animado la novela de Ryszard Kapuscinski.

Josu Incháustegui, director de fotografía de ‘La sombra de la ley’

Esta película, que narra los convulsos años 20 en Barcelona, está filmada con el aire inconfundible de las películas de gangsters de las épocas doradas de Hollywood. Pocas veces se ha rodado así en España. Así que acertar con la estética y la fotografía era fundamental. Precisamente también ha ganado a Mejor dirección artística y Diseño de vestuario.

La fotografía es milimétrica. Muy compleja para poder abordar los planos secuencia con tantos cambios de luz y de puntos de vista. En todo momento te sientes transportado al cine clásico. A las luces de Brian de Palma, a los planos de Sergio Leone y a la ambientación de las películas en las que algunas veces te ponías al lado del malo y otras caías rendido ante el buen policía que lucha contra la corrupción imposible de los que mandan. De hecho no hay inspiración alguna del cine patrio.

Es un claro homenaje al cine clásico pero con un tinte personal y poco explotado. Ya no ocurre en los bajos fondos de Chicago o nueva York, sino en la ciudad de Barcelona ambientada a partir de las fotografías de Brangulí, el genial fotógrafo de la época. Si encima contamos con los efectos especiales de El ranchito, los mismos que trabajan en ‘Juego de tronos’ os podéis imaginar lo que nos vamos a encontrar.

Fotograma de la película

Y todo esto debe mucho al trabajo de Josu Incháustegui, ya curtido en mil batallas como ‘Ágora’, ‘Las brujas de Zugarramurdi’ o ‘Vicky, Cristina, Barcelona’. En esta ocasión ha trabajado con la cámara Arri Alexa Mini (sensor de 35 mm capaz de grabar en 4k con una sensibilidad de 800 ISO) con la ópticas Cooke que destacan por su reproducción del color, especialmente los tonos piel y por la suave transición entre las zonas enfocadas y desenfocadas.

‘Un día más con vida’ de Damian Nenow y Raúl de la Fuente

Esta película ha recibido el Goya a la Mejor película de animación por adaptar la historia de una de las novelas del polaco Ryszard Kapuscinski, escritor Premio Príncipe de Asturias de Comunicación y Humanidades en 2003.

¿Y qué es lo que cuenta que puede llamar la atención de nosotros los fotógrafos? Pues su visión de la guerra de Angola en 1975 desde el punto de vista de un fotógrafo que decidió convertirse en escritor.

Porque Kapuscinski, aunque no lo digan en la wikipedia, era muy aficionado a la fotografía, como se puede ver una y otra vez en la genial película que parece que ha gustado hasta a Carlos Boyero:

Cuando, como periodista, recojo materiales para una crónica y hablo con el jefe de un clan, me interesan sus opiniones, sus impresiones, sus pensamientos. Pero si voy a su encuentro como fotógrafo me interesan cosas muy distintas: la forma de su cabeza, los rasgos de su rostro, la expresión de sus ojos

Fotograma de la película

La película animada está hecha con la técnica del motion capture. Todo parte de la interpretación real y luego se adorna con el dibujo, dando una sensación de hiperrealidad, muy acorde con el tema de la película. Y además combina la acción con imágenes reales.

Todo lo que vemos es lo que sintió el reportero durante su viaje de tres meses por el comienzo del horror del tercermundismo, tal como él lo definió. Allí terminó por confirmarse el horror. Y su cámara fue testigo.

Así que no queda más remedio que acercarnos al cine, o mirar en las plataformas digitales, para disfrutar de más películas donde la fotografía es importante, tanto en el nivel estético como en el argumental. El cine no es otra cosa que pura vida.

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[nicovandenberg]

Dual from Split The Sun on Vimeo.

Official Selection Aesthetica Film Festival Berlin Fashion Film Festival 2018 Showroom Winner of VOTD.tv "Video of the Day"

Shot on 35mm film, Dual tells the story of the arrival of an unexpected guest which disrupts a Girl’s space, luring her into another side. Director Rose Hendry explores the duality of the self, for fashion designer Krasimira Stoyneva’s ethically sustainable clothing, in association with Wear.The.Walk.

Director : Rose Hendry 'The Girl' : Becca Head Music : Babe Executive Producer : Damian Todd Producer : Ali Mansuri Director of Photography : Ian Forbes Focus Puller : Jake McClean Clapper Loader : George Telling Gaffer : Jack Knott Spark : Charlie Rees Spark : Jake Buckley Grip : Renny Borthwick Styling : Krasimira Stoyneva Styling Assistant : Dana Verri Make-Up & Hair: Zoey Olechnowicz First Assistant Director : Ali Mansuri Production Assistant : Tom Kimberley Stills Photographer : Alex Crane Editor : Hettie Griffiths Sound Designer : Mike Bovill Colourist : Richard Fearon

Talent Management : Maroon London Management Camera & Grip : ARRI Rental Lighting : ProLighting London Editing Company : Gorilla Editors Audio Post Production : 750MPH Grading Company : MPC Colour Film Lab : Kodak Film Scan : Cinelab

[djmonz]

Bergdorf Goodman - Noir from Blake Farber on Vimeo.

Director: Blake Farber

Production Company: Flug Films

DP: John Engstrom

Colorist: Roma Zhantuarov

Art Director: Carolina Bradilli

Voice: Sal Wait

models: VERANIKA ANTSIPAVA at Supreme VALERIANE LE MOI at Supreme

AC: Tashi Ceulemans G&E: John Griffith

hair: Damian Monzillo

Styling: Ron Salva assistant: Crystal Caddell

photographer: Björn Wallander

creative director, Spirit & Flesh: Yelena Deyneko / 646-269-1808 assistants: Yachi Gult

makeup: edward cruz

nails: Rachel Shim

LOCATION Pier 59

Camera: Arri Alexa Mini Lens: JDC Anamorphic Equipment by - scheimpflug.com

[demi-pixellated]

a [not so] nice young lady

[juls-art]

After the Storm –  

*✧Support me!✧*   *✧Tip me for a job well done! ✧*

[garrettblog]

Billions

Shot on Arri’s Alexa Plus with Zeiss Master Prime and Angenieux Optimo Lenses, this is a wonderfully crafted show about avarice. 

Powerful man Vs powerful man, money Vs more money, corruption Vs law and order. This is the story of hedge fund manager Bobby Axelrod (Damian Lewis) who makes his money after the 9-11 crisis and pays the school tuition for the children of his fallen colleagues. He is publicly charitable and privately suspect of insider trading and bribery by a U.S. Attorney, played fearlessly by Paul Giamatti, who pursues Axelrod with a vengeance.  

The kink is the wife of the U.S. Attorney who is hell bent on making a case against him. She is a loyal, fifteen year employee of hedge fund manager Axelrod and consequently conflicted in her loyalties. Kink may also be used to describe the couple’s sexual proclivities.

Watch it live on Showtime - or stream it on Amazon  Watch here

[demi-pixellated]

Wishing the Happiest of Birthdays to the Best of Siblings and Friends, @juls-art 🎁🐈💕

[demi-pixellated]

Perceptive

[demi-pixellated]

Spin, Spin the bottle