#Cutscene Revelations

[fogaminghub]

🎮✨ Attention, Visions of Mana fans! Are you stuck in Chapter 4 trying to figure out those strange noises? Our new blog post breaks down how to investigate every eerie sound, find hidden secrets, and face unexpected challenges! 🌌🔍 Don’t miss out on the adventure! 

[crimescrimson]

Albert Wesker in Resident Evil Remastered (2002)

[animatedjen]

Correct. Bode has been my weapon for some time. Quite effective.

[mercilessflowchart]

I feel so bad for that other YK500 that we see in Jericho when Kara realizes Alice is an android. Like just imagining it from her perspective?

She makes it to this refuge and immediately some AX400 just starts staring at her with a horrified expression like she just killed someone.

Then Luther starts giving his speech and the whole time she’s probably just thinking What. Are they going on about. I’m literally just sitting here smh.

Kara and Alice have their lil hug moment afterwards and she’s like okay???? Glad I could help?? Who are you???

[spindlebats]

I hate this game so much btw. I hate it. Everything SUCKS.

kills you.

[quietwingsinthesky]

my plan rn is 1) finish syndicate, 2) finish and post the two evie/henry/jacob fics i started, and then 3) play through ac1

[fisherrprince]

Oh hey! Welcome to stormblood :D! So, how are your overall opinions of Heavensward now that you're one the cusp of new expansion?

Hello hello! /bow

I liked it!! I liked it quite a lot I think, but I definitely think the best parts were about the dragons (the first half of base expansion with Ysayle and then 3.2-3 with Nidhogg and Hraesvelgr and Estinien) (I got sad when we left Ysayle :( ) — which, admittedly, is probably because I really love dragons. But it’s also I think structured more engagingly, I was really interested in what everyone had to say and react to. I think I stopped to talk to almost everyone anytime I could, and I really want to remember to look at item descriptions because they have TEXT in them and sometimes they’re FUNNY.. The dungeons got progressively cooler too :D

I wasn’t quite as interested in the allagans this time (or the pope I kept forgetting about him— to be honest the ishgardian half of the story was really interesting as it contributed to the whole of the story, I love how the writers are handling the complexity of human conflict and rage thus far, but I found that chasing down the pope at the end took quite a while because we also had the scions stuff in there too, which was more interesting, and I think the amount of interest just conflicted with the pacing. If I look at Heavensward without the post patch quests it has very odd pacing but with them it’s perfectly fine.) (but also the — what’sit the whale primal trial — I’ve heard is disliked but I found it really really fascinating when I did it for the first time! Maybe because it’s novel) (and also while I LOVE the hand that gives the rose, I cannot get behind unbending steel. I can’t tell if people are joking when they say it’s one of the best songs. I don’t… like it, it sounds goofy to me), but that’s also just because Azys Lla is, all offense to allag, butt ugly?? The Crystal Tower is so pretty how did you create this narsty place. Bring me back to G’raha. I also think the interjections with the Ul’dahn syndicate early on were hit or miss entirely, sometimes very satisfying and investing and sometimes I just… I don’t like the wizard lady or her wizard hat.

anyways, Hilda is my new friend, I like her. I, um, don’t think I got as attached to haurchefant as many others did, but I appreciate how well-written a good death scene is, I do. And I really felt like we got to see way more (and deeper and better-articulated) character personality and interaction than we did in arr! I liked that!!! We had little flavor text jokes everywhere! I like my friends tataru and alphinaud and although I will have to decline Aymeric’s request for a date, I would love to hang out. I will be going on a date with Vidofnir. I want to see more of where dragons actually, like, live.

also both the “final battles” were very very cool. Like immensely cool I think I legit cackled to myself a couple times (hraesvelgr’s eye being one of them) thank u dragons everyone say thank you dragons. Also everyone say thank you to soken and uematsu. And the cinematic animators. And the fight designers. And

and — I’m not sure where post-heavensward stops and pre-stormblood begins, but I assume it ends with nidhogg and starts with the warriors of darkness? in that case I’ll hold my opinions of pre-stormblood since I’m not done. bless it for having alisaie leveilleur. goodnight

[crabussy]

VERY UPSET ABOUT RUIN

[4giorno]

i got the cutscene <3

[roguelioness]

Sitting here in the middle of the night trying to contemplate whether or not Aly has feelings for the enemy no it's not just Zenos shhhh

[dirtyoldmanhole]

[ squints at screen ]

there is like a 20% chance that i think ...................... you know who just deadass shanked scarlet..............????????

aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa

[thebiggestmenace]

something about joel being mad at ellie (for saving his ass????) yet still grabbing comics for her :( he loves her so much D:

[transmasc-rose]

The gap between how Clay talks about Lucy in AC2 and how he talks about Lucy in Revelations is so wide.

And there's a handful of plot twists in between. And probably a different writer. And a personality shift on Clay's end. Really nothing between those two points was consistent.

But I'm the guy who spent AC2 and Brotherhood wondering how much Clay knew about Lucy, and how Lucy felt about Clay dying under her care, and then, when Brotherhood ended, wondered how much Clay even knew about what she was.

Only for Revelations to be the payoff. So.

(Which isn't to say I'm upset about Clay being mad at her. It makes sense for him to be mad at her. They just don't put 5 seconds into trying to tie that in with his earlier characterization. Like they don't spend 5 minutes trying to tie any of Revelations Clay to his earlier characterization. It takes them until the DLC to even establish what was going in with Lucy, let alone Clay.)

[luv-again]

swearing to myself that all this intense ruminating on the cryptic castle hero mission is gonna pay off when i write this fic

[yokelish]

This is the second time Hoyoverse just feeds me NOTHING with its updates.

[vaguely-concerned]

I think there is no better illustration of the more intimate, internal angle veilguard chooses to approach its characters and themes with than the fact that like... listen in this game we get to follow so much pain back to its source, and we find it really does permeate everything in thedas today on a level that evokes a kind of cosmic horror. the bones of the earth itself are broken open and drenched in trauma; the world is mired in suffering down to the core and the marrow. as above, so below. as outside, so inside. on the big scale, and the small. all of creation is a throat gone to bloody shreds from screaming in agony, when you allow yourself to listen. (maybe that's why we usually don't, or can't, bring ourselves to listen.)

...and yet the thing that makes me personally so desperately gnaw-my-own-arm-off sad that it feels like I could die from it is that in a run where you save minrathous, lucanis never gets out from the ossuary in his mind. what's worse, no one even knows he's in there. he's still in there. and there is no rescue on the way, because he's locked down so deep inside himself this time that there's no way for anyone to even understand there's a need for it. would he be able to welcome one, if someone did realize it and tried to reach him? You know him -- you can open the door, but he won't walk through. He won't move. There's nowhere to go. the way he says 'it doesn't matter what I want' with such utter, leaden, final resignation in the wrecked treviso cutscene is going to haunt me forever. it makes perfect sense to me you can't romance him after that, I'm not sure he's ever really here completely in that version of events, at least within the timeline the game takes place. he's just standing in the shitty awful ossuary torture room all alone, and no one's coming to find him.

and what is that, next to the millennia of suffering screaming through all of history and creation? well. nothing, of course, not really. a single plucked string in an endless deafening symphony of despair. one singular trapped and broken soul among the untold millions that have gone before and the untold more that will surely come after, that are being made as we speak in the conflicts and tragedies unfolding through the game. but more importantly it's also everything. to me. and to the game too. the game says this also matters. just as much as anything else, this pain matters and deserves to be loved and comforted. even in the face of all the suffering in the world, beneath the systems perpetuating all the banalities of evil, for good or for ill sometimes, we matter to each other. and what would be the point of anything, if we didn't? that's where hope lives. as long as you're alive, the right key might still arrive to gently open the locks of your mind, the right hand might reach out one day and you will bring yourself to take it. you don't know what tomorrow's going to be. if in the meantime the only thing we have to gain in staying is each other -- isn't that enough? isn't that everything? why does this one guy saved mean the world saved to me, a little bit? hello. hello. hello. there's stuff going on in the deep here.

when I say that the deep thematic spine of this game is so good and solid that the occasional clumsiness and false tones of the writing on top of it simply cannot hurt me... I think this is part of what I mean. works for every single one of the characters of course! lucanis' is the predicament that speaks to me most viscerally. for. uh. personal reasons there simply is no time to get into at this juncture lol. but just as much the idea that davrin can die before he could see the world freed from the blight and the need for wardens, or that harding can get cut down right at the beginning of a great revelation that could change everything and heal things no one had even dreamed could be healed. all of them are like this. each and every one of us has a world and so many stories inside that matter, and it's not to dismiss the larger systemic forces and evils that create so much of the suffering in the world to focus in on that for one installment of the series -- only to view it from a different angle that brings other things to light than what we're looking for normally in this series. it's worth looking at what's actually here.

(have you ever heard the poem 'good light' by andrea gibson? it's very good. you should check it out if you haven't, you can find it on youtube. it has these lines:

Come make it count Our finding each other like we found God Come root for the salt Come believing we can heal it all, even everything Even everything that has ever been done I know how much the pain of this world weighs But I can still tip the scales in light's direction Whenever I have your name on my tongue

and yeah. I think that's basically what I'm trying to say here.)