#DOG in The Parallel World Orchestra

[edenaurora]

I'm sorry but the 2 last pics😂 Kanna, Mei and Haru are the kids who did SOMETHING but tries to act cute to get out of trouble while Mitzuki and JunJun are the parent's trying to figure out what happened😂

DOG inThePWO M-ON! MUSIC Interview for their Project『LOVE』

[autodiscipline]

[jrocknews]

Start the new year with these Japanese livestreams in January

If your new year’s resolution is to watch more live music events, you’re in the right place. We’ve rounded up as many Japanese livestreams as we could currently find; however, like last month, more streams will likely be announced throughout this month. Therefore, keep your eyes peeled for future updates as we continue to add…

Start the new year with these Japanese livestreams in January

[xstarryberryx]

Have a Mei from DOGinthePWO

If you like my art please consider supporting me through Ko-fi or following me on twitter/Instagram: @_starryberry ✨

Thank you

[hymns-to-the-night]

DOGintheパラレルワールドオーケストラ 魁!!祭izm

[mistress-of-the-obvious]

An old B-Pass I found a while back. This one is June 2017. Figured I would post it as it has an Aimer interview and I know there are some Aimer fans here. I wasn’t that familiar with her, but she was impressive at the Anime Expo.

Download: http://www.mediafire.com/file/4dcynblae2g5jm3/B-PASS2017-06.rar

@jarigendut @seasonreaper

[cha0ticharmony]

This week we’re spotlighting skull face makeup!  Check out these looks from Kyonosuke (Kizu), Haru (Dog inthePWO), all of The Gallo, and of course we can’t forget Kyo (DIR EN GREY)! Got any others to show us?

[wiwiecoute]

Vidéo n°4 :

Resistar Records PRESENTS 「治外法権-新春だょ全員集合!!2015-」

Sorti en 2015

[royz-yade]

[j-ack-in-the-box]

[nuigurumi-sales]

DOG inThePWO - Kanna signed kigurumi cheki  - $12

from (2018/12/16) live

-prices don’t include shipping-

Please message me at nuigurumi57@gmail.com if interested

[jrocknews]

DOG in The PWO celebrates 10th anniversary with "Doggy StyleX" mini-album

DOG in the PWO is celebrating their 10th anniversary with a new mini-album titled Doggy StyleX. The seven-track release will see the light on September 3 and is now available for pre-order in six different editions. The band previously teased us with a bright music video preview of the title-track, Doggy Style and unveiled their…

DOG in The PWO celebrates 10th anniversary with “Doggy StyleX” mini-album

[vkeiasflowers]

Haru of Dog in the PWO as panda anemone

[akiramyv]

B.P.RECORDS×ResistarRecords対抗戦 おバカなレーベルはどっちか!スペシャル!!! その①

[visuallover01]

JunJun (Dog In The Parallel World Orchestra)

[dustedmagazine]

Listed: C Joynes

Cambridge, UK guitarist C Joynes is conversant with English folk tunes, North and West African music, the European classical tradition and its mutant minimalist offshoot, and various improvisational folkways. Better yet, Joynes has a gift for organically incorporating his various influences into beguiling and haunting melodies. He has released seven albums to date, and his most recent, The Borametz Tree, was released on Thread Recordings in the UK and Feeding Tube Records in the US. The Borametz Tree was recorded with The Furlong Bray, an ad hoc band comprising members of experimental folk ensemble Dead Rat Orchestra, plus electroacoustic composer Cam Deas and fellow guitarist and multi-instrumentalist Nick Jonah Davis. Isaac Olson, in his review, called it, “a wholly convincing invisible city and utopian alternative musical history of the world, something warm and joyful out of the long ages.”

Joynes lists down a handful of the elements that have contributed to this multi-layered project.

Ali Farka Toure—Ali Toure Farka

In some ways, the alpha and omega of guitar music. Hard to choose one album but anything from his earliest recordings, released on Radio Mali or on the ‘red’ and ‘green’ albums, is going to be pretty much essential. However, I’ve dropped this one in here for its gentler, rolling, slightly distant feel.

Jorge Luis Borges—Collected Fictions

Borges’ short stories are among the most concise, densely-written and downright entertaining literature ever written, with each one opening up an infinite field of possible realities through a hotchpotch of fantasy, mythology, fake academia, ethno-forgery, philosophical murder mysteries and shaggy-dog stories. Basically, a how-to manual for growing your own worlds.

Violeta Parra—Composiciones Para Guitarra

Violeta Parra was a songwriter, folklorist, poet and political activist from Chile, whose recordings were first introduced to me few years ago by the film-maker Harry Wheeler. Right from the outset, I was struck by her unique and idiosyncratic compositions for solo guitar, which are still pretty much unlike anything else I’ve heard before or since.

Edward W. Said—Orientalism (1978)

Pretty much the ur-text for starting to think about the ways in which Western cultures have regarded others in relation to themselves, and the implications that holds for how we now interact with or absorb music, art and literature from other parts of the world. Sounds like a daunting topic, but it’s hugely readable and kind of essential for anyone interested in engaging with the world at large.

Sun City Girls—330,003 Crossdressers from Beyond the Rig Veda

The secret history of the Sun City Girls as underground legends, fourth-world pioneers, ethnomusical experimentalists, performance artists, post-modern pranksters, X-ray bullshit detectors and anti-everything provocateurs is now pretty well documented across the internet. I don’t get on with everything they do and some of it makes me downright uncomfortable, but that’s probably at least one objective for their activities—to challenge and confound. There may be something for everyone, but there’s no-one for everything... However, if I can choose one record that captures all that is best about the possibilities they offer, then it would be this sprawling unwieldy fragmentary world-gobbling collection.

Various—Gamelan of Java Vol 1: Kraton Kasunanan (Lyrichord 7456)

Listen here

Of the many many recordings of traditional Gamelan that are available, the best seem to blur the boundaries between musical performance, live event, environmental recording and sound art. Of all recordings of Gamelan that I’ve heard, this particular one is a long-standing favorite.

Edwin Prevost—No Sound Is Innocent (1995)

Entertaining, opinionated and provocative collection of essays from Eddie Prevost, founder member of pioneering improvising group AMM among other things. His basic thesis is that, rather being ‘above politics’, any musical sound that we listen to—whether in performance or on record—is loaded with pre-conceived messages and cultural assumptions. This book is not written to be agreed with, but it is good at encouraging you to think again about what you listen to and why you do so…

Eritrean Wedding Music

I was lucky enough to work in Eritrea for a few years on and off and spent a lot of time at weekends wandering around Asmara looking for weddings to invite myself into. Most social music seems to involve a perfect and minimal assemblage of traditional and modern elements: here we’ve got a distorted drum machine, the electrified Krar, a mutual partnership between audience and performer, extended durations and that loping driving beat.

Punk Ethnography: Artists and Scholars listen to Sublime Frequencies—eds. Michael E. Veal & E. Tammy Kim (2016)

Tying back to Sun City Girls, this book is a scrappy collection of academic essays and interviews exploring Seattle-based record label Sublime Frequencies, founded in 2003 by Alan and Richard Bishop of Sun City Girls along with filmmaker Hisham Mayet, and famous for releasing high-quality collections of ‘unknown’ music from around the world. A big debate about whether modern labels and download sites works to liberate global music from studious academia and worthy ‘World Music’ tags, or whether their approach is only serving up cultural stereotypes for a Western post-punk hipster audience. Some of the pieces are a bit dry, but there’s a lot of chippy to-and-fro between the academics and the musicians over issues like cultural appropriation and intellectual property. It’s also kind of entertaining how personally everyone seems to start taking it...

Omar Khorshid

Omar Khorshid was an Egyptian guitarist and film star who recorded a bunch of stuff in the ‘70s, and was hugely popular in Egypt, Lebanon and Turkey. Most of his recordings have got this super-modern maximalist approach to production, using loads of effects, synths and electronic sounds—I guess you could draw some parallels with the experimental dub producers from around the same time. While rooted in traditional instrumental music, the results are unashamedly exotic and sound like a technicolour sci-fi surf music.

Nusrat Fateh Ali Khan

Pretty much any footage from Nusrat Fateh Ali Khan and his ensemble seems to work as a testament for the extraordinary heights that group improvisation can reach. Here you can read the exchanges between the vocalists and the instrumentalists as a kind of benign ecstatic duelling, each goading the other on to greater levels.

Michael Denning—Noise Uprising: The Audiopolitics of a World Musical Revolution (2016)

This great book maps out the hidden history of global popular music, based on recording sessions made in the 1920s by major labels around the world. These sessions first captured on record many previously undocumented forms of popular music—jazz, samba, rebetika, flamenco, kroncong - as distinct from traditional or classical music. The recordings were then circulated around the world via shipping routes, leading to new hybrid forms of music and explaining, for example, the popularity of country music in West Africa or the presence of Hawaiian guitar in Bollywood film music. A great book for restoring faith in the natural process of musical exchange and cross-fertilisation.