#Cultural World-Building
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ancientroyalblood · 1 year ago
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World-Building in Fantasy Writing: Crafting Unique Realms
In the realm of fantasy writing, the creation of worlds is an art unto itself, a meticulous process where each word, each detail, bears the weight of building something extraordinary. The task is daunting, for within these words, worlds must spring to life, realms that breathe and stir with unique cultures, landscapes, and histories. In this exploration of world-building in fantasy writing, we…
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courtingwonder · 1 year ago
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Illustrated Comparison of Asian Architecture and Roof Styles
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demeterdefence · 9 months ago
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even ignoring everything else wrong with lore olympus (which in itself feels impossible) there is just something really egregious and insulting at the way a "modern retelling" over an ancient greek myth just full-heartedly whitewashes the entire culture and mythos.
and it's not like rachel is the first to do it - greek myths and legends have been whitewashed for centuries, depictions of the gods have been categorically stripped of their ethnicity and origins long before rachel got a hold of them. it's the fact that rachel goes out of her way to insult the original myths whenever she can, that she emphasizes and pushes a western-centric mindset and viewpoint over and over and over and not only reinforces the whitewashing, but continues it down the line.
like, this is the first episode.
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rachel goes out of her way to mock the original styles and wardrobes of the ancient greek world, and i get her attempt was to make persephone feel "out of place" with the more "modern" clothing that the other gods wear, but it really just does more to a) demonize demeter, who is almost always in traditional clothing, b) sexualize persephone.
go even broader with it, move away from the clothing itself, and rachel doesn't even bother to use any of the ancient traditions that are core to the myths. like for the love of god, she uses a christian wedding for persephone and hades!
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greece is the birthplace of modern democracy and had a powerful judicial system, and rachel instead uses the modern / western iteration of court because ... why not
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(completely unrelated but the inserts of everyone except eros and aphrodite come from the stupid zoom session zeus had back when he first charged persephone with treason, meaning we have proof yet again that rachel isn't drawing the characters into the scene, she's making pngs and sticking them into pre-arranged backgrounds downloaded from stock images)
and there are ten thousand more examples i could pull, because this is just the whole entire comic. you can look at a lot of modern adaptions and see where things have been modernized respectfully, and where they are done with disdain for the source material - no one is claiming percy jackson, for example, is perfect, but the author took a great deal of care in his research, and the love for the original myths and culture shine through. lore olympus has zero respect for the original stories, exemplified in how rachel demonizes demeter - the actual crux of the myth. it's bad writing and bad research and further attempts to whitewash a rich and storied culture that had people from so many walks of life, who existed in full spectrum of lgbt identity, who did not conform or even know of the world that exists today. you can modernize without erasing it, and rachel's refusal to do so is one of the many issues tacked to lore olympus.
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heilos · 4 months ago
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I have come to the annoying conclusion that many search engines are becoming super useless in trying to track down historical research without bending over backwards for answers. The amount of garbage that shows up in the results is so incredibly aggravating and has nothing to do with my search terms or questions. I cannot in fact "just use X search engines" apparently.
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lyss-sketchbox · 3 days ago
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Welcome back to lyssten to my rambles: Natlan Nagging. This isn't necessarily hate, I just wanna address and analyze a notion that I've seen around.
The argument of 'This natlan character design sucks and doesn't fit in Genshin' then the apparent answer to it is 'It's a fantasy game duhh'. I personally disagree, I think it's a shallow response that ignores alot of details.
Yes, genshin is a fantasy game. BUT there are rules that makes up a good fictional world, and that is consistency. Genshin has shit consistency obviously looking at the level of tech between each nation. But it IS consistent when isolated within nations alone.
Mondstadt's theme is traditional Germany. So the city has traditional buildings and no mechanical technology, the NPCs dress traditionally and use simple medieval tools, and the characters all use skills that fit the theme. Take Venti for an example, his design and kit communicates that he is a medieval bard which fits the theme of Mondstadt, seeing him move in Mondstadt amongst its people is not out of place.
So what I'm saying here is 'consistency' means the world, NPCs, and character must be within theme of the nation.
Another example. Sumeru's theme is middle eastern, but more fantasy and technologically advanced. The buildings have grand middle eastern architechture, robots already exists here and NPCs have access to the knowledge/skills/magic to make them, the akasha and related tech are accessible for everyone. Let's take Alhaitham for example, he dresses with Sumerian patterns, his skills looks similarly like the existing akasha technology. He is in theme with the nation and see him walking amongst Sumerian people is not out of place.
So what I mean when Natlan characters doesn't look like they came from Genshin is that they are not in theme with Natlan's established themes. Natlan itself is a jumbled mesh of 20 million cultures, but the general theme they were probably going for is tribal civilizations. (Bear with my generalization)
Take Mualani as a GOOD example of an in theme character:
She came from the People of the Springs. It's a Hawaiian (correct me if I'm wrong) themed location. It looks traditional, sail boat like buildings and huts, no visible mechanical technology, has simple magic mechanisms (spiritwave, koholasaurus). Massive tourism spot (Hawaii influence).
The NPCs are all dressed like how people who live by water would dress. They don't use mechanical tools. They are surfers, fishers, or tour guides. They are all relatively much more happy and kinder to guests since they are in a tourism spot. They all can use spiritwaves and koholasaurus.
Mualani herself dress similarly like her people. Very much extroverted since she is a tour guide. Her skills are pool floaties and a surf board. Her design communicates she is a peppy surfer girl. She can move within the People of the Springs and she does not look out of place. She is in theme.
I can complain about her all I want but when I look at her and watch her move. I see People of the Springs. That's it. I see her and she fits the world and people.
Now take Mavuika as an out of theme character
Since she is an Archon she doesn't have any specific tribe's symbols. So the 'world' she must belong in is Natlan in its entirety, aka tribal civilizations + extra fantasy magic tech. Still the architechture is very traditionally tribal with rough stone houses, huts, and tapestries. There IS mechanical technology but it is used sparringly (DJ booth, weapons the enemies wield, etc). Besides that it's all traditional. And much more emphasis on magic and rituals.
The NPCs while they came from different tribes has the same base of clothing styles with minor differences. They all wear clothes with 'tribal markings'. They all have access to their respective saurian and magic mechanisms. They all have access to the basic tech we've seen. They have access to the 'special magic' too (Like being an ancient name smith (or other important roles isn't JUST for playable characters)
Mavuika doesn't dress like any of them. She doesn't look like she'd fit in with her people, hell she barely fits in with the more exaggerated playable characters. When I look at her I see biker, I don't see Natlanese, I don't see important Natlanese. Her bike doesn't look like it came from any existing technology in Natlan. There's ROBOTS in Natlan and her bike doesn't look like it came from the same design origins.
'Oh Lyss it's because it's her signature thing she created out of her element-' CHASCA'S GUN looks more in theme than Mavuika's bike, it looks like it's made from Natlanese tech.
IN A VACUUM WHERE MAVUIKA ISN'T IN NATLAN she looks sick as hell. In NATLAN she looks like a 5th descender. THE POINT OF THIS ARGUMENT IS NOT THAT SHE IS UGLY, THE POINT IS SHE DOES NOT LOOK LIKE SHE IS FROM NATLAN AND GENSHIN HAS NEVER BROKEN CHARACTER THEME THIS BADLY BEFORE.
'Well archons are supposed to be special cases so they stand out-'
Ei doesn't look like a twitch streamer does she? Zhongli doesn't look like a book store owner in 1990s britain does he? Furina doesn't look like a 2020s Hollywood actor does she? They don't need to break their own theme and culture to stand out.
'Are you saying we cant incorporate X in Y culture at all? That's racist-'
There is a certain deviation from theme that people are willing to tolerate before the immersion break. ESPECIALLY when you use an existing culture as a design reference, people can TELL when it goes overboard. You do NOT mix and match culture without consistensy. Incorporate whatever the hell you want and mesh 20 million cultures all you want. But make the deviation consistent for every aspect. World. NPC. Character.
Because what makes Genshin stands out is the cultural details of its nations and characters. Without it then it's a standard gacha game spewing out whatever random character with insert trendy detail here. And that really upsets me because the cultural design is one of the reasons I stayed in Genshin.
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merlyn-bane · 1 year ago
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okay but can we talk about how fucking good the food would be in the Jedi Temple?? and all of the absolutely fucking baller and totally unique fusion dishes that would have to exist?? they're by far the most diverse group of beings we see in star wars, with lineages made up of people from all across the galaxy. the best food in that galaxy has got to be something from a lineage dinner table that's been made and modified by generations of Jedi and no-one ever wrote down
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canisalbus · 1 year ago
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Feel free to ignore this if it doesn't spark your interest but worth a shot. Can I ask what breed of dog Jesus was in your dog world?
I think dog Jesus predates most of today's dog breeds. Realistically he'd probably be some kind of mutt, probably with vaguely Canaan dog looks. But European depictions of Jesus have always been very localized, and I tend to think that in Medieval, Renaissance and Baroque art he'd usually appear as a Spaniel of sorts, although it varies from piece to piece. Gun dogs more often than not.
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aviatrix-ash · 1 year ago
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Still making that digital copy of the complete allspark almanac
Thought I'd do like a mass post with all the Cybertronian tech, lifestyle & culture world building goodies I could find in there.
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lactoseintolerentswag · 5 months ago
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when they've got interpreting spiderman noir under a specific cultural lens at the function [picture of me going insane]
I cant help myself.. what can i say. And since you've mentioned some research going on behind the scenes.. do you have any fun interpretations? Or even anything fun about the 1800s!
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OH HI
Hm. I don't have anything as fun as historical dancing, but I suppose this does give me the excuse (thabk u) to blab about Noir's childishness.
(wow putting this under the cut bc it got longer than I thought it would LMAO)
I think what a lot of people (including Noir's contemporary writers and yes even the spiderverse interpretation) fall for when trying to read Noir's character is the imitation of his idea of what an adult is, that he hides behind. Like Noir's persona is incredibly exaggerated. He's playing pretend. Look here, he's practicing.
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A lot of his persona as Noir is imitation! Imitation of his uncle, of Urich, of the violence he's been exposed to. He's running around in his uncle's old uniform. Fundamentally misunderstanding WHY his uncle had been ashamed of it and his role in the war.
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And then he goes ahead and steals Urich's alias because it sounds Cool (which is such a teenage thing to do jesus christ).
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But like that imitation of The Adult isn't something that's limited to that exaggerated persona that Noir encapsulates. Peter himself is trying So Hard to be grown up and tough and responsible that it loops back around to him being a brat who would try the three guys in a trench coat trick. He even gets beat up for it when trying to defend his aunt. And I mean I've posted about him being a brat.
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About how he looks at Urich as a Prime Example of what a strong and knowledgeable adult is (which is part of why he reacts so volatile in response to Urich showing he's not exactly as morally righteous as himself, he's wounded and let down). Whiskey? Whiskey sounds like someone Mature and Cool would drink, I'll have it too. And then proceeds to throw his drink at Osborn and laugh about it. The illusion was broken for me then.
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But well it's not broken for everyone. I mean like obviously I poked at the contemporary writers, but I'm more talking about the other characters in the narrative. Mainly Urich and Felicia.
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Urich taking Peter under his wing isn't entirely under the motivation to nurture Peter. I think it Becomes that, but he's really envious of that kid. He wants to see him lose that hope that he once had (ruh roh the opposite thing happened, being around the kid made YOU more hopeful Ben. Guess you gotta be good. Hope you don't die now).
Urich really is exposing him to an extremely harsh reality, and taking him places where adults are typically only allowed. He's letting Peter get a glimpse into what it's like, which will eventually enable Noir's tool of violence. All these tests will accumulate into what Peter thinks someone powerful and strong can be and do.
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Then his problematic relationship with Felicia (writers I'm malleting you for this). He's clinging to her adulthood and the safety she represents, and he's young but she sees some adult strength in him. I mean she trusts him with the blackmail Urich gave her, which she really. Shouldn't, even if that's what Urich wanted.
Anyway, strength is something she's been consistently drawn to her in her partners. Strength to feel as her own. Even if it's to hers and others' detriment. There's also a part of Peter that's drawn to Felicia because Urich was. He's still honing in the good parts of Urich he wants to be.
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I think the one person in the narrative who doesn't fall for it? Is Aunt May. You could argue it's just her being naturally motherly, but for someone who was about to be eaten alive she's pretty frank with Noir. I think she can see that that violence and exaggerated grittiness comes from someone inexperienced and young. Even if she can't consciously recognize the similarities between Noir's persona and Peter's protectiveness of her. I don't think she wants to see that. I actually have a short comic script about that, but it probably will never see the light of day.
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Ugh he's like a cat puffing up to scare away a predator. It's fake!!!!! It's all fake!!!!!! He gets intimidated by JJ, he never ties his shoes, gets powers and then immediately guns to beat the shit out of Osborn, sings about the sandman when he's getting his face bashed in, crawls to Felicia all pathetic and sad, and he made a costume to run over roofs at night in.
And it's funny how he's forcing himself to grow up, but also really sad because all the things he's being exposed to is already forcing him to grow up. He's witnessing things no kid should ever see or experience.
Then there's the time period to consider. The aftermath of WWI, being in the midst of the Great Depression, and WWII just around the corner. He's faced incredible hardship and is going to continue to face so much hardship, and he's going to mature faster than he ever should have. It should have made him crash and burn Hard when he became an adult, and to me he still does because I'm ignoring everyone after ewaof LMAO.
As for my research on the 1800s NY that's for my own spider iteration run I'm working on, so not too related to Noir until I reach the 30's :3
Hope that was satisfying!!
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emaadsidiki · 1 month ago
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Tiergarten Park via Reichstag Dome ˖𓂅✼
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rileys-battlecats · 2 months ago
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girl help I started writing down oc thoughts and have started contemplating the logistics of how a city carved into the walls of a ravine would have access to fresh water
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cator99 · 4 months ago
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out of curiosity, would you consider yourself butch?
used to be a blonde underweight twink and now I'm a based jock still got the chanel bag and the sick albeit matured mind of a suckpig to prove it so I'm gonna let you decide whether you wanna call me that word just cuz I got a pussy and short hair. I promise you that there have been enough advancements made in the art of lesbian sexual dynamics in the past 50 years to broaden the vocabulary used to describe the plethora of types of masculine females.
#being called butch just reminds me of how much males have the freedom to navigate between male archetypes and how people pay attention to#the distinguishing features of these varying masculinities#but when a female is seen as masculine it all gets lumped under the “butch” category#her masculinity is seen as unnatural and therefore incapable of being considered genuine or taken at face value as it is with males.#its always brought into question instead of taken in consideration with the rest of the woman's life and experiences and her particularities#Hence... Butch is still being treated as though its a huge lesbian cultural phenomena instead of a specific niche thing#also i dont mean to invite the “you dont pass!!” anons again bc that idiot is missing my point entirely (which is that im truly not trying)#but the fact is that for the past 3 years i have found myself increasingly navigating the male social world#and discovering what it means to me as a female to have access to the ability to take my “masculinity” for granted... relax#forget about it#etc#i think thats entirely antithetical to the Butch thing which seems to rest on the tension of other peoples expectations of her#people broadly are more surprised to find out that im interested in women just as much as they're surprised that im a gym queen iykwim...#ive worked hard for this and now that ive gotten the Woman Social Role thing pretty much entirely out of the way i am living the dream#i think a large part of that is learning as a dyke to appropriate the language of gay men theres a reason their terminology had#staying power even when their scene was *literally* dying meanwhile all that seemed to survive from dyke spaces was butch n femme ??#its because theirs didnt necessitate the building and maintenance of a scene in order for the subculture to hold its head above water#their labels *largely* weren't predicated on their relationships to gender roles and its telling that for dykes it was#their labels rested on the need to simply show up anonymous n be able to easily flag whether they were looking to fuck or be fucked#alongside the set of circumstances under which they would be fucking or getting fucked or what have you#it all comes back to the restrictions of female social blah blah blah and i think the sooner we collectively set down what we see as our#responsibility as lesbians and as feminists to Be A Woman the sooner we can step outside of that#n start thinking clearly about our individual circumstances and the necessity of putting on your own oxygen mask first before helping others
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jellybellyblimp · 6 months ago
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I think a lot about 9 year old Anakin as a slave on Tattoine promising that one day he will come back and free the slaves and then 35ish years later his daughter strangling Jabba the Hutt to death with her own slave chain
Something about the dreams of a little boy in chains fulfilled by a daughter who looked like his mother
Something about legacy
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bookshelf-in-progress · 1 month ago
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If I could write stories as quickly and vividly as I can envision them, I would have written at least three lovely novellas in the last week. Two of them this morning.
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azathothweirdo · 1 year ago
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I like, wish Western aoex fans would take some time and research about how religion is in Japan. Especially how christianity is viewed and practiced there. Because it's a very different thing both culturally and base level than how things go in the west. Shintoism and Buddhism is an incredibly big part of Japan's culture, but it's not in the same way as how Christianity and other western religions are for the USA or other countries.
I mean it's cool to see people want to do things, but I don't think they realize that it's going to be a very different interpretation. I personally don't even think Shiro raised the twins christian. There's nothing in canon other than they grew up in the monastery to imply it. It felt more to me they started the place to have a good cover for the twins than it actually being a legit thing.
Heck it even looked like Shiro took the boys to shrines for new years. That's kind of a important part of Japanese culture and a big tradition. I personally don't think a catholic priest raising two kids would be taking them to a Shinto Shrine to do the New Years tradition.
It's also funny whenever this comes up because no one mentions Yukio in this. It's always Rin lol
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morgaknight · 1 year ago
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Tiefling anatomy HC’s
I CANT BE STOPPED.
-tieflings are born with horns that curve flush to their little baby skulls. They’re initially smaller and kinda squishy to touch.
-they will grow and harden in the coming months after their birth, roughly taking the shape that they will keep for the rest of their lives.
-tieflings shed their horns just once in their lifetime, usually after they’ve lost all their baby teeth and as an early step in puberty for a young tiefling.
-lots of doting parents will keep their tiefling childs “baby horns” like how some parents will keep baby teeth as a keepsake.
-Omg imagine like, a kid losing one, and the other is kinda wiggly just hanging in there.
-they tie some cord around the loose horn and the other end to a door
-all the dumb cliches humans do for loose teeth. (Oh no it’s so cute)
-the adult horns come in much bigger and harder than the baby horns.
-a tiefling tail can betray a lot about how a tiefling is feeling. Depending on how it whips and curves in a conversation can tell you if a tiefling is happy, scared, or angry. It’s called a “tell-tale-tail”. HAH. GEDDIT?
-canonically tiefling will often wrap their tails around their waists or legs when in crowds or around strangers, to avoid them getting stepped on or tugged.
-Tieflings have blood vessels and nerve endings that extend from their fingertips and into their nails, like a cats. 
-Also like cats' nails, they have a “quick”, that if trimmed will bleed and is very painful. 
-This is why all tieflings seem to have elongated nails, even if they are in a position or profession that longer nails would be a hindrance. A tieling can file their nails to be more blunt, but a tiefling would never purposefully trim their nails too short and cut the quick. 
-I imagine there being a big discourse around trimming a young tieflings nails, (probably done by an ignorant non-tiefling parent, or the care givers at orphanages) as it’s considered inhumane… like declawing cats
-there are brands of inner-race discrimination in tiefling communities. Most prominent being how far back the infernal blood can be traced.
-a teifling line that is generations upon generations old (like, their great great great great great grandmother slept with a cambion for example ) is held in higher esteem than a first generation tiefling, because the “taint” is so far removed, and that family has had generations to establish themselves in the tiefling community and culture.
-a first generation tiefling (like, their mother was a cambion, for example) is looked down upon because the “taint” is much more immediate.
-also canonically, a group of 3 or more tieflings is called a “curse” of tieflings (derogatory)
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