#Creative Concern

[warandpeas]

Move

New comic! “Move” is one of a series of climate comics that bring art and science together to explore the big questions about the climate crisis. More to read & download at https://www.comicartfestival.com/constrain-climate-comics The other artists involved are – award-winning comic creator Darryl Cunningham and comic creator, academic and illustrator Sayra Begum. CONSTRAIN is a 4-year programme…

[downthetubes]

Manchester’s first Creatives for Change event announces Rewriting Extinction’s Paul Goodenough, artists Sayra Begum, Venessa Scott as guests

Creative Concern are hosting their first Creatives for Change “Mixer” event in Manchester next month, the creative agency that has been an integral part of promoting the Lakes International Comic Art Festival for a number of years

Creative Concern are hosting their first Creatives for Change “Mixer” event in Manchester next month, the creative agency that has been an integral part of promoting the Lakes International Comic Art Festival for a number of years. Creatives for Change is a not-for-profit initiative hosted by Creative Concern. Tickets for this free Mixer event on Tuesday 14th November at GRUB in Manchester are…

[chimaeraonwards]

no ai generated content will ever compare to the absolutely cartoonishly evil plot to cut down trees to prevent workers from striking to get livable wage.

[yet-another-haven-of-dollya]

That one time Lya tried to cut her hair oh-so-short So that nobody could grab or pull at it without her consent...

Ref from my fav artist

[sesamenom]

the man in the moon went on too many sidequests

hilarious how the Man in the Moon Stayed Up Too Late / Man in the Moon Came Down Too Soon implies that tilion once wandered off, got drunk, and after being dragged back he fell out of the Moon and got stuck in a fishing net

[syoddeye]

something something soap permanently borrows the pretty model from the live drawing class he attends and treats them like an articulated mannequin for his own personal reference.

[shorthaltsjester]

“it’s their show” and “it’s an adaptation” don’t both get to be used to defend tlovm’s weaker choices btw. either it’s just their show (that the cast has explicitly said one of their favourite parts of tlovm is doing it for the fans and seeing reactions — notably different than the campaigns which are For Them) or it’s a story they are trying to tell in a different medium while maintaining the things that made it poignant and significant to an audience in the first place. and, uh, i think the problems i see in tlovm is literally that the show seems to be trying to thread the needle of both of these and it’s failing. truly. i need you to choose one and commit to it. make it just your show and write the version of the story you most want to see or start making more compelling and consistent writing choices. one. i might suggest in a show committed to 7 main characters, is giving all of them depth, given that every person i’ve spoken to who hasn’t seen the campaign and watched the show has told me how they think the characters aren’t always strongly written and the pace is weird and that there are many things that get touched on with characters and their arcs that are interesting but do not have enough depth. i think tlovm has great entertainment value. i think it’s depth as a cohesive story about a party of adventures turned found family is a bit more questionable (which is unfortunate given its title). i don’t need the campaign in animated form, but if interviews are going to consistently reference wanting to appeal to og fans while bringing in new ones, paying attention to what actually kept people watching 4 hours of occasionally meandering plots and long dnd initiatives every week might be a better guiding point than the shock and surprise they have frequently cited in interviews. and obviously that varies from person to person, but one of the most significant strengths of a table of actors playing dnd was, surprise surprise, the characters and their interactions.

[brainrotcharacters]

lmao so you're telling me the blood on the trident is poseidon's HAHAHAHAHAHAHA

[teafiend]

[tiny-huts]

HE REALLY IS LIKE. GOOD FOR HER. KILL GOD

[dudewhy3]

Continue yours and Myrtle's discussion about Armin being a Twilight fan, what if it's a plot twist, and it's ARMIN who introduced Mikasa to Twilight?

Like, he was *analysing* everything and reading books and watching movies, but was ashamed of it, and Mikasa once spotted him writing another long essay about, "The more Edward loves Bella, the more he thinks he's in danger: principles of the selective abstraction and polarizes thinking", and so he introduced her with the saga after this.

BONUS: before AruAni became a thing, Armin heard Annie playing and singing Paramore - Decode, and he was mesmerized by her voice, playing and beauty, and so he was so smitten with her, that he didn't even notice that Annie was, in fact, smitten with him, too. It took them a while before they became a couple, but when they did, Annie plays Decode only for him :3

HI ANNAAAA, AND OH MY GOD YES!! THIS IS SUCH A GREAT IDEA AAAAAAGH, thank you for sending it in!! <3

It turned out rather long ahaha, so i'll put it under the cut. Please do beware of the angst ahead :3

So in a high school au, let's say Armin was 16 this year. That would mean that he was born in the same year the first Twilight movie was released (2008), just 3 weeks before. So, imagine his parents, a young couple, new parents to a little bundle of light, huddling up on the little couch in their little apartment, trying to ignore the cold, switching through channels to make the time pass. They randomly get to a channel streaming Twilight, so they watch it all. And little Armin doesn't cry once, he just stares at the screen with those big eyes of his, as if he understood everything that was going on. For the next 5 years, each November they would watch the release of another Twilight movie (except for that one time in like 2010 when they released it in June). And after the saga was complete, they'd watch it all in November, maybe even on Armin's birthday to make it more special. Until the day he turned 10, and his parents didn't come home– they never came home again, it was just him and his grandfather. Yet every time he missed them, he put on a Twilight movie, and the grief would get a little more bearable.

So as he grew older, he grew more attached to the saga. He started analysing everything about it, every little detail, because it made him feel closer to his parents. But he never shared those ideas, because they were so intimate and he was already getting bullied enough- so, he kept them in a little notebook. Until one day in math class when he was about 13 or 14, he was scribbling down ideas for that essay you mentioned- "The more Edward loves Bella, the more he thinks he's in danger" (which is such a cool title btw, love it). And Mikasa peeked over his shoulder and read a bit, and she was so engrossed with it that she didn't stop pestering him until he showed her the movies.Which was life changing for Mikasa, because she now finally had something she truly loved, but also for Armin- someone liked his ideas; he got to share his love for the series again, and it made him happy. So he finally found the courage to share his analyses and ideas, and they were well recieved by the fandom.

But he never finished that essay, not until he met Annie. He met her just as you said- he heard her singing once and was irrevocably in love. Except, i head canon that Annie would be such a distant and quiet person in high school, it would take a LOT to get close to her. Not only is she aloof, she's also extremely direct- so all his efforts to sit with her or strike up conversation ended up in her berating him for bugging her. Besides, there was Bert too, always two steps behind Annie in an almost stalky manner, but she seemed to indulge his presence better than Armin's.

So, Armin gave up on trying to pursue her. He accepted the fact that he was the Jacob in this situation and that his Bella has chosen the giant vampire, and drowned himself into his theories and analysis. He found that essay in his drafts, and decided to work on it again. "The more Edward loves Bella, the more he thinks he's in danger: principles of the selective abstraction and polarized thinking". It helped to put his own feelings and love somewhere.

But the bullies found it. They found his notebook, tore it all up, gave him one hell of a beating. Armin was left bruised and broken and with a ruined notebook. His work, his life's purpose- gone. He didn't know what to do, so he picked himself up, gathered the pieces of paper that used to be his essay, and started walking astray through the school. Until he heard soft guitar tunes coming out of the music room, and found Annie there, playing her guitar, wearing a scowl on her face. Somehow, her scowl only deepened when she saw him.

"I didn't know where else to go." He couldn't go home and worry his grandpa, and he couldn't go to his friends either, or Eren would have caused a scene. "Is it cool if I stay here? I promise not to bother you."

Annie looked him up and down, examining him thoroughly, her eyes widening the slightest bit at the sight of his bruises. "It's whatever," she finally said.

So they sat in the music room, each doing their own thing. Armin put his essay back together, and Annie carried on with her song. No word was spoken between them that day, or the next day, or the next week, yet there was peace in the quiet and comfort in the silent understanding passed between them. But Annie's silence turned into nods of aknowledgement and later into quiet 'hi's. Armin's turned into little smiles and stolen glances, and occasional "hey do you want some chips?"s. One day, two months into this arrangement, as she was taking a little break from her guitar and munching on his chips, she asked about that essay of his.

"How come you haven't finished it yet, don't you have a deadline for it?"

And so, feeling extremely self conscious, Armin beat around the bush and said that it was this silly character analyses for a show he liked.

The next day, Annie was playing another song, but he didn't recognize it at first because she played it in little sequences, never in full length. Eventually, maybe three or four weeks later, she asked him to put his essay aside for a minute and just listen, and she played Paramore's Decode, both guitar and voice. Armin was left absolutely mesmerized, so much so that he didn't know what to say, staring at Annie with a big dumb smile on his face. But the more he stared, the more self aware Annie became. She flushed a deep red, picked up all her stuff in a hurry and left.

That was the moment Armin realized he was completely smitten. He went home, sat down at his desk- and decided to finish his essay that very day, give it to Annie in the morning, and confess his love through it. Which is exactly what he did. He was an absolute zombie the next day, having barely slept, but when he made it to the music room his heart was beating like crazy against his chest.

Annie got flustered when she saw him. "This is my room, I found it first. If you're gonna sit there and mock me for what I play, then you can stick your nose right up your-"

He thrusted the papers in her arms. "Just read this," he demanded.

Annie looked between him and the papers with skeptical eyes, but eventually sat down and started reading through them. Armin sat next to her and carefully watched her face as she read, taking into account every little change in her expression.

When she was done, Annie sat the papers neatly between them.

"Okay. And?"

"What do you think?"

"What does this have to do with me?"

Armin took a deep breath in, building up his courage. He couldn't back out now.

"This is how I feel about you. What do you think?"

[asterdeer]

also like. it’s literally okay for some people not to be creative. do you know how many trillions of people there are and ever were and ever will be? ‘i don’t Create Art or do things with my hands’ is like. it’s okay to be that way. “but everyone should at least fingerpaint or write bad poetry!!!!” i mean. no? everyone is free to do as many hobbies and pastimes as they want as well or as badly but that also means that people can just. not have creative hobbies. people can live fulfilling and healthy and happy lives without ever once painting past the age of 7, writing a short story once and never again, getting so irritated with trying to learn a yarn craft that they get flashbacks going past a joann. and i think it’s very weird that so many people on this webbed site think that they are qualified to give out firm and fast Prerequisites For Being A Real Fully Alive Human Being

[soupedepates]

I fell in love with The coffin of Andy and LeyLey

I am an incestuous SA survivor with issues yk. And it was with a sibling. I thought I was pregnant for 9 months.

But looking at those freaks enabling and making the other worse through murders, cannibalism, theft and demon invocation?

That. That is brilliant.

That's fucking cathartic and brilliant.

Because it's destroying them both and you see it, you SEE it.

If you can't handle a bit of problematic media grow the fuck up. This isn't romanticized. This is gruesome, and that's what makes it wonderful.

And come on, you can handle cannibalism, murder, body desacretion and parricide, but you draw the line at incest? You're full of shit.

The narrative ain't positive here darling. It's fine if you prefer cozy games, but don't annoy the hell of the ones that want to be disturbed, distraught and anguished by a video game.

[teenytinyapprentice]

sunshowers & running errands with the younger two

[ai-innova7ions]

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[blackkatmagic]

While I'm fully on board with "show, don't tell" as a baseline for writing well, I think once you've got that part down, you can branch out into "sure, tell, but also make the reader feel".

Like. Showing someone exhibiting all the traits of nervousness is great, but I do think that sometimes it's easier and more immediate to just say "he was nervous. He couldn't keep his hands still, and his eyes kept darting to the door".

It's telling, but it's also showing. It keeps the narrative from getting bogged down with too many details but still gets the point across clearly, and makes the whole scene easier to imagine while streamlining it. It's still good writing.

Just. I think telling has a definite place in writing, as long as it's balanced. It's just clearer that way, and isn't that the point of good writing?