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greatdrams · 7 years ago

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LIST OF RARE & COLLECTABLE WHISKIES RELEASED FOR THE DISTILLERS’ CHARITY AUCTION ON 10th APRIL 2018

The full list of lots for the second Worshipful Company of Distillers’ Charity Auction will go live at www.distillers.auction on Tuesday 20th March 2018. It features more than 70rare and highly collectable whiskies and experiences that will go under the hammerat Mercers’ Hall, in the heart of the City of London, on Tuesday 10th April.

The evening, hosted by Master of the Worshipful Company of Distillers Bryan Burrough, will begin with a reception attended by the Lord Mayor of London, followed by international auctioneer David Elswood of Christie’s conducting the auction. Tickets to attend (dress code - black tie) are available for £100 at www.distillers.auction. There is also the opportunity on the auction website to register for absentee and telephone bidding.

Estimates for the lots, all of impeccable provenance having been donated directly by the producers or livery men of the Distillers, range from £250 to £25,000.They include some of the most sought-after whiskies in the world, one-of-a-kind expressions, special bottlings never released commercially and private invitations to tastings with the makers.

Bidding is expected to be strong for the Whyte & Mackay contribution of a one-off, specially produced bottle of The Dalmore 1976 Highland Single Malt Whisky 41 Years Old, matured in a Graham’s Port Colheita 1963 Pipe, with details andtasting notes on a scroll handwritten bymaster blender and liveryman Richard Paterson.

William Grant & Sons has provided exceptional whiskies with wonderful stories. Glenfiddich 50 Years Old, vintage distillery bottling from 1991, is number 440 of a limited edition of 500 bottles. This whisky was made from a batch of nine casks laid down in the 1930s, one for each of William Grant's nine children who had helped to build Glenfiddich Distillery in the 1880s.Its bottle of The Balvenie 50 Year Old Cask 191(bottle number 14 of 83), distilled in 1952 and bottled is 2002, is one of the oldest Balvenies ever released and the label reads: “The last cask of The Balvenie Single Malt Whisky from the nineteen fifties is unique and unrepeatable.”

Gordon & MacPhail has gathered six of its historic bottlings of Single Malt Scotch Whiskies, one distilled in each decade from the 1930s to 1980s, to create The Archive Collectionexclusively for The Distillers’ Charity Auction: Strathisla 1937, Linkwood 1946, Talisker 1955, Glen Grant 1965(never released for sale), Ardbeg 1974 and St. Magdalene 1982. This is accompanied by an invitation to the home of this family-owned company.

Compass Box Whisky has also delved into its archive to compileThe Hedonism Collection, from the originalin 2000 (the world’s first Blended Grain Scotch Whisky)to the latest expression released this year: Hedonism (First Edition), Hedonism Maximus, Hedonism 10th Anniversary, Hedonism Quindecimus and Hedonism The Muse. Founder John Glaser will host a special dinner in the Compass Box Blending Room for the winning bidder and five guests.

The Kirin Brewery Company Fuji-Gotemba Distillery has brought together a set of three 21 Year Old bottlings, never before sold together (two no longer available commercially and a Single Malt that has never been released for sale), from its historical whisky library stocks: Evermore 2001 Blended Whisky, Evermore 2002 Blended Whiskyand Fuji-Gotemba Single Malt Whisky distilled in 1981.

Chivas Bros has created The Royal Salute Highland Fling, a two-day trip to Speyside hosted by Peter Prentice, Keepers of the Quaich chairman and global VIP relations director for Chivas Bros. Staying at Linn House, six guests will visit Aberlour, The Glenlivet and Strathisla Distilleries with tastings in the Royal Salute Vault and Chivas Regal Cellar. The trip culminates in a Royal Salute Scottish Dinner and tasting of extraordinary whiskies.

Other highlights include: a magnum of Glenfarclas Highland Single Malt Whisky Aged 50 Years specially selected for The Worshipful Company of Distillers by John L S Grant and George S Grant and donated by Glenfarclas Distillery; Bowmore Single Malt Scotch Whisky 1964 Fino Cask 46 Years Old (one of 72 bottles) given by Beam Suntory UK; a unique bottle of Littlemill The Worshipful Company of Distillers 2018 Edition 40 Years Old selected by master blender Michael Henry; The MacallanSherry Oak 40 Years Oldrare single malt matured in three handpicked Oloroso sherry seasoned casks from Jerez; and number 232 of 500 crystal decanters of cask strength The North British Single Grain Scotch Whisky 50 Years Oldgiven to employees, former employees and friends ofThe North British Distillery Company Limited to celebrate its 125th Anniversary in 2010.

Alongside these legendary names are new distilleries already making their mark. Liverymen Daniel Szor, founder and CEO of The Cotswolds Distillery, is offering aday of whisky making and a hand-drawn cask strength bottle of Cotswolds Single Malt Whisky, and Stephen A Gould, proprietor and distiller at the Golden Moon Distillery, has donated a bottle from the first cask of its initial release of Colorado Single Malt Whiskey.

Bryan Burrough, Master of the Worshipful Company of Distillers, said: “As a Livery Company, charity is at the heart of what we do, and as Distillers we are proud to be leading our fundraising with the Distillers’ Charity Auction. An incredible collection of whiskies has been donated, which we are sure will generate a great deal of interest and excitement from collectors around the world.”

In the spirit of the event, the first two Worshipful Company of Distillers single cask bottlings of The Master’s Cask, signed by the Master of their year of bottling (an unpeated Caol Ila 18 Years Old for Douglas Morton in 2016 and Knockando 18 Years Old for Richard Watling in 2017), are presented for auction in a specially commissioned cabinet.

All proceeds will be donated to the Distillers’ Charity, which supports industry training and education, the Alcohol Education Trust dedicated to improving alcohol education for young people in Scotland, and the Lord Mayor’s Appeal towards the OnSide Youth Zones initiative creating opportunities for young people in London to thrive. More information on these charities can be found at www.distilers.auction.

Follow The Distillers’ Charity Auction on Instagram and Facebook @distillersauction.

The post LIST OF RARE & COLLECTABLE WHISKIES RELEASED FOR THE DISTILLERS’ CHARITY AUCTION ON 10th APRIL 2018 appeared first on GreatDrams.

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businessliveme · 5 years ago

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Have We Hit Peak Supercar?

(Bloomberg) — At the Frankfurt Auto Show this month, Lamborghini will unveil a V12 hybrid supercar called the Siån. The Bologna, Italy-based brand will make 63 of them, all already spoken for.

Lamborghini had hinted at its importance publicly in recent months and described in past detail how such special projects form an integral part of the business. Though unconfirmed, early reports set the price of the car around $3 million—an astronomical though increasingly common amount.

“The Reventon prompted the big discussion about the dimensions of this segment,” Maurizio Reggiani, Lamborgini’s chief engineer, told Bloomberg Pursuits during an interview in his office at company headquarters, noting that Lamborghini “started” the segment with its Lamborghini Reventon in 2007. “We were the first to do it like this. As we scouted more and more during that time, we started to see how, in this market, you can stretch in terms of price and in terms of demand. The Reventon coupe was $3 million; the [Reventon] roadster was $3.2 million; the Centenario was $2 million. So in this segment, we know there is a marvelous market.”

The mid-engine V12, all-wheel-drive Reventon famously hit 220mph on a test in Dubai, an astounding figure for a production car at that time. Only 20 were made, plus one marked for the Lamborghini museum.

Should it happen, the new hybrid will join a burgeoning field of extremely limited-edition hybrid and electric supercars from such luxury powerhouses as Aston Martin, Ferrari, Koenigsegg, Lotus, Mercedes-Benz, and Pininfarina. They have been flaunted recently in dazzling hues on golf courses and during private parties at seaside villas, heralded on Instagram fanboy accounts and Rodeo Drive parades orchestrated for YouTube.

Where it used to be that a company would have only one ever, or at most, one per year, now it seems they’re whipping them up as fast as possible. In the past year, Aston Martin alone has debuted and promised supercars in spades: the super-lightweight 1,160-horsepower Valkyrie and the 986 hp Valhalla hybrids, plus a Vanquish Vision concept and Valkyrie AMR Pro concept, not to mention the electric offerings from its Lagonda department.

They follow the precedent from the One-77 and Vulcan supercars that came in the years before. It’s quite a different mood for what used to be a staid, small automaker tucked into the verdant hills of England’s Cotswolds region.

Read also: The Best New Cars at the Geneva Motor Show

Many supercars, such as the $2.72 million Mercedes-AMG Project One limited-to-275 hybrid supercar based on Mercedes’s Formula 1 car, are sold as concepts, or very rough prototypes, and require six- or seven-figure deposits years in advance to ensure delivery. Others are sold with even less—a few sketches, a rendering, a foam-filled shell at an auto show. That’s if you can even get on the list to buy one. The official party line for most, like the Lambo, is that they have sold out before they’re even seen.

Some collectors are starting to find the rigmarole rather tedious.

“We need an awakening and cleansing soon to get everyone back into reality,” says Dan Kang, the well-known car collector based in Southern California, who owns a McLaren Senna, a Guntherwerks Porsche 911, and Lamborghini Centenario in similar carbon fiber livery, among other supercars. “It’s not even the new companies, but the current heritage brands as well, who feel they can demand the new price points without much substance. They need to support what they have already sold—not what [car] they can shovel up next.”

When manufacturers are unveiling cars that can’t be driven for years to come, and the very people able to afford them are over the hype anyway, it raises the question: Have we reached peak supercar?

Read: Bugatti’s ‘Sky Is the Limit’ Strategy of $13 Million, One-Off Supercars

Supermodels in Car World

Modern supercars, and their higher-end cousins, hypercars—both relative terms defined largely by whom you ask—are latecomers to the thread of automotive history. First, there were the rockets of their time, such as the Mercedes-Benz Silver Arrows of the 1930s and 300SL Gullwings of the 1950s.

In the 1960s, the Ferrari 250 GTOs dominated countless races and reached automotive immortality as the ultimate auction house blue-chip buys. But the supercar as we know it really came into its own in the late 1970s, ‘80s, and ‘90s, when hedonism reigned supreme. Such early examples as the Lamborghini Countach and Ferrari F40 set major precedents for design and performance.

They were like space ships, compared the mundane and affordable metal boxes of the day. Everyone has a favorite; just ask the guys down at the weekend coffee klatch about the Vector, the Ferrari Enzo, or the Porsche Carrera GT. You’ll get a reaction.

They were duly expensive. A Countach sold for $72,000 at the time, or the equivalent of $375,000 today; the F40 cost $400,000, or the equivalent of $884,000 today.

Supercars tend to age well if you have the patience, luck, and financing to get your hands on one: On Aug. 16 in Monterey, Calif., a 1994 McLaren F1 sold for $19.8 million, obliterating the previous high-price paid for a McLaren: $13.75 million in 2015. (Its original MSRP was around $1 million.)

You won’t be surprised to learn that the man who designed that car, Gordon Murray, is now designing a round of 100 new supercars tentatively called the T50 and priced near $3 million.

The role of the supercar used to be to act as the halo for the brand, to attract media attention and consumer hype to a marque. Even if only a few people could afford to actually buy the exciting, sexy car, they’d know about the brand because of it and then buy something more affordable.

Automakers figured that if you loved, or at least knew about, the Acura NSX that Formula 1 champion Aryton Senna helped develop, you’d be more likely to buy an Accord. It seems a stretch—but the basic awareness of a brand is half the battle, marketers say. And an NSX is a lot more likely to grab headlines than an Accord is.

Read: Bugatti Channels Early ’90s Supercar Swag in New $8.9 Million Auto

Supercars also carried the advanced driving technologies consumers could expect to see seep into the rest of the product lineup in succeeding years. The SF90 Stradale that Ferrari debuted in May is the first plug-in hybrid in Ferrari’s history, with a 679-horsepower twin-turbocharged 4.0-liter V8 paired to the brand’s first-ever hybrid motor. Its gasoline engine and trio of electric motors combined make it the most powerful Ferrari ever, totaling 968 horsepower.

In fact, the SF90 is the latest in an onslaught of supercars that has taken a slightly different tone.

Supercars are increasingly electric, rather than powered by the galloping V12 and W16 engines of old. The Aston Martin Valkyrie, Koenigsegg Jesko, Lotus Evija, Mercedes-Benz Project One, and Pininfarina Battista, among others, all use electric motors to help boost them to ever-higher (at least in theory) feats of speed and strength. They all have yet to hit the market in production form.

They’re coming from all sides of the market, too: such big, old heritage brands as Lamborghini and Ferrari, of course, but also from namesake novelty brands such as Gordon Murray Automotive and just-minted startups dotting the U.S., Europe, the Middle East, Korea, Japan and China.

These boutiques tend to have obscure names and opaque origins, blending the lines among automotive companies, tech companies, and software startups. Witness the British Dendrobium D1 and Ariel P40, the Chinese XING Mobility Miss E, the Croatian Rimac Concept_One, and the Japanese Aspark Owl.

They come and go in the automotive consciousness, many making a splash at a car show with a foam mold or rendering, trotting that same car around for a year or two, then quietly merging with a larger auto or tech company, or shutting down altogether.

Rather than loss-leaders for the brand, they’re now a big part of the business model—or the business model.

“Basically, [the deposits to the supercar startups are] seed money to get operations up and running—applied to the cost of the car,” says Kevin Tynan, senior automotive analyst at Bloomberg Intelligence. “Think of it as venture capital, with the return being a supercar instead of a percentage.”

In November, Lamborghini announced the one-off Lamborghini SC18 Alston, created for a single customer at a multimillion-dollar cost.

It was a strategy that took cues from the Lamborghini Reventon: When it debuted, its almost immediate sell-out success of all 20 models to Middle Eastern sheiks and Russian billionaires proved to Lamborghini brass that the market could handle the extravagant price and exclusivity of vehicles heretofore considered too wild for it to bear. This paved the way for the $4.5 million Veneno and the aforementioned, 759-horsepower Centenario, rare-as-plutonium supercars that came several years later.

Reggiani characterized the one-offs as a not-insignificant part of Lamborghini’s bottom line, though he declined to give a percentage.

Elsewhere, Ferrari, which announced a Special Projects Division 10 years ago, has built one-off cars such as the Superamerica 45 and the P540 Superfast Aperta. Aston Martin has quietly made such one-offs as the CC100 and Valkyrie hybrid; McLaren made the 1,035-hp hybrid Speedtail.

“The sky is the limit,” Bugatti chief Stephan Winkelmann said this summer at the Villa d’Este Concours d’Elegance. The company had just unveiled the La Voiture Noir car purchased by Ferdinand Piëch, the notorious Volksagen boss who died Aug 25. The car cost nearly $19 million, after taxes and fees.

Fantasy World

Proponents, and corporate press materials, rave about the shocking designs and extensive technologies of these extreme supercars, but their proliferation has simultaneously spurred the customary cadre of critics.

Those skeptics point to a whole lot of empty promises from the automakers and question their connection to reality, whether now or later.

There’s no question that in the future the world is going to have to change. Consumers will have to find sustainable transportation, says Jim Glickenhaus, who makes road-legal hypercars and supercars of his own. But he notes that his wife’s Tesla S is already much faster than she could ever drive it on public roads, both legally and logistically.

“Where are you going to drive a 2,000-horsepower electric supercar? You’ll run out of road,” he says. “I already get a headache in the Tesla! And now we’re getting 2,000-horsepower hyper-electric cars? Seriously. Why you would ever need a 2000-horsepower electric hypercar? I just don’t understand. You’re never going to drive a hypercar to pick up groceries.”

Not that any of the people who currently own the few electric hypercars that have actually come to market ever go grocery shopping; the idea is that there is a finite and very small market for that type of car at all, and we are near reaching the saturation point. Call it hypercar fatigue, contagious only among those who have been buying the hypercars in the first place.

Many of the new supercars are not legal to bring into the United States under normal permitting, anyway. They’re legal only to “show and display,” not to drive on public roads, because they don’t meet federal safety and emissions regulations. The Ferrari Icona Series Monza SP1 and SP2 cars, for instance, are legal for track use only.

Not that it matters. Follow Kang on Instagram or Mattress King collector Michael Fux for any length of time, and you’ll see they drive their more-practical Porsches and Rolls-Royces more than the hypercars they hoard. (Fux recently pulled up to Manhattan’s Cipriani restaurant in his white Rolls, for instance, rather than his green Senna.)

Peruse the auction catalogues of any major sale, browse through the feed of wealthy Youtube go-getters, or ask the young scions of Saudi families: They’re all bragging about how few miles their supercar has on the odometer, not about the great drive they took up the coast, say.

The popular thing for younger, newer collectors seems to be not driving your car, instead of driving it—a drastic change from the longstanding tradition of the best, most hallowed cars earning their stripes by taking epic drives, winning adventure races, and parading through Paris.

“This whole modern supercar-hypercar market is destined to collapse under its own weight and implode on itself,” says Winston Goodfellow, an automotive author and analyst who judged the Pebble Beach Concours d’Elegance last month. “After all, if the things aren’t being utilized for their original purpose, there are only so many suckers and cult members out there who will agree that this weird Kool Aid actually tastes good and makes sense to drink.”

There are other cracks in the proverbial armor. Mercedes-AMG has yet to deliver any of the Project One cars it promised nearly three years ago. (Deliveries are set for 2021, according to a Mercedes spokesman.)

So does Ariel, with the P40 it announced in 2017; Aspark, with the undelivered Owls it announced in 2018; and XING, with the Miss R it announced in 2017. Dendrobium, which announced the D1 last year and has said it would be ready by 2022, is already pointing to Brexit as a reason why it may not be able to deliver on its promises.

“So many investors have said to us that they’re keen but need some resolution one way or another,” Dendrobium boss Nigel Gordon-Stewart told Top Gear.

Indeed. Read through the fine lines of press releases about the new supercars and you’ll see phrases like “working toward being fully funded” and “working to develop a technology partner,” verbal cues that the company is far from anywhere near being able to make production cars. Faraday Future unveiled an electric hypercar concept called the FFZERO1 in 2016 without even having a factory—or the money to build one. It has yet to produce any cars.

Then there’s the fact that the values of the first supercars are slumping. The McLaren F1 that sold in Monterey set a record—but failed to match even the low end of its estimated value before the sale. At the Gooding & Co. auctions in Arizona earlier this year, a 1990 Countach failed to reach even its low value estimate of $275,000; so did a Ferrari Testarossa listed for $250,000-$300,000 that sold for (just) $221,200.

The automakers themselves remain notoriously cagey about exactly how supercar sales have been faring. Many blast instant- or near-immediate sell-out numbers in press releases, while other—when asked privately and perhaps more transparently—say that roughly half sold very early, and the rest are expected to sell in the coming weeks. Bugatti, one of the more forthcoming of the lot, has said that this applies to its Centodieci. It famously had to sell only one of the La Voiture Noire cars, anyway the one that went to Piech.

It’s telling, if anecdotal, that public sentiment may be shifting. Locals near one of the biggest annual supercar gatherings in the world—on Cannery Row in Monterey during car week—even succeeded in getting it canceled this year amid complaints of noise and general disruption. Please don’t “hoon” around in your Lamborghini, one Instagram user requested.

It was a blow to the automotive “influencers” who are the prime targets for the hypercars—to their egos, at least. After all, if you can’t show off your supercar on social media, is it even really yours, bro?

“The pendulum has already started to swing. It’s just that people don’t notice it because all these manufacturers are flooding the market with new product and obfuscating the view,” says Goodfellow. “When you have companies selling things that can’t even be driven on the street—and no one thinks this is weird—there is real distortion.”

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dippedanddripped · 5 years ago

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THERE MIGHT BE no other place in the world as good as where I’m going to take you,” says Jonathan Anderson, with a final drag of his cigarette. We are standing on the vast stone steps of London’s Victoria and Albert Museum, which houses one of the world’s most extensive repositories of decorative arts. He grinds the cigarette out with his heel and hurries inside, bolting past reception and bounding up the marble stairs to a series of high-ceilinged rooms.

The ceramics galleries on the top floor have been relocated since their 1868 inception and were reconfigured a decade ago. The 11 rooms house over 30,000 vases, platters, cups and tea service in porcelain, earthenware and stoneware from 2500 B.C. to present day, from sub-Saharan Africa to the Cotswolds. Only a few of the anterooms contain the sort of edited, thoughtfully labeled, artfully lit displays found in modern museums; most of the floor space here is occupied by rows of 12-foot-tall glass cases, each ignominiously stuffed with stacked pieces. The contents’ origins are written in plain letters on the surface of each case, almost too high to see: China, Japan, the Middle East. You can glimpse the royal blue and marigold iridescent lip of a platter here, the rough neck of a sand-colored hand-turned vase there, but not much more: You would have to stand for hours — as Anderson has — day after day, to absorb it all. It resembles less a museum than a series of oversize storage closets of the sort you’d find in a Georgian countryside mansion, packed with generations of heirlooms secreted away to weather the Great War. “There’s so much here because families keep all this history,” Anderson says as he walks the aisles, stopping occasionally to look up at one of the cases. “Yes, it would probably be easier to put much of this in storage to make a better viewing experience, but you would never want to tamp down the love.”

Although he was recently named a trustee of the museum, Anderson himself is not a historian or a gallerist but the 34-year-old creator of strange, beautiful clothing and accessories that occupy the liminal space between the rivetingly avant-garde and the satisfyingly wearable, and among the most forward-thinking designers working today. He first visited the Victoria and Albert Museum as a teenager with his mother and now goes at least twice a month, traveling by cab from his Victorian house in East London or the headquarters of his namesake label in Hoxton. In 2008, he launched JW Anderson, his off-kilter, androgynous men’s line, introducing tissue-light leather dresses and ruffled hot pants in duffel-bag cotton fabric in an era before such gender transgressions became common. A couple of years later, he added a line of well-crafted and witty women’s wear (a mod silk paisley pajama suit with a white rubber clerical collar, square-toed studded boots balanced on a steel-barrel heel), all of which he produces from an airy 3,000-square-foot atelier. A 2012 collaboration with Topshop brought him mainstream attention, and a year later, LVMH bought a stake in his company while also naming himcreative director of Loewe, a venerable but sleepy Spanish leather-goods company that neither Narciso Rodriguez nor Stuart Vevers, now the creative director of Coach, had been able to awaken.

After moving Loewe’s design studio from Madrid to the Sixth Arrondissement of Paris (an easier commute to London, yet far enough to allow a creative distance between those collections and his own), Anderson set upon establishing his Loewe: collections of clothes and accessories that possess both a couture level of craftsmanship and a distinctly raw, handmade energy. It’s a conflicting, friction-producing combination that has come to define — and propel — his vision for the brand. The decisions he has made for Loewe may seem counterintuitive — there are no flashy logos, and he’s unafraid to show the figurative hand of the artist in his garments (a multicolored striped angora sweater, for example, looks as if it has been sewn by an amateur, and his popular calfskin handbags bear a signature exposed cotton top stitch, a plain-spoken touch). But Anderson’s concepts resonate because he has managed to speak to our moment, to our inchoate and inarticulable yearning for the earthbound, the slow, the imperfect and the anthropological.

For fall, the surface of a wool sweater is covered with luminous pearls of varying sizes, like barnacles, paired with raw, oversize, wide-legged jeans. A three-quarter-length patchwork coat with a traditional check has bell sleeves and a stand-up collar of natural-hued calfskin. A dress that begins as a soft wool turtleneck morphs at the waist into a white cotton organdy peasant skirt stitched with spare scalloped bands. Bags include iterations of Anderson’s best sellers — the geometric Puzzle; the Gate, with its rakish tie — but also faux-naïf one-offs like a knit mini-purse in the shape of an otter: something that could be mistaken for a child’s toy. There are also hats that suggest a nun’s wimple or bat ears, and headbands topped with dandelion-colored marabou feathers.

But what makes Anderson so radical — and explains why the ceramics collection of the Victoria and Albert Museum, in all its fusty, cluttered, rough-edged glory, is a diorama of his magpie mind — is that his vision includes much more than only things to wear or carry. “I love fashion,” he says, “but I will not let fashion dictate me.” It is a statement that’s both pronouncement and promise, and accordingly, he doesn’t labor to show unified collections, consciously attempt to follow the zeitgeist or even bother accentuating the human form — his muses are not models or actors. Instead, his primary sources are the people for whom clothes were generally something worn beneath a smock: the masters of early 20th-century craft. Both JW Anderson and Loewe have become his mad-scientist experiments in returning traditional handiwork to high fashion. It has proved to be a prophetic but provocative notion, partly because craft has always had an uneasy place in the world of fashion. Every now and then, a designer cultivates the genuinely homespun — Natalie Chanin, who in the early 2000s launched the sustainable American line Alabama Chanin, with its fine beading and embroidery on T-shirt cotton and denim made by local women in Florence, Ala., comes to mind — but it can often wind up feeling insincere or genuinely homely.

In 2016, Anderson made his connection to craft official by founding the juried Loewe Craft Prize for artisans from around the world working in everything from glass to leather to paper. It has become a cornerstone of the brand and of the designer’s aesthetic. His clothes are subversive because they suggest that craft ought not exist in the service of fashion but that fashion should exist to support craft. Under his hand, the wearer becomes a vehicle, one meant to display what the human hand can do. “Some places use ‘craft’ as a synonym for ‘exclusivity,’ to convey a sense of eliteness,” he says. “But for me, craft is a stripping back to the roots, a fidelity to something raw.”

ANDERSON WAS RAISED in Magherafelt, an Ulster town of about 8,800 people in Northern Ireland, the son of a schoolteacher and a professional rugby player turned Irish national coach. When he was in primary school, he was diagnosed with severe dyslexia. Along with coming out at 18, during the year he spent studying to be an actor at Washington D.C.’s Studio Theater, his dyslexia has profoundly shaped his life. Even now, he avoids writing simple emails. But he believes that having to visualize, contextualize and translate has heightened his ability to live in both future and present tenses, a necessary skill when creating 18 well-differentiated collections each year — six for his own label, 10 for Loewe and two for his ongoing collaborations with Uniqlo.

“Limitations can actually be really freeing,” Anderson tells me the day before our London museum foray, when I meet him in Paris, in his spacious office at the Loewe design studio overlooking the Église Saint-Sulpice. He splits each week between the two cities (his boyfriend works in fashion in Paris) and visits Loewe’s Madrid headquarters twice a month. The room, at the top of a grand, winding stair, is reflective of how he ricochets between the excessive and spare: His huge desk, clear as a cutting board, stands before a bulwark of flush, frameless wooden closets; on the opposing wall are long floating shelves displaying a collection of more than 27 late 19th- to early 20th-century French ceramic mushrooms that he bought at auction. “I can sometimes go into hoarder mode,” he says. “And then I’m suddenly sick of it all and wonder what I’m doing.”

When Anderson was named to head Loewe, some wondered if a polymorphous niche designer whose only experience beyond his own company was a year or so in merchandising at Prada could manage to reconceptualize a moribund legacy brand (while also coping with internal politics and economic realities). But in addition to his endlessly fecund imagination, Anderson has a quality that few young talents of his stature, especially those in the vanguard, seem to possess: a head for business. Instead of chafing under a corporate master, as other renegade designers have — Alexander McQueen, famously, for one — he seems to savor the balance of commerce and culture; Loewe has experienced strong growth during his tenure. “No designer today can be completely detached from the realities of business. Maybe a decade ago, but no longer,” he says. “It’s about surviving, of staying around long enough to say all the things you want to say.” This embrace of the practical has inspired his latest project: remaking many of the brand’s 111 stand-alone stores into what he calls Casa Loewe, a showcase not only for his designs but also for the artists, artisans and even floral designers he admires. The New York City store opens in SoHo this fall, but you can see the result of his most recent efforts in London’s three-story flagship on Bond Street in Mayfair, which opened in April. There, the clothes and accessories share space with colorfully pocked vases by the Japanese ceramist Takuro Kuwata, Anthea Hamilton’s drippy blown-glass stop-sign-red 2014 Vulcano table and baskets woven by Hafu Matsumoto. Throughout the shop are obvious inflections of Kettle’s Yard, Anderson’s self-described spiritual home, the Cambridge gallery that was once the four-cottage residence of the 20th-century art collector Jim Ede and his wife, Helen (they donated it to the university in 1966), a model for hybrid domestic-retail environments. There, works by the sculptors Barbara Hepworthand Henry Moore and the painter Helen Frankenthaler are displayed amid the Edes’ original furnishings, as well as with rotating shows of contemporary and modern artists.

But while the stores may be reflections of Anderson’s tastes and vision, the designer himself is not. It’s common these days for creative directors to embody their own aesthetic — think of Gucci’s fanciful Alessandro Michele, for one — but Anderson, whose uniform consists of loose jeans and a sweater or button-down, his sandy blond hair askew, is not a peacock. “I’m trying to dress better, but it’s hard for me,” he says. At home, he can’t bear the presence of anything he’s made. At both brands, he relies heavily on teams, perhaps more than some designers; they are enfranchised to transform his constant stream of inspirations — such as a 16th-century portrait miniature, which is translated into the puritan collar of a wool coat or the cravat-style flourish on a white silk blouse — into looks that can parade down a runway. Although he sketches well (his maternal grandfather, who worked as a manager at a textile firm and collected delftware, made Anderson and his younger brother sit at the kitchen table when they were children, drawing various teacups and vases over and over to teach them about volumes and dimension), he sees himself more as a curator than a designer. His working relationship with Benjamin Bruno, his longtime stylist, is closer to that of a partner, he says. He may be the only women’s wear designer who starts from men’s wear and adapts the shapes from there. “I’m a man who’s attracted to men,” he says. “So that’s where the energy is.”

That he has been able to maintain JW Anderson’s acute weirdness over the seasons as he rewrites Loewe’s long, sober story with leather into a tale both effervescent and enduring is, notes Amanda Harlech — an old friend and muse of Karl Lagerfeld, who brokered a friendship between the two men before Lagerfeld’s death this year — “a mark of a rare kind of genius, the sort of intelligence you saw in Karl, the sort of voraciousness.”

“THE UNDERLYING IMPULSE is the same with the clothes, to make something that can stand on its own terms,” Anderson says. He’s gesturing toward a tall, slender, gray stoneware vase by William Staite Murray, a celebrated English studio potter who worked after World War I and was associated with the Seven and Five Society of progressive artists, which included Hepworth and Moore. “Look at that piece. It’s both incredibly simple and incredibly intricate,” he says. “It was made to be used but also amaze.”

Ceramics obsess Anderson, certainly, but so do virtually all crafts — knitting, braiding, weaving, wrapping. Most recently, he acquired at auction a tiny 18th-century embroidery of people tilling a field, simply because he was intrigued that the artist had been able to convey the subjects’ plaintive oppression with mere stitches.

In conversation, Anderson veers easily into other eras and art forms (he is especially entranced by New York City in the early ’80s, including the work of the multidisciplinary artist David Wojnarowicz), but he is most truly the defender of the peculiar propriety and eccentricity of British craft from the Medieval and preindustrial eras, which saw a renaissance in the late 19th century as a reaction to the rise of machine manufacturing and cheaply rendered ornamentation. Back then, William Morris, the philosopher and designer who might be Anderson’s most direct forebear (Anderson used his patterns for a November 2017 Loewe capsule collection), became a crusader for artistic integrity in the decorative arts, championing the intellectual and social status of crafts and challenging the dehumanization of labor that characterized the Victorian Industrial Revolution. Morris famously mastered textile weaving on a loom in his bedroom as well as the block printing of cloth and wallpaper, which had been obliterated by shoddy mass production. At Morris & Co., his Oxford Street emporium, he offered the work of traditional artisans with small-scale countryside workshops, whose hand-hewn pieces in glass, straw, cotton, paper and molten metals had been shoved aside by cheaper, flashier, factory-made reproductions. Inspired by the writing of the Victorian-era critic John Ruskin, who posited a connection between the way in which goods were produced and the social, economic and emotional health of a nation, Morris codified the Arts and Crafts movement in the 1880s as a bulwark against what his biographer Fiona MacCarthy called “the cynical proliferation of the useless,” in hopes of returning to an era in which beautiful, well-made objects were created for everyday life, produced in a way that allowed their makers to remain connected with their product and those who used it. It is a message that is not lost on Anderson, whose first piece for his own line, more than a decade ago, was based on an Aran Irish fisherman’s sweater he saw in a museum; it had been dredged, he recalls — hundreds of years after its 18th-century creation, its beauty intact — from the bottom of a peat bog.

The cult of the handmade as purveyed by Morris, who died in 1896, held sway until after World War I — the movement’s influence can still be seen in places as far-flung as Pasadena, Calif., where the Arts and Crafts bungalows designed by the architecture firm Greene and Greene in the 1920s remain — but by the middle of the century, the design world, enamored of unadorned Modernism, came to dismiss handicraft, once again, as mere decoration. Over the past decade and a half or so, however, a contemporary English aesthetic, one that rejects the confines of polished minimalism, has announced itself. With raw energy, puckish intelligence, local materials and fine handwork, it invokes the region’s pastoral agrarian roots, echoing Morris’s call to return to preindustrial workmanship, with ceramists, basket weavers and textile designers as the drivers of innovation and creativity. The British design ethos has turned from a whitewashed, sharp-edged spareness intended to clash defiantly with the country’s historic architecture toward a craggy, hand-turned naturalness that seems at peace with it. Showrooms such as the New Craftsmen in Mayfair, which opened in 2012, have elevated hand-spun artistry into a fine art, representing the East Midlands-based British potter Bronwen Grieves, whose vessels are made from flattened coils of stoneware clay that have been grogged (fired and then ground up), and Catarina Riccabona, who works in southeast London, hand-weaving wall panels from paper yarn.

For Anderson, no technique or material more fully embodies the complex evolution of the English aesthetic than ceramics, the ultimate earthbound art, conjured from a clay pit in the ground itself. His principal obsessions as designer and collector are the British studio potters of the postwar era. They were inspired not only by the Arts and Crafts movement but by the Wiener Werkstätte, Josef Hoffmann’s Vienna-based precursor to Art Deco, as well as Bauhaus and the Omega Workshop, the Bloomsbury Group’s craft-focused offshoot, which produced textiles, murals and furniture. Clustered around London’s Camberwell College of Arts till the ’70s, this loose collective of ceramists included the Austrian-born Lucie Rie and the German immigrant Hans Coper, who began as her studio assistant. Though Anderson has never tried making ceramics himself — such artistry, he feels, can’t be attempted as a hobby — you can find allusions to the British studio potters’ rough glazes, aggressive shapes, unorthodox proportions and textural juxtapositions in the designer’s intellectually provocative creations: the swagger and curve of Loewe’s Hammock bag, say, or a JW Anderson dress patched together from contrasting panels of fabric, decorated with mismatched buttons.

ANDERSON HAS STUDIOUSLY ignored his phone during our time together, but now it buzzes and he looks down at it. It is not business that breaks his concentration but the latest salvo in an online bidding war for a set of six rare pale pink porcelain Rie buttons that he’s hoping to add to his collection of over 100 (he also owns dozens of pieces of her pottery). He loves them not merely for their delicacy but for their back story: Rie, who died at age 93 in 1995, escaped the Nazis and supported her early work by selling the buttons — tiny sculptures unto themselves, shaped like bowls or knots or mushrooms — to Harrods in the fallow years after the Blitz. With their imperfections and lack of refinement, they are a reminder never to forget the scrappiness of beginnings. “You used to be able to get them for nothing, but not now. Some guy in China is jacking them up,” he says, his eyes narrowing. “This is not good.”

But a few minutes later, as we wind our way out of the museum, he glances again at the screen: victory. He will add the buttons to the others he has had sewn in patterns onto lengths of vintage African cloth. Some of them are framed and hang in his weekend home in Norfolk, a two-hour drive north of the city. Others are draped over Axel Vervoordt tables beside the stacks of illustrated volumes on Chinese pottery and Egyptian glassware in his rowhouse.

On the steps, he takes a cigarette from a pack in his back pocket. One long inhale before he heads to a cab bound for his studio, where, pinned to white boards, dozens of fabric swatches, pebbly to silken; lengths of crocheted trims; and even bits of lamé will, in the coming weeks, become the JW Anderson spring 2020 collection. All he will say is that it will be “subtly fragile, collaged.” What is certain is that it will be as free of self-reference as it is feisty. Like the artisans he venerates, Anderson’s influences become unrecognizable after he’s respun them. In an industry built on jittery speed, quicksilver trends and the endless (literal) referencing of past decades, cultures and movements, his aesthetic stands alone as an artful, ragged quilt of ideas, stitched together in an order that only he could imagine — a product, perhaps, of his dyslexia and his unique way of filtering beauty.

But ultimately what makes his work transcendent is that it forces us to slow down; indeed, it gives us little choice. Esoteric yet primordial, the best of his creations are not instantly appealing nor easily likable; Anderson will never be mainstream. Instead, his clothes beckon, bewitching us, if we allow them to, synapse by synapse, as they bid to be touched and seen and felt. They allude to the past with their deliberate mix of ancient techniques and posit a future of a winsome, off-kilter mosaic beyond the reach of time and haste. And what emerges, season after season, is this: not merely a crocheted sweater for a crisp afternoon in Kensington or TriBeCa, nor a jaunty patchwork handbag, but a jagged poetry that is perfect and imperfect, modern but also unevolved. It’s not fashion, as he might argue — it’s something else. It’s another way to see the world.

#j w anderson (fashion label)#european streetwear brands #streetwear blog #fashion blog

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homedevises · 6 years ago

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This column is brought to you in affiliation with Savvy Co. Real Estate. All opinions are our own.

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joyzhong1 · 7 years ago

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Agenda Weekender: 90+ things to do this Weekend, including Burgers and Beer Fest, Ritmo and Sabor and Tinkerfest

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FRIDAY, June 1

90. 40% chance of afternoon showers.

Food & Drink

BOGO Doughnuts at Suarez Bakery: Limit 6 free per person while supplies last. Details.

National Donut Day at Dunkin Donuts Ballantyne: Get a free classic donut (including glazed, Boston Kreme, rainbow sprinkles and more) with any beverage purchase. 5 a.m.-10 p.m. Free. Details.

Beer Release at Catawba Brewing Co.: They’re releasing Peach of Mind, a refreshing session beer brewed with a generous portion of flaked wheat and fresh South Carolina peaches during secondary fermentation. 12-10 p.m. Free admission. Details.

Beer Release at Sycamore Brewing: They’re releasing Moon Juice, a combination of three of their favorite new-school hop. It’s tangerine forward and perfect to wash down dinner from a food truck with. 12-10 p.m. Free admission. Details.

Beer Release at NoDa Brewing Company: They’re releasing Good Will Hopping, a generously-hopped New England-style IPA on draft and in cans, plus TIN Kitchen will be on site. 12-8 p.m. Free admission. Details.

Monthly Small Batch Release at Red Clay Ciderworks: This month’s release combines watermelon and cucumber flavors for a refreshing summer drink. 3-11 p.m. Free admission. Details.

Arts & Entertainment

Live On The Green Kickoff Festival at First Ward Park: Live On The Green is coming back for its second summer. Head over to First Ward Park for a free 2-day festival featuring Roots and Americana bands like Scythian, River Whyless and more plus food trucks, craft beer and wine. Don’t forget your chair and blanket. Fri: 6-10 p.m. & Sat: 2-10 p.m. Free. Details.

Saxophone Performance at Jazz N Soul: Music Saxophonist Dante Lewis will be performing a Sweet Love Tribute to Anita Baker. 9-11:30 p.m. $20-$23. Details.

First Fridays at Mosaic Village: They’re celebrating Black Music Month with local artists telling the stories of their communities through oral histories. 6-9 p.m. Free. Details.

Art Installation Opening Reception at C3 Lab: Airing Out the Dirty Laundry is an ongoing, collaborative, traveling and nationally reaching art installation created by individuals who believe in equality. Come view the art and add the collection by making your own piece on site. 7-10 p.m. Free. Details.

Album Release at JackBeagle’s Noda: GONZO is releasing their first full-length album, and to celebrate they’re performing with Lovely Budz and selling all their new merchandise. 7 p.m.-2 a.m. Free. Details. June Gallery Crawl at Historic South End: Come make your way through all of the galleries around the neighborhood. Each destination will have something special and a couple of artists will be attending the openings of their shows. Sustain Charlotte is also hosting a guided bike tour starting at Unknown Brewing. 5-9 p.m. Free. Details.

Live Podcast at McGlohon Theater at Spirit Square: Join four of your NPR favorites for their banter, wit and insights on the 2018 midterm elections and much more. 8 p.m. $30. Details.

Live Music at Harris Teeter Cotswold: Every Friday at the Wine Bar they have live music to enjoy while you shop for beer and wine. This week’s performer is Barton Hollow. 5-8 p.m. Free. Details.

April/May Residency Showcase at Goodyear Arts: Come celebrate the new artists-in-residence: Debora Koo, Nathaniel Lancaster, and Elisa Sanchez. Their work includes paintings, drawings and paper sculptures. The May research resident will be performing, and they’ll have free beer and tamales for sale. 6-9 p.m. Free. Details.

Experience

Grand Opening at QC Social (300 N College St): Come out to Charlotte’s hot new lounge for a night of entertainment, cocktails and food, a silent auction of local art and more. Proceeds benefit Lily Pad Haven. 5:30-10 p.m. $44. Details.

Free Hug Flash Mob at Tryon & Trade St: Come out to connect and spread happiness with free high fives, hugs, standing ovations and stickers. 1-2:30 p.m. Free. Details.

Outdoor Movie Series at Promenade on Providence: Come watch Ferdinand on the big screen while you sit on the green. BYO lawn chair/blankets. 8:30-10:30 p.m. Free. Details.

Top 30 Under 30 Celebration at Suite: Come celebrate the future leaders of Charlotte with Elevate Lifestyle. They’ll have a cocktail hour followed by an awards presentation. 21+ 6:30-9:30 p.m. Free. Details.

Platinum Gala at Le Meridien Hotel: Join Time Out Youth for the signature gala celebrating the LGBTQ youth in the Charlotte region. 6:30-10:30 p.m. $100. Details.

Diamond’s are a Girl’s Best Friend at Lucky’s Bar & Arcade: They’re celebrating Marilyn Monroe’s birthday with a party dedicated to diamonds. Attendees will have a chance at winning a $10,000 gift card from Diamonds Direct SouthPark. Registration required. 10 p.m.-2 a.m. Free. Details.

Learn Things

CreativeMornings at The Fillmore Charlotte: James Beard award-winning baker, JWU Charlotte professor and world-renowned pizza expert, Chef Peter Rinehart will be exploring the global theme of “Craft.” 8:30-10 a.m. Free. Details.

Fitness

#WalkCLT 2018 at Starting at Recover Brands in FreeMoreWest: The 3rd #WalkCLT will be in FreeMoreWest and aims to raise awareness of the role that walking can play as a mode of transportation and the many social, environmental, and economic benefits walking generate for ourselves and our community. Enjoy the evening walking to various local shops and restaurants that will be offering specials and deals to participants. 5-8 p.m. Free. Details.

Kicking it With Cam at Memorial Stadium: Join Cam Newton, his Carolina Panthers teammates, and VIP guests for a day of kickball benefitting the Cam Newton Foundation 12-6 p.m. $ 5. Details.

Shopping

Donate and Save at Blue Hem at Blue Hem: Donate a reusable pair of jeans and receive $50 off your purchase of a new pair throughout the month of June. All jeans will be donated to the Crisis Assistance Ministry of Charlotte. Mon-Fri: 11a.m.-7 p.m. & Sat: 10 a.m.-6 p.m. Free. Details.

SATURDAY, June 2

89. 50% chance of afternoon showers.

Food & Drink

Summer Family Food Truck Festival at The Cultural Giving Tree for Early Learning: Enjoy local vendors, contests and raffles, live music, food trucks, kids activities, giveaways and games for the whole family to enjoy. 1-6 p.m. Free. Details

Beer Release at Birdsong Brewing Co.: They’re releasing Rewind Lager, a light lager that’s a throwback to Craft Lagers. They’ll also have food trucks on site and live music. 12-10 p.m. Free admission. Details

Grand Opening at Clean Juice Quail Corners: Come out for samples, raffles, entertainment and more, plus stock up on juices for the week. 8 a.m.-8 p.m. Free. Details

Burgers and Beer Fest at Sycamore Brewing: Bang Bang will be grilling up their famous burgers onsite and Sycamore will be providing live music, Craft Beer, Wine, Frosé and Wild Blossom Cider. 12-7 p.m. Free admission. Details

10th Anniversary at The Pizza Peel Cotswold: They’re celebrating 10 years of business with music, a bounce house, food, raffles, beer and more. 2-7 p.m. Free. Details

Can Release at Resident Culture Brewing Company: They’re releasing cans of some of their first beers they ever brewed in limited numbers and they’ll be on tap. 12-3 p.m. Free admission. Details

Women in Power Brunch at The Ritz-Carlton: Come hear empowering speakers, shop special vendors and help congratulate the Top 20 Female-Owned Businesses in Charlotte. 12-2:30 p.m. Donation. Details

French Wine Tasting at Assorted Table Wine Shoppe: Your tasting includes 5 French wines, cheese and charcuterie. Advance registration required. 3-5 p.m.$29. Details

Ardbeg Day 2018 at Dot Dot Dot: Celebrate “Ardbeg Day” with an Ardbeg Tasting for 4 of their distinct scotch whisky’s and Chef David Quintana’s accompanying hor ‘d oeuvres. 3-4:30 p.m. $50. Details

2 Year Anniversary at Blue Blaze Brewing: Expect beer releases, food trucks, bands and more to be a part of the celebration. 12-10 p.m. Free. Details.

Arts & Entertainment

Art & Music Workshop at Charlotte Library West Blvd: Provided by Guerilla Poets through their partnership with Culture Blocks and Arts & Science Council, come learn how to write your thoughts into poetry with African American traditions and then turn them into music in a collaborative drum circle. 11-1:30 p.m. Free. Details

Art For Unity at Hilton Garden Inn Charlotte Waverly: The art show and silent auction is meant to help raise awareness on childhood hunger. 100% of the net proceeds to No Kid Hungry North Carolina. 5-8 p.m. Free. Details

Pippin at Levine JCC: J Stage will be performing Pippin, the story about a young prince searching for happiness. Sat: 2 & 7 p.m., Sun: 2 & 5 p.m. $10. Details

Release at Morehead Tavern: This house party promised to mix new and classic house music. Andy Kastanas, Release and Chris Tyndell are co-hosting and Holy Deep will be performing. 9 p.m.-2 a.m. $10. Details

Children’s Author Event at Park Road Boks: Monica Wood, Kathryn Sherry and Kimberly Roberts will host a panel to benefit a book drive for Elon Homes & Schools for Children.11 a.m.-1 p.m. Free. Details

Eagles Tribute at Reid’s SouthPark: On The Border – the Ultimate Eagles Tribute will take over the patio for big sounds in an intimate setting. 7:30-10:30 p.m. $20. Details.

Experience

Who’s the Dog Daddy DNA Pawty at Lucky Dog Bark & Brew Charlotte: Ever wanted to know what your pups DNA was? Get there early to snag one of the 40 DNA tests available (first come first served) plus a raffle with lots of fun prizes, food trucks and shop gear from the Humane Society Charlotte. 10% of all bar sales will go back to HSC. Adults 21 and over only, dogs must be fixed, friendly and up to date on all shots. 1-4 p.m. $75 for DNA kit. Details

Cyclemania 2018 at 5801 Executive Center Dr.: Come see tons of vintage bikes and enjoy food, music, raffles and more while you’re at it. Proceeds benefit Disability Rights and Resources. 10 a.m.-2 p.m. Donation. Details

Autograph Session at Hornets Fan Shop: Two-time NBA All-Star Kemba Walker will be signing autographs at the Hornets Fan Shop. 1-2 p.m. Free with $25 purchase. Details

Ritmo & Sabor 2018 at Midwood International and Cultural Center: The Caribbean celebration will feature the official album release of Orquesta Mayor, the Salsa group Bachata flow, dance performance lessons by RW Latin Dance and authentic Latin cuisine. 5-11 p.m. Free. Details

Evening in the Park at Legacy Park: Join the Gaston County Family YMCA for an evening of kickball and field games, food and a movie on the big screen under the stars. 6-9:30 p.m. Free. Details

Community Mindfulness Retreat at Myers Park Presbyterian Church: Join Charlotte Center for Mindfulness for a morning of guided mindfulness practices and learn more about their new non-profit organization. 9 a.m.-12 p.m. Free. Details

6th Annual Superwoman Syndrome: A Women’s Empowerment Seminar at Uplift Christian Ministries: The conference promises to be a day of education, appreciation and entertainment. They’ll have vendors, breakfast and lunch, workshops, live performances and swag bags. 9:30 a.m.-3:30 p.m. $50. Details

Grand Opening at QC Spine and Sports: They’re celebrating with a block party complete with BBQ, music, lawn games and giveaways. 4-7 p.m. Free. Details

Entrepreneu(HER) at Holiday Inn Express & Suites – University Area : This women in business showcase combines networking with a trade show atmosphere. Come meet and shop from local female entrepreneurs. 12-5 p.m. Free. Details

Learn Things

Full Steam Ahead at Carolinas Aviation Museum: Come learn about the Wright Brothers and their successful first flight. Kids can build a model of the 1903 Wright Flyer and learn about how the brothers tested their inventions using a wind tunnel. 11 a.m. $3. Details

Champions of History Celebration at Charlotte Museum of History: Come out for tours of the Hezekiah Alexander Homesite, the second lecture in our Ron Hankins History Talks Lecture Series, information on how to preserve your own family history, and special presentations by some of the many champions of history in the Queen City. 11 a.m.-5 p.m. Free. Details

Fitness

SquashCancer Tournament at Charlotte Squash Club: Come play squash (or be a spectator), learn more about cancer research and watch the pros play. Proceeds benefit The Levine Institute of Cancer research. 9 a.m.-6 p.m. $10+ donation. Details

National Trails Day with Carolina Thread Trail at Goat Island Greenway: Join your fellow trail lovers for a local celebration of National Trails Day. This free outdoor event includes live music, food, beer, outdoor vendors, free kayak and SUP rentals, free guided bike tours, free guided nature walks and free yoga. Pre-registration is required for bike tours and nature walks, kayak rentals are on a first come, first served basis. Free. 10 a.m.-2 p.m. Details

King Tiger 5k at University City: Run through the heart of University City and end with great food, drinks and music for all ages. Proceeds benefit the Keith Family YMCA. 7:30 a.m. $20. Details

Keep Pounding 5k at Levine Cancer Institute: 100% of the money raised from the race benefits pediatric and adult cancer programs at Levine Children’s Hospital and Levine Cancer Institute to help cancer survivors and their loved ones to “Keep Pounding” in the fight against cancer.The race will start at Levine Cancer Institute and end on the Carolina Panthers’ practice field. 8 a.m. $30 + $51 fundraising minumum. Details

NoDa 5k at 2921 N Tryon St.: Come out for an afternoon run through the neighborhoods around NoDa Brewery, then cool off with swag, beer, live music and food trucks. 6 p.m. $35 in advance. Details

Fitness Saturday at Northlake Mall: Come sweat before you shop with a high-energy exercise class in the Grand Court. 10 a.m. Free. Details

Pool Party at Life Time Athletic: Kick off pool season with a 60-minute WTRX class followed by a poolside social with food and drinks. All participants will receive a pair of Speedo goggles and a WTRX-branded mesh bag. 9 a.m. $20. Details

Bad Prom 5k at 8711 Monroe Road: Wear you best bad prom dress or tux and get ready for a 5k with selfie stations at every mile and a DJ at the end. Proceeds benefit Carolinas CARE Partnership. 8 a.m. $30. Details

Ride for Pride at Whitewater Middle School: Join the members of the Cannonballs Cycling Team for an all-levels ride benefitting 4 Charlotte charities. Lunch is included in registration. 8 a.m. $35. Details

Yoga in the Park at Freedom Park: The yoga class will be taught by two instructors and will be beginner friendly. Bring a yoga mat and water and get ready to flow. 9-10:30 a.m. Free. Details

Sports

Lacrosse at American Legion Memorial Stadium: Come cheer on the Hounds as they take on the Denver Outlaws. 7:30 p.m. $15-$20. Details

Kids

Daddy Daughter Code-In at Google Fiber Charlotte: Dads and daughters can come out for a night of food, bonding and technology with LEGO building, coding and hands-on experiments 7-8:30 p.m. $25. Details

TinkerFest at Discovery Place Kids – Huntersville: Come out for the museum’s first-ever daylong celebration of design, imagination and creativity for girls and their families. 9 a.m.-3 p.m. Included in admission. Details

Do Good

Haiti Cornhole Tournament & Fundraiser at The Unknown Brewing Company: Grab a partner and come drink and play for a good cause, or just come and cheer everyone else on. All proceeds raised will be used to support the building of the Milot Mission House in Haiti. 12-4 p.m. $100/team. Details.

Shopping

QC Makers at The Suffolk Punch: They’ll be popping up with handmade local goods for sale while you enjoy local brews, cocktails and food. 12-5 p.m.Free. Details

Starving Artist Market at Lenny Boy Brewing Co.: Sip on a craft beer while you shop crafty items from 30+ local vendors. You can buy anything from bath products to woodworking to baked goods and more. 1-6 p.m. Free. Details

CLT Wedding Flea at 3646 Central Avenue: Whether you’re a newlywed or a newly engaged, come out for this bridal-focused flea market. Newlyweds will have the opportunity to sell their wedding decor to newly engaged couples. Be sure to bring cash, and if you want to skip the line (which can trail around the building) go for the VIP early admission. 10 a.m.-2 p.m. $50-$10. Details

Sidewalk Sale at East Blvd: Deals, discounts, rack sales, treats, events and more will be in store all along East Blvd from Freedom Park to South Blvd from over 25 local stores and businesses. 10 a.m.-4 p.m. Free. Details

Grand Opening at M.A.D. Beauty – 1501 West Blvd.: Enjoy sweets, drinks, free giveaways and beauty specials at Charlotte’s newest black-owned beauty boutique. 2-6 p.m. Treatments starting at $10. Details

Farmers Market at Camp North End: The market will sell local, affordable, fresh produce & goods and features The Bulb which supports households in need in food desserts through donation-based baskets. 9 a.m.-1 p.m. Free. Details

Wilson’s Dudeapalooza Pop-Up at C3 Lab: Come do your Father’s Day shopping with all of your favorite Charlotte retailers. They’ll be accepting school supply donations for Classrom Central, and food and drinks will be available. 11 a.m.-5 p.m. Donation. Details

Boutique Crawl at Fityoulous and others: Stroll through your favorite Charlotte boutiques (including Fityoulous, Julie’s Boutique, Ivy & Leo and more) where you’ll receive 20% off your entire purchase, sips and snacks along the way and a reusable shopping tote. 10 a.m.-6 p.m. $10. Details

Sunday, June 3

81. Mostly cloudy.

Food & Drink

Get Brunchy at Divine Barrel Brewing: Villain Coffee Company, Your Moms Donuts and Craft Cakes Clt will be on site to serve up brunch alongside the limited edition Imperial Stout, Spatial Awareness. 9 a.m. Free. Details.

Ten4Ten Benefit Dinner at The Davidson Village Green: Celebrate and support the Davidson Farmers Market with a benefit meal featuring produce from the vendors prepared by an all-star cast of 11 local Chefs. 5-9 p.m. $150. Details.

Sunday Brunch Trivia at 7th Restaurant: Enjoy your Sunday Brunch while listening to live music and testing your true love of 90’s R&B with trivia. They’ll have $20 bottomless mimosas. 12-4 p.m. Free admission. Details.

Mutts & Mimosas Boozy Brunch at Sycamore Brewing: Bring your furry friend and for a brunch to benefit the Humane Society of Charlotte. They’ll have food from TIN Kitchen and $1 from every Beermosa/Pitcher goes to Humane Society of Charlotte. 10 a.m.-10 p.m. Free. Details.

Meal Prep Tasting at Resident Culture Brewing Company: Interested in getting serious about meal prep without the hassle? Come taste meals available for pre-order from Your Custom Catering & Events and order your meals while you’re there. 1-2:30 p.m. Free. Details.

Arts & Entertainment

We’ve Got The Jazz Festival at Bechtler Museum of Modern Art: Join the Bechtler Museum of Modern Art and CLTure for the second annual We’ve Got the Jazz Festival featuring live music on two stages, art activities, local vendors, food trucks, games and a cash bar. The Bechtler galleries will also be open so you can see the exhibitions Alfred Manessier and Wrestling the Angel. 12-5 p.m. $5. Details.

The 25th Annual Putnam County Spelling Bee at Stage Door Theater at Blumenthal Performing Arts Center: Come see the Tony-winning play performed by Teen City Stage. 3 & 7 p.m. $23. Details.

Charlotte Ballet Academy: Primary Spring Performance at Knight Theater At Levine Center For The Arts: The Primary Spring Performance is a wonderful opportunity for the young dancers to demonstrate all they have learned at the Charlotte Ballet Academy 1 p.m. $20-$ 40. Details.

Picnic in the Park at Fourth Ward Park: Pack a picnic and come listen to a live concert from Matt Stratford in the park. The event will reoccur every week with a different performer. 4-6 p.m. Free. Details.

Songwriter Showcase at Free Range Brewing: Tiny Stage Concerts will be featuring Tim Hall, Rick Spreitzer and Karl Stolz as they perform their entertaining songs. 4-6 p.m. Free. Details.

Starving Artist Pop-Up Market at 4100 Raleigh St: They’re popping up with handmade local vendors and food trucks at Charlotte Art League’s new home right off the Sugar Creek Light Rail stop. 11 a.m.-3 p.m. Free. Details.

Experience

LGBTQ & Ally Community Pool Party at Craft City Social Club: Come swim, tan, eat, drink and socialize. They’ll have a cash bar, food through the hotel, discounted parking and live music. 12-5 p.m. Free. Details.

Learn Things

Sugar & Spice Class at Savory Spice Shop: Join Johnson & Wales Chef Instructor Kelly Patkus for a chef-driven demo featuring 4 sweet dishes. You’ll receive copies of the recipes and spices to take home. 5:30-6:30 p.m. $15 . Details.

Fitness

Ramblin’ Rose South Charlotte at Harris YMCA: The triathlon tour is coming to the QC for a beginner-friendly triathlon (250 yd swim, 9-mile bike ride, 2-mile run) that benefits Tri It For Life as well as the Harris YMCA’s many important community outreach programs. 8-11 a.m. $140. Details.

Namaste a Legion Brewing: Stretch out from the weekend with an all-levels yoga class taught by Luis Bayon. Admission includes the class and a pint. 12:30 p.m. $7. Details.

Sports

Nascar Viewing Party at Big Al’s Pub & Grubberia: Watch Nascar at Pocono while you enjoy wings, Bloody Marys and domestic beers on special all day. 2-5 p.m. Free. Details.

Cavs Viewing Party at Flight: Come watch game 2 as the Cavs take on the Warriors on the road. They’ll have drink specials starting at $3.50 8 p.m. Free. Details.

Shopping

Front Porch Sundays Market at 2151 Hawkins Street: Come enjoy over 60 vendors, live music, good food, great beer, pet adoptions and much more. 12-5 p.m. Free. Details.

ON THE AGENDA

Night at the IMAX: Flying Monsters at Discovery Place Science: In a special after-hours showing, join world-renowned naturalist and documentary filmmaker David Attenborough as he sets out to uncover the truth about how and why these mysterious pterosaurs creatures took to the air while dinosaurs began their domination of Earth. June 5.

Taste of Charlotte in Uptown: Eat your way through 100+ samples from the city’s best restaurants during this weekend-long festival that also offers live entertainment, street performance and more. June 8-10.

Scavenger Hunt Bar Crawl at The Peculiar Rabbit: Get in on this Plaza Midwood scavenger hunt. The goal is to drink, have fun and solve your way through a list of clues and riddles. All proceeds will benefit the local charity, Beds For Kids. June 9.

See all the upcoming events here.

Feature photo via Facebook.

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meicamp810923757-blog · 7 years ago

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Perform Video Recording Gamings Result In Youth Excessive Weight?

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williamemcknight · 8 years ago

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Wyevale Nurseries loans plants for WellChild fundraiser

A charity fundraiser taking place in Cirencester in April, 2017 has had a helping hand from one of the UK’s leading nurseries.

WellChild is hosting the Spring into Gardening event on Thursday, April 6 at the Royal Agricultural University and Wyevale Nurseries has loaned the charity a number of plants.

Adrian Hoare, garden design & domestic landscape sales manager at Wyevale Nurseries in Hereford, explained: “We’re delighted to be able to help the children’s charity with its gardening event. Attendees will be able to discover this season’s must have plants and learn how to create eye-catching floral displays to transform their own garden at home.

“WellChild is a national children’s charity, which helps to get seriously ill children out of hospital and home to their families wherever possible.

“We have loaned the organisation a number of plants to display at the fundraising event such as Camellia japonica rosa, Pittosporum Tenuifolium ‘Elizabeth’, Polemonium ‘Heaven Scent’, Anemone ‘Bordeaux’, Allium hollandicum ‘Purple Sensation’ and a number of Hellebores.”

The event will be chaired by TV presenter and producer, Camilla Bassett-Smith. Attendees will learn the tricks of the trade with live demonstrations from green-fingered garden designers, Caroline Tatham and Kate Durr.

Caroline, founder and principal at Cotswold Gardening School, added: “We would like to say a big ‘thank you’ to Wyevale Nurseries for loaning us a wide selection of its trademark top quality perennials, shrubs and trees. Together they will form a sumptuous display of colour, shape and texture, offering an inspirational back drop for the evening.”

During the event, there will also be an illustrated talk from Chelsea gold-medallist, Olivia Kirk, where people will be able to gain top tips on how to design an award-winning garden.

The evening will feature an auction in aid of WellChild, with a range of prizes to be won, including two tickets to the Royal Horticultural Society (RHS) Chelsea Flower Show.

The product selection available from Wyevale Nurseries is enviable across the industry and the talented team regularly introduces new, award-winning plant varieties.

Its main business is to supply garden centres, landscape contractors, local authorities, foresters and landowners with a comprehensive array of trees, shrubs, hedging, herbaceous and specimen plants.

For further details about Wyevale Nurseries, which is based in Hereford, please call 01432 845 200, visit www.wyevalenurseries.co.uk, follow the company on Twitter at www.twitter.com/WyevaleNurs or log on to www.facebook.com/WyevaleNurs.

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homedevises · 6 years ago

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