#Crowley Reznor

[afterdarkchef]

“You can have my absence of faith

You can have my everything”

A gift for the amazing @quona and let’s face it we all need some Crowley Reznor in our lives

@goodomensafterdark

ko-fi if you are so inclined and like what you see

[christophjpg]

@goodomensafterdark

[quona]

NINE INCH CROWLEY SNIPPET FROM GLEAFER'S PATREON SCREAMING CRYING THROWING UP @gleafer is a complete madlad, and I told her I'd give her a shout on socials for making this masterpiece for us NIN fans.

She illustrated this absolutely insanely gorgeous Nine Inch Nails/Good Omens crossover in a shocking, brazen, and obvious attempt to murder me on the 30th anniversary of The Downward Spiral. If you wanna see the whole pic and ALL OF GLEAFER'S ENORMOUS TROVE OF CONSISTENTLY MINDBLOWING WORK, you should throw some fucking money at her on Patreon. it's worth it. I only sub to two Patreons, and hers is one of 'em.

[magpie-megan0321]

I think this is the reason why Crowley’s character really resonates with me. 🖤

- Trent Reznor for Song Exploder.

[bigmouthlass]

Title:  Full Of Broken Thoughts

Series: Supernatural B-Sides

Author:  BJ

Fandom:  Supernatural

Warning: Major Character Death

Rating:  Teen

Synopsis: Takes place shortly after S9E14, 'Captives' What if Dean had decided to try a different solution to killing Abadon?

Tags:  Dean Winchester, Sam Winchester, Jody Mills, Death, Metatron, Castiel, Garth Fitzgerald IV, Crowley, Angst, Songfic, Canon Divergence,

AN: Song is "Hurt," written by Trent Reznor. Either the Nine Inch Nails original or the Johnny Cash cover are brilliant-- variations on a theme and a real illustration of how alternate interpretations can bring something new to an established work. All recognizable intellectual properties are owned by their respective creators and holders of any copyrights or trademarks. This is a not-for-profit work of fan art and protected by Fair Use.

---

The note was on the kitchen’s prep counter, weighted down with a sturdy drip coffeemaker new in the box.

Got a lead on First Blade. Might be a while. Calls going straight to your phone. -D

Sam sighed. "That's . . . that's great Dean, very vivid. Paints quite the word picture," he muttered, crumpling up the note and tossing it into the swill can. At least Dean had remembered to stock up the cooler before he took the car and Sam set to work making himself some breakfast. Peace and quiet for a few days, good food and his own company for a few days, no black cloud of guilt in the shape of his brother for a few days. If Sam was honest, it sounded lovely. Maybe they’d tried to reestablish the business prematurely. The way he felt right now he’d just as soon keep working alone. For now.

A few days turned into a few more days. Then a few more days. Sam kept busy. He found himself a scrappy little Jeep Cherokee that fit him like a glove and had a radio that didn't play cock rock 24/7. He ate at nice places where he didn't have to writhe through Dean's heavy drinking and complete inability to behave around any woman between twenty and fifty. He came home to a full shampoo bottle and an undefiled toothbrush and all the peace and quiet a guy could want.

It was all very serene, very soothing. Until Sam felt himself thoroughly soothed. --- I hurt myself today, to see if I still feel. I focus on the pain, the only thing that's real. --- "So I can't help but notice your shadow's missing," Jody finally spat it out as the movie on Jody's TV finished. Rashamon, all rain and leafy shades and everyone the hero of their own life story. Jody grunted as she adjusted her bad leg on the recliner's leg rest. "Is everything okay?"

"Sure, Dean's fine. How's Alex settling in?" Sam said. --- The needle tears a hole, the old familiar sting. Try to kill it all away, but I remember every thing. --- It got exasperating.

It got so Sam started conversations with, "Dean's working a case solo. He's fine." Each and every person would start a little, give him that so-so-concerned look, and say, "Okay." It only confirmed that anybody who knew them didn't think of Sam as a person in his own right. Only something that existed in relation to his needy fucking idiot of a brother. --- What have I become, my sweetest friend? Everyone I know, goes away in the end. --- It wasn't until Sam was cleaning out the cooler and found that experiment with garlic and Velveeta that he realized Dean had been gone for a while. An icepick stabbed through his guts as Sam started counting days.

He made himself stop. Dean wanted to sulk some more, he was within his rights. Sam was tired of being his older brother's therapist. They were both grown men for God's sake. The stinking mass of cheeselike foodstuff went into the trash and Sam went to work scrubbing the remains out of the cooler. --- And you could have it all, my empire of dirt. I will let you down. I will make you hurt. --- "Moose! Long time."

"What do you want Crowley?" Sam asked, sighing at the state of his shirt. That ecto stain hadn't come out. How did Dean do it, lemon juice or club soda or something else--

"Got a lead on the First Blade, finally. An associate of mine--"

Sam dropped the shirt. "What do you mean, finally? Dean went with you to chase the First Blade ages ago."

"No he has not my dear Moosie. In fact, that's why I'm wasting my breath on you and not on your better half. I've been trying to get through to Squirrel for several days, and the bloody tease will not answer his phone. I know I'm not exactly his favorite person in the world but it does make a girl feel a bit unloved."

Sam didn't answer. The arithmetic was running, absolute and merciless, and this time his brain ignored the hard stop he'd put on any thoughts that might lead to worrying about Dean.

"Pass the message along if you would. My followers are holding the line against Abbadon but that won't last indefinitely. Ta."

Sam stared at the laundry room wall for a long moment, his phone in his hand. Peace, quiet, emptiness, solitude.

He hated it. --- I wear this crown of thorns, upon my liar's chair. Full of broken thoughts, I cannot repair. --- "This is Dean's other, other cell. Please call my brother Sam at 214-555-1212."

"Dean call me. Right now. This dropping off the grid shit's not funny." --- Beneath the stains of time, the feelings disappear. You are someone else, I am still right here. --- "Sure I'll put out some feelers," Garth said. "How long has he been in the wind?"

However long seven weeks, two days, and eighteen-odd hours is. "Long enough I'm getting worried," Sam said. "You haven't heard of him needing backup on a case or anything?"

"Naw man. Not that he'd call for backup. You know Dean. I love y'all like family but there're times he'd cross the street to step in dog doo. Could be he just needed some Me Time and he's holed up somewhere with a couple strippers and a case of Jack Daniels."

"If that were the case he'd be calling every hour to rub my nose in it," Sam said dryly.

Garth laughed. "The cringe is strong with that one. Try not to worry too much. It's Dean. He's hard to hurt. Experts have tried."

That wasn’t true, and Sam knew it. Anyone who really knew him practically had to take a second job handling his oh-so-tender feelings--

Not ‘anyone,’ Sam. You. --- What have I become, my sweetest friend? Every one I know goes away in the end. --- Sam was in the bunker when it happened-- the alarm klaxon went off and the map table lit up like Vegas. It took him most of a day to reverse the lockdown and turn off the alarms, and when he went outside he ran straight into Castiel.

"Something's different," was the best Cas could do, with that maximum-strength frown of his. As they went downstairs, Cas asked, "Where's Dean?"

"I don't know. He left a while ago saying he was on a case and he--" Sam turned when he realized Cas wasn't in line with him anymore. The angel was standing on the upper deck stairs with the most profound look of horror Sam had ever seen on his face, including the time he'd taken Lucifer out of Sam's head.

"Oh no," Cas said. "Oh please, no. Not this. Please. Not this." --- And you could have it all, my empire of dirt. --- "I was one of Abbadon's personal guard," the elderly woman on the bed said, her hands held in place by padded cuffs. "Winchester trapped me inside the old convent and started shooting me up with needles full of his own blood. The last thing I remember was . . ." she started to cry, "he just . . . gleamed. The Righteous Man, in the flesh. It was beautiful."

Yeah, Sam remembered. The cold annihilating light that had singed every cell in his body, making him a burnt offering for sacrifice--

But they'd found no body. The Impala outside, Dean's jacket with the car keys in the pocket, Dean's footprints on the convent's filthy floor, Dean's fingerprints on the bloody needles, but no Dean. No Dean, alive or dead. No one matching Dean’s description had turned up as a John Doe anywhere and Sam had every Hunter and Hunter-adjacent person he’d ever met looking. Dean was just . . . gone.

The woman suddenly squinted in Sam's direction. "I'm sorry. Are you Sam?" He nodded. "He wanted me to give you a message. He said, 'It's okay. It should have been me the whole time.' He wanted to tell you he was sorry."

The next thing Sam remembered, he was outside the room and sitting on the floor. He breathed. His heart beat. He wasn't sure how. Sam wasn't sure of anything any more. Reality was over, and this all had to be a bad dream. Some nightmare Gadreel . . . or Crowley . . . or Lucifer, maybe he really was still in the Cage and Lucifer--

No acceptable version of reality would let the last word on their bond of brotherhood be the sound of a locking door. --- I will let you down. I will make you hurt. --- "No," Sam said. "Dean would never ask you. For anything."

"You're right. He didn't ask. I offered," Metatron said. "A convergence of mutual interests. I get one less enemy to deal with as I work to reunite angelkind," Sam scoffed, "demons go back into Hell for now, and your brother finally gets that martyr's death he's been seeking since . . . always."

"What does that mean, 'for now'?"

"Oh please. You of all people should know that nothing stays locked away forever. Could be next week. Could be in the year 3000. But it'll happen. Though honestly? I don't really see why you're so upset. Normal life awaits! I mean, sure, it doesn't mean anything without Dean providing context. What are you, without him? A college dropout suffering from delusions of heroism? A discarded vessel? Castiel's hired muscle? It's funny really. Out of all the members of the Winchester perpetual disaster machine, Dean was the one you really respected the least, and yet without him--"

"You shut your mouth." He was shaking. Knees, hands, voice. All of it shook.

Metatron did, but he didn't stop smiling. He might've been sipping a beer instead of watching Sam Winchester bear down on him with a blade to hand. "You wanna know the real reason, I put Dean back on the path to completing the Trials?" Through a series of moves Sam couldn't follow, Metatron disarmed him and punched him in the chest so hard Sam felt his ribs crack. Struggling to breathe, Sam collapsed. "I'm bored of your story. God might find humanity's inability to learn amusing, but I'm over it. I'm extremely over it.

"If you think about it," Metatron picked up Sam's angel blade, "it's cruel. Give you just enough awareness to know," Sam groaned as the angel put a hand on Sam's stomach and shook it, like a parent jiggling a chubby baby's tummy, "to really bellyfeel, how wretched you are, but not enough power to really do anything about it."

"Just kill me," Sam said. He felt it again, the relief of the end. "You win. Do it."

Metatron made a considering face. "That would be the merciful thing to do, I guess. I mean, there is always the possibility--" he burst into laughter. "Oh I can't even. It's gonna take a miracle to beat me, and the guy who made you capable of miracles? He's gone.

"And I don't feel like being merciful." He vanished. --- If I could start again, a million miles away, I would keep myself. --- "Oh don't be melodramatic Samuel, it doesn't suit you," Death scoffed. "I offered you the chance to die on your own terms and you rejected it."

"I was tricked!" Sam snapped.

"Yes. By your brother, who was equally ready to die, and whom you convinced otherwise. How did that conversation go again-- 'I want to live, and so should you, you have friends, family,' et cetera. The two things that define the both of you are survivor's guilt and martyr complex. You are not Christ, and no one demanded that you climb up on a cross. You were not in that church for vengeance or the greater good or any higher purpose, at all. You were in that church to atone for a very specific sin, from which your brother absolved you. Well now, it is over. Dean is somewhere you cannot reach and believe me, it is better for all concerned he remain there."

"Then take me too," Sam said.

"No."

Sam felt his soul fail, like an overloaded cable. "TAKE ME TOO!!!" He fell at Death's feet. "Just take me too. You want to."

"What I want is immaterial." Implacable as a Delphic oracle, Death stared down at Sam as Sam sniveled on the ground. "You’re free now, Sam. Though I don't think you'll find liberty comforting, in light of what you spurned to obtain it."

Sam woke up on the exam room table gasping air into his cramped lungs. --- I would find a way. ---

AN2: I got some feelz about the latter half of S9. Sam was angry, and he had every right -- Dean essentially held Sam down while Sam was raped, repeatedly. But basically confirming every bad thing Dean's ever felt about himself, and tying the whole thing off with the idea that not wanting to watch his brother die (again) was a sin and Sam would rather be dead than exist on the same planet was a bit overkill.

[crackasmile333]

Listen to my newest tracks torn out from the depths of my soul, and shat out onto the interwebs.

[lemonous-snake]

Angsty Crowley vibes with "Reptile" by Nine Inch Nails what about it

[cinemalerta]

93rd Academy Awards Nominees

BEST PICTURE

The Father – David Parfitt, Jean-Louis Livi, and Philippe Carcassonne

Judas and the Black Messiah – Shaka King, Charles D. King, and Ryan Coogler

Mank – Ceán Chaffin, Eric Roth, and Douglas Urbanski

Minari – Christina Oh

Nomadland – Frances McDormand, Peter Spears, Mollye Asher, Dan Javey, and Chloé Zhao

Promising Young Woman – Ben Browning, Ashley Fox, Emerald Fennell, and Josey McNamara

Sound of Metal – Bert Hamelinick and Sacha Ben Harroche

The Trial of the Chicago 7 – Marc Platt and Stuart Besser

BEST DIRECTOR

Lee Isaac Chung – Minari

Emerald Fennell – Promising Young Woman

David Fincher – Mank

Thomas Vinterberg – Another Round

Chloé Zhao – Nomadland

BEST ACTOR

Riz Ahmed – Sound of Metal as Ruben Stone

Chadwick Boseman (posthumous nominee) – Ma Rainey's Black Bottom as Levee Green

Anthony Hopkins – The Father as Anthony

Gary Oldman – Mank as Herman J. Mankiewicz

Steven Yeun – Minari as Jacob Yi

BEST ACTRESS

Viola Davis – Ma Rainey's Black Bottom as Ma Rainey

Andra Day – The United States vs. Billie Holiday as Billie Holiday

Vanessa Kirby – Pieces of a Woman as Martha Weiss

Frances McDormand – Nomadland as Fern

Carey Mulligan – Promising Young Woman as Cassandra “Cassie” Thomas

BEST SUPPORTING ACTOR

Sacha Baron Cohen – The Trial of the Chicago 7 as Abbie Hoffman

Daniel Kaluuya – Judas and the Black Messiah as Fred Hampton

Leslie Odom Jr. – One Night in Miami... as Sam Cooke

Paul Raci – Sound of Metal as Joe

Lakeith Stanfield – Judas and the Black Messiah as William "Bill" O'Neal

BEST SUPPORTING ACTRESS

Maria Bakalova – Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan as Tutar Sagdiyev

Glenn Close – Hillbilly Elegy as Bonnie "Mamaw" Vance

Olivia Colman – The Father as Anne

Amanda Seyfried – Mank as Marion Davies

Youn Yuh-jung – Minari as Soon-ja

BEST ORIGINAL SCREENPLAY

Judas and the Black Messiah – Screenplay by Will Berson and Shaka King; Story by Will Berson, Shaka King, Keith Lucas, and Kenny Lucas

Minari – Lee Isaac Chung

Promising Young Woman – Emerald Fennell

Sound of Metal – Screenplay by Darius Marder and Abraham Marder; Story by Darius Marder and Derek Cianfrance

The Trial of the Chicago 7 – Aaron Sorkin

BEST ADAPTED SCREENPLAY

Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan – Screenplay by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Peter Baynham, Erica Rivinoja, Dan Mazer, Jena Friedman, and Lee Kern; Story by Baron Cohen, Hines, Swimer, and Nina Pedrad; Based on the character Borat Sagdiyev by Baron Cohen

The Father – Christopher Hampton & Florian Zeller, based on the play by Zeller

Nomadland – Chloé Zhao, based on the book by Jessica Bruder

One Night in Miami... – Kemp Powers, based on his play

The White Tiger – Ramin Bahrani, based on the novel by Aravind Adiga

BEST INTERNATIONAL FEATURE FILM

Another Round (Denmark) in Danish – directed by Thomas Vinterberg

Better Days (Hong Kong) in Mandarin – directed by Derek Tsang

Collective (Romania) in Romanian – directed by Alexander Nanau

The Man Who Sold His Skin (Tunisia) in Arabic – directed by Kaouther Ben Hania

Quo Vadis, Aida? (Bosnia and Herzegovina) in Bosnian – directed by Jasmila Žbanić

BEST ANIMATED FEATURE FILM

Onward – Dan Scanlon and Kori Rae

Over the Moon – Glen Keane, Gennie Rin, and Peilin Chou

A Shaun the Sheep Movie: Farmageddon – Richard Phelan, Will Becher, and Paul Kewley

Soul – Pete Docter and Dana Murray

Wolfwalkers – Tomm Moore, Ross Stewart, Paul Young, and Stéphan Roelants

BEST DOCUMENTARY FEATURE

Collective – Alexander Nanau and Bianca Oana

Crip Camp – Nicole Newnham, Jim LeBrecht and Sara Bolder

The Mole Agent – Maite Alberdi and Marcela Santibáñez

My Octopus Teacher – Pippa Ehrlich, James Reed, and Craig Foster

Time – Garrett Bradley, Lauren Domino, and Kellen Quinn

BEST CINEMATOGRAPHY

Judas and the Black Messiah – Sean Bobbitt

Mank – Erik Messerschmidt

News of the World – Dariusz Wolski

Nomadland – Joshua James Richards

The Trial of the Chicago 7 – Phedon Papamichael

BEST FILM EDITING

The Father – Yorgos Lamprinos

Nomadland – Chloé Zhao

Promising Young Woman – Frédéric Thoraval

Sound of Metal – Mikkel E.G. Nielsen

The Trial of the Chicago 7 – Alan Baumgarten

BEST PRODUCTION DESIGN

The Father – Production Design: Peter Francis; Set Decoration: Cathy Featherstone

Ma Rainey's Black Bottom – Production Design: Mark Ricker; Set Decoration: Karen O'Hara and Diana Sroughton

Mank – Production Design: Donald Graham Burt; Set Decoration: Jan Pascale

News of the World – Production Design: David Crank; Set Decoration: Elizabeth Keenan

Tenet – Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

BEST COSTUME DESIGN

Emma – Alexandra Byrne

Ma Rainey’s Black Bottom – Ann Roth

Mank – Trish Summerville

Mulan – Bina Daigeler

Pinocchio – Massimo Cantini Parrini

BEST MAKEUP AND HAIRSTYLING

Emma – Marese Langan, Laura Allen, and Claudia Stolze

Hillbilly Elegy – Eryn Krueger Mekash, Patricia Dehaney, and Matthew Mungle

Ma Rainey's Black Bottom – Matiki Anoff, Mia Neal, and Larry M. Cherry

Mank – Kimberley Spiteri, Gigi Williams

Pinocchio – Dalia Colli, Mark Coulier, and Francesco Pegoretti

BEST VISUAL EFFECTS

Love and Monsters – Matt Sloan, Genevieve Camailleri, Matt Everitt, and Brian Cox

The Midnight Sky – Matthew Kasmir, Christopher Lawren, Max Solomon, and David Watkins

Mulan – Sean Faden, Anders Langlands, Seth Maury, and Steven Ingram

The One and Only Ivan – Nick Davis, Greg Fisher, Ben Jones, and Santiago Colomo Martinez

Tenet – Andrew Jackson, David Lee, Andrew Lockley and

BEST ORIGINAL SCORE

Da 5 Bloods – Terence Blanchard

Mank – Trent Reznor and Atticus Ross

Minari – Emile Mosseri

News of the World – James Newton Howard

Soul – Trent Reznor, Atticus Ross, and Jon Batiste

BEST ORIGINAL SONG

"Fight for You" from Judas and the Black Messiah – Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas

"Hear My Voice" from The Trial of the Chicago 7 – Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite

"Husavik" from Eurovision Song Contest: The Story of Fire Saga – Music and Lyric by Savan Kotecha, Fat Max Gsus, and Rickard Göransson

"Io Sì (Seen)" from The Life Ahead – Music by Diane Warren; Lyric by Diane Warren and Laura Pausini

"Speak Now" from One Night in Miami... – Music and Lyric by Leslie Odom Jr. and Sam Ashworth

BEST SOUND

Greyhound – Warren Shaw, Michael Minkler, Beau Borders, and David Wyman

Mank – Ren Klyce, Jeremy Molod, David Parker, Nathan Nance, and Drew Kunin

News of the World – Oliver Tarney, Mike Prestwood Smith, William Miller, and John Pritchett

Soul – Ren Klyce, Coya Elliot, and David Parker

Sound of Metal – Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortes, and Philip Bladh

BEST LIVE ACTION SHORT FILM

Feeling Through – Doug Roland and Susan Ruzenski

The Letter Room – Elvira Lind and Sofia Sondervan

The Present – Farah Nabulsi

Two Distant Strangers – Travon Free and Martin Desmond Roe

White Eye – Tomer Shushan and Shira Hochman

BEST ANIMATED SHORT FILM

Burrow – Madeline Sharafian and Michael Capbarat

Genius Loci – Adrien Mérigeau and Amaury Ovise

If Anything Happens I Love You – Will McCormack and Michael Govier

Opera – Eric Oh

Yes-People – Gísli Darri Halldórsson and Arnar Gunnarsson

BEST DOCUMENTARY SHORT SUBJECT

Colette – Anthony Giacchino and Alice Doyard

A Concerto Is a Conversation – Ben Proudfoot and Kris Bowers

Do Not Split – Anders Hammer and Charlotte Cook

Hunger Ward – Skye Fitzgerald and Michael Shueuerman

A Love Song for Latasha – Sophia Nahali Allison and Janice Duncan

[neruomancer]

So not Diegetic but I like to present campaigns (especially games like Delta Green or Unknown Armies) as HBO style limited series events, Twin Peaks Season 3 or True Detective mini series style of presentation. So I have an opening song for the campaign, an opening song for each session and a closing song for the campaign.

For Delta Green, if I were to control its hypothetical soundtrack it would mostly be industrial/metal sound. Is this a thinly veiled disguise for me to talk about music? Maybe. Regardless I think that Delta Green is a game that fundamentally can be played in any time period but I have a soft spoken for the edgy/angsty 90s aesthetic that games at that time were trying to shoot for. The overlap in conspiracy culture and alt/underground subculture was kind of a golden hour for this time specifically.

N.W.O - Psalm 69: The Way to Succeed and the Way to Suck Eggs or ΚΕΦΑΛΗΞΘ (1992) by Ministry

"What we are looking at is good and evil, right and wrong. A new world order"

Ministry took a departure from their Industrial synthrock sound with their 1989 album, The Mind is a Terrible Thing To Taste and veered straight into a hard metal industrial fused sound. Psalm 69 cemented the image that Ministry presents today of being a speed influence psychobilly style of music.

The title Psalm 69 is not a biblical reference but is actually a passage taken from Aleister Crowley's Book of Lies

The title of the Song N.W.O is a reference to the 1991 state of address made by George H. W. Bush. The term New World Order was a phrase that Bush repeated to invoke the US as a guiding force in the Post Cold War era in the aftermath of the First Gulf War. This phrase would go on to be used in conspiracy culture due to its unsettling phrasing.

This is overall perfect opening for agents to enter into the world of Delta Green whether they are new agents or seasoned veterans. This is the sound of a New World Order, the world order of Majestic, the world Order of the Great Old Ones.

Suck - Gub (1991) by Pigface

"How does it feel? Suck, suck, suck

How does it feel? Suck, suck, suck"

After Ministry The Mind is a Terrible Thing to Taste tour, Ministry drummer William Rieflin and Ministry alumni Martin Atkins formers Industrial supergroup Pigface to explore other dynamics. The song suck uses an overall less loud and overwhelming sound for a more subtle and eerie presence, a slow guitar beat over sounds like film reels in the background. The strong vocals would be done by Trent Reznor of Nine Inch Nails fame.

This as an opening for each session gives it a perfect intro credits sequence to prepare players to enter an unnatural world.

Suck - Broken (1992) by Nine Inch Nails

"A thousand lips

A thousand tongues

A thousand throats

A thousand lungs

A thousand ways to make it true

I want to do terrible things to you"

After Nine Inch Nails debut album Pretty Hate Machine (1989) and after providing vocals for Pigface, Trent decideds to recover Suck for the 1992 Ep Broken after finding success and frustration coming off Interscope records.

This would be the closing credits for the campaign, this cover is much heavier matching the total harsh rock sound of the entire ep. Starting with a smooth synth intro amping up into a raw ballad. This song is both a confession and (I have to say the music enjoyer words now) is an invitation into the world of this EP.

The Broken EP was also made in tandem with a movie/music video called Broken that took from the perspective of a found footage snuff film. The grainy footage and amateur camera work adds to the grime and filth of the world that agents will be entertaining.

Doom Mantra - Come My Fanatics (1997) Electric Wizard

"Followers, they sing and dance

The pipes of Pan have weaved a trance"

"Dressed in black

No turning back

Dressed in black

No turning back"

Now for a good diegetic song to play during session when your agents decide to crash Club Apocalypse you can't look anywhere better than Electric Wizard.

I have always struggled to find good music that I feel fully represent the exact tone of Charnel Dreams. You can't do too much satanism because that takes away from the cosmic horror of it but you can't do too much Cthulhu because then it just becomes a squid pile and you have no doom left. Electric Wizard hits the perfect in-between of the allure of the devil and the doom of an alien universe that they would make a perfect representation of Stephen Alzis personal club band.

Wonderful, heavy stoner/doom metal. Besure to follow up with Funeralopolis and you are set for a horrible night at the best alt club in New York.

I loooooooove diegetic music in Delta Green games. I loooooove having a playlist of period accurate music playing in the background over a shitty speaker to simulate a diners dogshit jukebox. I loooooooove having leitmotivs for each of my agents and finding a way to incorporate them into diegetic sound. Suck my diiiiiiiiick Universal Music Group for blocking my sound bot.

[christophjpg]

[boardchairman-blog]

Oscar Predictions- 2021

Best Picture

The Father

Mank

Ma Rainey’s Black Bottom

Minari

Nomadland

One Night in Miami

Promising Young Woman

Sound of Metal

The Trial of the Chicago 7

Best Director

Lee Isaac Chung- Minari

Emerald Fennell- Promising Young Woman

David Fincher- Mank

Darius Marder- Sound of Metal

Chloé Zhao- Nomadland

Best Actor

Riz Ahmed- Sound of Metal

Chadwick Boseman- Ma Rainey’s Black Bottom

Anthony Hopkins- The Father

Tahar Rahim- The Mauritanian 

Steven Yeun- Minari

Best Actress

Viola Davis- Ma Rainey’s Black Bottom

Andra Day- The United States vs. Billie Holiday

Vanessa Kirby- Pieces of a Woman

Frances McDormand- Nomadland

Carey Mulligan- Promising Young Woman

Best Supporting Actress

Maria Bakalova- Borat Subsequent Moviefilm

Olivia Colman- The Father

Jodie Foster- The Mauritanian

Amanda Seyfried- Mank

Yeo-jeong Yoon- Minari

Best Supporting Actor

Sacha Baron Cohen- The Trial of the Chicago 7

Chadwick Boseman- Da 5 Bloods

Daniel Kaluuya- Judas and the Black Messiah

Leslie Odom, Jr.- One Night in Miami

Paul Raci- Sound of Metal

Best Original Screenplay

Mank- Jack Fincher

Minari- Lee Isaac Chung

Promising Young Woman- Emerald Fennell

Sound of Metal- Darius Marder & Abraham Marder and Derek Cianfrance

The Trial of the Chicago 7- Aaron Sorkin

Best Adapted Screenplay

Borat Subsequent Moviefilm- Sacha Baron Cohen, Anthony Hines, Dan Swimer, Peter Baynham, Erica Rivinoja, Dan Mazer, Jena Friedman, Lee Kern & Nina Pedrad

The Father- Florian Zeller and Christopher Hampton

News of the World-  Paul Greengrass and Luke Davies

Nomadland- Chloé Zhao

One Night in Miami- Kemp Powers

Best Animated Feature

The Croods: A New Age

Onward

Over the Moon

Soul

Wolfwalkers

Best Documentary Feature

Boys State

Collective

Crip Camp

Time

Welcome to Chechnya 

Best International Feature Film

Another Round (Denmark)

Collective (Romania)

Dear Comrades! (Russia)

Quo Vadis, Aida? (Bosnia and Herzegovina)

Two of Us (France)

Best Original Score

Mank- Trent Reznor & Atticus Ross

The Midnight Sky- Alexandre Desplat

Minari- Emile Mosseri

News of the World- James Newton Howard

Soul- Trent Reznor & Atticus Ross and Jon Batiste

Best Original Song

“Fight for You” from Judas and the Black Messiah

“Husavik (My Hometown)” from Eurovision Song Contest: The Story of Fire Saga

“Io sì (Seen)” from The Life Ahead

“Speak Now” from One Night in Miami

“Turntables” from All In: The Life for Democracy

Best Cinematography

Sean Bobbitt- Judas and the Black Messiah

Erik Messerschmidt- Mank

Phedon Papamichael- The Trial of the Chicago 7

Joshua James Richards- Nomadland

Darius Wolski- News of the World

Best Film Editing

Alan Baumgarten- The Trial of the Chicago 7

Kirk Baxter- Mank

Mikkel E.G. Nielsen- Sound of Metal

Frédéric Thoraval- Promising Young Woman

Chloé Zhao- Nomadland

Best Costume Design

Alexandra Byrne- Emma.

Bina Daigeler- Mulan

Susan Lyall- The Trial of the Chicago 7

Ann Roth- Ma Rainey’s Black Bottom

Trish Summerville- Mank

Best Production Design

Mank- Donald Graham Burt and Jan Pascale

Ma Rainey’s Black Bottom- Mark Ricker and Karen O'Hara, Diana Stoughton

The Midnight Sky- Jim Bissell and Maudie Andrews, John Bush

News of the World- David Crank and Elizabeth Keenan

Tenet-  Nathan Crowley and Kathy Lucas

Best Sound

Mank

News of the World

Soul

Sound of Metal

Tenet

Best Makeup and Hairstyling

Birds of Prey

Hillbilly Elegy

Mank

Ma Rainey’s Black Bottom

Pinocchio

Best Visual Effects

Mank

The Midnight Sky

The One and Only Ivan

Tenet

Welcome to Chechnya

Overall Nominations

Mank: 12

Sound of Metal: 7

Ma Rainey's Black Bottom: 6

Minari: 6

Nomadland: 6

The Trial of the Chicago 7: 6

Promising Young Woman: 5

The Father: 4

News of the World: 5

One Night in Miami: 4

Judas and the Black Messiah: 3

The Midnight Sky: 3

Soul: 3

Tenet: 3

Borat Subsequent Moviefilm: 2

Collective: 2

The Mauritanian: 2

Welcome to Chechnya: 2

[extrabeurre]

MANK part en tête d’une course aux Oscars bien bizarre

Je me suis réveillé tantôt, j'ai parti la cafetière, puis en checkant Twitter, je me suis dit: "Ah oui, c'est vrai, les nominations des Oscars ont été dévoilées." 

 C’est la première année depuis une éternité où je ne suis pas au poste au moment où les nominations des Oscars sont annoncées. Je l’ai déjà dit, mais je suis assez désinteressé cette année par cette course aux remises de prix où sont honorés des films que presque personne n’a pu voir sur grand écran, pandémie oblige. 

Oui, il y a d’excellents films en lice, comme Nomadland, Sound of Metal et Promising Young Woman. Il y en a aussi que je vais essayer de voir prochainement, Minari notamment. Mais je n’ai pas l’impression qu’il y ait de gros titres qui ont enflammé la planète cinéma comme par exemple Parasite, Once Upon a Time... in Hollywood ou même le divisif Joker l’an dernier.

J’ai vu Mank de David Fincher sur Netflix, j’ai trouvé ça correct, mais c’est loin d’être un film marquant pour moi. Je reviens quand même sur Nomadland, un de mes préférés de 2020 (même s’il ne sortira techniquement pas en salle au Québec avant avril 2021) - ce sera un bon moment de voir Chloé Zhao probablement remporter l’Oscar de la Meilleure réalisation. Il y a plein d’actrices et d’acteurs talentueux qui sont en nomination. Je serais content que Trent Reznor & Atticus Ross soient récompensés pour la musique de Soul. Je trouve ça plate que TENET de Christopher Nolan ait presque été complètement ignoré.

Mais dans l’ensemble, je suis assez indifférent face à tout ça. Je vais sûrement regarder le gala quand même, en espérant que ce ne soit pas un désastre avec des fenêtres Zoom comme les Golden Globes...

Best motion picture of the year

“The Father” David Parfitt, Jean-Louis Livi and Philippe Carcassonne, Producers

“Judas and the Black Messiah” Shaka King, Charles D. King and Ryan Coogler, Producers

“Mank” Ceán Chaffin, Eric Roth and Douglas Urbanski, Producers

“Minari” Christina Oh, Producer

“Nomadland” Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao, Producers

“Promising Young Woman” Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, Producers

“Sound of Metal” Bert Hamelinck and Sacha Ben Harroche, Producers

“The Trial of the Chicago 7” Marc Platt and Stuart Besser, Producers

Achievement in directing

“Another Round” Thomas Vinterberg

“Mank” David Fincher

“Minari” Lee Isaac Chung

“Nomadland” Chloé Zhao

“Promising Young Woman” Emerald Fennell

Performance by an actor in a leading role

Riz Ahmed in “Sound of Metal”

Chadwick Boseman in “Ma Rainey’s Black Bottom”

Anthony Hopkins in “The Father”

Gary Oldman in “Mank”

Steven Yeun in “Minari”

Performance by an actor in a supporting role

Sacha Baron Cohen in “The Trial of the Chicago 7”

Daniel Kaluuya in “Judas and the Black Messiah”

Leslie Odom, Jr. in “One Night in Miami…”

Paul Raci in “Sound of Metal”

Lakeith Stanfield in “Judas and the Black Messiah”

Performance by an actress in a leading role

Viola Davis in “Ma Rainey’s Black Bottom”

Andra Day in “The United States vs. Billie Holiday”

Vanessa Kirby in “Pieces of a Woman”

Frances McDormand in “Nomadland”

Carey Mulligan in “Promising Young Woman”

Performance by an actress in a supporting role

Maria Bakalova in “Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan”

Glenn Close in “Hillbilly Elegy”

Olivia Colman in “The Father”

Amanda Seyfried in “Mank”

Yuh-Jung Youn in “Minari”

Adapted screenplay

“Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan” Screenplay by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Peter Baynham & Erica Rivinoja & Dan Mazer & Jena Friedman & Lee Kern; Story by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Nina Pedrad

“The Father” Screenplay by Christopher Hampton and Florian Zeller

“Nomadland” Written for the screen by Chloé Zhao

“One Night in Miami…” Screenplay by Kemp Powers

“The White Tigers” Written for the screen by Ramin Bahrani

Original screenplay

“Judas and the Black Messiah” Screenplay by Will Berson & Shaka King; Story by Will Berson & Shaka King and Kenny Lucas & Keith Lucas

“Minari” Written by Lee Isaac Chung

“Promising Young Woman” Written by Emerald Fennell

“Sound of Metal” Screenplay by Darius Marder & Abraham Marder; Story by Darius Marder & Derek Cianfrance

“The Trial of the Chicago 7” Written by Aaron Sorkin

Best international feature film of the year

“Another Round” Denmark

“Better Days” Hong Kong

“Collective” Romania

“The Man Who Sold His Skin” Tunisia

“Quo Vadis, Aida?” Bosnia and Herzegovina

Best animated feature film of the year

“Onward” Dan Scanlon and Kori Rae

“Over the Moon” Glen Keane, Gennie Rim and Peilin Chou

“A Shaun the Sheep Movie: Farmageddon” Richard Phelan, Will Becher and Paul Kewley

“Soul” Pete Docter and Dana Murray

“Wolfwalkers” Tomm Moore, Ross Stewart, Paul Young and Stéphan Roelants

Best documentary feature

“Collective” Alexander Nanau and Bianca Oana

“Crip Camp” Nicole Newnham, Jim LeBrecht and Sara Bolder

“The Mole Agent” Maite Alberdi and Marcela Santibáñez

“My Octopus Teacher” Pippa Ehrlich, James Reed and Craig Foster

“Time” Garrett Bradley, Lauren Domino and Kellen Quinn

Achievement in cinematography

“Judas and the Black Messiah” Sean Bobbitt

“Mank” Erik Messerschmidt

“News of the World” Dariusz Wolski

“Nomadland” Joshua James Richards

“The Trial of the Chicago 7” Phedon Papamichael

Achievement in film editing

“The Father” Yorgos Lamprinos

“Nomadland” Chloé Zhao

“Promising Young Woman” Frédéric Thoraval

“Sound of Metal” Mikkel E. G. Nielsen

“The Trial of the Chicago 7” Alan Baumgarten

Achievement in music written for motion pictures (Original score)

“Da 5 Bloods” Terence Blanchard

“Mank” Trent Reznor and Atticus Ross

“Minari” Emile Mosseri

“News of the World” James Newton Howard

“Soul” Trent Reznor, Atticus Ross and Jon Batiste

Achievement in production design

“The Father” Production Design: Peter Francis; Set Decoration: Cathy Featherstone

“Ma Rainey’s Black Bottom” Production Design: Mark Ricker; Set Decoration: Karen O’Hara and Diana Stoughton

“Mank” Production Design: Donald Graham Burt; Set Decoration: Jan Pascale

“News of the World” Production Design: David Crank; Set Decoration: Elizabeth Keenan

“Tenet” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

Achievement in costume design

“Emma” Alexandra Byrne

“Ma Rainey’s Black Bottom” Ann Roth

“Mank” Trish Summerville

“Mulan” Bina Daigeler

“Pinocchio” Massimo Cantini Parrini

Achievement in sound

“Greyhound” Warren Shaw, Michael Minkler, Beau Borders and David Wyman

“Mank” Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin

“News of the World” Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett

“Soul” Ren Klyce, Coya Elliott and David Parker

“Sound of Metal” Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh

Achievement in makeup and hairstyling

“Emma” Marese Langan, Laura Allen and Claudia Stolze

“Hillbilly Elegy” Eryn Krueger Mekash, Matthew Mungle and Patricia Dehaney

“Ma Rainey’s Black Bottom” Sergio Lopez-Rivera, Mia Neal and Jamika Wilson

“Mank” Gigi Williams, Kimberley Spiteri and Colleen LaBaff

“Pinocchio” Mark Coulier, Dalia Colli and Francesco Pegoretti

Achievement in visual effects

“Love and Monsters” Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox

“The Midnight Sky” Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins

“Mulan” Sean Faden, Anders Langlands, Seth Maury and Steve Ingram

“The One and Only Ivan” Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez

“Tenet” Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher

Best documentary short film

“Colette” Anthony Giacchino and Alice Doyard

“A Concerto Is a Conversation” Ben Proudfoot and Kris Bowers

“Do Not Split” Anders Hammer and Charlotte Cook

“Hunger Ward” Skye Fitzgerald and Michael Scheuerman

“A Love Song for Latasha” Sophia Nahli Allison and Janice Duncan

Best animated short film

“Burrow” Madeline Sharafian and Michael Capbarat

“Genius Loci” Adrien Mérigeau and Amaury Ovise

“If Anything Happens I Love You” Will McCormack and Michael Govier

“Opera” Erick Oh

“Yes-People” Gísli Darri Halldórsson and Arnar Gunnarsson

Best live action short film

“Feeling Through” Doug Roland and Susan Ruzenski

“The Letter Room” Elvira Lind and Sofia Sondervan

“The Present” Farah Nabulsi

“Two Distant Strangers” Travon Free and Martin Desmond Roe

“White Eye” Tomer Shushan and Shira Hochman

Achievement in music written for motion pictures (Original song)

“Fight For You” from “Judas and the Black Messiah” Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas

“Hear My Voice” from “The Trial of the Chicago 7” Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite

“Husavik” from “Eurovision Song Contest: The Story of Fire Saga” Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard Göransson

“Io Sì (Seen)” from “The Life Ahead (La Vita Davanti a Se)” Music by Diane Warren; Lyric by Diane Warren and Laura Pausini

“Speak Now” from “One Night in Miami…” Music and Lyric by Leslie Odom, Jr. and Sam Ashworth

[bongaboi]

93rd Academy Awards: The List.

Best Picture

· Nomadland – Mollye Asher, Dan Janvey, Frances McDormand, Peter Spears and Chloé Zhao

o The Father – Philippe Carcassonne, Jean-Louis Livi and David Parfitt

o Judas and the Black Messiah – Ryan Coogler, Charles D. King and Shaka King

o Mank – Ceán Chaffin, Eric Roth and Douglas Urbanski

o Minari – Christina Oh

o Promising Young Woman – Ben Browning, Emerald Fennell, Ashley Fox and Josey McNamara

o Sound of Metal – Bert Hamelinck and Sacha Ben Harroche

o The Trial of the Chicago 7 – Stuart M. Besser and Marc Platt

Best Director

· Chloé Zhao – Nomadland

o Thomas Vinterberg – Another Round

o David Fincher – Mank

o Lee Isaac Chung – Minari

o Emerald Fennell – Promising Young Woman

Best Actor

· Anthony Hopkins – The Father as Anthony

· Riz Ahmed – Sound of Metal as Ruben Stone

· Chadwick Boseman (posthumous) – Ma Rainey's Black Bottom as Levee Green

Gary Oldman – Mank as Herman J. Mankiewicz

· Steven Yeun – Minari as Jacob Yi

Best Actress

· Frances McDormand – Nomadland as Fern

o Viola Davis – Ma Rainey's Black Bottom as Ma Rainey

o Andra Day – The United States vs. Billie Holiday as Billie Holiday

o Vanessa Kirby – Pieces of a Woman as Martha Weiss

o Carey Mulligan – Promising Young Woman as Cassandra "Cassie" Thomas

Best Supporting Actor

· Daniel Kaluuya – Judas and the Black Messiah as Fred Hampton

o Sacha Baron Cohen – The Trial of the Chicago 7 as Abbie Hoffman

o Leslie Odom Jr. – One Night in Miami... as Sam Cooke

o Paul Raci – Sound of Metal as Joe

o Lakeith Stanfield – Judas and the Black Messiah as William "Bill" O'Neal

Best Supporting Actress

· Youn Yuh-jung – Minari as Soon-ja

o Maria Bakalova – Borat Subsequent Moviefilm as Tutar Sagdiyev

o Glenn Close – Hillbilly Elegy as Bonnie "Mamaw" Vance

o Olivia Colman – The Father as Anne

o Amanda Seyfried – Mank as Marion Davies

Best Original Screenplay

· Promising Young Woman – Emerald Fennell

o Judas and the Black Messiah – Screenplay by Will Berson and Shaka King; Story by Berson, King, Keith Lucas and Kenny Lucas

o Minari – Lee Isaac Chung

o Sound of Metal – Screenplay by Abraham Marder and Darius Marder; Story by Derek Cianfrance and D. Marder

o The Trial of the Chicago 7 – Aaron Sorkin

Best Adapted Screenplay

· The Father – Christopher Hampton and Florian Zeller, based on the play by Zeller

o Borat Subsequent Moviefilm – Screenplay by Sacha Baron Cohen, Peter Baynham, Jena Friedman, Anthony Hines, Lee Kern, Dan Mazer, Erica Rivinoja and Dan Swimer; Story by Baron Cohen, Hines, Nina Pedrad and Swimer; Based on the character by Baron Cohen

o Nomadland – Chloé Zhao, based on the book by Jessica Bruder

o One Night in Miami... – Kemp Powers, based on his play

o The White Tiger – Ramin Bahrani, based on the novel by Aravind Adiga

Best Animated Feature Film

· Soul – Pete Docter and Dana Murray

o Onward – Dan Scanlon and Kori Rae

o Over the Moon – Peilin Chou, Glen Keane, and Gennie Rin

o A Shaun the Sheep Movie: Farmageddon – Will Becher, Paul Kewley, and Richard Phelan

o Wolfwalkers – Tomm Moore, Stéphan Roelants, Ross Stewart and Paul Young

Best International Feature Film

· Another Round (Denmark) in Danish – directed by Thomas Vinterberg

o Better Days (Hong Kong) in Mandarin – directed by Derek Tsang

o Collective (Romania) in Romanian – directed by Alexander Nanau

o The Man Who Sold His Skin (Tunisia) in Arabic – directed by Kaouther Ben Hania

o Quo Vadis, Aida? (Bosnia and Herzegovina) in Bosnian – directed by Jasmila Žbanić

Best Documentary Feature

· My Octopus Teacher – Pippa Ehrlich, Craig Foster and James Reed

o Collective – Alexander Nanau and Bianca Oana

o Crip Camp – Sara Bolder, Jim LeBrecht and Nicole Newnham

o The Mole Agent – Maite Alberdi and Marcela Santibáñez

o Time – Garrett Bradley, Lauren Domino and Kellen Quinn

Best Documentary Short Subject

· Colette – Alice Doyard and Anthony Giacchino

o A Concerto Is a Conversation – Kris Bowers and Ben Proudfoot

o Do Not Split – Charlotte Cook and Anders Hammer

o Hunger Ward – Skye Fitzgerald and Michael Shueuerman

o A Love Song for Latasha – Sophia Nahali Allison and Janice Duncan

Best Live Action Short Film

· Two Distant Strangers – Travon Free and Martin Desmond Roe

o Feeling Through – Doug Roland and Susan Ruzenski

o The Letter Room – Elvira Lind and Sofia Sondervan

o The Present – Ossama Bawardi and Farah Nabulsi

o White Eye – Shira Hochman and Tomer Shushan

Best Animated Short Film

· If Anything Happens I Love You – Michael Govier and Will McCormack

o Burrow – Michael Capbarat and Madeline Sharafian

o Genius Loci – Adrien Mérigeau and Amaury Ovise

o Opera – Erick Oh

o Yes-People – Arnar Gunnarsson and Gísli Darri Halldórsson

Best Original Score

· Soul – Trent Reznor, Atticus Ross and Jon Batiste

o Da 5 Bloods – Terence Blanchard

o Mank – Trent Reznor and Atticus Ross

o Minari – Emile Mosseri

o News of the World – James Newton Howard

Best Original Song

· "Fight for You" from Judas and the Black Messiah – Music by D'Mile and H.E.R.; lyric by H.E.R. and Tiara Thomas

o "Hear My Voice" from The Trial of the Chicago 7 – Music by Daniel Pemberton; lyric by Celeste and Pemberton

o "Husavik" from Eurovision Song Contest: The Story of Fire Saga – Music and lyric by Rickard Göransson, Fat Max Gsus and Savan Kotecha

o "Io sì (Seen)" from The Life Ahead – Music by Diane Warren; lyric by Laura Pausini and Warren

o "Speak Now" from One Night in Miami... – Music and lyric by Sam Ashworth and Leslie Odom Jr.

Best Sound

· Sound of Metal – Jaime Baksht, Nicolas Becker, Philip Bladh, Carlos Cortés and Michelle Couttolenc

o Greyhound – Beau Borders, Michael Minkler, Warren Shaw and David Wyman

o Mank – Ren Klyce, Drew Kunin, Jeremy Molod, Nathan Nance and David Parker

o News of the World – William Miller, John Pritchett, Mike Prestwood Smith and Oliver Tarney

o Soul – Coya Elliot, Ren Klyce and David Parker

Best Production Design

· Mank – Production Design: Donald Graham Burt; Set Decoration: Jan Pascale

o The Father – Production Design: Peter Francis; Set Decoration: Cathy Featherstone

o Ma Rainey's Black Bottom – Production Design: Mark Ricker; Set Decoration: Karen O'Hara and Diana Stoughton

o News of the World – Production Design: David Crank; Set Decoration: Elizabeth Keenan

o Tenet – Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

Best Cinematography

· Mank – Erik Messerschmidt

o Judas and the Black Messiah – Sean Bobbitt

o News of the World – Dariusz Wolski

o Nomadland – Joshua James Richards

o The Trial of the Chicago 7 – Phedon Papamichael

Best Makeup and Hairstyling

· Ma Rainey's Black Bottom – Sergio Lopez-Rivera, Mia Neal and Jamika Wilson

o Emma. – Laura Allen, Marese Langan and Claudia Stolze

o Hillbilly Elegy – Patricia Dehaney, Eryn Krueger Mekash and Matthew W. Mungle

o Mank – Colleen LaBaff, Kimberley Spiteri and Gigi Williams

o Pinocchio – Dalia Colli, Mark Coulier and Francesco Pegoretti

Best Costume Design

· Ma Rainey's Black Bottom – Ann Roth

o Emma. – Alexandra Byrne

o Mank – Trish Summerville

o Mulan – Bina Daigeler

o Pinocchio – Massimo Cantini Parrini

Best Film Editing

· Sound of Metal – Mikkel E.G. Nielsen

o The Father – Yorgos Lamprinos

o Nomadland – Chloé Zhao

o Promising Young Woman – Frédéric Thoraval

o The Trial of the Chicago 7 – Alan Baumgarten

Best Visual Effects

· Tenet – Scott R. Fisher, Andrew Jackson, David Lee and Andrew Lockley

o Love and Monsters – Genevieve Camailleri, Brian Cox, Matt Everitt and Matt Sloan

o The Midnight Sky – Matthew Kasmir, Chris Lawrence, Max Solomon and David Watkins

o Mulan – Sean Andrew Faden, Steve Ingram, Anders Langlands and Seth Maury

o The One and Only Ivan – Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez

[tocinephile]

T'was the night before the Oscars...

Here we are again. The final stab at a decent award show ceremony amidst a global pandemic. I'm not getting my hopes up after the Golden Globes and SAG zoom calls, in fact I've read very little about the upcoming ceremonies since they announced they would not be using zoom... and then promptly reversed that decision.

It would seem no matter how late we delay the Oscars, I still find myself the night before the show scrambling to watch all the Best Picture nominees. It also hasn't slipped my mind all the promises I'd made to discuss my top films of 2020 and the things I would not have seen if not for this global catastrophe. Having had a number of conversations with fellow cinephiles, many have also found themselves very unenthused about award season contenders, dramatic pictures or anything with heavier content so to speak, or even movies in general. The struggle to concentrate is real.

I'm going to get right into my list of predictions with the caveats that I have yet to see Sound of Metal, and I have to watch the second half of Judas and the Black Messiah after I hit 'post' here. You will find as we go through, there's lots more I haven't seen.

Best Picture

“The Father”

“Judas and the Black Messiah”

“Mank”

“Minari”

“Nomadland” - Will win

“Promising Young Woman” - Should win (though I liked Nomadland very much as well)

“Sound of Metal”

“The Trial of the Chicago 7”

Best Director

Thomas Vinterberg (“Another Round”)

David Fincher (“Mank”) - excellent director but I actually don't think he left his mark on Mank as much as he did many of his other films, I've questioned previously whether he should have gotten the nomination

Lee Isaac Chung (“Minari”)

Chloé Zhao (“Nomadland”) - Will win/should win

Emerald Fennell (“Promising Young Woman”)

Best Actor in a Leading Role - very strong contenders all around in this category, every one of them (I'm sure I'll have the same reaction about Riz Ahmed) made me say "holy shit" in amazement out loud

Riz Ahmed (“Sound of Metal”)

Chadwick Boseman (“Ma Rainey’s Black Bottom”) - Will win/should win

Anthony Hopkins (“The Father”)

Gary Oldman (“Mank”)

Steven Yeun (“Minari”)

Best Actress in a Leading Role

Viola Davis (“Ma Rainey’s Black Bottom”) - I think if not Andra Day, then Viola will win it

Andra Day (“The United States v. Billie Holiday”) - Will win?/should win

Vanessa Kirby (“Pieces of a Woman”)

Frances McDormand (“Nomadland”)

Carey Mulligan (“Promising Young Woman”)

Best Actor in a Supporting Role

Sacha Baron Cohen (“The Trial of the Chicago 7”) - I think he's also got a decent shot in this category

Daniel Kaluuya (“Judas and the Black Messiah”) - Will win/should win

Leslie Odom Jr. (“One Night in Miami”)

Paul Raci (“Sound of Metal”)

Lakeith Stanfield (“Judas and the Black Messiah”)

Best Actress in a Supporting Role

Maria Bakalova (‘Borat Subsequent Moviefilm”) - truth be told I didn't think her performance was so great that she should get an Oscar nomination for it

Glenn Close (“Hillbilly Elegy”)

Olivia Colman (“The Father”) - another potentially unpopular comment... while I think Olivia Colman is one of the best actresses and most delightful people in existence, given her range and talent I don't she particularly excelled in The Father to make it an Oscar-worthy performance.

Amanda Seyfried (“Mank”)

Yuh-jung Youn (“Minari”) - Will win/should win

Best Animated Feature Film - I only saw one film so I have no basis for comparison

“Onward” (Pixar)

“Over the Moon” (Netflix)

“A Shaun the Sheep Movie: Farmageddon” (Netflix)

“Soul” (Pixar) - will win

“Wolfwalkers” (Apple TV Plus/GKIDS)

Best Adapted Screenplay

“Borat Subsequent Moviefilm.” Screenplay by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Peter Baynham, Erica Rivinoja, Dan Mazer, Jena Friedman, Lee Kern; Story by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Nina Pedrad

“The Father,” Christopher Hampton and Florian Zeller - should win...and will win?

“Nomadland,” Chloé Zhao

“One Night in Miami,” Kemp Powers - might also win?

“The White Tiger,” Ramin Bahrani

Best Original Screenplay

“Judas and the Black Messiah.” Screenplay by Will Berson, Shaka King; Story by Will Berson, Shaka King, Kenny Lucas, Keith Lucas

“Minari,” Lee Isaac Chung

“Promising Young Woman,” Emerald Fennell - 50/50 will win/definitely should win tho!

“Sound of Metal.” Screenplay by Darius Marder, Abraham Marder; Story by Darius Marder, Derek Cianfrance

“The Trial of the Chicago 7,” Aaron Sorkin - 50/50 will win... I really didn't get onboard this movie, but I will say the script was the best thing about it

Best Original Song - I'm not even going to venture a guess...

“Fight for You,” (“Judas and the Black Messiah”). Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas

“Hear My Voice,” (“The Trial of the Chicago 7”). Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite

“Húsavík,” (“Eurovision Song Contest”). Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard Göransson

“Io Si (Seen),” (“The Life Ahead”). Music by Diane Warren; Lyric by Diane Warren and Laura Pausini

“Speak Now,” (“One Night in Miami”). Music and Lyric by Leslie Odom, Jr. and Sam Ashworth

Best Original Score - I actually didn't think much of any of the scores in any of the films I've seen in 2020...

“Da 5 Bloods,” Terence Blanchard

“Mank,” Trent Reznor, Atticus Ross

“Minari,” Emile Mosseri

“News of the World,” James Newton Howard

“Soul,” Trent Reznor, Atticus Ross, Jon Batiste - will win

Best Sound - I suspect it might be Sound of Metal but I haven't watched it yet. I've also not seen Greyhound.

“Greyhound,” Warren Shaw, Michael Minkler, Beau Borders and David Wyman

“Mank,” Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin

“News of the World,” Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett

“Soul,” Ren Klyce, Coya Elliott and David Parker

“Sound of Metal,” Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh

Best Costume Design

“Emma,” Alexandra Byrne - will win

“Mank,” Trish Summerville

“Ma Rainey’s Black Bottom,” Ann Roth - should win

“Mulan,” Bina Daigeler - should also win

“Pinocchio,” Massimo Cantini Parrini

Best Animated Short Film - I didn't watch a single Oscar-nominated short this year

“Burrow” (Disney Plus/Pixar)

“Genius Loci” (Kazak Productions)

“If Anything Happens I Love You” (Netflix)

“Opera” (Beasts and Natives Alike)

“Yes-People” (CAOZ hf. Hólamói)

Best Live-Action Short Film - I didn't watch a single Oscar-nominated short this year

“Feeling Through”

“The Letter Room”

“The Present”

“Two Distant Strangers”

“White Eye”

Best Cinematography

“Judas and the Black Messiah,” Sean Bobbitt

“Mank,” Erik Messerschmidt - will win/should win

“News of the World,” Dariusz Wolski

“Nomadland,” Joshua James Richards

“The Trial of the Chicago 7,” Phedon Papamichael

Best Documentary Feature - I thought I watched a decent number of docs in 2020, but apparently not the right ones because I saw none of these.

“Collective,” Alexander Nanau and Bianca Oana

“Crip Camp,” Nicole Newnham, Jim LeBrecht and Sara Bolder

“The Mole Agent,” Maite Alberdi and Marcela Santibáñez

“My Octopus Teacher,” Pippa Ehrlich, James Reed and Craig Foster

“Time,” Garrett Bradley, Lauren Domino and Kellen Quinn

Best Documentary Short Subject - I didn't watch a single Oscar-nominated short this year

“Colette,” Anthony Giacchino and Alice Doyard

“A Concerto Is a Conversation,” Ben Proudfoot and Kris Bowers

“Do Not Split,” Anders Hammer and Charlotte Cook

“Hunger Ward,” Skye Fitzgerald and Michael Scheuerman

“A Love Song for Latasha,” Sophia Nahli Allison and Janice Duncan

Best Film Editing

“The Father,” Yorgos Lamprinos - 50/50 will win/should win

“Nomadland,” Chloé Zhao

“Promising Young Woman,” Frédéric Thoraval

“Sound of Metal,” Mikkel E.G. Nielsen

“The Trial of the Chicago 7,” Alan Baumgarten - 50/50 will win

Best International Feature Film

“Another Round” (Denmark) - will win

“Better Days” (Hong Kong) - should win (yes, because I'm biased, plus it's also the only other film aside from Another Round that I've seen in this category and I liked it a lot better, but also, just because it's very fine film)

“Collective” (Romania)

“The Man Who Sold His Skin” (Tunisia)

“Quo Vadis, Aida?”(Bosnia and Herzegovina)

Best Makeup and Hairstyling

“Emma,” Marese Langan, Laura Allen, Claudia Stolze - will win

“Hillbilly Elegy,” Eryn Krueger Mekash, Patricia Dehaney, Matthew Mungle

“Ma Rainey’s Black Bottom,” Sergio Lopez-Rivera, Mia Neal, Jamika Wilson - should win

“Mank,” Kimberley Spiteri, Gigi Williams, Colleen LaBaff

“Pinocchio,” Mark Coulier, Dalia Colli, Francesco Pegoretti

Best Production Design

“The Father.” Production Design: Peter Francis; Set Decoration: Cathy Featherstone - I don't think this is the best Production Design but I do think it's underrated what they did and that it should be recognized a different kind of creativity went into designing the sets for this film.

“Ma Rainey’s Black Bottom.” Production Design: Mark Ricker; Set Decoration: Karen O’Hara and Diana Stoughton

“Mank.” Production Design: Donald Graham Burt; Set Decoration: Jan Pascale - will win? I do think the Production Design was spectacular...

“News of the World.” Production Design: David Crank; Set Decoration: Elizabeth Keenan

“Tenet.” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas - should win

Best Visual Effects

“Love and Monsters,” Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox

“The Midnight Sky,” Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins

“Mulan,” Sean Faden, Anders Langlands, Seth Maury and Steve Ingram

“The One and Only Ivan,” Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez

“Tenet,” Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher - will win/should win... like why would it not win??

Ok, I wasn't very decisive in some of those categories and since I'm taking part in an Oscar pool I will have to make some choices and refine my selections before tomorrow. I will share my final Oscar pool pics, do my part bombarding everyone's twitter tomorrow evening, and review after the awards where it all went right/wrong.

[deqpelis]

Oscars 2021: lista completa de nominados

Tarde pero seguro. El próximo 25 de abril se entregarán las estatuillas más esperadas del cine; entre estrenos cancelados y cines transformados en salas de living y streming, llegarán finalmente los premios más ansiados por los amantes del séptimo arte.

- OSCAR NOMINATIONS 2021 -

Best Picture

THE FATHER David Parfitt, Jean-Louis Livi and Philippe Carcassonne, Producers JUDAS AND THE BLACK MESSIAH Shaka King, Charles D. King and Ryan Coogler, Producers MANK Ceán Chaffin, Eric Roth and Douglas Urbanski, Producers MINARI Christina Oh, Producer NOMADLAND Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao, Producers PROMISING YOUNG WOMAN Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, Producers SOUND OF METAL Bert Hamelinck and Sacha Ben Harroche, Producers THE TRIAL OF THE CHICAGO 7 Marc Platt and Stuart Besser, Producers

Actor in a Leading Role

Riz Ahmed in SOUND OF METAL Chadwick Boseman in MA RAINEY'S BLACK BOTTOM Anthony Hopkins in THE FATHER Gary Oldman in MANK Steven Yeun in MINARI

Actor in a Supporting Role

Sacha Baron Cohen in THE TRIAL OF THE CHICAGO 7 Daniel Kaluuya in JUDAS AND THE BLACK MESSIAH Leslie Odom, Jr. in ONE NIGHT IN MIAMI... Paul Raci in SOUND OF METAL Lakeith Stanfield in JUDAS AND THE BLACK MESSIAH

Actress in a Leading Role

Viola Davis in MA RAINEY'S BLACK BOTTOM Andra Day in THE UNITED STATES VS. BILLIE HOLIDAY Vanessa Kirby in PIECES OF A WOMAN Frances McDormand in NOMADLAND Carey Mulligan in PROMISING YOUNG WOMAN

Actress in a Supporting Role

Maria Bakalova in BORAT SUBSEQUENT MOVIEFILM: DELIVERY OF PRODIGIOUS BRIBE TO AMERICAN REGIME FOR MAKE BENEFIT ONCE GLORIOUS NATION OF KAZAKHSTAN Glenn Close in HILLBILLY ELEGY Olivia Colman in THE FATHER Amanda Seyfried in MANK Yuh-Jung Youn in MINARI

Animated Feature Film

ONWARD Dan Scanlon and Kori Rae OVER THE MOON Glen Keane, Gennie Rim and Peilin Chou A SHAUN THE SHEEP MOVIE: FARMAGEDDON Richard Phelan, Will Becher and Paul Kewley SOUL Pete Docter and Dana Murray WOLFWALKERS Tomm Moore, Ross Stewart, Paul Young and Stéphan Roelants

Cinematography

JUDAS AND THE BLACK MESSIAH Sean Bobbitt MANK Erik Messerschmidt NEWS OF THE WORLD Dariusz Wolski NOMADLAND Joshua James Richards THE TRIAL OF THE CHICAGO 7 Phedon Papamichael

Costume Design

EMMA Alexandra Byrne MA RAINEY'S BLACK BOTTOM Ann Roth MANK Trish Summerville MULAN Bina Daigeler PINOCCHIO Massimo Cantini Parrini

Directing

ANOTHER ROUND Thomas Vinterberg MANK David Fincher MINARI Lee Isaac Chung NOMADLAND Chloé Zhao PROMISING YOUNG WOMAN Emerald Fennell

Documentary (Feature)

COLLECTIVE Alexander Nanau and Bianca Oana CRIP CAMP Nicole Newnham, Jim LeBrecht and Sara Bolder THE MOLE AGENT Maite Alberdi and Marcela Santibáñez MY OCTOPUS TEACHER Pippa Ehrlich, James Reed and Craig Foster TIME Garrett Bradley, Lauren Domino and Kellen Quinn

Documentary (Short Subject)

COLETTE Anthony Giacchino and Alice Doyard A CONCERTO IS A CONVERSATION Ben Proudfoot and Kris Bowers DO NOT SPLIT Anders Hammer and Charlotte Cook HUNGER WARD Skye Fitzgerald and Michael Scheuerman A LOVE SONG FOR LATASHA Sophia Nahli Allison and Janice Duncan

Film Editing

THE FATHER Yorgos Lamprinos NOMADLAND Chloé Zhao PROMISING YOUNG WOMAN Frédéric Thoraval SOUND OF METAL Mikkel E. G. Nielsen THE TRIAL OF THE CHICAGO 7 Alan Baumgarten

International Feature Film

ANOTHER ROUND Denmark BETTER DAYS Hong Kong COLLECTIVE Romania THE MAN WHO SOLD HIS SKIN Tunisia QUO VADIS, AIDA? Bosnia and Herzegovina

Makeup and Hairstyling

EMMA Marese Langan, Laura Allen and Claudia Stolze HILLBILLY ELEGY Eryn Krueger Mekash, Matthew Mungle and Patricia Dehaney MA RAINEY'S BLACK BOTTOM Sergio Lopez-Rivera, Mia Neal and Jamika Wilson MANK Gigi Williams, Kimberley Spiteri and Colleen LaBaff PINOCCHIO Mark Coulier, Dalia Colli and Francesco Pegoretti

Music (Original Score)

DA 5 BLOODS Terence Blanchard MANK Trent Reznor and Atticus Ross MINARI Emile Mosseri NEWS OF THE WORLD James Newton Howard SOUL Trent Reznor, Atticus Ross and Jon Batiste

Music (Original Song)

"Fight For You" from JUDAS AND THE BLACK MESSIAH Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas "Hear My Voice" from THE TRIAL OF THE CHICAGO 7 Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite "Husavik" from EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard Göransson "Io Sì (Seen)" from THE LIFE AHEAD (LA VITA DAVANTI A SE) Music by Diane Warren; Lyric by Diane Warren and Laura Pausini "Speak Now" from ONE NIGHT IN MIAMI... Music and Lyric by Leslie Odom, Jr. and Sam Ashworth

Production Design

THE FATHER Production Design: Peter Francis; Set Decoration: Cathy Featherstone MA RAINEY'S BLACK BOTTOM Production Design: Mark Ricker; Set Decoration: Karen O'Hara and Diana Stoughton MANK Production Design: Donald Graham Burt; Set Decoration: Jan Pascale NEWS OF THE WORLD Production Design: David Crank; Set Decoration: Elizabeth Keenan TENET Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

Short Film (Animated)

BURROW Madeline Sharafian and Michael Capbarat GENIUS LOCI Adrien Mérigeau and Amaury Ovise IF ANYTHING HAPPENS I LOVE YOU Will McCormack and Michael Govier OPERA Erick Oh YES-PEOPLE Gísli Darri Halldórsson and Arnar Gunnarsson

Short Film (Live Action)

FEELING THROUGH Doug Roland and Susan Ruzenski THE LETTER ROOM Elvira Lind and Sofia Sondervan THE PRESENT Farah Nabulsi TWO DISTANT STRANGERS Travon Free and Martin Desmond Roe WHITE EYE Tomer Shushan and Shira Hochman

Sound

GREYHOUND Warren Shaw, Michael Minkler, Beau Borders and David Wyman MANK Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin NEWS OF THE WORLD Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett SOUL Ren Klyce, Coya Elliott and David Parker SOUND OF METAL Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh

Visual Effects

LOVE AND MONSTERS Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox THE MIDNIGHT SKY Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins MULAN Sean Faden, Anders Langlands, Seth Maury and Steve Ingram THE ONE AND ONLY IVAN Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez TENET Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher

Writing (Adapted Screenplay)

BORAT SUBSEQUENT MOVIEFILM: DELIVERY OF PRODIGIOUS BRIBE TO AMERICAN REGIME FOR MAKE BENEFIT ONCE GLORIOUS NATION OF KAZAKHSTAN Screenplay by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Peter Baynham & Erica Rivinoja & Dan Mazer & Jena Friedman & Lee Kern; Story by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Nina Pedrad THE FATHER Screenplay by Christopher Hampton and Florian Zeller NOMADLAND Written for the screen by Chloé Zhao ONE NIGHT IN MIAMI... Screenplay by Kemp Powers THE WHITE TIGER Written for the screen by Ramin Bahrani

Writing (Original Screenplay)

JUDAS AND THE BLACK MESSIAH Screenplay by Will Berson & Shaka King; Story by Will Berson & Shaka King and Kenny Lucas & Keith Lucas MINARI Written by Lee Isaac Chung PROMISING YOUNG WOMAN Written by Emerald Fennell SOUND OF METAL Screenplay by Darius Marder & Abraham Marder; Story by Darius Marder & Derek Cianfrance THE TRIAL OF THE CHICAGO 7 Written by Aaron Sorkin

[sylwritesstuff]

033) Melody (372)

Part of the Light to Dancing 100x100 List.

Rating: G (or M if you click on the linked song, lol)

Inspired by:  Demons Don't Get Detention, Angels Don't Hand Out Hall Passes by @skimmingmilk

—-

Crowley scowled down at his class schedule, then at Aziraphale's. There was really no reason to continue the ruse. Adam knew they'd come to this Americanized high school to make sure it was all on the up and up and, though Aziraphale was still a tiny bit uncertain on trusting the word of the Antichrist, Crowley wasn't. If the boy said he was just enhancing his life experiences and letting others explore with him, it seemed harmless. They could've stopped. They should have stopped. 

"You're taking choir?" 

Aziraphale's cheeks burned as he quickly snatched his schedule away. "I don't see how that's an issue. If we don't have to keep such a strict eye on Adam any longer, I wanted to... explore."

"But choir? They won't be singing gospel, angel."

"Oh." He hadn't considered that. It was a public school, after all. His nose wrinkled. "I suppose they'll sing bebop."

"More modern than that," Crowley muttered. "Can you even sing?" 

He somehow looked more offended. "I am an angel."

"Fair enough." Crowley cocked his head to the side, studying him. "Will you sing modern songs?" 

"Possibly. I don't know any to speak of, so I can't say either way."

"It's school, angel. You have to do what you're told."

Aziraphale pressed his lips together. He clearly hadn't thought this through at all. "They won't... swear, will they?" 

Crowley took pity on him, kissing a puffed out cheek. "It's still Tadfield. You probably won't start singing about sex and they'll skip over any swearing."

"There are songs about that?" 

Crowley arched a brow. "I'm going to loan you a tape."

"I don't have a tape player."

"I'll turn it into a record. Just trust me, angel. It's a selection to bring you into this century."

Aziraphale looked at him nervously, and Crowley couldn't say it was unfounded. "Well... Alright."

It was returned very, very quickly, and Aziraphale refused to look him in the eye for three full days. It only made Crowley's eyes roll until he put it on himself. The very first song clued him in very quickly, the steady pulsating beat and Trent Reznor's wicked promises exactly the opposite of what he'd intended. 

Ah, well. Honest mistake. Could've happened to anyone.