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the moon in reiji hiramatsu's works

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Kind of want to draw this shot from LoA but also I fear that the sheer energy and composition of the actual frame will not transfer

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I do believe that The Garden of the Finzi-Contini is our Brideshead Revisited after all.

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Vintage Perfume Bottles

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The Damned (1969) dir. Luchino Visconti

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Chester Cathedral | GarettPhotography

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Art by Cleo d' Orefice

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i take back that lana - my mother post. my mother looked a lot like capucine as a young woman. i think there's some space-time dependant gene pools and she happened to be just around capucine's on both axes

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i think what’s on a person’s nightstand is very telling so reblog this and put in the tags the things you have on your nightstand

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the 'royal who's got it all figured out but fakes madness to take time/space about it' trope is so dear to me

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i love all my children equally (i don't care for the first 'e') + performing according to one's gifts for size

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 — E. E. Cummings, Etcetera: The Unpublished Poems of E.E. Cummings

[text ID: But I’ll live my life if it kills me]

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Our work is about trying to empathise with the characters we play and about being someone completely different with every part. It’s about the representational performance, and the pride when one manages to achieve it. To immerse oneself, to become a part of a person invented by a poet. Filling words with life, realising a fictional character, is the noble vocation of every actor. I can’t imagine how you could feel motivated and satisfied always playing the same type of person; always having to endure the same fate and stories. As an actor it would feel as if the audience were always waiting for a particular line or facial expression instead of being surprised with a new move or a new face. - Adolf Wohlbrück, interviewed in 1935

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The Iliad, cover illustration by husband and wife illustrator team Leo & Diane Dillon, 1969

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Keiss Castle, Sinclair's Bay, Keiss, Caithness, Highland, Scotland,

Photo by Chris J. Houston

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Masculine cape made of green silk velvet with golden embroidery. Years 1651-1675.

Source: Museu Virtual de la Moda de Catalunya [Fashion Virtual Museum of Catalonia]. Kept in Museu del Disseny [Design Museum] in Barcelona, Catalonia.

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Natural transformation processes announce themselves mainly in dreams. Elsewhere I have presented a series of dream-symbols of the process of individuation. They were dreams which without exception exhibited rebirth symbolism. In this particular case there was a long drawn out process of inner transformation and rebirth into another being. This "other being" is the other person in ourselves-that larger and greater personality maturing within us, whom we have already met as the inner friend of the soul.

C.G. Jung - The Archetypes of the Collective Unconcious