#Cyclades Island Group
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Naxos, Cyclades Island Group, Greece
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Prehistoric Figurine of a Harp Player, from the Cyclades (Greece), c. 2700-2300 BCE: this figurine was shaped from a block of solid marble and then slowly sanded into form using pumice and emery
The figurine depicts a musician with a frame harp, an instrument that originated in the Near East and then later spread to the peoples of the Aegean. A sound box forms the section along the base of the instrument, and a small protrusion can be seen near the top of the harp's frame; some experts have argued that this protrusion might represent an ornamental carving of a waterfowl's head, while others argue that it represents a musical extension that facilitates the projection of sound (a feature that often appears on the stringed instruments of the ancient Near East).
This piece measures 35.8cm (about 14 inches) tall.
Musical performances like this are rarely depicted in Cycladic artwork. Depictions of male characters are similarly rare, representing only 5% of the Cycladic sculptures that are known to exist. When male figures are depicted, however, they are frequently shown playing musical instruments, as seen here.
Figurine of a Harpist, c. 2800-2700 BCE: a similar example of a Cycladic sculpture that features a musician with a frame harp
The Museum of Cycladic Art provides a more detailed explanation of the process by which these figures were created:
As we can deduce from the few unfinished figurines that have been discovered so far, the first step in the process was to roughly shape the raw piece of marble into a figure by the impact of a mallet. Emery powder was then used to abrade the surface until it obtained the desired shape and size. Once the desired shape was achieved, the surface was smoothed carefully before the fine work of carving the details started. At the end, the figurine was polished to a high degree that is still amazing.
And according to The Met:
Many of these figures, especially those of the Spedos type, display a remarkable consistency in form and proportion that suggests they were planned with a compass. Scientific analysis has shown that the surface of the marble was painted with mineral-based pigments—azurite for blue and iron ores, or cinnabar for red.
The Cycladic Islands (also known as the Cyclades) are a group of about 30 separate islands in the Southwest Aegean, off the coast of mainland Greece. These islands contain a wealth of natural resources, including marble, emery, pumice, obsidian, and an assortment of precious metals. The prehistoric peoples of the Cyclades made use of these resources for many different purposes, but the marble figurines/sculptures that they crafted during the Bronze Age are perhaps their most famous creation.
The vast majority of these figurines are stylized depictions of the female form. The cultural significance of the sculptures remains unclear; they may have simply been created as decorative pieces/artwork, without any additional function, or they may have been used as fetishes, totems, religious idols, grave goods, or votive offerings.
Sources & More Info:
The Getty Museum: Figurine of a Harp Player
The Met: Cycladic Harp Player
The Met: Early Cycladic Art and Culture
The Museum of Cycladic Art: Techniques
#archaeology#history#artifact#ancient history#prehistoric art#art#sculpture#music#greece#cycladic#bronze age#anthropology#harp
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Santorini, Greece: Santorini is a Greek island in the southern Aegean Sea, about 200 km southeast from its mainland. It is the largest island of a small, circular archipelago formed by the Santorini caldera. It is the southernmost member of the Cyclades group of islands, with an area of approximately 73 km2. Wikipedia
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seaside sanctuary ༊*·˚
synopsis: during your vocation on a greek island, you and timothée spend some time on a secluded beach
The magic of Milos had settled over you gently and clingingly with its volcanic rock formations and golden shores. Not even two weeks had passed since the day you and Timothée arrived on the island, and you had already become one with the locals; traveling in all its cryptic passages and discovering the heart of the town.
You had found happiness in simple and frugal things like walking along pebbled pathways and marble streets with your boyfriend’s palm inside yours, fingers conjoined and tangled, quick pecks on the cheek and forehead, small glances and furtive smiles, soft laughs, warm or cold hugs, his head balancing tiredly on your shoulder and yours burying on his chest listening to his steady heartbeat.
It was Timothée’s idea to invite your families since you had only a month at your disposal before returning back to work and it was an opportunity to spend some time with them. Besides, it was such a beautiful trip, you had to share this unrepeatable experience.
Altogether you traveled with your sailboat around the island and stayed on secluded beaches, accessible only by the sea. Hours and hours had been spent under the sun; swimming, snorkeling, laying on the deck, enjoying the sunset at anchor.
Blazing afternoon sunrays penetrated your skin and blinded your vision, as the briny breeze fanned your face, pulling back strands of salty hair, tangling them with the blowing fair wind.
The Aegen was opening around you; a sapphire-colored sea that touched the line of the sky, extending to a wild yet quiet horizon. It was summer and the world was in a splendor.
Your arms were leaning on the silver railings of the boat and your gaze was up in the bright blue veil, watching the seagulls fly high and dive at the water, then rising up again, squawking loudly to each other.
A burst of familiar boisterous laughter led your eyes to the back at the cockpit. You couldn’t help but smile before even allowing your stare to pierce that dirty glass, only at the sound of his voice. Your head slowly fell to the side and stayed balanced on top of your shoulder.
Timothée’s radiant smile made you unconsciously laugh a little. And he must've noticed because even through the thick glass and the heavy blanket of water and salt covering it, he stared back at you with an electrifying glint and grinned widely as he bent down to knock at the glass a few times and then waved at you.
« Let’s go! », he told you.
You pushed yourself off the railings. Hushed murmurs accompanied by melodious giggles forced you to change your gaze from scenic islets and coves to a small group of people. Barefoot and sun-dazed, their hearts still left in the old pirates’ hideout, Kleftiko, your parents and Pauline, were laying relaxed on the boat. Their swimsuits were on, bodies still wet from their previous dive, drying under shining sunrays. Green beer bottles with the word ‘Mythos’ written on their lebels were reflecting golden beams of light, as cigarettes burnt in the air alongside sprinkles of brine and rust.
« Pauline? », you called her name. She sat better at her elbows and raised her eyes that were covered with black shades. « You’re coming? »
« Nah, » she replied throwing her head back. « I’m tired. I’ll just stay here and take a nap. Have fun though. » You nodded at her words and moved slowly and steadily to the back, hands holding tightly the ropes of the boat.
« Hey, » Timothée grinned at you.
« Hi, » you greeted him and the Captain. « Where are we right now? »
« We are at Sykia, » Timothée replied. He wrapped his arm around you, letting it fall loose on your shoulder as he held you.
« Yeah that’s right, » the Captain spoke with his heavy Greek voice that held a melodious tone only people from Cyclades had. « Once you pass that tunnel, you’ll end up in the cave, » he pointed in the direction you were already looking at. Timothée nodded in understandment, arms snaking in your lower spine, bringing you closer to his body. « And when you get inside, you'll notice that a part of the roof of the cave is missing. It was submerged years ago and now there is a kind of natural skylight. »
« Oh that’s cool, » you said turning to the scenery while Timothée’s nose was mindlessly circling your cheek and temple, tracing soft lines over your brow. Sun kissed your faces and drifted at the space between, giving away a sheen.
« It is cool, » the Captain continued. « I mean, what are you even doing in Milos if you haven’t visited Sykia? » You both lightly laughed at his words as you took Timothée’s hand in yours and pressed a pair of soft lips on top of it before he lightly patted your cheek with his hand making you grin, melting at his warm touch, and hug him tight.
You had anchored close to the cave, less than half of a nautical mile. Waves were luring the boat along with them giving it a soft waft.
Timothée waited for you to approach the edge of the boat before jumping off the stern into a calm steady sea with a thunderous splash that sprinkled you from head to toe, and then paddled the water. Quickly he emerged, throwing his head back and pulling pieces of hair that were stuck on his forehead, out of his face. With cold water stinging your skin, you lightly stepped back gasping.
« Come in! », Timothée laughed and motioned his head to you.
« It’s cold! », you slouched your shoulders, arms wrapped around your stomach. You glanced back regretting your decision of not staying with Pauline to take a nap as well.
« Come in! », he said in a more demanding tone. You bit your lips and shook your head. « I’m going to splash you. »
“No, you wouldn’t.”
« You sure about that? », he asked tossing a small wave of water in your direction.
« Timothée, it’s cold! »
« I’ll splash you. » You looked at him for a few seconds. « I’ll do it. »
« Fine, » you groaned making him smile, and without much thought jumped into the sea.
A freezing feeling struck then gradually consumed your body. Nothing but the sea was surrounding you and you kicked your feet through bitter water, gasping for air. You fought for a moment breathlessly to come to the surface and then looked at Timothée who was already a bit ahead of you.
« Wait, wait, wait! », you shouted at him. He stopped and turned around to look at you, as you paddled along the blue to be closer to him. Timothée couldn’t help but laugh, watching you all puffed, your legs weightless kicking an uncharted abyss below.
Together you glided the blue, reaching the tunnel Captain told you about. Your head moved up too distracted from watching the brown-greenish rocks above your head. Tim pulled your hand and pressed a wet kiss on your cheek.
« Let’s go, » he said, his voice echoing loud all around as if coming from speakers.
The cave had no roof just like the Captain described it. Sun rays were lighting the inside of the cave, creating amazing colorations that enchanted you. It was a unique miracle every visitor should see.
On the inside was a small pebbled beach, with rocks and crystal clear waters. There was no one there. Just the two of you.
Like true children of the sun, you swam in the idyllic calm and then ran to the pebbled shore, free, repeating the gestures of athletes of Delos.
« Aren’t you afraid it’s going to fall and crush us down? », you told him as your hands cupped in the air the part of the cave that was still up. Your bodies were close to each other, so close you could hear the smile forming on his lips.
« It’s been like that for so many years, why does it have to fall now that we are here? », he asked. You rolled your eyes and chuckled.
« I’m just saying, » you mumbled. He breathed out heavily which made you turn in question. « What? », you looked at him.
« Oh, nothing, » he laughed a little, pulling back his wet hair. You kept staring at him for a few seconds watching droplets watering the rocks below you.
« I’ve never been happier. » He wore a dreamful smile. « And I wish every day could be like that. »
« Like what? », his eyebrow slightly raised. Your mouth curled up thinking of your response as your gaze turned back to the crystal pure tapestry of the sky.
« Waking up together… making love… having breakfast… going for a walk… swimming… making love again and then having a bath together. » Your words caused a boyish grin to appear on his face and you imitated his expression. « Eating together, listening to music, watching the sunset… you laughing and me laughing because you are laughing… telling you how much I love you… »
« Sounds good to me, » he said and leaned to kiss your shoulder. You pouted your lips and looked down. Timothée frowned and then turned to the side, balancing on his one elbow, to take a better look at you.
« You won’t tell me how much you love me back? », you bit your lips trying not to smile. His face flushed at your mincing manner and how you pronounced the world ‘love’. He looked away.
« Oh, of course, I’ll tell you, » he bent lower his head and you tented your neck to catch his lips, your hand holding back his hair as he moved on top of you, dripping water running on your body. He breathed out hot air on your face making your head fall back trying to get some oxygen inside before returning to him, your heads touching and lips almost stitched together.
« Y/N, » he said voice deep echoing inside you. « I really need you to know this. »
« You don’t have to say anything. »
« No, I have to, » Tim gulped. « You walked by chance into my very messy life and from day to day, I started to breathe better. Before you, without you, I loved nothing. With you, I have accepted more things. I have learned to live. That's probably why I’ve always mixed my love for you with so much gratitude. » Your mouth slightly opened and eyes glanced away. « I mean every word. »
Without warning you kissed him on the lips. He let out a muffled sound from the force with which your mouth touched his.
« I wouldn’t have loved you any less, if you didn’t say anything, » you told him. Your stare was fixed on his plum reddish lips that tasted like salt and apricots and cherries. « But now that you did, all I can do is love you more. »
He smiled. His forehead brushed against yours as he let you lick away his grin and kiss him. First slow, sweet, soft; then harder, fiery, urgent, like a poem of Odysseas Elytis.
It was a true sisyphean work watching the way the lurking glint of your eyes and your wolfish grin dig up his most shameful secrets, without ripping the animal from within and burying himself in your streams of love and delicate words.
The waft’s stroke maneuvered between you, warm like a teenage memory, spreading sprinkles of salt and rust to the air. Bodies entangled in summer thunders, as the gentle splash of water on your toes offered a kind of peace, privacy, and safety that you had both missed.
You flapped and then stayed there in comfortable silence. But as you watched the horizon slowly bleed from the crevice of the tunnel, Timothée couldn't think of the swollen sun, honeycombs, and wasted old summers.
The only thing he had in mind was how much he loved you, how much you loved him - because he knew that - and how much he couldn't wait any longer for you to live together forever.
You laid together, eyes gazing at the moon and the starlit sky, bodies hugging one another.
#hamlets-ak#timothee chalamet#timothée chalamet#timothee chalamet x reader#timothee fanfic#timothee chalamet social media au#timothee chalamet x you#timothee chalamet imagine#timothee chalamet fanfiction
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Linear A Script
Linear A Script was used by the Minoan civilization centred on Crete during the Bronze Age. Used from around 1850 to around 1450 BCE, the script has never been deciphered. Artefacts bearing Linear A script, most commonly clay tablets, have been found across the Mediterranean, evidence that Minoan trade was conducted with such islands as Rhodes, Thera, and the Cyclades.
Origins & Development
Linear A script is one of a group of written languages that linguists identify as related syllabic scripts used during the Bronze Age in the Aegean and the wider Mediterranean. The oldest identified script in Europe is the Cretan Hieroglyphic script, which was in use from around 2000 to 1650 BCE. This script, which uses pictures to denote objects and later representative sounds, remains undeciphered. Linear A, perhaps arriving a little later (the point is still under debate by historians), was prevalent from around 1850 to 1450 BCE and has also never been deciphered. At the early Minoan palaces, Cretan Hieroglyphic and Linear A script were used simultaneously for a period. There is a clear (but not absolute divide) in terms of artefacts bearing Cretan Hieroglyphic script and Linear A script, with the former appearing more in the north of Crete and the latter more in the south. Linear A script was being used across the whole of the island by the late 16th century BCE.
Linear A script is composed of at least 90 characters, which can be grouped into syllabic signs, ideograms, and symbols which denote numbers and fractions. In addition, monograms were made from the clustering of two or three symbols. The historian H. Thomas suggests that there are over 800 words identifiable in Linear A script. The famed Greek historian S. Alexiou gives the following description of the script:
This script is termed Linear because it is made up of signs which, although derived from ideograms, are no longer recognizable as representations of objects, but consists of lines grouped in abstract formations. (127)
The later Linear B script of the Mycenaean civilization was developed from Linear A (about 70% of Linear A symbols appear in Linear B) and was used to express the language we today call Mycenaean Greek (deciphered in 1952 CE). Linear A script, then, is an important indicator of a continuing though changing culture in the ancient Aegean.
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Greek Temple Complex Reveals Thousands of Votive Figurines
Archaeologists excavating a hilltop sanctuary on the Aegean Sea island of Kythnos have discovered “countless” pottery offerings left by ancient worshippers over the centuries, Greece’s Culture Ministry said Wednesday.
A ministry statement said the finds from work this year included more than 2,000 intact or almost complete clay figurines, mostly of women and children but also some of male actors, as well as of tortoises, lions, pigs and birds.
Several ceremonial pottery vessels that were unearthed are linked with the worship of Demeter, the ancient Greek goddess of agriculture, and her daughter Persephone, to whom the excavated sanctuary complex was dedicated.
The seaside site of Vryokastro on Kythnos was the ancient capital of the island, inhabited without break between the 12th century B.C. and the 7th A.D., when it was abandoned for a stronger position during a period of pirate raids.
The artifacts came from the scant ruins of the two small temples, a long building close by that may have served as a temple storeroom and a nearby pit where older offerings were buried to make space for new ones. The sanctuary was in use for about a thousand years, starting from the 7th century B.C.
The excavation by Greece’s University of Thessaly and the Culture Ministry also found luxury pottery imported from other parts of Greece, ornate lamps and fragments of ritual vases used in the worship of Demeter and Persephone at Eleusis, an ancient Athens suburb.
It is unclear to what extent the site on Kythnos was associated with Eleusis — one of the most important religious centers in ancient Greece, where the goddesses were worshipped during secret rites that were only open to initiates forbidden to speak of what they saw. The sanctuary at Eleusis is known to have owned land on the island.
Kythnos, in the Cyclades island group, was first inhabited about 10,000 years ago. Its copper deposits were mined from the 3rd millennium B.C., and in Roman times it was a place of political exile.
The excavations are set to continue through 2025.
#Greek Temple Complex Reveals Thousands of Votive Figurines#island of kythnos#pottery#pottery offerings#ancient artifacts#archeology#archeolgst#history#history news#ancient history#ancient culture#ancient civilizations#ancient greece#greek history#greek art#long reads
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This is the tiny island of 📍iraklia (Ηρακλειά) - @cyclades-islands ❤️
It belongs to the small cyclades islands group!
Calm atmosphere away from mass tourism makes it ideal for relaxing!!
Pic by: https://www.instagram.com/p/Cs4HPVuMGS_/?igshid=MzRlODBiNWFlZA==
#cyclades#greece#travel#summer#cyclades_islands#κυκλαδες#ελλαδα#aegeansea#visitgreece#greeksummer#small cyclades#iraklia#iraklia cyclades#Cyclades greece#explore cyclades#explore greece
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Mykonos is an island in the Cyclades group in the Aegean Sea.
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📍Naxos island,Greece 🇬🇷
The biggest and most fertile island in the Cyclades group, located right in the centre of it. According to the Greek Myth, god Dionysus met Ariadne, the Minoan princess, on Naxos Island, where she was abandoned by Theseus, the Athenian prince, during his return voyage from Crete to Athens.
Καλημέρα Ελλάδα μου!!
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Oia village is built along the rim of the massive volcanic caldera of Santorini Island, southernmost of the Cyclades island group, Greece.
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Painted blue door with climbing plants, flower mural and yellow watering can. Lagada,
Amorgos, Greece.
Amorgos is a tiny island in the Cyclades Greek island group with only about 2000 residents. It measures only 48 square miles, but it seems as if every square inch is packed with outstanding beauty.
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Santorini, Cyclades Island Group, Greece
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Look no further if you're seeking a serene escape from the bustling crowds. I've got a list of the five smallest Greek islands you can visit.
1. Kastellorizo (Megisti) Nestled in the southeastern Mediterranean, Kastellorizo is a colourful and vibrant island perfect for a relaxing getaway. This Dodecanese gem is only 9 km², but it's filled with charm. Stroll through its picturesque harbour, dive into crystal-clear waters, and admire the unique architecture. Don't forget to visit the Blue Grotto, one of the most spectacular caves in Greece.
2. Halki Located just 6 km off the coast of Rhodes, Halki is an enchanting island perfect for a peaceful retreat. Measuring only 28 km², Halki offers pristine beaches and charming traditional villages. Make sure to wander through the colourful streets of Nimporio, the island's main village, and take in the stunning views of the Aegean Sea from the hilltop Chorio.
3. Agathonisi With an area of 13.5 km², Agathonisi is the northernmost island of the Dodecanese group. This tranquil paradise offers unspoiled nature, crystal-clear waters, and traditional Greek hospitality. Visit the quaint villages of Megalo Chorio and Mikro Chorio, and unwind on its secluded beaches.
4. Paxos Lying just south of Corfu, Paxos is a lush, verdant island covering an area of 30 km². Famous for its stunning blue caves, it's an ideal destination for snorkelling and diving enthusiasts. Explore the charming villages of Gaios, Lakka, and Loggos, and indulge in delicious local cuisine. Take a boat trip to the nearby Antipaxos island for an unforgettable beach experience.
5. Anafi is an idyllic Cycladic island, and is a true hidden gem covering just 38 km². Discover its unspoiled sandy beaches, hike to the ancient Temple of Apollo, and enjoy breathtaking sunsets at the island's highest point, Mount Kalamos.
#goexploregreece#goexplore#exploremore#exploregreece#exploretheworld#explore#greecestagram#greecetravel#greece#travel tips#traveling#traveller#travelling#travel#traveltips#corfu#paxos#anafi#aegean#dodecanese#beaches#mustvisit#must visit#must see#mustsee#greek islands
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#day cruise Mykonos#sunset cruise Mykonos#Mykonos Yacht Charter#private cruise Mykonos#Mykonos beaches#Psarou beach#Paraga beach#Kalafatis beach#Mykonos
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Orange Santorini views
Santorini
Island in the Aegean Sea
Santorini is one of the Cyclades islands in the Aegean Sea. It was devastated by a volcanic eruption in the 16th century BC, forever shaping its rugged landscape. The whitewashed, cubiform houses of its 2 principal towns, Fira and Oia, cling to cliffs above an underwater caldera (crater). They overlook the sea, small islands to the west and beaches made up of black, red and white lava pebbles.
Administrative region: South Aegean
Area code(s): 22860
Postal code: 847 00, 847 02
Regional unit: Thira
Santorini is an island in the southern Aegean Sea, about 200 km (120 mi) southeast from the Greek mainland. It is the largest island of a small circular archipelago, which bears the same name and is the remnant of a caldera. It forms the southernmost member of the Cyclades group of islands, with an area of approximately 73 km2 (28 sq mi) and a 2011 census population of 15,550. The municipality of Santorini includes the inhabited islands of Santorini and Therasia, as well as the uninhabited islands of Nea Kameni, Palaia Kameni, Aspronisi and Christiana. The total land area is 90.623 km2 (34.990 sq mi). Santorini is part of the Thira regional unit.
Firá is the modern capital of the GreekAegean island of Santorini (Thera). A traditional settlement, "Firá" derives its name from an alternative pronunciation of "Thíra", the ancient name of the island itself.
Oia is a small village and former community in the South Aegean on the islands of Thira (Santorini) and Therasia, in the Cyclades, Greece.
Nea Kameni is a small uninhabited Greek island of volcanic origin located in the Aegean Sea, within the flooded Santorini caldera.
Santorini ancient Thera, view from Mount Elias
Ancient Thera is the name of an ancient perfectly round volcano island now known as Santorini. It was named after the mythical ruler of the island, Theras..
It is the most active volcanic centre in the South Aegean Volcanic Arc, though what remains today is chiefly a water-filled caldera
Santorini - Wikipedia
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Paros
Paros is an island in the Cyclades group in the central Aegean. It is the third largest island of the Cyclades and its position on important sea routes between mainland Greece and the coast of Asia Minor made it an important centre from the early Bronze Age through to Roman times. The island was also famous for the high quality of its marble which became a popular material for sculptors and architects throughout antiquity.
Bronze Age Paros
First inhabited from c. 3200 BCE (or perhaps even earlier), important settlements from the Early Cycladic Period include those at Drios, Avyssos, Galana, Gremna, Kampos, and Plastiras. The relatively high level of culture in the early Bronze Age is attested by the wealth of decorated pottery finds and in Cycladic sculpture which produced elegant marble figures rendered in a minimalistic style.
At the island's capital Parikia (Paroikia) on the west coast the first indications of settlement date to the early 2nd millennium BCE and the area was continuously occupied through Minoan and Mycenaean times and settled by colonists from Attica c. 1000 BCE being occupied until around 700 BCE. On the north coast at Naoussa there was a major Mycenaean settlement which prospered in the 13th century BCE but was destroyed in c. 1200 BCE. Nevertheless, the site was reoccupied from the 10th century BCE and once again enjoyed a period of prosperity from the 9th to the mid-7th century BCE. Koukounaries on the east coast was also an important Mycenaean centre in the 13th and 12th centuries BCE and continued into the mid-7th century BCE. It was here at Koukounaries that the oldest temple on the island was built, the temple to Athena dating to c. 700 BCE and which survived into Classical times.
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