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gvaine · 9 months

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COLIN MORGAN as BAY MIDDLETON CORSAGE (2022) dir. Marie Kreutzer

#filmedit #corsage #corsage 2022 #colinmorganedit #merlincastedit #perioddramaedit #perioddramasource #worldcinemaedit #*#this gifset is very self indulgent #not merlin #also this film forced me to make a b/w gif so i shall never forgive it #i will though because i enjoyed it #colin morgan

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maggiecheungs · 1 year

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CORSAGE (2022) dir. Marie Kreutzer

#corsage #corsage 2022 #vicky krieps #marie kreutzer #worldcinemaedit #filmauteur #filmgifs #perioddramaedit #filmedit #ellisgifs #myfilmgallery #movie tag #queue

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mediademon · 10 months

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CORSAGE (2022) dir. Marie Kreutzer

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gael-garcia · 2 years

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Corsage (2022)

directed by Marie Kreutzer

cinematography by Judith Kaufmann

#corsage #filmtag #corsage 2022 #marie kreutzer #vicky krieps #caps #post #judith kaufmann #film

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raccocoo · 4 months

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Corsage (2022) dir. Marie Kreutzer

#corsage 2022 #marie kreutzer #empress elisabeth of austria #biographical film #biographical fiction #period movies #period drama #german media #royal aesthetic #colin morgan #historical film #historical fiction

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sineva · 2 years

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Vicky Krieps for Violet ph. Elina Kechicheva

#vicky krieps #vkriepsedit #edit #flawlesscelebs #femalestunning #femaledaily #thequeensofbeauty #dailywomen #wonderfulwomendaily #corsage 2022 #reposting again because of shadowban

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wulfhalls · 8 months

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showed up for 5 mins displayed the most babygirl behaviour ever and dipped. king

#god what a film!!!!!!#vicky krieps performance of all time???#corsage #period drama #txt.me #rudolf my good friend rudolf crown prince of austria #corsage 2022

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theiconicmeghanmarkle · 2 years

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Marie Kreutzer was still fleshing out the screenplay for “Corsage,” her spiky depiction of the 19th century Empress Elisabeth of Austria (Vicky Krieps), when the Austrian writer/director went to the supermarket. At the magazine stand, she noticed a string of covers, all featuring Meghan Markle. “The headlines were different,” Kreutzer said, speaking over Zoom from her home in Vienna. “It doesn’t matter what it’s about, it only has to be about her. There’s always someone judging her. Whatever she did, it was wrong.”

That same judgmental gaze is a burden faced by Kreutzer’s version of the Empress from the start, as she turns 40 and grows tired of the formal expectations placed upon her at every turn. “The core of the film, for me, is that women have always been and still are raised and trained to please, Kreutzer said. “That’s something we grow up with.”