#Corsage (2022)

[gvaine]

COLIN MORGAN as BAY MIDDLETON CORSAGE (2022) dir. Marie Kreutzer

[mediademon]

CORSAGE (2022) dir. Marie Kreutzer

[maggiecheungs]

CORSAGE (2022) dir. Marie Kreutzer  

[wulfhalls]

showed up for 5 mins displayed the most babygirl behaviour ever and dipped. king

[thebugcollectorexplicit]

[marlocandeea]

ill always be a fan of the 'dam bitch u live like this' neurodiverse cousin to cousin dynamic

corsage tonight baybeyyyy

[wardrobeoftime]

Best dressed Elisabeth "Sisi" of Austria - Vote

I always wanted to do a Best Dressed vote and matching gif sets, and well now the time has come. I've decided to start with Elisabeth of Austria aka Sisi/Sissi because she is portrayed in so many adaptations in recent years.

I'm sorry if I'm missing some but those are the ones I can gif right now. If you know another one, drop it in the comments and I will try to do an honorable mentions gif set of that adaptation as well.

If you want to, you can also drop a comment or reblog including your favourite costume overall.

Examples:

There are gif sets of The Sissi Trilogy, Sisi (2009), Sisi (2021) and Ludwig II (2012) on my blog. Gif sets of dresses from The Empress/Die Kaiserin have been made by @awkward-sultana. Pictures from Corsage and Sisi & I can be found at @sisionscreen.

[filmap]

Corsage Marie Kreutzer. 2022

Museum Palais impérial, Burgring 5, 1010 Vienna, Austria See in map

See in imdb

[sisionscreen]

German-French public broadcaster ARTE will air the free TV premiere of Corsage (2022) on November 22nd, 2024 at 8:15pm. It will be available to stream afterwards in Germany and France.

[food-in-movies]

Corsage (2022)

[cristalconnors]

BEST FILMS OF 2022, pt. 1

Honorable Mentions: (alphabetically) All That Breathes, Crimes of the Future, Decision to Leave, Mr. Bachmann and his Class, The Northman, One Fine Morning, Resurrection, She Said, Till, Turning Red, Women Talking

30. AFTERSUN, dir. Charlotte Wells

29. THE ETERNAL DAUGHTER, dir. Joanna Hogg

28. RETURN TO SEOUL, dir. Davy Chou

27. BARBARIAN, dir. Zach Cregger

26. HIT THE ROAD, dir. Panah Panahi

25. CATHERINE CALLED BIRDY, dir. Lena Dunham

24. CORSAGE, dir. Marie Kreutzer

23. REFLECTION, dir. Valentyn Vasyanovych

22. BENEDICTION, dir. Terrence Davies

21. WE'RE ALL GOING TO THE WORLD'S FAIR, dir. Jane Schoenbrun

[screenshothaven]

Corsage (2022)

[adridoesstuff]

There is something so exceptional about the end credits for Corsage (2022) that makes me both indescribably happy and melancholic.

[nathaniacolver]

not to sound sexist but it’s literally 1000x easier for me to analyze film when both the protagonist and director are female. (currently looking at Corsage (2022) by Marie Kreutzer.)

like i feel like i’m a step closer to understand marvel fanboys like it’s truly crazy how relating to the protagonist’s interpersonal issues all of sudden is more meaningful and observably, tangibly powerful

[nomallmovieschicago]

25 March 2023

Film: CORSAGE (d. Marie Kreutzer, 2022, Austria-Luxembourg-Germany-France)

Forum: Doc Films Format: DCP

Observations: About 30 folks showed up for this one. Very similar to the 2018 feature THE FAVOURITE, a royal (played by Vicky Krieps) descends a step at a time into pleasure-seeking madness, until it stops working.

[notbecauseofvictories]

50/50

Well, 2024 sure did...happen.

Anyway! I didn't set any sort of goal to watch 50 films and read 50 books this year, but that's where I ended up. Neither number is exactly accurate, and I'm leaving out television, revisiting what I've already read/watched, and all the ridiculous novels I pick up when I'm hungover, but still. I'm kind of impressed with myself. I didn't get to 50 books last year, and I don't think I've watched 50 movies in a year ever---but the more I watch them, the more I explore what they can do and communicate, the more I want to see. As a lifelong reader, it's interesting to explore a new kind of art, to try and intuit your way in through a strikingly different form of communicating the exact same humanness.

TOP FIVE 2024

FILMS

The Florida Project (2017)

Crimes of the Future (2022)

M (1931)

Something in the Dirt (2022)

We’re All Going to the World’s Fair (2021)

It's been months and months since I saw The Florida Project, and I still think about it. The bright and artificial sherbet coloring of it; the dank and mold and shadows that linger around the edges....Actually, I think of all these films in terms of their aesthetics first. Not that there wasn't a story there, but because they all represent such a marriage with form. Consider Crimes of the Future with its fading decay, its browns and rust; M with its stylized, refined cityscape even in the greyscale of 30s cinema; Something in the Dirt where every shot is mundane, or fantastical or both; and We're All Going to the World's Fair, with the particular blue-grey loneliness of the internet age. Surely the benefit of watching a movie (as opposed to anything else) is being presented with something to watch, and I like when directors and creative teams understand that.

Honorable mention to American Psycho (2000) since I'm still a little insane about it---or maybe Corsage (2022) because whether or not it was a good movie, it was nevertheless the most uncompromising, brutal portrait of a historical figure I've seen.

BOOKS

The Rehearsal, Eleanor Catton

Big Swiss, Jen Beagin

Vintner's Luck, Elizabeth Knox

Wylding Hall, Elizabeth Hand

Diavola, Jennifer Thorne

Some people may try to tell you that horror is a discrete genre---I am here to tell you that it's not. All great novels are horror stories, and those listed above especially. From The Rehearsal's self-important artistes, to the therapy-speak Millennials of Big Swiss, to the musicians of Wylding Hall (who miss every sign that Something Is Happening) and the Pace family of Diavola (who deny that the signs mean anything, even after fleeing their vacation home in the night)....all these novels are a study in people experiencing something painful, even terrible. And yet, that provides incredibly fertile territory for their authors to explore the things that come with horror---complicity, desire for closeness, narration and performance, the open wound of family, the thin netting of modernity that keeps us from plunging into something older and darker than we can comprehend.

The only exception might be Vintner's Luck. Not because it's not there as a theme, but because the novel itself spans the narrator's life. By the time he's middle-aged he's committed so many errors, he can't judge too harshly when others do. In this respect it's almost an answer to the questions horror poses---not just how do you survive this? but how do you go on, having survived that?

Honorable mention to Dead Inside, by Chandler Morrison, because it was stomach-turning in the very best way. Echoes of Cipher by Kathe Koja---when an author really knows, really understands, how to wield grossness without shirking or apologizing for it, the result is delightful.

Books of 2020 | Books of 2021 | Books of 2022 | Books of 2023