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123567-9qaaq9 · 3 months ago

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Asia Pacific and Japan Wire Cable Market Future Trends to Look at | BIS Research

A wire cable is a strong, flexible assembly made of multiple strands of metal wire twisted or braided together. Wire cables are typically used for lifting, pulling, tensioning, or transmitting mechanical force. They are commonly made from steel, stainless steel, or other durable metals and are used in a variety of applications such as construction, cranes, elevators, bridges, and heavy machinery

The Asia-Pacific and Japan wire and cable market was valued at $88.26 billion in 2022, and it is expected to grow at a CAGR of 8.03% and reach $199.71 billion by 2032

At BIS Research, we focus exclusively on technologies related to precision medicine, medical devices, life sciences, artificial intelligence (AI), machine learning (ML), Internet of Things (IoT), big data, blockchain technology, Asia Pacific and Japan Wire Cable Material , advanced materials and chemicals, agriculture and FoodTech, mobility, robotics, and aerospace and defense, among others.

Asia Pacific and Japan Wire Cable Overview

Wire and cable are essential components used in electrical and mechanical systems for conducting electricity, transmitting signals, and supporting structural loads. While often used interchangeably, "wire" generally refers to a single conductor made of metal, such as copper or aluminum, whereas "cable" consists of two or more wires bundled or braided together, often with insulation or protective sheathing.

Types of Wire and Cable

Electrical Wire - Used to carry electrical current within buildings, appliances, or equipment. These wires are often insulated to prevent short circuits and protect users from electric shocks.

Communication Cable - Includes fiber optic and coaxial cables used for transmitting data, phone, or internet signals over distances.

Mechanical Wire Cables - Comprising twisted or braided metal strands, these are designed to bear loads and are commonly used in cranes, bridges, elevators, and other heavy-duty applications.

Key Features

Conductivity - Electrical wires and cables use materials like copper or aluminum for efficient electrical conduction.

Insulation - Protective layers, such as plastic, rubber, or PVC, are used to prevent electrical leakage and ensure safe handling.

Durability - Cables, especially mechanical wire cables, are designed to be strong, flexible, and resistant to wear, corrosion, and environmental factors.

Applications of Asia Pacific Japan Wire Cable Market

Electrical Wiring in Buildings

Data Transmission

Heavy Industries

Demand - Drivers and Limitations

Following are the demand drivers for the Asia-Pacific and Japan wire and cable market:

• Increase of Investments in the Telecommunications Industry • Increase in Demand for Sustainable Wire and Cable Products • Rise of Industrial Revolution 4.0 • Increase in Sales of Electric Vehicles • Rise in the Demand for Energy Produced from Renewable Sources

Following are the limitations of the Asia-Pacific and Japan wire and cable market:

• Fluctuations in Raw Material Prices • Ban by the Government on Materials Used in Wire and Cable Production • Limited Availability of Sustainable Materials and its Related Standardization Challenges • Challenges Faced by Wire and Cable Manufacturers Due to Plastic Disposal

Key Companies

Dow

Wacker Chemie AG

Momentive Performance Materials

Shin-Etsu Chemical Co., Ltd.

China National Bluestar (Group) Co., Ltd.

Rogers Corporation

Cabot Corporation

Reiss Manufacturing Inc.

MESGO S.p.A.

CHT Germany GmbH

Bellofram Elastomers

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Market Segmentation for Asia Pacific and Japan Wire Cable

Segmentation 1: by Application

Based on application, in the Asia-Pacific and Japan wire and cable market, the infrastructure application is poised to lead, indicating a strong demand for wiring and cabling solutions in construction and development projects.

Segmentation 2: by Product

Segmentation 3: by Voltage Type

Based on product, low voltage energy cables (<1kV) are leading the Asia-Pacific and Japan wire and cable market due to their widespread applications and compatibility with diverse electrical systems.

Segmentation 4: by Country

Based on the country, China is poised to lead the Asia-Pacific and Japan wire and cable market, holding the largest share due to robust industrialization, extensive infrastructure development, and growing demand for power solutions. Its role in manufacturing and technology adoption strengthens its market position, influencing trends and competitiveness in the region.

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Recent Developments in the Asia-Pacific and Japan Wire and Cable Market

• In August 2023, LS Cable & System Ltd. invested an additional $118.5 million (KRW 155.5 billion) for its business establishment in Donghae City, Gangwon Province, South Korea, for the expansion of its submarine cable production facilities. • In April 2023, Finolex Cables allocated $24.3 million (INR 200 crore) for its production center in Pune, India, to expand its production capabilities across several industries, including fiber optic cables, auto cables, and photovoltaic cables sector.

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Conclusion

In conclusion, the Asia Pacific and Japan Wire Cable market serves as the backbone of global communication, addressing the need for rapid and reliable data transmission. The growth of this market is fueled by technological advancements, the expanding telecommunications landscape, emerging 6G sector and the ongoing digital transformation.

The increasing adoption of 5G networks, the rise of cloud computing, and the growth of data centers are key factors propelling the demand for both Asia Pacific and Japan Wire Cable s.

Asia Pacific and Japan Wire Cable are integral to the functioning of the digital economy, enabling seamless communication, connectivity, and data sharing across industries, homes, and businesses.

#Asia Pacific and Japan Wire Cable Market

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rushikesh-d · 7 months ago

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Automotive Data Cable Market To Witness the Highest Growth Globally in Coming Years

The report begins with an overview of the Automotive Data Cable Market and presents throughout its development. It provides a comprehensive analysis of all regional and key player segments providing closer insights into current market conditions and future market opportunities, along with drivers, trend segments, consumer behavior, price factors, and market performance and estimates. Forecast market information, SWOT analysis, Automotive Data Cable Market scenario, and feasibility study are the important aspects analyzed in this report.

The Automotive Data Cable Market is experiencing robust growth driven by the expanding globally. The Automotive Data Cable Market is poised for substantial growth as manufacturers across various industries embrace automation to enhance productivity, quality, and agility in their production processes. Automotive Data Cable Market leverage robotics, machine vision, and advanced control technologies to streamline assembly tasks, reduce labor costs, and minimize errors. With increasing demand for customized products, shorter product lifecycles, and labor shortages, there is a growing need for flexible and scalable automation solutions. As technology advances and automation becomes more accessible, the adoption of automated assembly systems is expected to accelerate, driving market growth and innovation in manufacturing.

The market is expected to grow owing to increased safety regulations and the shift towards connected vehicles.

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Key Strategies

Key strategies in the Automotive Data Cable Market revolve around optimizing production efficiency, quality, and flexibility. Integration of advanced robotics and machine vision technologies streamlines assembly processes, reducing cycle times and error rates. Customization options cater to diverse product requirements and manufacturing environments, ensuring solution scalability and adaptability. Collaboration with industry partners and automation experts fosters innovation and addresses evolving customer needs and market trends. Moreover, investment in employee training and skill development facilitates seamless integration and operation of Automotive Data Cable Market. By prioritizing these strategies, manufacturers can enhance competitiveness, accelerate time-to-market, and drive sustainable growth in the Automotive Data Cable Market.

Major Automotive Data Cable Market Manufacturers covered in the market report include:

TE Connectivity Ltd. (Switzerland), Yazaki Corporation (Japan), Sumitomo Electric Industries Ltd. (Japan), Furukawa Electric Co. Ltd. (Japan), Leoni AG (Germany), Nexans SA (France), Prysmian Group (Italy), Draka Holdings BV (Netherlands), Belden Inc. (US).

The automotive industry is witnessing a rapid shift towards electrification, with the rising adoption of electric and hybrid vehicles (EVs). The market is expected to grow owing to increased safety regulations and the shift towards connected vehicles.

Trends Analysis

The Automotive Data Cable Market is experiencing rapid expansion fueled by the manufacturing industry's pursuit of efficiency and productivity gains. Key trends include the adoption of collaborative robotics and advanced automation technologies to streamline assembly processes and reduce labor costs. With the rise of Industry 4.0 initiatives, manufacturers are investing in flexible and scalable Automotive Data Cable Market capable of handling diverse product portfolios. Moreover, advancements in machine vision and AI-driven quality control are enhancing production throughput and ensuring product consistency. The emphasis on sustainability and lean manufacturing principles is driving innovation in energy-efficient and eco-friendly Automotive Data Cable Market Solutions.

Regions Included in this Automotive Data Cable Market Report are as follows:

North America [U.S., Canada, Mexico]

Europe [Germany, UK, France, Italy, Rest of Europe]

Asia-Pacific [China, India, Japan, South Korea, Southeast Asia, Australia, Rest of Asia Pacific]

South America [Brazil, Argentina, Rest of Latin America]

Middle East & Africa [GCC, North Africa, South Africa, Rest of the Middle East and Africa]

Significant Features that are under offering and key highlights of the reports:

- Detailed overview of the Automotive Data Cable Market.

- Changing the Automotive Data Cable Market dynamics of the industry.

- In-depth market segmentation by Type, Application, etc.

- Historical, current, and projected Automotive Data Cable Market size in terms of volume and value.

- Recent industry trends and developments.

- Competitive landscape of the Automotive Data Cable Market.

- Strategies of key players and product offerings.

- Potential and niche segments/regions exhibiting promising growth.

Frequently Asked Questions (FAQs):

► What is the current market scenario?

► What was the historical demand scenario, and forecast outlook from 2024 to 2030?

► What are the key market dynamics influencing growth in the Global Automotive Data Cable Market?

► Who are the prominent players in the Global Automotive Data Cable Market?

► What is the consumer perspective in the Global Automotive Data Cable Market?

► What are the key demand-side and supply-side trends in the Global Automotive Data Cable Market?

► What are the largest and the fastest-growing geographies?

► Which segment dominated and which segment is expected to grow fastest?

► What was the COVID-19 impact on the Global Automotive Data Cable Market?

Table Of Contents:

1 Market Overview

1.1 Automotive Data Cable Market Introduction

1.2 Market Analysis by Type

1.3 Market Analysis by Applications

1.4 Market Analysis by Regions

1.4.1 North America (United States, Canada and Mexico)

1.4.1.1 United States Market States and Outlook

1.4.1.2 Canada Market States and Outlook

1.4.1.3 Mexico Market States and Outlook

1.4.2 Europe (Germany, France, UK, Russia and Italy)

1.4.2.1 Germany Market States and Outlook

1.4.2.2 France Market States and Outlook

1.4.2.3 UK Market States and Outlook

1.4.2.4 Russia Market States and Outlook

1.4.2.5 Italy Market States and Outlook

1.4.3 Asia-Pacific (China, Japan, Korea, India and Southeast Asia)

1.4.3.1 China Market States and Outlook

1.4.3.2 Japan Market States and Outlook

1.4.3.3 Korea Market States and Outlook

1.4.3.4 India Market States and Outlook

1.4.3.5 Southeast Asia Market States and Outlook

1.4.4 South America, Middle East and Africa

1.4.4.1 Brazil Market States and Outlook

1.4.4.2 Egypt Market States and Outlook

1.4.4.3 Saudi Arabia Market States and Outlook

1.4.4.4 South Africa Market States and Outlook

1.5 Market Dynamics

1.5.1 Market Opportunities

1.5.2 Market Risk

1.5.3 Market Driving Force

2 Manufacturers Profiles

Continued…

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Fortune Business Insights™ delivers accurate data and innovative corporate analysis, helping organizations of all sizes make appropriate decisions. We tailor novel solutions for our clients, assisting them to address various challenges distinct to their businesses. Our aim is to empower them with holistic market intelligence, providing a granular overview of the market they are operating in.

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#Automotive Data Cable Market #Automotive Data Cable Market Share #Automotive Data Cable Market Size #Automotive Data Cable Market trends #Automotive Data Cable Market growth #Automotive Data Cable Market outlook

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aimarketresearch · 9 months ago

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Nail Gun Market Size, Share, Trends, Growth and Competitive Analysis

Global Nail Gun Market study by Data Bridge Market Research provides details about the market dynamics affecting this market, Market scope, Market segmentation and overlays shadow upon the leading market players highlighting the favourable competitive landscape and trends prevailing over the years.

All the market insights of large-scale Nail Gun market research report will lead to actionable ideas and better decision-making. This market report also takes into consideration the drivers and restraints for the Nail Gun market that are derived from SWOT analysis. Businesses can surely go with this industry analysis report for logical decision making and superior management of marketing of goods and services. The universal Nail Gun report is generated with a nice combination of advanced industry insights, practical solutions, talent solutions and the use of latest technology which gives an excellent user experience.

Access Full 350 Pages PDF Report @

Nail gun market will expect to grow at a rate of 3.40% for the forecast period of 2021 to 2028. Nail gun market report analyses the growth, which is currently being growing due to the increasing usages of the product in workshops during assembly such as bed manufacture or pallet making.

The nail gun is a useful power tool that drives the nail by air pressure or electromagnetism into wood or some other material. Nail guns can be either pneumatic or electronic. In the competitive environment, developments in the development of nail guns are seen as manufacturers turn their attention on technology to appeal to customer demand.

Table of Content:

Part 01: Executive Summary

Part 02: Scope of the Report

Part 03: Global Nail Gun Market Landscape

Part 04: Global Nail Gun Market Sizing

Part 05: Global Nail Gun Market Segmentation By Product

Part 06: Five Forces Analysis

Part 07: Customer Landscape

Part 08: Geographic Landscape

Part 09: Decision Framework

Part 10: Drivers and Challenges

Part 11: Market Trends

Part 12: Vendor Landscape

Part 13: Vendor Analysis

Key takeaways from the Nail Gun Market report:

Detailed considerate of Nail Gun Market-particular drivers, Trends, constraints, Restraints, Opportunities and major micro markets.

Comprehensive valuation of all prospects and threat in the

In depth study of industry strategies for growth of the Nail Gun Market-leading players.

Nail Gun Market latest innovations and major procedures.

Favorable dip inside Vigorous high-tech and market latest trends remarkable the Market.

Conclusive study about the growth conspiracy of Nail Gun Market for forthcoming years.

The major players covered in the nail gun market report are Illinois Tool Works Inc.; Stanley Black & Decker, Inc.; Robert Bosch Power Tools GmbH; Techtronic Industries Co. Ltd.; Makita U.S.A., Inc.; MAX USA CORP.; BY KYOCERA SENCO.; Koki Holdings Co., Ltd.; PUMA INDUSTRIAL CO., LTD.; Emerson Electric Co.; JITOOL USA CORP.; Unicatch; Rongpeng Air Tools Co.,Ltd.; Meite USA; Sichuan Nanshan Powder Actuated Fastening System Co., Ltd.; Hilti India Pvt. Ltd.; Powernail Company; Prime Global Products, Inc. (PGP); PORTER-CABLE.; Everwin Pneumatic Corp.; among other domestic and global players. Market share data is available for global, North America, Europe, Asia-Pacific (APAC), Middle East and Africa (MEA) and South America separately. DBMR analysts understand competitive strengths and provide competitive analysis for each competitor separately.

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About Data Bridge Market Research:

Data Bridge set forth itself as an unconventional and neoteric Market research and consulting firm with unparalleled level of resilience and integrated approaches. We are determined to unearth the best market opportunities and foster efficient information for your business to thrive in the market. Data Bridge endeavors to provide appropriate solutions to the complex business challenges and initiates an effortless decision-making process.

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#Nail Gun Market Size #Share #Trends #Growth and Competitive Analysis #market share #market trends #market report #market analysis #market research #market size #markettrends #marketresearch

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worldwideanalysis · 1 year ago

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How Is Increasing Use of Cobots Boosting Modular Robotics Market Growth?

Factors such as the soaring demand for automation solutions in the manufacturing industry and the burgeoning need for collaborative modular robots in the logistics sector are expected to fuel the modular robotics market at a CAGR of 9.9% during the forecast period (2020–2030). According to P&S Intelligence, the market was valued at $5.6 billion in 2019, and it is projected to generate $15.1 billion revenue by 2030. In recent years, the increasing adoption of the industrial internet of things (IIoT) in the production process has become a major market trend.

The increasing deployment of collaborative modular robotics systems or cobots in the logistics industry is one of the primary growth drivers for the market. The deployment of cobots in logistics and manufacturing operations reduces the work of employees by allowing operators to directly provide the parts to the robot to perform the remaining tasks. Logistics companies use cobots for carrying and transporting loads and inspecting fragile products. These robotic systems perform their task with the help of suitable end-effectors.

Currently, the rising penetration of IIoT in industrial manufacturing is becoming a prominent trend in the modular robotics market, as it has enhanced the manufacturing capability of the production units. The adoption of IIoT solutions helps manufacturing companies in monitoring assets, increasing efficiency, tracking real-time problems of machinery, and facilitating streamlined maintenance. Additionally, the deployment of such solutions also helps in transforming the linear traditional manufacturing supply chains into dynamic and interconnected systems.

Nowadays, players in the modular robotics market, such as Durr Group, Seiko Epson Corporation, Shibaura Machine Co. Ltd., Aurotek Corporation, igm Robotersysteme AG, ENGEL AUSTRIA GmbH, Comau S.P.A., ST Robotics Ltd., Yamaha Motor Co. Ltd., Omron Adept Technology Inc., Stäubli International AG, b+m surface systems GmbH, OTC DAIHEN Inc., Franka Emika GmbH, Vision Machinery Inc., Cassioli Group, and DENSO Products and Services Americas Inc., are launching advanced products to consolidate their position. For instance, in May 2020, FANUC Corporation launched an arc welding robot named ARC Mate 120iD. This model includes integrated cables and has a payload capacity of 25 kg.

The robot type segment of the modular robotics market is classified into cartesian modular robots, collaborative modular robots, articulated modular robots, parallel modular robots, selective compliance assembly robot arm (SCARA) modular robots, and others, such as cylindrical robots and spherical robots. Under this segment, the collaborative modular robots category is expected to demonstrate the fastest growth throughout the forecast period. This will be due to the increasing adoption of collaborative modular robots in the automotive and electronics industries.

Globally, Asia-Pacific (APAC) accounted for the largest share in the modular robotics market during the historical period (2014–2019), due to the mounting investments that were made in the automation of the automobile and electrical and electronics industries, especially in China, India, and South Korea. Moreover, the increasing adoption of cobots in the manufacturing sector, owing to their ability to handle short-run and repetitive tasks, offer high adaptability, and provide pre-enabled plug and play features, is also supporting the market growth in the region.

Thus, the increasing integration of IIoT solutions in manufacturing operations and the rising use of cobots in the logistics industry will catalyze the market growth in the future.

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marketwatchpune · 2 years ago

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Canada Front Office BPO Services Market 2023 | Current & Future Trends with IBM Global Services, Convergys Corp., Atento S.A., Ricoh Canada, Inc.

https://www.prosebox.net/entry/1593038/usa-cameralink-cameras-market-2023-statistics-analysis-2029/https://www.prosebox.net/entry/1593039/europe-medical-waste-disposal-industry-statistics-future-demand-2029/https://www.prosebox.net/entry/1593041/europe-emergency-air-medical-transport-market-2023-industry-analysis-amp-key-vendors/https://www.prosebox.net/entry/1593044/usa-uhf-inlays-amp-tags-market-2023-current-amp-future-trends/https://www.prosebox.net/entry/1593045/europe-image-capture-cards-market-demand-amp-forecasts-to-2029/https://www.prosebox.net/entry/1593046/usa-frame-grabber-market-2023-2029-coverage-amp-overview/https://www.prosebox.net/entry/1593048/usa-palygorskite-clay-market-statistics-analysis-segments-top-key-players/https://www.prosebox.net/entry/1593050/usa-laboratory-grade-autoclaves-market-to-see-massive-growth-by-2029/https://www.prosebox.net/entry/1593053/usa-network-ptz-cameras-market-size-share-trends-complete-analysis/https://www.prosebox.net/entry/1593055/europe-mountain-guide-service-market-see-huge-growth-for-new-normal/https://www.prosebox.net/entry/1593056/usa-fiber-optic-cable-assemblies-market-2023-comprehensive-strategic-report/https://www.prosebox.net/entry/1593058/europe-solvent-recovery-and-recycling-market-accelerating-immense-growth-2023-2029/https://www.prosebox.net/entry/1593059/usa-dock-doors-market-2023-study-an-emerging-hint-of-opportunity-2029/https://www.prosebox.net/entry/1593062/europe-aviation-mro-market-projected-to-grow-massively-2023-2029/https://www.prosebox.net/entry/1593063/usa-private-helicopter-mro-market-2023-2029-emergent-technology-advancement/https://www.prosebox.net/entry/1593066/europe-high-voltage-rectifier-diode-market-research-2023-analysis-by-expert/https://www.prosebox.net/entry/1593067/usa-wind-power-cable-market-size-2023-types-applications-regional-demand/https://www.prosebox.net/entry/1593069/europe-metal-target-material-market-statistics-report-covers-future-trends/https://www.prosebox.net/entry/1593071/usa-stock-photography-market-2023-statistics-analysis-2029/https://www.prosebox.net/entry/1593072/europe-foot-care-industry-statistics-future-demand-2029/https://www.prosebox.net/entry/1593074/europe-microprocessor-smart-card-market-2023-industry-analysis-amp-key-vendors/https://www.prosebox.net/entry/1593075/usa-digital-hour-meter-market-2023-current-amp-future-trends/https://www.prosebox.net/entry/1593076/europe-fast-connector-market-demand-amp-forecasts-to-2029/https://www.prosebox.net/entry/1593077/usa-two-way-radio-market-2023-2029-coverage-amp-overview/https://www.prosebox.net/entry/1593079/usa-athletic-gym-bags-market-statistics-analysis-segments-top-key-players/https://www.prosebox.net/entry/1593080/usa-circumferential-extensometers-market-to-see-massive-growth-by-2029/https://www.prosebox.net/entry/1593082/usa-tape-extensometers-market-size-share-trends-complete-analysis/https://www.prosebox.net/entry/1593083/europe-axial-extensometers-market-see-huge-growth-for-new-normal/https://www.prosebox.net/entry/1593086/usa-extensometers-calibrators-market-2023-comprehensive-strategic-report/https://www.prosebox.net/entry/1593088/europe-portable-grooming-dryers-market-accelerating-immense-growth-2023-2029/

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krishna1244 · 2 years ago

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Canada "Aluminum Foam Market 2023" | Current and Future Trends with Cymat, Ethly, Aluinvent, Fraunboefr, Shanghai Zhonghui Foam Aluminum

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sanjay-chem · 2 years ago

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Alumina Trihydrate Market Size, Share, Demand & Growth by 2031

APEJ and North America are leading the alumina trihydrate markets. Collectively, they are anticipated to account for nearly half of the revenue share in the global market by 2031 end.

Alumina trihydrate (ATH) is used in manufacture of glass, ceramics, paints & coatings, etc. It finds major application as a flame retardant and smoke suppressant in materials due to its ability to release water of crystallisation as water vapour when heated above 220°C.

Alumina trihydrate is commercially available in the market for a number of applications such as waterproofing, furniture and tapestry production. Alumina trihydrate is available in multiple grades—coarse, precipitated, chemically treated and superfine. Depending on the application and customised demand from end-user industries, these grades and particle sizes can be modified.

Alumina trihydrate also finds major application in polyester and polymer resins as low-smoke, non-toxic replacement for latex, rubber, wires & cables and floorings. Major end-use industries that use alumina trihydrate are plastics, paper, paints & coatings, adhesives, chemicals, and pharmaceuticals.

Request a Sample Report @ http://www.futuremarketinsights.com/reports/sample/rep-gb-335

Factors Driving the Alumina Trihydrate Market

Key driving factors identified in the global alumina trihydrate market include increasing growth of flame retardant plastics in industrial sectors such as automotive and construction in emerging markets and increasing use of alumina trihydrate in chemical applications.

Increasing use of alumina trihydrate as flame retardant as well as a filler in adhesives and paints & coatings industry is expected to drive growth of the alumina trihydrate market over the forecast period. Increasing use of alumina trihydrate (alum) in water treatment are expected to fuel growth of the overall global alumina trihydrate market during the forecast period.

Demand for ultra-fine alumina trihydrate as flame retardant is a major underlying factor anticipated to fuel growth of the global alumina trihydrate market between 2016 and 2026. This, in turn, is forecast to create significant market opportunities for alumina trihydrate manufacturers, distributors and product assemblers in the coming years. Demand for alumina trihydrate is especially high in emerging market such as India, China, and Brazil.

Alumina Trihydrate Market Segmentation

Key market participants covered in the report include Alfa Aesar, Sumitomo Co. Ltd., Albemarle Corporation, Nabaltec AG, Huber Engineered Materials, Showa Denko K.K., NALCO, MAL Zrt, Alcoa Inc. and Aluminum Corp. of China Ltd.

The global alumina trihydrate market is segmented on the basis of end-use industry and region. The end-use industry segment is further segmented into plastics, paper, paints & coatings, adhesives, chemicals, pharmaceuticals and others.

Key Segment

By End-use

Plastics

Papers

Paints and Coatings

Adhesives

Chemicals

Pharmaceuticals Industry

Others

Table of Content

1. Executive Summary

1.1. Global Market Outlook

1.2. Demand Side Trends

1.3. Supply Side Trends

1.4. Technology Roadmap

1.5. Analysis and Recommendations

2. Market Introduction

2.1. Market Taxonomy

2.2. Market Definition

3. Global Alumina Trihydrate Market Demand Analysis 2014-2018 and Forecast, 2019-2029

3.1. Global Alumina Trihydrate Market Analysis and Forecast Value (US$ MN)

3.2. Pricing Analysis

3.3. Historical Market Volume (Kilo Tons) Analysis, 2014-2018

3.4. Current and Future Market Volume (Kilo Tons) Projections, 2019-2029

3.5. Y-o-Y Growth Trend Analysis

4. Market Viewpoint

4.1. Macro-Economic Factors

4.1.1. Global GDP Growth Outlook

4.1.2. Global Per Capita Income Outlook

4.1.3. Global Paints & coatings Market Overview

4.1.4. Global Decorative Paints Market Overview

4.1.5. Industry Value Added Outlook

4.1.6. Global Chemical Sales

4.1.7. Global Chemicals Industry Overview

4.1.8. Global Market: Value Chain

4.2. Forecast Factors - Relevance & Impact

5. Market Dynamics

5.1. Drivers

5.2. Restraints

5.3. Opportunity

5.4. Trends

6. Global Market Analysis 2014-2018 and Forecast 2019-2029, by End-use

To be continued…!

About FMI

Future Market Insights (ESOMAR certified market research organization and a member of Greater New York Chamber of Commerce) provides in-depth insights into governing factors elevating the demand in the market. It discloses opportunities that will favor the market growth in various segments on the basis of Source, Application, Sales Channel and End Use over the next 10-years.

Contact:

Future Market Insights Inc. Christiana Corporate, 200 Continental Drive, Suite 401, Newark, Delaware – 19713, USA T: +1-845-579-5705 For Sales Enquiries: [email protected] LinkedIn| Twitter| Blogs

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jayshreeinstruments · 3 years ago

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Wire harness manufacturers have to keenly pay attention to the design review, assembly documentation, Bill of materials, production of the wire harness, and quality testing. Cable manufacturing encompasses designing and manufacturing cables, electrical wires, and conductors. One of the leading electronic manufacturing companies in Ahmedabad, Jayshree Instruments Private Limited provides a comprehensive range of cables and wires, it constantly keeps evolving based on the radical transformation in technology. The company is renowned to cater products as per the specifications of the clients.

Fast Charging Cables

In this technology-driven era, where everything is based on speed and time, the same applies to charging our phones and laptops too. One of the most important features that everyone looks out for while considering any technology is the fast charging component. But do note that not all products use a similar type of fast charging. Fast charging depends on voltage and amperage. To avail of the fast charging speed of any device, you should use a fast-charging cable and fast-charging power brick. Identifying fast charging cables can be tricky; you can check the amperage, thickness of the cables, description on cable, and buy from a reliable source. The main component for the fast charging cable is the cable assembly.

Fiber Optic Cables

Fiber optic technology or fiber cable is an efficient cable-based communication system. Fiber optic cable assemblies consist of a strong strand for support, optical fiber, and fiber optic cable connectors. Compared to copper wires that transmit data using electrical pulses, fiber optic assembly relies on the light pulse transmission that passes through the cable that delivers data at a faster rate. The most important point to consider during the fiber optic cable assembly process is to contemplate how to prepare the cable before termination. Fiber optic cables when compared to wired cables provide superior bandwidth and can transmit data over huge distances. Most of the world’s internet, telephone systems, and cable television are supported by fiber optic cables.

Insulated Wire and Cables

There is a range of wires and cables in the market, so do numerous wire and cable insulations. An insulated cable or wire consists of material that is non-conductive or that is resistant to an electric current. This material covers and protects the cable or wire inside. The cable needs to be insulated, as the electricity is a type of energy that may be fatal if it gets in direct contact with any human being. Insulation also helps to prevent the energy from scattering into the surroundings, thus conserving it. An insulated copper wire is generally used for the construction of inductors, transformers, speakers, motors, electromagnets, hard disk head actuators, and more. Several cable assembly manufacturers in India, provide multi-conductor cable assemblies that are wrapped with an insulation sheath.

Over molded Cable Assemblies

A process in which either injection molding or insert molding is used to merge connectors and wires in a single piece is known as cable overmolding. This process requires the components of the cable assembly to be placed in a mold and then hot liquid plastic material is poured on it. Once it cools down, the final product will match the shape of the mold and will then be able to protect the connection of underlying connectors and wires. This is an ideal solution to seal the cable assemblies and their connectors.

Custom Design Cable Assemblies

At a time when you feel that the standard cable assembly does not fit or suit your needs, it’s time to consider a custom design cable assembly. Custom design cable assemblies are engineered, designed, and manufactured precisely as per your requirements. By doing so, you will gain many benefits to your project. Custom cable assembly manufacturers will create exactly as per what you want the assembly to do. They would create as per your specific requirements, so you don’t have to worry about the cable run length, there would not be any extra cable, and the cable quality would not suffer as well. Custom cable harnesses are the best solutions for clients who belong to industries such as Automotive, Defense, Mining, Medical, General Electronics, and Telecommunications.

#Wire harness Manufacturing #Current trends for Cable Assembly #Current trends for Cable Assembly Services in Market #Wire harness Manufacturing Companies in India

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loquaciousquark · 5 years ago

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Hi! I think I remember you posting about "making" your own computer? I'm sorry to bother you with something like this, but was it difficult? Would you say you have to know a lot about how computers work to do it? Thanks!

Heck yeah!!! Oh man!! Gosh guys can I talk to you about building computers and how EVERYONE willing to do some basic googling is almost certainly capable of this I promise?

Welcome to:

Okay okay okay so let me spin you a li’l yarn: I was in optometry school in 2010-2011ish and I had been living up to now on prebuilts, mostly laptops, but DA2 was recently out and gosh darn it I wanted something I could play a proper game on. A friend of mine had a 10yo daughter who wanted to build a computer herself, and he told me if I’d buy the parts, he’d walk both of us through how to do it (what really happened was the 10yo built my first computer and I watched and brought drinks, so–no, I wouldn’t say you have to know a lot about how computers work to do it!).

The physical requirements are some basic manual dexterity & arm strength (you gotta be able to manipulate some tiny things and put some pressure on some connections) and you will most likely need to lift up to 15 pounds, although you can limit that if you go for smaller components. The ability to bend forward and twist and reach will also probably be necessary, although some careful planning can also likely mitigate that.

I think I have pictures of the actual build process somewhere, but regardless, it resulted in this bad boy that served me well for about nine years. I was shocked to see how easy it was to put together, honestly; if you can follow a Lego assembly book, you can put a computer together. With tools like PCPartPicker that have built-in compatibility checks to make sure all your pieces fit, it’s a piece of cake to put together a parts list that you can feel really good about. You just pick whether you want your motherboard to come with fancy lights or not (hint: rgb is unironically cool & i’ll fight anyone who says otherwise).

In the end, you’ll need a set of basic components. You’ll need:

A case to put all the pieces in

A motherboard, the circuit board of the computer that connects everything, basically the heart of the computer

A CPU, the brain of the computer that determines processing power, or basically how fast it can do math and direct traffic

a CPU cooling system, which can be either mechanical fans or liquid cooling, gotta keep that baby chill; may or may not come packaged with the CPU depending on what you get

A graphics card (aka GPU), the thing that makes video games look pretty (and what will probably be the single most expensive item in the build depending on how good you go)

RAM, a short-term memory processing component that comes in different amounts (4gb, 8gb, 16gb, 32gb, 64gb if you’re a madman) depending on how fast you need your short-term memory to work. Good RAM allows you to do things like open a bunch of Chrome tabs at once, run Photoshop at the same time you’re listening to youtube videos, or process the demand of loading up a host of enemies in Mass Effect. Most everyone these days can get by just fine with 16gb of RAM, which is what I have.

a hard drive (or the new, faster, more expensive version, a solid state drive) which functions as your long-term storage bins. This is where you save documents, images, and install your programs. These come in tons of sizes–the larger your files are, the more storage space you’ll want. I always put at least a terabyte of storage in my builds.

a power supply unit or PSU, which gives the electrical juice for everything to run

a monitor (the more hertz, the smoother the video will be - you’ll want either 60hz or 144hz depending on how much your number of frames-per-second matter to you)

a keyboard and mouse

speakers or headphones or both!

Optional addons:

RGB lighting for everything :O

an optical drive (aka something to put DVDs, Blurays, or other physical CD disks into)

fancy liquid cooling pipes

additional case fans; most cases come with adequate fans, but if you are using the computer in a room with poor ventilation or you find that certain components are running hot, you can install additional fans

coincidentally you can also get fans with RGB lighting too

cable extenders when you are going for a specific color scheme

So it can definitely all look overwhelming at first, but when you start to look at how everything is laid out, you’ll notice some trends. Look at these motherboards, for example.

These are just four random motherboards I pulled off Newegg, a commonly used computer parts purchasing site. Sure, the colors are a bit different, but the layout between them…is all basically the same! Here, I’ll draw it out.

In just about every modern motherboard you buy, this will be the rough layout. Everything else is window dressing–what kind of GPU you get, what kind of CPU you get, whether your RAM lights up cool colors or not. Your motherboard will ALWAYS include a map that has extensive descriptions of what each connection does.

Much, much, much more under the jump!

Most of these you won’t even need!

There are always some compatibility things to consider–as I mentioned, PCPartPicker can help you figure out a lot of these–but the biggest one to care about is the CPU. There are two major companies that make CPUs, AMD and Intel. They both have pros and cons on the chips they make, but right now, AMD makes a family of CPUs called Ryzen that both outperform and are cheaper than Intel’s current leading brands, the i7 and i9 lines. Intel was king of the hill for a long time, though, and their CPUs are still really good quality, so some people still go with them over the cheaper alternatives for now. (There are some reports of black screens with the new Ryzen lines, but as I’ve never owned one, I can’t personally speak to how common that is.)

Regardless, once you pick which family of CPUs you want to go with, AMD or Intel, you just have to pick an Intel-friendly or AMD-friendly motherboard. This is always specified in the description of the motherboard. I own the Asus z370 motherboard, so here’s what it says in the description for CPU:

Anyway, once you’ve picked all your parts and had everything shipped to you, it’s literally just a plug-n-play, step by step until everything’s plugged in. Your motherboard manual will also include recommended order of installations, too, and often how to install them.

It helps to remember that the manufacturers of all these parts understand that they are expensive, and they really DON’T want to make them hard to install! Broken or difficult pieces during installation means that the customer is upset, and upset customers ask for refunds and lose brand loyalty.

It also helps to understand that a lot of these connections are based on certain standards–I didn’t realize until I was rebuilding my current machine that these holes set for screws really do work with just about everything you get, as long as it’s the same generation, because motherboard manufactures WANT you to have the flexibility to go any attachment brand you like and still be able to use their board to mount them.

So, you pick your case and open it up, and you put the motherboard down on top of all the little screw holes until they match, and then you screw all the screws down firmly.

Old rig, partially disassembled:

New, in approximately same state:

(One of the reasons I went with this larger white case than a smaller, slim case like my old one, is because this nicer case has what’s called “cable management;” that means there’s a built-in back area behind the motherboard where all my cables can be jammed without messing up the “aesthetic” of the glass window. My first build obviously did not have that, as seen in that first picture at the top of this post, so I had to just jam my cables wherever I could fit them so that the sides would close, haha.)

Anyway, you can see that the motherboard is just screwed in where it should be, and my CPU is already installed where it should be. I haven’t mounted the cooler for it yet because I needed to clean off the old thermal paste and install new thermal paste before doing so. My two sticks of RAM are also mounted in the top right in the motherboard’s recommended configuration & locations for two sticks (vs. one, vs. four).

Then, with the cooler in place, it looked like this:

So the cooler I have is liquid cooling in a closed system (the thick black tubes running right to left) which is attached to a fan that mounts in place of the white fan on the left from the previous picture. It was as simple as unscrewing the old fan and putting the new one in its place. I think I even used the same screws. The fan is powered by that thin cable running along the top of the case that plugs into a little socket on the motherboard labeled “CPU Fan.” It was as simple as just finding the right plug; it doesn’t even have directionality, just a three-pin socket, so it doesn’t even matter which way you plug.

Already it’s looking like a proper computer! And because this case has cable management, I took a picture of what it currently looked like from the backside.

This case is cool because it has a neat set of connectors mounted on the back of this little hideaway to connect the case fans. I could have run the white fan cables through to the front of the motherboard for them to get power/marching orders, but it was cleaner aesthetically to attach them here in the back. Nothing wrong with connecting them on the front, though–that’s what I did in my original build!

You also might have noticed I’ve mounted the PSU in that white case by now as well. It’s the large black and red box in the bottom corner, seen best from behind. The white case comes with what’s called a PSU shroud, which just means there’s a fancy white cover over it to keep the ~aesthetic~ when viewed from the front side.

The next step is to mount the graphics card!

There’s instructions in your manual as to exactly how these mount, but it really and truly is just removing the dust cover brackets where you need to, and then a delicate plug & play, pushing that big guy in until you hear the click! (Click good, snap bad. Haha. I’ve changed out these cards several dozen times and never broken one, though!)

You can also see the ugly red-tipped cables plugged into the GPU and the motherboard, both on the right side. These come from the Power Supply Unit (they are all permanently connected in most brands, and look basically like a squid’s tentacles–once you have your items mounted onto the motherboard, you just look for the connector from the PSU with the right number of pins and plug it in!)

This guy is the worst. He is fat and hard to maneuver and always requires SO MUCH FORCE to click into this delicate bendy board and your heart will ALWAYS be in your throat as your fingers shake from how hard you’re having to push to sink it, and it will ALWAYS eventually go in but you’ll hate every second of the doing. I hate you, 24-pin EATX. I hate you so much.)

The next thing I did was mount my optical drive (because yes, I still own one), my hard drive, and my solid state drive.

The hard drive and SSD both serve the same purpose (long-term data storage), but the SSD is much faster and uses newer technology. It’s also more expensive for the amount of storage you get, so I have a 256gb SSD that holds my operating system, my heavily-used programs like Firefox and Photoshop & Premiere, and one or two video games I play the most that I would like to load as fast as possible. This is the drive that can allow me to restart my whole system in less than five seconds.

The hard drive is 1.75 terabytes and holds everything else: fics, pictures, videos, music, other games, etc.They mount onto the racks with pre-drilled screws. The optical drive just slides into the socket snugly until it hits the back of the rack.

All of these use a standard connector called a SATA cable which runs between the back of the drive to a SATA socket on the motherboard. Most motherboards come with at LEAST six or seven of these connector slots, and some come with more. They look like this:

and are pretty universal. Any kind of extra storage or drive you want to add to your computer will probably connect with a SATA cable. I think my motherboard, my SSD & HD, and my case purchases all came with a pack of loose SATA cables of different lengths to be used for whatever I wanted.

The rack each drive is mounted to came installed with the case and pre-drilled with screw holes (and provided screws) for attaching either the HD or SSD in every slot. Because this case is all about aesthetic, it also comes with two vertical SSD mounts on the back of the case if you wanted to remove the right-side rack altogether, but as I mentioned, I have the optical drive, so I couldn’t go with that option.

So now we have all the major pieces mounted! The last set of connections are a collection of small fiddly pieces that all plug in roughly the same area and do things like light up the case’s LED, provide that startup beep, connect the USB sockets on the case’s front to power, etc. This is by far the section that takes me the longest because I guarantee I will ALWAYS plug at least two into the wrong socket and not have a beep, or my audio won’t work or something until I go back and reconnect them.

The next thing was to plug in my monitors and…see what happened when we hit the power button! (Monitor connections just plug directly into your graphics card in the back of the case.) And here’s what happened!

youtube

So it turned out when I was connecting my SSD (which has my OS on it), I was pushing on the little connector while sitting on the back side of the case. I thought I had the thing in the socket, but what I’d actually done was jam the connector just under the lip of the motherboard (that is, not connected to anything at all, just hanging in open space). Once I realized, though, it was an easy fix!

The last thing I wanted to do to complete the clean white look I wanted was to replace those UGHLY red PSU cables with what are called “cable extenders.” I bought some white ones on Amazon; because most PSUs’ cables are permanently attached at the box, you plug your cable extenders into the other end and then feed them through the case, so that’s the only portion visible. The ugly PSU cables are still there at the other end of the white cables, just hidden in the cable management area behind the motherboard.

I spent some time fixing up the cables to curve exactly how I wanted them to, then picked my LED RGB colors and closed up the open side with the glass wall. All that was left was to plug in my mouse/keyboard/speakers/headphones/mic/webcam, etc., and we were done!

Ta-daaaa!

The first build I did, the one in the blue & black case, took us about two days due to some unexpected problems. First, we were trying to salvage an old CPU from my HP prebuilt to save a little money. Unfortunately, they used basically no thermal paste to connect it to its fan, and when we were trying to get the fan off, it actually tore the CPU out of its socket and bent a bunch of its pins. I ended up going to Best Buy or something and getting a replacement off the shelf.

The other issue I had was that I foolishly didn’t back up my files, and lost a bunch of them in the rebuild (including my Hawke’s original run through the DA2 game :( :( :( ) Always back up your files before ever going in and messing with your case!

Over the years I replaced a bunch of components in it, which is why it lasted me so long, but the transfer into the new case only took me about three hours, and that was with a bunch of breaks throughout. I probably could have done it faster if I hadn’t wanted to savor it, haha. The cable management for the backless desk took a lot longer, though! (…and a LOT of zip ties.)

I do set my new build on a small glass stand (again, from Amazon) because Hamlet’s pretty sheddy and I wanted to keep airflow as good as possible. I’m limited on how many case fans I can install since I have the optical drive rack taking up a lot of space on the right, but I could install new fans on top if I wanted. My temperatures are great, though (I monitor with CoreTemp & GPUTemp, as well as my motherboard’s built-in temp monitoring software), so I don’t need to unless I decide I need more RGB.

Anything I might want to add, I run through PCPartPicker to make sure it’ll fit what I already have. For example, my parts list looks like this (full view and complete parts list available at this link):

ANYWAY.

If you are patient, if you can fit small Lego-like pieces in labeled sockets, and you are a decent googler, you can build your own PC. It’s really, really hard to do serious damage to components nowadays, even if you plug something in wrong. There’s a bunch of resources, though, and I’d recommend the following places to start:

newegg.com - parts for sale, getcher parts here

pcpartpicker.com - put your list of components together, and it’ll flag any compatibility issues or known problems

https://www.reddit.com/r/buildapc/ - great starting point for new builders, tons of advice and how-to’s for every step of the process, and a decently responsive community to help troubleshoot any issues you might have

And I obviously love doing this kind of thing, so if there’s anything I can help with, I’m more than happy to try! Just let me know, and I hope this was helpful!

#anonymous #quark replies #quark's pc tag #long post for ts #very long post for ts #lots o videos and pictures for ts #a quest for fps

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dustedmagazine · 3 years ago

Text

Dust, Volume 7, Number 8

Big Thief

Our August collection of short reviews contains more big names than usual with singles from Big Thief and Dry Cleaning, a digital compilation from Thou, live music from Obits and a side project from members of the Bats and the Clean. Never fear, there are obscurities as well, including an improv guitar player even Bill Meyer had hardly heard of, a Norwegian emo artist in love with Texas and a death metal outfit verging into psychedelia. Our writers, this time including Tim Clarke, Bill Meyer, Jennifer Kelly, Ian Mathers, Chris Liberato and Jonathan Shaw, like what they like, big or small, hyped or unknown. We hope you’ll like some of it, too.

Marc Barreca — The Sleeper Awakes (Scissor Tail)

The Sleeper Wakes by Marc Barreca

Odd connections abound here. One might not expect the usually acoustic-oriented Scissor Tail Recordings to make a vinyl reissue of an electronic ambient music cassette from 1986, any more than one would expect its maker to currently earn his crust as a bankruptcy judge. So, let’s just shed those expectations and get to listening. Unlike so many lower profile electronic recordings from the 1980s, which seemed targeted for a space next to the cash register of a new age bookstore, this album offers a profusion of mysteries that compound the closer you listen to them. It’s not at all obvious what sounds Barreca fed into his Akai sampler. Japanese folk music? Church chimes? A log drum jam? Tugboat engines? One hears hints of such sounds, but they’ve been warped and dredged in a thin coat of murk, so that the predominant experience is one of feeling like you’re dreaming, even if your eyes are wide open.

Bill Meyer

Big Thief — “Little Things” / “Sparrow” (4AD)

Little Things/Sparrow by Big Thief

Who knows how much more music Big Thief might have released in the last 18 months if the pandemic hadn’t tripped them up? Given the creative momentum generated by 2019’s UFOF and Two Hands, it’s fair to assume the band have plenty of music waiting in the wings. “Little Things” and “Sparrow” arrive with no sign of a new album on the horizon, so are probably being released to promote Big Thief’s upcoming US and European tour. Both songs clock in at around five minutes and handle musical repetition in different satisfying ways. Reminiscent of Fleetwood Mac’s “Everything,” but hyped up on caffeine, “Little Things” feels like an exciting new direction for the band. It cycles through its whirlpooling, modulated acoustic guitar over and over, the frantic little sequence of chords never changing; the interest comes from the ways in which the rest of the instruments bob and weave in the ever-shifting, psychedelic mix. “Sparrow” is a more traditional Big Thief song, sparse and sad. Its melancholic sway is enlivened by some beautiful wavering vocal harmonies as Adrianne Lenker paints a picture of a Garden of Eden populated by sparrows, owls and eagles, culminating in Adam blaming Eve for humankind’s fall from grace.

Tim Clarke

Simão Costa — Beat Without Byte: (Un)Learning Machine (Cipsela)

Beat With Out Byte by Simão Costa

Piano preparation often makes use of modest resources — bolts and combs, strings or maybe just a raincoat tossed into the instrument’s innards. By contrast, Simão Costa’s set-up looks like took all of the entries in a robotics assembly competition and set them to work agitating a snarl of cables that met the pirated telecommunication requirements for an especially crowded favela. But whether it’s twitching motors or Costa’s own hands doing the work, the sounds that come out of his sound remarkably rich and cohesive. He stirs drifting hums, metallic sonorities, and stomping rhythms into a bracingly immediate sonic onslaught.

Bill Meyer

Cots — Disturbing Body (Boiled)

Disturbing Body by Cots

Disturbing Body is the low-key debut album by Montreal-based musician Steph Yates, who enlisted Sandro Perri to produce. Where the songs are pared back to mostly just vocals and peppy major-seventh chords on nylon-string guitar — such as “Bitter Part of the Fruit” and “Midnight at the Station” — comparisons with bossa-nova classics such as “The Girl From Ipanema” inevitably arise. Where the tempo is slower, the chord voicings are less sun-dappled, and Perri’s arrangements call upon a wider palette of instrumental colors, the songs venture into more interesting terrain, calling to mind a less haunted Broadcast. There’s an eerie sway to the opening title track, backed by rich piano chords and clattering cymbal textures. Fender Rhodes and the light clack of a rhythm track give “Inertia of a Dream” an uneasy momentum. And forlorn trumpet, percussion and piano situate “Last Sip” at closing time in a forgotten jazz club. There’s something evasive yet subtly intoxicating at work here, the album’s ten songs breezing past in half an hour, leaving plenty of unanswered questions in their wake.

Tim Clarke

Dry Cleaning — “Bug Eggs” / “Tony Speaks!” (4AD)

Bug Eggs/Tony Speaks! by Dry Cleaning

A few months on from the release of their excellent debut album, New Long Leg, Dry Cleaning have put out two more songs from the same sessions, which are featured as bonus tracks on the Japanese edition. For a band whose unique appeal is mostly attributed to Florence Shaw’s surreal lyrics and deadpan delivery, it’s heartening to hear further evidence that it’s the complete cocktail of musical ingredients — Shaw plus Tom Dowse’s inventive guitar, Lewis Maynard’s satisfyingly thick bass, and Nick Buxton’s driving drums — that alchemizes into their winning sound. The verse guitar chords of “Bug Eggs” are naggingly similar to New Long Leg’s “More Big Birds,” while the instrumental chorus has a yearning feel akin to album highlight “Her Hippo.” Maynard’s bass tone on “Tony Speaks!” is absolutely filthy, swallowing up most of the mix until Dowse’s guitar bares its teeth in a swarm of squalling wah-wah, while Shaw’s lyrics muse upon the decline of heavy industry, the environment, and crisps.

Tim Clarke

Flight Mode — TX, ’98 (Sound As Language)

TX, '98 by Flight Mode

In 1998, well before he started Little Hands of Asphalt, Sjur Lyseid spent a year in Texas at the height of the emo wave, skateboarding and going to house shows and listening to the Get Up Kids. TX, ’98 is the Norwegian’s tribute to that coming of age experience, the giddy euphorias of mid-teenage freedom filtered through bittersweet subsequent experience. “Sixteen” is the banger, all crunchy, twitchy exhilarating guitars and vulnerable pop tunefulness, its clangor breaking for wistful reminiscence, but ��Fossil Fuel” waxes lyrical, its guitar riffs splintering into radiant shards, its lyrics capturing those youthful years when anything seems possible and also, somehow, the later recognition that perhaps it isn’t. It’s an interesting tension between the now-is-everything hedonism of adolescence and the rueful remembering of adulthood, encapsulate in a chorus that goes, “Well wait and see if there’s no more history/and just defend the present tense.”

Jennifer Kelly

Drew Gardner— S-T (Eiderdown Records)

S/T by Drew Gardner

Drew Gardner has been popping up all over lately, on Elkhorn’s snowed in acoustic jam Storm Sessions and the electrified follow-up Sun Cycle and as one of Jeffrey Alexander’s Heavy Lidders. Here, it’s just him and his guitar plus a like-minded rhythm section (that’s Ryan Jewell on drums and Garcia Peoples’ Andy Cush on bass), spinning off dreamy, folk-into-interstellar-journeys like “Calyx” and “Kelp Highway.” Gardner puts some muscle into some of his grooves, running close to Chris Forsyth’s wide-angle electric boogie in “Bird Food.” “The Road to Eastern Garden,” though, is pure limpid transcendence, Buddhist monastery bells jangling as Gardner’s warm, inquiring melodic line intersects with rubbery bends on bass. Give this one a little time to sit, but don’t miss it.

Jennifer Kelly

Hearth — Melt (Clean Feed)

Melt by Hearth

This pan-European quartet’s name suggests domesticity, but the fact that none of its members lives in the country of their birth probably says more about the breadth of their music. The closest geographic point of reference for the sounds that pianist Kaja Draksler, trumpeter Susana Santos Silva, and saxophonists Ada Rave and Mette Rasmussen’s make together would be Chicago’s south side. Their dynamic blend of angular structures, extended instrumental techniques, and obscurely theatrical enactments brings to mind the Art Ensemble of Chicago, even though the sounds on this concert-length recording rarely echo the AEC’s. But it is similarly charged with mystery and collective identity.

Bill Meyer

Klaus Lang / Konus Quartett — Drei Allmenden (Cubus)

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Drei Allmenden (translation: Three Commons) treats the act of commission as an opportunity to create common cause. For composer and keyboardist Klaus Lang, this is a chance to push back against a long trend of separation and stratification, with musicians bound to realize the composer’s whim, no matter the cost. Invoking works from the 16th century, he penned something simple, flexible and open to embellishment. Then he pitched in with Konus Quartett, a Swiss saxophone ensemble, to get the job done. The three-part piece, which lasts 43 sublime minutes, amply rewards the submersion of ego. Lang’s slowly morphing harmonium drones and Konus’ long reed tones sound like one instrument, enriched by tendrils of sound that rise up and then sink back into the music’s body.

Bill Meyer

Lynch, Moore, Riley — Secant / Tangent (dx/dy)

Secant | Tangent by Sue Lynch, N.O. Moore, Crystabel Riley

Electric guitarist N.O. Moore is barely known in these parts. I’ve only heard him on one album with Eddie Prévost a couple years back, and the other two musicians, not at all. But on the strength of this robust performance, which was recorded at London’s Icklectick venue, it would be a loss to keep it that way. They combine acoustic sounds with electronics, courtesy of guitar effects and amplification, in an exceedingly natural fashion. Each musician also gets into the other’s business in ways that correspond to the one spicy suggestion made by one cook that elevates another’s dish to the next level. Susan Lynch’s clarinet and flute compliment Moore’s radiophonic/feedback sounds like two flashes of lightning illuminating the same dark cloud, and her vigorously pecking saxophone attack mixes with Crystabel’s cascading beats like idiosyncratically tuned drums. This is one of the first albums to be released on Moore’s dx/dy label; keep your eye out for more.

Bill Meyer

Maco Sica / Hamid Drake Tatsu Aoki & Thymme Jones—Ourania (Feeding Tube)

OURANIA by Mako Sica / Hamid Drake featuring Tatsu Aoki & Thymme Jones

Ourania is named for the muse associated with astronomy in Greek mythology, and the album has an aim for the stars quality. In 2020, Chicago’s Mako Sica lost not only the chance to play concerts, but one third of its number. Core members Brent Fuscaldo (electric bass, voice, harmonica, percussion) and Przemyslaw Krys Drazek (electric trumpet, electric guitar, mandolin) could have just hunkered down with their respective TV sets. Instead, they booked themselves three other musicians who make rising above circumstances a core practice. The duo convened at Electrical Audio with Hamid Drake (drums, percussion, Tatsu Aoki (upright bass, shamisen), and Thymme Jones (piano, organ, balloon, trumpet, voice, recorder, percussion), rolled tape for a couple hours, and walked out with this album. The 85 minute-long recording (edited to about half that length on vinyl, but the LP comes with a download card) exudes a vibe of calm, even beatitude, with twin trumpets and Fuscaldo’s echo-laden, nearly word-free vocals weaving though a sequence of patient grooves like migrational birds on the glide.

Bill Meyer

Mar Caribe — Hymn of the Mar Caribe (Mar Caribe)

Hymn of the Mar Caribe b/w Rondo for Unemployment by mar caribe

Some musicians burn to make something new; others generate attention-getting sounds designed to maximize the potential of their other earning activities; and others, well, they just want you to sway along with their version of the good sounds. Mar Caribe falls into that last category. This Chicago-based instrumental ensemble has spent most of the last decade maintaining a robust performance schedule, and it would seem that recording is pretty much an afterthought; a photo of the test pressing for this 7” was posted in May 2019, but the release show didn’t happen until August 2021. Sure, COVID can be blamed for part of the delay, but one suspects that mostly, these guys just want to play, and they didn’t bother to stuff the singles in the sleeves until they knew when they’d next be leaning over a merch table. The titular suspends anthemic brass and pedal steel over a swinging double bass cadence, and if there was a moment during the night when the band invited the audience to pledge allegiance to their favorite drink, this is what they’d be playing while they asked. Guitars lead on the flip side, whose busy twists and turns belie the implied laziness of the title, “Rondo For Unemployment.”

Bill Meyer

Mint Julep — In a Deep and Dreamless Sleep (Western Vinyl)

In A Deep And Dreamless Sleep by Mint Julep

These songs traverse a hazy, dreamlike space, diffusing dance beats, dream-y vocals and synth pulses into inchoate sensation that nonetheless retains enough rhythmic propulsion to keep your heart rate up. “A Rising Sun” filters jangly guitar and bass through a sizzle of static, letting tambourine thump gently somewhere off camera, as voices soothe and reassure. “Mirage” pounds a four-on-the-floor, but quietly, angelically, like a disco visited through astral projection or maybe a really rave-y iteration of heaven. There’s an ominous undercurrent to “Longshore Drift,” in its growly, sub-bass-y hum, but glittering bits of synth sprinkle over like fairy dust. This is indefinitely gorgeous stuff, ethereal but surprisingly energizing. Dance or drift, take your pick.

Jennifer Kelly

Monocot — Directions We Know (Feeding Tube)

Direction We Know by Monocot

Directions We Know is an LP of free-form freak-outs generated by an instrumental duo that includes one musician who you might expect to perpetuate such a ruckus, and one that you might not. The more likely character is drummer Jayson Gerycz, who may be known for keeping time with the Cloud Nothings, but has shown a willingness to wax colorizing in the company of Anthony Pasquarosa, Jen Powers and Matthew Rolin. The happy surprise is Rosali Middleman, whose singer-songwriter efforts have kept her guitar playing firmly in service of her songs. She doesn’t exactly abandon lyricism in Monocot, but the tunes serve as launching ramps for exuberant lunges into the realm of voltage-saturated sound. On “Ruby Throated,” the first of the record’s four extended jams, Middleman lofts rippling peals over a near-boil of drums and churning loops. By the time you get to “Multidimensional Solutions,” the last and longest track, her wah-wah-dipped streams of sound have taken on a blackened quality, as though her overheating tubes have burned every note.

Bill Meyer

Obits — Die at the Zoo (Outer Battery)

Die At The Zoo by Obits

Few aughts rock bands held more promise than Obits. The four-piece headed by Hot Snakes’ Rick Froberg and Edsel’s Sohrab Habibion emerged in 2005 with a stinging, stripped-back, blues-touched sound. Froberg’s feral snarl rode a surfy, twitchy amplified onslaught, that was, by 2012 a finely tuned machine. I caught one of the live shows following Moody, Standard and Poor at small club in Northampton the same year this was recorded (so small that I was sitting on a couch next to Froberg, oblivious, for 20 minutes before the show), and what struck me was how well the band played together. The records sound chaotic, and that was certainly there in performance, but the cuts and stops were perfect, the surfy instrumental breaks (“New August”) absolutely in tune. At the time this set was recorded in the Brisbane punk landmark known as the Zoo, the band was near the peak of its considerable powers—and regrettably near the end of its run. Die at the Zoo is reasonably well recorded, rough enough to capture the band’s raucous energy, skilled enough so you can understand the words and hear all the parts. It hits all the highlights, blistering early cuts like “Widow of My Dreams,” and “Pine On,” the blues cover “Milk Cow Blues,” and later, slightly more melodic ragers like “Everything Looks Better in the Morning” and “You Gotta Lose.” The guitar work is particularly sharp throughout, its straight-on chug breaking into fiery blues licks and surfy whammy explosions. It’s a poignant reminder of a time when American rock bands played ferocious shows halfway across the world (or anywhere) as a matter of course and a fitting eulogy for Obits.

Jennifer Kelly

A Place To Bury Strangers — Hologram (Dedstrange)

Hologram EP by A Place To Bury Strangers

A Place To Bury Strangers returns with a new rhythm section and renewed focus on the elements that made its version of revivalism the loudest if not brashest of the New York aughties. Sarah and John Fedowitz on drums and bass join Oliver Ackerman on the five track EP Hologram which is the most concise and vital APTBS release for a while. For all the criticism of copyism thrown at the band since their early days, APTBS has always been as much about Ackerman’s production skills and feel for texture as musical originality and the songs on Hologram sound fantastic at volume. Beneath the sonic onslaught of fuzz and reverb, not a brick is misplaced in this intricately constructed sonic wall. True “I Might Have” is pure Jesus & Mary Chain and “In My Hive” a Wax Trax take on Spector but Hologram is an endorphin rush of guitar driven noise bound to make one forget the world, if only for a while.

Andrew Forell

Praises — EP4 (Hand Drawn Dracula)

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Jesse Crowe’s work as Praises has been ongoing since 2014, but has shifted in tone, instrumentation and emphasis since then. While the first two EPs have more of a full, rock band feel, the third one and 2018’s full-length In This Year: Ten of Swords took things in a more electronic, sometimes industrial direction. It was an even better fit for the rest, probing creativity evident in Praises’ work, and 3/4s of the new EP4 are in a pleasingly similar vein. The echoing, ringing denunciations of “We Let Go” and “A World on Fire” are fine examples of Praises’ existing strengths, but the opening “Apples for My Love” is immediately captivating in a very different way. Gauzy and rapturous, it’s a reverie that keeps the satisfying textural detail of the other songs but turns them to different ends. It’s not something that was missing from Crowe’s work before — again, the other tracks here are also very good — but a reminder that what Praises has shown before is not the extent of what they can do.

Ian Mathers

The Sundae Painters — The First SP Single (Leather Jacket)

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“This is a supergroup, is it not?” someone asked the Sundae Painters bassist Paul Kean on social media last year, to which he responded, “Some may choose that title. We prefer superglue.” Kaye Woodward, his wife and longtime bandmate in both The Bats and Minisnap, takes the lead vocal on “Thin Air,” one of the pair of A-sides found on their new band’s debut seven-inch. From the outset, Kean’s unmistakable bass playing and Hamish Kilgour’s (The Clean/Mad Scene) drumming lock into a psychedelic march, with the other instruments weaving like kites above, vying for position on the same breeze. “You fight your way down/You fight your way up/You wait for the dust to settle,” Woodward sings. A few gentle strums cut their way through the parade, and a guitar calls out gull-like from above, before everything trails off as if something potent has just kicked in. On the flip side, “Aversion” has an old friend-like familiarity to it, soundwise (if not lengthwise) sitting somewhere between VU’s “The Gift” and “Sister Ray.” Things begin a little stand-offish, though, like you’ve interrupted a guitar pontificating to a rapt audience — it turns its head to look you over, falling momentarily silent, before picking right back up where it left off. Kilgour’s spoken vocals join the conversation, as the song builds towards a groovy kind of fever pitch. “You look a little stoned,” he says, before responding to his own observation. “Well me I’m a little bit groggy/But it ain’t too foggy/I can see some way of getting out of here.” By this point, both guitars (played by Woodward and Tall Dwarfs’ Alec Bathgate) are full-on screeching and howling, and as the song sputters to a sudden finish, our man’s left waiting for someone to buy him “a ride out the gate.”

Chris Liberato

Thou — Hightower (Self-released)

Hightower by Thou

Hightower is the latest in a string of digital compilations from Thou, most of which collect songs that have been previously released on small-batch splits, 7” records and other hyper-obscure media that briefly circulated through the metal underground. You might be tempted to pronounce that a cynical cash-grab, but Thou has posted Hightower (along with previous compilations, like Algiers, Oakland and Blessings of the Highest Order, a killer collection of Nirvana covers) on their official Bandcamp page as a name-yo’-price download. Thanks, band. Beyond convenience, Hightower has an additional, if a sort of inside-baseball, attraction. The band has re-recorded a few of its older songs with its latest, three-guitar line-up. Longtime listeners will recognize “Smoke Pigs” and “Fucking Chained to the Bottom of the Ocean,” which already sounded terrifyingly massive back in 2008 and 2007, respectively. The expanded instrumentation, new arrangements and better production give the songs even more power and depth, all the way down to the bottom of the effing ocean. Yikes. And there are a few additional touches, like K.C. Stafford’s clean vocals on “Fucking Chained…,” which provide an effective complement to Bryan Funck’s inimitably scabrous howl. Rarely has being pummeled and feeling bummed out been so vivifying.

Jonathan Shaw

Tropical Fuck Storm — Deep States (Joyful Noise)

Deep States by Tropical Fuck Storm

Fueled by exasperation as much as anger, the new album by Melbourne’s Tropical Fuck Storm rounds on the myriad ways in which the world has become a “Bumma Sanger” as leader Gareth Liddiard puts it on the eponymous song about COVID lockdown. A roiling meld of psychedelic garage garnished with elements of hip hop and electronic noise it’s close in method and mood if not sound to another Australian provocateur JG Thirwell whose Foetus project girded maximalist surfaces with rigid discipline. If the Tropical Fuck Storm sought to mirror current conditions, they succeed but lack of clarity in both production and intent makes Deep States a frustrating experience. Backing vocals from Fiona Kitschin (bass), Erica Dunn (keys and guitar) and Lauren Hammel (drums) leaven Liddiard’s blokey pronouncements and there are some good sounds and biting words but the band’s determination to overelaborate and underdevelop musical ideas makes this album seem like a lost opportunity.

Andrew Forell

Marta Warelis / Carlos “Zingaro” / Helena Espvall /Marcelo dos Reis — Turquoise Dream (JACC)

Turquoise Dream by Marta Warelis, Carlos "Zíngaro", Helena Espvall, Marcelo dos Reis

Turquoise Dream documents an example of an encounter that is a mainstay of avant-garde jazz festivals, in which out of towners mix it up locals that they may or may not know. This particular concert, which took place at the Jazz ao Centro Festival in 2019, is one such encounter that deserves to live past the night when it transpired. It featured three stringed instrument players who live in Portugal and a Polish pianist who is based in Holland. But they don’t sound like strangers at all. Violinist Zingaro, cellist Espvall, and guitarist dos Reis blend like flashes of sunlight reflecting off of waves, adding up to a sound that is bright and ever-changing. Warelis, who is equally resourceful with her head under the lid of her piano as she is at the keyboard, adding fleet but substantial responses to her hosts’ quicksilver interactions. The result is music that is resolutely abstract but closely engaged.

Bill Meyer

Wharflurch — Psychedelic Realms ov Hell (Gurgling Gore)

PSYCHEDELIC REALMS OV HELL by Wharflurch

Wharflurch is just plain fun to say — but there are at least two ways in which the name also makes sense for the band that has chosen it: it has a bilious, nauseous quality that matches the vibe of the pustulent death metal you’ll hear on Psychedelic Realms ov Hell; and if you separate the words, you can conjure a sodden, rotten wooden structure, swaying vertiginously over a marshy expanse of water, which is filled with alligators and decaying organic material. Imagine that sway, and that stink, and then imagine yourself collapsing into the viscous fluid, soon to be gator chow. Sounds like Florida, and that’s exactly from whence Wharflurch has emerged. Which also makes sense. Is Wharflurch’s music “psychedelic”? Depends on what you hear in that word. If you want to see hippies dancing ecstatically on a verdant, sun-drenched stretch of Golden Gate Park, then no. But if you have spent any time in the warped, dementedly distorted spaces that psychedelics can open (less happily perhaps, but very powerfully), then yes. Wharflurch likes to accent its meaty riffs and muscular thumps with weird flutters and electronic effects that frequently have a gastric, flatulent quality to them. The saturated and sickly pinks and greens on the album art do a pretty good job of capturing the music’s tones. So do the song titles: “Stoned Ape Apocalypse,” “Bog Body Boletus,” “Phantasmagorical Fumes.” Still game? I’m sorry. But I’ll also be standing right there next to you, on that wobbly, lurching wharf, watching the gators swim near.

Jonathan Shaw

Whisper Room — Lunokhod (Midira Records)

Lunokhod by Whisper Room

That the title of Whisper Room’s fifth album is taken from Soviet lunar rovers makes a certain sense, given how potentially frustrating it might have been for the trio to be working at such a distance. Generally their other records are recorded live, in one room, seeing Aidan Baker (guitar), Jakob Thiesen (drums) and Neil Wiernik (bass) exploring simultaneously, hitting whatever junctions of psychedelic/shoegazing/motorik sound come to them. With Baker in Berlin and travel understandably limiited, this time they recorded their parts separately, layering them together (and bringing in sound designer Scott Deathe to add the kind of pedal processing their sound engineer normally does live). The result certainly sounds as collaborative as ever, seven seamless tracks making up nearly an hour that makes the journey from the friendly, clattering percussion of “Lunokhod01” to the centrifugal ambience of “Lunokhod07” feel perfectly natural. Even though it explores just as much inner and outer space as Whisper Room ever have, there’s something very approachable about Lunokhod that makes it one of their best.

Ian Mathers

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onlineandyou · 3 years ago

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Samsung Announces Never Before Offers on its Stunning Lifestyle TV The Frame

Samsung has announced never before offers on Amazon & Flipkart for its revolutionary lifestyle TV, The Frame, which is a TV when it's on and Art when it's off, to allow consumers to take the aesthetic quotient of their home a notch higher this festive season with exciting offers. Unbelievably stunning, The Frame has been tastefully designed to make your luxury living space more distinctive and allow you to make your own style statement with stunning and customizable bezel options that come in different colours to complement your surroundings. With the latest edition of The Frame, you can curate your personal art collection from growing library of over 1,400 pieces of art. By notifying for the offer, consumers will get priority buying option and special updates on The Frame, once festive sale goes live on Amazon & Flipkart. To avail this offer, consumer have to click on 'Notify Me' and register for updates from 27 September – 02 October 2021. During festive offers on Amazon & Flipkart that start from 03 October 2021, consumers can avail a special discount of up to INR 8,000 while buying The Frame 2021. Additionally, they will also get recently launched Bezels up to INR 9,900 complimentary with select models, cashback up to INR 3,000 and no cost EMIs (24 month) with leading banks. Consumers also stand a chance to win discount coupons worth up to INR 1,000 by participating in a quiz in the run up to the festive sale. These offers are applicable on The Frame models starting from 43-inch size and going all the way up to 65-inch. The Frame isn't just beautiful, it offers superior picture quality with QLED technology that enables life like colours, enhanced contrast and impeccable details with 100% colour volume for an exceptional picture quality. The Frame 2021 also comes with Samsung's Quantum Dot technology, powerful Quantum Processor 4K, 4K AI up scaling capabilities, and SpaceFit Sound that auto-optimises sound settings after analysing the environment of your room. Warranty The Frame 2021 comes with a 1-year comprehensive warranty and 1-year additional warranty on the panel. Price & Availability The Frame will be available on Amazon and Flipkart at special price (it includes INR 8,000 special discount) during the festive sale. The 43-inch model will be available for INR 59,990, 50-inch model is available for INR 74,990, the 55-inch model is available for INR 89,990 and lastly, the 65-inch will be available for INR 121,990 during the offer period.

Detailed Features of Samsung The Frame

Style Your Own TV: Change the ambience of your living space to suit your personal style. The latest version of The Frame allows you to customize it as you want. You can 'make your own TV' with easy-to-replace magnetic bezels that come in three different colors (White, Teak and Beige). The modern bezel design can go well with any home interior design and can make your place unique and classy. Art Mode: The Frame gives meaning to TV even when it's switched off. When you are not watching TV, instead of it being a black screen, you can use it as a picture frame that displays artwork and photos just like they would be on paper, film or canvas. Art Store: Through the Art Store, you can transform your TV into a picture frame that shows 1,400 artworks from around the world. Users can get access to a growing library of artwork from world renowned institutions by selecting an individual piece of art for INR 1,199 or subscribe to the full Art Store collection for INR 299 per month. My collection: The Frame lets you easily upload and display your own photographs via your smartphone using the SmartThings app or a USB flash drive. You can also customize your family or travel pictures with 5 different mat layout options and a palette of 16 different colours to make it more realistic. Slim Fit Wall Mount and One Invisible Connection: With Slim Fit Wall-Mount, The Frame hangs like a real frame on your wall and looks gorgeous from all sides and fits perfectly in your space. With one invisible connection, get rid of messy wires once and for all. The single, translucent cable seamlessly connects devices to your TV. You can finally find a more discreet place for your TV peripherals with the help of the One Connect Box. See the world in QLED: The Frame delivers on the promise with 100% colour volume that shows realistic colours no matter how bright or dark the scene gets. The Frame is powered by Samsung's own Quantum Processor 4K, an artificial intelligence engine and the result of over 30 years of world-leading semiconductor expertise. AI capabilities in both picture and sound allow it to learn, adapt and enhance to create a next-level viewing experience. With an additional set of warm tone LEDs, The Frame's Dual LED backlight expresses more sophisticated colour tone combinations in your visuals, bringing every scene to life in full colour realism, enhanced contrast and improved viewing angles. Intelligent sensors: The Frame comes with motion and brightness sensors. When you're nearby, the motion sensor detects your presence and turns the TV display into artwork, so you can enjoy your favorite art while you're there. When you leave, it turns off to save energy. By detecting ambient light, the brightness sensor automatically balances the screen's brightness and colour tone for a natural illumination. So whether it's day or night, you can see your art how it was meant to be seen. SpaceFit Sound: Using data generated from The Frame's built-in mic, SpaceFit Sound analyzes both the room's acoustics and its installation environment (Stand or Wall-mounted) and automatically applies the best audio settings. Put The Frame where you want and let SpaceFit Sound take care of the rest. Q-Symphony: Feel the sound in harmony surrounding you orchestrated from TV and soundbar. Q-Symphony uniquely allows TV and soundbar speakers to operate simultaneously for better surround effect without muting TV speakers and providing you exclusive audio features. Voice Assistants: You can talk to The Frame. The Frame works with Bixby and Alexa to make your life easier. Change channels, adjust the volume, control playback and more with just your voice. Multi View: The Frame lets you watch 2 screens at the same time, so you can work out while streaming your favorite show or movie. Connect your smartphone and make sure you are doing the exercises accurately. Customize video size and audio options and take full control of what and how you watch. Tap View: Don't feel like listening to music through headphones or phone speaker? Give The Frame a light tap with your smartphone and watch Music Wall visualizations add ambience to your room while your music is played through the TV speakers for an enhanced visual listening experience. Smart Home: The Frame can connect wirelessly with a wide range of smart devices and make them work together with the SmartThings App and One Remote Control. With AirPlay 2 also built in, you can stream or share content from Apple devices to The Frame effortlessly. Solar-cell Remote & Eco-Packaging: Under the Samsung sustainability initiative, The Frame comes with a self-charging remote battery — the solar cell technology allows it to be charged by your indoor lights. The Frame automatically detects your external devices so they are ready to use the moment you connect them. Use One Remote for easy control of all your connected devices. Eco-packaging lets you recreate product packaging into useful items like cat house or bookshelf by simply cutting out the package as instructed and assemble it to create an amazing upcycled item. Samsung TV Plus: The new line-up comes with recently launched Samsung TV Plus, which helps you enjoy free live streaming TV content with our virtual channels. Now you have a variety of channels to choose from and can find content for all interests that are currently in trend. No need to ask your friend which content is hot these days. Just tune in to Samsung TV Plus and find out. Read the full article

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newstfionline · 4 years ago

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Friday, May 7, 2021

60 years since 1st American in space: Tourists lining up (AP) Sixty years after Alan Shepard became the first American in space, everyday people are on the verge of following in his cosmic footsteps. Jeff Bezos’ Blue Origin used Wednesday’s anniversary to kick off an auction for a seat on the company’s first crew spaceflight—a short Shepard-like hop launched by a rocket named New Shepard. The Texas liftoff is targeted for July 20, the date of the Apollo 11 moon landing. Richard Branson’s Virgin Galactic aims to kick off tourist flights next year. And Elon Musk’s SpaceX will launch a billionaire and his sweepstakes winners in September. That will be followed by a flight by three businessmen to the International Space Station in January.

The U.S. birthrate is falling; other countries have faced the same problem (Washington Post) With the U.S. birthrate declining for the sixth year in a row and undergoing its largest drop in nearly 50 years, according to provisional data released Wednesday by the Centers for Disease Control and Prevention, the United States is facing a dilemma with which many wealthy nations in Europe and Asia have long grappled. Instead of trying to ramp up immigration, some governments have tried subsidizing fertility treatments, offering free day care and generous parental leave, and paying thousands of dollars in cash grants to parents. But there’s little evidence that these policies have been effective on a large scale. South Korea, for instance, spent roughly $120 billion between 2005 and 2018 to incentivize having children, but its birthrate continued to fall. Singapore began offering new child-care subsidies, more-generous maternity leave policies and grants for new parents that today amount to $7,330 per baby. But those interventions didn’t reverse the trend: Singapore currently has the world’s third-lowest fertility rate. And Japan, Russia, Estonia and other nations have similar problems.

Protest road blockades halt Colombian coffee exports, federation says (Reuters) Road blockades connected to anti-government protests in Colombia, which marked their eighth day on Wednesday, have halted shipments of top agricultural export coffee, the head of the grower’s federation said. The protests, originally called in opposition to a now-canceled tax reform plan, are now demanding the government take action to tackle poverty, police violence and inequalities in the health and education systems. Twenty-four people, mostly demonstrators, have died. “We are stopped completely, exports are stopped, there is no movement of coffee to ports nor internally,” federation head Roberto Velez said in a phone interview.

20 dead in Rio de Janeiro shootout (Reuters) At least 20 people, including a police officer, died on Thursday in a shootout during a police operation against drug traffickers in Rio de Janeiro’s Jacarezinho shanty town, O Globo newspaper reported on its website. Two passengers on a metro train were also wounded in the shooting in the northern Rio neighborhood, the newspaper said.

Gunboats and blockade threats as U.K., France clash over fishing (NBC News) The U.K. and France were engaged in a naval standoff on Thursday as a long-simmering dispute over post-Brexit fishing rights escalated in the English Channel. France deployed two maritime patrol boats to the waters off the British Channel island of Jersey, its navy said, after the British Navy dispatched two of its own vessels to the area late Wednesday. The dueling moves came as a flotilla of French fishing trawlers sailed to the Jersey port of St. Helier to protest over fishing rights. The French government has suggested it could cut power supplies to the island if its fishermen are not granted full access to U.K. fishing waters under post-Brexit trading terms. Clément Beaune, the French secretary of state for European affairs, told AFP on Thursday that Paris will “not be intimidated” by the British. On the other side of the Channel, British Prime Minister Boris Johnson pledged his "unwavering support" for the island after he spoke with Jersey officials about the prospect of a French blockade. Jersey, the largest of the Channel Islands with a population of 108,000, is geographically closer to France than Britain. It sits just 14 miles off the French coast and receives most of its electricity from France via undersea cables.

Ukraine wants aid, NATO support from Blinken’s visit (AP) U.S. Secretary of State Antony Blinken met with his Ukrainian counterpart in Kyiv Thursday, telling him that he was there to “reaffirm strongly” Washington’s commitment to Ukraine’s “sovereignty, territorial integrity and independence.” Blinken also assured Ukrainian Foreign Minister Dmytro Kuleba that the U.S. was committed “to work with you and continue to strengthen your own democracy, building institutions, advancing your reforms against corruption.” By visiting so early in his tenure, before any trip to Russia, Blinken is signaling that Ukraine is a high foreign-policy priority for President Joe Biden’s administration. But what he can, or will, deliver in the meeting later with President Volodymyr Zelenskyy is unclear.

India hits another grim record as it scrambles for oxygen supply (AP) Infections in India hit another grim daily record on Thursday as demand for medical oxygen jumped seven-fold and the government denied reports that it was slow in distributing life-saving supplies from abroad. The number of new confirmed cases breached 400,000 for the second time since the devastating surge began last month. The 412,262 cases pushed India’s tally to more than 21 million. The Health Ministry also reported 3,980 deaths in the last 24 hours, bringing the total to 230,168. Experts believe both figures are an undercount. Eleven COVID-19 patients died as the pressure in the oxygen line dropped suddenly in a government medical college hospital in Chengalpet town in southern India on Wednesday night, possibly because of a faulty valve, The Times of India newspaper reported. Hospital authorities said they had repaired the pipeline last week, but the consumption of oxygen doubled since then, the daily said.

Israeli opposition leader Yair Lapid gains chance to form government, oust Netanyahu (Washington Post) Yair Lapid, a former news anchor and leader of Israel’s centrist opposition, was picked to negotiate a new governing coalition Wednesday, opening the possibility of Israel getting its first government not led by Prime Minister Benjamin Netanyahu in more than a decade. President Reuven Rivlin tapped Lapid to make the next attempt to form a government one day after Netanyahu failed to assemble a parliamentary majority after 28 days of effort. Under Israel’s system, Lapid also has four weeks to craft a power-sharing plan. If he falls short, the president could open to the process to any member of the Knesset or call for Israel’s fifth election since the spring of 2019. Lapid will face a stiff challenge in trying to find common ground among the range of anti-Netanyahu parties elected in March. As a bloc, they would control enough seats to secure a majority. But ideologically, they range from the far right to the far left of Israel’s political spectrum. They also include Israeli Arab parties that traditionally play no part in supporting governing coalitions but that may be needed this time.

Instagram fuels rise in black-market sales of maids into Persian Gulf servitude (Washington Post) The advent of Instagram in recent years has helped create an international black market for migrant workers, in particular women recruited in Africa and Asia who are sold into servitude as maids in Persian Gulf countries. Unlicensed agents have exploited the social media platform to place these women into jobs that often lack documentation or assurances of proper pay and working conditions. Several women who were marketed via Instagram described being treated essentially as captives and forced to work grueling hours for far less money than they had been promised. “They advertise us on social media, then the employer picks. Then we are delivered to their house. We are not told anything about the employers. You’re just told to take your stuff, and a driver takes you there,” said Vivian, 24, from Kenya. Domestic servants sold on the platform described encountering threats, exploitation and abuse. The agencies which marketed them, meanwhile, made thousands of dollars. In response to a request for comment last month, an Instagram spokesperson asked for the list of accounts identified by The Post so company officials could investigate. Instagram has since deleted these accounts.

Nonuplets: Woman From Mali Gives Birth To 9 Babies (NPR) A Malian woman has given birth to nine babies, in what could become a world record. Halima Cissé had been expecting to have seven newborns: ultrasound sessions had failed to spot two of her babies. "The newborns (five girls and four boys) and the mother are all doing well," Mali's health minister, Dr. Fanta Siby, said in an announcement about the births. Professor Youssef Alaoui, medical director of the private Ain Borja clinic in Casablanca where Cissé gave birth, said the babies were born at 30 weeks. The newborns weighed between 500 grams and 1 kilogram (about 1.1 to 2.2 pounds), he told journalists. The clinic has deployed a team of around 30 staff members to aid the mother's delivery and care for her nine children.

Nigeria reels from nationwide wave of deadly violence (The Guardian) Nigeria’s president Muhammadu Buhari has come under mounting pressure from critics and allies alike as the country reels from multiple security crises that have claimed hundreds of lives in recent weeks. An alarming wave of violence has left millions in Africa’s most populous country in uproar at the collapse in security. Attacks by jihadist groups in the north-east have been compounded by a sharp rise in abductions targeting civilians in schools and at interstate links across Nigeria. Mass killings by bandit groups in rural towns, a reported rise in armed robberies in urban areas and increasingly daring attacks on security forces by pro-Biafran militants in the south-east have also all risen. In April alone, almost 600 civilians were killed across the country and at least 406 abducted by armed groups, according to analysis by the Council on Foreign Relations. The violence has left much of the country on edge and Buhari facing the fiercest criticism since he took office.

#headlines #news

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intrepidsourcing · 5 years ago

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OEM Electronics Manufacturing in 4 Basic Steps

Electronics manufacturing is considered by many as high-tier level manufacturing challenge. The process of design, assembly, production and testing of electronic components along with PCBs are complex tasks not all electronics manufacturing companies can perform themselves. Using an OEM electronics company is the perfect example of a company who does not fully engage in the complex world of electronics yet end up with electronic products for them to sell or market. They simply let the OEM factories manufacture products on their behalf and all they have to do is introduce ideas and designs. Check here what an Original Equipment Manufacturer actually is. Private and white label electronics companies offer different advantages in the field of electronics manufacturing. You can't introduce your own ideas but have to work with what those companies offer. This is also the reason why OEM contract manufacturing companies in the electronics industry are prevalent. More creative designs are a clear trend in electronics manufacturing. Most electronics manufacturing companies create their electronic product designs then submit these to OEM electronics manufacturers for services such PCB assembly and testing. This way, they only pay for PCB assembly and testing and not pay for the entire electronics manufacturing development process. Aside from the basic services, OEM electronics manufacturers also offer additional services such as PCB etching, board tweaking and redesign etc. However, for private and white label electronics, things are much simpler since you just purchase ready-made electronic devices and brand them.

Step 1: Electronics & Product Design

Product design involves open communication between the client and manufacturer. Most of the time, the manufacturer will ask the client/customer for a concept and they work off of it. A lot of back and forth with suggestions and specifications until the final design is created. This occurrence usually happens if the OEM electronics company do not have graphic design skills to create the layout design or 3D model of the product. Some OEM electronics manufacturing companies are usually staffed with graphic designers to take care of design tasks.

Step 2: Prototyping

Once the design is ready, it now enters the product development stage with the main objective of having a product prototype at the end of the line. After noting down all of the details and specifications for the electronic product, the OEM electronics company will work on the project and complete it as conceived. Extensive research and brainstorming will be done before they integrate into actual manufacturing process to keep risks at a minimum and avoid wasting time and money. The product prototype should be a perfect replica of the design template including specs and details.

Step 3: Product Testing

An electronic prototype which serves as the product replica is going to be the tested in its different facets in multiple times. The goal is to ensure the product meets safety precautions and quality standards with its full functionality. Most OEM electronics manufacturing companies have laboratories designed for product testing and failure investigation. The engineers who conduct these tests will also take advantage of these as a research and development process for future electronic designs related to the current model. Advanced testing procedures include optical inspection which automatically analyze the PCB for issues and defects on the computer. Broken traces, patches, etching issues and improper hole locations are easily detected through automated optical inspection. Another important type of testing process is environmental testing wherein the product is exposed to its intended environment and check if it reacts to the environment’s temperature, humidity, air pressure among other factors to test its durability and resistance. There are several more testing procedures such as functional testing, in-circuit testing, x-ray testing and a lot more depending on the nature of the product. All of these testing procedures will be performed on the product as part of the quality control program and ensure it is in its top form for mass production.

Step 4: Mass Production

Electronic manufacturing is usually divided on to two major areas with mass production capabilities: PCB manufacturing and electronic product manufacturing. 1. PCB Manufacturing There are electronics manufacturing companies who specialize in ODM PCB manufacturing but are limited to this specialty alone and are no longer capable of creating the mold, packaging or case of the electronic product. PCB manufacturing is the task which involves the most electronic knowledge since the printed circuit board houses all of the electrical components, circuits and processors. Electronic manufacturing companies who specialize in ODM PCB manufacturing are most likely staffed with electrical engineers and electronics experts. On the other hand, OEM PCBs are mostly done by the companies themselves. 2. Electronics Product Manufacturing PCB manufacturing is a sub-process of the actual electronics product manufacturing. This is the part wherein the case of the product which houses the PCB itself is created along with other aspects of the product such as aesthetics and functionality. If there are electronics manufacturing companies who specialize in ODM PCB manufacturing alone, there are also companies who only specialize in this area of electronic manufacturing as well. If you notice in OEM electronics these days, none of them have complete departments to deal with the entirety of the electronic manufacturing process. For startups and mid-sized electronics manufacturers, some aspects of the electronic manufacturing are outsourced to other companies to delegate time and expenses unlike with private label electronic manufacturers who simply purchase ready-made electronic designs. Specialty Production Specialized electronics manufacturers can also provide specialty production techniques such as quick turn production, PCB assembly and cabling services. Quick turn production is an instant approach to production aspects like OEM PCB assembly wherein they can assemble the board in 2-3 days upon receiving all of the required electrical components. Cabling services is a special service which focuses exclusively on wires and circuitry.

Conclusion

Electronics manufacturing follows the same manufacturing process such as other product types like garments, plastics and chemicals. The biggest difference are the sub-processes involved in each step which further complicates the entire process due to its specific expertise and knowledge needed for the tasks. The market trend for consumer electronics is still great in the near future. In the aspect of mass production, PCB manufacturing and the actual electronic product manufacturing are both fields which require different skill sets and expertise. The wide range of skills needed within the OEM and ODM electronic manufacturing line is what makes this industry much more complex compared to the others. Hiring employees who are skilled in all of these departments will be tough to find in a very competitive industry and market. Read the full article

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zazenergyli-blog · 4 years ago

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What is HMI and Why Use STONE HMI Display?

HMI is changing the way several industries are run now. It is a technology that automates several fields and improves productivity and efficiency on many levels. The merging of humans and machines through HMI is simply the next norm in industrial automation.

Interested in finding out more about HMI? Read on to get a general overview of this technology. Also, we’ll introduce STONE HMI displays and why they’re among the leaders in HMI technology worldwide.

Defining what HMI is

HMI stands for Human Machine Interface. It consists of a dashboard allowing a person to manipulate and interact with a system, device, or machine. HMI is often regarded as the merger of humans and machines for better automation efficiency.

HMI is also known as:

Operator Interface Terminal (OIT)

Man-Machine Interface (MMI)

Local Operator Interface (LOI)

Operator Terminal (OT)

The HMI presents visual information regarding a system to the user. The person, in turn, can operate and control the process by directly interacting with the machine using HMI software. Touch screens are often used together with HMI software for this system.

Information regarding industrial operating systems is displayed on an HMI screen through a Graphical User Interface (GUI). Icons, pictures, colors, and sounds can all be programmed to represent various operating conditions. The visual format allows users to easily interact with data needed to automate systems.

Some HMI systems also use other methods to exchange information between the human user and the machine. These methods may include speech recognition and motion sensors, among others.

Technically speaking, HMI can be used to denote all kinds of screens and systems allowing users to interact with any device. However, HMI is typically used in an industrial process context.

Three Main Types of HMI

There are several types of HMI systems. However, we’ll focus on the three main ones used in industrial operations: pushbutton replacer, data handler, and overseer HMI.

1. Pushbutton Replacer

This HMI type consists of a central control panel with several buttons. Each of the buttons performs a specific function. A pushbutton replacer allows important machine commands to be centralized in one location. Several factories use pushbutton replacers to manage the operations of different machines.

2. Data Handler

Data handlers consist of huge touch-capable HMI screens where visual representations, graphs, and production summaries can all be visible. This HMI type is used for harvesting or gathering data from the various machines connected to it. The data can be printed out or sent to a hard drive, depending on the user’s needs.

3. Overseer

Overseer HMI runs on the Windows operating system. It uses a TFT LCD touch screen to display a graphical user interface. This interface is then manipulated by the user to operate, control, and manage the machines connected to the HMI. Overseer HMIs are also equipped with plenty of Ethernet ports.

Most applications requiring Manufacturing Execution Systems (MES) or Supervisory Control and Data Acquisition (SCADA) benefit the most from overseer HMIs.

The Technologies Behind HMI

HMI operates based on a systematic network of hardware and software components.

Hardware Components

Computers and hardwired devices make up the bulk of hardware used in an HMI system. They are linked together so that operators can determine various process changes in their workflow and respond to them accordingly. Most of the computers and devices use touch screens where the user can view and manipulate processes in the system dashboard.

Capacitive touch screens allow operators to swipe and tap the HMI machines using their fingers in response to changes in process operations. Some industries use resistive touch screens in their HMI machines, though. This may require the use of styluses or more powerful finger touches to interact with the devices.

Other technologies such as voice control, gesture recognition, and eye tracking are also used in conjunction with touch screen computers and devices.

Hardware components serve as both input and output devices. Touch screens, for instance, allow a user to see operational changes (output) and directly interact with the device to manipulate his workflow’s operations (input).

Software Components

Special HMI software is programmed into the devices. This software typically uses Graphical User Interfaces (GUIs) to create dashboards for controlling various industrial operations.

Furthermore, advanced HMI software often consists of various techniques and technologies. Programs used in HMI devices may have a combination of the following:

Machine Learning

Natural Language Processing

Virtual Reality

Augmented Reality

Internet of Things

These technological advances help ensure that machines can interpret human signals properly and vice versa.

Technology Behind Touch Screen HMI

Touch screens play a huge part in most industrial HMI systems in any field. From production plants to medical settings, touch screens are predominantly used to automate several tasks and ensure efficiency at work. So, how does HMI work in touch screens?

TFT LCD touchscreens are commonly used in industrial HMI settings. These touch screens are either capacitive or resistive. Either way, they display information through a graphical user interface. Such screens then collect information from the user by converting tactile signals from the user’s finger or stylus into electronic ones. The signals are then sent to a microprocessor who interprets them and directs the device to perform the needed action.

Pros and Cons of an HMI System

HMI systems have their advantages and disadvantages. Let’s enumerate them here:

Pros

Improves overall communication within the facility

Allows close monitoring of operational processes

Lets an operator initiate quick responses to smoothen out the workflow (as a response to machine alarming, for instance)

Reduces operational costs by eliminating the need for extra machines, cables, consoles, panels, indicator lights, and other monitoring equipment

Allows for an overall easier plant management

Opens up better applications when connected to advanced technologies such as the Internet of Things

Enables more work to be accomplished in lesser time

A cost-effective system in the long run

Suitable for both simple and complex tasks

New operators can easily understand the graphical nature of the HMI system

Cons

Security may be prone to hacking if the HMI system is connected to the Internet

Poor interface design may cause problems with performance and interaction between the machine and the operators

More expensive to implement initially; needs careful deliberation to determine the right HMI type for the business to avoid huge losses

Industries Using HMI

These are the most common industries using HMI systems:

Food and beverage processing

Mining operations

Oil and gas industries

Transportation sector

Pharmaceutical manufacturing

Healthcare and patient monitoring in hospitals and

Water and wastewater plants

Energy and power sector

Robotics applications

Supervisory management using SCADA systems

Automobile manufacturing

As you can see, HMI systems are prevalent in industries requiring multiple large machines and strict control environments. However, smaller HMI systems can also be used for small-scale industries for better work efficiency.

Introducing STONE HMI Display

STONE is China’s leading manufacturer of intelligent HMI display solutions. STONE is in the display solutions business for 14 years and has a wide range of international clients including Siemens, Bosch, and General Electric.

The company creates TFT LCD modules with touch screen capability suited for civil, advanced, and industrial uses. The STONE Industrial Type screen panels are the most popular products used for heavy-duty industrial systems. These screens feature:

An industrial-grade TFT LCD panel

CORTEX M4 CPU

Touch panels capable of either resistive or capacitive technology

LCD drivers

Flash memory of 128M, expandable to 1GB

High-resolution capability at 240P-768P, with a 65K (16-bit) color

Pixel spacing of 0.1905 mm x 0.0635 mm (HxV)

Touch screen Industrial Level RTP/CTP/NTP

Industrial-type screens can be used in ruggedized applications and fields with humid, high-temperature, and high-vibration working conditions. STONE’s industrial TFT LCD screens can be loaded with HMI software and connected with a smart system to create an overall industrial HMI solution.

Why Use STONE HMI Display Solutions?

Many clients looking for quality HMI display solutions head to STONE Technologies for their needs. That’s because STONE HMI display solutions offer the following benefits:

Customizable service to fit your individual needs

Products are durable, reliable, and withstand extremely harsh environmental conditions

Professional technical support available in the forms of troubleshooting services, software training, and demo project making

An unlimited warranty policy where the company replaces your STONE HMI display product if it has any damages or product failures – all for free

STONE TOOL Box – a dedicated Graphical User Interface (GUI) software available for free download and use from its website

Offers competitive yet affordable prices for their various HMI products

Low minimum order quantity

A lead time of only 14 days from date of product confirmation

Responsive customer support readily available in English

STONE has been operating for 14 years. As such, the company continues to upgrade its HMI display solutions to reflect current technologies and trends. So, if you partner with STONE for your HMI needs, rest assured you’ll get only the latest TFT LCD modules paired with up-to-date smart technologies.

STONE also has top-of-the-line assemblies and production factories. These facilities are compliant with several regulatory bodies and have been awarded the following certifications:

ISO9001

ROHS Certification

FC Certification

CE Certification

All of these certifications guarantee that you’ll get only the finest HMI display products needed to complete your HMI ecosystem.

Conclusion

Human Machine Interface (HMI) is here to stay, and for good reason. Several industries around the globe have been using HMI systems paired with advanced technology such as the Internet of Things (IoT) for managing their daily operations. HMI allows for streamlined work, efficient plant monitoring, and seamless interactions between humans, machines, and fellow humans.

STONE Technologies is a leading global manufacturer of HMI Display Solutions. The company takes pride in its high-quality TFT LCD screens that can be used to complete any HMI ecosystem. With STONE, rest assured you’ll get top-notch display solutions and excellent customer service, all for a highly competitive yet affordable price tag.

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marketnewzstack-blog · 5 years ago

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Global Digital Torque Wrench Market Leading Players & Growing Opportunities 2020-2025

The most recent Global Digital Torque Wrench Market report published by Market.Biz is that it covers the whole globe as well as regional and local aspects of the market in an understandable way.

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Manufacturers: Apex Tool Group, Proto Industrial Tools, Hoffmann, ATD Tools, Torqueleader, Snap-on Industrial, Taiwan Nakazawa, Chicago Pneumatic, Shanghai Zhuheng, Eastwood, West ward, TOHNICHI, Asmith Hardware, Norbar, Precision Instruments, Olysh, Mithod, Brown Line Metalworks

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The Equipment sector is growing rapidly where the Digital Torque Wrench is playing a crucial role. The statistical analytics of this report helps in understanding the upcoming trends which help in the growth of the market. the data summarized in this analysis of the market provides proper knowledge of future opportunities and many other forecasts.

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taww · 6 years ago

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Review: Silverline SR17 Supreme loudspeaker

Silverline SR17 Supreme loudspeaker

The Audiophile Weekend Warrior (TAWW)

TAWW Rating: 5 / 5

Combining the body and scale of a larger speaker with traditional mini-monitor virtues, the SR17 Supreme is an exceptional conveyor of musical color and expression.

PROS: Organic midrange tone; top-to-bottom coherence; ample scale and dynamics; superb imaging; unfussy setup.

CONS: Smidge of lower midrange coloration; favors acoustic over electronic music; awkward recessed terminals.

This review has been a long time coming. Back in 2010, @mgd-taww gave the Silverline SR17 Supreme (USD $7,500) a rave review in Bound for Sound magazine, and heartily recommended them to me as an upgrade to my Merlin TSM speakers. It took me 8 years and a move to the West Coast to finally reach out to Silverline for a review pair; then another 15 months of listening to get around to this review. In the meantime, lots of speakers have come and gone in the market, particularly in the 2-way monitor category saturated with offerings at every conceivable price point. And yet, to my ears, the SR17 Supreme endures as one of the most satisfying speakers of its kind. Read on for my take on how it’s withstood the test of time.

History & Design

Silverline is a small speaker manufacturer based out of Walnut Creek, California, a short drive northeast of San Francisco. The SR17 is one of their first models dating back to a couple years after their incorporation in 1996:

1998: The SR17 debuted at the 1998 Stereophile Show in LA, sporting a Dynaudio D28/2 tweeter and Esotec 17WLQ midwoofer.

1999: Updated with an Esotec D260 tweeter and revised crossover.

2004: The SR17.5 was introduced, with increased internal volume via a deeper cabinet for better bass response.

2009: The SR17 Supreme is introduced with an Esotar T330D tweeter and further refinements.

Proprietor/designer/craftsman Alan Yun has continued tweaking the Supreme over the last decade, and though the Dynaudio drivers he prefers are out of production he’s stockpiled enough units for years of production and repairs. The enclosure, recognizable by its trapezoidal shape and depth, is manufactured in China by a shop that does cabinet work for a number of high-end marques, with final assembly performed by Alan’s own hand. He shared a bit more about their production:

California has strict environmental regulations. The paints on cabinets are governed by strict rules, and is why there are fewer and fewer cabinet makers in California. Many manufacturers now find their production overseas.

Actually our cabinets were rawly made in China, painted, and the final detailing is done by me, also putting sonic materials inside the cabinets. This job is pretty tricky for tweaking the sound. The crossovers were handmade by me, matching components, soldering, etc. The drivers were fitted carefully and precisely by my hands with European-made T-15A screws. Final testing and listening are all done by me in my workshop. 😅 Therefore, the SR 17 is rather unique. I am also the original designer of this shape/type of speaker cabinet since 1996. I did research and to the best of my knowledge there were no similar designs then.

Large, but not ungainly, atop Dynaudio Stand 6′s

The depth of the cabinet - 15 inches, to be exact - gives it a rather top-heavy look on a typical stand, but it’s mitigated by the elegant tapered profile. My pair was impeccably finished on all sides in rosewood veneer. Rapping down the sides revealed it to be very solid, but not as fanatically braced and damped as my old Merlin TSM monitors or the Audiovector SR 1. Each speaker weighs around 26 lbs. The bi-wire terminals are recessed, which made them a bit of a pain, particularly as they have larger rectangular posts that will take 1/4" spades only in certain directions - I recommend banana terminations.

The crossover sports just 4 components, with 1st order high-pass (tweeter) and 2nd order low-pass (woofer) filters. Parts quality - Solen metallized polypropylene capacitors, a generic-looking wirewound resistor and an air-core inductor - is solid but hardly fancy, a deliberate decision by Alan who isn’t much of a believer in expensive boutique parts. Based on the results he’s achieved here, it’s hard to argue.

Cardas jumpers sounded better than the stock bridges to my ears. Stick with bananas for the cable termination - spades are awkward.

Setup

The SR17 is fairly efficient (nominally 90.5 dB/watt @ 8 ohms), but more importantly it's easy to drive - my Ayre AX7e, known for being rather limited in the power delivery department, sounded open and effortless. Alan Yun said the Dynaudio drivers love current and will benefit from powerful amplifiers, yet will sing with low-powered tube amps. I can confirm it loved the grunt of the 300wpc Bryston 4B Cubed, yet I never felt lower-power amps like the Ayre or Bryston B60 integrateds were lacking for dynamics. And my favorite pairing by far was with the 55-watt Valvet A4 Mk.II class A monoblocks sporting a single pair of bipolar output devices. (Incidentally, Alan’s favorite amp paring with the SR17 is the 30-watt Pass Labs XA30.5, which @mgd-taww can attest to being a magical combo.)

Similarly, I found the SR17 easy-going when it came to cables. My preferred cable had more to do with the amp used, but I got good results from a single run of Audience Au24 SX [review], Cardas Clear Light and DH Labs Q10 Signature cables. With the Audience, I felt the speaker was the sweetest and most dimensional; the DH Labs brought out more bass power and treble brilliance; while the Cardas brought out more upper midrange presence. With the Bryston 4B3 amp, I settled on the Cardas; with the Ayre and Valvet, the Audience was the clear winner. Unlike with the Audiovector SR 1 Avantgarde Arreté (review forthcoming), I didn't find bi-wiring to lend a noticeable improvement, but I did prefer replacing the stock metal jumpers with nicer Cardas ones from my Merlin TSM's for a little more refinement.

As with any high-quality monitor, stands are important. Something around 24-25” height seems right, though I wouldn’t be afraid to sit them an inch or two lower as the speakers are capable of projecting good image height. A trend these days is to decouple speakers from the stands/floor, but the SR17’s are “old school” in that they prefer tight coupling, meaning heavy suckers with spikes and a judicious amount of BluTack on the top plate. My old Osiris stands, heavy dual-column steel beauties loaded with sand, were a perfect match, but sadly I sold them with my Merlin TSM’s; they were replaced by higher-WAF but inferior-sounding Dynaudio Stand 6’s, which in stock form are quite light and choked the sound of the Silverlines. Fortunately I was able to get them to a better place with some tweaks; not as good as the Osiris, but close. A better choice sonically might be something like the Target Audio MR stand with the four pillars mass-loaded.

Pulling them out further improves imaging, but they still work well relatively close to the back wall.

Placement was pretty standard for a monitor speaker - keep it at least a couple feet from the back wall, with a 2:3 width-to-listener distance ratio and toed in about halfway. In my room, which has a number of living constraints, I had the back of the speaker about 21” from the wall, tweeters 76” apart and the plane of the speaker 8 ft. from my ears. While many small-box monitors rely (often excessively) on rear ports for low-end boost, the bass tuning on the SR17 is far more subtle and sophisticated - putting my ear to the port, I heard a fairly modest amount of output. I remarked this to Alan, and he described the port as more a method of pressure equalization than bass volume. This means in a pinch I could push the speakers as close as 12" from the wall without fear of low notes booming out of control. All in all, for being such a high-performing design, the SR17 is remarkably easy to live with.

The Sound

The first thing my wife, a professional oboist, noticed about music through the SR17 is how dynamically alive it was. I had just wrapped up my review of the Silverline Minuet Grand, a superb $2k speaker that is no dynamic slouch itself. And even though the SR17 was fresh out of the box and Alan warned me it would take some time to run in, the very first notes from the SR17 sung with expressiveness and vibrance. I think it took all of 15 minutes of listening to Royal Concertgebouw Orchestra streaming radio for her to remark, “I like this speaker.” She’s normally nonchalant about hi-fi, and yet has ears that can pick apart sonic deficiencies in about 90 seconds, so that amounts to a rave! And what made it so immediately engaging wasn't some artificial emphasis or hype; it was a feeling of unimpeded dynamic flow that makes most other speakers sound a bit drab. The SR17 lets music breath freely, carrying you with the ebb and flow of a tune and conveying every turn of a phrase with a sense of ease and conviction.

The next thing we noticed is how natural and palpable everything sounds through the SR17. Tonally, the SR17 is on the very slightly warm side of neutral; it combines reassuring solidity and density from the mid-bass through the midrange with an open, extended top end and fine harmonic resolution. Its ability to paint with a wide palette of tonal colors brings out the distinctive character of instruments and voices, making orchestral music a delight - just put on a Living Stereo recording such as Debussy’s Iberia [Tidal, Qobuz, Spotify] and the front of your room will explode with the virtuosity of the Chicago Symphony Orchestra’s playing. Scale it down to smaller stuff like a Beethoven string quartet, and you’ll savor the finer gradations of timbre between the cello, viola and violin.

What you won’t notice is any discontinuity between the woofer and tweeter. These Dynaudio drivers were made to work together, and the minimal crossover mating them is superbly executed. The upper midrange around the crossover point is seamless, and I can’t remember a single moment over the course of hundreds of hours of listening when I noticed the tweeter sticking out on the face of the speaker, something that ails even the finest, most expensive dynamic speakers from time to time. In this respect the SR17 is up there with the very best and is utterly free of listening fatiguing.

As a violinist, I feel obliged to point out the Silverline’s superb reproduction of the violin G string. If you ever want to test out a speaker’s tonal truthfulness in the lower midrange (right around middle C, 262Hz), put on the 2nd movement of the Glazunov violin concerto performed by Jascha Heifetz [Tidal, Qobuz, Spotify], or the 2nd movement of the Sibelius concerto performed by Lisa Batiashvili [Tidal, Spotify]. This is oh-so-tricky to get right; as the lowest string on the instrument, it’s the richest and deepest; and yet the violin is not a viola or cello - it’s a more subtle and delicate richness. Speakers that lack body will sound thin and washed out and minimize the difference in timbre vs. the D string above; woolly or bloated speakers will thicken it or blow the instrument out of proportion. The SR17 performs this balancing act better than anything I’ve heard in my living room, or in most any system for that matter. It rides the line between warmth and clarity in that register, lending tangible realism to piano, male vocals and low brass instruments as well.

Going down the frequency range, the SR17’s extra cabinet volume vs. a typical mini monitor gives it power and scale more akin to a floorstander. My room is a 17 x 19 x 8.5 ft. open layout living/kitchen area with floor-to-ceiling windows and an offset listening point along the long wall, so while not huge, it presents a bit of an acoustic challenge that smaller speakers have struggled to fill. The SR17 had no trouble projecting a big, bold sonic image, and can cleanly play as loud as you’d reasonably want in such a space. It has sufficient body and power down to 60Hz or so to give music real foundation, with meaningful output down to 40Hz. I think Silverline’s quoted 32Hz bottom limit is a bit optimistic (or perhaps you just need the right room), and I preferred the speaker with my REL T-9 subwoofer providing a little extra oomph. But for a great many listeners in moderately-sized spaces, this will be all the speaker you ever need. Listening to “The Elephant” from Saint-Saëns Carnival of the Animals [Tidal, Qobuz, Spotify], a track I’ve heard on some very full-range speakers (e.g. Focal Grande Utopia EM Evo), the double bass is big and present, lacking a bit of rumble that was easily provided by flipping on the REL sub. Piano left hand similarly has nice weight, never sounding diminished in scale as typically happens on small monitors. Debussy’s Ariettes oubliées song cycle from the album Paysages by soprano Susanna Phillips and pianist Myra Huang [Tidal, Spotify] is a lovely test of colors, with ethereal vocals floating above dark undertones from the piano’s lower register. The Silverline possesses suficient extension and body to bring out these contrasts with depth and balance.

At the opposite end, the old-school Esotar tweeter is still one of the most musical high frequency transducers around. It balances detail with smoothness, extends low enough to mate perfectly with the woofer, and never sounds strained - a substantial upgrade in resolution and realism over the typical metal or silk domes in lesser speakers. In top-end extension and speed it might be bettered by some of the newfangled devices like Focal’s beryllium or B&W’s diamond domes, Scanspeak’s latest Revelator or the fantastic AMT in the Audiovector SR 1, but it’s a relatively small sin of omission and a worthwhile trade off to avoid any hint of unnatural edge or ringing. And it still has plenty of sharpness and sparkle, lending nice bite to trumpets and sheen to triangles and cymbals.

Last but not least, there’s that soundstage - present and tactile, but never in-your-face. Particularly when coupled with gear with sufficient resolution to relay subtle ambient information, e.g. the Pass XP10 preamp, there’s a real sense of the layout and layers of a symphony orchestra. The hi-res LSO Live recording of Mendelssohn’s "Reformation" Symphony with the London Symphony/Gardiner [Tidal, Qobuz, Spotify] paints a vivid picture of the stage of the Barbican, with brass fanfares anchored closer to the back wall of the fan-shaped stage, and the smaller string section sounding up front and intimate. An interesting twist in this performance is Sir Gardiner had the violinists standing to emphasize the virtuosity of Mendelssohn’s writing, and while I can’t say I would have been able to tell this from listening alone, the Silverline does convey a subtle sense of freedom and space to the violin section that I’ve missed when listening to the recording on other systems. And it has no trouble imaging well outside the bounds of the speaker, with percussion and harp on the extreme left of the stage floating eerily behind and beyond the left speaker.

I think my wife put it best when I asked her one day how the system sounded with the Silverlines: “this is what I imagine it sounded like in the concert hall.” While I’ve broken down a bunch of its strengths in audiophile terms above, it’s the way it puts everything together into a musically vivid whole that makes it special. There’s an evenness of tone, a naturalness of perspective, an ease of dynamic expression, a consistency of refinement from top to bottom that gives music a sense of rightness that allows one to forget the hi-fi aspects and focus on the musical performance. In this respect, Alan Yun has crafted something truly masterful in the SR17 Supreme.

Caveats & Comparisons

I’ll nitpick a few things that were relatively minor deficiencies to my ears, but may weigh more heavily for people with different tastes. These were highlighted in my own home by direct comparison with another very fine monitor speaker, the Audiovector SR 1 Avantgarde Arreté ($6,200 in premium finish). I also have my long-term reference, the Merlin TSM-MXe (around $6k several years ago) as a baseline.

First off, I suspect the Silverline’s hint of lower midrange warmth, while sounding natural and consonant with much of my favored acoustic music, may come from a bit of otherwise well-controlled cabinet resonance. It gently highlights the woody quality of acoustic instruments, but with electronic music it comes across as a slight coloration - a bit like wearing orange-tinted sunglasses that make everything look a little less cool. It’s very subtle, and not enough to sound overtly “boxy” or throw voices off, but it’s not transcendentally-clean like the Audiovector or, say, a Magico. My sense is Alan wisely tuned the SR17 cabinet for this response, as additional bracing would just make the resonance peakier and higher in frequency where the ear is more sensitive; as it is, it’s a gentle and diffuse coloration. Part of this may also be the sonic signature of the Esotec woofer’s magnesium silicate polymer cone, which I’ve heard in a number of speakers and to my ears trades better damping for a hair less crispness vs. some of the fancier treated paper or composite cones out there. On the plus side, it never sounds dry as some of those drivers can, but with Erlend Øye’s Unrest [Tidal, Qobuz, Spotify] or Carley Rae Jepsen’s Emotion [Tidal, Qobuz, Spotify] I found the Audiovector conveyed more of hard-wired immediacy and edge suitable for those albums.

Taking turns with the Audiovector SR 1 Avantgarde Arreté

Another area where the Audiovector came out slightly ahead of the Silverlines was in resolution during loud dynamic peaks. The Audiovector is truly special in this regard, being designed for minimal signal compression and sounding incredibly collected the louder you play them. The Silverline also plays loudly with ease, but vs. the über-clean Audiovector it’s very slightly thicker and more congested. Case in point are the fortissimo climaxes and interruptions in Rossini’s L’italiana in Algeri overture [Tidal, Spotify] - when the orchestra comes crashing in after the pianissimo pizzicato opening, both speakers are clean and explosive, but the Audiovector sorts out the different instruments playing in unison for that brief moment a hair better, while the Silverline has more low-end oomph.

As mentioned prior, the Silverline’s superb Esotar tweeter isn’t the state-of-the-art in extension. It has plenty of resolution, but if you favor extremely extended and airy highs, e.g. the 52kHz-rated AMT tweeter in the Audiovector will give you more of that. I don’t think that ultimately matters so much for musical enjoyment (and many people can’t hear very well above 10kHz anyway), but it does make a subtle difference in realism. It also makes the Silverline’s treble a bit more forgiving of poor recordings and upstream components (silver cables could work) - it’ll never, ever burn your ears off.

The $7,500 price tag of the Silverline puts it squarely above the very crowded $5k-and-under monitor crowd, but short of the $10k+ “super monitor” category. Comparisons with other speakers are more conjecture on my part as I haven’t heard them in my own room... but I’ll mention a few things I’ve gotten a good listen to at shows, dealers, and other people’s systems.

Paradigm’s Persona series seems to be mentioned quite frequently in audio forums these days, and I heard the Persona B monitor ($7,000) briefly at RMAF. I’ve also listened to the floorstanding Persona 3F a bit, and there’s definitely a common house sound - fast, crisp, detailed and dynamic. I’ve never warmed up to either of them - they’ve struck me as rather strident, with instrumental interplays like oboes and clarinets playing in harmony tending to sound compressed. The Silverline by comparison may sound a bit thicker, but it has far more natural instrumental timbre to my ears, is less bright and thus easier to match to more systems, throws a more dimensional and properly-placed soundstage, and is very nearly as “fast” without sounding edgy. I’m honestly at a loss as to why the Personas are garnering so much praise, so maybe it’s just me? A similar argument could be made for the B&W 805 S3 ($6,000) - while I haven’t auditioned them specifically, I’m pretty familiar with the 800-series sound and again, it’s not my cup of tea. The Silverline’s balance and openness just strike me as much more natural than anything I’ve heard from B&W. So if the likes of B&W and Paradigm leave you a bit cold, the SR17 Supreme might be a step in the right direction.

An obvious comparison is to Dynaudio’s own bookshelves, specifically the Contour 20 ($5,000) and Special Forty ($2,995). You can read about them in my quick review from a dealer audition, and while I haven’t heard them head-to-head, I posit that the Silverline a worthwhile step up in coherence and musicality. If you can’t stretch the budget for the Silverline I think the Special Forty would be a good alternative, but it does not have the near-reference level neutrality of the Silverline. In the past Dynaudio had a bit of a reputation for not being as good at implementing their own drivers in complete loudspeakers as other companies were, and while I think their latest efforts are much improved, Alan Yun still seems to be squeezing more out of the old Esotar/Esotec drivers in the SR17... methinks this is a reflection of Alan’s sharp ear and painstaking hand-tuning.

A few more offhandish observations based on extremely limited auditions, so take with a block of salt: I heard the Wilson Audio TuneTot ($9,800) at a dealer shortly after its release. With the caveats that it’s designed for a totally different use case, it was in an unfamiliar setup and this pair wasn’t fully run in, I didn’t find it nearly as compelling or expressive. I got a good listen to the TAD Micro Evolution One ($12,495) with a couple different amps and found its midrange rather dry, upper midrange a bit peaky and its bass lacking fullness and extension vs. the Silverline. The Artist Cloner Rebel Reference ($16k w/stands) wowed me at RMAF - it seemed to have more speed and resolution than the Silverline, though the upper midrange was a hair pronounced. It would be an interesting comparison, even at twice the price. Another interesting monitor at RMAF was the Stenheim Alumine Two ($13k) which was super clean and detailed, but perhaps not as liquid. A more logical competitor/upgrade could be the Sonus faber Electa Amator III ($10k) that I also heard at RMAF. That speaker absolutely blew me away with its expressiveness, natural richness, insane dynamics and huge presentation in the show setup. It’s the speaker that I’m most dying to compare to the Silverline.

And to wrap up the comparison to my Merlins and the Audiovectors - I sold my beloved Merlins shortly after receiving the Silverlines, and wound up purchasing both the Silverlines and the Audiovectors as I just couldn’t decide between the two. That should give you an idea of just how much I like them both; I’ll have more to say about the Audiovector in a forthcoming review.

Verdict

It's been said speakers mirror the personality of their designers, and if you've met the talented and affable Alan Yun no doubt you’ll feel his influence. Much like the man behind it, the SR17 Supreme is sharp, earnest and engaging, yet easy-going, with an unforced warmth and great attention to detail. There’s something grounded and unfussy about the way it allows music to flow forth, feeling like it's taken an expressive limiter off of a recording without hyping it in any way. It checks off many of the audiophile boxes too - imaging, tonal balance, bass power and extension, etc. etc. - but focusing on those mechanical aspects, as excellent as they are, would be selling Alan’s accomplishment short. The SR17 Supreme is first and foremost a faithful and thoroughly enjoyable reproducer of music, one capable of strongly evoking the beauty of the original musical event. There are countless 2-way monitors superficially like this one, but few that I know that are so meticulously and lovingly tuned to such great effect.

I've spent a lot of words espousing this speaker, but I think it's deserving of it, not just because of the obvious quality of the product, but because Silverline is a small manufacturer flying under the radar without a big dealer network or advertising budget. While Alan continues to develop his entry-level Minuet and Prelude lines at a more rapid pace to keep up with market demands, he doesn’t pen up new versions of his reference models every couple years to generate hype. He’s instead chosen his design fundamentals wisely and focused on perfecting their execution through years of painstaking refinement, much as the late Bobby Palkovic @ Merlin Music did. Like Bobby, he has a great ear for music, does a lot of the production work himself, and gains most of his sales through word of mouth. This does make it trickier to find than the big brands at a typical shop, but I strongly encourage seeking out an opportunity to hear it. The SR17 Supreme is a special speaker, and it won't be leaving my living room any time soon.

Silverline Audio P.O. Box 30574 Walnut Creek, CA 94598 USA

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